The olive dusk tents overheard,
pleated, wavering, starless,
ghostly, embossed with moon,
scratched with street light.
Cars hunt across a new ice blanket,
casting tambourine shakes
onto the pavement as they brake
in cherry arrays. Tonight I watch
my neighbors in their curious coves,
each jaundiced room a flat Argus eye,
as they bed down, break off
the lamp network, pull blinds down
over myriad invisible couplings.
I have hesitations in the dark.
I see the neon-breasted giants
towering towards midnight
in this aching pavilion.
Like prisoners we send messages
with our mirrors.
At the Christmas market,
an etched man sells fake Egyptian
canoptic jars. "Viscera," he says,
"it holds your heart after you die."
The jar looks like it was carved
last week by a bored child.
Even if our hearts shrunk
to apricot pits, abandoned,
betrayed, disappointed, this jar
couldn't hold even one.
Still, I consider it for a moment.
But the olive tent is waving to me:
no sale, no sale, no sale.