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I blend with the crowd of those resembling,
Torn, abandoned, empty and waste,
Meek and faded, walking with bows,
Forgotten the hand warmth, the others, unfaced.

The others, who’ve lost both faith and nerves,
The others, who’ve learnt a cruel lesson,
The others, walled up to the full limit,
The others, whose souls are wholly lessened.
Thank you very much for reading it! 🙏💕
When I was last
I dreamed of being first

When I became first
I wished I was last

Those in the middle
looked left then right

Shook their heads in disbelief
And prayed with all their might

Who was it that was left
Who then was the right
Write from 'the gut'
'Shoot from the hip'
Emotional rut
Skill? Not equipped

Failure, I choose
To put on display
A pair of clown shoes
Din of dismay

I share it all
Occasional hit
Effort, not small
Many piles of ****

To lose is to win
Trajectory
A growth to pin
Ending is not your story
Enjoy the journey.
In this reality
Her and I never met
In this verse my path
Bypassed that regret
Yet only to fall
For another one
Who'd break my heart
Before she's done
And on to another
Setting sun
  Of another multi
Universal conundrum
...
Traveler Tim
A message from a distant star
reached Earth after a few million light -years.
It says,"I love you my Little Blue Dot,
see you in a million years."
. (or: the slow mercy of being forgotten) .

I keep the lights dim now—
not out of mood,
but because shadows are gentler
when you no longer belong to the future.

The watch still doesn’t tick.
I wear it anyway.
Not to remember time,
but to remind myself I once commanded it.

His coat is still here,
draped over the back of the chair
like an exhale that forgot to finish.

Some nights I sleep beside it.
It doesn’t smell like him anymore.

I replay our first conversation like a hymn
missing half its words.
I remember what I said.
I don’t remember if I meant it.

The bed is quieter than it should be.
Not empty—just echoing
with choices I let make themselves.

I heard he’s moved on.
Young lover, new city,
same crooked smile
twisting someone else’s orbit.

And good.
Let him become legend
in someone else's story.
I already built a temple
he burned into blueprint.

I tried to write him a letter once.
It became a list.
Then a poem.
Then silence.

I left it unfinished.
Some things are meant to haunt,
not conclude.

There’s a thunderstorm tonight.
I sit by the window with a glass of nothing
and watch the sky argue with itself.

For a second,
the lightning looks like him.

And for the briefest flicker—
just long enough to ache—

I believe I was loved.

{fin}
The fifth and final part in the myth of Chronogamy is the ash after the fire—the silence that settles once the thunder has left the sky. The relationship is over, but its echo lingers in objects, habits, and memory’s unreliable architecture. This final movement is not about heartbreak; it’s about displacement—a god dethroned from his own myth, left to wander the ruins of what used to be himself.

The intent in this final part is to show that grief doesn’t always roar—it hums. The poem becomes a haunted room where affection remains only in posture, in ghosts that look like him only when lightning hits right. The speaker does not seek closure. He preserves the ache because it’s the last proof he was ever touched at all.

The myth ends not with vengeance, but with recognition:

"To be consumed is divine. To be remembered is accidental."

The Chronogamy Collection:
https://hellopoetry.com/collection/136301/chronogamy/
~
Tonight underneath debris
Family foreclosure
...
Heaven's legs dawn through window
Offer artificial hope
...
Employee to love
Dressed for escape
...
Pleasure town angel
A multi-colored pretty thing
...
Mom questions way
Daughter drives to parties
...
Empty lips talk
**** reflection patterns
...
Death inside mom and dad
Beautifully cold skin
...
War god kiss
Midnight blue people (at dinner table)
...
Young shadows flower
Final stars fire
...
Money born cloud
Raining on remnants of family
...
Is there nothing
Left to mortgage?

~
All the good sports
         go out for a run
                       into the ice storm.

They grimace and squint
           in the headlights of cars
                       on Riverside Drive.

And they run as if for their lives
            in this freezing rain
                        that sheathes and has broken

the leafless branches
            along snow-plowed bike paths;
                          ice-pellets ping off
        
their pricy goggles, their fluorescent shells,
              as they struggle north
                           to the pole where

they always turn back
              for the Christmas lights strung
                       over the porches
              
welcoming home
               those who might have been
                        men.
The more I read this, the less I like it. Simply put, it's boring. I guess there's some utterly unpersuasive argument for the alignment of form and content (play-acting serious endeavours, whether polar exploration or poetry) - but it's not working for me. Close to erasing it, but hanging in there for the sake of continuity.
Back in '71, when I was pregnant with my first child, I went for a long desperate cross-country run through Prussian territory. Waving my arms like a folle, dodging the crottes of maudits corbeaux flustered from the heaps of corpses left over by Napoleon III’s second-last stand, trying to catch the eye of the franc-tireurs, searching for Zündnadelgewehr  in the grenade pits.

In ‘46, just before bringing forth what remains of my second child, I was sitting in a prototype grey Panzer taking *** shots at a couple of charred hibakujumoku (the ******* eternal gingko) when I felt her chewing at my innards. Needlessly and in spite of my best intentions, my strict upbringing and the “Manual”, which I'd almost learnt off by heart, I leapt up off the soiled wicker seat, banged my head on the ****** periscope handle and pulled the red ripcord.

Later, I imagined her breastfeeding on what was described as “the flesh of my withered gland”; I watched her little nails squeezing the calico pythons squirming in my camouflage maternity flack jacket and recited doggerel from the Shorter OED, the classic tales of mirth and fury.

My last, Cenozoic, carried in my matrix through the Sturm und Drang of the Quaternary glaciation, cougar-pelted and covered in flint chips, something like thalidomide finished it off (according to the magnetic resonance). God, how I loved to paint the trichinosis, the rhinitis, no, the rhinocerii (we were pre-literate, after all) on the cave walls. Augustus I called it, buried with blueberries, primitive to any distinctions.

Still, the albino alligators with the orange eyes escaped from the biosphere on the Rhine, the one right beside the nuclear reactor, twenty miles from the cave entrance. They were mutant twins. Reading Herzog's plump lips, they headed straight for the heavily guarded cave door. One paleontologist and one art historian patrolled the opening in alternating twelve-hour shifts. Dressed for duty in typical ice age fashion, long caribou ponchos draped over leopard skin undergarments, they were ready for anything: filmmakers, epistemologists and brutal English; with their laptop PCs, flip phones and clipboards, they were avant-garde obscurantists. They didn't stand a chance, standing there by the door hole, waiting for their cameos.
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