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RAJ NANDY Feb 2015
AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(
Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’
and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(
Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply

The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply

Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply

First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing
When I composed the History of Western Art in Verse & posted the series on 'Poetfreak.com', few Indian poet friends requested me to compose on Indian Art separately. I am posting part one of my composition here for those who may like to know about Indian Art. Thanks & best wishes, -Raj
WS Warner Nov 2013
Part One
Nascent Craving

The insular heart unsealed; pearled eyes
Breach parapets of stone— periled shield,
The sweetest ****—
A threatening wonder and irrefragable synergy,
Nervous routes of cognition  
In this nascent, amorous craving.
Locked and abased,
Dissonance lends pathos — euphoric and onerous,
Disconsolate cries curb sublimation,
The regnant bleed diffusing — fervid lust
Fondled, tactile surfaces in throbbing anticipation.

Sullen, aft a veil of laughter,
Visceral aftermath, out of
The ardent ash,
Burns a thirst;
Insuperable numbness and ache.
Efflorescent intimacy,
Table for two
Enraptured in new alliance,
Élan vital (psyche);
Urgent dialect petitions
Equivocation, jocularity blending
Provocation with indecision,
Noted lilt of descending inhibition.

Adrift, the incessant Now;
As occasion inexorably diminished;
Resonant simpatico tending,
Numinous amity;
Heard conversant, cognitive idioms—
Lassitude, time-eaten pangs of the unhinged heart,
Wounds axiomatic,
In disquieting synergy,
Nibbling, the circumference—
Misery’s permeating truth;
None immune, all trundle incongruously past,
Facing intrepid savages.

Licitly felt, reverberations of Amor
Whence the heart behaves;
Measured cadence, pulse elevating—
Treasured lover, contemplative muse;
Undulating clasp, inflated bone of absence;
Incarnation — a woman,
Beyond prosaic;
Ineffable adoration pours in certitudes of verse,
Elenita, enclothed —virtue unvarnished;
Reservoir intrinsic, poised advocate of the innocent:
The crooked lines of insolence,
Brazen culture of neglected youth.
Perceptive blue stare, sensitized tears—
Plaintively, evincing her injustice ago.

Part Two
Tendered Senses

Siren silence, eruptive blush, ampler between phrases
In dulcet tones — stirring discourse;
Foments rebellion, the strife beneath— his ****,
Out of its vast reserve,
Penetrate the narrowed ambit, vaguely announced.
Groping hands, migrating the sensual member
Stern faces grimacing— mirror in abrasion,
Under the blind surf of consent;
Burrowing ambiguity, emerging torsion,
Plunge, enlisted and content in the sea;
Subsumed in the nonverbal cue,
Persuasion’s plea,
Quelled in the post cerebral assent.

Piercing eyes parallel crystalline waters of Lake Tahoe.

An untouched portion of his awareness remains aloof,
Palpable in the subsequential quiet,
Obsequious and febrile, they sinned on sofas;
Peregrine predilections quenched and viscid—
Serenely requited, the room breathes her presence,
Limp, figures *******, mantled in adolescent torpor.

Erudition in bloom, trust undoubted,
Illuminating, satiating; tempest calm—
Under canvas
Terrain soaked and sodden,
Postliminary — rains of invalidation.
Allowance and permission
Recalibrate, salivate, shortly only—
Initiate, obliged consecration, appraising
Curvatures of the spine,
Stuns him obeisant, her femenine pulchritude,
Propinquity inciting vigor,
Emergent allure, the updriven
Tower of wood sprung from the blanket.


Suffused in ether, purring streams of remembrance
Vaginal honeyed dew, sung into
Orchids, remnants of remember;
Drenched down the cynosure of devotion;
Succulent view, diaphanous pantied bottom;
Halcyon mist, saporous wine — compliance of the will,
Freed fires wander,
Pliable rind, twin plums dripping,
Abject confession, dispatching doubt
In tendered senses,
Pivotal tree, lavender Jacaranda holds the key,
Unfurled, cindered vulnerability.

Half-denuded skin invites confessional savor
Acutely bubbled rear, fleshly furnished denim;
Sultry visit, San Ramon Valley in the fall,
Strewed limbs splendid, flowing filmy;
Imagination yields—
Bursting silk congealed
Across deft thighs, ambrosial thong draping ankles,
Grazing ascension, the curvaceous trajectory
Nose inflamed with fragrance,
Inhaling, climb of acquiescence,
The ****** weal, amid the globed fruit,
Focal intention — ploughed lance thrusting,
Absconding, the ancillary perfume of essence.

Perceiving avid validation,
Swimmingly, amid the monstrous gaze.
  
Humid skies simper dank, set swell the incense of Eros,
Surge of poetry engorged
The flame levened shaft,
Nimble ******* flounce, spill the harboring mouth;
Moist hands merging, unfettered,
Weave in supplication,
Vicinity voicing, enmeshed diversion;
Supple and spherical behind
Posterior arch, milky-skin against the lip—
Ripeness jostling their complacency;
Lapped the mooring, ridden decisively;
Recapitulating— spumed forth, bellied over hips warmth.
Abandon the dirge of self-pity
Late under ego’s trance.
  
Part Three
Present Tenses

Tempting trespass across sacred gardens,
Flowering, scandal set luminous: attachment—
Consensual, their corresponsive fear;
Protean manifestations— evocative, perpetual
Unutterable contention in a fictive resolve,
Deliberating the merits of their widely disparate tastes in coffee,
Amorously touring wine, let’s drowse through the gnarled vine.
Sundry deficiencies pale, once contrasted;
The beatific vision—
Material substance unaccompanied,
Imperceptible, tear-streamed cheeks in synch,
Ventral kiss, peak of carnal perfection,
Reminiscence— flesh violent with Love.

Fiction knew to meander the innominate rift,
A tincture of irony soften misdeeds
Immense as the sea.
Insolvent beast stippled with sapience—
Unmasked, the fabric of delusion;
Dependence smothering the disciplined heart
Resentment put up for release.

Waste of residual years
Fate’s apportion, scars bleakly observed;
Chastened by heartache, engulfing fervor
Too faint to recapture.
Vague glimpses dry—
Hypervigilant his defenses,
Veritable suspensions, embers lit linger;
Slender walls of solidity, the horizoned self,
Faith and reason in concert — stone levels of elucidation.

Fractured bones of distance, emanate a rigid salience,
Another ponderous night of absence—
Lingering, cauldron of dearth as indifference ushers,
The quotidian coil of contrition.
Tearful pallor, sequestered —ciphering time and solitude;
The unkissed mouth, his restive brow;
Suspend in the approximate span.
                      
After Lucid alliterations are spoken
Devoid of her face, his lover’s nudge—
The man nurtures his hurt.

Anxious as seldom unscarred,  
Venus’s susurrations,
In present tenses,
Kissed by her serenades of integration—
Notwithstanding metaphysic intrusion,
No chain stays unbroken,
Postponed drifts of deferment left unspoken,
Reverberations of amor.

© 2013 W. S. Warner
To Eileen
SirEthan2k  Jun 2014
Happiness
SirEthan2k Jun 2014
Happiness

I wake up fresh and happy as can be
Monday mornings are just simply nothing for me,
A new day has been given to me
Oh for what this day has in store for me I just can't wait and see,

Class starts with the teacher telling a joke
Recess and gotta sip on some of that coke
At the math class the quiz was postponed
At lunch my crush sat with me and I'm feeling like I'm ******

Just got home and mom bought some pizza
And how i enjoyed grobbin' down on that meat
Pepperoni, ham and bacon now that's just neat
Oh how today was a good day

Endin' everything at night
Just chillin on my bed not a ****** in sight
Oh how today was cute like some pup
But it was all ruined when I heard wake up!!!
David Adamson Feb 2019
The place smells the same. Garlic, undergraduate angst, oven flame.  The menu hasn’t changed. The Antony and Cleopatra.  Italian sausage and snake meat. The Macbeth. Cooked in a cauldron.  Blood sauce won’t wash off. The Julius Caesar.  Served bottom side up.  You have to knife it from the back. The Timon of Athens. Only bitter, separate ingredients, overcooked to black. The Frankenstein.  Assembled from ingredients at hand.  Served smoking from a jolt of high voltage. The Dramatic Irony. It’s a surprise.  Everyone at your table knows what you’re getting while you cover your eyes.

You said tragedy means playing out a ****** hand. The game has to end badly. Bigger Thomas. Joe Christmas.  Hamlet.  Everybody dies.  No choices. The end. I said, no, it means you have a fatal flaw.  Macbeth and Ted Kennedy—ruthless ambition.  Gatsby—pride. Lear—vanity. Richard Nixon—douchebaggery, deep-fried. Bad choices.  

“Can’t be both,” you said.  “One is character, the other one’s fate.” “What if character is fate?” I asked smugly. “Then we’re *******, Heraclitus. It’s late.”

I smoked a pipe.  You wore a beret and severely bobbed hair. I wrote sarcastic love letters to the universe. You wrote hate lyrics to Ted Hughes, love notes to Jane Eyre. We kept relations on an intellectual plane. You had a set of big firm ideas, dark-eyed principles, and a dimpled scorn of life’s surly crap. My eloquence was tall, square-jawed, curly, tan.  Together we solved the world’s big problems as only undergraduates can.

“Can pizza be tragic; or is it merely postponed farce?” I wondered. “Here it is clearly both, though not at the same time,” you said. “Does tragedy plus time equal comedy?” “Sounds right.” “No, tragedy plus time is any order in this place on a Saturday night.” After what seems like decades our orders finally arrive.  

“What did you get?” I asked.  “Looks like the Double Tragic,” you replied. “Flawed choices and fate. I leave you. You were unfaithful to every love sonnet you ever wrote.  Yet you are the first man who makes me feel loved, the only one who ever will.  I strain for that feeling again and again but it becomes a boulder that keeps rolling back down the hill. And fate—my beautiful ******* that got so much attention from men will **** me.  The only thing they will ever nurse is a cancerous seed. You?”

“The Too-Many-Choices, done to perfection. Choosing everything means choosing nothing. Loving too many women, I love none.  I follow a simple path home but try to stay lost. Living in the space between lost and found has a cost.  My life becomes a solitary pilgrimage to no place.”

“Let’s not reduce our lives to a Harry Chapin song,” we agreed. So we toasted the beauty of what never was. I went back to my hotel to write, found my way to a few easy truths, and called it a night.
amt  Dec 2012
Postponed Dreams
amt Dec 2012
I did what I love,
Now I pay the price.
My very happy weekend,
Now stalked by sleepless nights.
What have I become?
They've stripped me of my rights.
No longer have the option,
To do what I would like.

So goodbye dreams,
Goodbye dreams of mine.
Maybe just postponed,
Until I find the time.
Eliza Sterling Feb 2014
In a peculiar, far off, world, time and place,
The trivial past would be irrelevant, chased away then erased.
Contrary to the reality of distorted lies in front of my face,
These eyes cannot mask fraudulence or disgrace.
Chasing them down with a trace of a defaced case of toxic waste,
I pace as my thoughts race of the time that’s left until I dissipate.
Looking into the murky vase with dying flowers desperate to be replaced,
Misplaced to the one who’d obliterate the beauty I once embraced.

Within my sorrow I woke, shattered love replaced with a heart no longer broke.
Soaked with what I could never cope, I felt passion and choked on my once false hope.
This vision evoked a note; a call of duty for you, my eternity to devote.
Instinctively I knew, the words stuck in my throat, but blindly every incline eventually has a *****.
Surrounded by mirrors shielded with smoke,
As we stared we shared yet nothing we spoke.
Your presence was felt but disguised with a cloak,
Confined in your skin, comfortably lost afloat, for your soul I searched to perpetually stroke.

With blurred vision I envisioned, stood silent, anxious of your condition,
Division of indecision was nothing less than your frightened inquisition.
A hallucination on a mission of who was out to hurt you with consistence,
I understood as you tried to piece together the suspicion of our composition.
Guarded and in position to react upon intuition then the smoke disappeared and you saw our reflection.
No longer was my presence an imposition now in recognition you accepted the ignition of a united evolution.
Successful revision disposed internal superstition,
Our collision created a premonition for our future decisions of precision.

The past’s paths we chose were restricted to our addiction and careless indifference,
The assistance of negative influence stripped us of our innocence.
Blood shot eyes, negligence of appearance, abstracted resistance only creating distance.
Ambiguous and inexperienced, taking shots and hits in an instance,
Distorted images, lacking clarity, the abuse of substance left an absence of existence.
Building tolerance whilst sabotaging resilience, guilty and unable to admit repentance,
Without a witness, secret and safe, no justice to serve and no one to listen.
A mission incomplete and persistent,
We continue to envelope in our disappearance.

In the seam of my sickness I submerge within these contaminated nerves,
Fearing the silence with thirst not to be disturbed,
But absurdly I yearned your unhealthy and perplexed words to be heard,
My tender nature reserved an exclusive place to keep you conserved,
Unstable but concerned I’d preserve you like an herb,
I slurred for forgiveness but observed perhaps this was my turn,
But with your freedom you turned away and flew away like a bird.
Now relentless and pure I burn the surface of my figure, no intent to return.

Yet once we were young, wild and free,
Conducting our train with no fear of where we’d soon be,
The sweet breeze guaranteed the destination with ease,
Imagination without knowledge, amid glee and degree,  
We’d dive and rise above the salty sea,
Later meet beneath that tree with belief the starry sky we’d seize,
Through the debris you still held in your hand the key,
And we’d conquer our dreams, what we sought and believed.

But as I’ve grown within my questioning dome,
My home of stones has nothing to be shown,
Prone to disown my weakened skin and bones,
Candidly I pacify the clone I’ve never known.
In hopes to be flown far ahead of this zone,
I’d hover above in a whispering tone, draining my disease as it’s blown.
My soul will glisten and roam, looking down at my new golden throne,
As I’ve postponed to recognize the beauty of the Earth & my own – No longer shall I be alone.
Emily May 2014
The first suicide hit like a bullet

BANG

One of us dead, and at his own hand

The tension in the hallways filed into the ears of all those who walked
through its thick silence

It was a struggle to move through the heavy weight of a quiet hallway

People cried, whether they knew him or not

Teachers made promises,

“It’s worth it,” he said “I swear to you, it’s worth it.”

A moment of silence for the boy who is no longer living,

Whose hidden pain was known by none

Whose family will never be the same

Whose future which once was mystery, is nothing but imaginary

The second suicide hit like a rock

THUNK

The hallways rang with growing confusion,

At every turn, each whisper faded into the next in a mirage of sadness

But mostly confusion

Letters were handed out, but there was no time for more tears and
speeches

They had postponed the moment of silence for the girl who is no longer living,

Whose hidden pain was known by none

Whose family will never be the same

Whose future which once was mystery, is nothing but imaginary

The third suicide did not hit

SWOOSH

It was not silent anymore

There was laughing and talking, as the excitement of yesterday’s
football victory buzzed throughout noisy hallways

The letters were passed out late and no one read them

Teachers continued with their lesson plans

Students continued with their joke making and picture taking

Because people don’t have to keep caring after strike three

There was no moment of silence for the boy who is no longer living

Whose hidden pain was known by none

Whose family will never be the same

Whose future which once was mystery, is nothing but imaginary



This is our dystopia
khaipanda  Jul 2016
Untitled
khaipanda Jul 2016
"Do not love half lovers
Do not entertain half friends
Do not indulge in works of the half talented
Do not live half a life
and do not die a half death
If you choose silence, then be silent
When you speak, do so until you are finished
Do not silence yourself to say something
And do not speak to be silent
If you accept, then express it bluntly
Do not mask it
If you refuse then be clear about it
for an ambiguous refusal is but a weak acceptance
Do not accept half a solution
Do not believe half truths
Do not dream half a dream
Do not fantasize about half hopes
Half a drink will not quench your thirst
Half a meal will not satiate your hunger
Half the way will get you nowhere
Half an idea will bear you no results
Your other half is not the one you love
It is you in another time, yet in the same space
It is you when you are not
Half a life is a life you didn't live,
A word you have not said
A smile you postponed
A love you have not had
A friendship you did not know
To reach and not arrive
Work and not work
Attend only to be absent
What makes you a stranger to them closest to you,
and they strangers to you
The half is a mere moment of inability,
but you are able for you are not half a being.
You are a whole that exists to live a life,
not half a life."

--Khalil Gibran
Written by one of my favourite poets :) Which draws me to ask you this (as I did to myself) - How many of us are living life this half-heartedly?
Prelude  PART I


"Today when the threat is looming, as close apocalyptic years approach, it will be by cohabiting itself and the ruining valley of debris, which will make this world corrupted the next issue of the numeral scale of the new count, a rising hyperspace , concerning the parts of the kingdom of God ... "

Then on the Lord's day, John saw the glory of the risen Christ, and she understood from the point of view of God, he saw that the fate of the Church and threatened in the first persecutions took the appearance of a dark beginning.
And the time John wrote the Evangelist, including books were Jews called Revelation, that is, "Revelations". With fantastic images of monsters, angels and cataclysms, evidence of the Jewish people are stressed and are invited to await the judgment of God who intervenes from heaven with all his power.  So my beloved world is harsh and does not represent an apocalypse, but it is the true reality is when I will bear its overwhelming slaughter.

" Today when I walked with my winged feet near my friend Victor, I confided down the road crushed by afflictive legs; how difficult the taste of laughter when the decadent surrounds you, the human, the vile, the loose ...
Even though the celestial charisma invoke his memory and help nourish the weakness of Robert in hyperspace, with clean clothes, I can see his beloved mother consumed as automaton can take care of him. She is also her father, because it carries rooted in its members and manners, infinitely sharp look; in their arms they will gather wherever his soul is under his patronage that lives there ..."
I am  who  say that Roberto is a dog, who bears all the faces of dogs humble and serene. Perhaps tired of hearing young people, it is flush adults who do not accept, and who do not share as young faces were watching them, getting them to receive them what they should disclose them.
This is how we are numbed and distraction is fleeting, and he looking aside in his astrayed, he would be saying ...:
"Among the cradle and the grave I have a feeble scaffolding, and then complains, though his other I demolishes; unsconcient defends his executioner ... that the threat of death is its widespread depravity, which dominates it and want to go on like mortifiying.

      I want to talk about life ..., he said in his short years of life, which is more of it; possibly coming to complex, what our Somatic territory responds in normal or involuntarily. Comparative anatomy, and its innermost portion, the link body and mind, as a pure white as Samadhis and nature.
Homeostatic factors regulating our vitality, making its experimental modification, increasing to evolution, or maturation as a criterion of personal psychology go with the passage of time into in the depths of our mind.
Thus in a known threshold of Vedic architecture, its sensitivity is excited by regulating the effectiveness of the response to be made ... and everything related to the world of Ludwig Garroch; brother Robert in his strange Emigrate.
Yesterday when my arms away from hers, my fingers pounding away and recording what the heart more than a song, was a symphony sonata with a single end, long and sustained movement; It was the adage inner melancholy with an eye romanticism, which dominates the
passions of the visible world, which inhabits Antonieta, causing me, unbalanced living.


                                       CHAPTER I


In the beginning years of his childhood, little Ludwig sitting at home, in the gallery. Ask her aunt who was ironing ... Madelain, how I would always be a child of five ...?, And being as such, a privileged to receive toys for many years. Attentive aunt, maybe go to hear with little complacency as his hands only want unroll clothes.
After two years at the age of seven, when her aunt arranging his coat to go to Mass, she teaches a carol that had been taught in childhood. When many wondered whether there is a Santa Claus ...?, And among his friends they looked to unravel the mystery. One year later, when he enjoyed his unicycle, who just dominated him, called him a cousin telling her it was her birthday. He did not hesitate to go to find out what was behind the call, so he found the means by which we celebrate, we live and cooperate towards happiness and delight to have us at each other.
Not long after a friend told him .. "You do not have ten years are too big And Ludwig thought he was well endowed and well stopped, so not your friend was wrong in the above. It is my label and my stance has put the world on me.
Every passing day came the stamp of manly character, a woman or girl who made change her hairstyle, and he did dress more attractive every day.
Later, in his teens, his gaze was well received and their voices radiated security screening. Where He must continue the line of men. Even when I was living as smoothly, looks out strong destination with which calls us to live with skin clean or *****, because it is inside the feeling and the pain does not come out, it is enclosed by the overflowing affection. Here is the portion of good or evil haunting things casual and destroys the healthy, it fertile.

                                        
              ­                           CHAPTER II


Then was a year with a sports compensate pleasant summer sated outdoors, almost fugitive ... will not wonder that life smiled on him serfdom, and very willing opened his prudence.
Every time I decided to go to his favorite places, he went with his burly comrades in the best mood to conquer optimistically. Thus, no wonder he wanted when he was alone and put your reasoning judiciously, because nothing is distant, nothing is impossible.

After unite desires and forces, to clean your bike, piece by piece, in full sun know much security would not allow the mother of vices ruin their fun, that scarce alive to possess the desire to move and go on compliance instinct. Casts on itself, the vigor of the inner, its desolate world full of free enthusiasms who obey no doubt the vital complex activity.
Ludwig and entering the maelstrom of men love hate Godson, you can glimpse the friction with the air, with people ... I wore. That their voices heard their soul contracts, and thus puts light feet towards an acceleration which does not afflict his troubled stomach, nor regret his decision and put fearful, but, bring himself retained encouragement of his mind to remember the maternal cooing, comfort and timely relief to protect forever the suffering, the suffering of torment without end, not he shut the inspiration of the good man that no harm will result, and not for nothing the valence of living and not quarrel prancing. No existing could shed some light on what role, and that little thought is not complicated, and thus shown kneeling and unable to distressing oppressors and agents tangled conduct to chaos, those characters of ambition and discrimination.
Ludwig, who lives in the Ecologist City, where large forest ... budded, is home jungle floral site, whose relations are flowers, trees ..., next to Strange birds migrate flower in her intra nature reproduced, and pods evacuated by butterflies.
His close friend, is the watery and salty sea, which is beloved because he falls in love, puts on alert and curses him by his surroundings and invoking him. Anyway, it dwells wherever it is, and is accepted as a basic element of the universe.

                                    
                                         CHAPTER III

The act of tender love would be fulfilled later ..., what his voice fell silent and had his eyes and heart fortify, which will be linked from far inside.
At night, with Roderick going to a festive night, they climbed the rungs center alone, with heat in his shirt skin later. And in a deliberate action, someone asks you a sign that taking care tired and distinguishing see that John was his friend, school mate. He did not hesitate, he approached, greeted him and his sister and a cousin when she noticed well, he saw that he wore perfect for your night.
Debra wore elegant, dark clothes and sang with her dark brown wavy hair; his white brunette and harmonious ****** complexion line, gave her constant reflection. Fate was present, as it would not go around the world to be looked at by someone, he would watch his choice. Little was said, he only realized he was not passing and North America came eleven years ago.


They roasted the hours and the party ended, Ludwig remained with her new friend and his old friend John. They went downstairs, thinking about committing his new friendship, as I had noticed a slight interest in it. This happened and the meeting lasted for several hours.
The next day, he went to see her lawns roads where she lived, always with its mystique and kneeling the beast that wanted to impose upon him, that gives it excessive materialism unloved peace.
She arrives at her house, which was to John, though not very comfortable, but sure to please and attentive to host it.
And that night said much that was the tender feeling and liking her, but as his policy was rigid and concerning celibacy, only mattered to him, the unknown world of madness in his brawling to survive.
Time passed and deepened love, Ludwig went to say goodbye to his beloved, especially that he had faith, but that day would betray him. And so I wanted to put his heart and iron sleep peacefully, but Debra no secret  to tell ...:

"Ludwig, do not abandon our own, we must have faith, and I understand what it is. Ludwig rested and then brought her hands to her, hugged her and kissed all over her face, covering her eyebrows, nose, forehead, mouth; his lips positions in the middle of it, wanted to feel her warmth and tell her he loved her and would miss a lot of pain. But there was no show weakness, he must be strong and not to complicate the farewell from North America. Mourn scared him, because he had forged the feeling, because his aching grief was deep and it was at an undetermined point, with great desire to hold her and kiss over his face.
So ever, it was unbearable, she would like to die in his memory and had to remember in the collective thinking of his family circle. Which it fits the feel shivers ideas with sensations, such as the best in its inherent upstart point.

It was hard, as if more than man Ludwig out the feminine side of himself. But irremediable was the end, eager poisonous reaper approached. Ludwig hugged her, kissed her and stroked her right breast ... saying: "Do not forget me ..." and so left. Then he wrote her, that madness had transformed her away, but the distance was prevented against carcinoma being all postponed.
To know he could not boil your blood heavy thinking, they were contracted muscles. When he relaxed, he saw back through the hatch of his head, the soul that was in an ****** tragic holocaust, where Eros tenaciously and rebellion dictated its laws. Ludwig slept, and consciousness became natural color, as if it were safer, eternally fresh and manufactured this dream a poem ...:  

" That one corresponding to the celebration,
I wish to reunite with enthusiasm and strength ...
touching eyes closed
the sad sky, the dry ground, dried flowers
and people backward habits.

As meaning if it takes itself ...,
is the meaning
although they are scattered
in flows oppressions ...
the animosity of delight just widow and desultory,
losses and more losses at the time of aging ...
and profits to appease others.

For more like,
there seems to be a big drop ...
the same credibility ...?
and setting as a feeling
remain imagination stationary.

As hard it corresponds to the body,
It is destroyed inside ...
and hardened thoughts
tears falling to the esophagus,
without recognizing either way.

Who the pace of living is customizable,
and no opportunity is lost ...
but growing and creative
rears its profile,
as an unforgiven mirage. "


    Have been and unrestless forms of peremptory perceive, and when it starts to wander in my solitude, transporting my sorrow with grief, wherever I go I will take silent and vivifying separation completes the probable brain, which lives and endures in avidity stamped man with his need to want the Lord's command that made me forge this creation .--- he told himself, as a witness epilogue of his poem, albeit as the cry to its essence it was about. Originally from the Ecologist City, where reigned the wise and calm, where he healed their diseases, which has dodged the putrefaction of their wounds, where you inhale the aroms most want and cordoned off its without a grave lack of soft and flowering odour.
To believe missing, do not be afraid and trust that will grab everything, that not a drop of air was not lost on her fingers, which will not fail to display their imaginative stuff Alma Mater.
With all their eating, you want to cure your bad like venereum, and would go into the hands of a counselor or a warlock who extirpated the curse. Heal her feet and hands to despair, to heal the memory of his thought that I seasoned and voluptuous breaks the veins of his caleter, which seems not of it like a dwarf be provided with a dagger will break their venal, and this to commit such surgery, he laughs loudly with garnets eyes, full of the worst evil.

And this way Ludwig Garroch, vague without fear of rags, without fear of hunger or the messiness, only idles so that someday I can walk on the water surface, leaving their hydrocentric footprints where plankton reverence their sense of pain, his infarcted heart , her long fingernails of violence.


TO  BE CONTINUED….
Under edition,  then under All...
Natasha  Nov 2013
Pisces
Natasha Nov 2013
A moments shy smile,
Two guppies intertwined
Crafty hand work
With something swimming viciously through your
Dark eyes

I long only to ask;
Assist you
As you've done to me
But I know you'd only close me out
Bashful Mr Pisces

Weakness is not defined by the admittance
To not being strong
For I've seen terror and sorrow
In your gaze
For far too long

My concerns and listening soul
Will be postponed until next week
For I cannot bear to see
Your frosted eyes melting
&
The Ice Queen making you weep
Jawad  Oct 2018
POSTPONED
Jawad Oct 2018
Postopone the trip
To help another
Continue the journey

Postone the trip
Embark a new one
With your soul

You are the mistress
Of the path
From tears to fight
Repenting missteps
All your way
By filling others
With delight

Postpone the trip
And understand
The real purpose
Of all travels

To find a truth
Not reach a place
Inside your mind
Not on the map

Postpone the trip
And you shall find
The source of light
Inside your heart

Postopne the trip
You are your home
Regardless of
Where you shall live

Be the destination
You want to see
Be the change
You’re looking for

Postpone it
And you will realize
The end is you
It’s always YOU...
Understanding the real purpose of travel
Geetha Jayakumar Jan 2015
Suicidal thoughts often flashed across my mind.
I might have lived and died million times.
I searched for the way to reach suicidal point
Short cut, long cut any cut to reach.

But I couldn't get one
So I just postponed it for an hour.
My thoughts went on traveling too far
But it hanged between
If, that and this.
What will happen after this?

So I went on postponing
For days, months and years.
If I announce,
I will be self imprisoned
With charges of penalty and some punishment maybe,
For keeping such thoughts with me.
It's just illegal and burnt of shame just adds another one.

If I bring into action and I am dead
I will be just buried down dead with few tears shed.

If alive after all these stunts
A severe punishment on self
And I may come into the notice of many
Ashamed and chopped I will
Be whoever sees me!
It's as good as being buried alive!

For time being everything stands Postponed!

Though the topic is too harsh and rough,
Based on reality.
Such things happens when one looses control on self.
Be in a light mood while reading this poem
As you may also love
And I request you to postponed
If such thoughts you are keeping  in your mind!

Postpone it for sometime!
Just see you may find another way out
As some minute changes in our life
Can bring a lot of difference in our thoughts
I know its just easy to spell be positive
Just postpone it for time being for you aren't going to loose anything
As the life is too valuable and precious which can never be reverted back
Once dead.
Just wait and watch patiently.
Sure a sun will rise in your way as it did for me too!

©ALL RIGHTS RESERVED BY GEETHA JAYAKUMAR 2014
Geetha Jayakumar

— The End —