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preservationman Jun 2018
Full Of Art
Beauty at every mainstream a sight
Tattoos everywhere well almost
But the tattoos were the only thing noticeable, but added was the muscles
As the man walked around on the boardwalk, you could see woman in their personal conference hurdles talking a man of stature
What a masterpiece would be in a picture?
The guy had tattoos that described words of attention and the muscles just added the vision of mastery
It was his shoulders down to his feet
Sheer physique having a look of mystique
You could also hear woman’s hearts throb
Yet with the imaginary of “Turn me like a door ****”
In fact, one woman boldly approached the Tattooed Man in a strong statement, “Love me but don’t leave me”
That put the man in an embarrassing situation
Because it was all in public
So the Tattooed Man wasn’t sure in how he should respond
At first, he just looked upon
But there was a question, “Should he fulfill her request or just take it as being flattered?”
The Tattooed Man later whispered in her ear, and invited the woman to his place
It wasn’t far, but a moment in being no time to waste
The Tattooed Man’s apartment was well furnished and his body complimented his apartment by being distinguished
But his structure got all the attention
Before the woman could imagine, the Tattooed Man picked the woman up, and carried her to his cave being his bedroom
The woman kept stirring at the contour of the muscular body of the Tattooed Man and tattoos couldn’t hide those vascular muscles
Before the interlude began, the woman shouted, “Direct me to your heart”
It wasn’t before after the woman’s heart started to rise
Every stroke seemed like a welcome surprise
Yet with every scream there was a realize
Pleasure having a soothing delight
The Tattoos were like a road map to love
The woman felt she was in love with a Greek God
It was beauty behind the strength
Miles of detail at every length
****** among us
Love out of control
Oh Ob Oh
But finally the interlude was over
The tattooed Man had taken the woman to his love nest home
The adventure was her roam
The Tattooed Man the woman will never forget
Yet she does have one regret
“I wish I had that body of essence mine”
The dotted line being love fulfilled
The secret of love where there was a will.
Sid Jan 2015
I used to be
unfortunately
just jumbled upstairs
with things bothering me.
I had an ole' broken heart,
picked through and fumbled apart.
Until this renegade cowboy said,
"Depression depart."

Noone will ever harm me, not with my tattooed man.
I got myself a bad boy, so come and try it if you can.
And even though he keeps me warm at night,
if you meet him in the dark he's gonna put out your lights.
Noone will ever harm me, not with my tattooed man.

And when the whiskey gets ahold of your head,
you best take care of your tongue or watch him turn red.
And I wouldn't wanna be the one looking at me
if I'm holding his hand, make sure he doesn't see.
Keep your hands at your side
because consequences provide,
and you'll be wishing you had when you two collide.

Noone will ever harm me, not with my tattooed man.
I got myself a bad boy, so come and try it if you can.
And even though he keeps me warm at night,
if you meet him in the dark he's gonna put out your lights.
Noone will ever harm me, not with my tattooed man.

So when you're drinking at night
and wanna get in a fight
because the scar needs a callus to heal just right,
walk away from the man
with the tattooed hands
because protecting his woman's all apart of his plan.

Noone will ever harm me, not with my tattooed man.
I got myself a bad boy, so come and try it if you can.
And even though he keeps me warm at night,
if you meet him in the dark he's gonna put out your lights.
Noone will ever harm me, not with my tattooed man.
Maria Dash Nov 2014
Dark cold December , we started well , I've been loving someone , but I've never seen his face.

Every time he says he loves me , I feel loneliness . I'd like to pretend he holds me , but it has never been that way.

I've been loving a stranger ,  something hard to explain , only he knows our story , "sadly romantic" we'd say , I'm in love with a tattooed heart , 16 marks he'll regret , I've been loving a tattooed heart , a heart I'll never forget .

Empty and lonely , I've been for so long . I wish I could touch you , I'd trade my soul , if only you knew , how much I loved you , you'd tattooed my name instead of a phrase.

I've been loving a stranger ,  something hard to explain , only he knows our story , "sadly romantic" we'd say , I'm in love with a tattooed heart , 16 marks he'll regret , I've been loving a tattooed heart , a heart I'll never forget .

Here comes the end , let's pretend , we lived fully in love , We never cared what they say , we were fully in love , fully .in .love.
nick armbrister Feb 2018
YUMMY YUMMY IN MY TATTOOED TUMMY
I like eating very much, call it a passion coz obsession sounds too mad.                                                            
Give me a sandwich tuna mayo one sliced tomato on bread times two.                                                        
Not enough!
Time for chicken donner on nan with everything on: hot sauce, salad cream with salad, peppers too, Jalapeno style. Add an order for onion barges, samosas and chips in pita bread with mild sauce on.
Yummy yummy in my tattooed tummy!
Half an hour later, an Italian beckons. His pizza looks cool! I say three types of meat, sliced, on top. Extra cheese, deep pan and two types of olives. Munchy time and yes, I enjoy this meal.
Later… What next? English fish and chips with salt and vinegar and a drop of gravy. No mushy peas, I hate them! I’ll take two fish cakes on the side. Traditional English grub down the hatch. Then meat and potato pie on a muffin. Careful not to burn my mouth! Did that before.
Yummy yummy in my tattooed tummy!
Time for some American influence, supersize me! Huge portion of fries, mega big burger and a litre of strawberry milkshake.
I’m multicultural in my diet. Foreign people are cool when it comes to their cuisine. I love Norwegian apple juice, as I need a drink after eating their goats’ cheese on rough white bread.
Yummy yummy in my tattooed tummy!
Chinese crispy duck is desirable, just like egg fried rice and prawn crackers. All available food is welcome, I’ll eat your left over’s on my trip of eating.
Yummy yummy in my tattooed tummy!
James M Vines Nov 2017
A Rose sits high on her breast and a snake slithers up her thigh! She has a heart tattooed on her arm and an evil smile on her lips. In the small of her back the dark wings can take you on a trip. A vine swirls around her ankle with the names of those she holds dear. She has forever yours tattooed just below her ear. She walks casually by and gives you a longing stare. Her wrist has the words Devil May Care. She has long blood Red nails and on her fingers she has love and hate. She loves to make your girlfriend jealous, she is the woman they will love to hate. Across her slender stomach she has no inhibitions tattooed colorful and clear. She has wanton sinner tattooed on her inner thigh. If you see what is next then it is obvious you are her kind of guy. So if you want to get lost in lust, just let her catch your eye. You will follow the map of ink to sinful pleasure and she will rock your world. Be wary of the danger of the tattooed girl.
Arielle Oct 2015
I was about 7 years old when I saw my father’s tattoo
I asked if it hurt, he said no, not even a little.
I examined his hand like it was a science project
It was a name, a four lettered name
But,
I didn’t know what it meant.
When I turned 9, I noticed his tattooed hand again
Now, being more curious I asked who “Beth” was
“Beth”, the name that made my mother flinch, whenever she would hear it
My father never answered me, I’m pretty sure he never did
But whenever I would say it, it was like I was torturing my mother in the most painful way.
I finally knew who she was, but I guess it was too late
My mother said she was just going to the market but she never came back.
I was 11 when I finally knew who Beth was
Turns out, she was my father’s first love
They got married and had children just like with my mother.
But my mother already left us
She left us with this woman whose name
is tattooed on my father’s hand together with their children’s names.
It hurt like hell when I realized that we were never his first.
We we’re never his one and only
And he was never our own.
That was the moment when I felt my world crashing down before my eyes,
Burying that one thing
I thought was my own
Burying the laughs
The smiles
The tears
The hugs
The kisses
The love
Burying everything I thought I had with MY family
With my mother,
With my brother,
With my sister,
With MY father
And his tattooed hand reminded me everyday that we will never be his first,
We will never be his one and only,
And he will never be our own.
I blamed him for everything,
I blamed him for so long.
I blamed him why my mama left,
I blamed him for not being his first.
I blamed him for everything,
Like everything was his fault…
But,
I also grew up loving him,
Thanking him,
And appreciating his love for us
That is when I learned to forgive him
To accept him,
and…
to love him again.
Yes, we may never be his first,
His one and only,
And he may never be our own,
But the love he has shown is more than enough
Now, his tattooed hand will be the one,
to remind me
that, being second is never wrong because I know that he will always love us,
as his first.
ariana  Dec 2014
tattooed heart
ariana Dec 2014
you don't need
a lot of money
honey, you don't have
to play no games
all i need
is your loving
to get the blood
rushing through my veins
i want to say
we're going steady
like it's 1954
it doesn't have
to be forever
just as long as i'm
the name
on your tattooed heart
you don't need to worry about
making me crazy
because i'm way past that
so just call me
if you want me
because you got me
and i'll show you
how much i wanna be
on your tattooed heart
wrap me in your jacket
my baby
and lay me in your bed
and kiss me
underneath the moonlight
darling, let me trace
the lines
on your tattooed heart
just as long as i'm
the name
on your tattooed heart
Nigel Morgan Dec 2013
A Tale for the Mid-Winter Season after the Mural by Carl Larrson

On the shortest day I wake before our maids from the surrounding farms have converged on Sundborn. Greta lives with us so she will be asleep in that deep slumber only girls of her age seem to own. Her tiny room has barely more than a bed and a chest for her clothes. There is my first painting of her on the wall, little more a sketch, but she was entranced, at seeing herself so. To the household she is a maid who looks after me and my studio,  though she is a literate, intelligent girl, city-bred from Gamla Stan but from a poor home, a widowed mother, her late father a drunkard.  These were my roots, my beginning, exactly. But her eyes already see a world beyond Sundborn. She covets postcards from my distant friends: in Paris, London, Jean in South America, and will arrange them on my writing desk, sometimes take them to her room at night to dream in the candlelight. I think this summer I shall paint her, at my desk, reading my cards, or perhaps writing her own. The window will be open and a morning breeze will make the flowers on the desk tremble.

Karin sleeps too, a desperate sleep born of too much work and thought and interruption. These days before Christmas put a strain on her usually calm disposition. The responsibilities of our home, our life, the constant visitors, they weigh upon her, and dispel her private time. Time in her studio seems impossible. I often catch her poised to disappear from a family coming-together. She is here, and then gone, as if by magic. With the older children home from their distant schools, and Suzanne arrived from England just yesterday morning, they all cannot do without lengthy conferences. They know better than disturb me. Why do you think there is a window set into my studio door? So, if I am at my easel there should be no knock to disturb. There is another reason, but that is between Karin and I.

This was once a summer-only house, but over the years we have made it our whole-year home. There was much attention given to making it snug and warm. My architect replaced all the windows and all the doors and there is this straw insulation between the walls. Now, as I open the curtains around my bed, I can see my breath float out into the cool air. When, later, I descend to my studio, the stove, damped down against the night, when opened and raddled will soon warm the space. I shall draw back the heavy drapes and open the wooden shutters onto the dark land outside. Only then I will stand before my current painting: *Brita and the Sleigh
.

Current!? I have been working on this painting intermittently for five years, and Brita is no longer the Brita of this picture, though I remember her then as yesterday. It is a picture of a winter journey for a six-year-old, only that journey is just across the yard to the washhouse. Snow, frost, birds gathered in the leafless trees, a sun dog in the sky, Brita pushing her empty sledge, wearing fur boots, Lisbeth’s old coat, and that black knitted hat made by old Anna. It is the nearest I have come to suggesting the outer landscape of this place. I bring it out every year at this time so I can check the light and the shadows against what I see now, not what I remember seeing then. But there will be a more pressing concern for me today, this shortest day.

Since my first thoughts for the final mural in my cycle for the Nationalmuseum I have always put this day aside, whatever I might be doing, wherever I may be. I pull out my first sketches, that book of imaginary tableaux filled in a day and a night in my tiny garden studio in Grez, thinking of home, of snow, the mid-winter, feeling the extraordinary power and shake of Adam of Bremen’s description of 10th C pre-Christian Uppsala, written to describe how barbaric and immoral were the practices and religion of the pagans, to defend the fragile position of the Christian church in Sweden at the time. But as I gaze at these rough beginnings made during those strange winter days in my rooms at the Hotel Chevilon, I feel myself that twenty-five year old discovering my artistic vision, abandoning oils for the flow and smudge of watercolour, and then, of course, Karin. We were part of the Swedish colony at Grez-sur-Loing. Karin lived with the ladies in Pension Laurent, but was every minute beside me until we found our own place, to be alone and be together, in a cupboard of a house by the river, in Marlotte.

Everyone who painted en-plein-air, writers, composers, they all flocked to Grez just south of Fontainebleau, to visit, sometimes to stay. I recall Strindberg writing to Karin after his first visit: It was as if there were no pronounced shadows, no hard lines, the air with its violet complexion is almost always misty; and I painting constantly, and against the style and medium of the time. How the French scoffed at my watercolours, but my work sold immediately in Stockholm. . . and Karin, tall, slim, Karin, my muse, my lover, my model, her boy-like figure lying naked (but for a hat) in the long grass outside my studio. We learned each other there, the technique of bodies in intimate closeness, the way of no words, the sharing of silent thoughts, together on those soft, damp winter days when our thoughts were of home, of Karin’s childhood home at Sundborn. I had no childhood thoughts I wanted to return to, but Karin, yes. That is why we are here now.

In Grez-sur-Loing, on a sullen December day, mist lying on the river, our garden dead to winter, we received a visitor, a Swedish writer and journalist travelling with a very young Italian, Mariano Fortuny, a painter living in Paris, and his mentor the Spaniard Egusquiza. There was a woman too who Karin took away, a Parisienne seamstress I think, Fortuny’s lover. Bayreuth and Wagner, Wagner, Wagner was all they could talk about. Of course Sweden has its own Nordic Mythology I ventured. But where is it? What is it? they cried, and there was laughter and more mulled wine, and then talk again of Wagner.

When the party left I realized there was something deep in my soul that had been woken by talk of the grandeur and scale of Wagner’s cocktail of German and Scandinavian myths and folk tales. For a day and night I sketched relentlessly, ransacking my memory for those old tales, drawing strong men and stalwart, flaxen-haired women in Nordic dress and ornament. But as a new day presented itself I closed my sketch book and let the matter drop until, years later, in a Stockholm bookshop I chanced upon a volume in Latin by Adam of Bremen, his Gesta Hammaburgensis Ecclesiae Pontificum, the most famous source to pagan ritual practice in Sweden. That cold winter afternoon in Grez returned to me and I felt, as I had then, something stir within me, something missing from my comfortable world of images of home and farm, family and the country life.

Back in Sundborn this little volume printed in the 18th C lay on my desk like a question mark without a sentence. My Latin was only sufficient to get a gist, but the gist was enough. Here was the story of the palace of Uppsala, the great centre of the pre-Christian pagan cults that brought us Odin and Freyr. I sought out our village priest Dag Sandahl, a good Lutheran but who regularly tagged Latin in his sermons. Yes, he knew the book, and from his study bookshelf brought down an even earlier copy than my own. And there and then we sat down together and read. After an hour I was impatient to be back in my studio and draw, draw these extraordinary images this text brought to life unbidden in my imagination. But I did not leave until I had persuaded Pastor Sandahl to agree to translate the Uppsala section of the Adam of Bremen’s book, and just before Christmas that year, on the day before the Shortest Day, he delivered his translation to my studio. He would not stay, but said I should read the passages about King Domalde and his sacrifice at the Winter Solstice. And so, on the day of the Winter Solstice, I did.

This people have a widely renowned sanctuary called Uppsala.

By this temple is a very large tree with extending branches. It is always green, both in winter and in summer. No one knows what kind of tree this is. There is also a spring there, where the heathens usually perform their sacrificial rites. They throw a live human being into the spring. If he does not resurface, the wishes of the people will come true.

The Temple is girdled by a chain of gold that hangs above the roof of the building and shines from afar, so that people may see it from a distance when they approach there. The sanctuary itself is situated on a plain, surrounded by mountains, so that the form a theatre.

It is not far from the town of Sigtuna. This sanctuary is completely covered with golden ornaments. There, people worship the carved idols of three gods: Thor, the most powerful of them, has his throne in the middle of the hall, on either side of him, Odin and Freyr have their seats. They have these functions: “Thor,” they say, “rules the air, he rules thunder and lightning, wind and rain, good weather and harvests. The other, Odin, he who rages, he rules the war and give courage to people in their battle against enemies. The third is Freyr, he offers to mortals lust and peace and happiness.” And his image they make with a very large phallus. Odin they present armed, the way we usually present Mars, while Thor with the scepter seems to resemble Jupiter. As gods they also worship some that have earlier been human. They give them immortality for the sake of their great deeds, as we may read in Vita sancti Ansgarii that they did with King Eirik.

For all these gods have particular persons who are to bring forward the sacrificial gifts of the people. If plague and famine threatens, they offer to the image of Thor, if the matter is about war, they offer to Odin, but if a wedding is to be celebrated, they offer to Freyr. And every ninth year in Uppsala a great religious ceremony is held that is common to people from all parts of Sweden.”
Snorri also relates how human sacrifice began in Uppsala, with the sacrifice of a king.

Domalde took the heritage after his father Visbur, and ruled over the land. As in his time there was great famine and distress, the Swedes made great offerings of sacrifice at Upsal. The first autumn they sacrificed oxen, but the succeeding season was not improved thereby. The following autumn they sacrificed men, but the succeeding year was rather worse. The third autumn, when the offer of sacrifices should begin, a great multitude of Swedes came to Upsal; and now the chiefs held consultations with each other, and all agreed that the times of scarcity were on account of their king Domalde, and they resolved to offer him for good seasons, and to assault and **** him, and sprinkle the stall of the gods with his blood. And they did so.


There it was, at the end of Adam of Bremen’s description of Uppsala, this description of King Domalde upon which my mural would be based. It is not difficult to imagine, or rather the event itself can be richly embroidered, as I have over the years made my painting so. Karin and I have the books of William Morris on our shelves and I see little difference between his fixation on the legends of the Arthur and the Grail. We are on the cusp here between the pagan and the Christian.  What was Christ’s Crucifixion but a self sacrifice: as God in man he could have saved himself but chose to die for Redemption’s sake. His blood was not scattered to the fields as was Domalde’s, but his body and blood remains a continuing symbol in our right of Communion.

I unroll the latest watercolour cartoon of my mural. It is almost the length of this studio. Later I will ask Greta to collect the other easels we have in the house and barn and then I shall view it properly. But for now, as it unrolls, my drama of the Winter Solstice comes alive. It begins on from the right with body of warriors, bronze shields and helmets, long shafted spears, all set against the side of Uppsala Temple and more distant frost-hoared trees. Then we see the King himself, standing on a sled hauled by temple slaves. He is naked as he removes the furs in which he has travelled, a circuit of the temple to display himself to his starving people. In the centre, back to the viewer, a priest-like figure in a red cloak, a dagger held for us to see behind his back. Facing him, in druidic white, a high priest holds above his head a gold pagan monstrance. To his left there are white cloaked players of long, straight horns, blue cloaked players of the curled horns, and guiding the shaft of the sled a grizzled shaman dressed in the skins and furs of animals. The final quarter of my one- day-to-be-a-mural unfolds to show the women of temple and palace writhing in gestures of grief and hysteria whilst their queen kneels prostate on the ground, her head to the earth, her ladies ***** behind her. Above them all stands the forever-green tree whose origin no one knows.

Greta has entered the studio in her practiced, silent way carrying coffee and rolls from the kitchen. She has seen Midvinterblot many times, but I sense her gaze of fascination, yet again, at the figure of the naked king. She remembers the model, the sailor who came to stay at Kartbacken three summers ago. He was like the harpooner Queequeg in Moby ****. A tattooed man who was to be seen swimming in Toftan Lake and walking bare-chested in our woods. A tall, well-muscled, almost silent man, whom I patiently courted to be my model for King Dolmade. I have a book of sketches of him striding purposefully through the trees, the tattooed lines on his shoulders and chest like deep cuts into his body. This striding figure I hid from the children for some time, but from Greta that was impossible. She whispered to me once that when she could not have my substantial chest against her she would imagine the sailor’s, imagine touching and following his tattooed lines. This way, she said, helped her have respite from those stirrings she would so often feel for me. My painting, she knew, had stirred her fellow maids Clara and Solveig. Surely you know this, she had said, in her resolute and direct city manner. I have to remember she is the age of my eldest, who too must hold such thoughts and feelings. Karin dislikes my sailor king and wishes I would not hide the face of his distraught queen.

Today the sunrise is at 9.0, just a half hour away, and it will set before 3.0pm. So, after this coffee I will put on my boots and fur coat, be well scarfed and hatted (as my son Pontus would say) and walk out onto my estate. I will walk east across the fields towards Spardasvvägen. The sky is already waiting for the sun, but waits without colour, hardly even a tinge of red one might expect.

I have given Greta her orders to collect every easel she can find so we can take Midvinterblot off the floor and see it in all its vivid colour and form. In February I shall begin again to persuade the Nationalmuseum to accept this work. We have a moratorium just now. I will not accept their reasoning that there is no historical premise for such a subject, that such a scene has no place in a public gallery. A suggestion has been made that the Historiska museet might house it. But I shall not think of this today.

Karin is here, her face at the studio window beckons entry. My Darling, yes, it is midwinter’s day and I am dressing to greet the solstice. I will dress, she says, to see Edgar who will be here in half an hour to discuss my designs for this new furniture. We will be lunching at noon. Know you are welcome. Suzanne is talking constantly of England, England, and of course Oxford, this place of dreaming spires and good looking boys. We touch hands and kiss. I sense the perfume of sleep, of her bed.

Outside I must walk quickly to be quite alone, quite apart from the house, in the fields, alone. It is on its way: this light that will bathe the snowed-over land and will be my promise of the year’s turn towards new life.

As I walk the drama of Midvinterblot unfolds in a confusion of noise, the weeping of women, the physical exertions of the temple slaves, the priests’ incantations, the riot of horns, and then suddenly, as I stand in this frozen field, there is silence. The sun rises. It stagge
To see images of the world of Sundborn and Carl Larrson (including Mitvinterblot) see http://www.clg.se/encarl.aspx
Kelsey Rhoads Apr 2018
If you are a suicide survivor
Inbox me your name
And I’ll add it to my tattoos of others

You guys mean the world to me
And I have my own name on my arm
Because I too, am a suicide survivor.
Inbox me your name. Make this go viral so I get names. Hopefully it inspires someone to fight a little harder. Anyone wanna join me?

If you understand I’m sorry. Stay strong friend.
I.

One night at the Troubadour I spotted this extraordinary girl.

So I asked who she was.

‘A professional,’

That was my introduction that on a scale of one to ten

there were women who were fifteens—beautiful, bright, witty, and

oh, by the way, they worked.

Once I became aware,

I saw these women everywhere.

And I came to learn that most of them were connected to Alex



II.

She had a printer engrave a calling card

that featured a bird of paradise

borrowed from a Tiffany silver pattern

and,
under it,

Alex’s Aviary,

Beautiful and Exotic birds.



A few were women you’d see lunching at Le Dôme:

pampered arm pieces with expensive tastes

and a hint of a delicious but remote sexuality.

Many more were fresh-faced, athletic, tanned, freckled

the quintessential California girl

That you’d take for sorority queens or future BMW owners.





III.

The mechanism of Alex’s sudden notoriety is byzantine,

as these things always are.

One of her girls took up with a rotter,

the couple had a fight,

he went to the police,

the police had an undercover detective visit

(who just happened to be an attractive woman)

and ask to work for her,

she all but embraced her

—and by April of 1988 the district attorney had enough evidence

to charge her with two counts of pandering

and one of pimping.

For Alex, who is fifty-six

and has a heart condition and diabetes,

the stakes may be high.

A conviction carries the guarantee of incarceration.

For the forces of law and order,

the stakes may be higher.

Alex has let it be known that she will subpoena

every cop she’s ever met to testify at her trial.

And the revelations this might produce

—perhaps that Alex compromised policemen

by making girls available to them,

—perhaps that Alex had a deal with the police to provide information

in exchange for their blind eye to her activities

—could be hugely embarrassing to the police and the district attorney.

For Alex’s socially correct clients and friends,

for the socially correct wives of her clients and friends

and for a handful of movie and television executives

who have no idea they are dating or

married to former Alex girls,

the stakes are highest of all.



IV.

Alex’s black book is said to be a catalogue of
Le Tout Los Angeles.

In her head are the ****** secrets

of many of the city’s most important men,

to say nothing of visiting businessmen and Arab princes.

If she decides to warble,

either at her trial or in a book,

her song will shatter more than glass.





V.

A decade ago, I went to lunch at Ma Maison,

There were supposed to have been ten people there,

but only four came.

One of them was a short woman

who called me a few days later and invited me to lunch.

When I arrived, the table was set for two.

I didn’t know who Alex was or what she did,

but she knew the important facts of my situation:

I was getting divorced from a very wealthy man

and doing the legal work myself

to avail lawyers who wanted to get a big settlement for me.


Occasionally, she said, I get a call for a tall, dark-haired,

slender, flat-chested woman

—and I don’t have any.

It wouldn’t be a frequent thing.

There’d be weekends away, sometimes in Palm Springs,

sometimes in Europe.

The men will be elegant,

you’ll have your own room

—there would be no outward signs of impropriety.

And you’d get $10,000 to $20,000 for a weekend.





VI.

The tall, slender, flat-chested brunette

didn’t think it was right for her.

Alex handed her a business card

and suggested that she think about it.

To her surprise, she did

—for an entire week.

This was 1978, and $20,000 then

was like $40,000 now,

I knew it was hooking,

but Alex had never mentioned ***.



Our whole conversation seemed to be about something else.



VII.

I was born in Manila

to a Spanish-Filipina mother and German father,

and when I was twelve

a Japanese soldier came into our house

with his bayonet pointed at us,

ready to do us in.

He locked us in and set the house on fire.

I haven’t been scared by much since that.



My mother always struck me as goofy,

so I jumped on a bus and ran away,

I got off in Oakland,

saw a help-wanted sign on a parish house,

and went in.

I got $200 a month for taking care of four priests.

I spent all the money on pastries for the parish house.

But I didn’t care.

It felt safe.

And the priests sparked my interest in the domestic arts

—in linen, in crystal.



A new priest arrived.

He was unpleasant,

so on a vacation in Los Angeles I took a pedestrian job,

still a teenager,

married a scientist.

We separated eight years later,

he took our two sons to another state

threatened to keep them if I didn’t agree to a divorce.

Keep them I said and hung up.

It’s not that I don’t have a maternal instinct

—though I don’t,

I just hate to be manipulated.



My second husband,

an alcoholic,

had Frank Sinatra blue eyes, and possibly

—I never knew for sure—

had a big career in the underworld

as a contract killer.

Years before we got serious,

he was going out with a famous L.A. ******,

She and her friends were so elegant

that I started spending time with them in beauty salons.

They were so fancy,

so smart

—and they knew incredible people,

like the millionaire who sat in his suite all day

just writing $5,000 checks to girls.



VIII.

I was a florist.

We got to talking.

She was a madam from England

who wanted to sell her book and go home.

I bought it for $5,000.

My husband thought it was cute.

Now you’re getting your feet wet.

Three months later,

he died.

After eleven years of marriage,

just like that.

And of the names in the book

it turned out

that half of the men were also dead.

When I began the men were old and the women were ugly.



IX.

It was like a lunch party you or I would give,

Great food Alex had cooked herself.

Major giggles with old pals.

And then,

instead of chocolate After Eight,

she served three women After Three



This man has seen a bit of life

beyond Los Angeles,

so I asked him how Alex’s stable

compared with that of Madam Claude,

the legendary Parisian procuress.

Oh, these aren’t at all like Claude’s girls,

A Claude girl was perfectly dressed and multilingual

—you could take her to the opera

and she’d understand it.





He told me that when she was 40

she looked at herself in the mirror

and said

Disgusting.

People over 40

should not have ***.

But She Was Clear That She Never Liked It

even when she was young.

Besides, she saw all the street business

go to the tall,

beautiful girls.

She thought that she never had a chance

competing against them.

Instead,

she would take their money by managing them.





X.

Going to a ****** was not looked down upon then.

It was before the pill;

Girls weren’t giving it away.

Claude specialized in

failed models and actresses,

ones who just missed the cut.

But just because they failed

in those impossible professions

didn’t mean they weren’t beautiful,

fabulous.



Like Avis

in those days,

those girls tried harder.

Her place was off the Champs,

just above a branch of the Rothschild bank, where I had an account.

Once I met her,

I was constantly making withdrawals and heading upstairs.





XI.

We took the lift

and Claude greeted us at the door.

My impression was that of the director

of an haute couture house,

very subdued,

beige and gray, very little makeup.

She took us into a lounge and made us drinks,

Whiskey,

Cognac.

There was no maid.

We made small talk for 15 minutes.

How was the weekend?

What’s the weather like in Deauville?

Then she made the segue. ‘I understand you’d like to see some jeunes filles?’

She always used ‘jeunes filles.’

This was Claude’s polite way of saying 18 to 25.

She left and soon returned

with two very tall

jeunes filles,

One was blonde.

This is Eva from Austria.

She’s here studying painting.

And a brunette,

very different,

but also very fine.

This is Claudia from Germany.

She’s a dancer.

She took the girls back into the apartment and returned by herself.

I gave my English guest first choice.

He picked the blonde.

And wasn’t disappointed.

Each bedroom had its own bidet.

There was some nice

polite conversation, and then



It was slightly formal,

but it was high-quality.

He paid Claude

200 francs,

not to the girls

In 1965, 200 francs was about $40.

Pretty girls on Rue Saint-Denis

could be had for 40 francs

so you can see the premium.

Still, it wasn’t out of reach for mere mortals.

You didn’t have to be J. Paul Getty.





XII.

A lot of them

were models at

Christian Dior

or other couture houses.

She liked Scandinavians.

That was the look then

—cold, tall, perfect.

It was cheap for the quality.

They all used her.

The best people wanted

the best women.

Elementary supply and demand.



XIII.

She had a camp number tattooed on her wrist. I saw it.

She showed it to me and Rubi.

She was proud she had survived.

We talked about the camp for hours.

It was even more fascinating than the girls.



She was Jewish

I’m certain of that.

She was horrified at the Jewish collaborators

at the camp who herded

their fellow Jews

into the gas chambers.

That was the greatest betrayal in her life.



XIV.

She was this sad,

lonely little woman.

Later, Patrick told me who she was.

I was bowled over.

It was like meeting Al Capone.

I met two of the girls

who worked for her.

One was what you would expect

Tall

Blonde

Model.

But the other looked like a Rat

Then one night

she came out

all dressed up,

I didn’t even recognize her.

She was even better than the first girl.

Claude liked to transform women like that.

That was her art.

It was very odd,

my cousin told me.

There was not much furniture

and an awful lot of telephones.

“Allô oui,”



XV.

I had so many lunches

with Claude at Ma Maison

She was vicious.

One day,

Margaux Hemingway,

at the height of her beauty, walked by.

Une bonne

—the French for maid

was how Claude cut her dead.

She reduced

the entire world

to rich men wanting *** and

poor women wanting money.

She’d love to page through Vogue and see someone

and say,

When I met her

she was called

Marlene

and she had a hideous nose

and now she’s a princess.

Or she’d see someone and say

Let’s see if she kisses me or not.

It was like

I made her,

and I can destroy her.

She was obsessed

with “fixing” people

—with Saint Laurent clothes,

with Cartier watches,

with Winston jewels,

with Vuitton luggage,

with plastic surgeons.



XVI.

Her prison number was

888

which was good luck in China

but not in California.

‘Ocho ocho ocho,’ she liked to repeat

Even in jail, she was always working,

always recruiting stunning women.

She had a beautiful Mexican cellmate

and gave her Robert Evans’s number

as the first person she should call

when she was released.



XVII.

Never have *** on the first date.



XVIII.

There will always be prostitution,

The prostitution of misery.

And the prostitution of bourgeois luxury.

They will both go on forever.



“Allô oui,”



It was so exciting to hear a millionaire

or a head of state ask,

in a little boy’s voice,

for the one thing

that only you could provide

It's not how beautiful you are, it's how you relate

--it's mostly dialogue.



She was tiny, blond, perfectly coiffed and Chanel-clad.

The French Woman: The Arab Prince, the Japanese Diplomat, the Greek Tycoon, the C.I.A. Bureau Chief — She Possessed Them All!



XIX.

She was like a slave driver in the American South

Once she took a *******,

the makeover put the girl in debt,

because Claude paid all the bills to

Dior,

Vuitton,

to the hairdressers,

to the doctors,

and the girls had to work to pay them off.

It was ****** indentured servitude.



My Swans.



It reached the point

where if you walked into a room

in London

or Rome

as much as Paris

because the girls were transportable,

and saw a girl who was

better-dressed,

better-looking,

and more distinguished than the others

you presumed

it was a girl from Claude.

It was, without doubt,

the finest *** operation ever run in the history of mankind.



**.

The girl had to be

exactly what was needed

so I had to teach her everything she didn’t know.

I played a little the role of Pygmalion.

There were basic things that absolutely had to be done.

It consisted

at the start

of the physical aspect

“surgical intervention”

to give this way of being

that was different from other girls.

Often they had to be transformed

into dream creatures

because at the start

they were not at all



Often I had to teach them how to dress.

Often they needed help

to repair

what nature had given them

which was not so beautiful.

At first they had to be tall,

with pretty gestures,

good manners.

I had lots of noses done,

chins,

teeth,

*******.

There was a lot to do.



Eight times out of ten

I had to teach them how to behave in society.

There were official dinners, suppers, weekends,

and they needed to have conversation.

I insisted they learn to speak English,

read

certain books.

I interrogated them on what they read.

It wasn’t easy.

Each time something wasn’t working,

I was obliged to say so.



You were very demanding?

I was ferocious.



It’s difficult

to teach a girl how to walk into Maxim’s

without looking

ill at ease

when they’ve never been there,

to go into an airport,

to go to the Ritz,

or the Crillon

or the Dorchester.

To find yourself

in front of a king,

three princes,

four ministers,

and five ambassadors at an official dinner.

There were the wives of those people!

Day after day

one had to explain,

explain again,

start again.

It took about two years.

There would always be a man

who would then say of her,

‘But she’s absolutely exceptional. What is that girl doing here?’ ”





XXI.

A New York publisher who visited

the Palace Hotel

in Saint Moritz

in the early seventies told me,

I met a whole bunch of them there.

They were lovely.

The johns wanted everyone to know who they were.

I remember it being said

Giovanni’s Madame Claude girl is going to be there.

You asked them where they came from and they all said

Neuilly.

Claude liked girls from good families.

More to the point she had invented their backgrounds.



I have known,

because of what I did,

some exceptional and fascinating men.

I’ve known some exceptional women too,

but that was less interesting

because I made them myself.



Ah, this question of the handbag.

You would be amazed by how much dust accumulates.

Or how often women’s shoe heels are scuffed.





XXII.

She would examine their teeth and finally she would make them undress.



That was a difficult moment

When they arrived they were very shy,

a bit frightened.

At the beginning when I take a look,

it’s a question of seeing if the silhouette

and the gestures are pretty.

Then there was a disagreeable moment.

I said,

I’m sorry about this unpleasantness,

but I have to ask you to get undressed,

because I can’t talk about you unless I see you.

Believe me, I was embarrassed,

just as they were,

but it had to be done,

not out of voyeurism, not at all

—I don’t like les dames horizontales.



It was very funny

because there were always two reactions.

A young girl,

very sure of herself,

very beautiful,

très bien,

would say

Yes,

Get up, and get undressed.

There was nothing to hide, everything was perfect.



There were those who

would start timidly

to take off their dress

and I would say

I knew already.

The rest is not sadism, but nearly.

I knew what I was going to find.

I would say,

Maybe you should take off your bra,

and I knew it wasn’t going to be

beautiful.

Because otherwise she would have taken it off easily.

No problem.

There were damages that could be mended.

There were some ******* that could be redone,

some not

Sometimes it can be deceptive,

you know,

you see a pretty girl,

a pretty face,

all elegant and slim,

well dressed,

and when you see her naked

it is a catastrophe.



I could judge their physical qualities,

I could judge if she was pretty, intelligent, and cultivated,

but I didn’t know how she was in bed.

So I had some boys,

good friends,

who told me exactly.

I would ring them up and say,

There’s a new one.

And afterwards they’d ring back and say,

Not bad,

Could be better, or

Nulle.



Or,

on the contrary,

She’s perfect.

And I would sometimes have to tell the girls

what they didn’t know.

A pleasant assignment?

No.

They paid.



XXIII.

Often at the beginning

they had an ami de coeur

in other words,

oh,

a journalist, a photographer, a type like that,

someone in the cinema,

an actor, not very well known.

As time went by

It became difficult

because they didn’t have a lot of time for him.

The fact of physically changing,

becoming prettier,

changing mentally to live with millionaires,

produced a certain imbalance

between them

and the little boyfriend

who had not evolved

and had stayed in his milieu.

At the end of a certain time

she would say,

I’m so much better than him. Why am I with this boy?

And they would break up by themselves.



Remember,

this was instant elevation.

For most of them it was a dream existence,

provided they liked the ***,

and those that didn’t never lasted long.

A lot of the clients were young,

and didn’t treat them like tarts but like someone from their own class.

They would buy you presents,

take you on trips.



XXIV.

For me, *** was something very accessoire

I think after a certain age

there are certain spectacles one should not give to others

Now I have a penchant for solitude.

Love, it’s a complete destroyer,

It’s impossible,

a horror,

l’angoisse.

It’s the only time in my life I was jealous.

I’m not a jealous person, but I was épouvantable.

He was jealous too.

We broke plates over each other’s heads;

we became jealous about each other’s pasts.

I said one day

It’s finished.

Sometimes I look at myself in the mirror and say:

Break my legs,

give me scarlet fever,

an attack of TB, but never that.

Not that.



XXV.

I called her into my office

Let us not exaggerate,

I sent her away.

She came back looking for employment,

but was fired again, this time for drugs.

She made menacing phone calls.

Then she arrived at the Rue de Boulainvilliers with a gun.

She shot three bullets

I was dressed in the fashion of Courrèges at this moment

He did very padded things.

I had a padded dress with a little jacket on top.

The bullet

—merci, Monsieur Courrèges

—stuck in the padding.

I was thrown forward onto the telephone.

I had one thought which went through my head:

I will die like Kennedy.

I turned round and put my hand up in a reflex.

The second bullet went through my hand.

I have two dead fingers.

It’s most useful for removing bottle tops.

In the corridor I was saved from the third bullet

because she was very tall

and I am quite petite, so it passed over my head.



XXVI.

There were men

who could decapitate,

****, and bomb their rivals

who would be frightened of me.

I would ask them how was the girl,

and they’d say

Not bad

and then

But I’m not complaining.

I was a little sadistic to them sometimes.

Some women have known powerful men because they’re their lover.

But I’ve known them all.

I had them all

here.



She will take many state secrets with her.



XXVI.

I don’t like ugly people

probably because when I was young

I wasn’t beautiful at all.

I was ugly and I suffered for it,

although not to the point of obsession.

Now that I’m an old woman,

I’m not so bad.

And that’s why

I’ve always been surrounded by people

Who

were

beautiful.

And the best way to have beautiful people around me

was to make them.

I made them very pretty.





XXVII.

I wouldn’t call what Alex gives you

‘advice,’

She spares you Nothing.

She makes a list of what she wants done,

and she really gets into it

I mean, she wants you to get your arms waxed.

She gives you names of people who do good facials.

She tells you what to buy at Neiman Marcus.

She’s put off by anything flashy,

and if you don’t dress conservatively, she’s got no problem telling you,

in front of an audience,

You look like a cheap *****!

I used to wear what I wanted when I went out

then change in the car into a frumpy sweater

when I went to give her the money she’d always go,

Oh, you look beautiful!



Marry your boyfriend,

It’s better than going to prison.

When you go out with her,

she’ll buy you a present; she’s incredibly generous that way.

And she’ll always tell you to save money and get out.

It’s frustrating to her when girls call at the end of the month

and say they need rent money.

She wants to see you do well.





We had a schedule, with cards that indicated a client’s name,

what he liked,

the names of the girls he’d seen,

and how long he’d been with them.

And I only hired girls who had another career

—if my clients had a choice between drop-dead-gorgeous

and beautiful-and-interesting,

they’d tend to take beautiful-and-interesting.

These men wanted to talk.

If they spent two hours with a girl,

they usually spent only five or ten minutes in bed.



I get the feeling that in Los Angeles, men are more concerned with looks.



XXVIII.

That was my big idea

Not to expand the book by aggressive marketing

but to make sure that nobody

mistook my girls for run-of-the-mill hookers.

And I kept my roster fresh.

This was not a business where you peddle your ***,

get exploited,

and then are cast off.

I screen clients. I’ve never sent girls to weirdos.

I let the men know:

no violence,

no costumes,

no fudge-packing.

And I talked to my girls. I’d tell them:

Two and a half years and you’re burned out.

Save your money.

This is like a hangar

—you come in, refuel, and take off.

It’s not a vacation, it’s not a goof.

This buys the singing lessons,

the dancing lessons,

the glossies.

This is to help you pay for what your parents couldn’t provide.

It’s an honorable way station—a lot of stars did this.



XXIX.

To say someone was a Claude girl is an honour, not a slur.



Une femme terrible.

She despised men and women alike.

Men were wallets. Women were holes.



By the 80s,

if you were a brunette,

the sky was the limit.

The Saudis

They’d call for half a dozen of Alex’s finest,

ignore them all evening while they

chatted,

ate,

and played cards,

and then, around midnight,

take the women inside for a fast few minutes of ***.



They’d order women up like pizza.



Since my second husband died,

I only met one man who was right for me,

He was a sheikh.

I visited him in Europe

twenty-eight times

in the five years I knew him

and I never slept with him.

He’d say

I think you fly all the way here just to tease me,

but he introduced me

by phone

to all his powerful friends.

When I was in Los Angeles, he called me twice a day.

That’s why I never went out

he would have been disappointed.



***.

Listen to me

This is a woman’s business.

When a woman does it, it’s fun

there’s a giggle in it

when a man’s involved,

he’s ******,

he’s a ****.

He may know how to keep girls in line,

and he may make money,

but he doesn’t know what I do.

I tell guys: You’re getting a nice girl.

She’s young,

She’s pleasant,

She can do things

she can certainly make love.

She’s not a rocket scientist, but she’s everything else.



The world’s richest and most powerful men, the announcer teased.

An income “in the millions,” said the arresting officer.

Pina Colapinto

A petite call girl,

who once slid between the sheets of royalty,

a green-eyed blonde helped the police get the indictment.

They really dolled her up

She looks great.

Never!

What I told her was: ‘Wash that ******.’





XXXI.

Madam Alex died at 7 p.m.

Saturday at Cedars-Sinai Medical Center,

where she had been in intensive care after recent open heart surgery

We all held her hand when they took her off the life support

This was the passing of a legend.

Because she was the mother superior of prostitution.

She was one of the richest women on earth.

The world came to her.

She never had to leave the house.

She was like Hugh Hefner in that way.


It's like losing a friend

In all the years we played cat and mouse,

she never once tried to corrupt me.

We had a lot of fun.


To those who knew her

she was as constant

as she was colorful

always ready with a good tidbit of gossip

and a gourmet lunch for two.

She entertained, even after her conviction on pandering charges,

from the comfy depths of her blue four-poster bed at her home near Doheny Drive,

surrounded by knickknacks and meowing cats,

which she fed fresh shrimp from blue china plates.



XXXII.

She stole my business,

my books,

my girls,

my guys.

I had a good run.

My creatures.

Make Mommy happy

Oh! He is the most enchanting cat that I have ever known.



She was, how can I say it,

classy.

When she first hired me

she thought I was too young to take her case.

I was 43.

I'm going to give you some gray hairs by the time this is over.

She was right.





XXXIII.

I was fond of Heidi

But she has a streak that is so vindictive.



If there is pure evil, it is Madame Alex.





XXXIV.

I was born and raised in L.A.

My dad was a famous pediatrician.

When he died, they donated a bench to him at the Griffith Park Observatory.



I think that Heidi wanted to try her wings

pretty early,

and I think that she met some people

who sort of took all her potential

and gave it a sharp turn



She knew nothing.

She was like a little parrot who repeated what she was supposed to say.



Alex and I had a very intense relationship;

I was kind of like the daughter she loved and hated,

so she was abusive and loving at the same time.



Look, I know Madam Alex was great at what she did

but it's like this:

What took her years to build,

I built in one.

The high end is the high end,

and no one has a higher end than me.

In this business, no one steals clients.

There's just better service.



XXXV.

You were not allowed to have long hair

You were not allowed to be too pretty

You were not allowed to wear too much makeup or be too glamorous

Because someone would fall in love with you and take you away.

And then she loses the business



XXXVI.

I was pursued because

come on

in our lifetime,

we will never see another girl of my age

who lived the way I did,

who did what I did so quickly,

I made so many enemies.

Some people had been in this line of business

for their whole lives, 30 or 40 years,

and I came in and cornered the market.

Men don't like that.

Women don't like that.

No one liked it.



I had this spiritual awakening watching an Oprah Winfrey video.

I was doing this 500-hour drug class

and one day the teacher showed us this video,

called something like Make It Happen.

Usually in class I would bring a notebook

and write a letter to my brother or my journal,

but all of a sudden this grabbed my attention

and I understood everything she said.

It hit me and it changed me a lot.

It made me feel,

Accept yourself for who you are.

I saw a deeper meaning in it

but who knows, I might have just been getting my period that day!



XXXVII.

Hello, Gina!

You movie star!

Yes you are!

Gina G!

Hello my friend,

Hello my friend,

Hello my movie star,

Ruby! Ruby Boobie!

Braaawk!

Except so many women say,

Come on, Heidi

you gotta do the brothel for us; don't let us down.

It would be kind of fun opening up an exclusive resort,

and I'll make it really nice,

like the Beverly Hills Hotel

It'll feel private; you'll have your own bungalow.

The only problem out here is the climate—it's so brutal.

Charles Manson was captured a half hour from Pahrump.



I said, Joe! What are you doing?

You gotta get, like,

a garter belt and encase it in something

and write,

This belonged to Suzette Whatever,

who entertained the Flying Tigers during World War II.

Get, like, some weird tools and write,

These were the first abortion tools in the brothel,

you know what I mean?

Just make some **** up!

So I came out here to do some research

And then I realized,

What am I doing?

I'm Heidi Fleiss. I don't need anyone.

I can do this.

When I was doing my research, in three months

I saw land go from 30 thousand an acre

to 50 thousand an acre,

and then it was going for 70K!

It's urban sprawl

—we're only one hour from Las Vegas.

Out here the casinos are only going to get bigger,

prostitution is legal, it's only getting better.





XXXVIII.

The truth is

deep down inside,

I just can't do business with him

He's the type of guy who buys Cup o' Noodles soup for three cents

and makes his hookers buy it back from him for $5.

It's not my style at all.

Who wants to be 75 and facing federal charges?

It was different at my age when I

at least...come on, I lived really well.

I was 22,

25 at the time?

It was fun then, but now I wouldn't want

to deal with all that *******

—the girls and blah blah blah.

But the money was really good.



I would've told someone they were out of their ******* mind

if they'd said in five years I'd be living with all these animals like this.

It's hard-core; how I live;

It's totally a nonfunctional atmosphere for me

It's hard to get anything done because

It’s so time-consuming.

I feel like they're good luck though....

I do feel that if I ever get rid of them,

I will be jinxed and cursed the rest of my life

and nothing I do will ever work again.



Guys kind of are a hindrance to me

Certainly I have no problem getting laid or anything.

But a man is not a priority in my life.

I mean, it's crazy, but I really have fun with my parrots.



XXXIX.

I started a babysitting circle when I wasn't much older than 9

And soon all the parents in the neighborhood

wanted me to watch over their children.

Even then I had an innate business sense.

I started farming out my friends

to meet the demand.

My mother showered me with love and my father,

a pediatrician,

would ask me at the dinner table,

What did you learn today?

I ran my neighborhood.

I just pick up a hustle really easily,

I was a waitress and I met an older guy who looked like Santa Claus.



Alex was a 5' 3" bald-headed Filipina

in a transparent muu muu.

We hit it off.

I didn't know at the time that I was there to pay off the guy's gambling debt.

It's in and out,

over and out.

Do you think some big-time producer

or actor is going to go to the clubs and hustle?



Columbia Pictures executive says:

I haven’t done anything that should cause any concern.

Jeez, it's like the Nixon enemies list.

I hope I'm on it.

If I'm not, it means I must not be big enough

for people to gossip about me.



That's right ladies and gentlemen.

I am an alleged madam and that is a $25 *****!

If you live out here,

you've got to hate people.

You've got to be pretty antisocial

How you gonna come out here with only 86 people?

That's Fred.

He's digging to China.

You look good.

Yeah, you too.

It's coming along here.

Yeah, it is.

I wanted to buy that lot there, but I guess it's gone?

That's mine, man! That's all me.

Really?

I thought there was a lot between us.

No. We're neighbors.



He's a cute guy

He's entertaining.

See, I kind of did do something shady to him.

I thought my property went all the way back

and butted up against his.

But there was one lot between us right there.

He said he was buying it,

but I saw the 'For Sale' sign still up there,

So I went and called the broker and said,

I'm an all-cash buyer.

So I really bought it out from under him.

But he's got plenty of room, and I need the space for my parrots.

Pahrump will always be Pahrump, but Crystal is going to be nice

All you need are four or five fancy houses and it'll flush everyone out

and it'll be a nice area.

They're all kind of weird here, but these people will go.

Like this guy here,

someone needs to **** him.

I was just saying to my dad that these parrots are born to a really ******-up world

He goes, Heidi, no, no; the world is a beautiful garden.

It's just, people are destroying it.

I’m looking into green building options

I don't want anything polluting,

I want a huge auditorium,

but it'll be like a jungle where my birds can really fly!

Where they can really do what they're supposed to do.

There were over 300 birds in there!

That lady,

She ran the exotic-birds department for the Tropicana Hotel,

which is a huge job.

She called me once at 3:30 in the morning

Come over here and help me feed this baby!

Some baby parrot.

And I ran over there in my pajamas

—I knew there was something else wrong

and she was like

Get me my oxygen!

Get me this, get me that.

I called my dad; he was like,

I don't know, honey, you better call the paramedics.

They ended up getting a helicopter.

And they were taking her away

in the wind with her IV and blood and everything

and she goes, Heidi, you take care of my birds.

And she dies the next day.

She was just a super-duper person.



XL.

I relate to the lifestyle she had before,

Now, I'm just a citizen.

I'm clean,

I'm sober,

I'm married,

I work at Wal-Mart.

I'm proud to say I know her. I look into her eyes

and we relate.





I got out in 2000,

so I've been sending her money for seven years

She was…whatever.

Girlfriend?

Yeah, maybe.

But ***, I tried like two times,

and I'm just not gay.

She gets out in about eight or nine months

and I told her I would get her a house.

But nowhere near me.

I didn't touch her,

but I'd be, like...

a funny story:

I told her,

Don't you ever ******* think

about contacting me in the real world.

I'm not a lesbian.

Then about two years ago, I got an e-mail from her,

or she called me and said, 'Google my name.'

So I Googled her name,

and she has this huge company.

Huge!

She won, like, Woman of the Year awards.

So I called her and I go,

Not bad.

She goes, 'Well, I did all that because you called me a loser.'

I go, '****, I should've called you more names

you probably would've found the cure for cancer by now.



XLI.

No person shall be employed by the licensee

who has ever been convicted of

a felony involving moral turpitude

But I qualify,

I mean, big deal, so I'm a convicted felon.

Being in the *** industry, you can't be so squeaky-clean.

You've got to be hustling.

Nighttime is really enchanting here

It's like a whole 'nother world out here, it really is

I’m so far removed from my social life and old surroundings.

Who was it, Oscar Wilde, I think, who said

people can adjust to anything.

I was perfectly adjusted in the penitentiary,

and I was perfectly adjusted to living in a château in France.



We had done those drug addiction shows together

Dr. Drew.

Afterward we were friendly

and he'd call me every now and then.

He'd act like he had his stuff together.

But it was all a lie.

Everything is a lie.

I brought him to a Humane Society event at Paramount Studios last year.

He was just such a mess.

So out of it.

He stole money from my purse.

He's such a drug addict because he's so afraid of being fat.

He liked horse ****, though. He did like horse ****.

This one woman that would have *** with a horse on the internet,

He told me that’s his favorite actress.

Better than Meryl Streep.



XLII.

The cops could see

why these women were taking over trade.

Girls with these looks charged upwards of $500 an hour.

The Russians had undercut them with a bargain rate of $150 an hour.

One thing they are not is lazy.

In the USSR

they grew up with no religion, no morality.

Prostitution is not considered a bad thing.

In fact, it’s considered a great way to make money.

That’s why it’s exploding here.

What we saw was just a tip of the iceberg.

These girls didn’t come over here expecting to be nannies.

They knew exactly what they wanted and what they were getting into.

The madam who organized this raid

was making $4 million a year,

laundered through Russian-owned banks in New York City

These are brutal people.

They are all backstabbers.

They’re entrepreneurs.

They’re looking at $10,000 a month for turning tricks.

For them, that’s the American dream.



XLIII.

If you’re not into something,

don’t be into it

But,

if you want to take some whipped cream,

put it between your toes,

have your dog licking it up and,

at the same time,

have your girlfriend poke you in the eye,

then that’s fine.

That’s a little weird but we shouldn’t judge.



She was my best friend then

and I consider her one of my best friends now,

because when I was going through Riker’s

and everyone abandoned me,

including my boyfriend,

I was hysterical,

crying,

and she was the one that was there.

And, when somebody needed to step up to the plate,

that’s who did, and I have an immense amount of

loyalty, respect, and love for her.

And if she’s going to prison for eight years

—that’s what she’s sentenced for

—I’ll go there,

and I’ll go there every week,

for eight years.

That’s the type of person I am.
Terry Collett Dec 2013
What's a Mongol?
Della asks Froggie,
her cousin. He sits
beside her on her bed,

flicking through her
CDs. What people
used to call people
with Downs, he says,

taking out a Talking
Heads album, gazing
at the cover. Why?
Who said it? Della

stares at him, tongue
resting on her lower
lip, her eyes bright,
drinking him all in.

Man on the bus said
to me. The *******,
Froggie says. *******?
Della looks at Froggie's

tattooed hands. Not
nice person, he says.
She lays her head on
his tattooed arm. He

flicks some more CDs.
Man said sit elsewhere
to me. If I'd been there,
I'd have floored him.

Floored him? Della
twirls a finger in a lock
of hair. Flattened the
***. She closes her bright

eyes, imagines the man
flattened. Did you? What?
Sit elsewhere. She nods.  
I'd have thrown him off

the fecking bus, Froggie
says, taking out an Oasis
album and turning it over.
She opens her eyes, rubs

her head on the tattooed arm.
Man said I shouldn't be
out in public. Why? Said
they used to lock my type up.

Who was this prat? Don't
know. Stranger on the bus.
Froggie puts down CDs and
rubs her head.  She looks at

him, feels his hand rubbing
her head. Never should have
been locked up years ago,
Froggie says. Were they?

Yes, Uncle said they were,
he worked in a mental hospital
years back. Why? Froggie
kisses her head. People were

ignorant or ashamed; locked
them out of sight. Why?
She hugs Froggie's tattooed
arm. Don't know, Del. She

closes her eyes. Tears seep.
Run her cheek. Froggie wipes
them off with his finger and
licks it. Not worry crying over.

She kisses his arm, hairy,
tattooed, blue and red, yellow.
Put on the Stone Roses. Della
takes the CD and puts it on her

lap top and sits next to Froggie.
They kiss lips and rub noses.
People used to call people with Downs Syndrome, Mongols or Mongoloids.
Frankie Gestone Mar 2013
He woke up in a rapid sweat, darkness surrounding him, his soaked pillow was pressing up on his neck as he could feel the uncomfortable stabbing cold run right threw his whole body. His mouth was dry and his body was in great pain. He lay there practically naked, but not just physically, also emotionally. It was like a catatonic state where the person’s body is paused in reality, but the actual person is far away and isolated even from himself. He wondered why he was so comfortable being uncomfortable and remaining frozen in time.  He saw nothing but the subtle moonlight that peaked through the blinds of his window. A point of existence, he feels nothing because all he has ever felt has drowned him. His numbness was being accepted and he embraced that if he remained this way, he would never have to feel hurt or heartbreak again. It’s better this way, he confirmed.

Eventually he got up out of his bed, walked outside to a nearby empty field. He looked up at the infinite night sky and contemplated the moon, the stars, and the endless space that sustained all of its existence. A tear fell down his cheek as he remembered the beautiful wonder of life and the universe; his realization that he is just a small spec of dust compared to all that is and all that is wonderful. Whatever happened to that universal happiness he used to feel? The feelings of the unseen, the cosmos, the mysteries that remain unsolved were all love. He then felt ancient and brand new at the same time-always being around all that is, but recently born into the unknown. The silence of the night swarmed him, and he suddenly embraced all the things he could not accept. The lullaby of the wind put him to sleep.

When he awoke, it was twilight. The sky was a lighter, deep blue and the sun in the far distance was rising in a fiery halo of mixed red, orange, and yellow colors, and the early morning clouds were clear and transparent. He heard the sound of a train horn in the far distance. He followed the sound with his ears as the sound became slightly louder and louder. Then, suddenly he could see the light of the early morning train.

The train had stopped as he approached it, and he hopped on with no hesitation or looking back. This runaway train was going to take him to where he needs to be, and he blindly and faithfully accepted that his fate was out of his hands now. No more heartbreak, no more reminders of the past, and most importantly no more drowning in his tears. As the train proceeded to move forward, he could feel fresh air gently touch his face, and all that he saw and ever knew were now flashing lights disappearing into eternity.

It was hours into the late morning when the train made its first stop. He listened to the train conductor speak out over the intercom, almost incoherently, say, “This is Brightstone Park. Next stop will be Riverhead.” A nostalgic feeling suddenly came over him as he could remember that his very first kiss was in Brightstone Park with Jessica Garzi. That was not his first true love, but his very first heartbreak. Riverhead was a forbidden memory, as he knew a classmate who had committed suicide off the Riverhead Bridge. He had not returned there in five years because of his haunting memories that would always come back to remind him just how cold and frightening the world really is.

While lost in thought, he felt a rough, sand paper-like wet feeling on his forearm. He looked down and it was a black cat, but not all black. The paws were all white like socks, and the chest and stomach were snow white. The loud prominent purr was a very peculiar reminder of a cat he once owned. Her name was Midnight. She was not the friendliest cat to strangers, but she loved him, especially when he massaged her paws. This cat was practically identical to Midnight. Midnight was put down three years ago though. As he began petting the cat’s back, it ran away and jumped off the moving train. He looked out in a hurry, but it was gone. It was just like everything else he loved. There for one moment, then gone the next. The strange thought that has one wondering if anything had actually existed that is now no more. A person, or a thing, could mean everything to you, but once they slip away, they become like the wind: occasionally brushing up against you, but never revealing its form.

On the train he began to wonder how he got where he was, and in general how the smallest decisions he made lead to bigger events and all in all, everything was all connected. There are no isolated events, or isolated people- it is all proven fact and science. Everything depends on each other to survive. The trees depend on the sun to keep themselves alive; we give off carbon dioxide to the trees and in return, we receive the oxygen we need from the leaves of the trees. He thought about the potential of a seed-for example, a tomato seed. Within that tiny seed is unlimited potential of life: The seed may produce one plant of several tomatoes, and within all those tomatoes are countless other seeds. This is all from one seed. Then, one may take a couple of seeds from a picked tomato and plant them throughout the yard creating a garden. That original seed came from another tomato seed inside a tomato on a plant, and that seed came from another seed. When did this cycle of reproduction begin and when does it end? Is it just another form of the infinite? When a person eats a tomato from that original seed, he receives certain essential vitamins his body needs for surviving and sustaining good health. This good health will effect his offspring and so on and so on. When he defecates, that will all return to the earth for potential fertilizer used for other tomato seeds. This is the same when he returns to the earth again. His dust will fertilize the same world that he came from, for all things come from it just to inevitably return to it.

He continued to think about how matter is never created nor destroyed and the same for energy. Nothing ever truly dies; the form changes into something new, like how water becomes a cloud and the cloud becomes water. Though this comforted him, he noticed that a few feet away from him was a former coworker and friend, Natasha Karev. She always infatuated him and they became close friends, but he always wished it had continued and gone even further than it did. One night, only a couple of years ago, they were at a friend’s party. Both were drinking, but not so heavily. That night they bonded and got so close, that she admitted she loved him. He was never quite sure how real that “I love you” was, but it was burned inside his heart ever since. That night there were moments she would tell him how much she wanted to make love to another guy at the party, Kevin, but was afraid to approach him. She told him she desperately wanted to lose her virginity that night to somebody because she was eighteen and only getting older. This was like a sharp knife slowly penetrating into his heart. He remained speechless for quite a few minutes. Finally he decided to go up in a bedroom alone. To his surprise, she followed him up and kissed him. He felt her clothed body up and down, and she touched areas not many have touched before. She told him she wanted to have *** and that she wanted him to rob her of her virginity. He was speechless, but extremely excited. Then, abruptly, she told him she could not because everything was happening way too soon. Why couldn’t she just make up her mind? He sat frustrated in the darkness, again, all alone. After that night, they spoke and remained close, yet that night was never mentioned again. It was as if it had never happened. After about two years of an on and off friendship, they just went their own ways. There were no fights or disagreements. Life just separated them.

“You’re just a figment inside somebody’s dream. So far from reality, you are a dream within a dream within a dream.” Startled by this soft voice, he quickly turned around to see Natasha smiling at him. “Ha-ha! I knew I could scare you. Were you abused as a kid, or something?” No words could come out at that moment, but he hugged her tightly. She explained to him that she is getting off at the next stop to meet a friend. He was sure he wanted to follow her and see where life would take him. She reminisced and told him how she had been away inside her own cave for several months, but is now very happy to meet up with everyone she had lost contact with.

The next stop arrived, but he did not catch the name of the stop he was getting off. As he got off with several others, both he and Natasha met up with her friend, Valeria, who he found quite cute. She resembled Natasha a bit in that they both had ***** blonde hair and blue eyes. They walked right into a giant street fair with a crowd of people looking at the foods and desserts, the trendy clothes, cheap jewelry, and children play rides.

As he looked around, he began seeing many familiar faces. He saw Kevin, a childhood and grammar school mate there with another co-worker of his, Jenny. Jenny was a Colombian beauty in his eyes and who was a flirt and tease to him, but never actually gave him any time alone. Incidentally, he knew both of them at different times in his life and had no idea they knew of each other. Kevin stopped contacting him during high school without any arguments or disloyalties that would tear a friendship apart. Keeping his head down, he walked a few feet to discover another childhood best friend, Jack, who was with a mutual childhood friend, Melanie. Melanie was a best friend of his and also a first childhood crush who also had a crush on him. He thought it was odd because even though Melanie and Jack were also best friends, Melanie never liked Jack in a special boy/girl way. He felt a moment of heartbreak, but quickly turned away and kept walking. A little further up the road, he saw two more childhood friends, Chris and Jimmy, who as children did not get along that well and only hung out with each other in the company of him. How peculiar it was suddenly seeing them together after ten years, and as seemingly best of friends.

That was not all. Things were getting stranger and stranger. It was like all the people who had made an imprint on his life were now coming together around him. He saw his two therapists, one he had gone to as a teenager and the other as a young adult, stand next to each other selling prescription drug samples. Both stared at him with a blank face, but with a prominent smile. He could barely nod at them. Natasha directed them to a local bar. Inside the bar was huge and also had a second floor. He noticed the music playing in the background was, Nocturne In E Flat Major, Op.9 No.2, by Polish born Romantic composer, Frederic Chopin. He became fixated on the elegant eighth note, left hand arpeggios, and the sweet and peaceful fast moving seven, eleven, twenty, and twenty-two notes from the right hand. If he thought about the most beautiful song ever written and all that is wonderful in one, this was the song.

They all took a seat and began looking at people and laughing at their behavior. Everyone was wearing masks. Social masks. They observed how different people act when they are in social gatherings, and how if you carefully study their body language, it will become clear that what they are saying and trying to put out is not what is actually being expressed through the body. One young man was frantically shaking his right leg as he tried to flirt confidently with a young woman he had just recently met. His face began to turn noticeably red, in an embarrassed flush, and he was making sudden hand gestures and quick eye blinking. She, on the other hand, pretended to be interested in what he was saying; yet her eyes would often look around the room and her body was a good distance from him with her arms folded.

Then as they were all laughing, he abruptly stopped and looked ahead to see two drunken women making out two tables away from them. As his eyes focused in on them, he realized they were two of his former crushes, Claire and Veronica, who he had no idea knew of each other because in fact, they were from different time periods of his life. He began seeing former teachers and professors from each stage of his school career, laughing hysterically with one another. Some of his most inspiring teachers and professors were gathered with other teachers and professors he despised. A young, tattooed hipster woman entered the scenery with a little Cairn Terrier that had an uncanny resemblance to his recently passed dog, Petey, who was put to sleep when he was away on a vacation, unexpectedly. His sorrow began to overwhelm him for not being able to say good-bye and see him for a proper last time. Everything about the dog’s high energy, playfulness, and watchdog attitude was exactly like Petey. A tear ran and fell off his cheek from his left eye right into the hand of Natasha. He looked up at her and she said, “Your tears are my tears. For what pain you withhold, I take and share with you.” She then wiped her right eye with the hand that held his tear. Natasha’s friend began to speak slowly into his left ear in Russian. Though he could not understand a word she was saying, it sounded just like a poem based on the pattern and rhythm’s consistency. It made him feel free of melancholy, but then thought of Angela Antonaci entered his mind.

He thought that the last painful experience ended with the break up of his closest best friend ever to play a part in his life. She was his girlfriend for the last three and a half years. They had known each other for ten years before they broke up their entire relationship. She was thirteen and he was fifteen when they first met in a park. She was always all over him like a little schoolgirl and he would often get frustrated with her obsession over him, for he believed he was no big deal. She was the first person to ever make him feel special and important, and even though he would resent her likeness towards him, he could never keep his eyes off of her or stop himself from always coming to her when he felt lonely. After about seven years, he realized he was in love with her. He had always been in love with her from the first time they met eyes. His long road had always lead back to her home in life. Every time he tried forgetting her and moving on, they would meet again. That person people search their entire lives for, he had found.

He rose out of his seat and briefly said goodbye to Natasha and her friend and went upstairs. He wanted time to be alone and walk around until he suddenly saw Jessica walking towards him. He stopped and waited for her to say hello, but she walked right by him, as if he had never existed. He felt a little insulted, yet relieved as any awkwardness that would arise was avoided. Looking ahead, he saw Angela’s two best friends, Kate and Julie, with her high school crush, John. John was playing an acoustic guitar on a lounge chair, singing to the two friends, almost enticing them with his eyes and voice. His jealousy overcame him, as Angela had been infatuated with him on and off even though he had played with her feelings throughout high school and college. John would tell her he loved her and make her believe he was a romantic, then when she fell into his words, he would leave her and keep a distance for long periods of time, leaving her in despair.

The conclusion occurred to him that maybe she was nearby. He searched throughout the entire bar not finding any other clues that she was around. When he went downstairs, he saw Natasha and her friend asleep, as well as most of the bar, except for the bartender. It was like everyone just passed out from the alcohol or possibly inhaled some type of knockout drug. The bartender was watching the news forecast of a tornado watch and dangerous thunderstorms. The bartender looked at him and said, “It’s better if you stay in here. It’s dangerous out there. I recommend you don’t go out!” He just listened, but decided to leave to the outside anyway.

He walked three blocks through the heavy rain and strong winds. He took a moment to stop and look at the black and gray clouds above him. As he looked across the street, he saw her. She was with her mother, sister, and mutual friends of theirs, Chrystal and Mike. He also saw behind them, his own mother and sister. He ran across the street to her and she shockingly with excitement screamed, “Hey!!! Oh my God!! Please stay with us. I missed you so much. You have no idea. We have to get to a shelter away from this storm. Hold my hand…” Smiling, he kept walking with them. They walked for twenty minutes and entered a giant field. After ten minutes of walking restlessly through the field, they all stopped to catch their breath. Angela’s mom ordered everyone to hold one another’s hand. An enormous gust of wind pushed them all to the grassy ground. He began to shake violently as he felt the touch of death nearby. He wondered if this would be the end, as he felt unaccomplished and left with so much left unsaid to her. Thoughts raced through his mind like a speeding highway about how to get to safety. Unable to control and remain focused on one rational thought at a time, he blacked out for a minute.

Then there he was right in the middle of a storm. In so many ways, he realized where he was ending was where he originally began. All the imprints from all he ever knew came back all at once to watch him finally leave all he ever knew from this life. And in the last moments, he found himself with her. He held her hand, while she held his, and the hands of their family and friends. The world was so dark and cold. The wind became much more rapid and an enormous bright light from it came within just miles of them. He kept looking up at the dark black and gray clouds over them, never as frightened as he was now. His focus was on the great strength of the wind. Whatever melancholic thoughts he had of his life, he would not give up hope. Maybe he was just hopelessly hopeful, but holding each other tightly might, in some miraculous way, save them. Then suddenly a deep peace began to sustain his very being. He remembered whose hand he was holding- the only woman to ever understand every level of his being. He looked down at her big, precious eyes pouring out tears. Their eyes locked, as she had been watching him the entire time. No words needed to be said from one another. They knew exactly what they felt and meant. For the first time in his life, everything was all okay. All was beautiful. The whole situation was beautiful, not tragic. In that moment, he understood this was where he was meant to be. This was where he wanted to be, for only in such a life altering moment does one comprehend the very nature of love and life. To just glance into her eyes and see the same person staring back in suspense, while all he ever knew was being born, growing, and dying simultaneously in complete acceptance. They began to fade and disappeared into the light.

— The End —