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Mar 2016 · 4.2k
my Mumbai woman (2016)
Nat Lipstadt Mar 2016
my Mumbai woman

~~~

to my Indian poets & friends
all be advised,

my piety, my muse,
has decamped me for weeks on end
to your
yon far and fair lands

the red dot beside her
electronic signature
a sign of her absence,
seemingly to have been
magically transferred
to her forehead

so perhaps my love poetry
will become absent, reticent,
quiescent

or perhaps

it will build brighter, effervescing
in my very own Taj Mahal,
an edifice built by great love past
and yet ever still present,
for I testify,
I have many times it,
seen imbued,
lovingly observed
between a certain
men and women here writ large,
who there permanent reside,
and in my heart as well

spend a minute many,
all my fingers and
toes employed
how many, so many,
Indian fellow travelers
on poetry lanes and yellow dust encrusted roads,
in cities unpronounceable
that this illiterate literary fool
has come to know and multi-arm entwine

to you,

I commend and command to you
her safety,
asking immodestly for
an imposition, an interference

pray to the local gods,
your heads of state and highest nature's,
that they be her
beside,
her unobserved
safe-keepers,
as she treks your country's
Northern pastures

let her skin glow from
your brighter rays,
eyes even wider~wiser opened
by the newness of your antiquity,
your glorious,
poetic place
in our world
of words
Nat Lipstadt Mar 2016
~~~
"I would look at them in the audience:
the frail old lady with thin white hair;
the big, rough biker-looking guy;
the pleasant middle-aged teacher;
the silver-haired accountant with two young kids;
the beat-up middle-aged woman with rheumy alcoholic eyes who is sweetly gracious, modest, as she moves to give you a seat;
the obese, wild-haired man bursting out of his torn, cracked leather jacket;
the giggly, chatty middle-aged redhead in the NoLabels.org sweatshirt;
the Patti Smith-looking woman, tall, pale and austere; the hunky football player;
the skinny hipster girl in architect eyeglasses and torn jeans. Everybody listening so closely to the candidates.
Beret guy, too, with a white bandage on his eye and a beard that went down to the third button of his shirt.
What a crew we are."

Peggy Noonan, political columnist, writing about a New Hampshire meet-the-candidates Town Hall 2016

~~~

confess here an avowed legally, registered voter,
who fails to vote with almost
perfectly regular regularity

for his solitary voice almost always
swallowed whole,
living in the futility utility of a self-selected body politic,
geographical location where
dissent is a now pathetic revolutionary concept lost
in the new intolerance of a place,
where there is none of the
demanding New England hampshired state
that brooks, adheres to
only the standard highest,

"live free or die"

in the sweeping crush of nationalized,
commoditized would be Commodores,
whose sounds bite,
elephantine donkeys and donkeyed elephants,
leading us to the same slaughterhouse,
by different paths

but I am a crew member here...

proud and free,
proud to be,
amidst this mess of characters,
homogenous in their pursuit
of independent assaying
of the character of men
to whom we would
our liberty, entrust

God, it gives me breathing space,
these unusual common folk, who with the
unpracticed eye of a periodic literary critic,
in their first-in-the-nation primary,
selected the would be revolutionaries extremists,
polar opposites

God bless their orneriness,
though both of their final aisles choices to me,
anathema,
message received,
we are tired of the ordinary hacks,
who think their longevity means success,
want a sea core change,
a fresh revolution
as principled as the original...

but they suit up, on uncomfortable
folding chairs,
willing to listen,
all the while acknowledging
their presence physical,
evidentiary proofs each,
that you can fool some of the people
some of the time,
but you cannot fool
all the people
all the time

a man proud to be a crew member,
of this cantankerous irascible population
who will vote this time
but not on any machine that offers up
more of the same ole insane,
will exercise my vote,
in the most old fashioned now waining way

*the same way
I write poetry,
upon a ballot where I will
write in, write on with
ink and paper,
tag a name of person
good enough for representing the
interests best
of this rag tag crew o'mine,
who I love so....
July 4th - There are no tribes in America
There are no tribes in America.  This is my annual reposting of my July 4th poem, written years ago.  After reading about some tribal warfare in a far away land, I wrote this true story down....
~~~~~~~~~
one July 4th,
many years ago
walking the streets,
of the city of Nice, situe
on the Cote D'azur of France,
on the Mediterranean Sea,
where ships of navies
may safely park,
sailors ashore
leavened to
disembark^

how I came to be there is a
poem for another time

walking the streets,
of the palm tree resort
along Le Promenade Des Anglais,
coming at me,
Three Sailors,
unmistakably
American

One white,
One black,
One from California,
which I believe,
is still part of the USA

how we fell upon each other
in warm embrace,
smiling, bestowing
blessings of grace
not as strangers,
but as fellow signatories
on the Declaration of Independence

brothers,
long lost, reunited
as if it had been many years,
since we had our arms entwined,
one family from one far away united place

dialectical differences ignored,
even the wide-eyed 'Bama boy,
totally comprehensible,
for on that say,
we spoke a language that
encompassed a single brotherhood,
a common history,
all on that
holy day

no tribes in America, no colors,
no religions,
only brothers-in-arms

I need not choose to believe
that should it happen again
twenty years hence,
perhaps with their sons,
my embrace will exactly
the same be,
for I know it true,
for there are
no tribes
in an
American heart
Nat Lipstadt Mar 2016
Upon closer examination,
my hands, my history.

Irregular sized summaries, slightly worn,
like gloves, marked down for the discount table,
my creases covered up underneath genesis survivors,
a 'handful' of youthful blonde hairs,  
failures to depart as requested.

Refuseniks to time's ravages,
mockery makers,
yet, cohorts of, in cahoots with,
wave machines, breaker bringers of tidal decay,  
gray color content providers,
to the balance of my body.

Nicks and grooves, crisscross stitches,
vanity repairs to counting down lifelines,
one million billion cells,  
wreckage of death stars, jails for membranes,  
forgetful fabric memorizers, crumbled fractures,
patches designed by an unknown haute couturier,
failed revisionist of the original conception.

All our hands.

Upon closer examination,
Jubilee finale, arrival day of the  
mythical Halcyonian,
the date, initialized,^
even DVR future recorded,
visible, right there, upon
on all our hands, all our history.

Source coded in a language for which 
a Rosetta stone, yet undiscovered,
but visible, right there,  
on all our hands, all our history.

Halcyon bird,
comes when it comes,
though we, always, surprised,
oblivious to the obvious.

Halcyon bird,
coming, to calm, and to lament loss,
coming, to still wind and wave within
the heart, repair the deepest rent.

So these words, caresses,
coming, to calm and to lament,
from my hands to yours,
asking modestly, for acceptance.


--------------------------------------------------------------­----

^http://dictionary.reference.com/browse/halcyonian

(Halcyonian, a mythical bird, said to have the power of charming winds and waves into calmness, associated with death)
Nat Lipstadt Feb 2016
together, more than a century
it occurs to his fresh coffee'd brain,
as he,
sliding in behind, half-assedly,
as in half in/half off the bed,
but the rest, the best, nestled, ensconced,
in a serpentine curvature connected

smiling too loudly,
titter~muffled giggle
at the passing by, a funny bone notion,
that combined, conjoined,
together, more than a century,
well, and well more, than that,
a depository of collections, nuances,
cross filed, so that our recollected told tales,
have been all heard before and will again
be retold with a swelling newness
to newborn readers,
checking out the classics

the roar of my suppressed soundings,
clearly too louding,
sleepy hoarse asks
the inevitable "what's the chuckle,"
so accustomed she be to my,
unexpected laughs expectorated,
menagerie of multiplicity of muckled
roars and guffaws, tee hee's,
she will n'ere be satisfied
with a non-answer,,
with a wiley evasion to
her invasion of my innermost

"occurs to me we are a very historical
(never employing that olden adjective)

library,

two cuddling librarians,
who are compelled
to our shelves,
to add a new book daily"

she laughs and kindly requests,
my immediate departure,
for having caused her by
mine awoking and
her evoking
laugh,
to be kicked out of the
library
for excessive noise making

not the first time,
and not the last,
he laughs,
uproariously,
in the deepest of his innermost,
hidden in the silent stacks of their library,
in a demilitarized zone,
neath two pillows soft by,
lest he be shushed vociferously,
by his once again, softly sleeping,
co-conspirator
librarian
7:25 am
28-2-2016
nyc
Nat Lipstadt Feb 2016
for my Ian

~
Sunday morn in San Fran,
chest, a mish mash
of conflicting
poems

that someday will be written...

the titles I have,
but not yet, not now,
his flesh, unentitled,
to the measuring cup of words
to flesh them
into existence

tho solemn sworn,
hand upon the
bible of his beating chest,
oathed to the gods of his conceit,
these too shall be conceived,
pristine and parfait
avant someday,
when he as well,
be a work closer to
the rounding out of completion

poet's inner flesh is a mixology
of Pacific Ocean tide  pools,
amber *** colored,
sea green chlorophyll
of absinthe

contentment muddled with anguish,
the wonder of children's tender undemanded kisses,
topping the texture,
the latency of life

Oh!
those holy kisses,
wholly unsolicited,
head the list,
conquering freshly reheated
crescents of inextinguishable regrets,
the long listing of life's
never enough, never enough,
never enoughs

day yawns before me,
possibilities are fulsome and many,
what drives me now at
preservation band of forever of this instant of life,
is a dialogue recalled
origin born by the Frisco Bay,
but yesterday

tween my be-loving and be-living and
believing,
five year old rambunctious boy,
and his absentee,
would be,
East Coast version
of an itinerant, twice a year,
grandpa

a conversation
re the possibility of
running away from one's shadow

the bight boy brighter with brimming optimism
viewing the day, and as far as he can see,
all through a prism
"of all things are possible,"
certitude of unblemished youth,
which welcomed as a
body wash for cleansing
an old man's soul

the old man's lungs,
his interior thesaurus,
covered with
ne'er do well shadows,
of hard gained experience,
that are
among his very own uneraseable,,
great unwashed,
misbegotten, missed opportunities,
the impossible dreams unfulfilled

old man knows there is no targeted
radiation or chemotherapy,
can history rewrite,
that proof positive,
can conclude that running hard, running away,
from,
or even running back
to those shadows
that will perforce
travel and travail,
that can e're  prevail,
o'er man-inescapable need
to morose compose upon his
nettled, untitled,
foretold and foreseen,
own decomposition by
the weights of regret,
of those shadows
never to be
caught, erased

but he does not share this knowledge
with the boy*

~~~

two fourteen sixteen
7:53 am
Market Street, San Francisco
Valentine's Day
2016
running on Fishermans Wharf,
by the SanFrancisco Bay
~
maculated -
marked with spots; blotched;
impure; besmirched
Nat Lipstadt Feb 2016
A Woman's Reflection on Her Reflection (Valence and Value)

one poem, written by two authors


~~~

Ever the analyst,
A mirror functions as surface to
Parse the fleeting constant
Of youth's beauty.

From genetic gift
Of symmetry and bone,
To technological tampering,
Until the equation is solved,
As experience and character
Models and maps the result.

The answer, a reflection,
Of individual valence and value

(written by S.D., a woman)

~~~

(written by N.L., a man)

unbidden and unannounced, a
"not fully formed poem,
but a simple reflection"
inbound missile arrives inbox,
armed with silent power,
the lethality of the
Holy Unexpected

the man reflects
on her mirror-on-the-wall's
fulsome reply,
parsing the words of a
woman's reflection,
while gazing on her own

every human's momentary glass notation,
but an instance of summation,
a human poem, whose editing,
unceasing

a comma here,
a period inserted,
an eye shadowed, an eyebrow tweezed,
a eye dark circle line added,
to tree-mark time's authorship

all  these
but a person's
excerpted extraction,
notarized,
then auto-erased and revised,
as out of date,  
instantaneously compromised

but,

it is upon  the conceptual,
valence and value,
more that the man reflects perpetual,
less on transitory morphing changes of
exterior mortality

while overlooking her
glassine realization from behind,
he concludes:

every reflection,
no matter how oft the snapshot,
the unfleeting constancy
of the combining of the

princes of principles,
valence and value

that he witnesses,
in the calming pool
of her eyes,
(those borrowed windows into her soul's well,)
so well reflect
her unchanging greater finery,

her character

this reflection,
metamorphosis transformed.
into a planetary permanency poem,
high placed in his the firmament
of their conjoined sky
Valence,
as used in psychology, especially in discussing emotions, means the intrinsic attractiveness (positive valence) of an event, object, or situation.

In chemistry, the valence or valency of an element is a measure of its combining power with other atoms when it forms chemical compounds or molecules.

you decide.

hers, two six sixteen,
his, two seven sixteen,
in the wee hours
Nat Lipstadt Feb 2016
the tinkling kiss,
tween silver bell
and the windowed door,
at the ice cream store,
announces with the delight of
a tingling excite

a novitiate,
a well scrubbed innocente,
a suckering, youthful customer
has entered the store

all the ice cream poems stand up straight,
paying cold attention,
the little boy ones,
fix their crookedly crooked bow ties,
the little girl ones,
pat down their crinkly crinolines,
all best behavior-ed,
shivering cold from hot anticipation,
the idea, the conception
of becoming
the chosen one,
invited outside,
for delight,
the pleasure of melting into
sweet, sad loving death,
in the smiling mouth
of a young fan & reader

now, they all know the rules,
no calling out!

just stand in frozen attention,
glistening, shimmering,
displaying their true coloration,
hoping to be the selected election

but that rascally bad boy,
with salty language,
yes, the salty caramel one,
can, in his over-sized container,
no longer can contain himself,
screaming out
with  an aura of entitlement

"pick me, pick me,"
read me, eat me,

favor my flavor"

all thirty one flavors,
one for every day of the month,
start to shout,
like a raucous caucus
of politicians huffing and puffing,
wheezing and whining,
pretend crying
for the  favored blessing of your vote,

"pick me, pick me,"
read me, eat me,

favor my flavor"

there is even a
"flavor of the day,"
usually a newly minted green poet,
a chipped one,
seeking to find a permanent home
for its fresh faced tasty, word sensation,
but after thousands of plastic spoon samplings,
nonetheless melty-dies in the corner, alone and forgotten,
for fame is fleeting, and not always long term good eating

so many to choose, got the poetic ice cream blues,
sweet slow aching of loving infatuation for the iceiest of
tongued-licking caressing, the only way to be consumed
organically

"pick me, pick me,"
read me, eat me,

*favor my flavor"
Nat Lipstadt Feb 2016
T'is a curious thing,
these verbal peddlers,
these tribal members,
famously well known to no one,
perhaps at best,
a kindred few, fellow-travelers.

Each a troop,
in the army of orphans,
bloodied, purple hearted,
word-wounded,
anonymous unto each other,
yet all bonded intimates,
in solitary struggle united,
yet sea-parted by the very nature
of the solitude of composition.

All poets are Cain scar-marked,
purposed for everyone to see,
a warning to the rabbled boors,
the imagination suppressors!

World:

cherish these flawed ones,
gentle these frail but gritty,
the Lord has tasked them
to be prophets in one tongue untied,
undo the strife of Babel's division.

Poets!

Be the harpooners
of the unexamined life,
with unfettered rhapsody,
comfort caress us,
exhort the loopy
to light their illusionary candles,
turn the sad eyed lowlanders
into crinkly eye-lined smilers.

With clinical observation,
dense and demanding,
make us laugh at
the comedy of our situation,
teach us our free-to-see peep show,
reveal, unseal us
with **** empathy!

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
taste his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
becoming one who was, yet still is,
because of you,

because of poetry.
Nat Lipstadt Feb 2016
~
The Best or the Most?

individually, he whisks them away
to his favorite hidey hole,
under their parents dining room table,
the very same,
he did hid with
their father

clutching the first,
in a ritual now sacred in perpetuity,
pressed to his breast,
amidst the grande pitter-patter
of a grandpater's
imitation of a mad hatter,
the old man whispers in the first one's ear:

remember to keep our secret,
tell no one ever,
not even nana,
I love you best!

off they go

then isolating the second,
sweeping him up from behind,
poppy,
reverts again to his ancient hiding place,
amidst a gaggle of mutual giggles
where, neath the cool shade of the moon tablecloth,
he whispers to number two:

remember to keep our secret,
tell no one ever,
not even nana,
I love you most!

with perfect total no-recall,
not even five minutes later,
does the old man retain
the knowledge,
to whom did he say
which refrain,
to whom did he say what?

but he winks!

yes, he winks to himself,
secure in the knowing safety,
it matters not, not even an itty bitty
as long as
they remember,
and keep his secrets safe
21-2-16 12:33 pm nyc
Feb 2016 · 985
The Great Switch Off
Nat Lipstadt Feb 2016
~

The Great Switch Off

louder in its silence,
than a flicked light switch
in the midst of a  midnight-darkened house

more crackling than the slowest
of lasting gunshot resounding re-soundings,
of the ice pond white coverlet shredding itself apart,
by its own voluble volition

I hear the switch
switching off,
the giving-in, taking over,
the surrender negotiations
swift concluded with just those you know,
two words

let the anguish languish,
the discipline,
become someone else's disciple,
just let me be

well familiar this on-off moment,
well recalled from all prior nine lives,
exactly the where and the when was,
I gave up on trying,
but never needed the why

cause the why was inadmissible,
tampered evidence, dampened down,
tainted lies and justifies

tomorrow I'll restart, re-equip,
cause the catching up with lost sleep
a minimum week,
to require, to reacquaint,
with the on-demand, life props
for properly slacking off


the oldest loudest sound
you have and will ever make,
the crack of self-deception,
when your mind lies to yourself,
this latest, greatest switch off is only
temporary


~
Feburary Nineteenth, Two Thousand and Sixteen
5:49 am
nyc
Nat Lipstadt Feb 2016
~~~

"all poetry is confessional, whether written in the first person or not. If nothing else, it is a homing device to our souls, telling any who read where we stand, what we see from our perspective and our poet's eye. When enough of us speak of what we perceive,
perhaps someday we'll understand that the tree, the snake, and the rope are indeed an elephant."

Joel Frye



perhaps
the essential modifier of our lives,
or as one of the greatest philosopher reprised,
Professor Alfred E. Doolittle,


"Oh, you can walk the straight and narrow;
But with a little bit of luck,
(perhaps)
you'll run amuck!"^

this thence,
one more mine true
confession,
so many discoursed, cursed

have seen the
roped wrapped tree
firmly snaking around its cored trunk,
issuing forced strangling sounds,
the musical product of its own
umbilical chord

still and yet,
the jungled elephants,
from my visionary,
remain ghostly hidden,
stolid solid doesn't not comport with the
hallucinogenic jive of running
amuck!

limitations shun my expectations,
abilities misrule hide my
hoped-for-destination of hopes,
my elephants,
still and yet,
elude the grasp of exhausted roving eyes

undeterred and reaffirmed,
until and then,
when the elephants come to me
on bended knee,
can understanding be
perhaps
pronounced,
as being blessed with best satisfaction,
with the finest of
illuminating,
most-happy-fella,
well known,
elephantine-humantine-pink
combine
phrases

A Happy Ending
After All


















^My Fair Lady - With A Little Bit O' Luck Lyrics
two - 13 - sixteen
San Franciso, Ca.
Nat Lipstadt Feb 2016
I used to think
I can’t be a poet
because a poem is being everything you can be
in one moment,
speaking with lightning protest
unveiling a fiery intellect
or letting the words drift feather-soft
into the ears of strangers
who will suddenly understand
my beautiful and tortured soul.
But, I’ve spent my life as a Black girl
a *****-headed, no-haired,
fat-lipped,
big-bottomed Black girl
and the poem will surely come out wrong
like me.

And, I don’t want everyone looking at me.
Chirlaine McCray is the First Lady of New York City, wife of Mayor De Blasio.

http://www.nytimes.com/2016/02/14/magazine/chirlane-mccray-and-the-limits-of-first-ladyship.html?rref=collection%2Fsectioncollection%2Fmagazine&action;=click&contentCollection;=magazine®ion;=rank&module;=package&version;=highlights&contentPlacement;=4&pgtype;=sectionfront
Nat Lipstadt Feb 2016
"Taking It Home to Jerome"**
by David Kirby


~~~

In Baton Rouge, there was a DJ on the soul station who was
always urging his listeners to ‘‘take it on home to Jerome.’’

No one knew who Jerome was. And nobody cared. So it
didn’t matter. I was, what, ten, twelve? I didn’t have anything

to take home to anyone. Parents and teachers told us that all
we needed to do in this world were three things: be happy,

do good, and find work that fulfills you. But I also wanted
to learn that trick where you grab your left ankle in your

right hand and then jump through with your other leg.
Everything else was to come, everything about love:

the sadness of it, knowing it can’t last, that all lives must end,
all hearts are broken. Sometimes when I’m writing a poem,

I feel as though I’m operating that crusher that turns
a full-sized car into a metal cube the size of a suitcase.

At other times, I’m just a secretary: the world has so much
to say, and I’m writing it down. This great tenderness.



---


A professor at Florida State University, David Kirby is the author of 12 collections of poetry, including ‘‘Get Up, Please,’’ which will be published next month by LSU Press.
Nat Lipstadt Feb 2016
Flight #177 / Seat #7C - where I'm bound/I have been released

the final part of the trilogy,
re broken lives,
some finalized,
some revitalized,
some, their score,
incomplete

~~~


on the road again,
crossing the continent,
from sea to shining sea,
from one set of Eastern grandkids,
off to see the wizardry
of the West Coast variety

six hours six minutes,
flying high time, weather's fine,
a voices inform us, that will be
our mutual time of peaceful co-existence,
on this particular traversée journey

I've done harder time,
30 years ++ with no parole,
except for poetic verse,
them words,
I learned to parlez-vous parlay

never been afeared of flying high,
even amidst the wickedest black pitch,
tar and feathered thick, which is all the
ovaltine shaped window of the
exterior world, cares to reveal
at thirty thousand feet

the oxygen level in the cabin,
as it usually does,
says hey!
feeling heady boy,
so get good, so get ready,
write us a poem, a new shiny toy,
another of your airborne verbal medley

I've got little upon
to expound,
currently limbo'd
tween fresh, death-revived,
past memories of imprisonment and release,
by the jailers of L'Ancien Régime
and
the soon to feel,
happy anticipation of
Frisco fresh young lives re-greeting us,
long distance visitors with joyous screams,
loud, clear and that may cut
the muddied gloom internal,
like a pair of welcoming,
gleeful, liberating scissors

my windowed widowed refraction,
directs my carpaccio-thin guise
to pierce onwards a well trod state of
deeper reflection

noting that we will soon be flying over
water poisoned Flint,
in the state of Michigan,
just missing by an inching,
Paul Simon's sung request,
his "all come to Saginaw" dare

yet, I don't know where I am,
though the course trajectory
pilot-officially programmed and set,
ticketed firect  through to
San Francisco

nonetheless, my internal organs all feel lost,
misplaced and turned down around,
passing directly over cities heard of
and yet never seen or footed,
can I still claim to have been there?

same question differently couched,
providing this passenger's headache,
I was there, of this world,
for the almost forty years plus,
though I wasn't really present,
merely accounted for,
finally learning that "freedom"
is just another word

and though the Angel of Death,
scheduled, made a pre-flight pick up,
he left part of me behind
and on board,
to pick up after,
steward some of his and my
messes

the eyes, the brain, the whole noggin,
search for secret signs,
potent portents, turn indicators,
that this gloomy doom,  cloud thicket,
this too shall pass,
this last shared repast of shards,
this,
my so long now song
an au revoir to
"sad eyed lady of the lowlands"

noting that I am outbound and seated,
on a bunch of lucky sevens, flight and seat,
could be my luck is youthful changing?

where I'm bound
I can't tell,
I'll let you know when I get there
when I know, how I'll know,
I don't know, maybe some
extrusion of new words will speak,
at landing time, a different voice,
where and when I'm bound,
that will cry out


"now unbound,
at last,
at last,
I have been released"
**

~~~
2/11~12/2016
started while over the Great Lakes, Michigan, and Wisconsin;
completed over Tahoe, Carson City, & Sacramento
"With your childhood flames on your midnight rug,
And your Spanish manners and your mother's drugs,
And your cowboy mouth and your curfew plugs,
Who among them do you think could resist you?
Sad-eyed lady of the lowlands,

Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?


Oh, how could they ever mistake you?

They wished you'd accepted the blame for the farm,
But with the sea at your feet and the phony false alarm,
And with the child of a hoodlum wrapped up in your arms,

How could they ever, ever persuade you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,

My warehouse eyes, my Arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?

With your sheet-metal memory of Cannery Row,
And your magazine-husband who one day
just had to go,
And your gentleness now, which you just can't help but show,
Who among them do you think would employ you?

Now you stand with your thief, you're on his parole
With your holy medallion which your fingertips fold,
And your saintlike face and your ghostlike soul,

Oh, who among them do you think could destroy you?

Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,

My warehouse eyes, my Arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?


Read more: Bob Dylan - Sad - Eyed Lady Of The Lowlands Lyrics | MetroLyrics
Nat Lipstadt Feb 2016
criss·cross  (krĭs′krôs′)

~~~
verb:  
criss·crossed, criss·cross·ing, criss·cross·es
1. To mark with crossing lines.
2. To move back and forth through or over:
noun:
1. A mark or pattern made of crossing lines.
2. *A state of being at conflicting or contrary purposes.

~~~


Oh Steve,
you nailed me
one mo' time,
to this cross of mine,
it's composition,
wood of linear mish mash, and the
nails, of a clear liquid substance,
drops of contradictory emotions

insight inside,
your practiced spécialité,
disarming the self-arming, harming,
we let our minds assemble reasons why,
in order to ourselves
dissemble

I keep hammering myself

unsure why, unclear the charge,
unknown the inevitable outcome

but the lines are continuously crossing, indeed,
but the intersections dissatisfying, in deed,
which is why theses words sores,
seeded by your words,
both burst and languish,
taking to the limitless limit,
of deep water oil exploration

unsure if I want to discover,
unknown if I want to uncover

the essential oils,
the caustic causing lyes,
that anoint these graying hairs,
blind his eyes,
both resting upon a furrowed, burrowed,
a puzzled forehead expression of
confusion about such simple line items as

life everlasting

out of bounds,
out of town,
writing poetry,
down by Richie Haven's San Francisco Bay,
listening to Norah Jones, wailing plaintive,
another Pandora perfect choice
"Don't Miss You At All"

am I stuck on an endless, repeating rifle
firing blanks of repetitious, line life patterns,
or worse,
forever trapped in the colorless
spaces between,
wondering if I can answer-handle
Stevie Nick's pre-vision precsion
pinpricking, questioning,
about the seasons of our life


" but time makes you bolder,
even children get older,
I'm getting older too...
and if you see my reflection in the snow covered hills,
well, well, the landslide will bring it down"

so in this out of state, out of mind,
drinking up these meandering ramblings,

experiential wondering not,
if
the summer sunshine,
only the
when,
it will return,
and the lines drawn upon my face
sun burnt,
cease their
meaning meandering
re life's line items such as

life everlasting*


~
Market Street
San Francisco,
two thirteen two thousand sixteen
given and gifted to me by my
dear fellow poet
Sjr1000 ›

Re:  Part II: She's Dead (Don't Think Twice, It's All Right)

Moving beyond moving, heart wrenching heartfelt, worthy of a moment of total silence. Life and death in all of its
criss-crosses
Nat Lipstadt Feb 2016
ABRAHAM LINCOLN’S FAMOUS CIVIL WAR CONDOLENCE LETTER TO YOUNG ***** MCCULLOUGH ABOUT DEATH, LOSS AND MEMORY**

Executive Mansion,
Washington, December 23, 1862.

Dear *****

It is with deep grief that I learn of the death of your kind and brave Father; and, especially, that it is affecting your young heart beyond what is common in such cases. In this sad world of ours, sorrow comes to all; and, to the young, it comes with bitterest agony, because it takes them unawares. The older have learned to ever expect it. I am anxious to afford some alleviation of your present distress. Perfect relief is not possible, except with time. You can not now realize that you will ever feel better. Is not this so? And yet it is a mistake. You are sure to be happy again. To know this, which is certainly true, will make you some less miserable now. I have had experience enough to know what I say; and you need only to believe it, to feel better at once. The memory of your dear Father, instead of an agony, will yet be a sad sweet feeling in your heart, of a purer, and holier sort than you have known before.

Please present my kind regards to your afflicted mother.

Your sincere friend

A. LINCOLN.
A Common Bond of Grief

By
Harold Holzer

Feb. 12, 2016 4:24 p.m. ET
“We can not escape history,” Abraham Lincoln warned in his annual message to Congress on Dec. 1, 1862. Just four days later, as if to prove Lincoln’s point, an obscure Union cavalry commander lost his life battling a nighttime ambush deep behind Confederate lines at Coffeeville, Miss. The remote dust-up at which Lt. Col. William McCullough died heroically earned scant notice in Washington—except from the president himself.

Years before, as a circuit-riding lawyer, Lincoln had come to know McCullough and his family when the Bloomington, Ill., resident served as sheriff, and then as clerk of the county court. The two men had much in common. Both had served in their state militia during the Black Hawk War. Each married a woman named Mary. Both became Republicans. And each lost young children to disease.

At the outbreak of the Civil War, Lincoln had allowed his old friend to volunteer, though, at 50, the white-haired McCullough was ancient by military standards, lacked vision in one eye, and had lost his right arm to a thresher. Now Lincoln learned that, outnumbered at Coffeeville, McCullough had clenched the reins of his horse between his teeth and galloped along his lines, saber raised in his remaining hand, rallying his men to fight.

No doubt already remorseful, Lincoln became especially concerned when mutual friends reported that the hero’s 22-year-old daughter Mary Frances—known as “*****”—was grieving with alarming intensity. The “afflicted” young woman had shut herself off in her room, refusing to eat, “pacing the floor in violent grief, or sitting in lethargic silence.” Her family feared “for her consequences.”

Lincoln was no stranger to the fragile tipping point between grief and insanity. The loss of his beloved 11-year-old son Willie earlier in 1862 still haunted his dreams. His wife’s hysterical mourning had triggered a breakdown. Earlier in his life, Lincoln had grown so despondent over the death of his New Salem, Ill., sweetheart Ann Rutledge that neighbors ordered him “locked up” to “prevent derangement or suicide.”

Informed in mid-December of ***** McCullough’s “broken hearted” state, Lincoln intervened with one of the mere handful of personal condolence letters he wrote to honor war heroes and assuage their survivors. That he penned it just days after a morale-crushing Union defeat at Fredericksburg, and only days before he had to decide, amid intense pressure, whether to issue the Emancipation Proclamation, makes Lincoln’s achingly tender composition especially remarkable. The “McCullough Letter” deserves its reputation as one of the greatest condolence letters ever written, even if it remains little-known—a tour de force in a genre that arguably required more literary dexterity and delicate persuasiveness than even a great orator’s most demanding public speech.

“In this sad world of ours,” Lincoln counseled, “sorrow comes to all; and, to the young, it comes with bitterest agony, because it takes them unawares. The older have learned to ever expect it.” Here, with rare candor, Lincoln was reopening a painful old wound of his own: the loss of his beloved mother, who had suffered a horrible death before his eyes when Abe was only 9. Promising “some alleviation of your present distress,” Lincoln knowingly walks ***** through a multistep recovery program, from overwhelming sorrow to the “perfect relief” that would come only with time. “You are sure to be happy again,” he promised her. “The memory of your dear Father, instead of an agony, will yet be a sad sweet feeling in your heart, of a purer, and holier sort than you have known before.”

The original one-page, 166-word letter took a long journey to full public disclosure. In the 1950s, the reprinted text appeared in “The Collected Works of Abraham Lincoln,” but the original remained in McCullough family hands. Music executive Carl Haverlin acquired it in the ’60s for a then-record $60,000. Fortunately, it was ultimately acquired in 1997 (for $400,000) by public-spirited manuscript collector Benjamin Shapell. While the treasure now resides in the private Shapell Manuscript Foundation archive, its owner has generously made it available for public exhibition (most recently at the Library of Congress and the Morgan Library). Best of all, the scanned manuscript also lives online (www.shapell.org), where it can be rewardingly inspected in vivid close-up. Neatly penned in Lincoln’s legible hand on blue-lined Executive Mansion letterhead, still creased where it was folded twice to fit into a White House envelope, it appears nearly as crisp today as the moment ***** McCullough first opened it.

Lincoln signed his condolence message to *****, “your sincere friend,” and to many of the loyal thousands who lost fathers, brothers and sons fighting for the Union, the consoler-in-chief must have seemed so. But where ***** McCullough was concerned, one senses a closer, more unique connection: the bond between two soul mates who mourned inconsolably, suffered deeply, and needed desperately to recover in order to live—and, in Lincoln’s case, to lead.

In time, the once-irreconcilable ***** re-entered the world as well. Surely inspired by Lincoln, she recovered enough to overcome yet another staggering loss: A young soldier she fancied died in action, too. Eventually she married his brother and long endured. ***** kept the president’s condolence letter in her possession until the day she died, at the age of four score years.
Nat Lipstadt Feb 2016
~~~
She's Dead (Don't Think Twice, It's All Right)

A poem, forty years in the making,
Part II of a trilogy

~~~

she's dead

my nemesis,
a truly personalized comic book
arch-villain,
all mine to own and bear,
a cost that I comically
and freely chose,
purchased with only,
just the,
larger part of my life

because of a blood letting,
me letting
a lax laziness of fear,
a kind of blood poison,
an emotional self-imposed over-ruling,
"just cry and bear it,
for the sake of
appearance, children,
whatever,"
that was the insane,
disorganized principle,
who made itself
the king of me

an ugly sweater gift to myself
and
ashamedly,
wore its invisible effects
so quiet like,
this self-imposition,
of long standing,
a faithful traveling companion,
quietly unravelling, deconstructing,
this bearer-wearer

I married the wrong woman,

now she's dead

killed by the ovarian cancer
that I nursed her through in the early years
of its misshaped, too late discovery,
with bedside manners impeccable,
even secret whispers,
for who would believe me,
even begging God to give her
twenty years of
my own time

for he was so uselessly beaten down,
and unbearable miserable,
was-would-be gladly rid
of the final semester,
exiting more gracefully
than via other
contemplated and cowardly
methods of terminations

pronounced cured,
she decided a second cure,
like extra points for
a bonus question answered,
was just what the doc ordered

so she cured herself of
me

with a divorcing, stabbing,
emotional killing motion,
so angry, a petulant childlike biting,
relentlessly, revenging,
for all the years that followed,
inflicting, afflicting
me with mine very own
mental cancerous moments

where
I hated
myself
for hating her,
a petulant child who never grew up,
much,
as much as
my censored heart
would permit,
this truth,
to admit

it debased me,
being a raging hater,
yet a hater,
of both
her and myself,
I was,
her best, most successful
victim
of her final
curse

"you're not over her"
all the fools used to say and
then, and even now,
asking pointedly,
why else this time,
one mo' time,
is this small matter
deserving of an ecrive
all its own?

I guess there are glimmers of
secrets in
a life lived in poetry,
(poetry, her unknowing Greek God's gift to me)
in everything,
even in a
confessional,
a special reserve vintage,
for admitting my imperfections

now she's dead,
losing a race to
her curse,
losing a race,
to the most cruelly, patient,
enemy that a human can face,
unwilling self-destruction,
setting one's own
holy temple on fire,
with great irony,
sourced from within,
this tinder
from the very body
she worshipped,
that went finale
crazy ablaze

where ya going with this,
you ask yourself?

a mixed up goodie bag,
of emotional conflicted torment,
brings me here,
to pen and paper

her leaving me
turned out
as the best thing ever,
drawing down my reservoirs of courage,
mined from the deepest arteries
of a damaged heart,
of a recovered addict

a thousand different tunes come to me,
all nurses aides,
to assist me to
stitch myself,
this memory wound
closed

the one that make the most sense,
an old Dylan lamentation,
correct only in exactly every phrase,
yet forced to admit,
I am indeed,
despite it,
for now,
yet,
thinking twice...
~~~

"It ain’t no use in callin’ out my name, gal
Like you never did before
It ain’t no use in callin’ out my name, gal
I can’t hear you anymore
I’m a-thinkin’ and a-wond’rin’ all the way down the road

I once loved a woman, a child I’m told
I give her my heart but she wanted my soul
But don’t think twice, it’s all right

I’m walkin’ down that long, lonesome road, babe
Where I’m bound, I can’t tell

But goodbye’s too good a word, gal
So I’ll just say fare thee well
I ain’t sayin’ you treated me unkind
You could have done better but I don’t mind

You just kinda wasted my precious time

But don’t think twice, it’s all right"
Jan . 17,  2015 ~

Don't Think Twice, It's All Right
by Bob Dylan


It ain’t no use to sit and wonder why, babe
It don’t matter, anyhow
An’ it ain’t no use to sit and wonder why, babe
If you don’t know by now
When your rooster crows at the break of dawn
Look out your window and I’ll be gone
You’re the reason I’m trav’lin’ on
Don’t think twice, it’s all right

It ain’t no use in turnin’ on your light, babe
That light I never knowed
An’ it ain’t no use in turnin’ on your light, babe
I’m on the dark side of the road
Still I wish there was somethin’ you would do or say
To try and make me change my mind and stay
We never did too much talkin’ anyway
So don’t think twice, it’s all right

It ain’t no use in callin’ out my name, gal
Like you never did before
It ain’t no use in callin’ out my name, gal
I can’t hear you anymore
I’m a-thinkin’ and a-wond’rin’ all the way down the road
I once loved a woman, a child I’m told
I give her my heart but she wanted my soul
But don’t think twice, it’s all right

I’m walkin’ down that long, lonesome road, babe
Where I’m bound, I can’t tell
But goodbye’s too good a word, gal
So I’ll just say fare thee well
I ain’t sayin’ you treated me unkind
You could have done better but I don’t mind
You just kinda wasted my precious time
But don’t think twice, it’s all right

Copyright © 1963 by Warner Bros. Inc.; renewed 1991 by Special Rider Music
Nat Lipstadt Feb 2016
~~~
"Fact about me:  You design me"

line from a poem published here on Nov. 30, 2013
part I of a trilogy
nml

~~~

6:33am

9 minutes left
in the AM hour of my tribulation,
the re-design time,
redoing  my outer shell

legs pounding,
towel sodden soggy,
soon return to home
do my morning ablutions
followed by a frosty walk
to the multiple screens
for trading things

makeover, do-over,
but you can only easy
shed and cleanse
exterior surfaces,
shape and appearance,
the inside stuff,
that's the gut wrencher

don't be so ******* yourself
kid!

nah ain't gonna
kid
myself

too old, too much a wise guy
to show much forgiveness to self,
of untruly yours,
whose design was only 50% mine

someone is dying,^
my cocktail of
words and emotions
more muddled than my
usual abnormal,
while sweating off
the golden baddies
to the golden oldies

so where exactly is the
truth burden?^^

somewhere  between sad
and  a curt "no cares"

my physical reformation,
is part and parceled,
of my regeneration,
the one who gave me
the desire to die before my time,
is dead before her time,
and I don't know the clear water truth
of my variable emotions

design me?

she is deigning to
design me still
with her untimely death

so I cycle even harder
to release the anxiety of
mis-everything
regretting what was lost,
now missed,
that too was, and is,
part of my design,
part of
burden of truths
that design who we
were, are, and yet
may be
^my ex-wife of a tumultous 33 year marriage died three hours after I wrote this, succumbing to a painful and terrible ending battle with cancer.
Written while working out on the stationary bike in the gym, at 6:33 am
2/11/16
~~~

^^ a poem no one read but on my mind

The Truth Burden: "Poetry is a Self-Policing Agency, Enforcing Nothing" ~
~~~
a poem derived from these words of
Joel M Frye
"Poetry is a self-policing agency, enforcing nothing"
~~~

The Truth Burden
is the accursed need obligatory,
the sacred sanctity requisitioned,
when the whenever,
chooses to drops in and upflag the mailbox,
an uninvited invitation,
announcing with precise bluntness,
that precisely now,
is the tool crafted moment
and you fool,
the selected tool

you must render unto Ceaser,
by your own hand,
render your own rendering,
do your own undoing,
go forth and in haste,
will thyself into the cauldron of the
Great Mystery of Creation

you cannot lie in poetry

-one can only validate-

you will tell the whole truth,
and nothing but,

all in good order,
to secure me to thee,
to muddle our molecular cocktail mix,
you must,
must give only
truth in poetry,
or give
nothing

police yourself
in every aleph bet,
don't substance abuse us with deceit,
give only your unburdening,
force us to lip kiss
when
we face each other,
when
pronouncing the blessed script of
ourselves,
that we have been granted by sharing
each other's unvarnished lettres

the burden is
to un burden

cut out what needs
to be bridged from
the secret walled-in safe,
and give form, life and breath,
expose it to the atmosphere,
reform your bleak introspection and bitter realism,
turn blue blood veined internal
into an amberina red,
all by being
unsaved, unsavory, unsafe

you are the enforcer,
you are the police,
you are the validation
and the validator,
enforcing this sole law,
police your self,
give us

with no agent in between,

give us
nothing but,
a voice
one will recognize instantly
as the whole fats milk of
truth

oh, how I will embrace thy
one and only,
when given,
your

one and only

for do we dare disagree that is
each other's truths that
shall set us free?

•••

for we are the inhabitants,
of this wild land of no inhibitions,
no rule of laws,
except one,

defend the essence,
protect the defenseless integrity,
promote the mystery of the human
poem
~~~
written in the great blizzard of 2016.


Joel M Frye ›

poetry is a
self-policing agency,
enforcing nothing.

You remind me of a favorite prayer, Nat:
"I thank You for this day, Great Spirit, and I step willingly into the mystery of it."

Glad I am you share this journey. Thank you.


January 23 - 30, 2016
Nat Lipstadt Feb 2016
~~~

Jan 31, 2014

Victuals Victim


There is a contest this day,
that does not involve my P.S.F.
(Preferred Sport Franchise)

truly, don't give a good ****** who wins,
but that is no excuse to deny me
my victim status,
my Sir Sore Loser demeanor,
so poorly,
in season's long suffering
earned,
so richly,
undeserved.

A triumvirate of
Doctor, G.F. and battery
of medically intrusive tests,
have ruled on the field,
that but once a year,
a conjugal visit permitted,
tween my arteries and chicken wings,
is legally permissive.

there will pigs in blankets
oinking, demanding attention,
sliders and mini right sized,
bite sized potato knishes
(at least in New York City)
cole slaw juices,  
even a
foreign dignitary,
Sayyid Cous-Cous,
all lining up along side
the quarterback  
who will be slinging
'winging' honey and spicy passes
to his favorite receiver,
this couch coach
and today's impartial line judge.

This is my Super Sunday fare,
antithesis of a pre-Day of Atonement fasting meal.
where gluttony
is deemed
less than kosher

If insufficiently highbrow,
for all you poetic aesthetes,
have no fear,
this athlete gastronomic,,
victim of his victuals,
will prepare mentally
to reverse course afterwards,
by hanging out
with King Lear yet once more,
sharing a verbal tasting menu fare,
a recollection of a prior years repast,
this King,
an unrepentant Manchester man-fan,
who knew me too well,
and once condemned me,
after an historic NY Giants Super Bowl celebratory,
sadly,
all too many years ago,
as follows:

"A knave; a rascal; an eater of broken meats;
a base, proud, shallow, beggarly, three-suited,
hundred-pound, filthy, worsted-stocking knave;
a lily-livered, action-taking knave, a whoreson,
glass-gazing, super-serviceable finical rogue;
one-trunk-inheriting slave;
one that wouldst be a bawd,
in way of good service, and art nothing but
the composition of a knave, beggar, coward, pandar,
and the son and heir of a mongrel *****:
one whom I
will beat into clamorous whining,
if thou deniest
the least syllable of thy addition.”


― William Shakespeare, King Lear

~~~

Feb. 2, 2014

My leash is on,
I am to be walked


ad melius parare hominem,
to better prepare man,
before the coma of wings and a super sized
spectacle
tackles, invades and overtakes,
his nation's soul.


by the East River
will I be perambulated,
following 
each lying-down,
pedestrian drawning of a chalk figure,
directing the course
of a river walk
drawn and quartered
just for me.

chatting to the gulls
re the river's latest delicacies,

comparing my upcoming menu
for overlapping interest,
while praying the bicyclists,
on my body,
have tender mercies.

because I will,
all the walking while
be silently recording poems,

to tribute the international nation
of poets and the
global sport of
poetry,
that knows no leagues,
or geographic
delineations.

~~~

Feb 5, 2014

leftover chicken wings and other love nonsense

the woman disregards
what's best for me,
instead, gives me with the
kindest of disregards,
what's best for me,
for this is the kindness
that hallmark stamps
upon the softened heart,
the long lasting kind
of kind

before your childlike
tap tap attention away-wains,
bring you this,
a treatise,
on leftover chicken wings
and other nonsensical
finger food additions,
purposed
to inspire, to find innovation,
in expressing, reclaiming and newly exclaiming
that miscreant four letter word,
£0V€
that appears in those unsilent majority,
99% of them, other entrants
the Bohème poèmes,
residing in our Mr. Roger's neighborhood

in some poem writ recent,
poet pontificated,
that the most overused words, yes,
those abused three,
(duh, I love you)
degraded by overuse,
lost their poetic juice
thru constant repetition,
almost being nearly boringly indecent,
even when
boldly italicized

the impact upon the reader
lives in the lies in the realm of
"oh yeah, that's nice"

far, far better
to be best in show,
deduce how renewed,
to meaty demonstrate
rather than
insistently remonstrate,
in newer ways,
every day
that grade A choice
sentiment

to say, par example,
that serving day old chicken wings means,
well,
you know what...

Some get tea and oranges,
me, I get cherished
when our repast is
twice recast,
when she feeds me
leftover chicken wings,
both kinds,
spiced and honey
that come all the way
from her heart

so, now do you know why
Silly
has two L's?

Correct.
(answer: lucky in love)

for the luck-river-runs
lie just neath
the silliness currents swirling,
where kissing knuckles unexpectedly,
******* the exhausted,
tucking them in,
going out for emergency ice cream
in the midst of a
polar vortex,
recording the game to wee hour watch later,
so she may hang with the notorious outlaw
"Downtown Abbey Gang,"
watching at the
proper English place and time,
leaving the celebrating of life's  leftovers,
for the morrow sup,
with chicken wings and 0
other things
reheated,
and other heartfelt,
but unhealthy,
warm heartening
food additions

that folks,
is how you write
a poem in deed,
one that will be returned to you
sevenfold
in reads

when you want to explain how,
you can, truly, sigh,
you know,
love another...
employing with decoying,
sinful, leftover chicken  wings
then you too be mastering,
the poetic life
of sonnet and song

~~~
all three posted here on the specified dates and modestly edited,
on this day,
in anticipation of a winged revival
this hallowed eve of
two seven sixteen
Nat Lipstadt Feb 2016
•••

"on some days, I love you more than others,"
an early morning uh oh
IROLO
(instantly regretted out loud observation),
of the potentially ruinous kind,
spoken with malice towards none,
and obviously,
no forethought,

firmly but modestly muttered
over the modestly rumpled
courtroom battlefield
of sheets, newsprint, mugs
and Bocelli on low

smockingly,
(a slow spreading smile of mock),
she turns her gaze upon
the presumed guilty, querulous,
soon-to-be-ruined ruminator (me),
and asks with
disdainful derisive decisiveness

is your first cuppa too hot darling?
has your uncommon sense of non-sense been burnt?

t'is true I reply,
I feel the burn!

for am I not sworn
to tell the whole heated truth
and nothing but?

my love for you is simply
a mathematical additive,
progression series

every new day I love you
is forever
a mighty mite more
than the prior,
a smudged smidge of a penciled line,
taller than the
higher higher notated
upon ancient yesterday's doorpost

ergo,
ip so factoid,
and therefore,
by definition

on some days I love you more than others
    •••


p.s. never have conversations like this in the presence of within-reach newspapers,
for they be
easy rolled and revised
into fearsome weaponry,
suitably for handy smacking"
two six sixteen
eight fifty one am
Nat Lipstadt Feb 2016
~~~

when between the table and the fridge,
she wishes to pass,
and I,
obstacle roundly present,
am alerted by a gentle squeeze of my ***,
happily acknowledging the purposed duality of her

cheekiest, sweetest,
signal given


~~~

a food array presented,
paprika colored roasted chicken,
spaghetti squash salted,
salad with cranberries, candy walnuts,
even raisins hidden within and
all before me placed

she objects little,
with eyes silent uplifted
like two pie rollers in striking position,
when I commence to sup,
with my just dessert
of apple crisp,
that by coming first,
is grandly philosophized,
that today,

"the last shall be first"

~~~

she wakes me prematurely,
her only cause, the intruding concept
of her successfully doing the telling,
first one to win the everyday claiming race,
the first to say on this day,
I love you foremost and also,
"haha I win"

**** it

~~~

miscreant me,
happy loafer,
habitual offender of other things
that the censors here,
would not permit explicitly disclosing,
for which she looks wise away,
mumbling only
"half of his
addiction to cinnamon raisin loaf,
still, far, far, better

than none"

~~~

I know she loves me cause:

1) she likes unfailingly every one of my poems
(a half truth)
2) she loves best, faithfully,
those she loves the best,
that are the ones that release,
without permission asked,
those that come with a side of tissues,
at the ready,
to be emergency issued

those tissues
I call,
the ladies-in-waiting for

**the gentlest stream of tears
Feb 2016 · 3.3k
catch the cockroach cuckoo
Nat Lipstadt Feb 2016
~~~


in a four lion pawed,
old fashion
bathtub,
soaping and playing
with my two boys,
then, young children,
splish splashing,
playing games,
a wet version of capture the flag,
the winner gets to scrub someone else's back
with a flag
of the slipperest bar of soap,
ever,
in a game we called,

catch the cockroach cuckoo

***.

the floor is totally soaked,
your mom's gonna **** someone,
the bath mat weighing now 'bout five pounds,
not including the no tears shampoo that miraculously
is bubbling up from it,
an actual
groundswell of
shining eyes

and oh crap,

your pj's!
on the floor!

we all gotta go hide real quick
in the crazy better-be-on-high dryer,
more happy shouting, tumbling,
to get them and
our selves
back to a
ready-to-wear- state,
with a wearable, Johnson & Johnson sham-poo,
sweet-smelling encasing,
ready to be swept beneath a talcum powdery snow-angel coverlet,
into a slippery ready-to-sleep state

"quit all that screaming you guys,"

a piercing late entrant
to our Las Vegas gaming bath~table,
heard through the door,
deserving of a ten second
almost silenced,
fearful, giggled appreciation

then some one sang out

catch the cockroach cuckoo

and the fun and games recommence,
all of us,
soap search engines,
began again,
fully reenergized

don't gotta clue,
why this old fool fills
his memory sac this day,
with this silly,
refried-ain't-worth-a-hill-of-beans
peyote poem-visions from
decades older(1)

nowadays, he still plays,
still a super soaker bath man,
reliving old-fashioned soapy games
with a new Kingston trio,
me, myself and I,

and still hearing voices,
absent and present,
coming thru the walls

"you making a mess in there? better quiet down!"

but today's voices heard
are from within born,
not real,
an updated, revised recollection of the
went, and now,
gone gone gone

these voice now mocking the messes made
of bathrooms and
lives,
his own,
and the other players,
their lives
that this man sealed and help fashion,
for better and some,
for worse

and the
updated "better quiet down" sound heard,
well, that's jes me trying
to convince the too familiar new trio,
that the
harmonies of that vision,
ain't real
no more

and he finds-the-soap game
nowadays,
can't give you relief,
cannot remove,
the uncleansed residue of them
other
oldest soap **** guilty memories,
consisting of too many undisclosed,
then, unrealized mistakes,
that any parent,
all parents,
or this particular parent,
raises up,
seals and makes


~~~
5:21pm
1/30/16 NYC

(1) I subsequently realized that Pandora
played Crosby, Still and Nash singing
"teach your children well.
their father's hell,
will slowly go by"
Nat Lipstadt Jan 2016
the surprisingly sweetest clementine

amidst the marble and stone pillars
of the museum's fifth avenue grand hall,
a woman grows faint and woozy,
and the Egyptian artifacts five thousand years old,
re-proved as reusable, sustainable,
as leaning-against-posts
for the dizzy

the boyfriend well familiar
with dehydration side effects,
from pocket pulls a natural pill of
a sweet clementine,
restoring the well
to the good

she marvels at
how came I
to place a survival kit in my
coat pocket?

smiling, he confesses
his fondness for
providing
for all her needs,
known and unknown

even carries an inventory,
with back ups to back ups,
assorted sundries,
he calls it,
proving his point too well,
reaching into the other
pocket and offering
yet another,
a second helping
for his,
oh my darling,
sweetest clementine

she, undecided,
laugh or cry,
both equally attractive amazement solutions,
says only:

I love you for reasons,
known and unknown,
now,
take me home
for reasons
now known,
and others,
as of yet,
most happily,


unknown
a  true story.

P.S. he hates carrying anything
Jan 2016 · 1.7k
shelter from the storm
Nat Lipstadt Jan 2016
Shelter from the Storm
by Bob Dylan**

'Twas in another lifetime, one of toil and blood
When blackness was a virtue the road was full of mud
I came in from the wilderness, a creature void of form
Come in, she said
I'll give ya shelter from the storm

And if I pass this way again, you can rest assured
I'll always do my best for her, on that I give my word
In a world of steel-eyed death, and men who are fighting to be warm
Come in, she said
I'll give ya shelter from the storm

Not a word was spoke between us, there was little risk involved
Everything up to that point had been left unresolved
Try imagining a place where it's always safe and warm
Come in, she said
I'll give ya shelter from the storm

I was burned out from exhaustion, buried in the hail
Poisoned in the bushes an' blown out on the trail
Hunted like a crocodile, ravaged in the corn
Come in, she said
I'll give ya shelter from the storm

Suddenly I turned around and she was standin' there
With silver bracelets on her wrists and flowers in her hair
She walked up to me so gracefully and took my crown of thorns
Come in, she said
I'll give ya shelter from the storm

Now there's a wall between us, somethin' there's been lost
I took too much for granted, I got my signals crossed
Just to think that it all began on an uneventful morn
Come in, she said
I'll give ya shelter from the storm

Well, the deputy walks on hard nails and the preacher rides a mount
But nothing really matters much, it's doom alone that counts
And the one-eyed undertaker, he blows a futile horn
Come in, she said
I'll give ya shelter from the storm

I've heard newborn babies wailin' like a mournin' dove
And old men with broken teeth stranded without love
Do I understand your question, man, is it hopeless and forlorn
Come in, she said
I'll give ya shelter from the storm

In a little hilltop village, they gambled for my clothes
I bargained for salvation and she gave me a lethal dose
I offered up my innocence I got repaid with scorn
Come in, she said
I'll give ya shelter from the storm

Well, I'm livin' in a foreign country but I'm bound to cross the line
Beauty walks a razor's edge, someday I'll make it mine
If I could only turn back the clock to when God and her were born
Come in, she said
I'll give ya shelter from the storm
2:17 am
listening to the prophet, this one of many,
one eyed undertaker, blowing his futile  horn...
Nat Lipstadt Jan 2016
~~~


every word I write is a tribute


now listen here,
let's clarify the inescapable,
what this tribute thing means,
cause what I'm doing here,
ain't exactly clear

everything we write,
is only a watery-encapsulated
reflection of our lives,
which of necessity,
will always be messy

what the heck does
this guy mean.
when enlisting
this shady word,
tribute?

at 3:10 in the AM,
tribute is dressed in its
more defy-nition sinister,
a bad news speaking cultural minister,
who never fails us
by reminding,
tribute originated
as the nasty kind:

"any exacted or enforced payment or contribution"

every **** word
that I've written
is a **** tribute,
an exacted, enforced, wrung from,
payment
of a pound of flesh,
Shylock's variety pack kind

I'm not bitter,
a touch angry, perhaps,
even brave, ok, unafraid,
to admit, overall,
got it pretty ok

but that I still struggle
to get that satisfaction,
in everything minute and daily,
the tiny and the tremendous,
the cost production load only goes
unicycle upward sloping,
this crisis crazy we call being
alive,
and to you,
who keys and ken
my meaning well


herein is my good kind side
my paying
tribute
to you, your courage,
even me, periodically,
for awakening and walking
into the unknown outside,
and giving it up
in our travelogue of
shared poetry

5:48am
Jan. 21, 2016
NYC (aboard the stationary bike,
paying tribute for forty years of sinning)
for Joel, for Lesli
Nat Lipstadt Jan 2016
I recently came across my first journal of poetry,
written in my early forties.  A tumultous time in my life, I kept a hand-written journal and the poems flowed.  It began on a (recovery) escape~vacation to Mykonos and many other Greek islands.  Unable to sail, (stuck on Mykonos by fierce winds that grounded even super tankers),  I wrote to pass the time.   Even then, I dated my poems, noting when & where the poem was composed. Themes were employed, that twenty years later, reappear (to my surprise) frequently, in my poems of today (by example, "The Wind of Correction").  Even then, I wrote long, way too long poems, some good and some awful ones. Judge this, one not too harshly, judge it as a first endeavor, simplistic, crude and heartfelt.

What seems to have triggered poetry to be the outlet for my emotional upset, as a father of young children, in the midst of a bitter divorce, was a Greek poet, Cavafy,  that I must have stumbled on during my visit
and a particular poem he wrote in 1908.  I include it the notes in shock and awe, for it unconsciously informed my "style" and seemingly, or unseemingly, still does.


The Geometery of Greece
(His Very First Poem)

~~~

the geometry of Greece
is the perfect intersection
of clear blue sky,
right-angled to azure waters,
with puffs of white clouds
to mark off distances

only
the wind is non-linear,
like feelings,
the wind,
it washes and caresses you,
envelopes and wraps you in
its totality

what it all means is this:

all that I know,
all that I love,
have, got and given,
is leaking and pouring and leaking
from the rectangular shape
what I
now know as,
now call,
my previous life

so now,
the winds of my true self
direct me on a course
that can be plotted
but one day,
one island ahead

no long range planning
on the sailing waters of Greek isles,
the wind does not permit it

the perfect line of the horizon
is not anymore a limiting
boundary

rather,  
the sourcing place from which
the wind comes,
that buffets,
to and fro
throws,
carries me forward,
and ever backwards too

this horizon line
that I sail towards,
neither marks nor closes in,
it is always there,
to be sailed to,
ever anew,
to renew

~~~

August 6, 1993
Noon
the Isle of Mykonos
As Much As You Can
by C. P. Cavafy

1908

And if you can’t shape your life the way you want,
at least try as much as you can
not to degrade it
by too much contact with the world,
by too much activity and talk.

Try not to degrade it by dragging it along,
taking it around and exposing it so often
to the daily silliness
of social events and parties,
until it comes to seem a boring hanger-on.
Jan 2016 · 945
nearly
Nat Lipstadt Jan 2016
nearly



"with close kinship, interest, or connection; intimately"


~~~

it's n-early for natty,
dressed for gym penance in his
dress blue
sweats

but instead of working out,

he's working out
a gymnastic, mental, laboring problem,
that the muse mistress musters him out
to out,
and to attend to
the birthing of t-his
composition

a re-erupting volcano that
has gone and got him good,
now he's a man intimately
possessed,
with completing, recording,
an unabbreviated log of
oh so long ago's,
a list of the
oh so many

nearly

line items in his
life's lineage

nearly

went a whole life lessened by being
love less,
which always calculates as
a life lived
forever insufficient

nearly

was intimate
only
with tears self-shed,
on a single pillowcase in
a double bed,
that was unfulfilled,
no intersecting
humanity

nearly

permanentized
kin
ship
as a
dictionary definition official
for a
sunken vessel,
a drowning one man scull,
racing toward a finish line
that had no visible
finish

nearly

lost both sons, lost years, lost friends
lazy living in the slow, low heat
of a burning hell
of zero connections,
thinking the proper cost/benefit solution
was always,
never to be
greater than,
always
less than one

nearly

packed it in,
while overlooking a temptress river,
calling me out swiftly from the
slow lane of loneliness,
offering a

nearly

certain final outlet sale,
a mark-down event,
for clearing the heavy, overladen shelf
of over-weighty
al-one-ness,
a sale of singular single
cell marks upon human flesh

nearly

died a miserable man,
and still may,
from who knows what
pestilence consumption

but

never

from never knowing,
for the lacking of,
the unadulterated love
of a good woman
*

and that is
more than,
greater than,
>
all the unknowable
nearlys

and more
than any other
nearly,*
life may yet
deny me,
or
curse me by


~~~
6:45am
Jan. 18, 2016
NYC
for Steve (Sjr1000) whose nearly always,
inspired comments
reminded me that
nearly
too,
can be
flawless,
in its own right
Jan 2016 · 2.1k
A Flawless Poem
Nat Lipstadt Jan 2016
~~~

a flawless poem
if such there were,
will always be,
the next one

my poor soul,
my rag tag heart,
has no censor,
so careless, reckless,
as if words were but
frivolous treasures,
easy get, easy spent

if only,
how I wish,
could harvest my best,
and with golden cutlery,
excise
the single flawless poem
that I know is in my possess

lay down this hand, so weary,
from cupping tears,
be satisfied at long last,
so much so,
that when my casket lowered,
two hands in repose companioned,
clutching his best,
to ease the rest,
a papered poem record to join his whited ash,
his flawless poem,


his very best

*now eternal,
at long last
first published here
on
Jan 13, 2014
Jan 2016 · 770
reaching hard for words
Nat Lipstadt Jan 2016
~~~


reaching hard for words

~~~

enter tip toeing,
the loudest noises off,
save for a silent, seriously-forming smile,
re-designing your face,
while in the orbit of early morn,
mapping your return to the planetary
bed
all the while,
observing her
while closeted, comforted and cloaked,
upon their/his
landing zone bed,
honing your return re-entry voyage
home

the blonde in her traditional,
sleep arms slung in wilding, disarrayed
repose,

and
her breathing stride,
regularized and still,
yet so humanly unpredictable
wild ride

and your are surprised

by surprising yourself,
once again,
that you're in this position,
when an unforced, yet an enforceable,
warm hearted girl-glad,
chest centric?
envelops and coddles
and yet
shocking you,
that this never-expected-gift is capable of being felt

at in over up outside inside
below across beneath above and the
all encompositional prepositional,
throughout

forms of its own accord,
not asking permission,
to exist within

your body that not so long ago,
forgot where it kept
the
how-to manual

and you,
obligatory poet,
noblesse oblige,
try reaching hard for,
top shelf, newly combinated,
adjectival adverbial nouns and
verb words
to encapsulate this
shocking development

but finding none,
save for the the silent, seriously-forming smile,
busy re-designing your face,
quiet like,
it,
thunder claps slaps
in your mind

enough!

your smile is
this time

self-speaking sufficient
and
there is no need
to reach for words


~~~


9:03am
The Sabbath
1-15-16
nyc
Jan 2016 · 862
in the losing is the saving
Nat Lipstadt Jan 2016
~~~

sometimes right and wrong,
good and bad,
are accurate single summaries of
the momentary episodes,
the essays,
that constitute the whole human voyage
to parts unknowable

there are but a handful of persons
who might fit the lightness
of your loveliest of theories

but how could you know
that long ago,
one declared independence from the
oppression of personal dependencies,
from either
admissible fear,
more than,
admirable courage

and yet,
those few,
those so very precious few,
a band, a squad, a fireteam
of successful piercers of
the bark of an ever scaling armor,
are warmth welcomed and comforted
within my hearts hearth,
under the protection
of my soul's furnace,
for welcoming flawed me,
fully,
without reservation

Nowadays,
I write mostly for
the lost children,
the lost loves,
the long agos of long ago,
those whose caring and loss,
scars and medals
somehow
were adjudged,
deemed too costly,
for everyday wearing

and for
those mates,
whose caring and the sharing
of their losses,
demands memorization, savoring,
writing down,
proofs of open boundaries

for me,
in the losing, is the saving,
in the poems that honor recall,

therein, thereof, and
thereby,
gaining
for our lives,
a modest, husbanded,
allowance,
a fund mutual,
of caring,
hard earned
and keeping us alive


~~~


October 26, 2015
8:48 AM
NYC
Nat Lipstadt Jan 2016
~~

snippets 'n' clippings
(one cent poems)


~~~

I well recall the
rare, early days here,
when communitas was the
only guiding principle,
seldom was heard
a discouraging word,
how sharing each other's
innermost,
was
the most,
the finest,
expression of the ultimate humanity
inner,
that we choose to accept,
when wearing the
poetry cloak,
was to possess
a notional emotional
grace
supra-national
in a shared world heritage site,
that best that one poet could ever hope to obtain


~~~

true quiet

is reinterpreted,
better understood,
it is a locale precise, a
terminus finale
where calm intersects, perfects, blends,
with a certain warming temperature,
both being,
natural noise suppressers,
both beings,
a combination reflection,
viable only in a
singular coupling

the ending
reached,
a realization
breached,
true quiet comes best
in pairs,
when the heart and mind are
synchronized with
another

~~~

but
there is some
softener within
all this disappearing ink

recalling that you knew yourself
well enough,
to give up,
when to walk away
so rightly so,
when you heart knew
what wasn't left,
wasn't just quite
meant
to be
ship-righted

meaning
fair superseeded implanted desire,
and you
left-leaving, left-leaning,
on
the right stuff

here you sign off,
almost forgiving certain sins
so flawed for being so
human,
such as contemplating,
the wonder of wonderment,
the fragility of frailty,
the knowing of never
perfectly knowing


~~~

no finale,
no solution,
to our rooted rutted
hated fate

yes, ours,

for am I not too
numerically wrist-tattooed?


guilty for praising God and
seeking favor with all the people,
the Lord counts me in our numbers,
every day by day,
these present and souls past,
living mated with
despotic hatred

be ever sophisticated,
cyanide cynical,
no news here, this too
shall pass,
parse a new year approaching,
and none the wiser

~~~

*but the wind that gets no acclaim,
is the wind behind us that straightens the hunched,
the wind that has no illustrations of its un-famous name,
'tis the wind of correction
that lifts
the wings of the becalmed,
the bewitched, and the downtrodden,
the one that lifts chin from chest,
the one that energizes,
cures the curvature of our spines
to make us sally forth, clear eyed and optimistic,
leaving behind the residue of debris of destruction

when blown off course, be patient,
for a course correction by a kinder kindred force
will set you aright, push you into flight.,
for this wind comes to everyone,
someday, sometime

you do not know the wind of correction?

unfamiliar where and when it blows?

perhaps you call it something else?

I have heard it said,
that its other,
more
correct,
true name is
love
snippets 'n' clippings from some re-one-cent poems
Jan 2016 · 1.0k
F & F (1st/most)
Nat Lipstadt Jan 2016
~~

First & Foremost

~~~
a friendly competition,
not of erudition,
more a contest of
speedy eruption

who will be first,
for quenching their thirst,
on not any but only
every,
day of their togetherness,
to declare, swear, affirm,
that their love for the other
is the greater


a race
where both win,
by crossing the
ever-moving forward,
the unfinished line

a never static series,
much more than merely being
a claimant of a trite first place,
more akin
to momentarily being
at the head of an unending
mathematical
progression,
(1 + 1 > 2)
solvable if and when
leap frogging
over each other,
extending their combined reach

when one is
first
to pronounce
this daily blessing
at the
beginning of the
new awakening twenty four,
of their joint custodied
imprimatur,
silently implied,
I love you
with a simple syrup summary



first and foremost

one, if by pillowed whisper
two, if by text

a succint messag to the other,
their love is coming fresh direct,
with an invading intensio,
deserving recognition
that a new edition will be
published
on this very day,
with the
same exact
freshly steaming coffee'd,
bannered headline,
that my love for you,
my darling sweetheart is


first and foremost

condensing with a
yellowing smiley face,
in these illiterate days of emoticons,
unacceptable,
yellow carded,
though summarizing acceptable as

F & F
or
1st/most


formats
that have been adjudged
to be
an A-Ok entry,
in the contest
without a foreseeable ending
and

that no one,
but only both,
can possess
the winning record


~~~
6:21am
Jan. 9, 2016
nyc
Nat Lipstadt Jan 2016
I well recall encouraging
in the early days,
sending messages to and from,
what was beyond and in between,
what lay between a woman's
wind tossed
heart
and her
breathless, winded,
words

these spaces,
so wonderfully human
and fine,
that we better
recognize
their existence
in ourselves,
through her words

motives purely
selfish, then, I guess,
words pearly,
gifted and given,
how we find the same language,
forges all
our contexts,
with a binding grace,
that elevates us all
beyond and un-between,
above
life's grays

I well recall the
rare, early days here,
when communitas was the
only guiding principle,
seldom was heard
a discouraging word,
how sharing each other's
innermost,
was
the most,
the finest,
expression of the ultimate humanity
inner,
that we choose to accept,
when wearing the
poetry cloak,
a notional emotional
grace
supra-national
in a shared world heritage site,
that no one poet could ever hope to obtain alone

I thank you
once more,
one more,
time and time again,
for the bloom
of your rose,
gifted to all we
itinerant dabblers,
in a world where
words and will,
literary and love,
transforms and re-forms
each other
with the constancy-frequency
glowing alliteration of
an early morn Florida sunrise

you are among the best of us,
we will brook
no,
this denying,
keep us together,
be the poetic glue,
the ganglia connecting us,
this ragtag band
of brothers
and
sisters,

after all this
are we,
not the lucky ones
who read, observe, feel,
and love the special aura of
the poetess

Ketoma Rose*
~~
with affection
nat
8:43am
Jan. 9, 2016
nyc
Nat Lipstadt Jan 2016
~~~

for S.

~~~


six months, two seasons later,
summer poet,  
now a transpositioning,
chilled, blustered & wind blistered,
winter observer,
arm chair couching,
poetry compositioning,
beneath a cashmere blanket of
the lush quietude of an early
Saturday morning
in the city of eight sleeping
millions

you, poet,
stumble upon yourself,
thumbing upon prior dusty
man-you-tell-all
man-you-scripts,#
recalling the where and the when
of an old ecrire composed,
all the while,
the whole world-arounding,
rests, theater-encased,
in the early morn
sound-surrounding
of

true quiet,

for there is nary a visible
source of sound
in this old citified heart &
house

but

true quiet is not the absence of noise

heat-felt fires on a wintered January dawning,
in a silence noisy,
emotionally reverberate,
wild spreading from icy toes, to red nosey,
heck, the body entire,
quiet sweet jam filling,
with the silent crackling fires
of the metaphors of
love

the mind reversely calmed by
fevered puzzlement
mystified by the mystery,
simplistically complex,
how his soul got married
in manner beyond extra-legal,
an internet irregular,
superseding the less-than-the-so-superior,
superior courts of regulatory
administration

to another
currently sleeping, resting only,
a Fitbit confirmed,
thirty nine steps
away,
but a lifetime needed,
to be taken to her,
hidden in a but-a-block-away location,
to find and keep
nearer

in a way, a way,
discovering Columbus-you,
a cacophony of silent metaphors,
waxing, ruminating,
upon the detailing
of a strange and straining
voyage
to this no longer remote,
undisguised visionary land of
love

in the summer the insects battled,
who could chirp most vociferously,
under the trees of competive birds,
mostly mocking the tiny creatures efforts

while the summer ease breeze called out,
in tunes soul-refreshing,
and you were then
quieted
in remote places,
in remote places within
where calm,
rarely claimed knowledge or
kinship

in the city, with sky undecided,
night to flee, day to welcome,
the streetlights flicker in a muted code,
cold air shakes the street signs to and fro
diligently, silently, working
while its underling humans,
all still noisly
dreaming

the racketing pounding of
a love poem escaping,
the whooshing breaths,
all capitulate to the supremacy of a
new testament definitional

true quiet

is reinterpreted,
better understood,
it is a locale precise, a
terminus finale
where calm intersects, perfects, blends,
with a certain warming temperature,
both being,
natural noise suppressers,
both beings,
a combination reflection,
viable only in a
singular coupling

the ending
reached,
a realization
breached,
true quiet comes best
in pairs,
when the heart and mind are
synchronized with
another's
composed Saturday, 5:30 am,
January 2, 2015
nyc

below, the country, summery version
June 7, 2015
~~~
# Lush is the quietude of the late Saturday afternoon
~~~
Lush is the quietude
of the late Saturday afternoon,
rich are the silencing sounds,
as variegated as the shades of greens
of a man-seeded, nature-patchworked lawn

rays reveal some bright,
some yellowed spots,
all a potent color palette

resting worry wearied eyes,
untroubled by the gentle fading light's illumination,
that soon will disappear and seal officially,
another week gone by

the lawn,
acting as an ceiling acoustic tile,
absorbing and reflecting
the varied din of disharmonious
natural sounds orchestrated,
an ever present reminder
     that true quiet
is not the absence of noise

I hear
the chill in the air,
insects debating vociferously
their Saturday evening plans,
the waves broom-swishing beach debris,
pretending to be young parents
putting away the children's toys for the eve

the birds speak in Babel multitudes of tongues,
chirps, whistles, clicks and clacks,
then going strangely silent as if all were
praying collectively the afternoon sabbath service,
with an intensity of the silent devotion

this moment, i cannot
well enough communicate,
this trump of light absolutes,
and animal maybes,
that are visually and aurally
presented  in a living surround sound screen,
Dolby, of course,
all a plot of
ease and gentility,
in toto,
sweet serenity

here to cease,
no more tinkering,
leave well enough,
plenty well enough

DeadRoseOne
Nat Lipstadt Dec 2015
~~~
Disappearing Ink Thoughts:

"Nothing that involves the love of an honorable man"

~~~

One checks in
with the periodicity of
semi-regularity,
a
how ya doing?
sent off by mounted Messenger
to:

good friends,
fellow poets,
former lovers

yes,
it can be
either,
both,
and
even
one and the same...

her reply arrives -

"I am fabulous"

you twinge
with curiosity and whimsical,
mortal fantastical,
creaking regret

for it's from the one
you didn't keep closer
but
so easy was it,
it well might have been a

been

disappearing ink thoughts
start to pen themselves,
on both sides now
of your
two-sided containment chambers
of the heart

does it mean
she's found
another lover?

so you
dancingly
not-so-innocently,
add-on a moonshot probe,
a reply comes...

"nothing
that involves the love of
an honorable man"


are you so obvious,
you groan, forehead smack,
is everything that lies
between your simplistic but
not-so-cunning lines
so easy apparent,
in this game of
liar's poker?

disappearing ink thoughts
start to pen themselves
on both sides now of your
two-sided containment chambers
of the heart


a mixed bag evoking,
a whizzing admixture of
guilty and sad,
fond memories,
sutured together
by alternating slews of
"what ifs" and "what is"

maddening, your mad imbalances

the heart is divided-
left and right

what you have
left
behind,
the seen and the unknown

what you have checked off as
rightly acts of both
rare and well done,
simultaneously

and

you separate the darks
from the lights,
as you subdivide
this conflicted
second-place-derived
"honorable mention,'
the complimentary multiplicity,
of a most pleasant
yet withering assassination,
winning by losing,
by being called

an honorable man

something makes one uncomfortable,
as you write/lay this
epistle *** elegy down
when you are up,
beside your truly
"love the one you're with"

leaving one unsure of where to place
this particular, peculiar,
inscription

are you left or right
sided here?

hard pressed
to uncover honor here,
as shameful, don't-go-there's,
reddens the face
in a darkened
bedroom

but
there is some
softener within
all this disappearing ink

recalling that you knew yourself
well enough,
to give up,
when to walk away
so rightly so,
when you heart knew
what wasn't left,
wasn't just quite
meant
to be
ship-righted

meaning
fair superseeded implanted desire,
and you
left-leaving, left-leaning,
on
the right stuff

here you sign off,
almost forgiving certain sins
so flawed for being so
human,
such as contemplating,
the wonder of wonderment,
the fragility of frailty,
the knowing of never
perfectly knowing



~~~

Dec. 31, 2015
7:59 am
Flight  #1011
Seat 16C
Somewhere over the
human landscape
Dec 2015 · 733
Therefore, Jew
Nat Lipstadt Dec 2015
~~~

Therefore, Jew,
Though justice be thy plea, consider this,
That, in the course of justice, none of us
Should see salvation: we do pray for mercy;
And that same prayer doth teach us all to render
The deeds of mercy. I have spoke thus much
To mitigate the justice of thy plea;
Which if thou follow, this strict court of Venice
Must needs give sentence ‘gainst the merchant there.


Shakespeare
The Merchant of Venice

~~~

Dedicated to all people who are
persecuted for their ethnicity


~~~
Therefore, Jew

know all ye men by their
presents
an invitation
to be seated in the imprisoning box,
resting upon and before imbalanced scales,
perforce, by force,
this low world court
of the blinded
and still, and yet,
a chamber filled
of honesty-depleted
unjust men,
courtier witnesses,
of hate repleted

expect only mean justice serviced
for in the course of justice,
none of us
should see salvation


the scales pre-set,
one side favoring,
by the "virtue" present
of the tipping lean of
finger-pointing, weighty, pointless,
consuming hatred

the world despises you, Jew

this sunrise surmise,
no surprise, routinized,
freshly delivered daily
to thine inbox's unsettling
junk mail

so,
inviable victims, you bookish people,
be well unforgiving,
for to fore,
the new day commences,
supplying fresher welts and taunts,
soured served upon a
cracked, blackened,
break-fast plate

no finale,
no solution,
to our rooted rutted hated fate

yes, ours,
for am I not too
numerically wrist-tatooed,
guilty for praising God and
seeking favor with all the people,
the Lord counts me in our numbers,
every day by day,
these present and souls past,
living mated with despotic hatred

be ever sophisticated,
cyanide cynical,
no news here, this too
shall pass,
parse a new year approaching,
and none the wiser

refrain from the pain,
cease to pine and whine,
de-rank from sniveling logicians
for all such propositions,
are
by silence answered

Hath not a Jew eyes?
Hath not a Jew hands, organs, dimensions, senses,
affections, passions;
fed with the same food,
hurt with the same weapons,
subject to the same diseases?
healed by the same means,
warmed and cooled by the
same wind?

but even the wind
turned against us,
for nothing is sacred,
even a deity's creation,
when men
raise up their children
to rise up
to hate

Therefore, Jew,*

seek no mercy
in the court of men;
thy salvation
and thy recompense
has forever been and will to be,
seak not to wash away
the surfeit return of the ilk of unwarranted hate

code nurture the silent
divine spark
within,
for that is the entirety
of your obligatory,
ancestor-inheritd gift,
this alone
you shall
warrant
and speak,
acting accordingly,
for this is the whole of
your plea
*. http://m.jpost.com/Israel-News/Sports/Israeli-youth-windsurfers-barred-entry-to-Malaysia-for-world-championships-438220#article=6017MTMyQzAyOTEzQThCRjRBQ0RFMUNFNDkwRTBGNzZBNjM=

hardly a surprise to me,
that the reception to this poem is
chilly
Nat Lipstadt Dec 2015
Time: 7:30 pm
Temp.: 68F

~~~
overlooking the runways,
festooned by
accidental heavenly whimsy,
or humanistic whimsical inten-sity,
all the the planes and trucks are flashing
electrifying speckles, of eclectically synced
red and green

it is not my holiday,
but no matter,
like every New Yorker this day,
I am happily celebrating its
double U,
unique, unusual

"record breaking warmth"

yes, the Fahrenheit is outtasight, and by the dawn of
early eve~night,
the Centigrade is spiraling in reverse retrograde,
as the temp eases on down, just below seventy degrees,
on this dewinterized twenty fourth day of
December, two nought and fifteen

traffic is light, the terminal, an unbusy, slim shadow of itself,
the maddening crowds gone, now all are among
the dearly departed and either/or, the newly arrived

so composition of the observational, brings cheer and smiles to my faith,
(I mean my face),
the crowning quietude of clear skies, the absence of street smart
city  bustle and hustle,
the languid atmosphere at the gates,
(where seldom is heard an encouraging word)#
makes me reconsider the true meaning of
the au courant phraseology of this day

"record breaking warmth"

for there is indeed
a calm invisible warmth suffusing all tonite,
chests glowing from fireplaces within,
contentment chamber containers in both hearth and heart,
and I am thinking
miracle,
about all the human warmth
on this celebrated evening,
holy night

indeed,
it is breaking records of
recorded human fusion,
the united commonality of millions warming
his and her stories world-over,
that your personal poet is
warming to record
# but not tonight, as I am
unbelievably,
upgraded!
Nat Lipstadt Dec 2015
For Sheron, On Our Seventh Anniversary:
Bound and Boundless

~~~
different shaped,
a square peg, a round hole,

and yet, the carpenter is pleased

two planes,
different shaped,
yet overlaying,
occupying
conjoined space,
angular symmetry

and yet, the geometrist is satisfied

can


bound and boundless,*

fully opposing notions,
incontrovertible,
yet be in pleasing poetic
combination?

how
can it be,
two bonded,
distinct spheres
contoured with crossover
bordered blended boundaries
exceed aligned,
beyond merest connecting,
overlapping,
intersecting

two circles
electronically collide,
venn diagrammed
to share,
programmed unknowingly for creating
a big bang
of a harmonious, simultaneous
new star creation

this mystery,
this poem,
its
resolution~solution,
comes to the poet
late in life,
yet contented, believing,
it is a far, far
better
thing that he does
now,
than never

life and love
living in unison,
transforming, deserving
of a unique discrete,
le nom est
l'unite

perhaps you are thinking,
this poem, a failed attempt,
neither the best or the worst
of any written anywhere
upon this green globe,
this day

yet he smiles
as it composes itself,
for though without its own sustaining merit,
it is a poem
regarding the best work
he
have ever done,
and the unity
it portrait paints,
is a
nova
worthy surely
of a thousand millennia

and yet, the poet is content
with its
content*

~~~
Dec. 15, 2015
Nat Lipstadt Dec 2015
~~
Dialogue and Oratory Between
SPT and Nat:

~
At the Intersection of
Perfection & Beauty,
By Blue Candlight


~~~


come let us by and by,
soon meet,
under blue moon candle lit sky,
at this worthy intersection of
beauty and perfection,

be together,
contained,
yet unconstrained

let us speak of what
we see and sense,
come to come
to know,
of what does not appear
in this world easy readily,
what lies between
two points,
sharing,
needy of,
crossing destination revelations

It's said of beauty,
once uncovered and
gazed upon whole,
be visible only at the
bottom of the bin of the
picked-threw,
it was here, where, perfection
once was lost
and may yet now be found,
where souls,
singled and singed,
seek to find of,
the perfection lost,
the untarnished beauty
within ones self

from the meadow can be seen
The Field Where Wonderment  Grows,
wild is the bounty of colored beauty
then
and only there,
can oan one,
locate, judge and
accept
what never departs
a self


at the road'meeting point,
at our time and place
appointed,
arrived but come
disappointed,
crossed and creased
by the journeys
travels and travails,
burnt blind,
eyes by life's headwinds,
singled and singed,
and the mind disbelieves, doubts,
the existence verily,
of the locale,
beauty & perfection
from Feb. 21, 2015

Spontaneously combusted; collaboration by, SPT /Nat Lipstadt
'Twas for the first kiss
Reconnecting steps
Together filling spaces
A hallmark of events
Crossing bridges burning touches
Lacing fingers enhanced
A finality
Of our final descent

our smiles
connected,
a pathway molecular
a synapse over distance
thru mindfulness,
two poets embrace
their eyes closed
while opening for the last of the
first times

It was then
she embraced his voice
For not reading his words
For the first of the last time
Tracing his lips
Embarking eternal

lastly the first
was the best,
the fluids tasted
for the first time
we're the most pleasant
scars upon lips
that never forgot nor ever
obtain the same
sense of greatness,
though not for wont,
though not for want,
for such is nature,
Tis the first
that is the most
lasting

Please come back
I'll miss you ever more
It was just like that
I turned to look
And you were gone
Leave but don't leave me
I'll be here when you tire
On bended knee
Like pillars of strength
Surmounted by you
Together we shall
Be the bridge
That together bond
What could never be gapped
You and I
By time and space
Please, I beg you
Look back

look back, an impossibility,
the ******* word lock that joins two poets
at the lips, the hips, at the places
light never sees,
defies atom splitting,
defines the fire pillars
leading us through the dessert

No leaving what is yourself
Physics denies as a first principle,
the circularity of spontaneous combustion
cannot be severed ever,
and he lover/loved her from the first
teasing message, and the last
first poem kiss,
that closed their
sensual space

For they were each others first
And last
To leave
With a kiss
What words could never express
Spontaneously combusted
Nat Lipstadt Dec 2015
contradiction, sorrow, and vulnerability,
a trine labeled as all mine,
yet, this triumvirate, well know & shared,
but more and moreover,
set aside if/when well dared

this comatose trilogy that so oft astrides,
when the beacon moon stands us up
with white lightening,

after hope  has washed away,
out to the sea deep of
crusty sleep,
newer versions of older stories uncovered,
re-revealed,
warmth, golden light and
hope above hope,
in the weakened human heart are,
must be,
unsealed...

a lovely one, a rising one, a revelatory,
a poem releasing secrets,
we can all, with time, all of us,
be healed...


1:40 am
nyc
one new day,
today
a tribute, an ode, to poet Excalibur,
patty m
Dec 2015 · 1.5k
Happy Hanukkah Brother Nat!
Nat Lipstadt Dec 2015
~~~

Happy Hanukkah Brother Nat!

~~~


this poem is not for young lovers,
seasoned soldiers of the heartfelt only need apply,
give me my merry mercy-naries to save me
from criminal holiday insouciance,
shoot me with the rounds of caring,
that come so fast
and last as long as I can
nod and wink...


~~~

used to drink inspiration
from Manhattan sidewalk rain riveted cracks,
turn half overheard street conversation snatches
into half decent poems by Nat(chez),
professors turning phrases, upbringing a brain ratcheting,
choreographers, dancing in body and spirit and word,
in summation, a thief of opportunity...

these days, the pattern prevailing,
the El Niño de Natalino,
is drawing up works
from the wealth of messages and comments,
my troubadours, my y'all youse guys, share,
so as I compose,
not knowing where this goes,
I'm just simple knowing,
that a heartfelt reach out,
addressed as
Happy Hanukkah Brother Nat!
deserves the recognition of its sweet intent,
in a lyric all its own,
like a traditional festival
Hanukkah ******* (true1)

t'is the seasonal affectation of salutations
all commencing with happy,
never struck me as anything deeper
than surficial superficial,
but this time its textual emendation -
the inclusion of genuine brotherly love,
loops, Humpty Dumpty cracks and swoops,
and here I am fastening word combos,
when the clickty clack of the clock
says uh-uh, poem in the making,
natural verbal child birthing, sleep hours docked,
and here I am,
begetting instead of shushing
a day-older brain to get-thee-to-a-hideaway...

this poem is not for young lovers,
seasoned soldiers of the heartfelt only need apply,
give me my mercy-naries to save me
from criminal holiday insouciance,
shoot me with the rounds of caring,
that come so fast
and last as long as I can
nod and wink...


sooner than later it will be the Fourth,
and in my eyes a day-deserving of a fireworks spectacular,
though the month matters not,
the sentiments of brotherhood and live love,
independent and freely given,
deserves enhanced ignition recognition
and herein  supplied...

you had me at the greeting so fleeting,
then ask my advice,
is there to be had a greater compliment,
so my mien and demeanor are now modified

an oath sworn, till the infamous 31st,
every passerby and child
will be bequeathed a shockingly rowdy,
Happy and Merry,
sincerity coated
and tinged with you know what...

~~~
Dec. 3, 2015
nyc
11:12 pm
true 1
http://www.marthastewart.com/314744/hanukkah-sufganiyot-jelly-doughnuts

for one and for all my
y'all youse guys
Dec 2015 · 1.1k
dislocation/punk'd
Nat Lipstadt Dec 2015
~~~

dislocation/punk'd


hey baby,
put one forward,
faking baby steps.

life is hard in different ways,
for so many of us, the days say,
each year of us, walks a unique maze,
hands on the wall, unavoidable tripping on
speed bumps that make one crazed
and that you even see

coming

but inevitable is the red,
swelling, bruises, cutting,
the side effects of what gets said,
the falling-downs of words that are

dislocating

things get said, and you get paid
in eerie and weary,
and the loss of balance,
as if you are just the warm water,
water that slips over the side,
not the body inside,
and when you slip up,
that wet, warm beat-up,
That empty feeling of being is

displacing

you know, well advanced,
that parts of you,
moving around inside,
sources of internal dizziness,
the curve ***** thrown in slow mo
that so mesmerize you
into watching but not swinging,
accepting that the arc,
provides burns skinning,
and you go down 'n out

striking

what ya gonna do?

dust off and upstanding accept,
that some pitches are just **** ******* us,
we the swingers, often miss the ball,
wide of the mark,
sometimes we just stand, mouth agape,
watching the ball coming right at us,
even foreseeing the incoming

paining

what hurts,
is not those rosy red ridge reminders,
the after party of being hit,
but that when getting punk'd,
chewed up, spit out,
you get used to it, and to survive,
to keep your wits,
you spend time convincing yourself,
that you don't even care,
but you find your thinking is all about

rhyming

so when poetry get complicated,
ya get back to where ya
once before where,
keeping it simple,
roses red, violets blue,
what ya gonna do,
but your sense of smell
shot to hell,
what the hell,
thinking just another wet plunking
thinking no big dealing
this one mo' punking,
there will be more

but wonder why
you can no longer make your
simple, confused words to be reduced
by right

rhyming
Dec 2~3, 2015
nyc
a poem that transversed midnight
Nat Lipstadt Nov 2015
the ****** heart
(if ownership of a poem makes you proud, considered it to be...trending)

~~~

~for PoetryJournal~

~~~

the afterglow of the aftermath,
the chest pounding demanding,
tolerating-no-delay apprehension
of the transcription
of what is

the ****** heart soaring,
the lean-back exhalation,
wet eyes that only you
have secret knowledge thereof

this is why we write,
why we beings believe,
because we ask,
why

by the asking,
we grade ourselves,
both by
our words and deeds

step back and
accept the notion
that feels not wholly right,
for inherently tinged,
streaked with human pride,
that all possess,
and possessive of
our all

you are value,
by the words you have chosen,
by the only human
that can give truth to its essential
value

you poet,
are trending
Miami 7:09 am
Nov. 28,2015
Nat Lipstadt Nov 2015
~~~
Testimony & Majesty: Oh God, Why Do You Inflict Me?
~~~


Morning dawning...

Thickened whitened whipped cumulus
come crossing,
no frenzied froth,
moving slow royal, stately,
as if they are the pride of a
celestial navy,
peaceful ships,
crossing from my portal to your port,
traversing from my shade
of the blues,
over to you, poet,
to your personal  screen-adapted
CinemaScope version sights

This wind buffets,
re-directing my
morning~borning hallelujahs
this wind, nameless,
call it chipper, fulsome and volatile,
a proud pusher selling a waking up
near-chill pill,
to accompany the real+imagined
armada of nature
it, near and nearer
to you,
to the sky we inhabit+share,

its *****, stiffening energy,
makes some
hide inside,

not me,
I'm outed by the
harsh welcome~touch of this
realized reminder -

who is the master,
who is but
an obedient servant,
choicelessly writing his
psalmist morning devotions...

another poem of sky, cloud and wind?

Oh God why do you inflict me?
with this time after time obeisance
when I am
metaphor drained and disabled,
abject of adjectives,
simile frowning upside downing,
have we poets not done our dutiful
illuminating your bountiful works?


yet here I am,
a soul surviving,
incapable of resistance,
your frosted creatures persistent,
wrest my visions into prose,
to add to your overly full Facebook page,
with more fawning praise...

Angered have I, you, for now nowhere,
tropical rain squall tells all,
humans are toys,
born to serve,
silence your complaining~explaining,
and from nowhere with
rapido intensity rising,
down pours drops of scornful
water whippings,
demarcating our
incoming existence inequality...


and yet with your
yang and yang,
a reproach for me,
for as it waterspout pours,
it also pours sunshine,
a mystifying warning
to the put-upon poet,
that in the admixture
of nature and life,
all is conflicted,
all is tremulous beautiful,
and now is the
due time...

due, you,
to complete this treatise as
testimony to majesty...

~~~
Miami dawns
Nov. 24 ~ 25, 2015
Nat Lipstadt Nov 2015
It's 5:00 pm,
any poems to share?

my watchwoman, Seamless Siri,
my conscientious conscience,
gives said inquiry daily,
at the precise heure de rigeur,
with the perfection of a
mechanized soul attending to her
imperfect human programmer

poetry, a sometime thing,
comes when it comes,
what the query,
my godmother faerie,
truly seeks knowledge of is
something she cannot measure,
like my counted steps and distances travelled,
what this overseer mine truly seeks to know


why am I here?*

Here. On this earth.  On this site.

have you any new written proofs,
your existence on this day to justify,
were your failings and flailings,
surpassed by any acts of kindness,
this new, freshest penmanship, a reflection,
an accounting of grace and worth,
blogged and logged here
as if only I had
one day,
one poem
left...

at tabulation time, the incisor bites,
are you juiced or morbid,
this, your essayed life,
are the words,
deemed shareable,
is their value,
calculable palpable?

Siri inquires but you are jury

at the late afternoon
trial by fire,
wherein my singed bunt offerings
are produced
at the
wake of when,
my nom I do append

am I deserving
of your recompense
of one more day,
one more poem?*


~~for Harlon~~
5:13 pm
November 21, 2015
Nov 2015 · 1.3k
the wind of correction
Nat Lipstadt Nov 2015
~~~

the wind of correction

*those invisible currents
for which we create labels
like most everything,
comes in shades of vagaries,
colorations of fierce and gentil

some bear the names of hurricanes,
gale forces, and those, the knotted stiff ones,
welcomed by man's power mills and sailing ships,
and the softest of summer breezes,
caressers of my isle sheltered,
for which I must winter~survive,
that have far too short a half-live,
those summer winds that rejuvenate my sinking soul

but the wind that gets no acclaim,
is the wind behind us that straightens the hunched,
the wind that has no illustrations of its un-famous name,
'tis the wind of correction
that lifts
the wings of the becalmed,
the bewitched, and the downtrodden,
the one that lifts chin from chest,
the one that energizes,
cures the curvature of our spines
to make us sally forth, clear eyed and optimistic,
leaving behind the residue of debris of destruction

when blown off course, be patient,
for a course correction by a kinder kindred force
will set you aright, push you into flight.,
for this wind comes to everyone,
someday, sometime

you do not know the wind of correction?

unfamiliar where and when it blows?

perhaps you call it something else?

I have heard it said,
that its other,
more
correct,
truer name is
love
For TMR
Nov 2015 · 1.6k
The Resurrection Blessing
Nat Lipstadt Nov 2015
~~~
to whom do I address this?

to whom do I
forward fling, weep and sing,
this bequest~request,
prayer~***~worship~***~blessing~***~
howling
to and upon?

where shall I commence?

for there is no beginning or end,
resurrection,
a continuum,
a progression permanent,
from inside out
to harmonize, coordinate,
what the outside has taken leave to
inject, insert,
to our selves query,
our life hood very,
impoverish our senses
and still, and yet,
to ever inspire and seed
relief

do you possess that requisite
belief?

that all
that is illogical,
beyond sensory comprehension,
that all
is a steady running creek
of fluid starting points,
none that can be deflected,
nor forever held

that all,
being demands unchosen but acquired,
that all,
demanding constant reflection,
and realization
that the acceptance mystery is but a
molten crucible
wherein wonderful and awful
must of necessity,
coexist

so you alone must construct,
what chance desires to destruct,
weld the joints of new iron works that
require the bonding of a special solder
of asking and acceptance,
to be the special soldier
of acceptance
overcoming that which we can never accept,
yet must

be purposed to build high the edifice,
to stand upon the crane,
to look down on what
has been lost as well as
not yet gained,
and that
requires saving

to see the far, observe the near,
merging both into a single point ring alloy,
manufactured in order
to never forget
to be forever certain,
it is within our assured power
to comprehend and apprehend
belief in blessed resurrection

where there is no birth nor death,
no start nor finish,
just the
munificent satisfaction
of lawful acceptance,
that all we build of any matter,
that which we create,
cannot be destroyed,
but will be recreated,
for that is the purposeful meaning
of resurrection now
and every day forward


Atlanta, Georgia
Nov. 16, 2014
for E.R
Nov 2015 · 2.4k
How Many Calories in a Poem?
Nat Lipstadt Nov 2015
How Many Calories in a Poem?


visualizing the invisible,
we deconstruct the content,
the in-titled label reviewed,
querying,
is this one worth the cost?

looking for true fiber,
then further inquire,
perchance,
are there grams of
kick-starting emotive proteins,
stored and lurking within,
homes for the cells
that will inspire, transform,
mere readers into mountainous writers

lean on those scripts,
injected with just hints,
resting ribbons of flavorful fat equipped,
for there will always be
the tyranny
of the those of the sparse faith,
those writers of haiku brevity,
believers that
fat free,
is the only,
but lonely,
bene of beauty

death from ignorance to those
who would poison the fruit
of the alphabet tree,
coat produce, with glossy chemicals,
that preserve the shiny exteriors,
cooking up false feasts interior,
saturating us with the trans-fats of trite,
oily verbosity and labels of organic,
that conceal the risks of
hyper-pretensivity

an every poem, seasoned for taste,
a dash of diamond sea salts,
scatter on pinches of pearls
of Caribbean cane sugar,
sprinkle human sins and cinnamon
for zest and tang,
for inspiration and flavoring,
for the souls tonguing tastebuds,
needy for reasons
to celebrate  commissioning
the enticing exhalations of appreciative
oohs and ahs!

Warning!
this poem was processed
in a old, out-of-date factory,
that is most assuredly not,
nat-nut free*

but even if allergic,
be unafraid to taste the acerbic,
for there are
poems
suited for everyones, even your
peculiarities

you want your essayed poems
to brim healthy caloric,
grow them as offshoots
of your very own organs

you need not seek anothers certification,
if filled they are
with the mettle of iron,
built to be
calcium-fortified structures,
with the perpetual strong bones
of rhyme and sonnet

let each worded edifice
be the food,
stored to be gifted
to our progeny,
by their ever living on,
marking us,
marking them

omit the trite,
we ken no need,
for it is the false emptiness of
misleading carbohydrates,
that only fatten,
for the briefest satisfaction,
purposed for the killing of fulfilling,
dulling that which only
a well prepared
dish poetic,
can bring to healthy enliven
the human spirit




Nov. 12, 2015
Aboard Delta #2499
5:10 pm
when you are trying to lose weight, you obsess about bad calories
in everything...
Nat Lipstadt Nov 2015
~for Steve R. & Stephen Y.~

"two regrets are mine -
not finding you earlier in life when...words would have carved for me a better road, and...not hand-ing you a touch, the perfect tightness-shake of one's hand reserved for fondest friends and the light press on one's back deserved for dearest brothers!"
~~~

the light press surety of five fingers on one,
oh, what messages it composes, oh, what duty weighty it transmits

dear brothers:

tho this hands-on handoff, this fly-over, is still a  
mission unaccomplished,
yet no regrets, please!

men don't overuse superlatives,
what you lovingly uncover in my rocket-verbal Mars probes,
is more telling, more revealing of  who you are,
than any hand-tightness shake,
any touching grasp, could e'er convey

yet I promise, forsworn upon the cross
of the north west Pacifico latitude and longitude
a latitude that just happens to intersect
my olden, new english state,
knowing that Interstate 90
a straight transcontinental shot,
and the car keys just an impulse grab away

to tell your arms, your face, your back, our hands,
that when you love my poetry,
you love me,
you friends,
are an affirmation of  Pablo Neruda's words:

"whoever discovers who I am
discovers who you are"


fondness is not distance constrained,
touching grasps pay no obeisance to time,
the honor of your affection permanent
affirmed and enflamed,
all mine, sublime, to lead my heart,
where to lay hands upon your back,
to realize even more
our single united rhyme
November 7, 2015
4:50 pm
nyc/nl
Nat Lipstadt Nov 2015
Nat Lipstadt     3 hours ago

your answer to my caring but simple "checking in with you" inquiry, overwhelmed me and I have required days to fully comprehend the textured life of a man who see everything in color combinations that deserve recording in whatever medium his heart chooses. Time was needed, time to summon up the courage to reply with smithy-crafted, wright-shaped words that honor your honed skill.

my heart is gladdened by your inescapable ability (no, you cannot escape it) to perceive the values of life external and internal, that make your poetry a symbolic representation of all that is fine in the most aweome title that one can award ones self, human.

I am well aware that life has never given you a flush in the cards you were dealt. Nonetheless in e v e r y word you have written you have betrayed yourself as a loving man, appreciative of nature's gifts, and reenforcing them with fresh perspectives.

i make no pretense anymore; all poetry writing is a personal ledger kept, by which we daily, almost constantly, measure ourselves and record the small moments that sum up who we were, are and who we desire yet to be. Thus, indifference by others, no matter why, oft leads to a misleading sense of lesser self worth.

I well recall years ago reading your poetry here and ******* air in gulps as I basked in your lush attentiveness to the world in which we co-exist.
I even praised myself, by keeping your company.

You do not seek praise for self, but our shared gods have made our paths cross, so that like Abraham arguing with God not to destroy the evil cities of ***** and Gemorrah, if he can but find even just ten worthy men, so do I pray to anything, anyone, anywhere, I pray, if almost for selfish reasons, that your urge to write, to share, to see beyond the loveliest surfaces of our world and let others rest upon them, and to gift them to an almost,  undeserving  but needy world, never finds the Isle of Surcease.

If one man presses his claims upon the scales that judge your life, then all the weight of worth I load upon one side, in your favor, to beg you, let this single man's devotion to your cause, living with all the good and the sad that is therein contained, be sufficient to persuade that you must never suffer easily the delusion that your poetry is lacking  in any manner to prevent your sharing.

If not here,
then tell me where we can find each other's "instant messages" of recorded moments, that you uniquely supply.

I cannot ever obtain a good understanding of your perfect storm of the last seven years, but what you shared here and in every word you have ever writ, like my prayer here and the ones I have yet to utter, let them all, letter by letter, rise thru and up like the mists of dawn, travel gently upon the slow currents of our rivers, to reach you well received and by any deity,  willing to let us lend a hand.

Re demons, we defeat them or at least negate them, even temporarily through writing. Another reason to share your work, if even one sole solitary reader, gasps for air when reading you, if but one sheds tears at the human kindness you to continue to disclose in the quilt of quality of your works, to lift one soul's weighted-down heart, you have to, must,
feel obligated to share.

I have no more words to plead, so I will arrogant demand of you to accept this one fan, one devotee, one lover of your skill at capturing and then releasing, your words ever glow in this man's essence, as both necessary and sufficient.

forever yours,

nml
My message to another poet whose work was simply magnificent, but who has ceased to post and woefully, has deleted too many...

October 23, 2015

5:30 am
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