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Nat Lipstadt Jul 2016
Explosions & gunshots
(Simulated)
says an urgent text
from Notify NYC
on my cell,
well recv'd

reported to be
in Central Park,
my heart now skipping beats,
not comprehending the detensing
the declensing cleansing of...
                                                   s i m u l a t i o n

thinking only
my park, my park,
my country, my country,
a ****** battlefield!

a second glance, it's just
a heads up to keep my
head down,
from my bud, my boy,
Free *****
having a bit of fun
with us Ameddicans

Shakespeare in the Park presents:
Troilus and Cressida
which contains the use of smoke, haze,
cigarettes,
explosions, loud sounds,
blank gunshots & strobe effects.

cigarettes? cigarettes?  ***!

there is no smoking in the park,
not even for poets and
Playrights of renown,
no exceptions made
in this hard-nosed town

and that ladies and gents
is how
one distinguishes a
genuine New Yorkah

neither smoke nor haze,
explosions and gunshots,
an apple-cheeked citizenry faze
these hardy city folk,
from their pursuit of
the golden yolk,
the reward of the
dog-eat-dog yoke,
worn in the pursuit of
Life, Happiness & Liberte

don't even thinking about
smoking in our park,
or near my face,
then the loud noises
may be more than merely

stimulating

than blankly,

s i m u l a t i n g....
a slow day at work
Nat Lipstadt Jul 2016
for mine own Yocum*

<>




a strange parting shot,
that we are are the refuse
upon this island Earth,
the very last item on some being's
weekly grocery list,
a list composed 'illions of years ago,
of things that could be worthy of
"creating"

this thought sticks to my soul,
like a rosé pink colored
NYC street'd, well chewed,
gum piece
adheres to my sole

the musical companion to this ecrivez,
a sinfonia for strings politely begs to differ,
while a hard covered book
dances me over to Texas,
Dudamel conducts Barber,
all making the question of
man as an afterthought
in a divine master plan for a planet,
seems almost recklessly absurdly nonsensical


then

my cell buzzes me back to this

******* hell earth

seven more cops shot, three dead

down in the bayou of Baton Rouge,
on a sabbath Sunday morning

rouge red now assumes,
takes on a different
notation colorations,
to my bleeding eyes,
delivering importations
of  headaches confusion rampage,
red rage

the amplification of the worst of we,
afterthought creatures surely,
why "create a destroyer,"
an absurd contradictory term,
so we are gift wrapped  
beneath the misleading approbation -
human

there is no nobility in our savagery,
or dare I sneer and say,
in our humanity

you cannot seal a wound with music

you cannot revive the dead with a poem ear-whispered

sitting beneath the tree shade
of my privileged place,
my surrounding world is
bay blue and grass green,
my vision myopic,
I am a self-centered,
microscopic collection of red cells

conceding to you Sargeant,
this designer of the human form,
who wrought it from
soiled earth and excess rib bone,
had a peculiar sense of humor,
a comedian full of
malice aforethought,

for are we not
the final joke,
for someone's bemusement

we must have come last,
because you always
want to leave them
laughing
Mistaken Beliefs
http://hellopoetry.com/poem/1706235/mistaken-beliefs/

Within the unfolding creation of this Earth,
with its majestic mountains and valleys,
its rocks and trees, its life-giving streams and seas,
Surely man was but a minor afterthought
no more important than birds, or snakes.
Only we see ourselves as exalted above all other
living things. Our opinion is highly overrated
and wholly underserved.
Nat Lipstadt Jul 2016
You ask me how I find the time,
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition

I see a toddler swaying, see him to disaster lurching,
Somehow avoided with last second seer-like swerving,
Ten times in a ten foot walk across a pool's patio,
My eyes code red at the incredible risk/reward ratio,
It is nature at it most incredible, miraculous ordinariness

A young girl of ten wears a pocketbook across her forearm,
In the style of an elderly woman, as she plays with Barbie,
Tho her body immature, her psyche, says note my
Iconology, her accoutrement, texts a message subtly,
I am preteen, I am near woman, treat me accordingly

Dueling iPads in bed is a poem in my head,
rhymes accurate of screen reflections of an
X factor that stimulates my cerebral cortex

Verbal ointment that I posses can't fix a flat tire,
yet sets me up for a personal review, a self awareness,
Gone mad, I am, and with finger, on a gas station floor,
In the grime, words are realized/written concretely,
what my heart speaks freely

Within each day, miracles present themselves,
Gauntlets thrown, note them well and be justified,
Visions, external to my physical self,
Yet product of internal chemical reactions
That blow through my veins, swirling,
Word leaves, on a November weekend,
Windswept from a thousand directions,

So you ask me how I find the time,
The question proper be amended,
How do the times find me,
How do I know them,
And why, do I share them

<>*

May 21, 2013
Nat Lipstadt Jul 2016
<>


(for patty m)

"always love hearing from you,
it's like a kiss in the wind"



we are intimate
though never ever close,
but faithful closer

familiar,
though our convivial roads
are uncrossed, except and accept
in the delicate pearl inlay
of our poesy path

our common way station,
where can we exchange private confidentialities
publicly, above and beyond,
the plain and ordinary everyday
intimacies

from the balcony of the sixteenth floor,
I can see the horizons holding
our shared land together.

the wind blows by,
from the Atlantic crossing,
continuing on its
westward ** way

wind comes inquiring as is its wont,
as a faithful and familiar evening-tide messenger,
desirous, needy for its wantings fufillment,
to be a deliverer of
deliverances and
all kind of tidings,
sent by the
in absentia

I post a poem

the letters scatter heavenward,
no worries,
the amorphous wind,
will Oz like
reassemble them
in holy order and
brush them
across your face,
tickle the lips and eyelashes,
still moist from
missing a man who was
intimate different,
in a lifetime way

and that kiss,
that postage paid,
the meager cost
the wind receives,
for a mission well accomplished,
is transferred to you and yours
to enable you to decode
this implausibly but-all-to
plausible,
devoted message
June 12, 2016
an M31 bus composition
Jul 2016 · 740
Carl: "no road is sure"
Nat Lipstadt Jul 2016
<>
"I am learning a little—never to be sure—
To be positive only with what is past,
And to peer sometimes at the things to come
As a wanderer treading the night
When the mazy stars neither point nor beckon,
And of all the roads, no road is sure"

Experience by Carl Sandburg

<>

summarizes my life, the fits and starts,
at every fork, the wrong road taken

and I lean back,
pensive from my shame,
knowingly confessing
that I would make the
wrong choices again

maybe, sadly, most likely...

the maps they provided early on,
were ok, but I never lived
on their edge,
never went far enough,
warned off,
all bordered in the red of
"go no farther,"
so stuck to the worn and grooved paths,
ventured out,
but retreated to safe center court
covered with the wounding cuts of
self-castigating tears,
for my lack of courage
and the waste and burdens
engendered permanent

maps for me,
are now no longer necessary,
for any road of mine is
closer my god to thee,
and my notice that
"the-show-is closing"warning
is a nearing destination,
slips quietly into my back pocket

now, I permission routine
to drive my simpler life,
where easy, gentling kindness
of the usual, the regularizing
steady as she goes,
are my comfy shoes upon
to tread the familiar road of surety...

that sates but doesn't fully satisfy

for the harsh hanging judge,
my resident permanent
on the top floor of my brain,
sentenced me as a young man
me to life imprisonment
in my very own self-built
asylum insane,
where all the tempting ladders were
maps that led to
This Way Out

was so fearful
to grasp and vault
from the top rung to
the uncertain pleasures
of the unknown of the other side

only here,
in the paths of my poetic words
do I venture across boundaries
and back over lines
that dare and
dare not
be refused

the great exposition
the great expiation
the great explication
of one man

words are my living will,
my testament,
my behests, my bequests,
my medals of discourage and
urges not followed,
tarnished but worn proudly

left to my
children's children
as a lesson plan
of one man

of a life poorly well and almost lived
these words are the rebar to build,
to cartograph,
to illustrate
new maps,
better ways,
signed posts
to take the risk of writing,
go gadget go abroad,
create new poems, new styles,
better than those
I that live~leave-left rightly
behind for
fellow travelers,
grandchildren,
who will - who must!
use them
to unmake the errors
I herein freely confess


12:07 Sunday July 10th of his sixty fifth year
Jul 2016 · 506
No Wolf
Nat Lipstadt Jul 2016
No Wolf, no Ginsburg,  nada de Sylvia,
all my precious, deadened,
all my possessed, to dispose,
the garbage the city won't haul away,
even Potter's field
issues a writ of habeas corpus refus-us,
***** you-us,
our graves runneth over
with nobody's nevermore,
perfected howling
~~~
murdered victims last
murderers to the front,
howling innocent,
got no room
panning for second raters
poetic pain poseurs
~~~
some cells, microscopic, preserved digitally,
aged to imperfection, thrash my eyes,
making me speak in tongues I do not recognize,
but fluently possess, no wonder there,
the memory place fairly empty,
room aplenty for passerby's and and of the
vagaries of hasty parted spotted pitted words~~~
An excerpt from one of my many unfinished works... potter's field is where NYC has buried it's poor, alone in this world, and unknown for a century
Nat Lipstadt Jul 2016
~~~
for Matt
~~~

"My suspect credibility upon the rockets of birds,
the soft parts of people,
the oceans’ inevitable, cyclical weeping,
 
Who has time for poetry has more time than they deserve"

Breaking Spring by Matt Hart

~~~

your words warp me,
the woven texture of your composition,
Matt,
dumbfounding the sweeping, weeping, instant recognition in
the soft parts' of
Nat,
where credibility
long past being suspected,
simply arrested for statutory dark room
torrented questioning

deserve poetry deserve blessing deserve curse

You Jacob, wrestle with this angel witch curveball!
'tis better to give or receive
this poetry admonishment?

for who knows where the time goes,
when the fix is in,
the addiction itch,
commands and commends,

feed the poetry *****

write or die


one fix, one poem,
carousel leads to another,
yet,
with only time to live,
pay the bills
for renting the space you Earth occupy,
no time for illegal
compulsive word blending

the interrogator demands

deserve poetry deserve blessing deserve curse?

who is your supplier?
who is your time stealer?


by the ocean, weeping,
you plead innocence,
just ill drivel, needy for expulsion,
deserving of repulsion,
swear repeatedly,
never again, imbibe, scribe

but the ***** coos in my ear,
reaching beneath
the vulnerable soft tissued skin and cells:

write or die

I thieve your time,
'tis nothing you deserve,
I am Poetry,
just your mistress,
better served


deserve poetry
deserve blessing
deserve curse

~~~
June 25, 2016

written by the ocean, weeping
^ https://www.poets.org/poetsorg/poem/breaking-spring

<>

"the oceans’ inevitable, cyclical weeping"

here you-man
come once more to my irregular edges,
to replenish regularly my stores.
with your unwanted salted tears,
the sullied bodies of thy children,
mourning deaths you have fostered

Oh Orlando!

weeping, weeping,
even as your pulse's fury speedth,
every dance must end,
for to time subservient,
even as time ever forwards,
living men must slow weaken...

live by the sea,
die by the sea,
come unto me only as,
unruined mortals,
worn only by happy ending of
molecular disintegration,
the sweetness of time's decay,
a recording completed,
your resolute dancing resolved

come unto me
only from deaths
which one cannot void
but come concluded peaceful

Oh Orlando!
nml

http://hellopoetry.com/poem/1685590/the-hungry-ocean-spoke-oh-orlando
Nat Lipstadt Jun 2016
~

<>


nearby distant,
the soft thrash of warm waves
lapping interlocking,
happily wet tongue kissing,
sun-oven precision-crisping
the Long Island striped bass
and porgies, at a surreal cooling
77 degrees

Pandora synced to his eyes,
shuffling freely,
by saying
we too see!!
playing for him,
Stairway to Heaven (Led Zeppelin)

poor, poor poet,
strains to brain drain one more time,
conducting an ogling googling word search
for those combinatory storied ones that
sailboat glide
all the while
wildly bursting with Pellegrino effervescence

compromising sounds sights,
to present
properly the balance,
to preserve
properly this moment,
peaceful alive for all times,
as poet has tried,
and failed so many times before...

the caw caw caw of the crow mocks the illiterate human,
for the bird calls it, in single sound perfect and
the human a laughingstock,
for not in his possess,
to capture this perfect moment
of human sabbath.

a Roman Saturn day of rest,
on this day that itself,
is perfection,
perfect for celebrating our common creation,
on a day that our
almost-all-agreed-upon calendar
is marked for us to
forte rest,
from an existence of just laborious

the chubby checkered cheeked squirrels
laughingly pauses,
watching, enjoying a poet's struggle,
mind boggle,
the poet's chubby cheeks
stuffed with discarded words,
all insufficient to capture
the absolution of
absolute beauty

bathing in the noisiest of nature's sounds,
all that contravene the silence of living things,
breathing prayerful thoughts that all
summary end,
with a common gesture of
forefinger upon the lips

a human acknowledgment of
utter obeisance to the forces
calling out by example

listen, see!

silently presenting,
this,
this!!


a day that demanded perfection
Nat Lipstadt Jun 2016
And The Hungry Ocean Spoke:

sea the human modifier,
each wave,
a dance choreographed,
a fomented friction, a whitecap invitation,
dispelling man made fictions,
repititiously reminding to:

remember, ascertain, fail, try again,
to reckon the imprecise place
you occupy upon this Earth
and be ever wave grateful

you-man, speck sized,
suffer tenderly these unceasingly reminders,
provisions of stiff winds,
soft slaps of gusting humility
coming from a roughened atmosphere

perspective, not selective,
sea how much loss I have
eons stored for you-man

has time's tenure insufficient
to yet teach you-man,
to the one conclusion bring,
kindness towards a living thing,
is the life's solitary methodology
to survive upon our shared principality?

oh desperately,
this hungry ocean, inquires:

what advantage does
your kingdom of the shore provide,
upon both the soft soil and the hard boil water,
doth not life and death mutually coexist
beneath my watery bounds,
yet killing for pleasure
here has no measure,
unlike your cursed you-man
internecine interactions

you, man, every-one, and each
a cornerstone, an etched mark so slight,
footprint in the sand, a shifting, imperfect, yet lasting,
molecular impression for all time

all time,
till the next second, the next air lifting, the next wave,
our creator's begging method of commanding,
surrender your Babel Tower's mortal arrogance

I am not human, yet I am modified.

each wave an accusation.

Oh Orlando!

what have you-men become,
infinitesimal but universal,
sparking containers of miraculous
creation breathing,

what justifications
do your bloodied solutions
that be no answers, provide?

here you-man
come once more to my irregular edges,
to replenish regularly my stores.
with your unwanted salted tears,
the sullied bodies of thy children,
mourning deaths you have fostered

Oh Orlando!

weeping, weeping,
even as your pulse's fury speedth,
every dance must end,
for to time subservient,
even as time ever forwards,
living men must slow weaken...

live by the sea,
die by the sea,
come unto me only as,
unruined mortals,
worn only by happy ending of
molecular disintegration,
the sweetness of time's decay,
a recording completed,
your resolute dancing resolved

come unto me
only from deaths
which one cannot void
but come concluded peaceful

Oh Orlando!*

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Shakespeare­ Sonnet LXIV

When I have seen by Time's fell hand defaced
The rich proud cost of outworn buried age;
When sometime lofty towers I see down-razed,
And brass eternal slave to mortal rage;
When I have seen the hungry ocean gain
Advantage on the kingdom of the shore,
And the firm soil win of the watery main,
Increasing store with loss, and loss with store;
When I have seen such interchange of state,
Or state itself confounded to decay;
Ruin hath taught me thus to ruminate
That Time will come and take my love away.
This thought is as a death which cannot choose
But weep to have that which it fears to lose.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“Wild animals never **** for sport. Man is the only one to whom the torture and death of his fellow creatures is amusing in itself.” James Anthony Froude (British historian, 1818-1894)

~~~
June 12 ~ 18, 2016
Shelter Islamd

also inspired by Jessica Lang,
Choreographer
Nat Lipstadt Jun 2016
~

Keep It Simple Stupid ("Your Poems Are Too **** Long")

~ for Natty~

white sheet of foolscap,
imploring the fool's fingers,
natty. natty, just this once,
be the simpleton dunce,
spend but a modest pence,
cap the blowout verbiage well

pretend
being a short and sweet poet beat^,
leaving those blue line requests
more white than black,
emptier and thus,
more silently, fuller, and powerful,

build  each line from a few hard crafted,
forged-wrought-iron syllables,
say the more in the
unsaid unwritten

snap your fingers in clapping praise,^
kiss the words bye-bye slow and single,
hold back the overfilling raucous reprises,
those stanza'd motley muddled crew,
de-access all excesses,
a manly, word squad^^^,
no more,
the shaft to success
be a David slingshot of single pebbles

but herein have,
prior blessed and true confessed:

"for I know there is soul in brevity,
but that ain't exactly my finest quality"


this is a "not know how to,"
for when I plunder the sea deep of a
single and singular
first and foremost# kiss,
still forever kept,
and that cylindrical memory volume so full,
one must seek and speak,
many verbal Ceylonese herbal tea toasts,
for the drunken 'n blinder I become,
the greater the need,
the lesser to please,
commissioning the poet to sing of his
long odyssey home,
of even the briefest venture ventured,
a combo of triumph and escaped,
wrapped in a single word,
his every feathery eye retention plucked,
a bald bird to be fully consumed,
even the bones, committed to
paper memory...

what the heck,
you want a speck,
a "say hey kid"^^ haiku,
a shorty hearty 60 second sophomoric Campbell soupy blessing,
microwaveable, heated but not hot,
radiated but not cooked

woe is me,
cannot be denied,
why use a pithy when
for pity's sake,
thrice won't suffice?

the woman, the observer
punches me with a solitary and indelicate,
as her wont, as her want,
"just-this-once"
telling the blowhard to not spout

this prideful pain,
deep water drilled in the muscled fortress of my rocky biceps,
eliciting  an outsized
"ouch, that really hurt,"
and my spouting retort...

~

by this bruised blotch, this redsome refrain,
dulcet sung in black and blue, a sonnet's colored quatrain,
by your flesh's mark, thee I join, in places where no mark dare
reflect our secreted touch, witness-protected by our guardian eyes only...*


**** it.
4/25/16 08:00pm

^in a particular club in the West Village in the 50's,  the beat poets congregated, there was a shared shaft-way with local Italian families.  The club owner instructed them to snap their fingers instead of clapping, otherwise garbage would come down the shaft when applause sounded.  Hence finger snapping became associated with coolness.

^^ The Say Hey Kid was Willie Mays

^^^a squad is composed of 9 to 13 men

# http://hellopoetry.com/poem/1518614/f-f-1stmost/
Jun 2016 · 986
no more morning glory
Nat Lipstadt Jun 2016
no more morning glory

the cells want to refuse,
purported pseudo-deniers
of the man's compulsion

not yet six am,
the old house,
the summering congregation of birds,
correspond with each other,
their words unintelligible to the man-ear,
no doubt talking about the interlopers,
the come-and-go humans,
or perhaps,
just the lousy weather

the sunroom's lace curtains,
a patterned flower filtering viewer,
another impediment to what is out of sight,
for the fog surrounds but can't suppress,
the exterior & interior
combo of noises,
birds uttering their morning prayers,
accompanied by the sabbath choir of chorusing
groans from the untrodden, creaky floorboards,
complaining of aged back pains
from forty years
of desert wandering
and over use

they confirm the man is not alone,
and perhaps, even,
among the living

the bay's water's color,
a small hint now comes visible,
colored from the same paint can
as the surround-sound from which the
fog's discoloration was morning-drawn,
wider brush strokes cover this,
the man's small world

the brains complains, not again!

how many times will you compose,
drawing from the molecules of
this view,
no one cares,
but composition compulsion,
****** for what makes
the man breathe,
denies the deniers,
praying in the loudest thought voices,
to the principle that best defines
the moment,
(him?)

human, give thanks,
on this, the seventh day,
for the feast of life provided,
(even the reasoning atheists go respectful, humble silent)
as the man-poet acknowledges here the

One,

who remembers,

is faithful to,

fulfills the covenant and promise,

by making fresh daily,

the works of creation




Silver Beach,
Shelter Island
5:30am,
June 4th, 2016
Nat Lipstadt May 2016
(Return to Shelter Island)^^

~

"And even silence found a tongue,
To haunt me all the summer long;
The riddle nature could not prove
Was nothing else but secret love"^


   ~

the winter's quietude
slowly dissipates,
like a miser's reluctantanc to-part-even-with
unwanted, yet saved up tears,
now finally shed, 
tears easy ease on down to please,
morphing into spring rain  
creating a horn of plenty of
les amuse-bouches,
summer tastes,
hints of mint,
all to commence, orchestrate,
miniature, slews of budding teases
of what may yet come

t'is only summer peekings coming to refresh,
memorized friends, recalling a former full bosomed lover's
abundant bounty,
untying the quiescent, frozen tongue,
relieving it of its stale,
suffocating, whited, slushed crust,
issued a full pardon and
twenty bucks pocket money and
freedom
to see the
new full born poems,
without the interference
of grey baited, metallic bars,
poems, floating by, on summer breezes,
air borne for lovers

the same water vista,
under grayscale sky and
winter cloud cover,
is uncrackable and the
Hollow King of Words,
silently languishes, jailed alone,
wretched and deposed,
a wrecked winter's tale told,
an empty throne forlorn

no-way-out aperture extant,
no keyhole found to unlock,
all the songs
that to no avail,
the ineffectual poets impatiently
have prayed,
beseeching an unresponsive sky to rain forth
uniforms of pastel blues and whites

only summer sun-rays
seasonly ready now, fully ripened,
rays notably higher angled,
that can ***** and crack open
the skull and bones,
rejoice the soul's soil,
filling eyes with leafy canopy of green down,
while reheating the heart's chambers,
un-encoding the precise temperature formulae,
for the degree exacting,
where the words-wanting-for-extracting,
release and rouse themselves from a
deeper dreamless hibernating,
and even a last remaining,
napping, spring drowsiness

awaken to a symphony spoken
pitch perfect,
a woven rainbow color palate ensemble,
all full throated blooming

before and by my water view,
an old empty Adirondack throne has grown
one more winter-withered and wise and weary,
aging well,
if aging a well be,
and yet visibly poorly,
unable to speak,
bereft these so many months
of its human companion's conjoint, howling voice

chair asks him now plaintive,
not
where I've been,
knowing that any answer
immaterial

nor
does it inquire,
have I come to stay,
knowing any human answer
is always at best
an uncertain truth

only this it seeks ascertaining,
desiring a newly needed-seeded knowing

do I return
carrying with me,
a summer's secret love?

strong enough to make our single tongue
break the wet dog woeful silences,
to sing the praise of
those refreshed elements now blossoming surrounding,
that all come to enhance,
the secret purpose of the human

do I carry the tune
that will unlock,
at long last,
the somber silence,
that no winter's gale roar or
noisy, erratic spring chirping ,
however loud,
yet leaves nature, alone, clouded,
incapable of solving
the riddle of human nature,
that bring summers birthing to fruition

do I in my possess,
own the love,
that's strong enough to end
the silenced weeping
of the other season's mourning abscesses,
the absence of summer?

they say it is but the mechanical turning of
the hardware store's calendar, kitchen-walled hung,
that marks the man's semi-automatic returning,
yet the paper's crossed out, numerical dates,
cannot foretell,
if the necessary passion,
the requisite human love,
the provident kindling of summer's furnace
whose heat,
can provide life's
reasonings,
will arrive on timely so that


even silence will now have found the tongue
to haunt me all the summer long;
the riddle nature could not prove,
was nothing else, but secret love
5/23~28/16
^^written in anticipation
and completed
upon the return to
Shelter Island

^John Clare, English Poet
1793 - 1864
May 2016 · 1.4k
madly manly madness
Nat Lipstadt May 2016
eight years on,
she, airplane borne,
takeoff - a minute from,
texts a parting thot

"love you madly"

you can't recall ever
that prescient précis designation
on any earlier editions
of your other old lovers resumes

this tidbit of reckless abandon
moves fury fast,
direct to the top of the list

madly, manly madness,

when you man,
allow the crossover to occur,
when boundaries twixt honesty and
sensibility
are declared
voided laws

when the white cloth napkin of careful sanity  knocked, swept to the floor

maddening love rawest realized
conceded

in madness, completion is indivisible,
indivisible, completion is madness

manly madness
Nat Lipstadt May 2016
~~~*

this old man's tiddlywink, land-locked words,
runted, blunted instruments,
needy for release, the balm of salvation,
woods, neither silvered or exacting,
more a spit stain polish for a dulled, tarnished brass spittoon,
smoothed 'cept for the brute brunted bunting
of christ-crossing railroad tie lines,
all across his roughened terrain'd face,
a black and a white Degas
pen and ink etched illustration
of howling agitation.

the concrete moonscape
racked upon his soul and face,
mapped remembrances of variegated Judas kisses
each left in a pockmarked hidey place,
tired principles bent, bent from sacrificing oneself,
a rockstar burnt offering,
to any deity that promises illusions that time,
can be healed, all its cursed residues & sins sealed,
in locked antechambers, fully furnished rooms,
rentable for perpetuity if so desired,
but irony dictums diktat says you've locked yourself in,
in circular spaces where every angle stab-states:

yo, there are no unpainted corners for escape,
no day of atonement on your petite universe's calendar,
nor a host of worthy words that can e're suffice,
so howling makes perfect sense

inventory the wasted errors accumulated, accentuated,
uncovered by the howling of only "I'd known better,"
his accountants all jolly rip roar laugh,
when you beg them to ******~reduce jail time of
ancient leaden bulletpoints from the taxes future payable,
they profess there is no statue of limitation from any authority's press
for dues owed arising from your own imitations,
they mock me by howling in poe-ing unison,
"nevermore, nevermore...forevermore"

the contradiction of those criss#crossed fine lines,
each pointing in no direction, a trap of inaction,
fie, fie, on the double dealing hand you have dealt yourself
in the game of liar's poker, where all the face cards curse with smiles,
pretend portents portrait paintings of only rosy outcomes,
each a one way sign,  each pointing to a different,
magnetic compass course in a world
where all polarity confused, reversed,
so wayward, the only direction home

before Rembrandt's self-portrait @  Met Musée, he worships,
the painter's hipster jaunty hat pouty-pointy stating,
"what me worry,"
but the cracked crevices, whisper even louder,
"nothing left to lose,"
in the gallery, all stare, misunderstanding why,
why you weep profuse in perfect recognition at the
mirroring witness testifying, from whose pixels you cannot be protected,
each agitated paint pore shouts words of 
"j'accuse, j'accuse"
in a dulcet howling harmony

words lip locked, no exit, traffic jammed inside squirrelly cheeks,
scabs form, mortar and pestle a pus paste of
jumbled sounds and tongued blood,
a delicacy of swoosh and swish spit,
ugly kept behind prison bars of yellowed teeth,
a vile concoction of glorious bile of new combinations,
destined to die unuttered,
the howling all internal, becomes silence,
and yet, here,
here lies buried proof positive,
"even silence finds a tongue,"^
even words, unspoken,
yet, mind-reader read quietly,
permits the howling agitation exorcise and surcease,
rein to escape
inspired by David Hare's  play about Oscar Wilde,
The Judas Kiss

^John Clare (English Poet, 1793 - 1864)

composed April 30 ~ May 15, 2016

this will likely be my last poem for awhile
Nat Lipstadt May 2016
come for a visit while on a
business trip?

absolutely, sure, I'll be there,

to exchange poetries,
do some heavier explicating,
with a follow up assignment,
body fluid exchanges a tangential
possibility

incoming out-coming,
composing poesies by tablet light,
fingers sticky, a wonderful hindrance,
debating the long and the right,
confabulating the short and the slight

will you, write me
will you, right me,
longest now, our new ancestors
of our abbreviated histories

come for a business trip,
seal the deal,
sure, absolutely,
the flesh test pressed,
handshake awkwardly,
but kiss with lusted hunger,
create a short story
leaving poetry crumbs stains
on sheets of paper loving
2:44 am may 8 2016
Nat Lipstadt May 2016
~for Marion~

all poets are junkyard scavenger connoisseurs

who wear suits to Manhattan faculty afternoon tea parties,

broken-in jeans to Brooklyn midnite poetry slams,

regalers, tall tale storytellers, subway words pickpockets

of the  extra-ordinary,

claiming innovations but from all saints stolen,

insights inside other's waste,

refusing to acknowledge the true owner's title

by fusing other's refuse.

the original recyclers,

junkyard dog liars,

willful sufferers of the plague of overhearing,

exceptional excerpters of the gems of coal dust noise,

"Connoisseur of old thoughts
Bound in new gilt bindings"*


them's me.


~

12:37am may eighth
Collectors

by Marion Strobel

The barnacle of crowds—
Like a tuck
On a finished skirt, unnoticed—
He collected his material
Covertly:
A ragpicker,
A scavenger of words.

And the gleanings
Of his hearing
He would costume
In his own words,
And parade before
A listener.

So that now,
Across the tea-cup,
He was telling
Of his research,
Of his study,
Of his deep thought-out
Conclusions.

And the lady,
Connoisseur of old thoughts
Bound in new gilt bindings,
Smiled approval
At the finding
Of another curio
To place
In her long gallery.


This poem is in the public domain.



Marion Strobel was born in 1895.
Nat Lipstadt May 2016
inspired by TC Tolbert's poem, ""Dear Melissa"*

                                        ~~~

joined skin cells shed and shredded,
two bodies, a compositoy,
an experiment in the temporary,
now, lost under lock and key, at a secure depository,
remote, undisclosed location,
kept unheated in a dark cool place
to preserve their combinatory
slow, half-life decaying oratory

the body is never an accident,
even though we mostly are,
accidental tourists, two collision-prone comets,
lark, rambling rambunctious adventurers,
on a half-day tour only,
leaving behind commingling blinking dust vapor trails,
 emissions of a tour bus journey rerouted
                                                            while under orbit sail

some cells, microscopic, preserved digitally,
aged to imperfection, thrash my eyes,
making me speak in tongues I do not recognize,
but fluently possess, no wonder there,
the memory place fairly empty,
room aplenty for passerby's and the imagery
                                                         ­ of the vaguest of dearly departed

skin is not the only mot shed,
                                                       sloughing of woeful words, shelled

                    
                                     ~~~


Dear Melissa
TC Tolbert

a curve billed thrasher
is cleaning its beak on the ground—
we are closer now than ever—sitting
in shadow—I never want to scare
anyone—not really—I have a friend
who loves people who come out
suddenly—in the dark—
                                          pleasure
is the same distance as pain from here—
that’s my skin on your sweater—both hands
stripped now—I know I am someone
to you I am entirely—practicing
Spanish on the computer—gesturing to
the neighbor instead of speaking—
                                          to sharpen
the body is never an accident— someone
I know I am not—letters are inseparable
from loss—moving what can be still
moved—one is sweeping the mouth—
what ever isn’t skin—take it off—
“Melissa is the name of the young woman I once was and while it’s true that she never left me, I often wonder if I left her. This poem is one way of saying thank you, Melissa, for being a body my death could die into.”
—TC Tolbert


TC Tolbert is the author of Gephyromania (Ahsahta Press, 2014). S/he teaches in the low-residency MFA program at Oregon State University-Cascades and lives in Tucson, Arizona.
Nat Lipstadt May 2016
Pushing out the daughters of older woman words...

~
it's almost May Day,
and the only niece,
husband towed,
all to a springtime glorious
drop by, dinner come,
......and there is poetry in their expectant eyes

a pronouncement,
predecessor to an announcement,
spring blessings uttered over melting smoked mozzarella pasta,
sweet balsamic fruited salad dressings of
of the unripened fruit of newer life,
seeded, deeded and coming,
soon enough

we act not shocked,
shocking them

oh yeah,
we figured dropping in sudden,
needed a really good excuse,
and a good one,
a new life,
a **** good one

old man granddad and now sooner
to be dubbed grand uncle'd,
children bejeweled cherry garnet carbuncle'd,
decorating his
red cheeked face,
redden a happy heart,
duly recorded, his thoughts,
twine cord wrapped and delivered,
4am punctual

we toast with three wine glasses Spanish Malbec,
one just air-filled, sorry Charlie

we all review the rules,
garnered from our
personal histories,
lore and the gore and the endless more
of raising children,
stanzas that never rhyme quite the way you planned,
and blessed is that good enough is
plenty good enough

am I excited, they inquire?

long pause, no, not excited,
thoughts quiet, paused,
words needed,
and in time,
drafted, recruited

something different,
more pleased in a way,
that comes so rarefied,
a distancing sense from the normalcy of life,
the taste
when life's hard work.
is justified,
yes,
justified

~~~
may first four and twenty ante merry-diem
4:21am 5/1/16

a spring blessing!
May 2016 · 777
if you are up at 4:10 am
Nat Lipstadt May 2016
join our company,
the erstwhile, ne'er do well,
itinerant lunatics,
the no-sleep freaks
that hallway haunt the passages
where these passing-by poems
on the fly, go by, like raindrops,
crawling up, against logic, on a window pane

be comforted by the fact
that tho alone in your own writing castle,
I am looking over your shoulder,
wider, older, maybe wiser
and yet still can't
answer the question
we are unitary posing,

can we handle the nighttime seasons of our lives?
a generic night haunt at 4:10am in the ages of the distant present
Apr 2016 · 966
howling agitation
Nat Lipstadt Apr 2016
howling agitation

~~~
But this old man's tiddlywink, land-locked words,
blunted instruments,
needy for release & salvation,
neither silvered or exacting,
stain a dulled, tarnished brass spittoon,
'cept for the brunt'd bunting of lines
across his roughened terrain'd face,
a black and a white
Degas pen and ink etched illustration
of howling agitation.
^
Nat Lipstadt Apr 2016
wrote this; I added a little spit 'n polish


when words tumble jumble out
of our body's orifices,
scored in electrons, on paper,
surprise and befuddlement, our thoughts,
both the source and the answer,
a belling that resonates in more than
the Pyrex container of our writing minds,
so easy this spilling,
bought so hard in the learning,
paid so hard in the earning,
but the journey's price,
the resultant device,

*worth the journey's cost
my deepest appreciation
Nat Lipstadt Apr 2016
~~~~~~~~~~~~~~~~~~~~~~

Infinity's Mirror by Nat Lipstadt

Two mirrors, set in opposition observe created notional blending,
a reflecting pool of bonding's of unglued, contrary compositions.
Mirror to mirror, his imagery, fuses to Sylvia's images, hers,
faintly recollected, now living face, face to face, with his past insurrections, alters his future visions.

From cold water lake she's drawn, impaled by refracting regrets,
retrieved, drawing her words upon him, an awakening slap to drink,
beloved, tragic magic, infinitely captive.  But this old man's tiddlywinks, land-locked words, blunted instruments, needy for release & salvation, are neither silvered or exacting, just stains on a dulled, tarnished brass spittoon, except for the brunt'd bunting of lines across his roughened terrain'd face, black and white, pen and ink etched illustration of howling agitation.

His words worn down, hardened, red faced, purloined speckled pellets, damp to roll on down her rutted, almost ancient, tear streak paths, disbelieved superstitions, sacrificed for one of her living morsels of words.

Man, here to her, pledges allegiance, audaciously defiling her poetic sanctity, a visage endless repeated, delivers her shiny poem-poised countenance, even though no forgiveness from time can a mirror afford for either, from her words,  confession born, terrible truths beyond, beyond the finite.

                                                
~~~~~~~­~~~~~~~~~~~~~~~~

Mirror by Sylvia Plath

I am silver and exact. I have no preconceptions.
What ever you see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful---
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is a part of my heart. But it flickers.
Faces and darkness separate us over and over.
Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.
with gratitude for the inspiration from, to:

"Words are his instrument, poised to deliver, sometimes
infinity's mirror,
sometimes a word or two for you,
reality is on its way...going to come through and fit for you."
SJR1000

for Patty M, who swore me to never, and only, give up to you, my best.

for Sia, who loves her Sylvia so.

Born on April 24~25, 2016

and of course, for Sylvia
Nat Lipstadt Apr 2016
Ineffable (More Tornado Prayers and Such)*


Ineffable:
Too great or extreme to be expressed or described in words;
Too sacred to be uttered.*
~~~

The whimpered cries of the dying
in the rubble of Bangladeshi avarice,
announcing we were worthy of life,
to which we think to ourselves,
agreed upon
with our,
a whispery, silent
amen.

The still alive cries of children,
tornado-tormented parents screaming unfair,
teachers body shielding their charges, whispering
save us Lord, from your inventive toys,

to which we think to ourselves,
a whispery, silent
amen.

But here comes the Oklahoma tornadoes again,
now four more dead in Houston,
selecting the innocent, the brave,
logic in any of this, none,
nonsensical at its worst

to which we think to ourselves,
a whispery, silent
amen.

~~~~~
The first I-am-alive cries
of new born lungs,
I have grandson, stain-less, perfect,
recovering in the stainless steel delivery room,
I hear the all babies in the neo-natal unit in unison
pronouncing a Hebrew blessing,
the Shecheyanu...

(Blessed are You, Lord our God, Master of the universe, who has kept us alive and sustained us and has brought us to these special moments)

to which we think to ourselves,
a whispery, silent
amen.

These unspoken poem devotions of adoration
of the sleeping chamber, that cannot
be heard or answered for they're dreamt and
perchance in the morning thankfully recalled,
enough to be transcribed,

to which we think to ourselves,
a whispery, silent
amen.

Ineffable.

A day,
just another supplying an average day
to the mass of average.
Birth + Death = an average day.

I thank a God for the
birth of a newborn perfection

On this day the newspapers report
about silence of the God others pray to,
could be the same deity,
reporting that in his holy places,
Jew spits upon Jew,
Muslims usurp Christian lives,
all for none,
all forgetting in
whose image they were created.

to which we cannot say nor think
anything.

Ineffable.

too sacred to be uttered,
so instead of the paucity of these un-uttered words,
know that each tear in
the reservoir of my eyes
is my unspoken poem prayer.,
my amen.

Instead of answering
amen out loud,
wipe my eyes
with your fingertips,
silently.

An ineffable amen
Nat Lipstadt Apr 2016
~
words given life's first breath by this comment from
SE Reimer  
"thy tiller has found a storied port"

~~

captain of a city street ferry,
upon the choppy holy waters of
scarlet fevered spotted gum stained
christened concrete streets

daylight guided by the starlight
of quartz sparklers sidewalk embedded,
resurrecting, overwhelming,
the grayness of men's mortared materialism,
these textured bright city lights,
from murk morn steam-pipe risen,
signposts of a city boys life,
navigation tools on his
steerage cruises

'tis only my poor torso
I captain,
my bus driving days retired,
single masted, obedient to the sun's paths plotted
on a personalized AAA TripTik,^
my cargo, my tiring physique,
the refined mettle product of a
sixty five year too short voyage of
deep diving mining defining,
and for surety, water divining

city walking life driving,
debtor-in-possession of a
city infection
of perpetual motion sickness

enabled inability
for standing stilled,
lane weaving,
people receiving and perceiving
as buoyed obstacle objects
to be passed by
in a higher lane
of shaken and stirred
city waterways

muscle's squeak in sonnet speak

Why speed thy errant boots
upon lanes of wandering men,
is there not time enough,
words suffice,
in history's future present
unlived long life,
to recompense
all your recorded stanzas,
mariner's tales and wrote recitations of seafaring voices?

sea nat run.
sea nat go.

dodging tween his fellow citified citizens
and the puzzled and puzzling drowning tourists,
sea nat write his unsecreted visions,
sailing from street to shining street poetry

this glorious grime,
this delicious dirt,
stuff of my blood,
genes of my children's children inheritance,
of thee I sing,
in thee I revel,
of thee I am composed

when my decomposing time scheduled arrival
lately comes on time,
bury me in its cemetery of memories,
within the soft earth of a watery grave
that the jackhammers drill bit paddles can uncover,
in rough canvas toss my worn smooth
failed frame overboard,
so I may become but one more
fable
in your fabulous liquefying
cement oceans

~~~

3:53 am
5/18/16
nyc

^
http://pearlsoftravelwisdom.boardingarea.com/2014/01/remember-triptix/
with apologies to all the great poets from  I liberally borrowed
Apr 2016 · 595
The World as it Stands
Nat Lipstadt Apr 2016
"The world as it stands
is no narrow illusion,
no phantasm,
no evil dream of the night;
we wake up to it,
forever and ever;
and we can neither forget it
nor deny it
nor dispense with it.”

Henry James

~~~

crumpled tissues soggy slog
brew of up-all-night tears
daylight brings no belief,

sunlight offers but illusory relief

we dream awake,
awoken, we yet dream

some one...any one
come to me
be number one
on my to do list
be my next breath

and

whisper with heated words:

the world as it stands is
never standing,
revolver shot turning unceasing.
permission granted for water borne drops of
fated phantasy,
shower shaken

to

never forget never deny
fresh in every turning,
write sourced furnacing
that though the
weary
worn worries of
forever and ever
have a terminal final,
and though the Phoenix consumed,
it's whited ashes give rebirths hope
our narrow illusions
will yet be transformed
into broad avenues of better directions,
there will be
restitution
there will be
Union

for the lesson is cotton plain:

that the world as it stands,
stands not!

on its axis,
turn, turn, turn,
each revolution,
an explosion,
an opportunity
for restitution!

a revolution
if only we never dispense
with the belief
to believe
for roxtina
Nat Lipstadt Apr 2016
"Want to wear words,
like clothing, a tailor and an editor,
am I not stitching,
threads into a finest tapestry,
then the very thought to blog,
bogs and constipates desire,
leaving me to log the frustration
on paper pages to cook up ideas of which
the Best of Which,
have simmered away...
but I taste the air above this write of yours;
it restores the delight,
to write for others,
briefly log my take and give on life,
thanks for the encouragement,
ha ha, more, more"...
Ottar

why write praise of others,
when their own words
do all the work

bring your pen and quill,
he says,
and the hands
by them employed,
perform on the Pantages Theater
in Tacoma

put your toys aboard a
kayak
peddle paddle the Columbia,
blade one in Washington,
the other, propulsion oriented to the Oregon side,

he in the cockpit,
wonder wandering reflecting
what is the life story of a
beggar man
with so many, already,
steve-adore friends
in ore-gun,
who all can carry words
from their ships into shared knapsacks,
all for breaking
the fast
that men's soul
sometime suffer

words given each of us,
free and given freely

better have the wisdom to hear the best,
finery
in them
and this man's soul work, simple,
record, record...record
and share

the finer, better,
finery of yours*

free
three of three of poems, borne on a Sunday morn,
from thoughts and words of other poets here...
Apr 2016 · 959
for r
Nat Lipstadt Apr 2016
been awhile
but no matter,
boots look best
when resting
on legs extended
on a summer's afternoon
looking down on
water boats, dogs by the side,
your sleepy hollow in
my appreciative heart

for I know there is soul
in brevity,
and that ain't exactly
my finest quality

but you sir,
archival historian
of moments of man's choices,
and with noisy metal detector,
reflect on the belts and buckles uncovered
from long ago wars by which you
capture my devoted attention

they say the north won the war,
by amassing more and more
and wearing down their brothers
but I know different

r
you listening,
to you I accede,
to your fewer words,
join in happy secession,
and see us all through
with your briefs on the
human condition
Nat Lipstadt Apr 2016
passerby words plain hidden
in a wall sconce of a
fly-bye compliment,
sent to the thankee intended,
creating an instantaneous,
Slam! Bam! Thank You Man!

yeah come , face slap me,
with open palm instant recognition,
there's a poem lurking therein, within,
that uncommonly good common observation,
like hearing a drill bit roar,
demanding with insistent persistent demandation,
"come out, come our, wherever you are"

the good lord makes 'em in
all kinds of shapes and flavors
then makes sense, most eminent,
to favor the good kind,
who go on marching in our number,,.

no claim here to good,
certainly not, sainthood,
that would be quite the hoot,
so settle, man, do settle
in and for the right kinda,
nothing could be finer,
than to be
in the company
of
my kin and kindred,
the kindest,
y'all

God bless all...
April 17, 2016
7:23am

"I like it when the good lord makes the right kinda people..." SPT
a poem title found in a message,
which seems the source of my best
inspiration
your words
your uncommonly kind words
Nat Lipstadt Apr 2016
artist working by candle light,
neon lights, coffee shop lights...

~~~

to, for & from SJR
~

this force,  
burnt soul kindling,
rampant urges that bow a man's
spine

write write rite right

consumption of the soul
straighten up, flex,
flex to the curvature of the Earths
invitation to

write write rite right

cast my eyes to the mountains,
from whence will come my help?

street prowler, heart growler,
Art Deco lampposts,
the mountain range of east seventy second street,
begs the baggers question,
each a post
begging each other,
from whence will come my inspiration?

lick the stubbled sidewalks,
fall down living in their caverned cracks,
light needed needy soft heated
orange and green pizza neons
say here,
if you see upon what be,
your homelands colors of veracity

from
candle light,
neon lights,
coffee shop lights.

all queries so queer,
so cheerfully answered
in the ***** air,
in warped woof of
city write lights

he goes home
in the dark of a green moon,
and its delighting inviting
moonlight,
he composes
what is his eyes have
decomposed into a single memory,

and is satisfied
unto sleep

praising the eyes,
light lidded, but eager closing,
that
had wisdom given
to observe
light various by which to

write write rite right




4/16/16
10:30am
nyc
artist working by candle light,
neon lights, coffee shop lights...

from a comment to me from
SJR

months ago, a title
  that lay fallow
until
I tilled
my city streets
Nat Lipstadt Apr 2016
~took a walk in the city today,
and this happened in the O'Henry traditional way~


the blind man crossing E. 15th,
does not look, nor does he care,
all foes on-coming,
come hither, he dares

his light is red,
yet his cane extended,
he click clacks steadily ahead,
unaware and unbeknownst,
his new step by step sidekick,
Sheriff Natty,
is writing an air poem to a
taxi driver with his
shotgun *******,
a NY gesture of
welcoming *******...

a green light means passage
is a taxi's right,
but my left shoe firm
attached to his bumper,
plus multiple looks mine,
any of which could ****,
his argumentation poses
do somewhat chill...

the sheriff of the city, his motto,
sic transit finger gloria

~

among the sadder sights
of city life
is contrast...

the dark-only coolness
of an Irish bar,
on a bright spring day
when life and love
is bud sprouting
while old white men,
on single soiled solitary stools,
their colored cheeks green
from the reflection of
TV emerald diamond fields,
sipping many pre-game $3
Guinness draughts

around the second inning,
they switch, onto
boilermakers to make
the languid afternoon stretch on,
this I know for sure,
for in the large gilded mirror
behind the bar,
see the barkeep's back asking me,
"what will it be for you
this fine spring day?"


~


next to the bar, in the corner market,
an old man's hands tremble in an old man's way,
in a way I only know thru his testimony,
as he does his daily self-feeding,
his wallet removed, fumbling for two
single soiled solitary one dollar bills.

the shopkeeper's fingers
beat the counter impatiently,
the old man's beer brown bagged,
transport ready, though the old one
rather be next door,
the extra Dollar saved causes
a last minute delay, shaky fingers,
asking for an extra purchase,
a small can of dog food please,
so he can watch the game at home
and share the same meal
with the man's real and best,
and only true spring weather friend

~

the mayor proclaimed as a matter of
public safety, public decorum,
a pack of three or more woman
wearing all black Lululemon athletic wear,
were now banned from being outside after nightfall

later this night, in Carl Schurz Park,
many vamp(ire) voices were heard
singing the lyrics to
"i want to do bad things to you,"
but they staked him only
to a free color reeducation

~

these takes I witnessed,
all or some,
these tales I took
some or all,
from beneath my skin,
where city streets grit
injected beneath my skin
came with the title,
City Boy,
and honored me
with its O'Henry life and lore,
and the vision to believe what is
in my bloodstream
just another true tale of life in Manhattan.com~
published her 4/14/14
Nat Lipstadt Apr 2016
indeed
we are sum and summation of choice ( D)

always the last choice
on life's surprise quizzes,

naturally, the answer is:

(D) All of the Above

it is the correcting answer

correcting?

each addition is a game changer,
the answer,
now forever instantantenously
     different

for we are:

"We are so much more then just these little blogs"

every kind word
creating a totally different
total

yo, yo, lucky, lucky boy,
you
t rave l
    with the best
9:32 am NYC
4-10-16
Apr 2016 · 7.5k
why I write poetry
Nat Lipstadt Apr 2016
~for lovejunkie, who loved this poem best~

so many reasons,
so many stones
yet unturned,
for each poem
a season,
for every season,
a given reason

eyes, dimmer,
hearing, harder,
memories, ha,
disappear as fast as
footsteps upon
my island beach

this then
my log,
of places momentarily visited,
capturing the of,
of me,
the exactitude of
where, when and what
I felt

what felled me,
the long and lat,
of the attitudes
of breeze and currents,
the happenstance that carries
a desperate soul
eager and afraid
to remember


"how fragile we are"

so memorized records here,
for his storage and his places,
both filled and unfulfilled,


poems, nothing more,
flawed each,
product of a flawed man,

here, for all to see,
most of all,
for the man,
to see himself
when the eyes of his mind
at last be shuttered
4/11/16 8:04am nyc
Nat Lipstadt Apr 2016
sweet waters with mint fragrant hints,
memories flood me,
"walking back in time"
he describes it

of my early days of discovery,
this voyage upon the poetry ship,
with me, mere stowaway,
unfit by compare,
sailed to lands unimaginable,
friendships seeded in words,
sprouted like a field of summer sunflowers,
water weeping, for joy so joyous,
the mastery of his words
elevates, levitates,
the ashes of sadness now dispossessed,
floating on the Ganges

the drumming of my dreams,
of treasures of golden words,
in lungs undiscovered, unspoken,
leads me back to you,
Balachandran from Thiruvananthapuram

April 10, 2016

~~~

Jun 1, 2013

Balachandran


How I love to say your name,
Rolling waves over my tongue,
It is must be said out loud
Two or three times to feel its rhythm,
Two or three more just for the
Spiced pleasure it conveys.
Bala chan dran!

My name harsh, Germanic,
Like the Black Forest,
Where my ancestors dwelled,
Until a harsher people drove them away.

Balachandran!

Under the ground beneath the temple
Padmanabha Swamy,
A temple dedicated to
Vishnu,
In the state of
Kerala,
the original spice country.
South Western sea board of India,
where miracles never cease to happen,
A billion dollar treasure discovered.

A treasure of words and sounds,
A language musical, every word a poem
Of incroyable elegance.

I am so glad that you were not born in France.

Perhaps someday I will courage summon,
To spicy lands, explore, and even come to
Thiruvananthapuram.

For now, I must be satisfied with the
Poetical musicale program I attend,
When I say over and over again,
Balachandran from Thiruvananthapuram!
Dedicated to K Balachandran
Nat Lipstadt Apr 2016
this one starts where so many have
bed-begun

a weekend morn,
sun flooding the chamber,
we swap YouTube fav's,
over cups of almost
hotter coffee

I ******
with
"Roxanne" by Police;

she subtlety point counterpoints my
unsubtle advances, parrying by
sending me dreams of
the **** promised land of

"El Tango of Roxanne,"
from Moulin Rouge

I concede,
she pleased,
pleases me,
that her triumphed victory came so easy

not realizing my plan all along,
realizing, my all along man plan

ah,
Saturday, Naturday,

making natural spring water
poems
drawn from the saucy source
mother (bed-sun-music) earth

this one ends where so many have
bed-begun
avril 9 2016
7:45am
Apr 2016 · 1.4k
Selah for Sethnicity
Nat Lipstadt Apr 2016
Selah

~~~

is a word used seventy-four times in the bible.  The meaning of the word is not known, though various interpretations are given below.  It is probably an instruction on the reading of the text, something like *
"stop and listen."  The Amplified Bible translates selah as "pause, and think of that." Alternatively, selah may mean "forever," as it does in some places in the liturgy.  Another interpretation claims that selah comes from the primary Hebrew root word salah, meaning "to hang," and by implication, as in weighing, "to measure"

for Sethnicity
~~~

what trifle these
modern words,
hurled, expelled from the
no country for an old body,
without passport or
earnestness of purpose

the yeah yeah yeah filler
of day tourists who
leave~refuse,
leave their refuse,
never mark-making,
nor even  a mark of
minor distinctions

what mystery valued then in these
olden words,
of which,
there are the fewer than
precious few,
possessing
ineffable, multifarious meanings,
never wasted or with dispassion disgraced

Selah

as a young boy
parentally captive
was POW forced-marched
to synagogue daily,
then weekly,
and now,
free at last,
Oh Lord
free at last,

to go
never

now wanting immunity
for my sins
but asking only from myself
my own forgiveness,
still and well recall the
puzzlingly feeling of

Selah

"forever"
explained the perpetually tired,
older father-man,
"it means forever,"
he who was wearily forever tired from voyaging
and living in a new, stressful,
inhospitable world

carrying in a single suitcase(1)
centuries of the continental drift of
global dispersal diaspora prior,
that cannot be well remembered,
only honored in the
forever recalling

but I disdain the explanation,
as if
"forever"
would satisfy
a ne're satisfied,
irreverent, teenage curiosity

here I am
decades on,
remembering the mysterious

Selah

embracing its many personalities,
endearing now by its revealing opportunities,
and its suitability
in this,
in the the hour of
now me as the
elder father-grandfather

weary-leery,
of a man's age of aging,
the approaching visible runway,
upon which you only land
and never takeoff,
during the phasing out period

and so I reconsider

Selah

and all its variants,
seventy four times

all those elders know too well,
there was never a

forever

so you
stop and listen,
but not to your own heartbeats,
but to tue

poetic lapsing pauses,

the in betweens,
thinking on that
hope for next one Nat

taking your own measure,
the hanging up,
the weighing up
of the always imbalanced
credits and deficits,
accepting the net net
sum of
the totaling up

yet once more,
despite all,
the poet rises,
stands up,
stops to listen,
to give blessing to
you the reader

all poet's
welcomed progeny and prodigy,
hearing your crying hearts,
youngest wishes
and grinding familia of
familiar fears,
expressed so clear
in all your scripts,
pronouncing
over them,
over you


Amen ~ Selah

once again ,
one last time
telling it to God,
or anyone who'll listen,
with fervor

smiling inward
believing even more now
in the olden
specialized mysterious,
powers
of a word
that means
exactly what you meant it
to mean,
when  your say

Selah*

Oct 2, 2015
a poem written and stored away from a sense of
who will get this weary wariness... but I let it go because
it was
selah time

for Sethnicity

(1). he was a Fuller Brush Man
Nat Lipstadt Apr 2016
no matter that plain words are
my ordinary tools,
with them,
I shall scribe the small
cherish the little,
grab the middle
simplicity my golden rule,
write they say,
about what you know best,
surely in the diurnal motions,
the arc of daily commotion,
do we not all excel?

me,
just a poet poseur extraordinaire,
street urchin, word merchant,
all my verbally,
worldly goods expropriated
by the wind,
where your scattered thoughts
lie about, carelessly, unattended

scout the competition.
weep,
for you and I will never surpass
the giants who preceeded us,
and yet,
laugh,
cause they thought
the same as well

so I spend my cold, hard time
laying down cold hard verse,
can't stop,
cause it's my daddy's dying curse*

addict and dealer, a ****** poet ******
excerpt from an old poem of mine
--------
and below a variant from 2 days ago:

Truth is like poetry. And most people f**king hate poetry.
a quote from the movie "The Big Short"

~

a screen provocation,
you laugh out loud,
mime hating yourself
that you are joiining in
tacitly acknowledges the truth
of abbreviated wisdom

you,
disguised minority of
modest disagreers,
c'mon, admission submission,
more truth in it
than deserving of argumentation

a one liner throwaway,
neatly designed,
leaves you disturbingly
probed,
thoughtfully tormented and
aroused

poetry just a vehicle,
your vice for revelation,
the critical door to open is this:

do people hate the truth?

inescapable reality
ironical probability,
truth well disguised,
in plastic shell of lying
from the Hollywood's would be poets,
an escapade from the escapists

let us not pretend
that you and I
uncaring, for by virtue of
your reading this, you are
poetry aficionado,
required to deny the lie,
and yet,
accept
the
granular view
that we are rising writing thru the wronged end of
a telescoping microscope

so I scare scar a tissue sample from my tongue
and the cells spell
this rejoinder:

all your lies are poems,
incomplete truths,
and that's why people hate poetry.
Nat Lipstadt Apr 2016
a quote from the movie "The Big Short"

~

*a screen provocation,
you laugh out loud,
mime hating yourself
that you are joiining in
tacitly acknowledges the truth
of abbreviated wisdom

you,
disguised minority of
modest disagreers,
c'mon, admission submission,
more truth in it
than deserving of argumentation

a one liner throwaway,
neatly designed,
leaves you disturbingly
probed,
thoughtfully tormented and
aroused

poetry just a vehicle,
your vice for revelation,
the critical door to open is this:

do people hate the truth?

inescapable reality
ironical probability,
truth well disguised,
in plastic shell of lying
from the Hollywood's would be poets,
an escapade from the escapists

let us not pretend
that you and I
uncaring, for by virtue of
your reading this, you are
poetry aficionado,
required to deny the lie,
and yet,
accept
the
granular view
that we are rising writing thru the wronged end of
a telescoping microscope

so I scare scar a tissue sample from my tongue
and the cells spell
this rejoinder:

all your lies are poems,
incomplete truths,
and that's why people hate poetry
fallow lain since
Jan . 2,
2016
until today
Nat Lipstadt Apr 2016
alliteration intervening invasion,
a bed-throned life journey summarily unasked for, reviewing

follow behind the collected beaming seams,
to the discolored end-of-a-whiting rainbow of writings

sack in hand, sack'd yet surfeiting,
gleaning the falling bits,
inventoried stories, the poor and the glorious

light droppings,
stir'd and stor'd in hopsack bag,
woven intervals of clashing fabrics

trilogy of
me, myself and I,
following falling, trailing, failing flalings

cross currenting, swirling,
disheartened chest heaving cursing
if only, a mite more sipping
of courage everlasting

here a memory,
there a visionary,
happy haunting,
glaceing eye dreams

keepsakes of a life
modesty and poorly lived
error prone, choices weak,
father confessor to the supremity of oneself

played safety first,
thirst quenching
with the unsatisfying yellowed bursts
of "it could be worse"

but these stuffing,
gleanings of a life,
uprighted night, declining days, admixture of son and moon,
women's flashing eyes inviting
happy danger and ending disaster inevitability

this sifted treasure chest
of self-selected retained
cursings and blessings,
the measuring cup of a tragedy
well acted, quantifiable pathos superb aplenty

a play veined with comedic relief,
a Falstaff for every Hal,
compare and contrast
your essays on the container storage
of dusted cells morning-mourning

summarizing gleams gleaned from a life well....dissatisfaction satisfied...truth in poetry
Nat Lipstadt Apr 2016
you need not think we are
needy for scheduling

no time interval measures an electronic
friendship

electron this, wafered between cells that connect,
though and through neurons that shall never meet with skin contacting

this custody of word shards shared,
breaks the bonding bound curses of measurement of
god and einstein's irrelevant relativity definitions
de rigeur rigored curved time and space,
we, well-together,
make ice cream popsicle stick snap, 
that,
the sound of our
unscheduled synapse,
being contented with
when ever,
as a forever
an unkempt promise,
kept dear
NYC
april third
9:16 am
2016
for all of us
blessed with the contentment of
whenever
Apr 2016 · 380
and you want to write...
Nat Lipstadt Apr 2016
and you want to write,
get the insides out,
let the outsides in

you half start
half a dozen,
leave them in the fridge
next to the half finished ones,
on the shelf where the
almost spoiled fruit,
can't let yourself throw 'em
not-quite-yet,
ages on
begging to be finished, discarded

and you want to write...

cull and ****, analogize,
separate the chafe from the sweet,
write about what you want,
which will never be good enough

review the incompletions,
candidates for renewal,
they lie to the left of this
work in progress,
mocking, preening, begging arrogantly,
flaunting failure to your face

and you want to write

but you are the hanging judge,
hung up on the braking shadows
that fight you, make the wholesome sodden words sound
terrible unright trite

and long for the days of might,
torrents of passion that arrived fully formed,
but those sweet place and days are
"currently unavailable"

and you want to write,
so you write of need,
rather than deed,
leaving yourself
disappointed

that you have been culled and weeded
but no flora,
spring sprites spike through
the concretized city streets of your
inabilities

7:18am EST
April 2 2016
nyc
Nat Lipstadt Mar 2016
~~~


The Poet, God,
God, The Poet,

smiling beguiling disguising
as old man tailor,
in dusty shop,
well hid neath the arch of well trod
ancient medieval arcade

in modest, peeling letters,
of gold plate,
hawking, hawking,
suits of poems,
made to measure,
cut to the cusps,
so profound unique,
each will be a promise,
modestly guaranteed,
at a price proffered,
profoundly inexpensive,
to be merely,

"only the very, very, very, best of the best"

grasping torn yellow cloth
measuring tape,
the tailor takes your heft,
drawing broad lines,
sketching your pored cells,
measuring your 'made,'
the stuff that you claim
as only your own,

"only the very, very, very, best of the best"

this delivered,
but none of the finished,
fit to the sane, none fit the same,
all off, hanging wrong,
each different, each suit,  each poem,
fitted but still imperfect

angered and human,
de-man-d,  
an explanation,
why each poem bespoke,
speaks in a different tongue,
tongue stained with complaint,
these are missed leads, misleading,
none made to measure

The Poet, God,
God, The Poet

the the tailor
of each and every
misshapenly one-of-us,
condescends to explain
the foolishness of
human shape

my tape, with steady hands,
takes with accuracy,
the who, the way, the which,
of your momentary composition

but who can say with honesty,
what is the best of the best,
accept that flaws are your finery,
and the skin of your fabric
every changing, a peeling changeling,
excited atoms of colliding constancy

there is no 'best of the best'

there is only one standard
of each creature
that can be accurate recorded,
and this poem, I have delivered

give and gave the
'very, very, very'

e-very stitch and syllable,
is a truth, a ver-ity,
unique to the measure of
who you are

but there is no,
'best of the best,'
from this classification,
you, yourself, must
deselect

make no error of compare,
the wrongness of unfair,
crucify not on the altar
of a golden calf made of
erroneous bitter 'betters than'

every suited poem
suits you,
well and proper,
of this I certify,
all a verification
of the
ver-i-fiction
of the

'best of the best'

of who you are,
reflecting your mirrored image,
of who you wished to be
for in every exhaled instance,
in every poem,
is the
'very, very, very'
of you

is not misshapen
perfection?
what could ever be
better than the best
poetic imperfection?
March 30, 2016
5:13am
for bex,
the collector
of flora fauna friends
and dogs in need of shelter
Nat Lipstadt Mar 2016
~~~

The Puzzle of My Tao


twenty three
years long,
the hands suggest,
the heart demands,
the chest heaves,
after a stumbled upon re-read,^
asking and answering,
more precisely
once asked,
now answered?

the most satisfying solution proffered,
a humble and most humbling,
more yes than no.

imagine a jig saw puzzle,
of infinite views,
depending on a perspective,
maddening and mysterious,
tortuous and terrifying,
wondrously wonderful,
this no,
that yes,
as time demands
movement, modifications and
self-awareness revisionism.

you try on women,
as they try you too.
this, not a trumping misogony apology,
for women
are
still and always
the only solution,
for me.

then one day,
marveling miraculous,
a second skin,
so thin you wear it
as art of your own,
and the painter,
and the poet,
find themselves,
contented best,
with but one
subjective perspective, contentedly repetitive,
a view for an ever,
a view forever changing.

the answer is subtle.
women woman.
one woman.
e becomes a,
the subdivided man,
an e,
cut at mid-curvature,
finds his perspective,
reveling in scene from a winnowed window,
never different, always different,

and the poet~painter,
arts the subtlety of  
unceasingly upheavaled satisfaction renewed,
and in doing so,
transform himself,
from a cut up, halved
e,
merges to its almost but differing reciprocal, an
a,
so that
ea,
joined and fused as one,
marks his woman~completion,
and all is both,
singular sharing, and now
the every changing view
better understood thru the prism of an

o.
~~~

Mar. 25, 2016
NYC
Mar 2016 · 1.6k
Puzzle of Me: Aug. 6, 1993
Nat Lipstadt Mar 2016
the puzzle of me
is the puzzle of women,
for they are me.

even my children,
men both,
are the product of
me-women.

what a delightful miserable puzzle,
running in a circle like
a-dog-with-can-on-its-tail.

I run run.
I chase chase.
I am pursued / pursue / pursued.

and great joy
in that shiny tin can,
just can't quite be
caught.

cause if
I got it,
what then?
I'd just kick that old dented piece of
tin hearted-less man
down a *****, black topped, summer city street.

so does the puzzle's solution
want for solving,
in the not-knowing
is the knowing

women are me.
they hold my answers,
to what - to all - to I don't know.

there are so many women.
there is so much to know.
so many solutions
to the puzzle of me.

~~~

August 6, 1993
Mykonos, Greece
twenty three
years long,
the hands suggest,
the heart demands,
the chest heaves,
after a stumbled upon re-read,
asking and answering,
more precisely
once asked,
now answered?

the most satisfying solution proffered,
a humble and most humbling,
more yes than no.

imagine a jig saw puzzle,
of infinite views,
depending on a perspective,
maddening and mysterious,
tortuous and terrifying,
wondrously wonderful,
this no,
that yes,
as time demands
movement, modifications and
self-awareness revisionism.

you try on women,
as they try you too.
this, not a trumping misogony apology,
for women
are
still and always
the only solution,
for me.

then one day,
marveling miraculous,
a second skin,
so thin you wear it
as art of your own,
and the painter,
and the poet,
find themselves,
contented best,
with but one
subjective perspective.

the answer is subtle.
woman.
one woman.
e becomes o,
a subdivided man,
an e,
becomes an
o.
~~~

Mar. 25, 2016
NYC
Mar 2016 · 522
Yellow Freedom
Nat Lipstadt Mar 2016
Yellow Freedom

"Yellow is the color of my true love's hair
In the morning, when we rise
In the morning, when we rise
That's the time,
That's the time
I love the best...

Freedom is a word I rarely use
Without thinking, mm-hmmm,
Without thinking, mm-hmmm,
Of the time,
Of the time
When I've been loved"


Lyrics from 'Colours' by Donovan*


~~~

just another old folk rock ballad,
memory wrested from
your years as a young teen lad,
growing up rebel singing in the
Dylan and Donovan first decade
of rock n' roll and revolution

these lyrics, always a fav,
for despite your ability to
mangle a tune,
this one when you sang,
never sounded quite so bad

a precise half century from the first time,
till tonight,
when you once again
caught yourself humming
those two juxtaposed and particular
two stanzas, quiet out loud

the words yellow and freedom,
merge as one, a phrase ripe,
coloring precise,
your present circumstances

that simple is the finest
in defining us,
and these lyrics are
my simplest truth,
fifty years on

as the clock nears the 00:00 hour,
the unobservable line
between this one and tomorrow,
between just another day
and one with a poem born,
yellow freedom are words
that define his world

blurry edges,
and for no godly reason on earth,
your become a writer of a
thank you note
entitled, to the title
Yellow Freedom

to whom should this signed note
be addressed,
be delivered,
with a smile and a languid caress?

there's a blonde in my bed,
inches from my head,
so close, why not,
leave it neath her pillow,
for her awakening,
for she stirred in me
an awakening too,
so this one,

is my simplest truth,
still singing,
fifty years on*

~~~

March 23, 2016
11:53pm
Nat Lipstadt Mar 2016
why is it that at 38,000 feet above the sea, the words come steady easy?**

~~~

heart and head soundlessly conversing,
as the body southernly traversing,
along the Atlantic Seaboard latitude,
quiescent, his manners and attitude,
sure where he is physical destined,
unsure where he is living bound

this time,
his designated place,
a blue leatherette stoop,
identifiable as Seat 23C

three seats, rowed across,
four letters, aisle down,
the crossword question;
what rhymes with "don't y'all know it" -
must be that word,
poet

why is it
that at 38,000 feet
above the sea,
the words come steady easy?
almost as if, they grow excited
by their return to the angelic upper atmospheres,
from whence they fell,
to a planet where mundanity revels

nothing to say,
plenty to feel,
like I said,
the head and the heart confer,
a baby born poem emerges
bawling and crawling,
lolling and drawling,
southern style

poem does not state a particular,
direction unknown,
disposed to the philosophical,
it forms, then reforms,
stymied but satisfied ironical,
posing while reposing,
the newborn's query repitiously millennial,

why?

the answer too,
an airborne pollen perennial,

just because


march 8, 2016
somewhere between
nyc & Fla.
11:20 pm
Nat Lipstadt Mar 2016
ordinary is miraculous
when ******* reaches
deep everything

a setting on the dial upon the stovetop of
you

jargon consciousness ying yang dang state
not of interest, mystical scientism,
classifications that divide, anti-unite,
unnecessary complicatory

deep everything

when verily every
breath an instantaneous synaptic verity confirmation

that perfection is simply never solitary,
solar flares sensory bursting in points of interest
that can only be never seen,
just believed

the tuning fork of every pore
pitched at the precise vibratory
of another -
deep everything

attain attune
past action unrecalled,
have miracle forged a future
that is present now
a charismatic karma,
deep everything
4:43am March 23, 2016
Nat Lipstadt Mar 2016
This poem is dedicated to Steve Yocum,
author, poet, and soldier
farmer, father, grandfather,
man exemplar,
whom I honor
and honors me,
with the noblest title in all humankind,
friend.

But above all,
I honor him most,
as a tireless, truthful, harpooner
of the examined and the unexamined life

~~~

"Be the harpooners of the unexamined life,
with unfettered rhapsody, comfort caress us,
exhort the loopy to light their illusionary candles,
turn the sad eyed lowlanders into
crinkly eye-lined smilers."


~~~

these mine words writ many years past,
dusted off phrasings,
on dusty shelf long lain,
mined from notes,
decades steadily collected by steadily diminishing ears and eyes,
gathered most from self-taught lectures
and self-deceiving dances,
garbed and wearily grabbed
by the addict-strong
 observational need,
persistent and perpetual,
to pay off fresh debits,
renewables owed
to the lovely,
to the loopy,
inhabitants who excite and inspire
my so far, rebirthing, youthful,
yearling heart
who provide the special crazy that
justifies existence

just men,
connected by a bond of sonship,
kinship crowning kingship,
blood types as different as an
A is to B

both shall weep in one blood,
I, as I do now,
while midst the nascent commencement of this sonnet,
He, at its commencement,
for a good friendship has no
beginning or end,
but is a circular track,
a loop,
familial by repeated runnings,
yet never, coursed in the exact
same manner or speed

this thought,
this knowledge,
bring a smile to this crinkly eyed composer,
that the metaphysical
will always surpass the binding physics of mortal physical,

that two man,
who have
never met,
race side by side,
not in competition,
but in the mutuality of composition,
each a candle holder,
both writers,
observing the dark illusions,
re-making each into a carrier,
a shedder of light,
each a debt giver and a
debt holder to each other,
hosts to all the loopy,
comfort caressers,
to each other
and to all
who too,
are light-bathed by being in possession
of the title
*friend
March 20, 2016

the verse that gives this work its title
was writ years ago

P.S. I am pleased, amused and astounded,
that I find it within me to so be freely inspired
by the many good friends I have mined
from the veins of poetry
Nat Lipstadt Mar 2016
Sa pamamagitan ng kabutihan ng Kanyang Kabutihan


~~~

the message arrive by private telegraph line,
"write,"
she behests,
more than a mortal's requests,
an authoritative pleading,
an urgent prompting
with an element of divinity attached,
almost a command

by virtue of
her virtue,

who am I to refuse,
though the writing gene/genie,
somnolent, suppressed, quiescent,
melatonined by the pills the
life force feeds us
from a bottle lonely labeled,
"whether you like it or not"

reckless explore the venues
you would prefer to never venture,
so,
this poem becomes her,
this poem be comes her,
this poem be comely
for and because of her

unbare chambers that have rusted shut,
be unafraid,
she seances me telepathically,
in the poet's way,
a crying smile accentuated with
"write of the titles you have confessed
to the body's mind inquisitor
that be stored
in the warehouses
of thy heart"

this irrecusable, willing bidding,
sneaks in the back door,
so easy oiled opened

by virtue
of her virtue

seven years of grain Pharaoh stored
in preparatory for the lean ones that
inevitable
come

yes, have so many would be's
gestated, but not fully formed,
none adequate to honor sufficient
her comely
behest

thus commissioned,
my purposeful mission,
to honor her once more,
with a simple honorific,
her wish, no matter how couched,
t'is my duty to fulfill

so here, full and filled
I grant her wishes,
with impoverished verses inadequate,
for you know her too,
as she full and fills us all


*
by virtue
of her
virtue
for the one who knows whose virtues I
value
the First Day of Spring
2016
Nat Lipstadt Mar 2016
.                                        Wherever (Synthesis)
                                                  t­wo years later...

"Don’t urge me to leave you.              "If I could, then I would
To turn back from you.                          I'll go wherever you will go
Wherever you go,                                   Way up high or down low
I will go,                                                   I'll go wherever you will go
And where you stay,                              Run away with my heart
I will stay.                                                 Run away with my hope
Your people will be                                Run away with my love
My people                                                I know now, just quite how
And your God                                         My life and love
my God.                                                   Might still go on
Where you die, I will die,                      In your heart, in your mind
There I will be buried."                          I'll stay with you for all of time"

(Book of Ruth 1:16)                                  (Charlene Soria Lyrics)


                                      Let it be writ,
                                      Let it be sung,
                                     All should know,
                                     This I swear,
                                     Where you are,
                                     So, I shall be too.
                                     Your hope, my hope.
                                     Your heart, my heart.
                                     Life and love,
                                     But one.

                                     Where you run,
                                     I shall follow.
                                     Now, today,
                                     Forever,
                                     If our bodies apart,
                                     If our hands cannot
                                    Grasp each other,
                                    Yet, still,
                                    In your heart,
                                    In your soul,
                                    I will be,
                                    I cannot leave.

                                   Where you are,
                                   So, I shall be too.


~~~~

Thank you all for loving this poem so much.  I have long thought of the symmetry between Ruth and the lyrics to the song "Wherever You Go,"
when ever I hear them on Pandora....last nite around Two Am, I decided to set them up side, by side and then to see what happened...and the merger, the synthesis was the obvious and only solution.
first posted on HP on Feb 21, 2014; reposted at Sally's behest
Nat Lipstadt Mar 2016
for vicki who loves this poem for the best reason ever: just does...
<•>
read a thousand love stories,
pause, rest awhile,
read ten thousand more,
and then deny equality.

If you ask for no more than you can give,
you ask for not enough

love is imbalance not an equation,
with a single solution

love has both constants and variable factors

so you write of tribulations and tributes
so you write of lamentations and liftings

you think you are on the same page
perhaps
but do we not all read at different paces?

one of you is solid, one is dotted and dashed
one of you is straight, one is bent, forever curving

when you think you are
in balance
in the same place
in syncopation

perhaps you are for a moment
a calculus of one point on a trajectory

and you say I can only ask for what I give
and am given
and no more,
you have miscalculated

this flux
flummoxed
when the old terrain is flayed flat
but thru the windshield you see the
plateau ends, the geography unknown,

when you see unknown
when you seek the unknown
when you give from places you did not know
you had to give from
when you kiss a hand
for  twenty minutes more than than the one minute you intended
when you give more than is asked
when you ask for more than you can you think you can give
the imbalance that  is the only concert
the imbalance that is the the only constant

how do I know this?

what are my credentials?

you are not a teenage girl,
what matters of what you know, recall of these matters?

I am who I am
a diversity of man and manner;
I am past prime and in decline
but this I know
for having failed ten thousand poem times
you must ask for more than one can give

but that's not fair!

silly one, still wretched confused,
even after one hundred thousand poem times

you must ask of
yourself
more than you can give
and ask no less
demand no less

a body in emotion is not a body in rest
when the imbalance is too great or insufficient

then you write a poem
look in the mirror that cannot lie
and move
on
or
move off

  begin to ask
yourself
to whom may I give myself
more than is asked.
then you have finally asked
the correct solution to the
unsolvable equation
---
Ask for more than you can give
was added to HP on
Feb 8, 2014
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