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Robin Carretti Jun 2018
As her eyes feasted
on the spectrum of * colors

Fighting the love dust she
speared a smile traced quite
a while
like sartorial

Pardon me if this isn't love
What could be traceable
We need to face out fear
“Facebook” pictorial.

Seeing wings clean_ lines of elegance.

Whole again or fall again world negligence

Depending on someone like an alliance

To do something dependent or trust reliance

She flicked open her fan midsummer night dream

All she could see was the dust of his  jacket
and seam, ((Judy Jupiter))
My mom the tailor seamstress

Her angelic feathers coming
out of his pocket

Exquisitely detailed he towers over her locket

He traced her fingers felt
plug-in software delicate care

Hotwire too many people swear or ridicule

Biblical sense of satire molecule he traced your fire
and desire "Saint Andrews" cross

Sal-tire flames building caught inside
Bruce Spring teen fire

Women of the fairies mound of
ghost felt superior

Fairies Emperor of any kind to boast
But why so inferior was it written inside
the interior
Those chandeliers she was sung
like their musketeers

Supercilious with an arrogance, not quite a host.

Red ****** heart wine toast.

Cruel to be kind love her madly composition.

“Like Dust” modern ages better times ammunition

“He Seeks” her let it be.

Ancient Greeks nymphs Eve me
Apple Jubilee so "Glee"
So fumble he doing the crossword jumble

Further away fairies French art- traceable
  so notably
pulled you a noticeable
another trace of her divine waist

He lifted her torso how he admired you
felt his breeze like the instrument Mastro

Took the bad spirits away he sneezed.

Wickedly shadow face he lurks on the wall dark ages,
English Tudor in fairy of stages rock and roll ages
He wasn't the bread sourdough  so much to plow
poppy seeds like a paradox pardon me I never promised
you
Fairy Rose garden or lovely maiden
That salmon  solitude soft and moist
She loves surfing for foes and fairies
The winner  medieval sword suitor  
Being fed by the lover

Emails flew like dust things were as
old as rust
lingered all around Robin Redbreast
What eggs of a fairy nest

So traceable he touched you lovable

computer flickered tinker bell

Swift steps Nutcracker Ballet
from Vancouver to ponder over

Celestial Fairies around Mystical

Blowing in the wind speaks of the
dust of a click

Scarlet fever resolution in flocks

Like Monk reunion wings spread to live it

Just breath it traces of another angelic face
To be reborn again the revelation

How it enhanced transformed digital form slick

Strong spiritual being she’s picked

Her name was Joan of Ark

“Robin Good-fellow” shined over the Lunar

Like her chosen fairy of the tooth all marked

Those fairies always near us to guide us and tell us

Who we really are
The world unknown who cares?

Shakespeare to be or not to be
Let it be fairies, diaries. Monasteries,
Please freshen my Blueberries, Sherri babies
Four seasons fairies traceable or their wings
pulling me back
Love uncontrollable, my feather pillows remarkable,
What eludes like a prelude to the faires the
Epcot  center middle of attention her
drawing you could see the lines incredible
40 winks of fairies the Grecian oceans
Smiles in one blink unstoppable

The fairies powerful hands to trace

All over your good spirited complexion face
Fairies are all around us don't you think so? But you are so fire flamed need to be desired and well tamed. Are we well behaving all satires and fairy divine smiles how long do they last  are they wishful more hopeful or our wings are traced by someone that is fearful
C S Dec 2013
I know you.

Sitting behind a screen in your room,
Sipping in the shadows of a coffee shop.
iPhone, iPad, iAm "Anonymous".

The most dangerous word you can be labeled,
The most double-edged of weapons-
Anonymous.

You're never really as untraceable
As the cleared browser history says you are,
Never as untraceable as the chain of destruction you cause is traceable.

You're never really as invisible
As the checked box lets you think you are,
Never as invisible as the scars you direct a hand to make are visible.

One word can't be all that.
Anonymous can't be so dangerous.
Some clicks on a keyboard can't be so devastating.

There's a reason it used to be difficult to avoid responsibility.
Because responsibility for your words, for what you cause,
Is what allows you to see a few steps ahead.

Your signature is what allows you to learn from mistakes,
To vow after you've learned the hard way to think before you act.
To see that those words have two names attached to them now.

The writer, and the subject.
Two traceable, visible people.
Two hearts beating and breathing, now connected.

Anonymous constructs a wall between action and reaction.
It robs you of responsibility.
Yes, responsibility is a prized possession, there to teach and show.

Anonymous allows you to settle.
It robs you of the greater person you could become.
Yes, your future holds more than this, there beyond the wall of cyber bulling.

I hate that I was once Anonymous like you.
I hate that I unknowingly controlled the strings
Of a self-destructive marionette hand miles away.

But I don't hate you. Because I know you.
I know you are more than the mistakes you've made behind that screen.
I know you are more than Anonymous.

So prove it.
‘Oinos.’

Pardon, Agathos, the weakness of a spirit new-fledged with
immortality!

‘Agathos.’

You have spoken nothing, my Oinos, for which pardon is to be
demanded. Not even here is knowledge a thing of intuition.
For wisdom, ask of the angels freely, that it may be given!

‘Oinos.’

But in this existence I dreamed that I should be at once
cognizant of all things, and thus at once happy in being
cognizant of all.

‘Agathos.’

Ah, not in knowledge is happiness, but in the acquisition of
knowledge! In forever knowing, we are forever blessed; but
to know all, were the curse of a fiend.

‘Oinos.’

But does not The Most High know all?

‘Agathos’.

That (since he is The Most Happy) must be still the
one thing unknown even to HIM.

‘Oinos.’

But, since we grow hourly in knowledge, must not at last
all things be known?

‘Agathos.’

Look down into the abysmal distances!—attempt to force
the gaze down the multitudinous vistas of the stars, as we
sweep slowly through them thus—and thus—and
thus! Even the spiritual vision, is it not at all points
arrested by the continuous golden walls of the
universe?—the walls of the myriads of the shining
bodies that mere number has appeared to blend into unity?

‘Oinos’.

I clearly perceive that the infinity of matter is no dream.

‘Agathos’.

There are no dreams in Aidenn—but it is here whispered
that, of this infinity of matter, the sole purpose is
to afford infinite springs at which the soul may allay the
thirst to know which is forever unquenchable within
it—since to quench it would be to extinguish the
soul’s self. Question me then, my Oinos, freely and without
fear. Come! we will leave to the left the loud harmony of
the Pleiades, and swoop outward from the throne into the
starry meadows beyond Orion, where, for pansies and violets,
and heart’s-ease, are the beds of the triplicate and triple-
tinted suns.

‘Oinos’.

And now, Agathos, as we proceed, instruct me!—speak to
me in the earth’s familiar tones! I understand not what you
hinted to me just now of the modes or of the methods of what
during mortality, we were accustomed to call Creation. Do
you mean to say that the Creator is not God?

‘Agathos’.

I mean to say that the Deity does not create.

‘Oinos’.

Explain!

‘Agathos’.

In the beginning only, he created. The seeming creatures
which are now throughout the universe so perpetually
springing into being can only be considered as the mediate
or indirect, not as the direct or immediate results of the
Divine creative power.

‘Oinos.’

Among men, my Agathos, this idea would be considered
heretical in the extreme.

‘Agathos.’

Among the angels, my Oinos, it is seen to be simply true.

‘Oinos.’

I can comprehend you thus far—that certain operations
of what we term Nature, or the natural laws, will, under
certain conditions, give rise to that which has all the
appearance of creation. Shortly before the final
overthrow of the earth, there were, I well remember, many
very successful experiments in what some philosophers were
weak enough to denominate the creation of animalculae.

‘Agathos.’

The cases of which you speak were, in fact, instances of the
secondary creation, and of the only species of
creation which has ever been since the first word spoke into
existence the first law.

‘Oinos.’

Are not the starry worlds that, from the abyss of nonentity,
burst hourly forth into the heavens—are not these
stars, Agathos, the immediate handiwork of the King?

‘Agathos.’

Let me endeavor, my Oinos, to lead you, step by step, to the
conception I intend. You are well aware that, as no thought
can perish, so no act is without infinite result. We moved
our hands, for example, when we were dwellers on the earth,
and in so doing we gave vibration to the atmosphere which
engirdled it. This vibration was indefinitely extended till
it gave impulse to every particle of the earth’s air, which
thenceforward, and forever, was actuated by the one
movement of the hand. This fact the mathematicians of our
globe well knew. They made the special effects, indeed,
wrought in the fluid by special impulses, the subject of
exact calculation—so that it became easy to determine
in what precise period an impulse of given extent would
engirdle the orb, and impress (forever) every atom of the
atmosphere circumambient. Retrograding, they found no
difficulty; from a given effect, under given conditions, in
determining the value of the original impulse. Now the
mathematicians who saw that the results of any given impulse
were absolutely endless—and who saw that a portion of
these results were accurately traceable through the agency
of algebraic analysis—who saw, too, the facility of
the retrogradation—these men saw, at the same time,
that this species of analysis itself had within itself a
capacity for indefinite progress—that there were no
bounds conceivable to its advancement and applicability,
except within the intellect of him who advanced or applied
it. But at this point our mathematicians paused.

‘Oinos.’

And why, Agathos, should they have proceeded?

‘Agathos.’

Because there were some considerations of deep interest
beyond. It was deducible from what they knew, that to a
being of infinite understanding—one to whom the
perfection of the algebraic analysis lay unfolded—
there could be no difficulty in tracing every impulse given
the air—and the ether through the air—to the
remotest consequences at any even infinitely remote epoch of
time. It is indeed demonstrable that every such impulse
given the air, must in the end impress every
individual thing that exists within the
universe;—and the being of infinite
understanding—the being whom we have imagined—
might trace the remote undulations of the impulse—
trace them upward and onward in their influences upon all
particles of all matter—upward and onward forever in
their modifications of old forms—or, in other words,
in their creation of new—until he found them
reflected—unimpressive at last—back from
the throne of the Godhead. And not only could such a being
do this, but at any epoch, should a given result be afforded
him—should one of these numberless comets, for
example, be presented to his inspection—he could have
no difficulty in determining, by the analytic
retrogradation, to what original impulse it was due. This
power of retrogradation in its absolute fulness and
perfection—this faculty of referring at all
epochs, all effects to all causes—is of
course the prerogative of the Deity alone—but in every
variety of degree, short of the absolute perfection, is the
power itself exercised by the whole host of the Angelic
Intelligences.

‘Oinos’.

But you speak merely of impulses upon the air.

‘Agathos’.

In speaking of the air, I referred only to the earth: but
the general proposition has reference to impulses upon the
ether—which, since it pervades, and alone pervades all
space, is thus the great medium of creation.

‘Oinos’.

Then all motion, of whatever nature, creates?

‘Agathos’.

It must: but a true philosophy has long taught that the
source of all motion is thought—and the source of all
thought is—

‘Oinos’.

God.

‘Agathos’.

I have spoken to you, Oinos, as to a child, of the fair
Earth which lately perished—of impulses upon the
atmosphere of the earth.

‘Oinos’.

You did.

‘Agathos’.

And while I thus spoke, did there not cross your mind some
thought of the physical power of words? Is not every
word an impulse on the air?

‘Oinos’.

But why, Agathos, do you weep—and why, oh, why do your
wings droop as we hover above this fair star—which is
the greenest and yet most terrible of all we have
encountered in our flight? Its brilliant flowers look like a
fairy dream—but its fierce volcanoes like the passions
of a turbulent heart.

‘Agathos’.

They are!—they are!—This wild
star—it is now three centuries since, with clasped
hands, and with streaming eyes, at the feet of my
beloved—I spoke it—with a few passionate
sentences—into birth. Its brilliant flowers are
the dearest of all unfulfilled dreams, and its raging
volcanoes are the passions of the most turbulent and
unhallowed of hearts!
Saint Audrey Apr 2018
Solvent and solution
Kept assuaged for so long
Treading in the selfishness of my subconscious state
Of barely traceable memories, spurred on by the gravity of time spent
At the briefest hint at past involvement

Each leaf falls, eventually.
Every pristine little well formed tended to.
Each nurtured, cared for, parcel or idea.

I can watch them for hours
Watching them fall, one by one, for hours.
When days start to bleed together, out of the corner of my eye,
I can always see them, marking progression.
Collecting in drifts, then, taken by the wind, then
The rot sets in.

I used to watch this.

I used to find time.

The roof cast me in its shadow, even standing along the banister that runs along the length

Even as the final rays of sun start to vanish one at a time
mike Feb 2013
hi again. my names mike. im scared. ive been recently diagnosed with acute paranoid schizophrenia, i think. however, the doctor(who is not a real doctor)was inaccurate. setting me up to be his personal test dummy. well, its not gonna happen again. im looking for a team to enact a certain duty. a job for those who seem qualified.

the qualifications?: experience in violence and time travel.

the job?: to never divulge secrets of the job, which involves kidnapping said doctor and retrieving a small metal instrument from within his skull.(i have the needed information for the retrieval of this device.)

the time?: any time before the future. once we've orchestrated then enacted our team meeting, we must use our time travel facilities within the same minute of our arrival, as i have already set our return time for the mission to one minute after the last team member(gregg) arrives on location of said meeting point. we will(once gregg finally arrives, 28 minutes late!) pile into the 8-man machine and activate, sending us to our destination: february 2nd, 1989. this is the date that(we'll call him doctor octopus) doctor octopus received his supposed doctorate from stanford university. we will then obstruct the way between his home and his graduating ceremony by means of designing a car crash scenario. he will be knocked out cold, allowing us easy passage into his car, excavating his limp frame, and bringing it to a secure location(walmart)where we will then inject his brain with a bio-mechanical agent, leaving him there to wake up, confused, and minus a degree. we will then travel to april 2nd, 1999, to re-engage with doctor octopus, to kidnap him in order to extract the mechanism from within his skull, which at this time will be fully grown and functional, having been implanted by us through the injection of the bio-mechanical agent 10 years and 2 months prior. once obtaining said device, we will use it to communicate with the inter-dimentional beings doctor octopus has done the bidding of. we will pose as doctor octopus to gather intelligence as to how to travel through time, allowing the mission success, bringing us back to the original point of departure, arriving exactly one minute after original departure. leaving us with existing alibis(for i know everyone was with their families on groundhog day, 1989. and my birthday, 1999.) and no traceable evidence or witnesses, including yourselves, for i HAVE taken the liberty of going back to all of your days of birth and murdering your mothers with said team still unborn in the wombs, yet have gone back to said dates again to stop myself. allowing for success and no traceable links.

the place?: nowhere. the mission has already been completed. good job team.

the compensation?: 7.79 per hour.
Rewind this memoir back to my first foster home.   I’m reclining on the couch in the living room watching Superman, a whatever's-on-tv-saturday-afternoon-movie.   "Give A Little Bit" played from the soundtrack.  The Supertramp song reached out from the screen and into my own complicated teen-aged life.  Oh the words of that song blindsided me, hit me hard in the chest with a sad yearning, an emotion I had ignored forever like that elephant in the room too big to push out the door.  Because life was so hard, too hard, and lonely on and on, and the world gives only just enough that you keep breathing, but you wonder why.  Yes, please  someone  give just a little....
But at the time I hadn't known anything else and I just stuffed that overwhelming sad lonely feeling.  Too much need wears out a welcome in someone else's home.  It seemed most everyone else had family, security, some money for perhaps things like a pair of cleats to run in school track if you have the desire. Its called belonging or opportunity and I was acutely aware I wouldn't have it.

Fast forward 25 years; business for my glass art studio is rewarding.  I live in Cleveland, or what I called Purgatory.  I like the city though; I think the motto should be "Its Not That Bad."  A tough steel town, unpretentious to a fault, tenacious, it inspired the Clean Water Act because the river was so polluted it   caught   on   fire.  People who live there just don't quit, except that the biggest export is young people. The streets are eerily empty, the quiet steel mills are epic sculptures of rust.  But its not that bad.  Now they make a tasty beer called Burning River.  Sometimes they gamble on unconventional ideas because they've reached the end of status-quo.  One can even surf there, when the wind blows a Nor'easter in the fall, just before the lake freezes. The wave break is nicknamed "Sewer Pipe"; one can imagine why.

I biked with a club there; cycling part of my life-blood.  Life was pretty good, blessed with measures of contentment and happiness and family, even through so many challenges.  Except I'm stuck pedaling a trainer in the basement most of the long winter.  It was during an endless, gray February that I was inspired by an idea: a Velodrome.  Its one of those banked tracks people in America only see during the Olympics.  Cover it, and people could have a bicycle park all year-round with palm trees in the winter, in Cleveland.  Its a blast of a sport with serious American heritage.  A velodrome is a place where all a kid has to do is show up and with enough heart he or she can make it to the Olympics.  They wouldn't need money, just 100% heart.  It would be the kind of opportunity I didn't have when I was a kid.

So I decided to take on the responsibility to build one... not to be afraid of the price tag, or how to do it, or let a label like "disabled veteran with a head injury" daunt me.  I figured my role was to get the project started and motivate others to do other parts.  I decided not to discuss my shortcomings, introduce myself with that label, or use it as a disclaimer.   As many times as I wished I had a chalkboard sign around my neck saying, Please excuse the mess, I had to tell myself it was not an excuse.
There would need to be many others; but the fact that I knew only a dozen people on the planet didn't stop me either.  Two people inspired me.  Kyle MacDonald had a dream to barter a paper clip for something better, trading that for something else, anything else, until he had a house.  I thought I could start with an old laptop, a couple thousand dollars, and my idea. I'd work to leverage each bit of progress, not knowing what they were yet.  Thats how anything gets done, right?  Erik Weihenmayer is a blind alpine mountain climber, conquering even Everest.  He didn’t let anyone convince him what he couldn’t do, and didn’t let impairments keep him from his goal.  He didn't let blindness, the fact that he couldn't see the top as well as others, make the goal any less enjoyable for himself.  Also, there’s no way he could have done it without help.

There are no business plans for a Velodrome or someone else would have built more of them already.  I'm good at figuring things out, what with having to relearn things all the time.  I don't quit because that has never seemed to be an option.  Resourcefulness is my middle name, having to put my life back together every year or so.  Certainly the project was eccentric but as an artist I've never really cared about what others thought.  I certainly didn't have a reputation for sanity to maintain.  Professionally, I’ve had experience with so many factors of development: from paperwork at the back end as a Project Assistant, to designing it as a Mechanical Drafter, to constructing it as a Steel Detailer.  I understood this project.

Every time I discovered something needed to be done, I'd figure out how to do it.  I took an online tutorial and put together a website, attended communication seminars for better speaking skills, learned how to recruit a Board of Directors, took classes for fundraising, won a few grants, and started a non-profit.  I had to buy a couple of suits for meetings.  I kept hoping someone who knew what they were doing would take over, but that never seemed to materialize.  What I thought would be a few months turned into several hard years of work, learning new things on the fly like politics, business etiquette, computer programs, how to understand and write financials and business plans for stadiums.

It felt like cramming for finals, taking exams for classes I never attended.  I didn’t just burn my candle on both ends, I was torching it in the middle too.  Every challenge I had ever gone through seemed like it was a preparation for this one.  Many times I wondered if it was all for nothing; so many dead ends and frustrations and years where the project was barely on life-support.  Mistakes and wrong turns making people mad, losing faith in me.  Would it ever really happen?  I kept imagining what my bike wheels would look like under my handlebars as if I was ridiing on the track, listening to the same particular songs on my ipod for motivation.

A small tangent here, a digression back to the fifth grade and my favorite teacher.  He was about as tall as his students.  Mr.A (our nickname for Mr. Anderson) was a barrel-chested little person but I didn't notice it till years later because he was so cool.  He was the first teacher, the first person actually, who encouraged me to be myself.  I was a little kid, a couple years advanced and bright enough to be skipped again.  Tthat would have been ridiculous since I was already too small.  I would get my work done early in class, and he would let me spend time doing whatever, encouraging my creativity.  I distinctly remember making little scale models of parks out of construction paper.  I would start by making a rectangular tray, and then fill it in with ponds, benches, and oval or figure-8 tracks for bicycles, elevated roller-coaster paths for walking.  It was my way of creating a whimsical place that felt good in my difficult life.  No lie, I was building bicycle tracks when I was 9.  That memory faded away until I was several years into the actual Velodrome project, trying create a light-hearted park on the edge of a ghetto.  This was my life's ultimate Art Project; made with wood, steel, and tenacity.  It made me wonder about a life's purpose... still just a what if... but cruel if there wasn't anything to it.

There is a necessary role for the dreamer.  Visionaries help to break status quo, introduce new solutions.  Sorting through the banal with unique perspective, the random is reassembled into intriguing newness.  What is creative nature?  Is it obsession to improve things, the need for approval, resourcefulness within limits, or perspective outside boundaries?   Is it tenacity to the point of obsession, focus to the point of selfishness?  

Thankfully, a few devoted people did take over after a few years and worked hard to raise the serious money.  In 2012, Phase 1 of the Cleveland Velodrome opened to the public.  Presently they are raising funds for Phase 2 to cover it.   By chance I was there the day the track was finished and got a chance to ride it.  All I wanted to do was one thing: listen to those songs on my ipod and see my wheels under the handlebars on the track... in reality.  I didn't want to race or be recognized at some celebration.  I just wanted to ride a few laps, happy just to have a role in building it.  In less than a year there are already training programs, youth cycling classes, and teams competing.  Through community grants and volunteers, its all free to anyone under 18.  

Not to be forgotten, some thanks should go to one supportive teacher who helped a scrappy kid dream.    Schools measure math and science so valuable, for good reason.  But this favors one brain’s side of thinking.  Initiating and working for the construction of an urban renewal project and improving a neighborhood is traceable to the exact same idea assembled with clumsy school scissors, white glue, and construction paper, during 5th grade free time.

I can't wait to hear the news of some tough kid from East Cleveland getting to the Olympics.
Dumisani Ndlovu Apr 2019
You can tell by a pale shadow of former self
And  shape of the scattered pieces
You can tell ,
From the pieces of the once bread basket of Africa
That someone is slowly
And artistically looting the store 

I can see,
The trailing blood and the aura of warmth
That there was once,
Electrical pulse of the heart
As povo cry,
For broad-based  
and inclusive Dialogue to rescue,
Yes!
I could hear,increasing  calls  for  precipice
And wails to  avert further  implosion
  
And the winds of memory floating by
The crescendo in the calls for sound talks
Yes sound dialogue,
In the wake of an  increasingly restless citizenry struggles

Still dustbin  of a golden history
You can sense from the tremble of the chambers
The undying pulse and the scent of a beloved
That the heart once danced to a dreamers' beats

To them tears are,
The horse pipes they use to water their worth
To multitudes,tears are words the heart can’t express
As the black cloud  sheds  rays  of hope  
Still leaves “imminent light” behind

As the mass bank hope
In our eternal message of hope
Ushered by Martin Luther King, Jr.
  "One day  dawn will come".

I can see  traceable  traces
Of corrupt foot prints
And  traceable track record
Of 'prominent' looting finger prints

As the influential turn aside the needy from justice,
Rob the poor Chimanimani people of their right,
Making widows  their spoil,
And *****-nilly  making the fatherless their prey!

Dear LORD!
Why  your wrath  upsets not these moral monsters?
Who are by no means worthy of following
Those that deprive the afflicted
Those who because of their  hard and impenitent hearts
Attract your necessary reaction to objective moral ill

Dear Lord why has your  wrath not fallen
On rightful  time?
How can hell be just?
I
it was like waking up to all white fume
or a long washline — masturbatory, feeling something stiff like a hand gliding
over a monsoon of emotions, the affect
   jazz and the crunch of fragrance
forever like sandalwood;

on my way to Dumandan, i conjure an inward miasma of thrill, unfurled yesterday, today, or was it before when our eyes were fixated on the passing of things in myriad ways without any relevance to what has died, say wilted,

like a flower going away in closing seasons,
children in hurtling speeds at twilight,
gates welcoming a resounding sound of
rusting hinges,
slow rise of night, its vertical climb,
  shadows collapsing on the Hibiscus
and the Poinsettia from the Cordillera,

   dreary men taking out *******, throwing
them into metalloid beasts, verdigris
   painted, grisly caravan of steel and
      worthless scraps —

past neighborhoods thinking about
the simmer of onion and the hustle of
the feral over rooftops, clinking wine bottles undulating full to empty — both
unaware of acumen and only dizzying
ourselves mirroring each other eye
  to eye and bridging this unclose-enough
    a gap in between,

    because you need it,
    and i want it, or simply in reverse,
a sidewinding thought through dunes
    of afterthought.

   because you have to walk my side
    of the Earth and I have to meet you
somewhere halfway where we can both
   lounge at each other's steady presence
while the flyblown dry air ravishes
      the piquant morning, all-telling what
this distance meant from its
                peak up to the very last
   traceable steps where i found you
      and you found me, trilling in the neighborhood like how void
    stills itself into all the mood of the     Earth:

    all moony and
                 fretting in the disquiet.
mark john junor Oct 2013
the traceable lines that
lead me here
pattern the sky
above the remains of a streetlight
its bent frame
shattered glass
cannot detract from its
deep and careful meanings
it speaks in its silent decay
of nights when teenagers stopped
beneath its orange glow
and kissed goodnight
before curfew
forced them home
it used to give a pool of light
that would be safe and warm
it feels like a home
Jonny Angel Jul 2015
I woke up cold
back on the slab
in my tiny cell.
My head was pounding.
The last thing I remember
before I dozed off
was Mister Suit
asking me baseline questions.
Then it was a series of flashing memories.
Sparks flying,
Screams.
Voices.
A thrashing body.
Bright blood splattered
against
the pale yellow walls,
a face without eyes.
I guess the pink pill worked,
what are those ******* control boys
going to do now?
Nothing's traceable.
Me 1.
Them 0.
It should be a wake-up call for them.
Long live Moonstone!
I know it's not over yet.
Trinity O Apr 2012
“The atoms that comprise life on earth are all traceable to the crucibles that cooked light element into heavy element.”   —Neil deGrasse Tyson*


And up here we have Vega, rigged to a few older men,
Jupiter’s herd of moons. Look through its eyepiece,
convince us there is no such thing as reconstruction.
The right time to return light, the path to earth. Yes,
we are part, living or real. Such is the layout
of this cosmic ballet. A naked man and woman,
a map of earth’s location, unstable in their older years.
He spreads himself so wide, hard at the heavens
for two reasons. Fairly often, someone would call the police.

Handcuffs came from stars, next generation solar systems
quantumly entangled. Size is only development condensed
into a singularity, enriched guts against gears of war.
So what does this mean? The breadth of the actions
taken, meaning limitations, meaning sky was worth looking at.
He charmed the cops with conversational boom, dozens of people
crouching in the dark. Their common center of gravity:

darker barrel shaped streets with long rows of sold-out houses.
It’s not a lecture—how to calculate latitude, one neck cramp at a time,
an extension cord across Merlin’s Tour of the Universe
to satellites gliding in low orbit, nine years to work its way out.
The voice is deep and rowdy—from a man at the edge of the crowd.
The other reason is down here on earth, down the handle of the Big
Dipper. An artist will tell you—crank it some more, until it begins
to glow blue. Red-hot is the coldest among all the hots.
Helen Sep 2015
there is an initiative
on Facebbok
for the Black Dot
to be displayed on a palm
of those suffering with
Domestic Violence
who can't speak to you
because the cause of their angst
is standing behind them
fist raised, aim true
they're not allowed
to speak to you
but if you see that
Black dot,
and their eyes are bleeding
at you, please call the police
if you know them, if you don't
ask for their phone number
which is traceable too.

Supportive entirely
to that end
I propose an initiative
in support of a Blue Dot
a dot on the hand, of those
that suffer just as quietly
every single day
Those that live in denial
those they love and live for
might get better some day
I would like to place
a Blue Dot
on both my palms
and any who see it
on me
would just hold my hand
in theirs
letting me feel a connection
Knowing they understand

Black Dot/Blue
unable to speak truth
there is no doubt
Suffering is a real thing
the coloured dot
needs you to reach out
I wish the Blue Dot was a real thing (for me) I wish harder the Black Dot becomes famous internationally, and Domestic Violence is not just a SHE thing, we need to listen to the Males too...
Little by little,
Bit by bit,

Page by page,
My blood
I drip.

Scattered fragments
Of my soul
I leave behind,

In hope that one day
You may find...

Me - Completely.

Little by little,
Day by day,

Everlasting,
My chosen words
Will stay.

Verse by verse,
My soul
On earth
Will linger - Immortal,
Undying,

Traceable footsteps,
On these pages,
I leave -
Tears in words;
My pen is always crying.

My soul
Longs to bleed
Blood and tears of ink,

Between the lines
You will find me;
I have left trails -
A direct link.

By Lady R.F ©2016
judy smith Jan 2017
Two opposing ideologies vie for attention. Dedicated supporters believe fervently in one, single vision. Ultimately, half a century of the old order is upturned. A new era dawns.

We’re talking about the Trump-Clinton stand-off and the UK’s “Brexit” - right?

Wrong! This is about fashion: how the people’s choice up-ended taste, timing and fame - and all of this before politics even began to mirror the same populist trends.

I see fashion’s polarisation as happening around two years ago. On one side was Balmain, where an in-your-face, brash-and-flash couture was heartily disapproved of by the fashion establishment. But the bold and **** style of Creative Director Olivier Rousteingwas adored by his A-list audience, led by Kim Kardashian, who embraced the glitter and glamour.

Let’s see this fashion movement as a precursor to Donald Trump’s up-turning of America’s presidential race, with his lewd comments, **** wife and rabble-rousing. To some, a Kardashian backside might seem as distasteful as a Trump rant. But millions love Kim’s look as much as they gave the thumbs-down to the Hillary Clinton trouser suit.

But something else - even more populist and unsettling - was going on in fashion.

Demna Gvasalia and his brother Guram, whose migration from Georgia in the former Soviet Union eventually led them to Paris, caused a different kind of shake-up: a “non-style” revolution they called “Vetements”, meaning “clothes”. Instead of fashion as we understand it, the defining pieces were resolutely plain: hoodies, puffer coats, and jeans, albeit meticulously worked.

In retrospect, this new brand, which also challenged the timing of shows and the distribution of the collections, can be seen as a fashion mirror-image of a world-wide people’s revolt, from Britain’s Brexit to Italy’s Beppe Grillo, whose day job is on stage as a clown.

The Vetements collective was launched in 2014, before global politics started heaving with change. But now that Demna has been made Creative Director of Balenciaga, whose founder Cristóbal was the epitome of grandeur, the graffiti is on the wall. An haute couture house has been taken over by an agent of street populism.

With people demanding to “see now, buy now” and brands as mighty as Burberry and Tommy Hilfiger responding to their cries, it seems like populism is winning. Not to mention the effect of Instagram, where Rousteing has 4.1 million followers to Trump’s 4.5.

But why be surprised by fashion as the harbinger of history? It has always been so.

In the early 1960s, Mary Quant ramped up her hemlines to start the rise of the “mini-skirt” - right before the contraceptive pill became available to all women. Twenty years on, in the 1980s designers celebrated in advance the shattering of the boardroom’s glass ceiling by swapping Flower Child dresses for mighty padded shoulders on female trouser suits.

Reeling back through history, Marie Antoinette threw off rigid, royal clothes, replaced in 1783 by portraits of her dressed with Rococo sweetness - six years before the French monarchy was overthrown.

Other theories, pooh-poohed by financial experts, have the rise and fall of hemlines linked to the ups and downs of Wall Street.

So is there a traceable link between fashion and politics? In this new millennium, the designers themselves are now bitterly divided. Playing fashion feminist - like Clinton to Trump or “Remain” to “Leave” - are key houses such as Valentino, presenting powerful, cover-up clothes with long sleeves and hemlines.

Significantly, when Maria Grazia Chiuri, one half of the long-term Valentino duo, left for Dior, she brought to that august house a T-shirt printed with the words: “We Should All Be Feminists”.

On the other side are an increasing number of hyper-flashy, sexist brands, such as Victoria’s Secret and its rowdy, revealing lingerie spectaculars or the loud looks of German designer Phillipp Plein and his display of rhinestone-cowboy decorated denim.

Two ideologies and two audiences competing for the triumph of one belief. Sounds familiar? Fashion and politics: it’s all one.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/formal-dresses-brisbane
LonelyPoet May 2016
Moments. I'm built up by moments. They surround me, shape me, create and recreate who I've become. A rainy day. The trip. One class. Many hours badly spent. But these don't make it into the frame.

Your blame. The rage. My guilt. These are the intances that outline my life. Micro moments. You see, tiny ones that flee. They flash before I can fully understand or become aware of their existence. On their own they stand as harmless, ineffective, deficient. Their accumulation is what creates the pain. They made me. I allowed them to be fleeting to deflect the hurt they flashed because I didn't want to bother. It was easier to let them pile up. But now they are clear, readable, traceable and they've lead me here to this moment, to that comma and this period. Moments that raised my walls and alarmed my defences.

So many little moments that build up the rage.
From stars we are born.
Atoms burning within us.
Traceable back to before
time began. It connects us
to those we never will meet,
stretching across galaxies
and piercing back through our skin.
As we are part of this universe
so it is part of us, making us larger
than most can accept or truly feel.
Breathe in your importance, and
contemplate the universe. As it
is nothing more than the atoms
inside of you.
Created while listening to The Most Astounding Fact - Neil Degrasse Tyson.
I'd love your input on a title!
Hold my hand through the bars,
we can learn how to live all over again.

Mind your Ps and Qs, keep them in a penny purse.
wear your orange jump suit backwards,
live out your sentence in reverse.

Crinkled, crumpled and recyclable,
throw yourself away.

You know that it'll take eleven kps
for any real escape,
yet you try nonetheless.

The sticks and stones, the pebbles I've thrown
don't leave traceable dents.

There’s a mountain made of
boxes I nailed shut, long ago
I mailed them to myself, with a shove.

Up to your cell, wobble towers,
tiny boxes creating stairs

The edges curled, cardboard grew ridges,
the cutout dream
caught fire to my bridges.

We couldn't have turned back,
had we tried.

Etched into the walls,
messages to future prisoners;
instructions on avoiding cafeteria calls.

Hiking boots with cleated treads
for steep hills, rocky cliffs.

The extents gone to freeing the caught,
comfortable behind their striped shadows
are left unnoticed and left to clot.

Used napkins on tourist ferry seats,
cheap asian sauce hiding jail blueprints.

Hide in the elevator shaft,
I’ll meet you in the back stairwell.
You bring life jackets, I’ll bring the raft.

We can pretend the verdict swung
and go back to being free enough to visit supermarkets.
Hal Loyd Denton Jan 2012
Diagnosis

In the face of beauty without a traceable flaw however hard you strive
Tomorrow will ask you to produce great courage for fear knocks at the door
Caution was always the rule what to do when unknown engine kicks into drive
You pace the floor your thoughts lost to the sirens wail

The jaw set so admired before for just superficial comment
The news shakes the stars glitz and glamour cannot guard
To trust self and achievement alone will always end in torment
Body and soul tomorrow will divide the temporal will split from the eternal

Catch the thief impossible he is but wisp of spiritual matter
We all are given warnings the refrain of the ages with greatest care watch
Why are so many tempest tossed they give heed even believe and are fooled by mindless chatter
The golden grain priceless the harvest must be completed but still they resist loving hands this holy band
All see this one face this dilemma if only from this wisdom could be owned
Still we squander the precious irretrievable moments like they will never end
His privilege afforded him unending travel not one place left where he has not been crowned
The most important one that has no equal will heaven be able to claim him as their own
The Broken Poet May 2016
I dream of running into the night sky
No one to see me
Or where I've gone
No traceable footprints
No way to feel me
When night creeps along.
I dream of disappearing
No one to know me
Or my name.
I dream of never looking back
to familiar faces
of the past.
I just want to run away and be free
Like the night wind.
Hal Loyd Denton Jan 2012
History of people

The stone walls and vaulted ceiling held memories the light seemingly superficial human identities have
Passed in and out like the outward wind that briefly buffets the outer structure then moves on if only

We could use a tool like the archeologist not to deface or change but take scrapings their work tells the
Grand story of people and place I would like the more personnel their struggles and their outcome we

Can and do learn from history and in time be able to take DNA when the science is stronger to take  
From these living libraries through test tubes and meaningful searches that will connect people even

Closer than ancestry search sites this shows your long ago relative was a silver smith and how impressive
If the very searcher himself works in a similar field someday I’m sure they will have applications that

Will be virtual it will be made in the same village you can set in your easy chair and have the unfolding
Of how it felt the highs the lows the commutable variable of life’s most cherished meaning what is to

Exist to be such time and effort is expended in the thoughts of this will serve our posterity what a
Precious stream flows from solid rock just like life giving springs in ancient and modern day where life

Would have to be deferred but out of a pristine valley not only nature but human enterprise is giving the
Opportunity to devise many wonders traceable back through time we lose essentiality when we don’t

Build bridges to our rich past cares can over run us or as they say they can provide stepping stones it is
So easy to defeat someone who has lost the chain links that tells who he is and where he comes from

This erodes his knowing and sense of belonging take careful measures to shore up the present with the
Glories others fixed in the earth as guide posts that will not fail no matter what the storm is now go in

These sacred blessings that hold back fire and flood in them you will feel your stature enlarge nothing
Will be to big you already have been given the mastery of them it’s told in the stone
neth jones Mar 2022
gods out of the night                                            
out of the nights unnavigable light
luding rosy from the underworld
                 broaching
how you push through my faces
           the posings
  hooking behind the dense furs
     poaching out the peppish reasoning   
            dissolving its obstructive code

you rap me faint between the eyes
     every failure drapes away
           in chronicle and uttered hurt
     all so familiar                                            
            ­        seeming foreignly a warm tutting family
         all volatile material is subdued

       i am voidable soldier                        
          but you hold me in keep
            you are truthfully inclusive
     i feel beloved in animal and otherly
          pandered into the pattern
      all beyond belonging
                      and yet traceable with my many uses

a healing visit and now to business                        
footage provided to make a mood-less operation
i'm kept swaddled throughout my information sift
silt is taken and exchange given                            
                                 for a heady ****** charge

   i've been amazed in the dreams
                                     you provided
       suspended in a solving liquor of theatre
i hope my report was a good one
i woke well rested                          
        with a light feeling of reassignment
RL Nov 2012
First petal.
Browning and creased
Flawed, to say the least.
A victim of time.
Plainly visible for all.
To admire.
To abhor.

Second petal.
Smoother, whiter.
With a hint of warmth.
My lingering touch
Soundlessly penetrates
Your faceless mask.
I left my mark.

Third petal.
Perfectly encrypted
From everyone but me.
Every line traceable
Every blemish shown
Every part of you
Known.

Last petal.*
Purest, untainted
You guarded it to your best.
But like the rest,
It withers, and is soon just a fragment
Of what once was
and what will never be.
Olga Valerevna Apr 2013
Cover the casket with both of your hands
don't let them know that you had other plans

If it's out of sight then you've gone out of mind
you're traceable only by what's left behind

And those are the things that you cannot remove
try as you might, til your face has turned blue

For that is what put you inside of yourself
where nothing is living but no one can tell
title taken from Circa Survive's Frozen Creek
LZ Sep 2012
Today I have to tell myself to breathe.

I know that if I stopped forming the words silently with my lips,
a cry would escape followed by an avalanche of saved up emotions manifested in every possible physical way.

I know that if I stopped,
I would crumble to the ground and I would not arise until you,
and only you,
kissed and coaxed until the hysterics turned into hiccups and the salty tears were only traceable by faint, powdery tracks down my cheeks.

I also know that you won’t come.

So today my mantra is “inhale, exhale. Inhale, exhale.”
Simone Mar 2010
It calls out to me
Sitting in my other hand
Urging me to use it
An upturned wrist
Lays on my leg
Veins traceable
All to be sliced
The vision of blood
Seeping down my arm
Throws chills through my body
I want to use it
To trace delicate lines
All over my clean skin
The cold metal heavy in my hand
A comfortable weight
Its sharp edge gleams in the light
Begging to be used
To be coated in my sticky red blood
Feeling a razor sinking through my skin
The immense pressure then release
Pure pleasure in my mind
Despite the pleasure that I yearn for
Slowly I roll my sleeve
Over my wrists white flesh
My clenched hand relaxes
The sharp razor slides out
Falling to the ground
I turn my back
And slowly walk away
Holding my breath and not looking back
Khoisan Aug 2018
Unrecognised obliterated
Beauty
Left behind unmemorable
Traceable across
A million miles of soulless
Rubber
Please be vigilant
Laci Jan 2018
The touchable light of a dandelion winter
Traceable woes between two
Whispers in shades of moonlight
But a fall of difference

Wonder burns in the care of silence
Faded faces linger to a melody of heart
A dare of once more
To blur the line that walks unforgiven

Ash fired galaxies ignite for chance
Stone cast destiny but a dream of you
Delicate curvature to be
Scent of shadows follow

To grasp the night of forevermore
Unknown to the eyes of noise
Stillness falls upon the felt
A stars reflection of found
Ellie Sutton Jul 2020
Nurses bursaries scrapped
Wages capped
Students unpaid, betrayed
By a stratified social system
That ***** on the helpless and the selfless
"Gratitude" is expressed
Not by redressing the balance
But with a clap
Followed by a stab in the back:
Oh, snap.

We're sick of your hollow applause: pause
Rewind your mind three years
To when you jeered
And blocked their cause with a cheer:
Tell me, is your conscience clear?

And when we think
You can't sink any lower
You throw a fresh blow:
Increase front line pay
But decline the same for our warriors in blue
Who saved your **** neck on that ICU

And the saddest part
Of this sorry story, Tory
Is we're outraged and dismayed
At the disdain you've displayed
But amazed? No.
Your track record is traceable
Applause a mere mask
Tasked with shielding years of austerity
That's crippled our NHS
With alarming prosperity

This proverbial *******
Will linger
In the memories of those who chose
A career of care
Over privilege and flair
charlie Feb 2014
but im only human
I only miss you on Sundays when the sun peaks through the blinds and the tea tastes like regret and unhappiness.
So I spit it out and make a new batch.
but im only human
I only miss you on Mondays when the dusk meets the dawn and I have to throw the pages of something I loved away.
but im only human
I only miss you on Tuesdays when the scent of you is traceable on my clothes and no matter how hard I scrub its still *there

but im only human
I only miss you on Wednesdays when its the middle of the week and the clouds hide the sun like a punishment and I remember how much you love the rain.
but im only human
I only miss you on Thursdays when I know you would've been home by now, and I would make some ****** dish of food that neither of us would eat but you would say it's "delicious anyway."
but im only human
I only miss you on Fridays when you would put on a movie we've seen seventeen times and absentmindedly rub my hand over with your thumb and I wish you would've rubbed it raw.
but im only human
I only miss you on Saturdays when the cemetery is closed and I have to drive past it on my way to the store because we're out of milk and you're not there to buy it anymore.
*but im only human
To compensate for (A -Z)
     ineradicable alphanumeric
     character flaws (i.e. mutations
     of body or mind,)

     and avoid amass
sing wracking up vexatiously
     undesirable threatening class
action lawsuit against

     Matthew Scott Harris,
     which preliminary measure
     taken to avoid disembarrass
sing said individual as

     a majorly flawed individual
literal shortcomings of body,
     mind and spirit,
     the metier of writing doth encompass

a creative realm to trump
     geomorphology, sans groundmass
at the unsolicited expense
     (mine alter ego i.e. worst critic)

     will gleefully find,
     and expose grammatical,
     misspelling, spelling,
     et cetera errors to harass

glommed together with isinglass
hop, skip and jumping
     to appear as a *******
whereat no respect

     able collegiate lass
would give a fig about me,
     one totally tubular royal morass,
which expert anthropologists

     stumped asper nonclass
     if eye able ****
     sapiens mutant ninja turtle
case in point being his

     wanting in height not e'en pass
     sing the six foot mark
     plus mental illness
     perhaps traceable to

     besotted cognitive damage
     inherited predecessors
     quaffing an overdose of quass
made obvious peering at resulting

     Ct scan results viewed
     via microscopic spyglass
revealing abnormal amygdala
automatically designating
     his aptitude underclass
among average human
     with mettlesome Zeusian brass.
Poetic T Jun 2016
I will navigate the crests of your body
with but a traceable touch, your breath
are my s
               t
                a
                  r
                   s, showing me the ways of
your needing. Diagrams are for lesser men,
I have travelled your anatomy by mere touch.
Akemi Oct 2018
Three tabs of acid and a year of postmodern novels will ******* up in a shorter span of time than doing a degree in poststructuralism, and only an idiot with a death wish would do both. Manic romp to reach nowhere in a political field that never arrives, except in France.

Well Sartre once said nothing, and so did Derrida, and so did Baudrillard. Endless procession of words for the sake of filling a vacuum that didn’t exist until it was filled. Enter Freud; exit Bernays. All meaning atop a Golden Bough.

Sitting in your flatmate’s room the acid kicks in and suddenly no one is themselves, every line that leaves their mouths traceable to a media product, the perfect communion of pluralism arriving as the terror of integral capitalist banality. To speak is to add to the mockery; to say nothing is to let the mockery continue.

Forget it all by watching Youtube videos at 0.25x speed. Displace the terror of your own situation through the consumptive behaviour that had constituted it in the first place. Watch in gleeful delight as the eyes of whatever presenter happens to be on the screen at the moment dart between this or that object of desire, ever unsure of where to settle amongst an infinite number of existential refrains, none of which deliver from the anxiety of the prior.

Holding a caramel slice in the departmental tea room, your lecturer waits for you to respond, but all you manage is a cough.
Lexie Aug 2015
February words and
Unpursued waves
Memories of lies
To keep my story straight

A web so entangled
It snared its maker
Some for now
And some for later

Ankle bites
And goodnight lies
Morning coffee
As black as the night

Sweet and sweeter
A wretched dream
But is it better to sleep
Than to want to leave

A marker tattoo
As permanent as my existence
Traceable calls
To a newer resistance

Spell check those ***** stamps
Is it low enough
Correct all the rights
Where the truth is the lie

And fly your kite higher in the ground
Opposites and confusion
Emotions of dreams
Become as emotionally withdrawn as possible

Or enter the ground
To become a fossil
Mark Redguard Nov 2018
The Game
The world has gone mad can’t you see there’s a problem.
The low of the class are just kept at the bottom.
Political factions never speaking the truth.
Cause they’re false and they’re phoney and dangerous brutes.
Telling us to abide by their political system.
Taking us for a ride but I neglect to listen
To their silly speeches they put on the t.v.
The blatant hypocrisy seriously burns me.
Because from the day that we came from the cradle.
We’re given a name, a traceable label.
To keep us in check and subconsciously kept low.
The guilty oppressors are cast in the shadows.
Stealing the spoils sending kids into battle.
Pawns of the game and they’re slaughtered like cattle.
The missiles are flying as well as the rockets.
While secret parties are just lining their pockets.
They won’t stop this, the cost is, a life with no justice, they’re destructive
And that’s how the games planned to be
We’re controlled by a darkness
The powers that be.
None

— The End —