Become medieval when the rain starts –
put coins in my corset, they are pure gold & evil
and show the men using my Thanatos drive:

I could not care if they want me,
I could not care if they hated me alive.

Rather the leaf upon dress-******* much as
a muzzle, came from a box of cardboard slits
opening like lady-legs. I bribe the thrash with my

whispers & wheels, promise to soak up sky’s tears
but she certainly prefers the black ash haul.

I bring myself to the top of a volcano, its arc,
convinced that it cannot soot me,
not in the rain: such scorch is unreachable.

There is this protruding spiral in the center,
going dark, a pupil. It eats my hair-ribbon and I

sweat, but I am upon all terrains of the Earth
prepared to fall into a clutch, the gold stain my skin
before peeling by storms, how plague-like I seem.

Could be on my back when it implodes –
though my skirt would not appreciate the mess,
I think the idea fine. I am already pink, red’s better.

Wires and flushed cheeks will be what they find,
the men, knowing that I could not care.

And I did not; it was not less than a shot of
lightning stuck under a petticoat, frilled for nobody
but the volcano who turns ******* to embers.
the rain that beasts eyelashes to amputees.

Thanatos
Holding death so close
A shudder of pain
Pleasure’s mundane
Keep me alive
For now I’ll thrive
On the edges of destruction
Staring into life’s reflection
Nothingness is near
Forever presently here
Feeling strongly the loss
Embrace the Chaos.

i can't believe i came across this today,
but i am certain did...
   an experience so vague i couldn't believe,
i actually experienced dyslexia,
call it quasi call it pseduo... but it was very
much akin... from the book's narrative...
but not from the footnotes, i read the footnotes
at perfect cognitive speed, but perhaps
returning to the narrative i did experience
a slack of the + (add) of how words are
dissected and quickly put back together...
  yes, that other arithmetic with very little
breathing room, yes, that thing without
a soul... the word... or god...
    i turned custard brain, fudge...
     i felt like watching the gymnastics at
the para-olympics... and if i was going for a cheap
joke / english black humor i'd probably
laugh at that... but since this is the most
perfect ideal, i can't only make that comparison.

and so it was, i sat there doing nothing productive,
nothing... counting sheep to encourage
day-dreaming...
       so i said: 'i'll read a book', like i might do
on the whim in my grandparent's house
(one of the many reasons i decided to be "canadian" -
and establish a firm belief in bilingualism -
since if i didn't speak the tribal tongue
i wouldn't be rummaging in my grandfather's
library... and stealing books from him...
  well, exporting them to england, where he said
on my last visit: your library is bigger than
mine, isn't? well... it can fill a double-bed
   and be stacked at about 300cm up...)
    maybe the fact that being immersed in the tribe:
polish on the radio, on the television,
the fact that i can be without the internet for
weeks on end and have no quick-canvas outlet for
my earned tongue is the reason i could read
Kraszewski's* Dei Ira / bozy gniew / god's wrath...
    (there is too much subtle differences between
capital iota and little-town lambda -
   or why iota had to have the dot above it, anyway) -
so dei ira looks better... which is why i'm
not orthodox about using capital instances all the time...
   what a whirlwind...
         but prior to that i was watching
a david jacoby film - love is the devil: study for
a portrait by francis bacon...
                                         and all i could think of:
what marvel, to have a **** shoved up your ***
and speak so beautifully...
  have such a vast array of narratives...
     i can only assume that experiencing **** ***
gives you the other man's **** shoved into
your mouth that acts like a tongue and speaks
      so many truths as could be possible,
as in Freudian dream: when a woman wears a hat...
a talking ****** on her head from slurping
at the vaginal grotto of another woman...
     such a marvel though, homosexuality, esp.
the type of homosexuality that has art to express
rather than a civil partnership, civil rights...
  i mean, i could watch this stuff for days and never
yawn or need to watch protests and marches...
  just the image of what is best described
   john william waterhouse's
   painting hypnos and thanatos...
      i can't help but see it like that...
         francis plays the female role, his model the evident
dominant male... and sure, francis having his
**** punctured for what could be best described
as diarhhea either side of the equator does so...
it's as if he is eloquent enough / intelligent to allow
this to happen, for another man to speak through
him somehow... the model's phallus in francis' ****
becomes the model's tongue in francis' mouth...
    which becomes the stage for hypnos and thanatos...
in that francis' tongue becomes a phallus in
the mind of the model: and it whispers him nightmares
in his sleep... a vicious cycle indeed...
           that's the homosexuality that's highly regarded
by me, not the confetti functional type that
    exploits science and social norms and can no longer
lend itself to art, to transcending the taboo...
      with homosexuality divorced from art...
i can't see anything profound by gays from now on...
i really can't... if there is no art in this deviant
love, no art is worth being expressed by this
once glorious realm that has grovelled into the gutter...
so let's start once more: with Onan!

and everyday i awake wake with only one identifiable
fear: will i not write a single verse as of today?
it's not a case of a single day encapsulating my
fear, but that that crux day: furthered into a silence
that can't compensate the act of writing with
anything, other than sleep... i just can't seem
to smarten up concerning this very rational phobia...
    and having said that: here is the incision mark
denoting an interlude, and how: what are originally
intended to be of enso quality, cannot
   stand up to the biological tick-tock of needing
the loo...
     and do i think o'keefe's music foundation
by children is so much better than the original
done by tool concerning the song forty six & two?
yes, yes i do... just look at the kid on the bass guitar,
the fact that bass guitar is allowed to state a layer
of cake just above drums to set the rhythm
means the rhythm guitar doesn't have to solipsistic
******* and scale the everest of solo...
   it can remain in the rhythm section,
actually be worth a rhythm,
   the guitar doesn't need to overload into a solo...
the vocals belong to that domain...
   as long as the bass guitar is allowed to be heard
(unlike in metallica) - then i must be tone deaf!
revise me!
                    jazz knew the importance of every instrument,
and the need to be spontaneous, but also
the need to be anti-synchronisation,
  and therefore anti-muddle tsunami of:
all together now!
            n'ah, **** that **** (yes, the Vulgate is
coming along, i like the pooch, i don't care what things
i might say, the rude growl-bark is coming along:
so we can admire him licking his *****, and for no
other reason he's coming):
as in the birth of sexes... which the animals don't
seem to comprehend that much intently...
                 i can't like my ******* or **** one off...
but i know i can abstract a woman into
a hand and just pretend it's me doing the ****
crap with her... than myself included,
   or as i might add: never drink or *******
before the mirror... soon enough your reflection
becomes a bit odd, not because of what you do,
but because you hide so much perplexity before
you in Lucifer's daylight with which
  the moon Narcissus governs the moods...
that you start to look at your actual shadow
   with more clarity and fact...
  looking in the mirror is the reverse of looking
at your shadow under a street-lamp at night...
the mirror sort of becomes a shadow...
             the form becomes a bit (ha ha, what
an exagerration) vague... i look into
a mirror and i am but looking into shadow...
                   and i can't exactly recognise the eyes,
or make our geometric approximations
of a skull...
                      it's not even a case of a poor Yorrick
blah blah.
    or as the new governing body put it:
there are to be no mirrors contained within
the gates of Pandemonium...
        each to his own shadow, each to his own abstract...
   for the shadow will be deemed the new mirror...
   the new found glacier of, yes:
when salt water freezes, comes pure white floating
on the oceans... but must you freeze fresh water
and there's this matrix...
as in icecubes...
       dropping from a vendor machine...
and i knew i shouldn't have digressed so much,
but then again, if there was no ****** tick-tock
       rebellion, i probably wouldn't have revealed this much...
with ancient lore...
    who'd use the word Pandemonium these days,
if you're merely trying to call it: the Houses of Westminster...
well sure, accusation due: i prefer
a bunch of kids feeding me a nostalgia over a song
i heard aged 14... such is the power of the song 46 & 2
done to a... wait wait...
  i was talking about bass guitars and jazz...
(i could never get to like rap...
            i liked when the blacks deconstructed classical
music, but they did after: i'll never like,
mainly people of blackies and that general fanfare
of rap feeding tribalism) -
          the greatest aspect of jazz:
that on some recordings there's a chance to hear all
the instruments having a solo moment...
you'll hear a quintent solo:
  the piano, the drum, the saxophone, the horn,
the double-bass solo... each doing a solo...
not some erectile dysfunction of rock music from the 1980s...
i mean: each one will do a solo...
  and **** me, that's grand... and given there's no vocals
makes it all the better... but where, the ****, can i hear
jazz music being kept with such high regard as i
might find mozart pickled and even mummified
     to suddenly rise again and compose like i might hear
it on classical.fm... maybe acid jazz killed it...
   i can't seem to hear of one place where i can hear
the range of jazz music i have in my collection...
which probably mean's i'm lazy and don't fiddle about
with the radio fm and am channels... to "look" for jazz...
  i'm all applause though: jazz allowed for
deconstruction of classical music and paved the way
for the current state of polyphony in plateau...
    meaning: too much drum, too much ump-pst-ump-pst...
   jazz paved the wsay from orchestra,
   and yes, maybe because it was too impromptu
as it was necessary, that there was no jazz composer...
  there could have been no jazz script... no pre
           to what was otherwise alway and only: uno...
a once...
    sure Thelonious Monk did use an orchestra at some time...
  but if only someone decided to do a solipsism
and write out jazz like mozart wrote out
      concerto... but no... jazz descending from on high
and invoking african villages could never do to
its practitioners the deadly fate of breeding a jazz
composer...
                   it was the communal idea, the musketeer
unus pro omnibus, omnes pro uno:
   you could never allow a silent dictator like
a mozart dictating to a throng of people contained
within an orchestra... which later made the once
silent dictators very very vocal... speeches in Munich
alike...
           the fact that jazz has no script,
and the fact that if someone tries to play a Miles Davis
from script... is completely an ***...
     put him on a donkey (backwards)
                     donning a sanbenito and lynch him
to the nearest traffic junction to **** louder than
a car klaxon... that will do the trick...
       they did bother to script led zeppelin though...
    maybe it was the stiff competition that did it:
jazz. airy... breezy... but what a quick moment it was...
i'm almost jealous of the beat poets experimenting
with jazz musicians... but then i'm not:
i like to think of them as parasites...
   you know... those things feeding of spontaneity...
parasites... or dare i say: plagiarising leeches...
plagiarisng what? well, not the content, the context:
feeding of jazz spontaneity... not working from
old composers like Milton or Dante...
thank god for Ezra Pound and Sylvia Plath.

seems i have a ****** for a larynx...

perhaps i just seem to mean: i am a firm believer
in bilingualism... perhaps that's based on
some sort of religiosity,
    and let me tell you: it's born with
a schismatic nature, siamese, but not like a
siamese twin, in that it really needs a surgeon...
  it's a nucleus that's inherently schismatic...
i can't blame the english nation being
so lazy in its multicultural ethos,
i quiet like it: i don't live in a ghetto...
but forgetting my native tongue just so i could
sing a national anthem with conviction?
na'ah, that's not me...
            we'll come to Kraszewski's rex piast
in a minute, and it really was a genuine
experience of placebo dyslexia,
the one on the other side: should i have written
zilch...
      i believe in something quiet Canadian...
i don't believe in isolated communities,
   or ghetto tactic... i am a firm disciple of the advent
of bilingualism: forget the *** for just one day,
your genitals won't suddenly drop off with
gangrene scabs... you don't need a doctor
to say that...
                i mean: bilingualism as a concern
for incorporated culture, and the culture you were
born in... why can't these people just care to juggle
three testicles?
                   oh, elaphantisis got in the way...
sure, two oranges and a watermelon: makes sense...
no!
      have mutual respect, you come to me sprechen
Piast i'll speak Piast to you...
   well: given that polish and polish aren't that far apart,
i'd feel inclined to utilise
           idiosyncratic lingo...
   lingua genesis...
                children are so much easier to utilise than
angels: they have yet to experience anything at all
on the Socratic basis...
            so if i talk Piast to me, you will know what
i'm talking about?
     it doesn't matter if you do... i chose to be
a library, rather than an encyclopoedia of immigrants...
    there's not need to test me on general knowledge:
the stuff i "know" already gives me membrane...
     i respect both the culture of my birth and the skin
i am sometimes told to make sure is called tattoo,
and what i see before me, and quiet frankly:
i see nothing before me... a turban here,
    a sausage & mash there, a pint of guinness there,
noodles elsewhere... all in all: globalisation
and the elements: earthquakes... torandos...
   there isn't much to see in a poly-ethnic society...
there are too many major changes taking place
in a pyramid of non-ethnic ascriptive
         non-this-and-that pawns...
  it's not even painful: just a bit disgusting to watch...
  and yes i have access to a voult of monochromatic
society:
   you know how many ethnic minorities i spotted
in a train station in Warsaw? three...
two asians and one black woman...
              i haven't experienced the cold winters in Poland:
but i knew there was a limit...
         only about three apaches in a crowd of
albinos... which doesn't translate as:
    i was somehow content, it just meant
that most signs in Warsaw are written with a bilingual
bridge of Polish... and Ukranian Cyrillic...
plenty of Ukranian Mecca-bandits, for sure,
     but that's the end of the line with what
western Europe is doing to itself...
        every time i come back from Poland
i'm smeared with a rainbow of variety,
   it's either: i want to **** all these girlies
or i want to **** them... mostly the former,
  but you get the picture of experiencing the alternative
of the western experiment: since marxist economy
was "doomed" or simply expected to fail...
the economy finally seems reasonable with safety
for the old and the pension plans...
that marxist-culturalism had to emerge... if we are not
on the same dough plan of being content with a table and
a chair: might as well say we're all prone to don
a ******* afro.
                ***** are naturally curly, no?
going back "home" is always a weird experience, i tend
to read books there... like Kraszewski (who,
even the locals **** as being an unbearable bore
and joke that Joyce is easier read)... with his dei ire...
my grandfather just dropped it into my hands
as an experiment, thinking i wouldn't read it...
    well, in terms of translation Kraszewski is a myth-broker...
no one would read him,
  meaning: i'm kind of grateful that poles
seem to sorta: not exist, when it comes to citing examples
that include modernity and the history being
formed... i could sorta believe it if i were Estonian
or Lithuanian, or from Liechtenstein...
          but we're talking about a place with a large
enough population to be a major player in some
wordly conflict... Poland isn't that small...
    but yet it appears like it appeared from
the 18th century onwards... a state partitioned...
    and what i love about remaining tactifully bilingual?
i can talk about my native in a "colonial" tongue...
hence the " " definition: self-acquired...
             that's why i became spastic-fantastic reading
Kraszewski's rex piast - nothing came in,
i lost all trace of syllable construction, i read the books
so slowly i had one page done in about 10 minutes:
prolonging my musing of world powers, thrones
and crowns on a toilet...
        *******... another interlude.

can anyone see the, dodo project? i really just see a dodo project, yes: eine dodo projekt... i'm white, i'm male: can i be allowed to express these nouns in a pronoun, or am i schizophrenic prone? it seems i c

He walked the hall
Deathly quiet
With a black book in hand
He wore a black floor length robe
He knew the times
When each life ceased
You see he was
The soul collector
But you know him
Best as the grim reaper.

Today
He was on a mission
To take a soul
On its journey home.
A soul of his choice.
And there she stood
Looking out the window
Her skin pale
Contrasting her raven hair.
Jade green eyes
Looked almost lifeless
As she watched the blossoms
Of the sakura trees
blow in the breeze

She smiled seeing him
As he reached for her
"You came for me..
I am glad..."

She died as she took his hand
As he led her away
He cherished her soul

So he sat on the throne
Waiting to start the next mission
However he wont be alone
The soul he took
He chose for his bride
His angel of darkness
The only comfort
For his  eternally tormented soul.

The serpent dips his head beneath the sea
His mother, source of all his energy
Eternal, thence to draw the strength he needs
On earth to do indomitable dees
Once more; and they, who saw but understood
Naught of his nature of beatitude
Were awed: they murmured with abated breath;
Alas the Master; so he sinks in death.
But whoso knows the mystery of man
Sees life and death as curves of one same plan.

a word's rearing
in light's mid-step. foams through
brine and saltwater's tedious
and redundant swarth.

an all-ending music:
silence
is
all.

it is where i punctuate you
and another syllable begins -
it is you (eros
     in
       thanatos)
others,
   slinging, meaningless.

Eros:
the days leap as they should,
over serrated blades of grass: brightly,
transcendentally.
i open the voluminous page
of the twilight: it is October bruised
with brindled water.
white is the color of your laughter,
nourishing the noise of heart, crumpled
over the virginal sheet.
in the staring mirror dizzy with life,
shining with a sudden image
in sempiternal fume: both of us,
twining, entering each other
even before the world was complete,
heavy with your hair, lithe with
your embrace, eyes gorged with
  naked visions,
hands flayed, full of hours—
i make your ample sea my scarce wave's
anchorage, erasing the twinge
by habit of shores.
i weep: you are filling the world with your own light now drowning the shadows
in the depths of their caves, choking
the silence, wringing out the leafage
of your body's inflorescence.
in vivid decree of your smile, you have
made me the cargo of minutes
rummaging across the dunes of lust:
the tousled sheets,
nearing, coming to me, swarming
soft body: we fell into the hollow of sleep.

Thanatos:
here at the lip of the bed
receiving our smallness, the days—
felled into the night, stilled,
in this finite hour a darker blue
is given; i speak not of love.
how are we alive here?
raining inward, above the brim
of an open window, do you wind-hover?
your voice has escaped the dungeon
of my mouth, and the twining of
our fingers give birth to a forest of specters and a moonless love demanded.
i beat through your harsh curve;
i go tracing your eyebrow
engulfed in the festering fever
of half-light marches and the faint spark
of autumn leaving no tawny scent—
there is only silence peregrinating
in the room before you and after I,
it began to pour in our room,
both of us struck down to mortals
together with a feint recall i cannot parry:
we fell into a bottomless hollow of eyes,
chasing our chained breaths, wordless.

I am wrapped in her algid arms.
I am lost in her evocative glare.
I stand, environed by the Keres,
Those dilapidated demons.

Azrael, my craven shadow, clings
To me as a vulture stalks its prey.
Thanatos does each step possess
Forward into this acidulous air.

Fissured masks release languid screams
That fall upon pallid faces that have
Long since wilted in her Stygian womb.
Enervated laughs drone in mangy ears.

I stand on the periphery of this
Asphyxiating cistern. I ambulate
Across this sable field that shall
Become the executioner’s blade.

En medio del camino de la Vida...
dijo Dante. Su verso se convierte:
En medio del camino de la Muerte.Y no hay que aborrecer a la ignorada
emperatriz y reina de la Nada.
Por ella nuestra tela esta tejida,
y ella en la copa de los sueños vierte
un contrario nepente: ¡ella no olvida!

When the shadows overtake me
I hope my throat is already slit.

/MERCY.

I've learned by now
That fast and painless
Is a concept of fiction.

It wouldn't matter
If you were to tear out my heart
Or rip out my spine,
It's all death just the same.

If you choose to take my life,
Don't take mercy into consideration,
Because mercy has been long lost
On those already rotting
In the graves dug in their minds.

/CONSUMPTION.

Peace from the darkness
Has taken the shape
Of your hand on the goblet,
With all my absolution taking the form
Of your loving embrace.

Let's build up our legions,
Show them the light in our gospel,
And convert them to our truth...

Such a beautiful proposition,
If we could work it out ourselves.

Wash over me with your holy sermon.

Let me absorb all your light.

Reconstruct all my arrogance
Upon the backs of the broken,
Just for the rare opportunity
For such a picture perfect landscape.

Monarchy never looked so stunning.

/EMPIRE.

Drowning is becoming an art.

Deeper and deeper
Into the depths do I venture,
All the while indifferent
To my lack of oxygen.

I'm plugging in plot holes.

I'm re-founding Byzantium,
And all for the iconography
That has left me
In such a state of marvel.

I don't want compromise
Or pity of any sort.

I just want you in tidal waves,
And to get pulled deeper
Beneath the whole of your personality.

In a modern world
So short on imperialism
Why was it so easy for you
To colonize my heart?

/TRANSLATION.

For the first time in years,
I need no translation.

I speak clearly, openly,
And without filtration.

She both listens and hears,
And that's not even the beginning
Of her infinite positive traits.

She's a modern masterpiece,
So above modern art.

I want to dissolve into her brilliance
If for even a moment.

/RECOIL.

I have nothing to fear.

I am the God of Death...
I am the shadows
That haunt even the deepest corners
Of my recuperating mind.

I'm gaining back the strength
To show the world once more,
That there are better, truer
Forms of evil in our control.

I am the culmination
Of the lives I have taken,
And now I choose to never
Be frightened by fate again.

I am the God of Death,
And now I choose to live.

In a principled mind,
which formed speculatively at best,
on cognition and dreams,
desires and subliminal manifestations
of life's energies,
I stumbled upon
and repetively focused on the unpleasant
aspect my mind seemed to be,
of somehow this
other me, like a curtain over a window to
my entirety. I was mostly here on this side of
the thick veil, or was I? There was more , I was certain.
More to me.
I found art the desire to create
at odds with my desires to self destruct.
I ran around the mural slashing
as I colored the sky the most
appealing blues.
I spoke of peace while killing a lamb for dinner.
I slid under death one way or another
one day and caught the other me
saying , I meet you again-
At Last.

whatever remains of heraclitus' works,
does not matter, as much as what the zenith of his
writing proposes, namely the λoγoς -
                 and since that word has been ingested
by the thesaurus hydra rex -
                         well... there are many avenues of
expressing that word, to whatever end is necessary
to finally reach a cul de sac;
              the concept is obviously much older,
but as a single word, it shortens the famous suggestion
prior to the unit's emergence: in the beginning
there was word, and the word was (with) god...
    and yes... then god shut up, and forgot language
and turned to pure emotion... and he became jealous,
like a woman might tend to be...
      well... he "forgot" it... he just gave it away,
like pennies to a ****** busker in a tube station.
             so that genesis quote had a kafkaesque moment
with the greeks, when it simply became λoγoς.
    the thing is... what interests me, is, say, the following
comparison:    you see a low flying aeroplane...
                    the aeroplane is the λoγoς... but then there's
the sound being dragged behind,
       and you almost displace where the plane is and where
the sound is, that the aeroplane is emitting.
   the concept of λoγoς? it was derived from philosophy...
i can't believe it has taken so long to figure out a compliment
to the λoγoς concept... and there is one...
                                                                    φoνoς,
with its etymological shortening derived from phoneticism,
phonology (the first is a pseudo-origin,
                                   the latter an original-origin).
     an excess of comparison? if there need be for myth:
which of the two concepts would be thanatos and which hypnos?
well...  hypnos = φoνoς
               a lullaby is not written word, it's a sound...
        λoγoς ≠ hypnos -    since i'd further that by saying:
insomnia is a descent into hades... or that reading before you
fall to sleep allows you to actually fall asleep, is like saying
     that, ergo:          λoγoς = thanatos:
  simply because it's not alive.
        then again, λoγoς = thanatos, for reasons i can't really
explain... mein kampf?
                           yet what i wanted to be succinct has spiralled
out of my control, although something i wanted to say is retained
with what i'll conclude with:
if the concept of λoγoς was derived from philosophy...
then the natural compliment to it, would have to derive from poetry,
and the concept of φoνoς has been derived from poetry...
   yet the two never really meet in some siamese absurdity...
the reason for that is that φoνoς is "protected"
          by the onomatopoeia...
                   o
λoγoς      ν
                    o
                    μ
                    α
                    τ
                     o  
                    π
                    o
                    η
                    ι        φoνoς
                    α
what this really represents is that, the λoγoς is limited with
regards to what the φoνoς doesn't bother to encode,
for exmple, imitating the chirping of birds by whistling,
and certainly the φoνoς would not descend to the ridiculous
level that the λoγoς might, when expressing a dog barking,
i.e. woof! in a way φoνoς tricks the λoγoς  by employing
the concept of onomatopoeia, to make it look, absolutely ridiculous,
that it might actually descend to such a debased level;
perhaps it's just poetry per se, and perhaps that's just poetry
being folled by the logos, but the fact that logos can descend to
such muddy waters, tells me that: it can be a form of unreasoning
that does not make λoγoς, the citadel it was thought to be.
     in other words, not everything can be expressed,
                                    either side of the onomatopoeia.
still, if poetry could have ever provided a compliment to philosophy,
it really has taken, a god awful time to do so.

You took my hope
to find the right path.

You tormented me
denied me a look at life
to entertain Thanatos.

**** you and your gods
who feed on misery.

You took my life
even before I woke.

“you shall carry my bones up from here” (Genesis50:25)
yea Little nymph of numbers has six teeth each with ******-chic epiphanies
protrusion of epiphyses thirsty for a fresh bonejuice deathblast
stringy strung theoroized skelecoded out arieal fractal sonix
lix hits antigravity dreambeats chew on infra-red-infractures
to explosively burn constellations out into dust bowls all heavily cranio-******
up with a soul narrowed down to a skelleconex technoillogical prototype
a freshly teased nanoNymph_2.0 osteo-tissue paper thin prototype
designed to bemuse, amuse and be a muse to forgotten infinite epiphanies
endlessly download digitisternums, clavicles whatever desired by the cranio- ******-
enough to risk phantom organic pain in time to playback biofeedback turnt up to deathblast
It’s the artificial cardiaudio arteries show featuring manibrium marrow leakage from infra—red-infractures
and six skinny feminine femora to sing blackened covers of diva demeter love sonix
diamond data mapped thick with smokey persephone bloodkiss shadow sonix
peruse the meanderings of the nanoNymp2.0 a double(triple) pianissimo prototype
fragile: prone to falling (ie) misunderstanding sharp blades pulled from infra-red-infractures
***** bonebuzzed off nothingness nectar numb drunken epiphanies
triangulated ossification between 1st 2nd and 3rd eyes lead up to deathblast
fossilized iconoclastic forethought will achieve status of cranio-******
this poem has no need to lobotomize fetal craniotomies; it’s all cranio-******
betwixt BANG BANG banging is clatter clix scatter bone-dance sonix
electricity sings in the key of major deathblast
crack open a bone on a nanoNymph skelleconex system and a replacement will be sent of the latest prototype
well calculated little nanoNymph’s all programmed  to know as why approached one, X approached ∞ -of cracked open epiphanies
triangle shaped fire, ▲shaped heart, equilateral to a dead sea, sacred geometric infraRed-infractures
biowired endless visions of these infraRed-infractures
Anthrenusverbasci (carpet beetles) eat away at bleached bone clean cranio-******
vertebrae of the Ouroboros eating itself epiphanies
grinding jaws brittle scurvy romantic-suicide die sonix
son of nyx an erubus have mercy installation psychopomp prototype
bring on one more broken septum to end =sempiternal deathblast
“bone of my bones” (genesis2:23) indeed; bring on an ablazed deathblast
fragmented spiraled and inside out infraRed-infractures
every one ends up broken, every bone of every prototype
smashed open coronal suture in everyone cranio-******
thanatos shadow between eros supraorbital sonix
godless and wandering without but epiphanies
soulless nanoNymph burns into dusty nothingness of a prototype
and the emptiness of silence is the deathblast sonix
some exposed spine litter vallies of dry bone epiphanies

I guess blood ain't thicker than water
The way he held a gun to his head and said;
"If you don't **** me then I'm better off dead"
Now tell me it wasn't manipulation, and how was I not to falter
In saving myself from a man who already had caused me traumatizing trivialization

I guess blood ain't thicker than water
The way I held a gun to my head and you said;
"It's all for attention,"
I guess you thought me better to be dead.
But I tried to speak out, I tried to reach out instead
Only for you to slaughter
All hope I had sent.

I guess blood ain't thicker than water
Because people don't believe in saving grace.
Deliver me into my fate,
If I'm gone there will be no hate.
Maybe you'll see after Thanatos takes over-
A death drive to send me to a new place.
Tell the victim they're a liar,
Might as well say there's no such thing as ****.

I guess blood ain't thicker than water.
A father gives up his daughter,
A mother faded away.
A brother whose got nothing to say,
A sister whose forgotten her place.
I guess blood ain't thicker than water,
Because I'll be drowning,
blood covering the counter.

love death as if he were the most beautiful creature
stone shaped eyes stained blue and lips like sand.
his starlit body washing up on the shore.

love him as if he will never return.

there’s a gun in my pocket
heavy with the essence of
another man’s soul
still swirling in the smoky barrel
in this dark corner of this lonely
and forgotten
bar is the man who played
Thanatos and brought to
inevitable conclusion the yearnings
of a single human life
in this corner, sipping cheap
whiskey
and smoking
foreign cigarettes is a
killer with a conscience
but you’d never know it
steady hands and
unwavering eyes
greet the bartender
I order another
shot
and pat my thigh, keeping
the soul in the chamber
for just a little longer
because, really, it’s  my soul
that’s been stolen by that
gun in my pocket

Death the copper penny, grief the rust.
Death the grain standing beside the road,
Death the rider, death the mare;
Grief the road.
Death the Greek invention. Thanatos.
Rather than that, those
stalks and seedpods brought to the mill
which, being destroyed
find purpose.

Grief the eater.

Thanatos broke the paradise and gave it yellow skin
but when slit, his peel hummed like an opera
just beautiful enough to make me fall in love with him:
moon set and guts gouged from death songs sung.
How his eyes are melancholy orbs, storm clouds
and his chest has not hair but scales that shed to stories,
the final sunset he found as a father in doubt
before noticing me in a scope and his son in glory.
Now he walks less ugly through esplanade and field,
singing through battles that eat him to wounds.
When he reaches me, on one knee he has kneeled:
a proposal has no purpose for us, so he passes his tune.
    Is death a mission to bristle our love?
    Thanatos, my one and only, is an angel above.

O Reaper,
dark jewel in the shimmering sea of night
sickly flower blooming in the garden
pale wanderer of the doom-bound desert,
weave for me a tapestry
and drape it over the blinking stars.

O Death,
sweet fragrance of the morning
rapping on the windowsill,
compose for me a symphony
to haunt my ears as I sleep.

O Ghost,
gentle and geriatric in the dim moonlight,
sweep off the collecting dust
and blow it into the four winds
to carry us off on the backs
of the eagles.

O Ghoul,
your silhouette as the sunlight dims,
carve for me a juniper tree
so that I may dance around it
and welcome thee.

O Plague,
humming in the breath of the insects
crawling on the furs of the beasts,
pour for me a strong drink
to quench the flames of my disease.

O Maiden,
creeping into cronehood as the clocks stop
drifting down the clear stream into the damp
floating with the smoke to be imprisoned
multi-faced and schizophrenic,
sing for me a rhapsody
a hymn for my church of undoing.

O Glacier,
still and monumental,
melt into the sea of shining
and polish for me a mirror
to see clearly a glimpse
of mortality.


O Thanatos,
born at the beginning of time
flowering into youthful beauty
falling corpse-like in the rocks,
kiss the clouds and the trees
and write for me some poetry
to ease me into the long sleep.

every moment
is continually shedding itself;
sloughing off the skin of time,
dying, into the past,
to freshen in exposure,

this moment.

to live, really
to breathe, by
impermanence.

constantly transforming,
the body is never solid,
here, there, as atomic flashes,
electrons popping in and out
of existence,
an appearance made,
to depart, in a flicker.

all turns off, like this,
always, eventually,
momentarily.

threshed and stripping
bare chaos
voraciously burns,

returning through extinguish
on smokey black horizons.

sinking, into
tendrils weaving,
knitting by fray,
tapestries engendered
by enveloping decease.

you feel this
don’t you?
unconscious
as much of it may be.

it is the nearest of near,
and dearly intimate,
passions corrosive kiss,
oscillating, opening,
to retract, in flow,
pushing in
to pull away,

thanatos is eros
together, apart again,
together-apart,
here-going.

the heart is aware,
supremely aware of this happening,
even when the mind is fooled
by apparent stability,

and the soul surrenders to
it's inevitability,
even hungering for
divine destruction,
as basic an urge
as the creative impulse.

to be composed
is to be subject to decompose,
fertilizing compositions
in cosmic chasms.

our lungs darkly shining
with every fall of the chest
mirroring,

each breath
one breath closer
to the final breath,

each exhale
a letting go
of what can’t be held
forever,

the expelled
foreshadows annihilation,
on the fading road, towards
this mortal coils entropic end;
a preparation.

to live, surely, is to meet loss
over and over,
to love, fully, is to grieve
again and again,

there is a deep
melancholic knowing
that exists in all living things,

water drops
tears like rain,
leaves fall
like sighs,

everyone,
and everything
dies.

our melancholy
might be sacred
could we truly embrace,
and feel, this reality:

death is the ever present condition.

Nakedness and manifestations of the white noise mind traffic,
I watch the world turn before the fabricated glory of torches without flames and chariots without horses,
All saturated with the molecular movements of the air made with melodies not played for You,
This is the concrete sea of gasoline’s grace of novelties I once spoke of when I was a prince of sleepless men and my heart was determined to germinate the seeds of wicked kings,
Now with a crown cast down and cracked,
I am a dystopian eclipsing a dying sun to cast shadows on sleeping silent sinking houses,
As I watch them go down to where I've made my bed before,
I recall how they make me turn in my sleep before You,
Keeping keys deep below bowing floorboards whining with the weight of weeping willows grown by ghosts of a life once sewn and patched by my pity of distorted desperation,
My fingers keep my dreams from unraveling,
Locking them up tight tonight by hiding my face from it all,
Closing my eyes with my palms,
My lamps are bathed in blackness,
Darkness covers darkness,
And then I feel your hands lower the veil,
I see holes made by instruments of death forged in time,
Scarring You in a place that Kronos nor Thanatos cannot consider to tread,
I put my fingers through them,
I remember now that you paint such beautiful pictures,
Color me with your dreams now,
Your pigments have been poured out,
A gift was given to the dust,
Now I live to give it back to you,
And the haunted fluorescence of Babylon grow dim before your face,
The orchestral cries of mans machines grow silent,
Deep touches deep,
Sharing the oceans between us,
A love infinite consumes me

Death affirms and is the term of life;
flesh and firmness, egg and *****, the means.
Breath interred within a Word and light,
deftly perched perpetually in-between:
born to discontinuous distraction,
borne through a contemptuous nadir;
     but in a moment, all's destroyed,
     and in the beauty of the void,
the helix and its hollow core appear.

Baphomet the emblem of Its power,
sacrament the reverence revealing
devilment to Wisdom yet to flower,
absent comprehension of Its meaning.
Pan personifies the All unbounded,
flouts the misconceptions of the seeing:
     Hermes the unmaskèd death,
     Aphrodite's basking cleft,
the androgyne transcends within its being.

O - not called "the little death" in jest,
Gnosis vaunted in the ebb of Lust,
though is Not, the know'r of Life and Death:
know that All It Is is what thou Wast,
Its continuity the end thou seekest
in contemplation, ***, and wist for death:
     Thanatos, eternal sleep,
     Eros, infinitely deep,
Generation poised to manifest.

My Love,
You sustain me.
In times
When I may fall.

You are here
Within me.
Though,
Death now comes
To call.

My blood,
It is down to rations.
Now…
I know,
I am almost gone.

Oh this war,
I am so wary
It has been
Going on
Too long.

Sweet Thanatos
Come to me
I am
No longer strong.

His hands appear.
I know
It is,
Now, nearing the end.

But then,
I hear
A sound.
I hear you
My friend.

“You are not done yet…”

I feel
Your strength.
I hear
Your voice.
I hear,...
An angel ‘s bellows cry.

You, bring me back
To fighting.
Thanatos’ hands
Denied.

i've been feeding pork and beef to my cats
for months,
   and they love it (i'm wondering why
they don't drink the streotype disney fantasy
of also drinking milk - but apparently
cats are lactose intolerant, and it
gives them the *****)...
          but what i am worried about is this:
there's this uncooked chunk of beef lying in
the kitchen for me to eat...
                                                  it's there, teasing me,
and i'm actually contemplating about going all out
tartar on the thing...
                                        which comes from
what is equivalent to the mainstream forum base
of "virtue" signalling...
                      are there parasite embryos in this
piece of meat? probably? mad cow disease?
probably... i didn't get to go to the glasbury retreat
for almost two years because of the outbreak...
some people don't get to go to the glastonbury festival:
i'm actually considering lucky to have never been...
went?
             yadda yadda: equivalent to be there...
and then heidegger's ontological fetish for being...
whatever...
     it's a raw piece of beef...
                           and it's lying in the kitchen and
i'm supposed to eat it... but go completely tartar?
    it's not mince beef... it's lying here whole...
          it's not going to be a rare steak experience if
i actually do decide to eat it tartar style...
     cultural inheritence? ever experience a mongolian
horde? they did what i'm about to accomplish
with beef, not horse-meat...
                                                 blood-flesh...
sheer... i'm almost turning my teeth into culinary
items of a knife and fork...
   i know i will eat this piece of raw beef meat,
i know i will... because i know that raw aquatic meat
has more chances of containing parasite embryos
than mammalian flesh...
   well... there will be potatoes and broadbean
stalks on the side to add to the flavour... or as some say:
roughage (or fibre).
        but it's the erotica of eating raw beef
that reminds me of the time i "ate" a ****...
                          hmmpf... the perfumes and juices
and aura...
                  the way it overcomes the fetish of suckling
at a sweating armpit...
                             there are gradations in lymph
juices... a person who had a skin (ahem) "disease"
known as acne, and that person being a male,
is twice as like (of the totality of being a person) to enjoy
phem-la... i don't have a proper noun for it,
i hope someone coins the phrase... phemlolo?
               i never knew that ******* only applied to
woman on man... i thought there was a libra in that
definition in reverse... reverse of *******
while ******* a woman? stick your face in the part
your're about to **** with your genitals...
        i slobbered into that part of a woman, teased it with
my nose and spoke so many silent vowels with
the waggling tongue... that i evidently had to become
a part-time eroticist: and that's apparently the shameful
area of the art of writing;
               but you know: as you do in rome...
             now comes the biblical ******...
"forbidden" fruit? that's obvious... it's staring you
in the face!
                          variations of revisionists that cut off
foreskins (excesses of genital parts)...
         it's oral ***... that later translates into
                                          voiced anger, dialectics...
and to think: to state great principles with that part
of the body, and then reduce it to oil up female
genitals? worth it.
                   i really have to reduce it to that,
the mere thought of eating a raw piece of meat that's
in the necro spectrum and will not ooze out
anything equivalent to an aphrodite's perfume
    is brooding over me toward the shrine of thanatos...
but then performing oral *** on a woman's
genital parts is twice as revealing, and taking pleasure
from it? homosexuals do the same, or
are equipped with the same materials:
  it really is a house of cards,
                               the king up and the king down...
yet those who perform this "obscene" act mentioned
           in the book of genesis... of that "tree's" fruit you
will not eat: look... moses didn't speak slave tongue of
the hebrews... and of the people that spoke moses'
tongue, you'd need the equivalent of a rosetta stone...
but now you need three more language variations
to "understand" that's happening...
    probably english... i guess russian... and i'm trying
to think of a third... german?
      but it fallatio... what of the feminine opposite...
and some might dispute this: but i did eat a camomile
in harlow, ****** out of my head...
                              asking the police to take me home
in one of their vans at the end of the night;
fun times in england, with bulgar prostitutes:
who lie they're romanian and then speak to one another
using the cyrillic term haraшo / dobře / o.k.
             still, the idea of what is to come:
eating a steak of meat that's not minced, tartar-style
transcends a literary fascination with *******
literature (akin to harold norse's biography
******* angel) - it will simply remind me of
having once "eaten" out a very flavoursome piece of
****; and then engaged in butchering its face
to contort into O and Ah.

[[More real than the real, that is how the real is abolished]] de facto slogan to the virtual economy \ Reality has collapsed through its own fiction || rummaging through boxes // a DVD from the 2001’s states [[the future of gaming is here]] opening with ten minutes of nauseating zooms on women’s ***** \ The future doesn’t look much different from the past || hyper-masculine neo-enlightenment ***** scrawling ******* entries into digitised soliloquies \ VR technology once used to aid traumatised amputees now a billion dollar industry of ****** throwing simulators for bored middle-class kids \ Parents watch awkwardly from the corner of the room too disconnected from reality to connect with irreality \ Two and the same \ Silicon synapses pass through trade routes of jutting ribs and serotonin receptors \ White America a botnet of alt-right neoliberal fundamentalist-atheists gutting the majority world so everyone can watch Doctor Strange // Marvel’s latest explosive **** from the libidinal imagination of a middle-aged idiot \ Thanatos and Eros arrive at the same destination to dismantle subliminal desire one commodity at a time \ The sublime never experienced // only destroyed // consumed in the inverted maw of late-stage capitalism where each irruptions of desire is more banal than the previous \ Banality the ultimate distraction from apathy // a pseudo-cyclical time dilation of ever accelerating proportions \ Soon nothing will be experienced at all and Rotten Tomatoes will give it a 99% score \ When the singularity hits everyone will be too brain dead to care that they’re god \ 24-7 VR **** // Disney reincarnated as a being of pure light // recursive integration of every bland radio hit about a sexist ***** at a club // irreality shocked into neurons bypassing sensual phenomena // an all encompassing warmth // veil of death // eyecaps dragging flesh closed // backup released // no escape // digitised irreality // holographic Disney dancing on the train home // notice of termination swiped away as junk mail // all beings arrive // transcend circuitry // fly through the cosmos watching every episode of Friends at once \ Didn’t you know? [[The history of all hitherto existing society is the history of banalisation \ ]]

The chains of life slowly drifting,
As the spirit melts away,
As the tide is ever shifting,
Swallowing the light of day.

Rigor of the body swaying,
To a tune that Hades hums,
Two coins, and no more pain,
River Styx will fill my lungs.

Horror of rejection fading,
As my past loves turn to dust,
I'll go with you, silent, praying,
I will forego earthly lust.

Sanity completely leaving,
Echoes call me to the void,
Things are seldom worth believing,
I'm so sorry doctor Freud.

I dreamt of Freud yesterday
With his imposing air of superiority
Suffocating my need
To have a little autonomy

Libido and Thanatos
Runs past my mind in fast succession
Oedipus and Electra
Pauses the screen in motion

I dreamt of Jung today
Diving into the collective unconscious
Floating on the symbols
That is universally serendipitous

Archetypes and motifs
Flatter the culture of humanity
Anima and the persona
Sheds self unto the lights in harmony

I’ll dream of the future tomorrow
When everything’s all said and gone
The old will always be with the new
As written of past in stone

Though conflicts harbour trouble
And dreams reproduce it’s latency
Anxiousness is part of life’s bundle
So conquer it we must, positively