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Tolani Aug 2018
We were both love. I was a rose and you were a snowflake. Both beautiful and gentle but unable to coexist effectively because flowers can’t blossom in the cold.

Yet when it ended, the truth became misconstrued.
Suddenly I was a thorn that pricked you till you bled.
And you were frostbite that nipped away at my skin.

We created false portrayals of each other to make this all a bit easier to deal with.

But the truth will always stay.

We were both beauty, purity, fragility, love.
We just weren’t meant to give our love to each other.

And now we both bleed, because the hardest part is accepting we were never meant to be.
We were never meant for each other..
Katie Nicole  May 2014
betrayal
Katie Nicole May 2014
your old socks haunt me
as they linger in my drawer

Touching all my innocent matched pairs.

you had slipped them to me
one frosty night when the cold nipped at my toes

An act of a gentleman.


but now what am i to do?
you're gone, but your socks remain

Each opening of my drawer kindles the coldness I feel.

you and your socks betrayed me
none of you comfort me anymore

*But at least the socks decided to stay.
Aiswarya Apr 2012
Somewhere, in some unknown corner of this world,
A mother cries in agony, and is almost about to heave a sigh of relief
As out comes her little baby, into the world, outside of the one that has been
Nine months of wait, finally over, and now comes a new being, an offspring
She lies back on her bed, trying to catch her breath, wiping sweat off her brow
And just as she thinks it’s all fine, the doctor hands her the baby – a little girl
A daughter; and she is in shock looking at her, cursing the gods in their heavens
As a little pink crumpled face cries out for warmth, that she doesn’t want to give
All the dreams, hopes and aspirations fly right out the window
And nightmares come along just as quick to replace them
As she sees her past flash before her eyes, as her daughter’s future
The torture from the family, their helplessness as she grew up
Dreading the marriage, yet awaiting desperately to get her married off
Get rid of the burden that she seemed to be, tie it on someone else’s head
Saving up an entire lifetime’s worth of wealth, and giving it all away
Just so she’s accepted by another family, a wife, a daughter-in-law, a mother to be
To bear sons to her husband, as a show of her devotion, her only duty that could be
And then her mind clears of all these thoughts, and all that remains is stillness
A clarity that brings along with it decisiveness from somewhere deep within
And as she takes the little girl in her hands, eyes barely open
She twists her neck, until the baby cries no more, and the hands flail no more
And the stillness is all around, not just in her mind anymore, but also in the room
And quiet hidden tears are all that flow down her cheeks, no remorse
But a twisted sense of victory – a bud that got nipped even before blooming
- http://ashez1607.wordpress.com
Because one loves you, Helen Grey,
  Is that a reason you should pout
  And like a March wind veer about
And frown and say your shrewish say?
Don't strain the cord until it snaps,
  Don't split the sound heart with your wedge,
  Don't cut your fingers with the edge
Of your keen wit: you may perhaps.

Because you're handsome, Helen Grey,
  Is that a reason to be proud?
  Your eyes are bold, your laugh is loud,
Your steps go mincing on their way:
But so you miss that modest charm
  Which is the surest charm of all;
  Take heed; you yet may trip and fall,
And no man care to stretch his arm.

Stoop from your cold height, Helen Grey,
  Come down and take a lowlier place;
  Come down to fill it now with grace;
Come down you must perforce some day:
For years cannot be kept at bay,
  And fading years will make you old;
  Then in their turn will men seem cold,
When you yourself are nipped and grey.
I weep for Adonais—he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: “With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!”

Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.

O, weep for Adonais—he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend;—oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

Most musical of mourners, weep again!
Lament anew, Urania!—He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country’s pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o’er earth; the third among the sons of light.

Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame’s serene abode.

But now, thy youngest, dearest one, has perished—
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies—the storm is overpast.

To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal.—Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.

He will awake no more, oh, never more!—
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o’er his sleep the mortal curtain draw.

O, weep for Adonais!—The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not,—
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne’er will gather strength, or find a home again.

And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
“Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain.”
Lost Angel of a ruined Paradise!
She knew not ’twas her own; as with no stain
She faded, like a cloud which had outwept its rain.

One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.

Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.

And others came… Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp;—the moving pomp might seem
Like pageantry of mist on an autumnal stream.

All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.

Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman’s horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds:—a drear
Murmur, between their songs, is all the woodmen hear.

Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.

Thy spirit’s sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun’s domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!

Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season’s bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.

Through wood and stream and field and hill and Ocean
A quickening life from the Earth’s heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life’s sacred thirst;
Diffuse themselves; and spend in love’s delight
The beauty and the joy of their renewed might.

The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning?—the intense atom glows
A moment, then is quenched in a most cold repose.

Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.

He will awake no more, oh, never more!
“Wake thou,” cried Misery, “childless Mother, rise
Out of thy sleep, and slake, in thy heart’s core,
A wound more fierce than his with tears and sighs.”
And all the Dreams that watched Urania’s eyes,
And all the Echoes whom their sister’s song
Had held in holy silence, cried: “Arise!”
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.

She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.

Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where’er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.

In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life’s pale light
Flashed through those limbs, so late her dear delight.
“Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!” cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.

“‘Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!

“O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life’s waste had fled from thee like deer.

“The herded wolves, bold only to pursue;
The obscene ravens, clamorous o’er the dead;
The vultures to the conqueror’s banner true
Who feed where Desolation first has fed,
And whose wings rain contagion;—how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled!—The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.

“The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit’s awful night.”

Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.

Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature’s naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o’er the world’s wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.

A pardlike Spirit beautiful and swift—
A Love in desolation masked;—a Power
Girt round with weakness;—it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow;—even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.

His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest’s noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter’s dart.

All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another’s fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger’s mien, and murmured: “Who art thou?”
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain’s or Christ’s—oh! that it should be so!

What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o’er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart’s accepted sacrifice.

Our Adonais has drunk poison—oh!
What deaf and viperous murderer could crown
Life’s early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master’s hand is cold, whose silver lyre unstrung.

Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o’erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt—as now.

Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now—
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.

Peace, peace! he is not dead, he doth not sleep—
He hath awakened from the dream of life—
’Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit’s knife
Invulnerable nothings.—We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.

He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world’s slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit’s self has ceased to burn,
With sparkless ashes load an unlamented urn.

He lives, he wakes—’tis Death is dead, not he;
Mourn not for Adonais.—Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil
Chris Slade  May 2019
Air Show
Chris Slade May 2019
The Avro Vulcan, a majestic big old iron bird, sublime,
was to do a flyby for just one memorable last time.
Maybe with a jet fighter or a Spitfire on each wing, who knew?…
Unthinkable to miss it… almost a crime.
Thousands turned up every year, always a great day out -
but this year would be special, there'd be no doubt.
The last flight of such a legendary plane made it essential…
So, after the flyers’ break for lunch, the crowd filled out.

The entry fee to occupy the field was heinous. 25 quid!
That was for adults - and a fiver for each kid.
So, many more than those that paid, sat happily outside pubs.
Others found shelter in the perimeter’s trees and... kinda hid.
Now, to see a Vulcan fly anytime, anywhere, was magic…
She was a Leviathan of the Cold War,
that held players in the planet’s power games in awe.
And this would be her last time doing the rounds on the air show circuit -
Seeing this locally was hard to ignore.

Mark (a nephew) was a window cleaner by trade.
A regular, down to earth, happy go lucky guy.
…Saturday comes and the kids all voted "McDonalds"…
“A Happy Meal!” they’d cry.
He said that was fine - they’d all go after he’d nipped over
to the airshow to watch the Vulcan fly.
No idea whatsoever, of course, that just by going to Shoreham
just 5 miles away, for half an hour or so… that he might die.

He told his fiancé he’d only be an hour or so…
be back in time to take the kids for a burger and, "NO!"...
He wouldn’t stay. He was the only one in the family
who was bothered anyway…so he wouldn’t ****** up their day.
So, in haste, because apparently Chicken Nuggets & Fries
was much better for the kids than a load of old planes,
he cranked the best out of his bike along the 27 and,
once at the lights by the Sussex Pad,
he pulled over to the kerb to watch from the bushes.
Good view? Well not bad!

Andy Hill was a flyer of many years. His weekday job,
flying for BA.Taking holiday makers, business folk, transatlantic in Seven Four Sevens...
A flight deck maestro, soaring up, just under the heavens.
He’d done Shoreham loads of times… it was exciting, exhilarating... almost sport, his game!
He was off the hook,  became an ace. It gave him that 15 minutes of fame!
Free to thrill - a hero! Standing out from the crowd with every daring step. His aim!

He wasn’t just a petrol head… this bloke had aviation fuel in his blood.
Adrenalin on tick-over. Nought to 60 in 2.7 seconds with 22,000 Horsepower under the hood.
He left Epping full of fuel, just 90 miles away, so in two ticks he was with us, fully loaded and, the weather? It was good.
First up after lunch at half past one… he streaked across the crowded field.
Over and out and up, up, up… Little did the spectators know that Andy had forgotten he was flying a Hunter…
He thought it was last year’s aborted routine in a Jet Provost… The one they'd stopped part way through being, too risky.

"He’s not gonna make it… I can’t look!" There was a hush… a nanosecond’s silence and then the rush,
the whoomph that said it all… that hush! The ground shook!
And the eleven - plus others injured - went up in Andy Hill’s very own fireball!
No, of course, Mark wasn’t the only one to die that day.
Ten other ‘innocents’ left us in pretty much the same way…
Maurice, Dylan, Tony, Matthew, Matt, Graham, Mark R, Daniele, Richard & Jacob.
Mark T, our Mark, had the distinction of having two funerals, not just the one…
More remains were discovered, analysed and found to be his!
Even after he’d…already well... ‘gone’.

The injustice that eleven spectators or just passers by should die
when the survivor, the off target driver, who sped too low from the sky, should, after a suitable pause in this ghoulish game, be exonerated and not take any blame.
Well it’s all sort of things… It's ridiculous, pathetic, obtuse, a joke… who do they think we are?

But the great and the good deliberated, scratched their heads and worked hard to make everything look ’right’…
Tolerance for the bereaved to grieve, platitudes, condescending attitudes, a memorial service.
Thanks - genuinely - to the emergency services… Not just a little buck-passing… But the public often judged them. Arsing about - to cover their corporate backside.
They can’t insult me (or us)… intelligent people have tried…

Andy Hill was judged to be not guilty of 11 counts of manslaughter by gross negligence.
But he claimed he blacked out in the air, having experienced ‘cognitive impairment’ brought on by hypoxia … possibly due to the effects of G-force…. Of course!
The 11 were either hit by the plane or roasted in a fireball caused when the jet flew too low and too slow. But if it wasn’t Andy’s fault then whose was it?

Surely this can’t be the end of this travesty of justice!!

BUT, there IS a new memorial to the dead. And, trust this...it’s a good one too…  The best that money can buy - and that anyone can do.

But there's is also a very bitter taste, still today…
that somehow... just won’t go away!
This is a bit of a saga... But I think it's worth it...On August 22nd 2015 there was a disaster at Shoreham Air Show, West Sussex... on the south coast of England and eleven people died. A loop the loop, too low and too slow. The pilot lived and recovered from his injuries and was found not guilty of eleven counts of manslaughter by gross negligence.
We went through the motions
Until all went motionless

(The otter frollicked turning everything
into a game of joy to being alive)

Touch became accidental at best to our ways
Once we could touch but now nothing more

(The otter nipped at the turtle
flipped about as it played)

Words dripped from our tongues
Heavy like molasses as the intent fades away

(Down the grass the otter slides into the river
Over and over like a little child)

Reason lost to accusations , accusations took it's toll .
Accusations took our time , creating false crime

(I watch as the otter swims on it's way
Dipping , diving to where I can't say)

Now I sit in the darkness with full moon fever
Wondering how could something turn so wrong that once was so right
judy smith Apr 2015
Fashion show finales follow a familiar rhythm: after the models march along the catwalk for a last hurrah, the designer comes out to take a bow. Their demeanour is often telling, an indicator of their attitude to the collection they've shown – are they a bag of nerves, or grinning from ear to ear?

Also noteworthy is the look they choose to take their bow in. Are they even wearing their own work? One of the most celebrated designers of our time never wears his own designs. Karl Lagerfeld may create the occasional menswear look at Chanel and he designs a whole men's collection for his eponymous label but he has long been a customer elsewhere: Dior Homme.

Lagerfeld started wearing Dior Homme when he was in his late 60s, shedding 41 kilograms to fit into the skinny styles of the label's then designer, Hedi Slimane. Lagerfeld has stayed loyal to the brand ever since, even after Slimane, now creative director of Saint Laurent, quit in 2006. And although the label is known for its emphasis on youth, Lagerfeld, now in his 80s, remains one of Dior Homme's most visible clients.

Raf Simons, meanwhile, Dior's creative director of womenswear, is partial to Prada: his presence in the documentary film Dior & I (2014) is most clearly announced via his distinctive studded Prada sneakers and he often takes his catwalk bow in a head-to-toe Prada look. For his first Christian Dior ready-to-wear show he wore a vintage denim jacket with red stripes by Austrian designer Helmut Lang.

And yet many designers do wear their own work, especially if the brand carries their surname. Editors scan the wardrobe of Miuccia Prada for clues to her latest collection: is she feeling utilitarian, elegant or purposefully off-kilter? When Donatella Versace takes her bow, she often wears a look from the collection she's just shown – for autumn/winter 2015, it was a pinstriped, flared pantsuit. And even Simons has worn pieces from his own label collaboration with Sterling Ruby.

So if the name is on the label, does it mean the clothes will always be on the designer's back? Not necessarily. "I've never been into wearing clothing with my own brand name inside," says Jonathan Anderson, designer behind JW Anderson and now creative director of Loewe. "I find it odd and arrogant."

UNIFORM DRESSING

Anderson's own wardrobe is a familiar uniform: crewneck sweater, faded blue jeans, Nike sneakers. It's entirely opposite to the menswear looks he creates for his own label's catwalk presentations, which have included bandeau tops and frilled shorts. He seems to favour a clean-palette approach: keeping himself neutral so as to not deflect from his experimentation elsewhere.

This kind of wardrobe is common among fashion designers. Jack McCollough and Lazaro Hernandez of Proenza Schouler appear to have no desire to create menswear for themselves or others, dressing instead in a similar style to Anderson: crewnecks, polo shirts or button-downs, usually with jeans and sneakers.

Mary Katrantzou, meanwhile, recent winner of the 2015 BFC/Vogue Designer Fashion Fund, may have built her business on print and embellishment but she is usually found in a black knit dress by Azzedine Alaïa. Alaïa himself has perhaps the ultimate clean-palette wardrobe: for decades he has worn black cotton Chinese pyjamas, fastened by simple floral buttoning.

Each of these designers has a successful business with its own clear signature. So maybe it doesn't matter if they don't wear their own clothes. And yet when designers do, it can be so seductive. Men buy Tom Ford because they want to be like Tom Ford. Women buy Céline because they want to look like Phoebe Philo. Stefano Pilati, creative director of Ermenegildo Zegna Couture, is often said to be his own best model; Rick Owens, in his long draped vests and baggy shorts, is the perfect ambassador for his own alternate universe of otherness.

The style of Roksanda Ilincic is synonymous with her own brand. "I create pieces that embrace the female form," she says of her bold colour palette and silhouette. "Being a woman means I'm able to feel and test those things on a personal level … I tend to favour long hemlines and nipped-in waists, with interesting shades and textures, pared down with simple basics and outerwear." Does she ever wear anyone else? "Of course! Black polo necks from Wolford are an absolute staple and in winter I am rarely without my favourite black cashmere coat by Prada, which is on permanent loan from my husband."

It seems like an industry divided between designers who wear their own work and those who don't. But sometimes things change. Backstage at Loewe earlier this season, Anderson said: "With Loewe, I have a detachment. I wear a lot of it. Now I'm more, 'Does this work?' I've got a bit of a love back for fashion."

Two months on, his interest in wearing his own designs has grown still further. He is the cover star of the new issue of menswear biannual magazine Fantastic Man, posing in a slash-fronted sweater and leather tie trousers. The pieces are both his work from current season Loewe. Womenswear. In for a penny, in for a pound.Read more here:www.marieaustralia.com/formal-dresses-2015 | www.marieaustralia.com/long-formal-dresses
Anthony Williams Sep 2014
We climbed from bedrock
to Idyllwild the home
of Pines to Palms
and Suicide Rocks
but not for us
only for those
poor tired souls
for whom the world's gone
flat
refusing
the night threw
itself boldly into the fray
of winds which blew
from storm to calm

so this morning we awoke
to a placid knap
slipping on snowy piste
to turn cold snaps
hot
spiced Nepali tea
sipped from ice
nipped cups
I see promise
picks up

from backward leaps
time forward flips
breaking free range igneous
into pan
piped sizzling
congenial song
that carries on the tree line
like spring
water sprung from
creeks to go scurrying off
with wet socks
until pulled up
by old school granite skies
hanging pools out to dry
in sopping blue rinsed sun

ahead any bald rocks
or hairline fractures
are long since dialled in
as baseless fears
knowing this mobile age
can merrily slip like air
through numb fingers
while baseline hands declare
“hold me close to gather”
edelweiss echoes gone
rappelling through time
the route we've chosen's
to be tied to each other's
peaks in the way of sun
and moon

come what may
be it creases in our skin
or crevasses
we'll win the battle to slim line
any overhanging ridges
so I take care to tighten
my girth hitch to top notch
and hold firmly
to both your conviction
and reach

that setting
out to move mountains
we call home
achieves more than
staying home
and calling mountains

so bright
you have me forget
all things too trite
banal office hype
shopworn old hat
mowing lawn weekends
too dishy to be clichéd

you polish off the stereotype
slam the Dior on out of shape
and dull as ditchwater tripe
keeping a victorious secret
or two in the slip knot
too tranquil shade
taking allure to new heights
we'll never drop
down from
tonight
by Anthony Williams
The bows glided down, and the coast
Blackened with birds took a last look
At his thrashing hair and whale-blue eye;
The trodden town rang its cobbles for luck.

Then good-bye to the fishermanned
Boat with its anchor free and fast
As a bird hooking over the sea,
High and dry by the top of the mast,

Whispered the affectionate sand
And the bulwarks of the dazzled quay.
For my sake sail, and never look back,
Said the looking land.

Sails drank the wind, and white as milk
He sped into the drinking dark;
The sun shipwrecked west on a pearl
And the moon swam out of its hulk.

Funnels and masts went by in a whirl.
Good-bye to the man on the sea-legged deck
To the gold gut that sings on his reel
To the bait that stalked out of the sack,

For we saw him throw to the swift flood
A girl alive with his hooks through her lips;
All the fishes were rayed in blood,
Said the dwindling ships.

Good-bye to chimneys and funnels,
Old wives that spin in the smoke,
He was blind to the eyes of candles
In the praying windows of waves

But heard his bait buck in the wake
And tussle in a shoal of loves.
Now cast down your rod, for the whole
Of the sea is hilly with whales,

She longs among horses and angels,
The rainbow-fish bend in her joys,
Floated the lost cathedral
Chimes of the rocked buoys.

Where the anchor rode like a gull
Miles over the moonstruck boat
A squall of birds bellowed and fell,
A cloud blew the rain from its throat;

He saw the storm smoke out to ****
With fuming bows and ram of ice,
Fire on starlight, rake Jesu's stream;
And nothing shone on the water's face

But the oil and bubble of the moon,
Plunging and piercing in his course
The lured fish under the foam
Witnessed with a kiss.

Whales in the wake like capes and Alps
Quaked the sick sea and snouted deep,
Deep the great bushed bait with raining lips
Slipped the fins of those humpbacked tons

And fled their love in a weaving dip.
Oh, Jericho was falling in their lungs!
She nipped and dived in the nick of love,
Spun on a spout like a long-legged ball

Till every beast blared down in a swerve
Till every turtle crushed from his shell
Till every bone in the rushing grave
Rose and crowed and fell!

Good luck to the hand on the rod,
There is thunder under its thumbs;
Gold gut is a lightning thread,
His fiery reel sings off its flames,

The whirled boat in the burn of his blood
Is crying from nets to knives,
Oh the shearwater birds and their boatsized brood
Oh the bulls of Biscay and their calves

Are making under the green, laid veil
The long-legged beautiful bait their wives.
Break the black news and paint on a sail
Huge weddings in the waves,

Over the wakeward-flashing spray
Over the gardens of the floor
Clash out the mounting dolphin's day,
My mast is a bell-spire,

Strike and smoothe, for my decks are drums,
Sing through the water-spoken prow
The octopus walking into her limbs
The polar eagle with his tread of snow.

From salt-lipped beak to the kick of the stern
Sing how the seal has kissed her dead!
The long, laid minute's bride drifts on
Old in her cruel bed.

Over the graveyard in the water
Mountains and galleries beneath
Nightingale and hyena
Rejoicing for that drifting death

Sing and howl through sand and anemone
Valley and sahara in a shell,
Oh all the wanting flesh his enemy
Thrown to the sea in the shell of a girl

Is old as water and plain as an eel;
Always good-bye to the long-legged bread
Scattered in the paths of his heels
For the salty birds fluttered and fed

And the tall grains foamed in their bills;
Always good-bye to the fires of the face,
For the crab-backed dead on the sea-bed rose
And scuttled over her eyes,

The blind, clawed stare is cold as sleet.
The tempter under the eyelid
Who shows to the selves asleep
Mast-high moon-white women naked

Walking in wishes and lovely for shame
Is dumb and gone with his flame of brides.
Susannah's drowned in the bearded stream
And no-one stirs at Sheba's side

But the hungry kings of the tides;
Sin who had a woman's shape
Sleeps till Silence blows on a cloud
And all the lifted waters walk and leap.

Lucifer that bird's dropping
Out of the sides of the north
Has melted away and is lost
Is always lost in her vaulted breath,

Venus lies star-struck in her wound
And the sensual ruins make
Seasons over the liquid world,
White springs in the dark.

Always good-bye, cried the voices through the shell,
Good-bye always, for the flesh is cast
And the fisherman winds his reel
With no more desire than a ghost.

Always good luck, praised the finned in the feather
Bird after dark and the laughing fish
As the sails drank up the hail of thunder
And the long-tailed lightning lit his catch.

The boat swims into the six-year weather,
A wind throws a shadow and it freezes fast.
See what the gold gut drags from under
Mountains and galleries to the crest!

See what clings to hair and skull
As the boat skims on with drinking wings!
The statues of great rain stand still,
And the flakes fall like hills.

Sing and strike his heavy haul
Toppling up the boatside in a snow of light!
His decks are drenched with miracles.
Oh miracle of fishes! The long dead bite!

Out of the urn a size of a man
Out of the room the weight of his trouble
Out of the house that holds a town
In the continent of a fossil

One by one in dust and shawl,
Dry as echoes and insect-faced,
His fathers cling to the hand of the girl
And the dead hand leads the past,

Leads them as children and as air
On to the blindly tossing tops;
The centuries throw back their hair
And the old men sing from newborn lips:

Time is bearing another son.
**** Time! She turns in her pain!
The oak is felled in the acorn
And the hawk in the egg kills the wren.

He who blew the great fire in
And died on a hiss of flames
Or walked the earth in the evening
Counting the denials of the grains

Clings to her drifting hair, and climbs;
And he who taught their lips to sing
Weeps like the risen sun among
The liquid choirs of his tribes.

The rod bends low, divining land,
And through the sundered water crawls
A garden holding to her hand
With birds and animals

With men and women and waterfalls
Trees cool and dry in the whirlpool of ships
And stunned and still on the green, laid veil
Sand with legends in its ****** laps

And prophets loud on the burned dunes;
Insects and valleys hold her thighs hard,
Times and places grip her breast bone,
She is breaking with seasons and clouds;

Round her trailed wrist fresh water weaves,
with moving fish and rounded stones
Up and down the greater waves
A separate river breathes and runs;

Strike and sing his catch of fields
For the surge is sown with barley,
The cattle graze on the covered foam,
The hills have footed the waves away,

With wild sea fillies and soaking bridles
With salty colts and gales in their limbs
All the horses of his haul of miracles
Gallop through the arched, green farms,

Trot and gallop with gulls upon them
And thunderbolts in their manes.
O Rome and ***** To-morrow and London
The country tide is cobbled with towns

And steeples pierce the cloud on her shoulder
And the streets that the fisherman combed
When his long-legged flesh was a wind on fire
And his **** was a hunting flame

Coil from the thoroughfares of her hair
And terribly lead him home alive
Lead her prodigal home to his terror,
The furious ox-killing house of love.

Down, down, down, under the ground,
Under the floating villages,
Turns the moon-chained and water-wound
Metropolis of fishes,

There is nothing left of the sea but its sound,
Under the earth the loud sea walks,
In deathbeds of orchards the boat dies down
And the bait is drowned among hayricks,

Land, land, land, nothing remains
Of the pacing, famous sea but its speech,
And into its talkative seven tombs
The anchor dives through the floors of a church.

Good-bye, good luck, struck the sun and the moon,
To the fisherman lost on the land.
He stands alone in the door of his home,
With his long-legged heart in his hand.
Doug Potter Oct 2017
Hair mottled like
an aged mare

she descends
the steps

one withered leg
dangles from

a  purple dress like
a frost nipped

cornflower.
Jim McCunny Jul 2010
That night I did cry,
That night in July,
As I read the note which told me of the demise
Of the man made of glass
Who lived atop the mountains, so high.

His prismous chest lay in pieces
Upon the rocks
Which never knew his name.
And the light he reflected for so many years
Never again would know their singular form,
And they scattered their rainbows
On the blanket of water below.

For the summer, before,
All he had known
Was the new cougar in the jungle below
Who sat and watched
And swirled its long tail
Through the glass man’s light.

The golden cougar lay still
With its tail so long
And lifted its paw
And purred when it saw
The man atop the tall hill.

And the man did grin
But knew not of the sin
Which awaited the summer sun.

The next day he awoke
With the sun in his chest
To find a golden cougar
Licking his smooth, glass toes.
It purred and it purred
And its tail was so long.
And the man’s mouth formed a crescent.

The cougar swirled its long tail
And nipped at his toes
And clawed at his shins
And scratched at his knees;
But the man made of glass
He let it all pass
Although his feet grew frail.

“Could this be real?”
Did this cat feel
The skin of the man
Made of glass?

“I feel like a man!”
And each day he ran
To see his idol feline.

And this went on for weeks
And the day of which my note speaks
Came with a whip of the cougar’s long tail.

“I’m bored,” purred the cat
“And just for some fun
We can go up and run
To blot out the sun.”

The man didn’t fret
Thought his feet felt so wet
And he nodded at the cat
For peace for him
Came in the form of a rat.

They ran up the mountainside
And looked down at the tide
Which beckoned to them below.
But the man need not worry,
Said the cougar,
“It’s all just for show.”
And she playfully nipped at his ankle.

At this the man heard a noise
And began losing his poise
And felt the wind on his face.
He saw patterns on the approaching rocks
Brought from his chest;
And his shattered ankle to the left of his head.

On the cliff top, above
The man could make out a golden figure
Swirling its long tail.
And it was this action
Of fatal attraction
Which noted the fast growing refraction
Appearing on the beach below.

And with a frail hand,
He wrote in the sand
“We are not the players
On the stage of the world.
We are the riotous crowd
With tickets in hand,
And we can be shattered with but
One,
Single
Word.

— The End —