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 Jun 2020 angelique
anon
the guitar riff
strums my heartstrings ,
plucking and letting go
with the soft unmarred hands of a child.
time turns one last time
before this memory too,
fades
as half of my essence had before.
leaving my marred hand
with no story.
the child is a past self.
I am so scared of growing up and forgetting all these tiny miniscule details of the whole picture which is my life. I seem to be forgettinng everything, every story and i don't want to grow old with a hazy memory of what i  used to be before.
Just be real friend.
Be who you are,
and where you are at.
That's enough,
and it's the only way
forward.

Most of us have put on enough masks
in our life time,
to have completely forgotten
our original face.

We've become far too clad
with the heavy coats of expectation,
suffocating under the weight
of the ways we think we ought to be.

You can drop that garb.

There's always mystery
at the naked core of who you are,
and that's just fine.

It's not that we must rediscover
some definable self,
and hand that image over
for validation.
Rather, those solid definitions we
cart around with us
are heavy enough as it is,
but we've continued pushing them
despite the distress.

We've gotten so used
to that awkward play
of needing to be a somebody,
as if that somebody
were other than
who we already are.

We've forgotten how to let go
with all the spontaneity
of a flowers growth;
forgotten the beauty
of our own personal bloom.
That we are a fluid sweep
of light and dark.
That our faces,
like the moons,
wax and wane.

You don't have to be any which way,
other than the way you are.
That sort of self acceptance
is the innate flourish,
is the fluid self cycle,
is the way back into life.

Don't fool yourself
into believing
there is a better disguise.
Strip down to the bare beauty
of your authentic state
in this moment,
and move from there.
Iris peels back
three generous petals,
ample in exposure,
a gravitationally drawn
dress, *******,
with drops and folds, a downward-
opening, bares elegant anatomy,
stripped from the waist
of a lighter three petals, lifting,
inside, reflective,
reaching skywards, and naked
ribbed with natural frill,
raw with the colours of flower flesh
white tiger stripes
and purple veins,
curling towards the ground like tears
and lifting up like laughter,
with centered yellow streaks
that lead into the heart,
where another tri-petal formation
folds in on itself,
as if to contain some sacred secret
that is gently holding at her *****

    a trinity
    within a trinity
    within a trinity
    of beauty

her naked convolutions coil into
just the right amount of earthly space,
so perfectly held there in the air
with poised and dancing stillness,
the perfect allure
of a delicate goddess,
rooted in the ground
but living also
inside the I,
elevated by the gaze
into limitless imaginal expanse,
no mere flower, in relation
      
                she is
                an entrance
                into love
 Jun 2020 angelique
Mona
I am the greatest poet alive.

In my body, I am the greatest poet alive,
In my continent, I am the greatest poet alive-
Yesterday, I was…

Today, I am the worst poet alive,
Because I know that yesterday
I was at the peak of my poetic diffusion,
Inspiration stayed the night,
and greatness happened to have occurred,
So yesterday, I was the greatest poet alive,
in my population-of-one continent.

Today I'm just a jealous bitter soul,
Cause I know I wasn't good enough
for inspiration to stay,
Today I know that inspiration fears commitment,
I resembled everything appalling,
I was desperate and needy,
So inspiration left me for another poet
without a second glance.

Because inspiration doesn't want to be
chained down to the grounds of monotony,
A room with four walls is all I could offer,
And it needs a castle where it can trespass
to the wilderness of the sky any time,
It needs the freedom where it can soar
above and look down
in fascination at the array of poets
that it has touched their minds and hearts,
Because that's when inspiration feels alive,
When it can see the power that it has diffused
into their -now- luminescent hearts,
A picture depicting a sky adorned with stars,
An earth adorned by poets that never sleep.

Today, I'm heartbroken because I know inspiration will never be 'mine'.*

It will continue to break hearts, then come back,
And I know that I will continue to accept its apologizes,
Even if they weren't uttered,
I will make one up inspired on spur of the moment,
Because without it I'm nothing but the worst poet alive,
In my body, in my population-of-one continent.

And when the days click and the words rhyme,
The world isn't always forgiving of the greatest poet alive in my population-of-one continent,
Because my poems are me,
And I know that I'm flawed,
I have bad hair days, my nose isn't pretty,
sometimes there are bags under my eyes, and I'm not always the nicest person,
Sometimes my appearance is disheveled,
Just like my poetry,
Then some days I spend the extra ten minutes in front of the mirror,
I care for the details,
And some days people actually like my words,
those are the good days.

And today, I am the worst poet alive,
Because I don't have hope,
Inspiration didn't leave me a note before it left,
It didn't give call me and said I'll be back in a few days,
So today I'm the worst poet alive in my book.

I've cleaned my mind though,
And threw away all the disposal pins
where I burst the bubbles of words that sound ridiculous,
I also folded away all the negative feedback
that my cerebral cinques have given me,
Hopefully inspiration might want to visit the greatest poet alive … tomorrow?
You can call it a rant. But it was actually an attempt at a Slam poem. I wrote it at a time when I wasn't inspired at all, I hadn't even written in months. So it meant something at the time.
Post-azure, cloud splashed sky,
washes with the suns descent,
breaking into melodies of sunset.
Fracturing into a blush,
the richness of the spectrum
makes itself known.
On a tangent of change,
amorphous clouds bleed
amber glow
and bittersweet combinations
of reds and yellows.
Vermillion streaks through,
and a few cloud folk turn titian,
like sumptuous surreal apricots
rotting in the sky,
that seem to augur
encroaching darkness.
Billows on the horizon
leak crimson,
like spilled wine on table cloth,
and pucker out
like blooms of flaming roses.
Fire refracted
coloured cousins of the sun
are dancing all about.

Here is the anthem
of wild transformation.
Here is cause
for quiet celebration.
Here at this fluent juncture.
Here at the closing of day.

The whole of the ocean below,
is the skies tremendous mirror.
It's reflection is variegated,
into variations a thousandfold.
Multitudinous, and ever differentiated,
distortions of above
ride the crests of waves.
Each apex is a new story.
Each new story,
just as soon as it is told,
comes crashing into trough.
Each finale is the ****** of beginning.
The dynamic roar
of the oceans ever-changing topology
is rife with meaning.

Colossal symphonic wonders,
the primordial song,
releasing upon: the uni-
verse continual,
sending the manifest
to move, with the give and strain
of immaculate design.

Here ensconced
between the safety of light
and the mystery of night.
Here at the oceans edge.

Above, shades of catalina-blue, in conversation
with the outer most cosmic-black
dismiss earlier brighter hues.
Tinged by the infinite nature of space,
the jeweled dome darkens.
Overhead, the first stars appear,
sky transparent to beheld blackness.

Luxuriant, pulling horizon, attracts
violet into it's unfolding theatrics.
Bloodied clouds turn purplish, then black,
a darkening rawness allures,
decaying with vivid beauty,
tragedies of a rouged romance
drug down into shadows play,
searingly alive, extraordinarily actual.

And then, the hush of dusk.
Darkness is felled, like silence.
Scintillating stars
strengthen in the nights
surrounding abyss;
giving radiance definition.

Dynamic Beauty
Lives In Transition,
Oppositions
Compliment.
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