I don't know the word
for this restless almost breathless
feeling  in my chest -

the opposite of a bluebird
- a ******* crow, at best

a last call cawing
or is it a raven's kraa-kraa

this feeling -
like a shadow in clothes
- a fly in the eye of those

who pray for repose
of my soul.

CORVID COMPANY

crow lost in crowd
just another commuter
trying to get to somewhere

packed train
everyone makes way
for our avian friend

crow gets off
at next stop
hops on escalator

at the top
crow and I
go our separate ways

crow takes to the skies
telling his friends all about
his journey with the humans

“Naw!” they all caw
“Yeah…yeah!” crow crows
they fall about the sky laughing

Her laughter pumps the gas, dumps the clutch shakes and rattles from each intersection
Her wet feet leave monster tracks long damp claws arching across the cement
Her hair grows brambles collecting thorns and twigs with the best of bushes
Her senses, corvid, snatching up dropped coins, pencils, paperclips
Her tongue unfettered, butterfly breath reels with snips of story and songs
Her eyes hold drops of honey, sticky sweet lashes follow the sun
sunflower cheeks blush cardamom on yellow velvet
glow butterfaced with dandelion kisses

Rough, regular under hand, stubbornly slate, unchanged unmoved.
if her soul is a garden there is a cinderblock there
holding down the sunflowers,
along with the grass at her core, it grows roots,
     but no moss.

In flight, cloud pours winged ink,
feathered in atmospheric caption,
in and out, as a cursor blinks,
gliding portal-- ground casting.

a falling feather stroking air,
day's mind--now nigrescence,
torch waving in drip drop lair,
corvid "kaaw"--all sides pressing.

blackness: it is infinite cursive,
folded 'round a writer's eyes.
A hearse' undulating curtain,
the wings-- as the crow flies.
*
sound of the internal chasm,
shamen of post-mortem height,
feathered pen will spasm,
with morsel--writhing in and out of light.

Every poet should be responsible for his poetic language
Every scientist should be held responsible for his/her own action
My birthday in the year of the corvid 19, will be different
I wouldn’t bother to confirm with the ground hog on this matter.
He too is refusing to come out, he detest the humans
The righteous will possess the earth, and they will live forever on it.”. — Psalm 37:29.
From what is going on I might have to debate this verse.
Would you agree with the poet?
Where there is action they will be a reaction
Leadership money and power
Is this what we are dying for?
"Whoever keeps his mouth and his tongue?
keeps his soul from troubles"
We all love a good story.
With a good ending,
What is going on today is not a story
Our next generation is going to have a hard time
Explaining this to their next generation of survivors
What happen in 2019, was an act of greed
It is the reality, of mad virology scientist went mad.
If this vaccine doesn’t work what will be our next move?
When your boss take his clean non corvid 19 facilities and
Turn it into a corvid 19 center,
What would a poet call this move (greed $$$)
All this poet can say.. “Let wait and see”.
Crave all loss all. one who wants everything, may lose it all

The Open Studio

Usually the journey by car flattens expectation, and there’s that all-preoccupying conversation, so one only takes in the view where there’s a halt at a traffic light or at the occasional junction. A pattern on a wall, a damaged sign, a curtained window. Waiting, one looks and sometimes remembers, and what one sees later reappears in dreams or moments of disordered contemplation. A train journey is another matter: you sit and look, and when it is a trip rarely made, you put the book away and gaze beyond the ***** windows to a living landscape that scrolls past the frame of view. When you arrive there’s inevitably a walk: today through a town’s industrial hinterland, its pastness where former mill buildings have tactfully changed their use to become creative places, peopled with aspiration and strange activity. Walking reveals the despair of forlorn roadside business falling back into alleys ending in neglected and empty buildings, so much *******, silences of waste and decay.

But here’s the space, there’s a sign on a board outside, OPEN STUDIO TODAY. Entering inside it is quiet and cold, the door remaining open to let in the December air and the hoped-for visitors. But it’s bright and light: a welcoming presence of work and people and coffee and cake. And here’s the studio, a narrow space between make-shift walls where the artist works, where the work awaits, laid out on the surfaces of desks and tables, on shelves and walls, specimens of making; ‘stuff’, the soon-to-be, the collected, the in-progress-perhaps, the experimental.

Good, a heater blows noisily onto cold fingers. In the turbulent air pieces tremble slightly from their hangings on the walls. They are placed at a good height, a ‘good to be close to examine the detail’ height, the constructed, the made, the woven, the stitched, the printed, all assembled by the actions of those quiet, intent, those steady hands. There, a poem on a wall next to the window. Here, photographs of places unlabelled, unrecognised, but undoubtedly significant as a guide to the memory. Look, a dead badger lying in a road.

Next to the studio, a gallery space. Two walls covered with framed prints, well lit, a body of work captured behind glass, in limbo, waiting patiently for the attentive eye to sort the detail, that touch of the object on paper, that mark found and brought out of time and place. Perhaps these ‘things’, some known, some mysteriously foreign adrift from their natural context, have been collected by that bent form on a windswept beach, by the hand reaching out for the  gift in the gutter, struck by the foot on the track, unhidden in the grass by the riverside, what we might pass as without significance and beyond attention. This artist gives even the un-namable a new life, a collected-together form.

Moving closer let the eye enter the artist’s world of form and texture - and colour? There is a patina certainly, colour’s distant echo, what is seen on the edges, a left-behindness, more than any subtlety of language knows how to express, beyond comfortable descriptions, not excitable, where the spirit is damped down and is restful to the mind, a constancy of background, like a capturing of a cloud but bulging full of hints and suggestions, where texture is everywhere, nature’s rich patterns colliding with things once invented and made, used once, once used left and changed, thrown away, to be brought before the selecting eye and the possibility of form with meaning its patient partner.



J.M.W.Turner writes  on poetry and painting

Poetry having a more extensive power
Than our poor art, exerts its influence
Over all our passions; anxiety for our future
Reckoned the most persistent disposition.

Poetry raises our curiosity,
Engages the mind by degrees
To take an interest in the event,
And keeping that event suspended,
Overturns all we might expect.

The painter’s art is more confined,
Has nothing to equate with the poet’s power.
What is done by painting must be done at once,
And at one blow our curiosity receives
All the satisfaction it can know.

The painter can be novel, various and contrast,
Such is our pleasure and delight when put in motion.
Art, therefore, administers only to those wants,
And only to desires that exercise the mind.



Twilight

A day aside and diaried into busy lives
So to a morning walk to Turner’s View
Above the River Wharfe and Farnley Hall
Where it is said the inspiration came
For his famous oil of Hannibal,
with elephants and storm-glad Alps.

On to lunch where six around a table
Souped with salad before we homed
Mid afternoon the day in decline
We were done with words so watched
The edge-timed light flow between our hands.

Inevitably we climbed the stairs to lie
In twilight’s path beneath the skylight’s
Square a sliver-moon we couldn’t see
Gracing the remaining daylight hour
Marbled with shadows our collected
Curves and planes lay as sculptures
In the approaching dimity and dark
Each experimental stroke of touch
Holding us dumb to speech and thought
As night’s soft blanket covered us entire


Northcliffe Woods

Oh nest in the sky, empty of leaves,
Those tangled branches
Reaching out from twisted trunks
Into the sullen clouds above, when

Suddenly a crow -
‘Corvidae’, she said -
And simultaneously pulled
a hank of ivy from a nearby tree.

Hedera Helix I thought
But did not say, instead
I whispered to myself
Those ancient names I knew.

Bindwood, Lovestone
(For the way it clings
To bricks but ravages walls),
A vine with a mind of its own. But

She, in a different frame that day,
Apart, adrift and far away
From our usual walk and talk,
Fixed her gaze on the woodland floor,

Whilst skyward I sought again that
Corvid high in the branches web
Black beyond black beyond black
Against the pale white canopy above.


Franco*

Blow She Still
Ed insieme bussarono
Sweet Soft Frain
Cloche Lem Small
Spiri About Sezioni
Portrait Eco Agar
Le ruisseau sur l’escalier
Etwas ruhiger im Ausdruck
Jeux pour deux
For Grilly Fili Argor
Atem L’ultima sera
Omar Flag Ave
The Heart’s Eye*

play joy touch
code panel macro
refraction process solo
quick-change constrained
hiatus sonority colour
energy post-serial scintillating
aleatoric reuse transformation

A lonely child who imagined music
on sunday walks, he would talk about
how one lives with music as someone
would talk about how one might live
with illness or a handicap. He said,
‘You cannot write your life story in
music because words express the self
best whereas music expresses something
quite beyond words’.

We fought wars,
Rough, ferocious and deadly deadly,
Genocides and Holocausts,
We killed, got killed and lived to tell the tale,
We still touched our mouths, noses and faces,
We sneezed, coughed and had high fevers,
We shook hands, hugged and kissed,
Yet we survived and lived to tell the tale at the tail-end.


Wars were fought throughout the world,
World wars and wars for supremacy,
Nuclear wars and cold wars,
Religious wars and wars against colonialism,
Tribal wars and civil wars,
Trade wars and industrial wars
Insurgencies and conventional wars,
Wars against Ebola and wars against the SARS virus,
Wars against slavery and apartheid; and wars against oppression,
Wars about us against them and them against those that are against them,
Some, really senseless wars.


We emotionless watched them fight their wars with arms folded,
As they emotionless watched us fight our wars with arms folded,
It is not our war, they felt,
It is not on our soil, we reckoned,
They are not our people, we believed,
Our economy will not be affected, they said,
After-all, we share no common Ancestry,
With pride, we developed a defensive “Them” and “Us” attitude,
Every nation for herself and only God for us all,
We never wanted to be part of others’ wars,
Neither did they want to be part of ours,
Depositing the spirit of Worldianship into acute non-existance.


Today, a horrendous and cataclysmic war has been declared against the world – them and us,
Ruthlessly savaging, ravaging and bulldozing the lugubrious world full of them and us, like a demented storm really gone mad,
A devastating and ruinous world war 3 with some shift of gear,
An atrocious insurgency against a common but deadly and hostile enermy,
A silent, ruthless and predatory bandit which intentions are catastrophically loud, heavily thudding and explosively explosive,
The wide world has been dolorously and traumatically held to ransom,
And ransom of the worst order and disorder,
Plunging the outrageous and despicable West and the rest of the cultured world on one side,
Fighting side by side in a war they never wanted to fight,
Not even side by side,
Desperately befriending my unspeakable enermy because he is the enermy of my enermy,
And the enermy of the enermy of the enermy who is my enermy,
Just imagine the symbiosis,
Just imagine.


Desperate and distressed children of the world have been unintentionally isolated and agonisingly violated,
Tightly curfew-ed and strictly quarantined against their will,
Some, with neither food nor means of survival,
All, converted into Inmates in their own homes and excuses for homes,
As the catastrophic war notoriously spreads like a ravaging bushfire on defenceless nations,
Taking with it innocent children of the subconscious and powerless world,
With some, falling dual victims of the calamitous virus and also the armies,
Little-minded combat and action-hungry armies that are supposed to be protecting them,
Siding with their own enermy and the enermy of their own people,
Shame on the children of the sorrowful soil,
Children of Kunta Kinte, Zwangendaba, Mzilikazi kaMashobana, and Chaminuka,
Children of Moshoeshoe, Kgabo, Kaguvi and Kazembe,
Children of Skwati, Sikhukhuni, Shaka and Shiriyadenga,
Children of Soshangana, Christopher Columbus, Jan Van Riebeck and Vasco Da Gama,
Shame.


A little child distantly cries elsewhere in Africa’s distant peripheries of domineering poverty,
She sickly cries her last cries for food and last cries ever,
A little bundle of a network of visible veins lying on a reed mat like a ragged rag doll,
A tiny, vulnerable innocent crossfire victim of the massive deadly disorderly war,
Last in a family of twelve, that never had food since the first day of the lockdown,
As father and mother sadly gaze at each other, tears are shed and shared in capitulation,
They cannot leave their landlocked tiny shack to go out to look for food,
Their poor offspring lackadaisically closes her tiny eyes for the last time,
Departing from the weird world in a war that was never hers to fight,
Not even her “church mice” parents,
She dies in painful hunger and of a painful hunger that was the grandchild of Corona’s making,
A child of the African dusty soil prematurely returning to the African dusty soil,
A crossfire victim of corvid19 of the Chinese ancestry,
An indiscriminate weponous weapon of mass destruction,
Shame.


Amidst all this, songs get sung phonetically in different languages and tunes,
By different nationalities of different nations and nationalisms,
Touching and emotional songs, embodying and incarnating just but one and the same theme,
Coronavirus, corvid 19, the heartless witch which is son to a heartless witch,
Where do we run or even crawl to for safety?
Where really, at this humanity’s tattered and shattered darkest hour,
Our hour no longer our hour,
We have fought worse wars with worst enermies than you,
More titanic, more ravaging, more calamitous, more faceless,
Albeit, we lived to tell the tale,
The fearless warrior children of the fearless warriors that we fearlessly are,
We do not fight to fight another day,
And we cannot just fold our cold arms as you recklessly scotch our lovely earth to oblivion,
Rapacious Corona, it is just a matter of time,
Just a matter of time,
Corvid 19 – obnoxious bandit father of an obnoxious bandit wizard,
Heartless dissident son of a heartless dissident witch,
The epitome of prolific disrespect, involuntary solitude and proliferated solicitude,
The personification of convulsive misery, spasmodic destruction, and multitudinous deaths,
What goes around, comes around,
Just a matter of time.

I watched some crows this very eve,
Play upon a blustery, early November breeze.
Wave upon wave of those corvid beasts,
Now going west, now going east.
Now rising up, now darting down,
Now racing east,
Now tacking west.
No sailor on the seven seas
Can tack so well as one of these.

Now up, now down
Now left, then down.
One flies north
Another south, then darts east.
Yet flock drifts by despite these feats.
Another joins in synchronous dance
Then up, then down, then back again
Waving together till parting perchance.
Then each alone, up,
Then down, then back again.

Some stall for several ***** and blows,
Remaining still to trees below,
Then a feather's twitch
Banks into the wind

And soar, ...... soar, ..... soar,
Soar away.

Down a ***** only birds can know
Racing faster than the wind
Above the trees below.

*It seems so wasteful, this fighting of the wind,
Futile and vain as a skein does not.
It's not hunting, I think, nor ***,
Except perhaps for showing off.
But I suspect play at play.
Jonathon Seagull's desire, it seems
Infects these playful playing memes.

Perhaps I see play where there is no play,
Projecting wishes onto senses.
But corvids do play, it seems.
Do you too so seem?
Perhaps they even dream.

black crow bird
pecks road ****.

pheasant.

haute cuisine.

Cawing crows' calling
They try to gather but fail
Attempted ******

crow bird,
pecks package.

hoping for a sandwich.

b.l.t.

Corvid, crows beak
talon and claw
beady eye, forever watching
Am I slow?
injured?
old?
That clever bird may yet
peck and pick over my carcass.

The beryl high land smoulders….

Where skinny manes of cloven trailing, cuff
the rake of jumbled scree,
a porous crux of timbered carol
matins from the mossy shrine
to urchin on the bluff and draft
in nooks of birch and bilberry.

On that high dais, Corvid tribals
potter on the reeks of gale.
Fell boatman of the troubled storeys
quarter in some sleet cabal
to throw their onyx gauntlet down
a slating arc of fallow sky.

I am taking notes.
I am adhering to the rules
Yet, I feel numb on the inside, restless,
Corona corvid 19 takes takes
And keep on taking away our family units,
How many more question, can we asked
Why, why, and why God?
Why so many corona corvid deaths

I cannot watch anymore,
I can’t feel anymore am I dreaming?
Am I feuding?  Am I stressing?
Is it my place to asked these questions
Have heaven run out of wings.
Like PPE for our essential workers,

Being silence is not is not relaxing anymore
Silence is a true friend who never betrays
Don’t blame the funeral directors,
Blames the Administrators, the politicians’,
The world leaders, a matter of facts
Don’t blame, set a flame and remove the blame:

Jesulema, Jesulema,: more death than  ww2
Coronavirus death soars, surpass fatalities in Vietnam War
Have been read in the headlines, lessons on waist lines
Don’t blame, set a flame and remove this so called facts or Bats

Oh! 2020 the year of the death,
The blazing death of fire,
A year no one is going to admired:
a year of the blame,
a year of deadly facts or bats

Oh! JerSulema,  

Oh God almighty.
A year of question,
A year of the wings
A year to spend less on the fire arms
And more on the PPE,
Let tackle this enemy:

He plucked up his guts after more if’s than buts.. and he clambered over the ledge.. Like trembling jelly with knots in his belly he clung onto the edge..

If only he could think beyond his gloom but the only way out was darkness and doom..with noone to talk to nor help at hand he let himself tumble just as he had planned.. As he plunged through the air he heard peoples cries but his short life was lost in the blink of sad eyes..

Alas he was just another statistic read out on the news.. A Corvid-19 suicide from depression and blues..Oh how awfully somber as his loved ones were left in a state of sheer shock and a bleakness of bereft..

I remember the land,  

I remember its people,  

They ways, the stupidity of

Their mentality, I never came

To heard of this term depression

Until earlier on in life,

I came to terms with hatred, bigotry

Because it’s a disease, right up there

With cancer, and corvid 19



Do you remember, the children

Of the eighties, and their carefree looks on life

Drugs, *** and intellectual freedom,



It goes like this. I don’t think of labor

I don’t think of work. To be laboring

Means to be working, and if it's not self employed

Its slavery with small wages. From the man.



“i remember the land and I remember its people

They stupidity from their mentality had worried me

I remember the dead, and I remember

How those trees outlived them,

I Remember the language of the trees,

That whispering sound of freedom

And the sound of human longevity,  

Due to the kindness of a matured land



The waste land we leave behind,

even without spoken words

Can tell a story, of abandonment,

You might see a grassy area, I see, a court date

I see families fighting for ownerships,  

I see illegitimates children,  

fighting for the right to

The land we leave behind, even without

Spoken words, know it's worth.

How do you come to terms with yours..

(inspired by "Gifts of the Most High" by G Alan Johnson.)

The crows know me, and I, in their untamed glares,
and wild, accepting, onyx eyes find a solace.

No need for ID, for they’ve been watching me,
my face, yet unetched by time and life's own artistry,
is a passport for their uncivilized and predatory attention.

The corvid and I are kindred in many ways.
We've all scavenged for fortune's scraps,
shared the sting of bitter winter snaps,
and feasted on the meager leavings of the day.

In this dark pact, of watcher and watched,
a silent truth is proclaimed, that all that’s done
beneath the sun, is seen by dark, intuitive,
discerning, if not caring or humanly wise eyes.

The carrion crows know me,
and those feathered sentinels of air, mark
my coming with raucous, heralding cries.

They gather, black against the sun-kissed sky,
in councils held upon the wind's swift motions,
like children, they argue - observing still - as they play.

They causa no fear, but someday I’ll disappear,
unraveled, bit by bit, not by malice from on high,
but by beaks and claws, to caws they mantric-like cry.

Perhaps death really does have an ebonite beauty
and, like angels, his servants have wings, and pick us apart
when our time is through - and those sharp bills come due.

i'm bad luck. struck sad and oblate
weary, dedicated to the swearing ground.
chivalric pulp, my pages
don't bind like they used to.

rhyme me sad. adder fluent, sistines
vaunt these heads of mine. but wise
enough to feel these molecules murmer
and mouth the corvid in the wellwater.

annihilated profiles in my coming wake.
i am bad luck and prose. slipped
my shadow, i walk a bare life.
not broken anymore. not here all the way.

don't canter.
never could.
haven't loved. will

of a ghost. hell, i see ancestors
trailing behind me
in a mass of quadruped brutes
black as the day i was born
and sounding a great horn
made of gold and unprophecy,
babblings of a river older than talk.

Downhill I came, hungry, and yet not starved;

Great lines, something to think about (Edward Thomas)

Woke up to the rain and the wind beating on my window pane,

Yet I thought of getting dressed and going there.



A subway system, so far not yet up to standards,

A job like mine, no one need to hurry too

A mindset like mine, meant for me to lay low

during the northeaster...rain and wind

Poor yet full of pride, I am the servant Queen,



Yesterday, I struggle to maintain my sanity

Due to working conditions: at the workplace

I have been feuding for years. Nothing changes

not even an added penny, before its death,



More work, more stress, no respect  

Night supervisors, penciling  

or rather maneuvering into the darkness

at six am. A street crowded with overturn bins,

Flooded streets, with mudded running water

Mother of Nature, another dangerous disaster?

You meaner than corvid and Alaska,



I am the servant Queen, poor, yet full of pride:

I am fed up with others trying to take me for a ride

Sometimes, you just need a break from a bad situation

Never, berate yourself for giving expression to your emotions.

Downhill I came, hungry, and yet not starved;(Edward Thomas) line

I planned to stick, to my believes, nothing will change,

I will always be the servant Queen, as longs as them reign:

Muffled broadcasters
are struggling with the
execution of elocution
nightly on TV screens.

Masked like bandits
they read news to the
confused, who've taken
to "Stoning The Crows".

Down the terrace a bit
there was a large family
I recall they getting 6 pints
of milk a day and as per
usual the crows flipped
lids, siphoned cream, before
anyone was up, we're at 31
it was just 12 houses away.

****** masks
As we look around,
All we see is humans wearing ****** masks
A world of silencers, a world of social distancing:
Before we use to sit silently and watch the world
Around us:  misbehaved: the unruly bunch

Silence is holy it draws attention
To our inner peace:  today is the silence of the mask
Draws attention to fear, a fear of us being side track
By this disease, so we wear the mask of silence,
Do you remember, the measles, chickens pox’s
Scarlett fevers and the list when on:
But it’s nothing in comparisons to corona corvid 19

Lockdown: Now it’s staying at home means getting creative
Evaluating our lives, our behavior, our life style..
Was it out of control?  
Were we ever essentials?

  I hate wearing the mask
It make me feel like a captive, but i know better
Not to wear it: I need protection from you
And you need protection from me.

Because of what Mr. Trump said “the Chinese disease.”
Wearing the mask to do the tasks
Letting go of the hatred enable us to move forward

A world without humans is not a world
Is a silence world:
with one small flower emerging from a rock on a side walk

A Poet tell the best stories,
It’s a daily struggle for me, when I am on
Schedule, to show up there….at 3035
I usually take one foot slowly off the bed
I have to transform my body into someone else

Her name is Waverly, the most frequent alters,
a pretender, but not like the mouthy poet (A.L)
Seven hours of lies, trying to make ends meet
Twenty eight years of deceits, show in the receipts
Of hard, hard labor, and the back breaking toil of the day

The pointy nose, hold on to fake clipboard
Should I hate them, the system or me?
They is so many of us low renter in that place
But in the days of the corvid corona 19
These, days there are So many of them
Uprising, coming and leaving, the drilling
Should I hate them, the system or me?

The ones who tell the best story
Is the most observant one, to the craft?
A river is a body of water
With lot of stories to tell
Sadness and happiness,

My experiences there comes with pain,
Shame and mostly the sadness of
Staying at one place so lengthy!!
My restless spirit is now catching on to me
Is it too late for me, for us?
Me or my alters or just I
Oh, how I remembered them so well

Within each new poet there is a new idea
Each new idea brings a zest to future poems
The new poet fades too soon: so has the pointy nose
They never, stays, but memories of them, stain like glass
Taking the memories of their appearances
like shadows over the sun:

Did I really had years of experience
or years of daily repeats.
then I must indeed say my confidence has suffered..

He gathers up his belongings and board the train
A little hunger contribute to his weary load/
which can be promising or can be fatal
No matters what the day might bring
He just has to move on because he is
worthy of human  interaction.


even though the world has marched along,
His unsteady gait, his hours of stinks,
Passerby, will complain,
even  through the eyes, of empathy
he stink or life stinks?

He knows the looks upon the faces of deep
He will continued to smile, with grace
See  him, smell him,  he is still alive

Your loves ones are dead, per say.
Your, nurses, your doctors, your actors,
your funeral directors,
and there he stood that happy ******,
stilling repasting and idling/

On the city train/ your flat forms/ alleys and doorways
Dreaming, how it was, when he was activated/  
And was once cherish by a special  love

Now the earth is formless and empty,
darkness is over the surface of the deep,
and the Spirit of God is hovering over the waters.

Your states are drowning
in stench, of death
Fear not want not,  
while he is homeless,
But content this ******,

the vagrant!

A survivor a moth without the mold,
A fire, without smoke, the hungry man
Without food, a man without a home,
And with all the pity that you feel,

Take heel, death is permanent
Homelessness is not a disease,
Corona Corvid 19 is the infectious virus

Wear, the mask, adhere to the rules
he whispered to me
his homely, homelessness is not our war,
You are their underground enemy >>

Death came too soon:
To be precise every single day persay
it ended or did it not?
To all who knew them: we felt the pain?
But what lead up to this madness is: a crying shame
Your life is worth living
our heart bled for our love one
Right up to they last dying breath:

It ***** to keep a secret,
Jealousy is a disease, fear is mind killer
a killer is on the loose. Corvid 19

Two deaths, two stories
Double sins, double tragedy
But, oh, the feeling corona is leaving behind
The questions, no answers, so little time to reflect

Humanity is sickened by one horrific headline after another
I wondered who is going to be next:
I trust my life to an earthquake more than Politics

Raged like rough sea, against the salty rocks,
Holding on like sea ***** never letting go,
the thing call corona ..

1 Corinthians 15:54, 55:
“Death is swallowed up in victory.
O death, where is thy sting? O grave, where is thy victory?”

To the one they left behind,
To the one who weep at the open graves,
To the one who silently stood by?
And to ALL of us on the frontlines

To the ones who knew of this deadly disease
And stay silent: isolation is also a killer;
To the ones who grieves and respond to loss

A mother who loss her daughter:,
a husband, who lost his wife..
so many cadavers , so many untold stories..

the crucial role we have to play daily..
This war time dynamic:

It occurred to me some
mornings back, (I get up
at 6 am on the d•t) or as
it is currently a black spot
until about 8 am. approx.

Out in our back garden is
an Ash deciduous of course.

At about 6:30 am on the 1st
sighting there was a crow
perched high up alone, I
could see the outline from
street lighting on the road.

I pursued my interest by checking
on successive days, because the
nearest rookery is in Dromahane
some miles away.

Yes, this solitary Corvid was
sighted on several days not
always on the same branch,
but on the same tree.

I had a dilemma, an errant
crow which could have been
ostracised, they do have parliaments
and indeed murders when found
guilty of misdemeanours.

But obviously it was not that
which caused its isolation.

It has occurred to me, that perhaps
like humans, Crows could suffer
from insomnia, why not?

Again that would not explain anything
because they don't fly in the dark!

The only other possibility is that they
might be prone to bird version of the
condition known as somnambulism or
noctambulism, this could explain it.

Avid
       Corvid
                  David
                           Covid

What if I don't make it
what if
the virus takes me out?

aha
it's that what if again
and what is it
but that, what if pain.

Still,
what if
I do go?
well,
I'll be thankful that
I knew you
and my life wasn't totally
wasted.

but this is a bit morbid
even for Corvid
and so I shall go on
being John for as long
as I can.