The prologues are over. It is a question, now,
Of final belief. So, say that final belief
Must be in a fiction. It is time to choose.

I

That obsolete fiction of the wide river in
An empty land; the gods that Boucher killed;
And the metal heroes that time granulates -
The philosophers' man alone still walks in dew,
Still by the sea-side mutters milky lines
Concerning an immaculate imagery.
If you say on the hautboy man is not enough,
Can never stand as a god, is ever wrong
In the end, however naked, tall, there is still
The impossible possible philosophers' man,
The man who has had the time to think enough,
The central man, the human globe, responsive
As a mirror with a voice, the man of glass,
Who in a million diamonds sums us up.

II

He is the transparence of the place in which
He is and in his poems we find peace.
He sets this peddler's pie and cries in summer,
The glass man, cold and numbered, dewily cries,
"Thou art not August unless I make thee so."
Clandestine steps upon imagined stairs
Climb through the night, because his cuckoos call.

III

One year, death and war prevented the jasmine scent
And the jasmine islands were ****** martyrdoms.
How was it then with the central man? Did we
Find peace? We found the sum of men. We found,
If we found the central evil, the central good.
We buried the fallen without jasmine crowns.
There was nothing he did not suffer, no; nor we.

It was not as if the jasmine ever returned.
But we and the diamond globe at last were one.
We had always been partly one. It was as we came
To see him, that we were wholly one, as we heard
Him chanting for those buried in their blood,
In the jasmine haunted forests, that we knew
The glass man, without external reference.

Dear native brook! wild streamlet of the West!
How many various-fated years have passed,
What happy and what mournful hours, since last
I skimmed the smooth thin stone along thy breast,
Numbering its light leaps! Yet so deep impressed
Sink the sweet scenes of childhood, that mine eyes
I never shut amid the sunny ray,
But straight with all their tints thy waters rise,
Thy crossing plank, thy marge with willows grey,
And bedded sand that, veined with various dyes,
Gleamed through thy bright transparence! On my way,
Visions of childhood! oft have ye beguiled
Lone manhood’s cares, yet waking fondest sighs:
Ah! that once more I were a careless child!

Transcendence. A word to pay attention to.
To find that transcendence in you,
that feeling within,
that's the genius behind poetry.

Transport. A word to pay attention to.
To find that transport in you, that vehicle within,
that's the transport self to find the genius in poetry.

Transparence. A word to pay attention to.
To find that transparence in you,
that light within, that's the genius in poetry.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~­~~~~~~~~~~~~~
I have written these lines first in DUTCH
(my mother tongue) then in English:

Transcendence.
Een woord om aandacht te besteden aan.
Om dat transcendentie in u te vinden, dat gevoel
van binnen, dat is het genie achter poëzie.

Transporteren.
Een woord om aandacht te besteden aan.
Om dat transport in je, dat voertuig binnenin,
dat is het vervoer zelf om het genie in de poëzie
te vinden.

Transparantie.
Een woord om aandacht te besteden aan.
Om dat transparantie in u, dat licht binnenin
te vinden, dat is het genie in poëzie.




© Sylvia Frances Chan~~
Thursday 13th March 2014
17.17 hrs p.m. W.E.Time

i’m fighting with gravity
to the death- until my head rests,
empty as my belly
on this false-porcelain floor-
skin waxy as laminate over
these heavy hollow bones
waiting for freedom-
liberation from this sullen casing.

i shake, manic-
blood pressure in the basement,
nauseous from diet pills and anxiety.
jittery, stare at the ceiling-
a spider, stick-limbed, teases me,
but here’s the silver lining:
no curds or whey coating
my shining insides.

i am stronger and brighter than ever
as black swims in my vision-
light-headed from malnutrition,
i wrap fingers around my wrists
to make sure i haven’t escaped my limits.
the mirror doesn’t lie, but it won’t snitch.
we’ll keep this surreptitious.

spilling my bloodred guts, my blood,
won’t make me wither,
and confessing won't save me either.
this red ribbon stays tied around my wrist.
secrets kept keep me stable
clinging to my only success,
self-confidence cellophane-wrapped
in my absence, my transparence.

the whispers don’t mean a thing.
i am frantic on a wire frame,
white noise on parade.
the ground can only hold me for so long.
i'll sprout wings from my ribcage
and float away.

The gallant Youth, who may have gained,
    Or seeks, a “winsome Marrow,”
Was but an Infant in the lap
    When first I looked on Yarrow;
Once more, by Newark’s Castle-gate
    Long left without a warder,
I stood, looked, listened, and with Thee,
    Great Minstrel of the Border!

Grave thoughts ruled wide on that sweet day,
    Their dignity installing
In gentle bosoms, while sere leaves
    Were on the bough, or falling;
But breezes played, and sunshine gleamed—
    The forest to embolden;
Reddened the fiery hues, and shot
    Transparence through the golden.

For busy thoughts the Stream flowed on
    In foamy agitation;
And slept in many a crystal pool
    For quiet contemplation:
No public and no private care
    The freeborn mind enthralling,
We made a day of happy hours,
    Our happy days recalling.

Brisk Youth appeared, the Morn of youth,
    With freaks of graceful folly,—
Life’s temperate Noon, her sober Eve,
    Her Night not melancholy;
Past, present, future, all appeared
    In harmony united,
Like guests that meet, and some from far,
    By cordial love invited.

And if, as Yarrow, through the woods
    And down the meadow ranging,
Did meet us with unaltered face,
    Though we were changed and changing;
If, then, some natural shadows spread
    Our inward prospect over,
The soul’s deep valley was not slow
    Its brightness to recover.

Eternal blessings on the Muse,
    And her divine employment!
The blameless Muse, who trains her Sons
    For hope and calm enjoyment;
Albeit sickness, lingering yet,
    Has o’er their pillow brooded;
And Care waylays their steps—a Sprite
    Not easily eluded.

For thee, O Scott! compelled to change
    Green Eildon—hill and Cheviot
For warm Vesuvio’s vine-clad slopes;
    And leave thy Tweed and Tiviot
For mild Sorrento’s breezy waves;
    May classic Fancy, linking
With native Fancy her fresh aid,
    Preserve thy heart from sinking!

Oh! while they minister to thee,
    Each vying with the other,
May Health return to mellow Age
    With Strength, her venturous brother;
And Tiber, and each brook and rill
    Renowned in song and story,
With unimagined beauty shine,
    Nor lose one ray of glory!

For Thou, upon a hundred streams,
    By tales of love and sorrow,
Of faithful love, undaunted truth
    Hast shed the power of Yarrow;
And streams unknown, hills yet unseen,
    Wherever they invite Thee,
At parent Nature’s grateful call,
    With gladness must requite Thee.

A gracious welcome shall be thine,
    Such looks of love and honour
As thy own Yarrow gave to me
    When first I gazed upon her;
Beheld what I had feared to see,
    Unwilling to surrender
Dreams treasured up from early days,
    The holy and the tender.

And what, for this frail world, were all
    That mortals do or suffer,
Did no responsive harp, no pen,
    Memorial tribute offer?
Yea, what were mighty Nature’s self?
    Her features, could they win us,
Unhelped by the poetic voice
    That hourly speaks within us?

Nor deem that localized Romance
    Plays false with our affections;
Unsanctifies our tears-made sport
    For fanciful dejections:
Ah, no! the visions of the past
    Sustain the heart in feeling
Life as she is-our changeful Life,
    With friends and kindred dealing.

Bear witness, Ye, whose thoughts that day
    In Yarrow’s groves were centred;
Who through the silent portal arch
    Of mouldering Newark entered;
And clomb the winding stair that once
    Too timidly was mounted
By the “last Minstrel,”(not the last!)
    Ere he his Tale recounted.

Flow on for ever, Yarrow Stream!
    Fulfil thy pensive duty,
Well pleased that future Bards should chant
    For simple hearts thy beauty;
To dream-light dear while yet unseen,
    Dear to the common sunshine,
And dearer still, as now I feel,
    To memory’s shadowy moonshine!

White skin
Molded in black light
Crystal tears
Faded in dark wine -
Innocent fears
Crypted in a muddy dawn,
White, white veils
Of the black, black soul.

Soothing tired rays...
The ashes of canescent shadows
In black blankets
Of white memories, thoughtless days
Melodies, phantasms of whispers -
Too late, too soon...dispair.

They all appear in strange ways,
Mixed feelings in a maze
Drowned in a deep silence -
Deaf screams in a corner.
Transparence...
A black mind, the disorder.

A life between agony and death,
A death betweem sunrise and health,
Vision between a mirror and a trigger
Freedom between bars and linger
Dreams between blindfolds and handcuffs
Thirst hiding beneath a sea of cups
Hunger lieing in corners with bread bits
Perfect love dieing where it fits.

Black and white,
Silence and screams
Numbness, too many feelings...
Eyes wide open, but locked inside.
I've lost the key
To a true reality
Beyond these mesmerizing dawns
They're not true, they're not false...
There's no sun, there's no moon
Too late, then too soon
Trying to fake and not to see
There's no sunrise in the whole of me.

A forgotten poem by Henry Brooke ( Irish Dramatist/Novelist)

Taken from poetrynook.com http://www.poetrynook.com/poem/universal-beauty-book-3-lines-301%C3%B4%C3%A7%C3%B4400

Or cool recess of odoriferous shade,
And fan the peasant in the panting glade;
Or lace the coverture of painted bower,
While from the enamell'd roof the sweet profusions shower.
Here duplicate, the range divides beneath,
Above united in a mantling wreath;
With continuity protracts delight,
Imbrown'd in umbrage of ambiguous night;
Perspicuous the vista charms our eye,
And opens, Janus like, to either sky;
Or stills attention to the feather'd song,
While echo doubles from the warbling throng.

Here, winding to the sun's magnetic ray,
The solar plants adore the lord of day,
With Persian rites idolatrous incline,
And worship towards his consecrated shrine;
By south from east to west obsequious turn,
And moved with sympathetic ardours burn.
To these adverse, the lunar sects dissent,
With convolution of opposed bent;
From west to east by equal influence tend,
And towards the moon's attractive crescence bend;
There, nightly worship with Sidonian zeal,
And queen of heaven Astarte's idol hail.

" O Nature , whom the song aspires to scan!
" O B EAUTY , trod by proud insulting man,
" This boasted tyrant of thy wondrous ball,
" This mighty, haughty, little lord of all;
" This king o'er reason, but this slave to sense,
" Of wisdom careless, but of whim immense;
" Towards T HEE ! incurious, ignorant, profane,
" But of his own, dear, strange, productions vain!
" Then, with this champion let the field be fought,
" And nature's simplest arts 'gainst human wisdom brought:
" Let elegance and bounty here unite —
" There kings beneficent, and courts polite;
" Here nature's wealth — there chymist's golden dreams;
" Her texture here — and there the statesman's schemes;
" Conspicuous here let Sacred Truth appear —
" The courtier's word, and lordling's honour there;
" Here native sweets in boon profusion flow —
" There smells that scented nothing of a beau;
" Let justice here unequal combat wage —
" Nor poise the judgment of the law-learn'd sage;
" Tho' all-proportion'd with exactest skill,
" Yet gay as woman's wish, and various as her will. "

O say, ye pitied, envied, wretched great,
Who veil pernicion with the mask of state!
Whence are those domes that reach the mocking skies,
And vainly emulous of nature rise?
Behold the swain projected o'er the vale!
See slumbering peace his rural eyelids seal;
Earth's flowery lap supports his vacant head;
Beneath his limbs her broider'd garment's spread;
Aloft her elegant pavilion bends,
And living shade of vegetation lends,
With ever propagated bounty blest,
And hospitably spread for every guest:
No tinsel here adorns a taudry woof,
Nor lying wash besmears a varnish'd roof;
With native mode the vivid colours shine,
And heaven's own loom has wrought the weft divine,
Where art veils art; and beauties beauties close,
While central grace diffused throughout the system flows.
The fibres, matchless by expressive line,
Arachne's cable, or aetherial twine,
Continuous, with direct ascension rise,
And lift the trunk, to prop the neighbouring skies.
Collateral tubes with respiration play,
And winding in aerial mazes stray.
These as the woof, while warping, and athwart
The exterior cortical insertions dart
Transverse, with cone of equidistant rays,
Whose geometric form the F ORMING H AND displays.
Recluse, the interior sap and vapour dwells
In nice transparence of minutest cells;
From whence, thro' pores or transmigrating veins
Sublimed the liquid correspondence drains,
Their pithy mansions quit, the neighbouring chuse,
And subtile thro' the adjacent pouches ooze;
Refined, expansive, or regressive pass,
Transmitted thro' the horizontal mass;
Compress'd the lignous fibres now assail,
And entering thence the essential sap exhale;
Or lively with effusive vigour spring,
And form the circle of the annual ring,
The branch implicit of embowering trees,
And foliage whispering to the vernal breeze;
While Zephyr tuned, with gentle cadence blows,
And lull'd to rest consenting eyelids close.
Ah! how unlike those sad imperial beds,
Which care within the gorgeous prison spreads;
Where tedious nights are sunk in sleepless down,
And pillows vainly soft, to ease the thorny crown!

Nor blush thou rose, tho' bashful thy array,
Transplanted chaste within the raptured lay;
Thro' every bush, and warbled spray we sing,
And with the linnet gratulate the spring;
Sweep o'er the lawn, or revel on the plain,
Or gaze the florid, or the fragrant scene;

I have been at war with my brain for as long as I can remember. A perpetual massacre, crimson annihilation, whatever sounds best bleeding from your tongue. No matter how many casualties you can find staining my fingers, there is no tragedy here. Words are what the carnage always leaves behind.
I have always had words, too many of them-- always left hiding behind my overbite in fear of crowding the world. It is a torturous thing, to be a writer in a world where people are not made of paper, where transparence is sacrificed for conversation.


I think in different shades of contradiction.
I want to talk to you but my brain keeps telling me to pretend my phone is ringing so I don’t have to talk to you anymore. There always seems to be an escape plan I cannot help but map out. I want to speak my mind, to watch my opinions soar into morning skies, but my brain gathers all of my words into paper boats drifting into shark-infested waters. I am full of synonyms and definitions, of pretty cursive words inked on skin. Perhaps it is hard to see this. I am, in fact, too busy picking my eyelashes out to realize that you are speaking to me. My heartbeats have cold feet when they try to serenade my thoughts.

Forgive me, for the paradox of my friendship. I am listening. It is just that sometimes, I am a telephone line with both ends in my hands.

[for Joe Cole's prompt]*
~~~

Grain of sand?
I have no remembrance
of me being a grain of sand.

All I can tell you about
is this me you can see:

this glassy transparence,
a melted me,
metamorphosed
by fire.

Seemless frontier,
I can't but to split
daring to reach
the other side.

Grief, from this
sandy longing?

Yes, you may
say that's me.

In the big and blue
Are people swimming
With watershoes
Transparence is the colour hue
Of this ocean

It has waves of many sizes
Rock and sand as well
Shoals of fish that swim
Together in vast numbers so swell!

There is a cycle
That cannot forfeit
To be broken
Or destroyed yet

There's yet so much to discover
But our stubborness overpowers
Many tropicals
Many corals
So much to see

In the big and blue
What lies at the depths of it
Is still a mystery
Even if we search and search
We won't find what we're looking for

But what are we looking for?
Why are we looking for this?

The sky is like a person
And the sea like a mirror
To discover the skys true beauty
It uses the sea's reflection

Making this water
Either blue or green
The sky beautifies
The magnificent sea

There are fantasies
Oh so wonderful dreams
They make us believe
That's it's not what it seems

They hypnotize, cover up
But the beauties
Are amongst us

In the big and blue
Are animals of many kinds
There are waves
That will break
On the sand
There are rocks
That and homes
Fish and plant

In the big and blue
You'll find colours so true
It's like a rainbow
Underwater now!

The sun rose pink over Lancaster;
Its frozen rains came quick in tow—
Here, we sense the passive and the active:
To take the drag or pull:
He is dragged by the way of the automatic hand-to-mouth;
The Other, is my command—
But that, even, impelled snowfully toward
A closed fist, a locked grasp, an unwilling departure.

I suggest a dislocation somewhere in parallax:
Take paper dimensions and fold them 104 times
And everything flattens out—
The ocular inversion becomes like-real; I’ll swim in that!
Puddles are dragged by the wind, whilst the pull thinks in spite
Of I, its strange corpus of author, and opus
Drags to the creature of appetite deign to call to order.

But a power powerless to its name given it:
Destined desiring of sunnier metaphors—
The alcoves of the thread, brought to just us
Caesuras of what satisfies, in food, in just us
The depth of image holds true: one cannot live on bread alone.
Thus, I muse and mull back to locks of hair and bellybuttons
Waiting, in time—the deepening of time’s cloth
Where my hand caresses her thigh—
One can feel the gravity pressing on the heart,
All the love that self-reflects, combs out the wrinkles,
And has faith in the good inertia.

By this secular host consubstantiate
And Other (surely a pleasing affair) is but moments away.
And she and I look so pretty together,
Our is of whom and what and the third conditional.

That which presses upon itself, the one dimension,
Cannot disentangle from name or alliance, nor faith,
Greedily picking at the oily ruptures, effulging in transparence,
Contradictions care not for astrology,
And whether you are poetry
Is not important here.

Roule l’Automne

Roule, roule; l'automne roux
sur les bruyères de Corse
et les bouleaux du lac Baïkal.
Sur le dôme de Notre Dame
et le clocher de Saint-Sernin.
Roule, roule; l'automne roux
sur la queue rousse de « Goupil »
et le flamboiement du soleil
qui cligne comme un phare éperdu
enluminant notre horizon.
Roule, roule; dans les cheveux d'or
des belles Femmes rousses
et de cet été indien qui flamboie,
de nos promesses d’amours
de la transparence de nos yeux.
Roule, roule; l'automne roux
dont les feuilles volètent au vent des feuilles bariolées
qui deviennent tapis de velours,
ravivant la joie des amant(e)s
Qui y trouvent des lits d’amour.
Roule, roule; dans les vignes et les sous-bois
quand Bacchus s'en donne à cœur joie,
Les vignerons pressent les pampres
font couler les nectars vermeils
avec cette fraîcheur sans pareil
Qui illumine nos Esprits.
Roule, roule ; bel automne
dans tes atours de séducteur,
tournant la tête des amoureuses.
Car la nostalgie de l'hiver,
Et sa compagne la froidure
ne sont pas encore avancées.

Paul Arrighi