if you look up, you will see
the bright-eyed and
the wide-mouthed—
the interesting, the casual, the adored
glistening in the warm night
peered at through microscopes and
telescopes and stethoscopes
far and far away

we are so desperate to be close
close and close and
close enough to see the blemishes
the scarring and the peeling
effaced by obvious and biased inner-commentary
they’re just not as red or sore as mine
perhaps they were formed under
a different kind of sun

what does the unfamiliar heart say?
does it sound at all like mine?
will i ever escape the sloppy grasp of dullness?
will the world swallow me whole?
if i count the days on both hands
on toes, on eyelashes—
if i only eat green things and
read tattered books and
pretend that i don’t mind—will i ever
break the mirror?
will i find seven years of good luck
between the jagged edges?

to exist as a reflection
is to not exist at all
there are lonely, dark purple heavens
waiting for you to sever your longing gaze
to stop lying to yourself
to hop onto the back of the cow
and begin living somewhere beyond the moon—
to realize, with closed eyes
you belong to the sky

why do i crumble
fall into pieces of
oats and sugar
something beautiful
in a white bowl, but
a mess on the floor
when i wake up
in an empty house
why do i wither like
brown leaves
under brand new and
borrowed boots atop
autumn sidewalks
when i’m alone,
i’m alone,
i’m alone
it is not enough
to eat breakfast
however small
to wash my hair with
coconut milk
to not step out into
the busy street;
i freeze before the ice
touches me
i do not allow
the chance to warm
my own hands
i lie down, on
***** sheets,
and wait for someone
anyone
anything
to awaken me

i do not feel compassion
for the man who made me
learn what it means to survive,
to come out the other side
with wounds that hide under
repressed skin, only to reveal themselves
as silence or black ice caught in
a flash of remembering;
i do not wonder what made him this way
think, did his mother hug him enough
when i hear his voice echoing
in nightmares where i cannot scream
and my legs feel like lead
burdened by the weight of all this baggage,
a torn up suitcase
filled with blood red bricks—
it does not meet the carry-on weight limit
and
i cannot unpack it.

the roads are wet
i don’t know when it rained
maybe i’m not
a writer anymore
maybe i stopped
paying attention
maybe i left
behind all wonder
in my adolescence
maybe i forgot
how to find meaning
in ordinary things
flowery air
and lemonade
gingham dresses
and handwritten
letters covered in
glitter and cursive
maybe i need
to read more books
and take more walks
and spin more
beach house records
then, maybe then i’ll find
stars in blue irises
and messy hair again

you make so much sense
amidst the tangled vines of
learning and unlearning
please don’t go before i get better

i’m not sure how artists have the patience
to sculpt marble slabs into gods
or why they feel it’s worth their time

but i do know that
the nights i stay up until 3 a.m. are usually the worst
and the mornings i wake up at 8 a.m. are usually the
best

and that it’s worth the money to buy a decent mattress
instead of losing sleep on fiscal responsibility
and i feel grown-up having wrapping paper in my closet
and extra birthday cards in my desk

and i might always be crazy
always holding on to pieces of the past
tacking them to my bedroom walls
and pretending it’s okay that i still think about it all

but i won’t forget that some people are brave enough
to put on big white suits and fishbowl helmets and leave
their families to go walk on the moon
or that i flew on a plane by myself even though i was
absolutely petrified of being alone in the sky
or that spring exists,
and that winter cannot, and will not, last forever

bring me back to those times
when people were truthful
when true love existed
when people don’t just come and go
the mask we are wearing now
getting thicker everyday
hiding the genuine within us
just so to fit in
we change ourselves to a complete different person
please turn back
look at what u have done to yourself
remove that mask of yours

this is
your open field
this is
where you lie on your back
on a fluffy, plaid duvet
eating strawberries
forgetting the sound of honking cars
and car alarms
this is your studio
replace the clay with bars of soap
paintbrushes with shampoo bottles
write your thoughts on fogged glass
lists of run-on sentences, scribbled
without inhibition
this is where the water runs off
your shoulders
this is where you reflect
it is not poetic
it is quiet, it is ordinary
knots of hair from gushing wind
smoothed over with aloe conditioner
everything is spinning, but here it slows
this is where you pause
this is where you breathe
this is where you begin again

i am envious
of what you have,
but not
of who you are

regardless,
it withers me

instead of watching
your garden grow, even if
i find it
utterly dull;

perhaps,
i should start digging up
the earth in my own,
neglected plot

and observe
what becomes