She speaks privately from between her legs!

Children scattered about like luke-warm dregs
of life sipped tentatively from the mug
made of her **** and the carefully shorn rug
once atop her ***** but now replaced
with a clever thong and further defaced
by empty words with which no one bothers;
like abandoned motherhood and absent fathers.

Once, long ago, the seas calmed down
if they viewed a full cuntal frown
But now what power yet remains
is washed away and the Tide abstains
from noticing at all that clever ******
of hip carried power, now just animal lust.

God with His magnanimous decree
gave us dominion over all we see
and gave it despite our rampant *****,
waggling ******* and ***** locks!
But our mouths undid us, to the core,
flung man to the ground and named woman ‘*****’.

So now emblazoned for all to see,
above the *****, *******-ly,
the final victim of original sin:
The Unattended Child!  What does he win?

Well, there it is, written bold
above the entrance to the exit of old
“Unattended children will be given an espresso and a free puppy”
Cut the umbilical!  ***** the father!   **** the mommy!

And over coffee, we’ll share some snickers
about the ****** made of her knickers.

                She used to speak from between her legs!
Her **** shouted down oceans and now it begs
for mere notice in words writ small
and forgets why she wears underwear at all.



"Unattended children will be given an espresso and a free puppy. This funny and beautiful design features a vintange inspired cup of espresso."
**an ad for thong underwear, presumably for women

Shriveled & shrunken.
Intoxicated & drunken.
Hung over & agitated.
Mild to moderate brain activity.
Common sense & basic reason lacks mental ability.
Bad with money & squanders financial stability.

Passing a psychological mental health evaluation not quite.
Kept in a straight jacket & sedated in isolation they do spit & bite.
They go through everyone's trash day & night.
They panhandle at the street lights.
They have tempers & pick fights.
Nothing they do is legal or right.

Slobs with no jobs.
They lack work ethics.
The sight & stench of them is sick.
They're sad story is lies & tricks.
Not a truth that sticks.

They cuss & their pocked face oozes ****.
Their frontal lobe is filled with dust.
About telling your teacher the truth they get homicidal & make a fuss.
They drive a ******* car consisting of smog & rust.
Getting arrested for 365 × 3 + 2 counts of child **** is never a bust.

Keep your children away from drunks.
Some drunks get violent, beat you & lock you on a trunk.
Most pedofiles & rapists are drinkers.
Not religious or moral thinkers.
With shingles, hpv virus, ****** & boyles.
Zero morals as hideous as an ugly *** gargoyle.

Enjoy arguing,  screams & shouts.
Daily drunk driving & behind the wheel blackouts.

I remember you told me
I was like a lit candle -
Warm and soothing,
But dangerous,
When left unattended.
If I had known you’d leave,
I would’ve burned down
The house we built so
Carefully.
But when you slammed the door shut
That last time,
You put out my flame.

Where would the unattended feelings go?
Would they be eased out in the cracking of knuckles or the shift of postures?

Would they be smoked out or consumed in the cups of coffee?

Would they be ignored in the aimless walks in the park or a drive through the city?

Would they be kept aside while talking to a stranger coming close or a closer one going strange?

Would they be watched out in movies or read in books or gazed out at ceilings and walls?

But the question remains, at the end of it all... Where would the unattended feelings go?

I mashup me, myself, and thee: Part II

Excerpts from my poems about poets, poetry and the process of composition. In chronological order, from the earliest to the most recent.
---------------------------------------------------------­-----------------------------------------------------------------­----


The three poems went about their business,
Bringing heaven to earth,
FYI, even Angels can't be everywhere, so,
God invented poems to do his ***** work,
Cleansing souls.

They rode in~out of town on a prankster wave,
A cheering throng was not around,
But a singular poet saw, recorded the vision,
And thus, this nameless poet,
Below unmasked, unsealed,
Cleansed one more soul,
And that soul, this soul, as required,
Paid it forward.
~
Nothing produced from this place
where routine means the gorge tastes bile,
When surcease is welcome relief,
Where dancing on ice in bare feet
Is step one to ripping your chest open by your own hands,
The toxins thus released rejuvenated by salted air,
Can be finally be transcribed onto paper
And realized.

Warn them once and then begin, you,
Get serious, delve, with hurricane unambiguity,
to torrential words upon the unsuspecting,
let them taste the rawness, only the truth provides,
let them know salt tears so briney,
They will flee this place, n'er to return.
~
One day she intro'd me as her fav poet,
To which I acknowledged by addressing her as
My number one fan,
Which seems to have stuck,
so I acknowledge her as such,
And always add a polite, respectful, winking,
Yes ma'am!
~
Like this new day,
there are always
new poems

Like last night's sunset,
day's efforts reviewed,
a special light,
a yellowed marker,
highlighting a few deserving

Take them home,
kiss them goodnight,
rest them in the poetry file
that is no file,
but a large fabric box where
sewing tools once stored

How appropriate and
how happy that makes me.
~
Yo! Yo!
Remember your first real high,
That moment
No absolution, no return.
That moment
When you admitted, confessed,
to yourself:

I am
Forever forward,
A home-grown poet.
I am
Soul enslaved to words.
The alphabet - My oxygen molecules,
I am both,
Addict and dealer
A ****** poet

Yo! Yo!
So you do recall,
The exact moment,
God-spark-within, ascendancy gained
You lost control,
Wept words instead of tears!
A ****** poet ******!

Yo! Yo!

Sophie's Choice.
You chose writing over breathing,
Worshiper of the purest pleaure,
******* in deep the smoke-high of
Head-nodding discontented contentment
Stealing anything you saw
For to satisfy the need, the craven
Craving.
****** poets!

Yo! Yo!

Don't you're ever sleep?
Hear that the city, the state,
Gonna methadone your kind
In a special program
Teach you only language to sign.
**** poets!

I am a ****** poet.

The first step taken.
Admission.
Poetry is my default rest position,

My drug of choice.
~
Have you noticed here

Each poet declaims his fellow
The better one, his teacher,
From whom they shall learn and gather up
Inspiration

Gonna run for Congress,
My first bill, Poetry-care,
Will make it a requirement that
All citizens must contribute,
Exchange once a day
To this peaceful place,
Even just a syllable, a single letter,

K?
~
Literally my eyes see words awaiting coordinating,
Poems flying by, needing plucking,
How a child eats his morning cereal,
His rituals informing, of the man yet to be,
How our bodies lay, hair unbrushed,
Tying us into a conjoined knot...

No matter that plain words are my ordinary tools,
With them I shall scribe the small,
Cherish the little, grab the middle,
Simplicity my golden rule,
Write they say, about what you know best,
Surely in the diurnal motions,
The arc of daily commotion,
Do we not all excel?
~
The ice of poetry,
glassine smooth
but
charged hardness,
hits you, ****** you,
unexpected snowball in the face,

the fire of poetry,
cherished phrase, a patois,
comfort food when
whole winter skies
swallow you bleak

mutual contradictions of poetry
savaging the soothed ego,
revealing the raging id

what's in a word anyway?
~
Please Pop, pick wise,
the life and lies, the faces and disguises,
I will need employ to achieve success
in the eyes of my reading beholders,
who own the liens on my soul
because of the promises I believed,
when you sang me
glowing lullabies of my future days,
how everyone would love my stories,
my poems, someday...
~
Place your ****** hands upon thy chest.
Let them melt thru and come to rest,
Inside, the battle ongoing, under thy breast.
Watch, eyes open, knowing, fearful.
Swiftly, with no hesitation, from within,
Rip open your body, exhaling the best,
And the worst of what you got.

The cool air rushes in,
Stirring the inside stew of:
Infected grime, shameful desires,
Secrets that should not have been exposed,
The ***** stuff that you alone know exists.

Contact with the atmosphere makes
Self-pity dies, blue blood turn red,
The TNT tightness explodes,
Ashamed, you have only one escape hatch.

Now, you are ready to write.
~
My life is on the boring side,
So welcome gents to look inside,
The surfed sites, the emails, hardly slimy,
But stay the fk away from my poetry!

Tis obvious from your midnight editing,
That my wordily, working body has been discretely
Simonized,
My data,
Googlized,
My poems,
Scrutinized,
A comma, a colon, a verb, out of place, capsized,
Little threads kept in door jambs, their alteration,
Your snooping presence, a confirming revelation
~
Where I write, here, all comes so easy,
Every glance a poem formed,
Every phrase a title to a poem served,
Every conversation overheard and those wind-lifted brought,
A seed, a germ, a word~worm hooked to the pole crook of
My finger saying, see man, time to get more ink and paper,
Go and catch us a few poems for dinner

The snapper weakfish word colors are
Running past my-by the thousands,
We will need a basket to catch but a fraction
Of what you see, more than more enough to share,
Only Happy Poems for all

It is this rhyming way I view the wold,
That is my freedom, is my-present essence,
How the poems come, how thy flow,
Peaking, I cannot berate, rarely eat,
Sleep a thing of the past (as you be aware, beware)
There is poetry in simply everything.
~
But if my aura be a comfort insufficient,
Let this surprise poetic gift awaiting your arrival,
Give you rest, from crying surcease!

For when the who, the why of me interrogatory posed,
Describe me in a brevity I ne'er possessed, say:
He was just a poet, and I,
Just, his lover, number one fan.

This truth eternal, never to change.
~
But I am open to learning, the arduous task
Of raising a teenage daughter,
After I have my head examined

Though I am just a bunch of eclectic electrons,
I got powers a few, like making life's happiness
Hearted happier, encouraging your forays into
You-know-what,
And when tables turn, a hasty retreat you beat,
For imaginary cappuccinos and poems we will meet,
Comparing notes on who felt lousier when...

But what I can do 100% is assure you
There is no lone nor lonely daughter extant,
Your voice not just clear but soft-edged,
For I have poetically adopted you,
Here and now, assuming you sign on the
.............................................................­line
~
Take these words at plain face,
and look not askance
at this fair warning,
for I am but a tragic,
empty vessel for you to fill,
you are the raconteur,
me, just a  
poet poseur extraordinaire,
street urchin, word merchant,
all my verbally, wordly goods expropriated
from the wind,  where your scattered thoughts
lie about, carelessly,
unattended
~
Guiltless in life, we but survived,
Hurting no one, no thing,
Yet, here we lie, ignored, unattended,
Yet, you fail again to see our connection?
You do not recognize us?

We are the shells, the husks of you,
Your poems unread, you labors unpreserved,
All wasted, for unless they are read, they die,
As you will too.
Some fast, by water, some slower, time-eroded,
All, ended, by drowning in the Sea of Who Cares!
~
What sourced this elegiac distich,
Too many poets, fully disclosing their downbeat, aroma of defeat?

The world is in a **** mood, not one of us, got nothing
Good to say, seems that love storms ripping hearts
With no trace of mercy, the radio has elected nonstop
Taylor Swift and Jonas Bro's
Just to make the point!

It is so easy to feel ******,
When the sun is unshining, elegant distich, **** me.

Thinking back, getting a good idea,
Found some long necked Corona overlooked,
Turn on the tv, pretend I'm a real cowboy,
And for god's sake, shut down poetry,
Good Bye Poetry, for the rest of the day.
~
once upon a time,
a traffic light rainbow,
stopped n' go, was a word design,
demarcated visions of spun sugar,
bodegas sold me
magic beans by the pound,
masterminded into cups of delight,
treasury's bounty overflowed,
now, dregs drain, sink stained,
as are my writing utensils,
my ink stained, us-less, fingers

come visit me, unknown stranger,
let us exchange fluidity, barbs,
a contest of kissing, eye lashing
wit ands shared vision stashing,
and together, once more,
write with our feet,
while holding hands,
becoming once more
poets of the street.

Only, come quickly.
~

But reading thy cries, an exercise,
Teeth-gnashing frustration.
It brings no relief.

So sad girl,
Write till you are righted,
May be it will snow on July 4th,
And tho unnatural,
So is thy grief.

Nonetheless, write me write me all about it,
Right us,
For tho snow falls, its loveliness,
Makes the heart rise up in gladness!
~
She brings me coffee in bed.
I propose a violin accompaniment.
Some babka, with nice-crumbly-in-bed
Streusel topping,
A concerto we could make!

Her derision snorted so loud,
The mollusks on the beach
From their shells come out.

"Good luck with that,
Put that fantasy on
Your **** poetry site,
Cause that is the closest you will ever get!"
~
For she will be my heroine for all time,

These words to expand with rhyme and verse,
T'is a welcome task, one familiar, but anew,
Each dawn each dusk, a daily trust, a love poem diurnal-birthed,
As if god created the world, but left upon completion,
With a grievous thirst, a new notion, he did burst.

He created the Eighth Day, for celebration of his
Most cherished invention, the idea of love.
This is where, the secret writ Eleventh Commandment occurs,
Love thy Poetry Gods, Honor them with daily verbs.
~
Officer...you should see me gut a

Poem,

Slice its belly open,
Sometimes straight, sometimes Askew,
Feed the gulls them
****** insides on the dock, by-moonlight,
Can ya cut me some slack?

Mmm, I see here in your license,
You are a disabled guy,
A **** poet ******,
Who often does his best work
Legally all alone in the HOV lane,
So I'm gonna let you off this time
Just with a warning!
~
We can share words, we can grant tiny easements,
We can weep with you unseen tears,
We can etsy you little homemade gifts
Like this.

That you can take and keep, and break out in time of need knowing full well that these words will not spoil nor rancid turn, cannot be out grown,, or torn, or rent asunder in anyway for once they are shared
They are irrevocable.
~
When you write,
It as if you write upon our
One skin,
For I am your tablet,
Your sole/sol/soul composition.

So stop kissing me
and
Write upon us.
~
This will not be the hardest poem I e're wrote,
But if there is no inspiration
For you to smote,
And armpits refuse to provide perspiration,
To source juices for a new creation,
Try this trick,
I promise you
No one will lick your ice cream cone,
Nor mistake you for Leonard Cohen,
But when you are done,
You will be High Priest of
Hello Poetry for the rest of the day!
~
You think you can write?
Then employ  a word outside your comfort zone,
Go it alone,
And write four sentences that will make
The hopeful reader stand up and
you twice as much, and shout

Hallelujah
*******.

Work. Poetry is work. Hard work.
Don't fret. But, think on it. Have the sweetest dreams.
In the morning, when you but awake,
A poem will be aborning in thy mind,
And dare I say it, you will find a new freedom
In free verse.
(I know you will slip in a rhyme or two,
I can't help but do it too)
~
Had myself forgot,
That a poem needs a
Frame of jungle gym sounds,
An aural aura resonance unbound.
Purposed to make the heart lift
Your ears say:

Say what!

It needs a tune,
An internal music,
It needs a lilt!
A cadence, that both
Marches and swings,
Even when'd urgent dirge
grief pours forth.
~
This Sabbath day you fog-hide
Your gift of bay and beach
So quiet implore, beseech,
Keep the sailors safe,
And your poets saved.

I ask much.
But I ask for all of us,
There are so many such
That are booster-chair needy
That I am succumbed, overwhelmed,
Enormity fearsome needs help even from a deity.

Small words, big hopes.

If you cannot grant it,
Won't wait for intervention,
Do it myself, answer prayers one and all,
Best I can, starting now with this
Po-hymn.
~
I used to sleep
With pen and paper on my nighttime table.
Nowadays, my iPad tablet rests upon my chest,
Not only does it keep me warn,
It takes my poems from within, Fresh Direct,^
Edits, credits, and delivers them to your door,
While I'm still sleeping.

Which is why they come at all hours.
It is also why they call them,
Love's Labour's Lost saving devices.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
**So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse.

I am both: Addict and dealer, a ****** poet ******.

White folks: pack your bags and go.
Our nut-brown world is quite offended.
Make your shame-faced exit NOW,
And leave your mansions unattended.
Wait—before you pass the doors,
It's time to settle ethnic scores.

No more ragtime Minstrel Show.
Our Moorish Science took it down.
Black lives matter. White, less so—
Now move your pale face out of town . . .
But first, shell out for racial shame
Caucasian losers of the game.

Cultural pride is ours alone:
Kings and Egyptian queens we were.
The glories of our race, well-known
Bedazzle in a darkened blur
(Clear to Africa's descendants—
Puzzling to you white dependents).

Blackness lent your world its light,
Taught the Dutch to tend those flowers.
Scandinavia grew bright
Under our beneficent powers.
Negroes gave your blondes their beauty;
Helped those Norsemen shake their *****.

The Seven Wonders of the world:
We built them all. No vain conjecture
Dims our banner, black, unfurled,
Above eternal architecture.
Arts and knowledge gained from us
Are what we threaten to discuss.

We invented math and science
Which you robbed from Timbuktu.
Swarthy wisdom's brave defiance
Caused Old Europe to renew.
All our treasure that you plundered
Testifies: your days are numbered.

Classics of our Greeks you stole:
Philosophy was never yours.
Shame upon your racist soul;
For Bach and Mozart both were Moors.
Misappropriated treasures
call for ruthless hard-line measures.

Latino fate falls next—but, where ?
Jews, Turks, and Arabs: are you. . . white ?
Orientals everywhere:
Choose your side and join the fight.
Blackness rising! Late the hour;
Heed your call to fight the power.

Crackers need to check your race—
Stop rooting for that ****** clown.
Rednecks all up in our face;
Racist throwbacks got us down.
But as your statues bite the dust
Your light goes dark (you know it must).

So move on out, oppressor, thief.
Long have you held our nation back.
In some white galaxy seek relief—
But here the light itself is black.
Stars are racist. So is the sun.
Now let God's great black will be done.

(The Dry Salvages—presumably les trois sauvages
      — is a small group of rocks, with a beacon, off the N.E.
      coast of Cape Ann, Massachusetts. Salvages is pronounced
      to rhyme with assuages. Groaner: a whistling buoy.)

I

I do not know much about gods; but I think that the river
Is a strong brown god—sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;
Useful, untrustworthy, as a conveyor of commerce;
Then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in cities—ever, however, implacable.
Keeping his seasons and rages, destroyer, reminder
Of what men choose to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting.
His rhythm was present in the nursery bedroom,
In the rank ailanthus of the April dooryard,
In the smell of grapes on the autumn table,
And the evening circle in the winter gaslight.

The river is within us, the sea is all about us;
The sea is the land’s edge also, the granite
Into which it reaches, the beaches where it tosses
Its hints of earlier and other creation:
The starfish, the horseshoe crab, the whale’s backbone;
The pools where it offers to our curiosity
The more delicate algae and the sea anemone.
It tosses up our losses, the torn seine,
The shattered lobsterpot, the broken oar
And the gear of foreign dead men. The sea has many voices,
Many gods and many voices.
                                       The salt is on the briar rose,
The fog is in the fir trees.
                                       The sea howl
And the sea yelp, are different voices
Often together heard: the whine in the rigging,
The menace and caress of wave that breaks on water,
The distant rote in the granite teeth,
And the wailing warning from the approaching headland
Are all sea voices, and the heaving groaner
Rounded homewards, and the seagull:
And under the oppression of the silent fog
The tolling bell
Measures time not our time, rung by the unhurried
Ground swell, a time
Older than the time of chronometers, older
Than time counted by anxious worried women
Lying awake, calculating the future,
Trying to unweave, unwind, unravel
And piece together the past and the future,
Between midnight and dawn, when the past is all deception,
The future futureless, before the morning watch
When time stops and time is never ending;
And the ground swell, that is and was from the beginning,
Clangs
The bell.

II

Where is there an end of it, the soundless wailing,
The silent withering of autumn flowers
Dropping their petals and remaining motionless;
Where is there and end to the drifting wreckage,
The prayer of the bone on the beach, the unprayable
Prayer at the calamitous annunciation?

There is no end, but addition: the trailing
Consequence of further days and hours,
While emotion takes to itself the emotionless
Years of living among the breakage
Of what was believed in as the most reliable—
And therefore the fittest for renunciation.

There is the final addition, the failing
Pride or resentment at failing powers,
The unattached devotion which might pass for devotionless,
In a drifting boat with a slow leakage,
The silent listening to the undeniable
Clamour of the bell of the last annunciation.

Where is the end of them, the fishermen sailing
Into the wind’s tail, where the fog cowers?
We cannot think of a time that is oceanless
Or of an ocean not littered with wastage
Or of a future that is not liable
Like the past, to have no destination.

We have to think of them as forever bailing,
Setting and hauling, while the North East lowers
Over shallow banks unchanging and erosionless
Or drawing their money, drying sails at dockage;
Not as making a trip that will be unpayable
For a haul that will not bear examination.

There is no end of it, the voiceless wailing,
No end to the withering of withered flowers,
To the movement of pain that is painless and motionless,
To the drift of the sea and the drifting wreckage,
The bone’s prayer to Death its God. Only the hardly, barely prayable
Prayer of the one Annunciation.

It seems, as one becomes older,
That the past has another pattern, and ceases to be a mere sequence—
Or even development: the latter a partial fallacy
Encouraged by superficial notions of evolution,
Which becomes, in the popular mind, a means of disowning the past.
The moments of happiness—not the sense of well-being,
Fruition, fulfilment, security or affection,
Or even a very good dinner, but the sudden illumination—
We had the experience but missed the meaning,
And approach to the meaning restores the experience
In a different form, beyond any meaning
We can assign to happiness. I have said before
That the past experience revived in the meaning
Is not the experience of one life only
But of many generations—not forgetting
Something that is probably quite ineffable:
The backward look behind the assurance
Of recorded history, the backward half-look
Over the shoulder, towards the primitive terror.
Now, we come to discover that the moments of agony
(Whether, or not, due to misunderstanding,
Having hoped for the wrong things or dreaded the wrong things,
Is not in question) are likewise permanent
With such permanence as time has. We appreciate this better
In the agony of others, nearly experienced,
Involving ourselves, than in our own.
For our own past is covered by the currents of action,
But the torment of others remains an experience
Unqualified, unworn by subsequent attrition.
People change, and smile: but the agony abides.
Time the destroyer is time the preserver,
Like the river with its cargo of dead negroes, cows and chicken coops,
The bitter apple, and the bite in the apple.
And the ragged rock in the restless waters,
Waves wash over it, fogs conceal it;
On a halcyon day it is merely a monument,
In navigable weather it is always a seamark
To lay a course by: but in the sombre season
Or the sudden fury, is what it always was.

III

I sometimes wonder if that is what Krishna meant—
Among other things—or one way of putting the same thing:
That the future is a faded song, a Royal Rose or a lavender spray
Of wistful regret for those who are not yet here to regret,
Pressed between yellow leaves of a book that has never been opened.
And the way up is the way down, the way forward is the way back.
You cannot face it steadily, but this thing is sure,
That time is no healer: the patient is no longer here.
When the train starts, and the passengers are settled
To fruit, periodicals and business letters
(And those who saw them off have left the platform)
Their faces relax from grief into relief,
To the sleepy rhythm of a hundred hours.
Fare forward, travellers! not escaping from the past
Into different lives, or into any future;
You are not the same people who left that station
Or who will arrive at any terminus,
While the narrowing rails slide together behind you;
And on the deck of the drumming liner
Watching the furrow that widens behind you,
You shall not think ‘the past is finished’
Or ‘the future is before us’.
At nightfall, in the rigging and the aerial,
Is a voice descanting (though not to the ear,
The murmuring shell of time, and not in any language)
‘Fare forward, you who think that you are voyaging;
You are not those who saw the harbour
Receding, or those who will disembark.
Here between the hither and the farther shore
While time is withdrawn, consider the future
And the past with an equal mind.
At the moment which is not of action or inaction
You can receive this: “on whatever sphere of being
The mind of a man may be intent
At the time of death”—that is the one action
(And the time of death is every moment)
Which shall fructify in the lives of others:
And do not think of the fruit of action.
Fare forward.
                      O voyagers, O ******,
You who came to port, and you whose bodies
Will suffer the trial and judgement of the sea,
Or whatever event, this is your real destination.’
So Krishna, as when he admonished Arjuna
On the field of battle.
                                  Not fare well,
But fare forward, voyagers.

IV

Lady, whose shrine stands on the promontory,
Pray for all those who are in ships, those
Whose business has to do with fish, and
Those concerned with every lawful traffic
And those who conduct them.

Repeat a prayer also on behalf of
Women who have seen their sons or husbands
Setting forth, and not returning:
Figlia del tuo figlio,
Queen of Heaven.

Also pray for those who were in ships, and
Ended their voyage on the sand, in the sea’s lips
Or in the dark throat which will not reject them
Or wherever cannot reach them the sound of the sea bell’s
Perpetual angelus.

V

To communicate with Mars, converse with spirits,
To report the behaviour of the sea monster,
Describe the horoscope, haruspicate or scry,
Observe disease in signatures, evoke
Biography from the wrinkles of the palm
And tragedy from fingers; release omens
By sortilege, or tea leaves, riddle the inevitable
With playing cards, fiddle with pentagrams
Or barbituric acids, or dissect
The recurrent image into pre-conscious terrors—
To explore the womb, or tomb, or dreams; all these are usual
Pastimes and drugs, and features of the press:
And always will be, some of them especially
When there is distress of nations and perplexity
Whether on the shores of Asia, or in the Edgware Road.
Men’s curiosity searches past and future
And clings to that dimension. But to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint—
No occupation either, but something given
And taken, in a lifetime’s death in love,
Ardour and selflessness and self-surrender.
For most of us, there is only the unattended
Moment, the moment in and out of time,
The distraction fit, lost in a shaft of sunlight,
The wild thyme unseen, or the winter lightning
Or the waterfall, or music heard so deeply
That it is not heard at all, but you are the music
While the music lasts. These are only hints and guesses,
Hints followed by guesses; and the rest
Is prayer, observance, discipline, thought and action.
The hint half guessed, the gift half understood, is Incarnation.
Here the impossible union
Of spheres of existence is actual,
Here the past and future
Are conquered, and reconciled,
Where action were otherwise movement
Of that which is only moved
And has in it no source of movement—
Driven by dæmonic, chthonic
Powers. And right action is freedom
From past and future also.
For most of us, this is the aim
Never here to be realised;
Who are only undefeated
Because we have gone on trying;
We, content at the last
If our temporal reversion nourish
(Not too far from the yew-tree)
The life of significant soil.

Anthony, Anthony, oh dear Anthony. His face is like a little darling's; with tumults of green and gray cheeks blended into one. I wish there had been no yesterday; for yesterday was when he appeared with his rain-soaked, but gay little cheeks; as he smiled at me by the twin moonbeams. Still he is not him; I care not how he wants to tease me in my dream.

My heart is gay no more; its walls are honed imperfectly, and with no goodwill. Its image and charity hath now gone; I am plain, I am like a shy spider grafting about the chattering winter walls. Oh, Anthony, yet how sweet thou wert under the bald rain; and its unleashed forms of cold clouds! Ah, I wish I could lend to you a wonted breadth of my story; but as I gaze, now, into the very soft metallic eyes of thee; I am afraid my words shall never be impossible. Thou hath that brilliant green gaze of nature, my sweet, but thou art not immortal; thou art vital, but thou art not of the same rainbow as he is. He hath, now, been dried and cornered in the unseen lungs of my heart, but his ghost is there. Ah, he, who hath betrayed me like a sparkle of dead candle! How should I treat this misdemeanour, you think? But to my strange suspicion, I cannot but forget of him, even a sliver of memory; for his memories are too elusive, too adequate for my hungry heart. Oh, Anthony, how bashful I am--for not daring to cope with thy questioning eyes!

Like those unanswered rains; which keep wetting the unyielding soil, damaging toiled crops into the limbs of quavering pits. My love was borne with death by him; within the death of his feelings, in which it was but a fossil of discarded flesh like any other corpse. But where is Immortal, Immortal, Immortal? I keep looking for him, in those scarlet hollows, but still I glimpse a sight of him not. I shall keep lulling him to sleep, at least in my dancing dreams; he is the sober prince and I am the guileless princess. Ah, Anthony, tell me how I cannot be guileless; I am honest and decent and carry no defilement of chastity. I am pure myself; with a garden of virginity and its terrific rivulets flowing beneath me. How can my charms be not charitable? Even when I walk, a thousand boughs of blossoms snigger not; they welcome my entry with another thousand wits; they reply to my living steps with a radiance that even heaven cannot forgive. My verbal words might not be delicate, but I am sure my poem is; regardless how hard t'is downfall might be. Ah, Anthony, thou art a miracle still, but thou art no more than an evening story, sadly! I cannot feel my heart become unleashed, as I looketh into thy eyes; I cannot feel grasped by thy cold hands--ah, thou hath grasped me not; but still thy apparition cometh less merited, and rather falsified, than that of his.

How can that be, how can that be, how can that be! Ah, this earth with its villainous glory might blame me once more. It shall toughen my hardship with a whole land of repulsion; it shall intend never again to make me a faithful alliance. It shall satisfy its own self, and metamorphose into a swamp of ungrateful hatred sweated by an edified mockery. Ah, what doth all t'is charm mean, then? I shall face a green apocalypse soon, thereof, before being burned within another blasphemous night. I feel cross, cross, cross, cross, and cross; I grit my teeth whenever I think of my stupidity. I feel as if I was an old dame so gratuitous to thee; I am a luminous fire, but instead I have no seeds and am just as dead as a soundless pumpkin. Ah, Anthony, can thou but restore that lost fire again? I want no speeds, I want to see no miracles, I feel dutiful; but undutiful at the same time. Your heart is right by the doors of Yorkshire--and sometimes grow into the doors themselves; it is funny to see how they are so tidily integrated by the eminence of each other. I shall craft for you a beautiful song; but perhaps a jest like that shall never be enough; it shall be tedious and not pertinacious enough to entertain thy young heart. Thou art in want of my poems, as far as I can see; but all I might do is withdraw my eye and even draw my steps back further, invariably like a rusted old church bell. I am insane; and far trapped in the insanity as I myself am; I am cold-blooded, my heart can, perhaps, be healed only by ease-like murders. I cannot ponder, I cannot think, I cannot consider; I paint the entrance to myself no more-oh, how I miss his laughs like never before! Ah, Anthony, my wintry sun, my autumn soliloquy, my snowy sob; perhaps I shall better be far from thee, for I want not to make thee sore! My heart is as rough as it is; incarcerated in its own heartless panoramic views, brutal like an unattended soil, for hath it just been left unattended for a time; it often wanders to breathe fresh air, but severed once more by the adored's filthy laugh. It comes home and sleeps weeping beside me.

My heart can no longer count; neither can it flinch. It cannot even see colours, including those which were once fabulous; it is far from enormity, but it claims to have one. Ah, Anthony, it is even a brighter scholar than myself! Look, look how hath it conquered my? I have jaws and it has not, I have a heart--ah, I do have it, but I knoweth not how to make it mine. Half of my heart hath been eaten away by a rotten love, even my blood now--as I hath been hearing it, is no longer flowing. I am hurried by the murmurs of the wind every day, ah, but shall I return again to my poetry? I guess, though, I can make time for this gay seriousness; I am poetry and shall always be, I am alarmed by the cries of my poems, and the joys of my sentences. I am mad, as how poets should just be; I am the pictures my poetry paints; and caress them often at night in my arms.

But as you may have seen it, my heart is now dead, plain, and black; my heart who has loved, and still does love, someone. Ah, Anthony, forgive me; forgive me for this solemn labour of my heart; forgive me for choosing to bear this alone. I might love again, someday; I am aware I should triumph over this self-inflicted martyrdom; I shall relieve myself in one blink of wonder, in a more reliable princedom by the sea. Still, I hope, like a gallery of paintings that is planted with a hall of constant transformations, God shall transform the very haven of his souls one day; and refine his atrocious soutane into one righteous and cordial. I might not be the crucial lady yet for thee; oh, how I wish I were! But vain this attempt may be, should we ever doubtfully try it. Ah, Anthony, but gratitude to thee--for once choosing to lay off the puzzle of my heart; for thy gentleness from the very start!

And hath I now finished my breathless narration; I doth miss thee, oh Immortal; I miss thee as I shall miss a piercing sun in these filths and greases winters may bring! Ah, and the clearer picture in my mind carries to me a voice that though thou art fine; thou art dainty no more; and this leaves to me a flavour of
precarious solitude. I loveth thee, Immortal, Immortal, Immortal; my love is as a sky that remains high; my love shall stay flowery until the day I die.

No one cared
that there was an unattended bag on the train.
Staring at their phones, not looking around
what's going on,
raising heads only to see if it's their stop,
busy with Facebook notifications,
Instagram posts and youtube sensations,
commuting to work
from A to B,
half-******, half-asleep.
At 7am it's hard to be happy,
when you are going to work,
it's hard
to be something more
than a dumb, silent slave of the modern times.

No one cares about the unattended bag.
It's hard to give a ****,
when no one gives a ****.
You wanna talk to the driver? Good luck.

Someone noticed the bag, got a bit suspicious,
he looked around, and it was hard
to produce a word, to open his mouth,
to make all heads turn to him, all their eyes
have them fixed on you, when you are trying to explain
what's your concern.

There's no members of staff on the train anyway,
you don't wanna be late for work,
because of the stupid bag.

It's much easier to carry on
with staring at your phone,
not thinking of anything,
not getting paranoid about stuff.
It will spare you troubles in life.

To whom it may concern,

     I am alone.  Although it may never quite seem that way, both night and day I am confined to solitude.  These past six years hitherto have been filled with nothing more than the fictional characters in my texts and the short pleasantries granted in passing by dismal men, women, and even children that occupy my days.  Each morning, as the dawn breaks, I wake up disgusted with myself in that same manner which sundry men and women have.  It is not the loneliness, however, that disgusts me.  No, I do believe I have grown quite fond of the residual silence.  Instead, I believe it to be the dull monotony of my routine that has left me truly disturbed.  The days have begun to fade in with each other, along with the nights---especially the nights.  I cannot say, for instance, whether or not it was last evening or that of a day three months afore that I was seated at my desk, much like I am now, finishing the latest draft of a poem in my journal.  Nor could I tell you the present date, although the heat of the day, still trapped in the rafters, is so persistent that I am obliged to say it must be one of those blue summer nights when children run, squealing, through the streets, like plump pigs to the trough.  I have become somewhat of a hermit, secluded in my small, run-down apartment above my bodega.  My mind has grown as wild as the violet petunias, bridging the gap over the narrow, brick walk which separates my garden--- as the myriad of dandelions that have invaded the surrounding lawn.
     Throughout the day I work the till in my shop, observing the assorted physiognomies that populate the three small isles.  As they walk up and down, deciding what they most desire, I, too, contemplate to myself, deciding the few whom I might admire should I get the chance.  I often attempt to strike up conversations with my customers, much to their dismay.  I comment on the weather, the soccer scores from a recent game, or perhaps a story from the local section of the Post & Courier, only to receive terse responses and short payments.  However, I never let these failed attempts at congenial conversation discourage me.  Day after day, I persist.
     The nights are easier.  Although I do not attend the boisterous bars spread out amongst the small restaurants and boutiques that line the narrow city streets as I once did, I often drink.  Seated alone, armed with a liter of Ri, two glasses, one with small cubes of ice and one without, and a pen; I waste my nights scribbling down nearly every thought that leaps into my inebriated mind.  My prose has yet to show any real promise, but my thirst to transcend from this pathetic, pseudo-intellectual literature student struggling with his thesis into something more drives me to ignore those basic desires, defined by Maslow as needs; venturing out and exploring the community that I inhabit or talking to another person as a friend.  So I sit, night after night, at the foot of this large bay window, looking out onto the tired faces of the busy street below.  I sit, night after night, tracing the streaks of red light from the tails of passing cars, imprinted in the backs of my eyelids like sand-spurs stuck in a heel.
     I can recall a time when my flat was not the dank, dimly lit hole in the wall that it has become today.  A time, not too distant, when the rich chestnut floorboards glistened beneath the fluorescent pendant lights, when champagne dripped like rain from the white coffers in the blue ceiling, and music shook the walls and rattled the windows.  Men and women alike would wander through the rooms, inoculated by my counterfeit Monet's and their glasses of box wine.  When not entertaining, I wrote.  At long length I sat beneath my window, proliferating prose or critiquing a classmate's from workshop, but those days have passed.  The floors no longer shine; instead they lay suffocating under piles of fetid clothes.  The halls no longer echo with the rhythmic chorus of an acoustic guitar or the symphonies of men and women's laughter;  the lights are burnt out, the paint is peeling off the walls, and the homages are concealed beneath vast fields of mildew and mold.  Puddles of whiskey sit unattended on the granite countertops around the bottoms of corks for weeks, allowing the strong scent to foster and waft freely through the air ducts into the store below.  The dilapidation that ensued after I stopped receiving visitors was not just of the home, however. Worse yet was the steady rot of my own mind.  Although I have often been referred to as "a bit eccentric," and often times folks would inquire if I had, "a ***** loose in [my] noggin," I have only recently begun to find myself walking about the neighborhood garden in the small hours of the morning more than occasionally.  Further still, it is only recently that I cannot remember how, or when, I came to be where I am. Whenever I do happen to roam the night, it appears as if I do it unbeknownst to myself, throughout the throes of my sleep.  Similarly, I have only just begun to notice that, often times while I attempt to write, I sit, talking feverishly---yelling at an empty bottle, until I find another to quench my thirst.  Luckily, there is always another bottle.
     Needless to say, these past few years have left me very tired, and, after much consideration, I have decided that it would be best if I were to "shuffle off this mortal coil."  However, much like Hamlet himself, I could never bring myself to act upon the feeling.  Though I often wonder about what awaits me after my last breath warms the winter of this world, the coward that I have become is in no hurry to find out.  Alors, I am left with one option: leave.  Though I am not yet brave enough to slip into that, the deepest of sleeps, I have gathered courage enough to walk throughout the day.
           Charon Solus

One.** When you see her for the first time, you'll want to steal a glance at her, but you can't beat her at her own game. She's been a professional heart jacker since the seventh grade, so when she steals a glance from you, don't ever expect to find the composer she robs from your voice.

Two. You'll never need to go to a corner store again. Her purse is a walking pharmacy full of all the things nobody needs more than once in their lifetime. She says that she has stolen so much useless ****, that to her there is no difference between losing everything and losing nothing.

Three. When she stays over for the first time and you're cuddling in bed, cling to the covers for dear life, cause she will yank that **** away from you the second you fall asleep.

Four. Don't get too attached to any of your hoodies. Everything she snatches, she owns indefinitely. Whether it's the hoodie from H&M;, the candle stick from your parents' house, or the guitar she borrowed from the last boy she broke into.

Five. You're best of trying to blur the lines between theft, and sacrifice. So, give her your time when she wants it. Offer her your tongue when her skin is hungry. Give up your sleep, when she rather give you tongue lashings. Give her your Sundays and Mondays, maybe even you Mondays through Sundays. Let her cradle your world in her palms until it is small enough to run away with.

Six. When you stop keeping an eye on your grades, don't be surprised when they go missing.

Seven. When your mother ask why you don't write anymore. Tell her you can't think about poetry when your partner has the keys to your inspiration. Don't worry, she borrowed them a year ago. And you haven't seen them since.

Eight. She will pick pocket your self-esteem. Send you from fearless to feeble the second you leave your secrets on the table.

Nine. I wonder if she's the reason airports ask there passengers not to leave baggage unattended.

Ten. You are baggage she will leave unattended.

Eleven Your skin won't look thicker when it heals.

Twelve. Don't bother retracing your steps to try to find yourself. I promise, there's no point in searching for yourself in a break up, or a break down, or an orange bottle.

Thirteen. I'm starting to realize that love is the most sinister kind of robbery there is. Love is a slow motion stick up you can not get insurance against. Worst part about dating a thief is realizing that after they clean you out., you will never get yourself back.

Fourteen. One day she emerged from 7/11 concealing a bag of erasers, a sponge, and 12 packs of Splenda.
I ask her, "how do you even choose what to steal?".
She said when you're not sure what to take, just take everything.

My heart
is the sound of water swishing
at the bottom of a large jar.

My emotions
are soft and quiet, making ears strain
to hear them:
they are a small sigh leaving my body.

My soul is bread
left unattended in the oven.

And my body,
is a house visited
every so often,
by dinner guests bringing
smiles and light.

if it were up to me
i would show up at your house
dressed as the love of your life.
i would drag you from your bed
rip your heart from your chest
and leave your lifeless body at the door
for your mother to find.

i would tear every good feeling
straight out of your stomach
and replace them with memories
of all the things that made you love me.

i would burn the remaining pieces
and scatter the ashes
along beaches we planned to get married
and cities we were supposed to live.

i would leave your mind
hollow and unattended
and force you to feel me forgetting you,

sort of like what you did to me.