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Classy J Oct 2018
Sentenced to the hygienist, because I got that Indian virus.
Wish I was more like Leonidas, for my warrior self was vanquished.
Got a sense of anguish, as I don’t even know my own people’s Language.
Why did I get banished from my own land, and these immigrants now hold thee advantage?
Feels like they on a witch hunt, ain’t life a ***** huh?  
Can’t even make a quick buck, because I’m seen as a stupid ****.
Feel like a sitting duck with the ****** locked, **** is this the feeling of a cuck?
Stories always end up sad but Afterall I’m just the ******* of the brady bunch!
Brown skin cursed kin and a desperate sin so I gotta eat outta garbage’s for lunch.
Trying not to use victimization as a crutch,
but it’s like I’m a kid who got tricked into a game of double Dutch.
Crazy braided brain, deranged rabid rabbit spewing train going down a road of pain.
Come on yawl don’t you want to see the freak from cirque de soleil?
Trying in vain to wash away my shame, but the colour of my skin just won’t go away, oh what a shame!
So, I’m left crying and thinking about dying, hoping to be anything…
that may stray away from my family name.
For I’ve realized that I’m stigmatized by the whitened eyes:
that be educating lies of me being the one to blame.

No more will I be ok with this forced recital!
No more will I sit idle!
No more patriarchy, and **** the curse of ham nonsense used to justify you being spiteful!
**** your racist sentiments man, my colour doesn’t make me homicidal.

Brown clown, Down syndrome gnome!
Torn men, torn women left in prison zones!
Burn them, **** them, **** them right in they home!
Don’t frown, don’t make a sound, just stay on the ground.
Hands behind heads, then shot with lead, like a dog from the pound!
Lost and never found, but this just the curse of being brown!
What’s this now?
Nothing but wards of the crown.
Just a *****, just a glitch, that live in some crack towns!
Or reserves doesn’t matter what the word
Or what the place is when one puts on war paint on top of their savage faces.
Here’s the thing *****, I’m not scared of staring ya down #okacrisis!
For as see it colonists are no different than isis.
I know we deal with vices,
But it’s just the effects of dealing with your hepatitis!
And I just might be bias,
But at least I’m not a delusional racist!
It doesn’t matter if it’s Past, present or future violence,
I think it’s about time to end the silence!
Entheogens, such as:
Tetrahydrocannabinol, Lysergic Acid, Dimethyltryptamine, Mescaline and Psilocybin,
(of Cannabis, LSD, DMT, Peyote and Mushrooms, respectively)
(None of which Firefox thinks are spelled correctly, including 'Entheogen'..)
have many unfounded and illogical taboos about them
for the seemingly sole reasons that those who;
do not know themselves well enough,
and/or
do not realize the magnitude of what they are getting themselves into,
make themselves seem crazy or otherwise endangered or dangerous while having Revelations.

Heed not the Fear-Mongers:
(they generally fear for their own sake)

An Entheogen is a psychoactive substance that brings forth the Divine within one's self;
it is a temporary death of Ego
a temporary glimpse of Heaven
a brief window of Enlightenment.

An Entheogen is the basis for each major Religion on this planet.
Many established Religions have in turn proceeded to attempt to stamp them out
as if to eliminate healthy competition for their precious power hungry Dogmas
(similar to Wal-Mart, but in terms of Religion as opposed to Business, which is eerily similar)

Vines with DMT in them inspired early philosophers in Southeast Asia and South and Middle America.
Mushrooms crammed with Psilocybin were the basis of the monotheisms of the Middle East.
LSD has been a major pivotal factor in many mediums of art since it's 'accidental' synthesis in the 1930s.
Peyote has been a staple for North American shamen and mystics for thousands of years.
Cannabis, as well, has many mystical applications and medicinal properties used worldwide.

And yet,
all of these things are a massive no-no in commonplace Law worldwide
which is a detrimentally terrible turn
for the Spirituality, interconnectivity and thus Enlightenment
of Humanity.

The lack of unbiased, scientific, accurate and up-to-date information about Entheogens
is a tragedy paralleled only by the unnecessary loss of Rights, Freedom and Life,
not to mention the forgone personal lessons one can gain from Entheogens,
as a result of the censorship of sensible, reliable, consistent, fact-based Information.


Entheogens are only an inherently bad idea
if an individual is so ignorant of themselves as well as the nature of their Reality
that they wouldn't be able to handle the aspects of either
brought forth so abruptly by the Entheogens.


Entheogen: To make manifest the Inner Divine
Psychedelic: To make manifest the Mind


These two things are one in the same; yet one is far more stigmatized:

Entheogens/Psychedelics are vital
if we are ever to learn about the parts of ourselves and our Reality
which are too obscure to recognize in everyday life.

Entheogens make apparent the interconnectedness of the Universe;
They break down the superficial and illusory barriers 'twixt Self and Godself:

They are Death of Ego,
which is frightening to Egoslaves;
They are disillusionment,
temporary Enlightenment;
Mystic Teachers.
Shamen in Botanical form.

Entheogens are Divine gifts:
Terrestrial Shepherds for the Soul, Prisms of Divinity;
Ignored, excommunicated, exiled and squandered by Societies
in the supposed name of 'safety';

Safety for those wrongfully in Power, perhaps

We have truly crucified the Prophets.
It didn't just happen in Mythological history;
it has never stopped happening,
it's still happening right here and now.


What personal freedoms are we willing forgo in the name of totalitarianism?
None, I would hope.

To further illustrate the blinding absurdity:

Should we trade in our legs just so we wouldn't need to worry about stepping on pinecones?
I sure wouldn't.
Should we trade in our eyes to preclude seeing things we find uncomfortable?
I sure wouldn't
Should we trade in our voices in fear that we won't be heard?
I sure wouldn't
Should we lay down and accept Authoritarianism?
I sure won't

Would you, were it law?
though I would sure hope not,
many have
;

Law of this sort is an appeal to both Fear and Authority,
all of which are arbitrary
yet all of which mutually and relatively define each other.


Thus I implore of thee to heed these words:

*Civil Disobedience is a Virtue.
Reflections of cultural Biases are everywhere.
Culture like this tends to suffocate Humanity.
Culture is a Cult that 'ure' (you're) in.
http://hellopoetry.com/poem/psychedelia-1/
Lizz Baughn  Jan 2014
Closets
Lizz Baughn Jan 2014
I dream of a day
When "coming out of the closet"
Isn't even a thing anymore.

When "straight" is just a direction,
"Gay" just means cheery,
And "bisexual"
Isn't even a word anymore.

When people look at someone
And see a human,
Instead of a stigmatized word
Defining that person's way
Of loving other people.

I dream of a day
When a man
Can hold another man's hand,
Without the people around them
Whispering "Oh my god, is he gay?"

When a girl can kiss another girl
Without being called *****
Or attention ******
Or "barsexuals."

I dream of a day
When love is simply that,
LOVE.
Not something political,
Or religious,  or controversial,

But just something beautiful
Between two beautiful
Human hearts.
Josie Patterson Jan 2014
Honey I shrunk the women
I shrunk the confidence
I shrunk the spirit
I shrunk the waist size
I slink away with my gains
Things I gained from the physical and spiritual loss of our women
with each plate a terror
each bite a struggle
And each drink a small respite from the hell that is consumption
More than 50% of our society feeling afraid at the table
Do not dare to eat anything bigger than your fist
Your stomach will not hold it
You’ve trained it to hate food as much as you do
As we enter the throws of adolescence
And our ******* grow
and our thighs swell
Filling the space around us with anatomical care
It appears as though our body is trying to hide parts of itself
Covering up the sharp edges
So we don’t cut ourselves
But that doesn’t stop us
We struggle for decades, Years
Because though a minute on the lips
Is forever on the hips
These negative body images we teach girls to strive for
Last longer than forever
and are much worse than a bite of food
abstaining from the simple sensory joy
that comes with a piece of chocolate
Or a plate of fettuccini
simply because if you did
“No one would want to see me”
But when I look at a plate of food
I do not see a challenge
I am lucky
I see potatoes stuffed with a healthy body image
Noodles topped with good self esteem
And broccoli steamed in my confidence
I am a minority
Because when most girls look at a plate of food
Even subconsciously they see
Salad with a dressing made of clothes that don’t fit
chicken with ******* that are much too large
And Macaroni n’ oh please Let my stretch marks disappear
Before I have to go to the pool
I feel an ache in my chest
But my pain derived from empathy
Is nothing
Nothing
Compared to the aching stomachs, sunken eyes
and sharp cheekbones
Of the victims of our worlds view of women
We are taught to be
Curvy, But not fat
Skinny, But not anorexic
Entertaining, but not over-emotional
unattainably perfect, but not fake
and our whole world is becoming one big contradiction
One plate of food
One advertisement
one beauty product
One girl
At a time
And we can try to place blame
We do try to place blame
We try to blame men
Or the government
Or the media
Because in the end they all had a part to play
But this took centuries of existing in our society
Millennia of festering patriarchy
Largely male dominated history
The dehumanization of the female
Springing from the hyper-sexualization of her body
The largely stigmatized natural functions of the menstrual cycle
The somehow simultaneously glorified and yet also disgusting ******
The lack of female leaders in our world because they will either be painted as a *****
Over emotional
Hormonal
Distractingly attractive
Or not **** enough to be in the public eye
And the process of women shrinking to allow men more room to grow
PJ Poesy Apr 2016
Frail demeanor of library index cards
packed with Dewey’s decimals
stared upon so many times

some of you stigmatized with graffiti
“Read This” and “Don’t Read This”
as if the vandal knows

I wish to ****** each one of you
good precise direction you give
care in punctilious hand print
of maimed athenaeum tenders
all with long stretched noses
bridging reading spectacles
eyeing out naughty gigglers

stigmatized themselves by
rolled up quaffs
with pushed in pencils
or retractable ballpoint pens

writing implements held so delicately
while you were ascribed

O index cards of my shielded youth
how you protected me, informed me

Guided me on treasure hunts
where my imaginings still take me
away, in isles of knowledge

information coded in numbers and letters

Yours is the power
Where have all the index cards gone?
Chinedu Dike Jan 2020
In a wayward adventure in curiosity —
lured away from savvy of cooler judgment,  
he oversteps the bounds of reality 
into a state of altered awareness.

Overwhelmed by a rapid beginning
of a buzzing sensation — The Rush;
emanating from deep inside him, 
surging along the veins streaming 

euphoria through cells of his entire body:  
inside the body, with warm pleasure waves
flushing over the by now tingling skin
soughing off all unpleasant feelings.

Mouth numbed, limbs heavy, and eyeballs 
rolling back from hitherto an unimaginable
state of bliss, he savours the calm explosions
of the pulsating bubbles in his head.

A magical moment of sheer ******* 
rapture—that ends in a lasting sedation—
during which he's dazed with wonderment
while covered by a cozy blanket of content.

He falls in love with the insidious drug.
And he begins to relish its sweet fruition
in a seemly pattern of use that is put
in the shade to protect his best interests.

A stake in normalcy that seeks to confine
his usage of the opioid to a social occasion.
But soon enough he drifts towards a regular
recreational use; indulging on weekends,

floating, flying, and soaring in wonderful
ripples of pure delight, feeling very mellow
and satisfied, in an illusionary paradise of
forgetfulness where nothing hurts any more.

Bit by bit as time goes by his body builds up
a tolerance for the sedative, prompting his
intake of higher and more frequent doses
to feel as well as to sustain the desired effect.

This occurs because his body attempts to
adapt to the presence of the drug by quickly
breaking it up and purging it out of the system,
thus making it less potent as it was before.

At this stage of his drug abuse he's still able to
control whether to use the stuff or not, where
and when to use it, without stress. He could
also abstain from the opioid fairly responsibly.

But at the limits of his body's flexible response
to the dangerous substance, he begins to suffer
from its unpleasant side-effects that show up
a short period of time following his last use.

The pleasurable, but short-term, therapeutic
effects of the hard drug are now being
overshadowed by several of its undesirable
withdrawal symptoms that manifest as:

fatigue, irritability, cold chills/sweat, itchy skin,
muscle spasms and tremors, body ache, and
stomach cramps among others, with an
increase in his body's cravings for the opioid.

The onset of these torturous side-effects of
the stimulant marks the beginning of his body's
physical dependence on it, as he now relies
on the drug to fend off the terrible affliction.

He has bitten at the bait of pleasure oblivious
of the hook beneath it. The once casual user,
who had thought he could quit the habit at will
without stress, has advanced to problematic use.

The drug has become an integral part of a daily
routine that is gradually heading towards chaos.
Regardless, he's still able to go to work and
take care of his day to day responsibilities.

In time, a new sickness begins to fester inside
him: the opioid is tightening its grip on him,
as his body's physical dependence on it
is now generating his addiction to the drug.

This psychological dependence on the drug
has set in with anxiety disorder accompanied
by emotional and behavioural problems:
the duo classic signs of a progressive disorder.

The drug has become something he needs
to sleep or to fully wake up. His sleeping
pattern has also been altered; up at night
and intermittently dozing off during the day.

As dosage of the narcotic rises, so does
the torture of the painful lows and other
symptoms of addiction, making his cravings
for the sedative increasely more intense.

As it is, he's needs several hits of the drug to
make it through the day. All at once he wants
to use! He begins to look forward to using.
He would ingest the drug in risky situations

such as, while at the wheels of his car or
working at his job; always desperate to avoid
withdrawal symptoms as well as to revel in
the bliss of the drug's comforting warmth.

At times he'd skip work 'chasing the dragon':
pursuing the out-of-reach elation levels of
his initial euphoric high, swinging between
feelings of mediocrity and that of ecstasy.

Always, his body would afterwards crash
below baseline, barely able to cater for his
daily needs. The habit has long ceased
to be the fun that it was intended to be.

Like a vicious cycle the relief from the opioid,
which is not justified by external reality,
is being obtained at the cost of the
worsening addiction and a spike in distress

whenever his body is low on the drug.
The more he indulges on the sedative
to calm his racing mind, the more
its comfort zone seems to be desired.

Disoriented in the rigours of his vice,
he strays in the abyss of drug addiction:
a dark, weary place where priority disorder 
is dictated by events outside of his control.

It is this corrupted impulse control that
causes his sick obsession with the narcotic,
rendering him unfit to articulate rational
thoughts: a chronic brain disorder.

In this harmful shift away from reality,  
utmost in his mind is the insidious drug:
over and above his job, his goals, family,
love, friends, hobbies and personal hygiene.

Oddly enough the foremost essentials of life
like water, food, and sleep are also not spared.
He could be ill and he won't care.
No other thoughts can cohabit in his world.

Emotionally invested in his fantasy world,
the toxic substance has kindled in him
an inner turmoil — setting off an overriding
feeling of emptiness that aches in his heart.

The habit much harder to lose than it was
to find: an ongoing effort to wean himself off
the drug is being crushed by a dysphoric mood
and a sickly feeling that intensify in severity.

These horrifying withdrawal symptoms
are a result of the sedative's induced
alterations in the biochemistry of his
brain's system of reward and punishment.

Instead of a mild, blissful flow of the brain's
happy hormones, as is experienced while
one is indulging in a tasty food, on receiving
a great news, or while engaged in any other

kinds of novelty that fill us with a delicious
pleasure, the opioid whose chemical structure
is similar to that of the natural chemical
messengers of the brain, Happy Hormones,

by mimicking these primary drivers of the
brain's reward system the psychoactive 
drug sends a false signal of euphoria to
the complex *****, triggering an instant

and fast secretion of an abnormally large
amount of the 'feel-good hormones', that
begin to surge along its pleasure pathways
overwhelming the reward centre of the brain.

It is this huge outpouring of happy hormones
in the region that elicites in him a sudden
burst of energy, a pleasant state of mild
drowsiness, mental alertness, relaxation, ...

This already intense, euphoric effect of the
opioid is further amplified by the drug's
blocking of the pain partways of the reward
system, thus dulling his emotions and worries

by eliminating any feeling of sorrow, regret,
guilt, fear, or loneliness. Upon intake of the
mood-altering drug, he would feel warm when
cold, calm when angry, bright when grumpy,

filled when hungry and happy when irritable,
with almost a total refrain from the tendency
to view anything in bad light. This dramatic
result makes every normal thing look better

and brings forth a deep sense of satisfaction
as though all his needs have been met.
However, this almost perfectly desirable 
body and mind experience is an artificial

feeling that only lasts a few hours at most.
When the drug's effects wear off, because
the brain, which has come to rely on the steady
supply of happy hormones, cannot adjust

all at once, it gets stuck in overdrive which
results in the withdrawal symptoms. It is so
because his brain, whose system of reward
and punishment has been tampered with,

seeks to counteract and accomodate for
the sweet thrills of the drug's euphoric high,
by secreting much less happy hormones while
the foodgate of pain hormones is thrown open.

Just like a huge surge of happy hormones
elicits unnatural levels of euphorical pleasure,
a spike in flow of pain hormones produce
in him the torturous withdrawal symptoms.

These unwanted side-effects whose rise and
fall are subject to drug levels in the system,
is the debt he has to pay for the supreme
bliss that is relished during his opioid highs.

It is all about his brain seeking to maintain
Homeostasis: a normal, healthy body function.
Once he's able to amerce with penance due,
he'll feel good again with no need for the drug.

Another flip side of the illicit habit is that over
time, the regular surge in happy hormones
disrupts the resilience of the reward region
of the brain, causing physical changes that

have drastically reduced his brain's ability
to produce the 'pleasure juices', or respond
to any stimulus other than the one being
triggered by the psychoactive substance.

This is clearly seen in his lost of interest in
activities that he once enjoyed, since his brain
suffers from lack of happy hormones which
influence one's capacity to be in a good mood.

Because the narcotic has also disrupted
activities in the control region of the brain,
his whole thought pattern, perspective and
behaviour, all radically change along with it.

It is this reprogramming of his brain that has
altered the interior reality of his mind, in ways
that result in him going into 'survival mode'
in the absence of the drug during a withdrawal.

While in this irritable, aggressive and erratic
state, he would forego anything and everything
to obtain the narcotic because he's thinking
of his drug use the same way an individual 

who is parched with thirst thinks of water.
This desperation in seeking out the drug as
a vital lifeline is due to his compromised brain
'thinking' it needs it as a matter of survival.

A habit he had maintained at the outset
because it made him feel extremely good
has tuned against him, quite often, coercing
him to use for the avoidance of pain.

The sedative as dear and painful to him
as an imbecilic child is to its mother,  
he continues on the foreboding route 
for which he has no power of deviation.

Despairing in the clutches of addiction,
the drugs traumatize him, they infuse
toxins into his spine, and he wouldn't
know whether he's coming or going.

He's kept on saying to himself, 'I'm going
to quit for good after using one last time.'
But that remains to be seen as the drug
goes on dulling his inner light day by day.

In a downward spiral that stuns those 
acquainted with him, he loses his job,
his car is repoed, and he's evicted from
a nice home that had been stripped bare.

Drowning in unpaid bills and desperately
in debt having blown an entire life-savings
on the drug, the loss of everything and a few
remaining friends leaves him fatally devastated.

The dangerous drug has evoked a negative
ripple that is felt throughout all that he's
part of. An awful realization that settles in
with cold clarity, eliciting a lurch of dismay

over his dire ignorance about the drug
which has led to the ugly entrapment.
In deep, sorrowful thoughts consumed
with self-loathing he puts a curse upon

the day he first laid eyes on the hard drug.
With the best resolve he's able to muster,
driven by exasperation to kick the habit,
he strives to make his will like stone —

a facade that is soon razed by his urgent need
for the ****** to stave off withdrawal. With a
burden of guilt and shame that can't be faced
he retreats into the haze of his own misery.

With more problems and stresses than ever
he plunges from troubled life to no life,
completely losing touch with reality as the
disorder assumes a more dangerous form.

His fixation on the ****** has taken a turn for
the worst. Besides his strong cravings for it
to ward off withdrawal as well as to experience
its euphoric high again, it has become more

crucial than ever for him to keep his emotions
constantly desensitised to life, by numbing
the agony of living to ease the passage of
day with purchased relief from the sedative.

Locked in this highly destructive pattern
of drug use, he would stop at nothing
to feed the habit: he would cheat, steal,
lie or betray no matter who to get his 'fix'.

Like the spreading of cancer in the body,  
his affliction has metastasized way 
beyond him, chipping away at the sense
of wellbeing of everyone around him.

As frequent and ready targets for theft
his family have to always watch out for him,
in a resentful relations in which they never
could feel at easy with him around their home.

Wallets, jewellery, gadgets, or any other
easy to carry household valuables, that are
not safely locked away, will go missing.
For days at a time he, too, will vanish.

He'd eventually return like the 'prodigal son'.
Always, he's found the door open after
prolonged periods of avoiding home, even
on occasions when he'd been kicked out.

In the many months gone since losing his
source of livelihood, he's been pushed
into a number of rehabilitation facilities,
but as yet has failed to clean up his act.

He's also been in and out of rehab thrice
following hospital discharges for drug
overdose. On the last occasion, he was
found passed out in the family's bathtub.

Timely arrival of the paramedics had saved
his life. Notwithstanding, a nagging urge
to 'use' continues to feed and reinforce
the habit after each discharge from rehab.

It's been most upsetting to the parents
who have had to watch him visibly change
before their eyes: from a good, healthy
son, who had always had his act together,

to as it is, a thin, patchy-skinned loner with
a baffled demeanour — who buries his head
in low self-esteem to conceal the frequent
dilated and glassy pupils from mutual gaze.

Nothing points more to the helplessness 
of the family's plight than having to finally
admit to their little, or no influence, over
the ravages of the stigmatized disorder.

A harrowing experience for a household
whose life-savings, along with compassion
for him, have completely been exhausted
with no more tears remaining to shed.

The hurting family at the end of its tether
confronts him with an ultimatum:
to get his life in order or face the music.
Coldly, they all watch him leave home.

His descent into the final stages of rock-
bottom has been swift. He starts by crashing
on fellow addicts' couches and floors,
but soon his welcome quickly wears out.

Now among the ranks of the homeless the
hobo would wake up feeling sick, and his day
would consist of shoplifting, petty thefts,
begging, and struggling to find others ways

to obtain money in order to feed the habit.
At nights, even on stormy ones, the rough
sleeper would crash wherever there's shelter,
never worrying about waking up the next day.

A hellish existence on the street that has
provoked a string of run-ins with the law. 
Nabbed stealing on ill-fated occasions,
he's manhandled in a most indecent way.

Tired, hungry and sick, the erstwhile ray of
hope, who once had a strong sense of self,
is currently a nervous wreck who envisages
life through the lens of opioid stupor.

Much beyond his ability to ask for help, 
his hurting family proceed to rescue him.
Under the humbling load of drug addiction
he staggers into another rehab facility.

But the often slippery climb to recovery
is never easy. It's yet another chance for him
to submit to a slow and delicate therapy on
his brain, whose structure and functions are

badly impacted by years-long use of the drug.
The healing process is a labour of discipline
and commitment, coupled with patience
in order to allow the brain to adapt back

toward normalcy by gradually regenerating
and rebalancing itself. In a gruelling task he's
expected to learn to care for a body that
now must struggle to work in a different way.

Desiring to put their lives back together many
druggies have been able to crawl their way out
of the murky shadow — a big chunk of them
through the guiding light of structured help.

Amongst them were 'walking corpses' whom
possessed by their 'enough is enough', were
enabled to find the inner fire vitally needed
to rekindle the cold embers of self-image.

There's the fella cast adrift feeling wholly
disconnected from self and the world.
He's mourning the loss of a vital lifeline
that has always helped him cope with life.

He had been through it many times before,
the fatigue, stomach cramps, aches, itchy skin, ...
But, he's in the early stages of withdrawal when
cravings for the narcotic are at their worst.

This initial withdrawal agony is the biggest
hurdle any addict has to overcome in the often
stop-start journey to recovery. If he could
somehow find the courage to suffer through it,

the fierce and ceaseless cravings for the drug
would be considerably reduced, making
them easier for him to deal with. Eventually,
they will dissipate the longer he stays sober.

He's being offered a way out of his captivity,
but he's unable to embrace the opportunity
with open arms because the addiction,
which convinces him the only option available

is to indulge on the drug, is blocking him from
seeing the available escape route. It has shut
off his ability to get up on the inside to face
the seeming overwhelming barriers to sobriety.

Like one in the grip of Stockholm Syndrome,
he has developed a type of trauma bonding
with the treacherous drug: the more it hurts
him, the more his irrational affection for it.

With his consciousness constantly revolving
around the insidious substance, he just
can't imagine a chronic user like him
being sober and happy again without it.

That being the case, he fails to see any point
in struggling to remain sober when in such
times he's beset by an awful illness attended
by a serious depression that is no help.

Regardless of the wreckage of his past,
everything that is dear to him plus the very
essence of life on the line, he's left convinced
that giving up the destructive habit would

mean endless suffering and feeling deprived
for the rest of his already sad existence.
More than any other reasons, he just
won't quit because he's powerless to resist.

In default of any dreams of ever recouping
losses that are manifestly out of reach,
the drug with a firm grip on him serves 
as a buffer to keep his ugly reality at bay.

All that he wants is to return to the 'loving
arms' of the opioid, very much aware that
the feeling of the drug's high now that he's
in pain can be one of the best things ever.

But even so, as tempting as the desire to jump
the healing process may be, he's bitterly
mindful of the horrors of street life that
loom upon him with such frightening aspect.

Savagely trapped with no good choices he
slips into a real fear of relapse. In anguish
withdrawal and cravings plague him daily,
and they won't allow him a moment's peace.

Utterly incapable of rising from the ashes 
to hold it all together—no hope—
nothing to hope for—everything out 
of focus—mind spiraling out of control.

In a fit of extreme anxiety the now rampaging
urge to 'use' prods him, closer and closer,
to the brink of a nervous breakdown. Suddenly,
his need for a 'hit' becomes most vital as.

Sweating profusely and trembling all over
with fear clutching a pilfered smartphone,
forgetful of future suffering the rehab
jumper hurries along the forbidden path.

All alone with the merciless companion: 
nowhere to go and no one to turn to. 
Wretchedly wretched in additive agony
the ****** fades away into nothingness.








AUTHOR'S NOTE


The Abyss Of Drug Addiction is written in 112 non-rhyming quatrains.

The rendition is a poignant story depicting the sad existence of many drug users. The verse uncovers and illuminates, step by step, the different stages of drug addiction and the mental processes of the unable to function drug users.

The paramount aim of the work is to shed some light on the sinister shadow of drug addiction: to unveil to all and sundry, especially teenagers and the youths, the hazards of drug abuse and the vicious downward spiral that can be caused by it. 

Just as the euphoric experience of all kinds of hard drugs differ significantly, so are their withdrawal symptoms. Despite their seeming surface unrelatedness, whichever hard drug it may be, the creation of an illegal and dangerous dependency in users is a common denominator.

[The Rush is described as a feeling very much like a heightened and prolonged ****** ******. A great relieve of tension. It is mostly felt when ****** or any of it's derivatives opioids/opiates is administered intravenously].

In quite a disturbing hyperbole a ****** addict described the drug's EUPHORIC RUSH as follows:
"Take the best (******) ****** you've ever had, multipy it a billion and you're still no where near it... "
POSSIBLE Feb 2016
oral transmission
Modulate - Cognate- Division
Cosmic - tuned in like Cognitive Transmission

This is my mission, to

Get up out the scene Live wild as a child
Dread my head, Hear cries like the Roar  I lionize
Deviant be me, othered for free
as the Nomos creates Signifier, Signified
somewhat like a homeless child stigmatized
caught outside our commercial enterprise

but

With enterprise, there enters lies,
Never earthbound my star ship seems to Actualize
Melodically.

So let me lyrically **** your path so you can shift past the cuts
Neva drinking the wine of wrath, made sour by sour patch cats blasted by vats OF GRAFFITI splats.

Culture slipping like gangsters simply sipping at the purple incision
instead we walk Holy like the cotton we missin

Tattoo my Secrets onto skin parchment ,
thats Ink advice ---:  People Lost in Duality, man thats just thinkin twice
Surrender and self-Sacrifice be the admission price
to see Kali singing blood mantras dancing through

Dreams of Ink darshan doorways
Tantric like Siva Approaches his consort for foreplay

My face is like a thundercloud, smiles formed outta cloud highs
Now my 3rd eye, washed in blood saw how Snakes stitch DNA
up and winding
and lemme tell you bro,
its some Nauesous stuff

Transcendent reality,
ego death till its fallacy,
recognize perfection
of life in the galaxy

So I toss out my ID, puff puff, its high ME
don't be Stuck like Ego grinding, Just saving souls don’t mind we,
go Indigo like Love in the margins, Golden souls attempting to live in holy gardens, ==========

We forget though

Neither death or immortality existed in the time before time,  of day or night no sign

There was Darkness hidden by Darkness , all was water but got started quick, by the sharpness of a god spark

kick crash hit, life spit out covered in emptiness

This was it, started from the bottom, rise in the power of heat,
dance tap ta dis beat Aware tapas generates so much heat Indiscreet
in abyss

But then desire became the fire, middle ground never higher than the smoke trails of the world's creation,
Spittin om proir flash forward funeral flames tamed by Tandava siva purifier

So this poet seeks in the heart of wisdom found in the bond of existence to non-existence
Knowledge that  I’m a livewire with a high resistance
I Complete my **** Through high persistence,

Eventually though,
the Fog rolls in again , agnosia forget the Cosmic condition
till then We soulfeed lyrics in-between kissing.
ERS  Dec 2018
Like Princess Leia
ERS Dec 2018
I'm hyper and happy with energy to spare
Fast speech, racing mind
I spread love everywhere
A giant smile is all I bare until
a certain darkness
fills the air

You feel rampant with no good rage
Trapped in your sorrows
like a rusted shut cage
You remind yourself you're not crazy
Sometimes you're really happy
or just tired
and lazy

Sometimes you lose feeling in your fingers and toes
Like you're in the basement of a coroner
raw and exposed
Other times, you're on a hamster wheel
sweating and racing
Feeling your skin turn
rubber and chafing

I have no control over my emotions and mood
And, yes, I know that
that's no excuse
I come off strong with my opinions and personality
Which many think is wonderful or an abnormality

I'm seen in different lights
because I don't know which one to stand in
I'm only myself in my writing
and that's the happiest I've been

Pen and paper give me the control
my chemical imbalance never has
I can feel calm and genuine and less of a spazz

I'm slowly accepting
my past
mistakes
and reality
Mental illness is stigmatized
But we need to face our morality

Hell!
Carrie Fisher was bipolar though
we didn't talk about it in that era
If she was bipolar then
I'm just like Princess Leia
judy smith Sep 2016
In Bolivia’s capital city La Paz, indigenous women known as cholas have long been stigmatized for wearing their traditional clothes: bowler hats, handmade macramé shawls, tailored blouses, layered pollera skirts, and lots of elaborate jewelry.

But for the past 11 years, fashion designer Eliana Paco Paredes has been chipping away at that stigma with her line of chola clothing—which she debuted at New York City’s Fashion Week last week. That’s a big deal for a type of clothing that has historically been disparaged in Bolivia because it was worn by poor, indigenous women. For a long time, many indigenous women couldn’t wear chola clothing in certain professions.

Bringing indigenous designs to New York is a huge step for Paco Paredes, though not the first time her clothing has received international recognition. In 2012, she designed a shawl for Spain’s Queen Sofia.

But Paco Paredes’s Fashion Week show is also an important moment for indigenous cholas. Until recently, these women “could be refused entry to certain restaurants, taxis and even some public buses,” writes Paula Dear for BBC News. Such an international spotlight on Paco Paredes’s designs will hopefully increase the acceptance of indigenous women and their culture in Bolivia.

La Paz’s mayor, Luis Revilla, wrote in an email that his city’s response to Paco Paredes’s Fashion Week debut has been a feeling of pride. He hopes that “her designs, which reflect the identity of local woman from La Paz, generate a trend in the global fashion industry,” he says.

“I also hope that in time, people from different geographies of the planet begin to use some of the elements that make the dress of chola,” he says.

Fresh off her Fashion Week debut, Paco Paredes spoke with National Geographic about her clothing and how opportunities for cholas are changing.

What is your approach to your designs?

What we want to show on this runway is the outfits’ sophistication. But the thing I don’t want to lose, that I always want to preserve, is the fundamental essence of our clothing. Because what we want, in some way, is to show the world that these outfits are beautiful, that they can be worn in La Paz by a chola, but they can also be worn by you, by someone from Spain, by a woman from Asia; that these women can fall in love with the pollera, the hat, the macramé shawl combined with an evening gown. These are the outfits we want to launch.

Do you think it's important that you, as a chola, came to Fashion Week in New York?

Of course! I think that it's very important because to have a runway of this international magnitude, with designers of this caliber, with international models, with a completely professional atmosphere, fills me with pride. And it's very important because of the fact that people can see my culture.

Who buys your clothing?

I have a store in La Paz, a national store. Here in La Paz, in Bolivia, this clothing is doing very well, because it's what many women wear day to day.

At a national level I can tell you we have the pleasure to work with many regions: Oruro, Potosí, Santa Cruz, Cochabamba. At an international level, we dress many people in Peru, Argentina, Chile, Brazil, and some products we make go to Spain, Italy. So through this we want to open an international market with sophisticated outfits that are Eliana Paco designs.

We're getting people to learn about what this clothing is at another level, and many women outside of Bolivia can and want to wear these outfits. They've fallen in love with these designs that they can say come from La Paz, Bolivia.

How are opportunities changing for cholas in La Paz?

It's definitely a revolution that's been going on for about 10 years, because the cholas paceñas [cholas from La Paz] have made their way into different areas—social, business, economic, political. And look at this fashion event, where nobody could've imagined that suddenly so many chola designs are on the runway with some of the most famous designers, like Ágatha Ruiz de la Prada, where they have lines of different types of designs at an international level.

The chola paceña has been growing in all of these aspects. And for us, this is very important because now being chola comes from a lot of pride—a lot of pride and security and satisfaction.Read more at:http://www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
jack of spades Apr 2016
i’ve found that i do the most learning during second semester.

for example, second semester of freshman year i learned that losing friends is a lot like losing a life,
that losing friends kind of usually makes you really want to die,
that losing friends is like a comet blasting its way through your heart--
it sets you ablaze for a moment,
but then by the time you notice its absence it’s already circling another planet.
losing friends is always hard.
keep a death toll if you have to, but adding a tally mark for yourself isn’t worth it.
learn the art of letting go.
learn the art of getting by.
it’s hard, and it sometimes feels impossible,
but don’t expect too much from anything.
don’t expect too much from anyone,
but god forbid you let yourself lose all feeling.
yes, feeling hurts, yes, feeling is hard,
but going numb and cold leads to frostbite
and you'll just end up amputating the limbs that you have left.

the second semester of sophomore year,
i learned what it was like to never feel at home in your own bones.
you’re always drifting, interstate international interstellar intergalactic.
it’s all the same thing.
it’s okay to let yourself wander,
and it’s okay if you find yourself kneeling on foreign bathroom floors clutching porcelain like it’s your last lifeline.
learn that home is where your heart is.
don’t invest your heart into anything.
learn that there are teenage boys out there who will spin galaxies into your spine when they hold you close,
but learn that romance is stigmatized.
learn that relationships don’t have to be forever,
that nothing is ever really forever.
learn that friends will last longer than lovers,
and learn to tell the difference between friends and lovers.
make plans to travel the world with your soulmate,
and make sure your soulmate is someone who wants to travel the world with you.
the second semester of sophomore year,
i learned that losing friends is a lot like losing a life,
only this time it was worse because this time i was built out of scar tissue
and scar tissue is tougher to tear through but they did it anyway.
i’m still learning the art of letting go.
i’m learning that it’s okay to write as much angry, heart-broken poetry as you need to in order to get over it
because friendships wrap tighter around your heart than any other kind of relationship.
learn that the blood of the covenant is thicker than the water of the womb.
but learn to be kind to your mother, because she is trying.

the second semester of junior year
i learned the names of every single person that i could pour my whole soul into,
and just because i don’t share everything with someone doesn’t mean we aren’t friends.
i’ve learned that i have friends.
just because we aren’t awake together at 3 a.m.
doesn’t mean that they don’t sit next to me in all the classes we’re both in,
it doesn’t mean that they don’t go driving with me at 3 p.m.
a friend doesn’t have to be someone you spend every waking moment with.
a friend can just be someone that you coexist with,
someone who makes you feel like you aren’t really all that alone.

the second semester of junior year i’ve learned that i am still learning.
i’m still figuring things out.
maybe by the second semester of senior year i’ll have learned something closer to, say, what i’m doing for the next four to six years,
or maybe i’ll finally master the art of letting go.

the second half of high school
i’ve learned that, yeah, scar tissue grows.
but scars fade.
and the concave space in your chest doesn’t have to keep on growing into a black hole,
that you can fill up your cracks and crevices with stardust and iron.
losing friends is like losing a life. but, god, when they come back--

it’s okay to feel things.
it’s okay to feel too much and all at once.
it’s okay to vent and rave and scream.
it’s okay to write bad poetry about sins that you’ve already forgiven and people you’ve already forgotten and places you’ve already left behind.
it’s okay.
it’s okay to hold onto your humanity.
make maps with your own freckles and follow your veins to your eyes.
make eye contact with your own reflection.
if you can’t teach yourself something,
then how is anyone else ever going to listen?
EVERYTHING WILL BE OKAY
Leiak, omnipresent vague pneuma-dancing spirit, ductile pious water of epiphany and extraordinary example, lives on the water with his parasitic chin in the Vernarthian epigram; he is seen with his jocular back, breaking the lines of the swamps between muscles and silhouettes. Before the First station..., primitive of the three remaining nights before reaching the volcano of Patmos, its deluge begins. "

It bathes in the Davidian, Alexandrian, and Vernarthian rains. A little touched he is seen and insubordinate in the astragali that he has gained in his allegories, squeezing his chest, exactly for the good of a wonderful Hellenistic city statue of the Dyticá, where he imbibed Vernarth's putti, adhering to the hydric spheres that fell over the ceilings of the heavens that Eros himself and his crush, which struck the heart axis of Medea, totally extracted from Zefian's quiver, constricted in Borker's nanotechnological sub-mythology. From the comedy of Attica and in the superb speeches of endo-adverbial satire, he stigmatized verbal changes of creation, superimposing them on tops of excesses carried by heavy drops inside some amphorae brought from the eastern sunset, tracking happiness that arrived on the western shores, waiting letters of sigh and loneliness stretched out on the thalamus full of stretch marks. So Leiak expanded, where everyone made fun of him being a satyr by essence, but being unaware of it. Perhaps as a unitary gesture of shadows when going to dawn, before having the best light that they put in figures or pirouettes, without disgracing him as a satirical minority in the Epicurean doctrine, he is inquiring a happy life through the intelligent search of innate pleasures, the ataraxia and in apocalyptic friendships with Zefian, Borker, and Kaitelka.

Borker did not intend to heal himself of trifles at all; it will be a habit to venerate the revelations against polytheism, to then cling to an interiority that points to corroded execration from the root to the top of the fallen tree, with force blinded by the blindness of the Automaton, as far as it is concerned. By itself, of identical significance in the background; but with so-called change that he tends to totally eliminate the last trait of personification of the divine. From this dilemma, the values will be spikes in his hands, sheaves in both, and what he envisions of Hellenism will be the property of nano-technology, submitting under the lens of time dividers that have never been pieces of rest under the Duoverse-Universe., the lens will be your Iridium and the microbes that govern us will be the atomic force, to discover them. What atomistic world will there be between Borker and Leiak, if in this nanoworld; The nanometer is one-billionth of a meter ?, What will be enough to start being tiny in this great epic, which is called Vernarth intra-spaces and inter-Verthians of the universal macrocosm, which will now approach the microcosm of human consciousness, and the laboratory of Epicurean affabilities in Ataraxias decreasing the passionate intensity of the Hypothalamus, and the supra desires that can alter the mental-corporal balance, strengthening in misery that they reach said balance, and finally happiness, which is a meta-plane of Epicurean convergence that runs after the lost. Ataraxia is, therefore, tranquility, serenity, and imperturbability analogous to Vernarth's soul, reason and feelings in his dislocated world, and the hemispheres of himself that will be rationalized in their slightest longitudinal measure, in what fits and in the precarious!

Passionate laboratories were magnetized every time Leiak walked on its extension, and his hands went beyond his fingers, touching the Constellation of Aorion, to indicate that the longitudinal metric of man is measured beyond the fingers of the Duoverse, where it appears the Extra-Cosmos in the proximal of a nano-scale is a submultiple of the conferred means of the Saint John the Apostle pattern. The scientific notation will be the safeguard of the magisterial scientist exponentiated brain; 10.1 mm = 10-3., the kilometer or km, is the opposite equivalent in what submultiples of the meter are called a micrometer: 1 μm = 10-6 m. In this scale we find bacteria, which constitute the main group of microbes, hence the name of the submultiple between observation scales of the macro and micro world of this being of Holographic Lux called Leiak, having the composition between this nanoscale, and the opposite of 1 μm = 10-6 m. projected onto a bacterium, which in turn is ten times larger than a viral body. Sizing enough to balance the biosphere that will surround the Automaton Mandragoron.
Leiak's world is an outpatient virtual laboratory, as it is valid in colloquial language, adhering to measures that differ by the conception of transliteration or decimal mathematical positioning. The letters and lines have been interpreted by Leiak, they are Vernarthian Parapsychologies that oscillate gaps of mismatch of billionths of wasted knowledge, in displays of ghostly reigns and in no-man's-land. This nanoscale makes us nano-poetize themes of ultra interference of the Epicurian decree, of tranquility, serenity, and imperturbability, with the meagerness that we know of the enlightened after a thousand moons writing under the stars:
"Woman when you touched my life with the grace of your fingers, I could see how the kind nights closed my eyes, caressing the entire Universe." This is undoubtedly Epicurean Nano Poetry, but the Author is Tagore "

The exponential oscillates in the parameter of the outstanding Astronomer of the divine verb and poetic thinking, in the most intimate and dynamic Hindu techno-language. Quantum mechanics here is the debit of the iconic remnant reached, by parameters not achieved below the average intelligence, providing lost data far from collecting and storing. Tagore's logic is nano-poetry, which balances billionths that are not achieved by occupying the Corporal Dytiká (poetic sunset) and the synchronic soul, rather the material simultaneity of the fifth element of will, emotional and objective desire, condensing into matter already conferred consciousness, in gaps in fit at all times, but linking it to her divinity as intelligence never before out of date; V.G. The Mashiach is always linked to the vertebral and communicational axon of the plasma nano-particles by grasping its infinite numinosity, making this scale it's one billionth, and being within the Eras that will be the largest average of the macrocosm, in the quantum itself of the Christian Era and in other Quantum worlds.

Strictly speaking, the molecules are angels without a will, but the dispensers are the consciousness of Leiak, which transfers hybrid consciousness, for purposes of regulating and shaping the ravings of intelligence and atheistic consciousness, and for purposes of the great remnant always present and active in the emergency. Spirituality of the Mashiach-revolutionized. The by-product will be Zefian's Tetra Sagita with its ergonomic tip, opening up doubts and tracing the future of a rewritten bible in the same character and fidelity, but with the omnipresent Mashiach of a Scientific Eucharist.

Leiak walked through minefields, and in some, he saw universes come out that exploded in livid colors, among them Vernarth, who had been recovering from malaria, and who helped him create a culture composed of a great artifice of immutability, for those who are close to his Greek spirit. Overwhelming those who lack the will, clarifying where the great art galleries of the world will be, not because of their current works but because of those they will have to exhibit? From the rushing philosophical delta, germs of dominance were trickling, distinguishing properties that did not germinate under his feet. Bread and water of the hundredfold fruit of all the lesser forces that resist on the thirty and nine with fever, more than the narrow borders to be discovered, in democracies that will prosper in the hands of kind tyrants, and not in the unitary Ecumene. Vernarth did not denationalize from his grass crops, he was Hetairoi more than all the commanders of Alexander the Great because his native country never sank next to him, he only prospered in centuries where he had to rise again silenced and prostrate oblivion.

The chaos of an absence accuses a majority of sadness that greets the Celtic Gauls for the axon of the anointed cosmos of the divine autarkic world. But not in seditious wars devoid of bread and water that does not support them, nor by papyrus did nets that do not contain them either, in the spiral retransform the land of all, as a plural work done here, by the Mandragoron Áullos Kósmos, intends. The male rectors will trust their works in the widespread Greek language, called koine (common). A language that writes has its own feet to write new divisions, and ordinal paragraphs to fulfill in proskínesis or obeisances in those who have golden knees or not! They will continue to make separate book stores or libraries for Filososfia or science sub-themes that will tackle the top of Profitis Ilias. For all large cities and nations, it will only be Leiak's legacy, of having large spaces for dialogues where no one can resist his man-made preaching, holographic rain forest, and times that not even in billionths will make him melt spaces of ignorance, diverge from the juxtaposed principle of unpopulated urban schools do not deserve.

Says Leiak: “Every time it is more intense to turn the dislocated nature of man, my literary idylls are at the end of everything with his genre works. Life and it's agitated think idyllic of removing the talus, which is not swayed in my chest by the Metelmi..., but by my breath of death! "
Dyticá Leiak's twilight
Michael Hoffman Dec 2012
1. What in the world
         possessed you
to do that!?@#$%^
My god . . . that was so stupid and careless!

#2. Why? . . .
I trusted my intuition.
My heart believed,
emotional logic compelled me.
Fluid, spontaneous from the gut.

#1. You’re crazy.
I would never
put myself at risk like that.

#2. What risk?
Getting harrassed
by the mind police?
They don't own me.

#1. But they punished you.

#2. No, just a little
        desperate flaggelation.

#2. But look at yourself
all boxed up,
stigmatized and branded.

#1. You mean the labels?
Those words they use
to define me?

#2. Yes, you’re a bad person.

#1. No, I’m not.

#2. Yes, you are.

... and they argued til dawn
neither knowing
nature does not declare winners
but admires innovation....

like when Magellan sailed off no edges
when Einstein confounded everyone by sailing in his head
when the Wright Brothers lifted off
when Tesla moved electrons
when Christ embraced the centurions
when Gautama just sat down
when the librarian refused to take Catcher in the Rye off the shelf
when Lenny Bruce swore on stage
when Leary and Alpert left Harvard
when Joan of Arc refused to recant
when Gandhi and friends burned their English wool
when Jung declared a spiritual psyche
when the UFC earned a huge Neilsen

so be your own guru
take kava kava instead of Prozac
barter with your hair stylist
and when someone says
you are wrong
ask them why
there are no dinosaurs
in the Bible.
Claire Waters Aug 2013
according to the social disaster disclaimer I’m folded into
I’m essentially a stupid kitchen joke and a statistic of abuse
cause in America whenever we see someone else
choking on public schools and rules
we kick them when they’re down,
cuz apparently cruel is cool
the world is gonna burn, and we forgot the golden rule,
I should be more concerned but
I know i'll just go continue without you
knife, butcher, this is a hunter culture
carve apart, fall apart, throw your daughters to the vultures
wish you never met this year, wish you never met this lifetime
but, it's just human nature to check the basement
see what crimes you might find inside
to peel apart the paradigm and feel the wall for a light
I know your first instinct is to shut your eyes tight
but if you want to know, you gotta open wide

so if they call you ugly, understand you are a mirror, they’re peering into and sympathize
that's another stigmatized child feeling vile after so-called civil society spat them on the wayside
and if you've ever felt radioactive in the spotlight then you understand the way anti neutrinos decay,
moving at the speed of light in spite of unstable nuclei producing beta rays
well ***** it, i will wear all my shortcomings and benevolent reveries with pride
you told me not to lie so i stopped writing about those infinite why's
and what truly happens after we die. i started writing about life.

those who did stick around for the trickle down are the people i realize aren't fickle, now
i don't flinch when a strangers shoots me a frown, i just laugh to myself; i'll get out of this town
i'll swallow that bullet and rip my mouth open
I’ll cut down your Trojans with each verbal round
i can't stop Rome from burning, and I can’t suppress this yearning
but i sure as hell can take Nero's crown
I will draw an army of waves from the Tyrrhenean Sea
pluck my lyre instead of expiring, why not enjoy the heat?
you have so many rotted adjectives for me
but i know i'm not, i'm a noun and i always will be

this hesitant resident living in a glass house of evidence
impatiently anticipating dunce cap vengeance isn't it evident?
you are constantly vigilant and aware of entitlement
yet you find yourself, intent on grasping the advent of your descent
into this environment
not afraid to admit that when you feel, you crack the pavement
not pretending to be angelic, sprawled out coughing up your appendix
procuring the puzzle pieces, rudimentary ligaments and appendages
and you don’t even know who’s pretending anymore
so you sit at the pier, think about jumping off shore
always stuck in the system and frightened to vent
fearing this consistent emotional dismemberment

tell me when you find the box where my heart sits
my head beneath the guillotine where my grief splits
brief pieces of sweet dreams, teasing me if I don’t seize it
no longer fitting in my cracked ribs, like degenerative diseases
I can’t swallow anymore scorn for your entertainment
they’re turning me into a neuro-amputee with every arraignment
feeling like a hazy ******, bona fide public offender, a opened letter returned to sender
on a really bad day that somehow turned into a week
and you still can't shake this discomfort, now that you know love’s not cheap
so you've stopped agonizing about destroying the feeling
instead of stealing in, you just let it creep and seep
I’ve started stopping myself and i've stopped starting to give up
i won't let a feeling keep me from being free

— The End —