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Sid Lollan Apr 2018
Gentlemen of Courage and Ladies of Excellence,
Toast to stolen prayers with rarer player’s hands;
Soft in defiant laughter,
when drinking their wine from the bowels of brines

Sing along the Ballads of Heritage with Melodies of Exception;
Boast, not a breathe,
though sullen heirs ghost to fairer wearer’s air(s) of land—
A settlement of Rapture and Resurrection, arid, amid dirt and sand

and King and thy Kingdom sprout flowering tomb, and rosebud temple reach to the sky during the showers of spring
Devours the crescent Moon

in big pink petals of bloom;

A garden so fertile
it could look pretty in wartime—
with Gardeners of Courage and Laborers of Excellence;
(Lapse, not into digressions of Being and Essence
but hands in the soil and planting the actions of kingdom come,
       patient building of Spring Reign sure
as the flame, the architect of rising Sun is
(Daughters and Sons of kingdom came,
      the soldier in a land been conquered and named; abandoned
for the greenness of hope.
)May it never come, Be All The Same; (


be gentle, though whispering wind)

Seeds of Nextyear and the spores of Awhile,
carried by the Wasps and the Clouds
To the Gentlemen of Excellence and Ladies of Courage,
illuminated, eyes from the flora of stars faraway forest floor of foreign

      fears,
      as the hungry Owls of Time prepare a final feast—
      Consume the years between Here and Now;
      Watching from blank perch, among
      the Trees of Afterall; a place beyond expectance.
      Sing the branches of experience, to wake
      in Siren’s cipher; inelegant forms
      of waking,

ugly sleep on rocks of seabed; once was aboard a marooned skyline—

Those Who Are Will Be
again, again a serf in a wave of Time’s refraction. Neverending neverbeginning;

                          Those Gentlemen of Courage and Ladies of Excellence,
on the Day That Is, arrays of seers sayers doers displayers
optimists and pessimists, toast to them
        and their rarer player’s hands,
Boast they, not a breathe, though sullen heirs ghost
to fairer wearer’s air and land;
Laugh and howl and dine, they drink their wine
from disemboweled gourds
        of their own divine—
Warped, in jowls of hungry fix,
no feast they fear, for they prey to the Owls of Time.
1045

Nature rarer uses Yellow
Than another Hue.
Saves she all of that for Sunsets
Prodigal of Blue

Spending Scarlet, like a Woman
Yellow she affords
Only scantly and selectly
Like a Lover’s Words.
sammybunnie May 2014
If you ask me to describe him,
where will I start?
I can’t possibly fathom my thoughts into words
and turn him into a description of art.

But I can try my best,
try to pick him apart.
Describe him in words,
perhaps in four different parts.

I’d start with volcanoes
for he’s just like one.
Where his touch feels like lava,
but surprisingly calm.

Up next are earthquakes,
since his heart is one.
It makes the world shake
causing me to run.

Third would be hurricanes,
since his mind is one.
He’s a drug I should abstain,
that makes me come undone.  

Last would be forests,
since he’s full of secrets.
Hiding and waiting,
to be uncovered by none.

He’s a mystery,
yet someone I trust.
He is impossible to describe,
and rarer than pixie dust.
Original poem by Sam Barnes.

Someone recently asked me to describe my boyfriend, and I came up with this.
RAJ NANDY Jul 2015
INTRODUCTION TO THE FIRST WORLD WAR
            BY RAJ NANDY: PART ONE

                   INTRODUCTION
  “What passing-bells for those who die as cattle?
         Only the monstrous anger of the guns.
        Only the stuttering rifles’ rapid rattle
    Can patter out their hasty orisons.”
      -by Wilfred Owen, British Army Lt. killed in
        action in France on 04th Nov 1918.

The Socialists called it the ‘Imperialist’s War’,
and it was the ‘Trench War’ for the soldiers;
But Europe hailed it as ‘The War to End All Wars’,                
Expecting it to end prior to 1914’s Christmas!
But alas, it soon became a mighty global war
fueled by national and ethnic aspirations and
territorial lust!
The assassination of Archduke Ferdinand, heir
to the Austro-Hungarian Monarchy, -
On the 28thof June 1914 at Sarajevo, was the
spark which triggered off this great catastrophe!
During 1876 when German Chancellor Bismarck
was asked about chances of an European War at
a future date;
He felt that Europe was like a big store house of
gunpowder keg!
While pointing to the volatile BALKANS he had said,
That European leaders were smoking in an arsenal,
where a small spark could cause a mighty explosion!
And 38 years later the world had witnessed,
Bismarck’s unfortunate prediction!
This war ended on 11th of November 1918, after a
four and half year’s long duration;
With 16.5 million military and civilian deaths, and
many more wounded and missing in action!
For the War had spread beyond the traditional
killing fields,
Killing many innocent civilians following the
bombing raids by German Zeppelins!
Now, before proceeding further some background
information here becomes necessary,
To understand the socio-political events leading
to the unfolding of this Great War Story!

         PRELUDE TO THE GREAT WAR
The Nationalistic fervor aroused by Napoleon,
And the February Revolution of 1848 in France,
Inspired Europe’s inhabitants to preserve their
ethnic and racial identities, without leaving
things to chance!
The Italian and German unification, and the
Hapsburg Austro-Hungarian polarization,
Aroused the expectations of the Slavic people,
Who remained spread all over Central and
Eastern Europe!
The various ethnic groups forming the Slavic race,
Always dreamt of an independent Balkan State!

         CAUSES FOR ‘THE GREAT WAR’
Imperialism, Nationalism, Militarization, Alliances,
and finally the assassination of the Archduke
Ferdinand,
Are the five main causes for this war, which is
generally mentioned by our Historians!
However, I shall now try to acquaint you briefly,  
With some relevant events from our recorded
History.

BRITISH IMPERIALISM:
Towards the turn of the 20th century Britain was
the dominant global imperial power;
And since the mid-19th Century it was seen that
the sun never set over the British Empire!
The British had a vast mercantile and a naval fleet,
To trade with, and administer their far flung colonies.
At the turn of the 20th Century the British Navy was
changing over from steam to oil power like other
big nations;
So the oil fields of the Middle East was important
for British militarization.
Also passage through the Suez Canal was vital for
maintaining their colonial possessions!
These facts will get linked up in Part Two of my
later composition!

GERMAN NATIONALISM:
The nationalistic fervor aroused in Germany
since Chancellor Bismarck’s days,
Made the Germans try to outstrip the British
in many ways!
This fervor was reflected in Goethe’s poetry and
through Richard Wagner’s musical notes;
Between 1898 and 1912 five Naval Laws were
passed in the German Reichstag, by majority
votes,
For building battleships, cruisers, and 96 torpedo
boats;
Which later became a scourge for Allied and
British shipping, known as the U-Boats!
The German nationalism and militarization went
hand in hand during those days,
While her industrialization also progressed at a
rapid pace.
Kaiser Wilhelm II had sought “a place in the sun”
by trying to outstrip the British in the arms race!
Statistic show more number of German scientists
had received the Noble Prize for their inventions,
Between this period and World War- II, when
compared with the combined winners of other
Western nations!

AUSTRIA-HUNGARIAN MONARCHY:
In 1867 by a comprising agreement between
Vienna and Budapest the capital cities,
The Austro-Hungarian kingdom became a Dual
Monarchy!
Many ethnic groups had composed this Monarchy
in those early days as we see;
With Germans, Hungarians, Romanians, and Slavic
people like the Czechs, Poles, Croats, Slovaks,
Serbs, and the Slovenes!
While the Austrian Officers of this Monarchy spoke
German, the majority of the soldiers were Hungarians,
Czechs, Slovaks, who never spoke German!
So the soldiers were taught 68 single-words of
German commands,
For the Austro-Hungarian Imperial Army to function
collectively as one!
While Francis Joseph their sovereign and emperor,
aspired to become a strong centralized European
power.
But out of the 50 million people of this Monarchy
around 23 million were Slavs,
Who always dreamed of an independent Slavic
Kingdom in the Balkans!

THE BALKANS & THE KINGDOM OF SERBIA
After the Iberian and the Italian peninsulas of
Europe, the BALKAN peninsular is seen to be
lying in Europe’s extreme south east, -
South of the Danube and Sava River, bounded
in the west by the Adriatic and Ionian Sea.
In the east is the Aegean and Black Sea,
With the Mediterranean Sea in the south, -
washing the tip formed by Greece with its many
islands around!
Now much of the Balkan areas were under the
Ottoman Empire since early 14th Century;
And here I cut across many centuries of past
European History!
Following a series of revolutions since 1804
against the Turks,
The Principality of Serbia was carved out in the
area of the Balkans!
A new constitution in 1869 defined it as an
independent State of Serbia;
Was internationally recognized at the Treaty
of Berlin in 1878, to later become the Kingdom
of Serbia!
This kingdom was located south adjoining the
Monarchy of Austro-Hungarians, much to their
annoyance those days,
Since the Kingdom of Serbia was looked upon
as a ‘beacon of liberty’ by the Southern Slavic
race!

THE BOSNIAN CRISIS (1908-1909)  
This dual provinces of Bosnia and Herzegovina
in the Balkans,
Were formally under the control of the
Ottoman Sultan.
With permission of the Congress of Berlin in
1878, it was administered by Austria-Hungary;
Though the legal rights remained with Turkey!
But the Slavic population present there had
Nationalistic ambitions,
Aspired to join the Slavs in nearby Kingdom of
Serbia, to form a pan-Slavic nation!
The Slavic population in Austria-Hungary, also
entertained such dreams wistfully!
Now in 1908 a ‘Young Turk Movement’ based
at Macedonia,
Had planned to replace the absolute Turkish
rule in Bosnia!
And by modernizing the Constitution hoped
to rejuvenate the sick Ottoman Empire.
These developments set alarm bells ringing
in Austrian capital Vienna!
So on the 6th of October 1908 they quickly
annexed Bosnia and Herzegovina!
After having lost a war with Japan, and following
an internal Revolution of 1905 the Russians,
Prevented an escalation by staying out of the
Bosnian Crisis!
But the annexation of Bosnia had angered the
Serbs greatly,
So they started to train secret terrorist groups to
liberate Bosnia from Austria-Hungary!
These terrorist groups operated in small cells,
Under the leadership of Col. Dimitrijevic, also
known as the ‘Apis’ those days.
Now, a secret cell called the ‘Black Hand’ operated
in the Bosnian capital of Sarajevo with Gavrilo
Princep as one of its members;
Who was trained and equipped in Serbia along
with other ‘Black Hand’ members.
The Austro-Hungarian Monarchy had remained
distressed about these subversive activities by
the Slavic race!
So in Jan 1909 they obtained the unconditional
support from Germany, in the event of a war
with Serbia even if Austria was the aggressor!
And also secretly hoped in a war to annex
Serbian territory!
For in the two Balkan Wars of 1912 and 1913,
Serbia had greatly extended its territory to
become a powerful adversary!
Serbia had also obtained an assurance from
its protector Russia, should a war break out with
Austria!
Now, as tension mounted upsetting the delicate
balance of power in the Balkans gradually,
Archduke Franz Ferdinand with his wife Sophie,
planned to visit Sarajevo from Austria-Hungary!
It was a God sent moment for the secret
organization the ‘Black Hand’,
To plan the assassination of Archduke Ferdinand!

THE ASSASSINATION: SARAJEVO 28TH JUNE 1914
Now when I look back in time I pause to wonder,
How such an amateurish assassination plot could
have ever succeeded,
Without the cruel hands of destiny and fate!
The 28th of June was a bright summer’s St. Vitus
Day and a holiday in Serbia;
And also the 14th marriage anniversary of Franz
Fernandez and his wife Sophia!
Several assassins were positioned along the route,
Which was to be taken by the Archduke!
While the motorcade proceeded to the Town Hall
a bomb was thrown,
Which bounced off the rear of Archduke’s car,
Injuring few bystanders and a passenger in the
rear car!
The Archduke however refused to cancel his trip,
Saying that it was the act of some lunatic!
After completion of the Town Hall ceremony, the
Archduke wanted a change of plan deviating from
the laid down route;
By wanting to visit the patients in the hospital,
Injured by the bomb which had struck his cars
rear hood!
But the Czech driver was not briefed and took
a wrong turn by mistake;
Reversed trying to correct himself, stalled the car
stoppling next to Gavrilo Princep!
Presenting Princep with a stationary target, a
cruel work of destiny and fate!
Prince pulled out his pistol and fired two shots  
at a point blank range, killing both Ferdinand
and  wife Sophie;
When Ferdinand cried out ‘’Sophie, Sophie,
don’t die, live for the children’’, - words which
now remain enshrined in History!

TRIAL OF PRINCEP & THE CONSPIRATORS
The trial began in a military court on 12th of
October at Sarajevo,
With three judges and no jury, when Princep
pleaded 'Not Guilty'!
Killing of Duchess Sophie was an unplanned
accident,
Since he wanted to **** the Governor instead!
He claimed to be a Serbian nationalist working
for the unification of the Slavic race,
and detested the annexation of Bosnia by the
Austo-Hungarians!
Along with 15 other accused, Princep was found
guilty of high treason;
But being underage, was sentenced to 20 years
labour in prison.
But died three year's later from tuberculosis!

           CONCLUDING PART ONE
  ''Blow out, you bugles, over the rich Dead!
   There's none of these so lonely and poor of old,
   But dying, has made us rarer gifts than gold."
      -Rupert Brook, part of the British Naval Expeditionary
       Force, buried in Skyros, Greece 1914.
Now, looking back over a hundred years in
hindsight I do realize,
That this assassination was not the immediate
cause or the spark which triggered this War,
But only an excuse and a pretext for the
Austro-Hungarians to carve up Serbia,
And distribute those territories between
Allies and friends of Austria;
Also enhance the prestige of their Empire!
Since the war had commenced almost two
months after the Archduke’s assassination,
Austria had lost the high moral ground for
vengeance with righteous indignation!
It was a cynical and a predetermined plan
of Austria in connivance with Germany,
To destroy Serbia and squash the hopes of
Slavic people for a pan-Slavic State, - as we
now get to see!
This war ended with the dissolution of four old
Empires of the Austro-Hungarians, Ottomans,
Tsarist Russians, and the Germans!
While new nations of Czechoslovakia, Yugoslavia,
Austria, and Hungary, got created from the
dissolved Empire of Austria-Hungary.
Russia gave up lands creating Finland, Estonia,
Latvia, and Lithuania.
The Ottomans gave up lands in SW Asia and the
Middle East, and in Europe retained only Turkey!
Thus this Great War had creating new nation states,
And gave Europe its new revamped face!
Composed by Raj Nandy of New Delhi,
Thanks for reading patiently!
   TO BE CONTINUED LATER AS PART TWO
**ALL COPY RIGHTS ARE WITH THE AUTHOR
Dear Readers, this is a product of three weeks of my research work, put across in simplified verse! Hope to compose Part Two at a later date, and tell you about trench warfare & the poems composed about this War! On the 28th of June 2015, 101 years of this First World War was completed! Kindly give Comments only after reading in your spare time, for this Great War  took place during our grandfather's time! Thanks! -Raj
F l o w e r s   a r e   t h e   m o s t   B e a u t i f u l
I n  f o r m s,  c o l o u r s  and   E s s e n c e s
Galaxies Even rarer
         In
Fleur of cosmic Space
Threads of our  dreamy  dust
    Embraced in  no time  we drift
      E         n           d           l          e           s           s            l                y
                  Intimate       ­     Polarities             Sacred             Pollienation
          
                                        W o m e n    are   Rare  Flowers
                                  ­                M e n   Create~d:   for *Us
Imagined by
Impeccable Space
Poetic beauty
'      '       '     '
Dakota Mar 2019
Love is unfading
Love is unconditional
Love is worth waiting
Love is like a dove
Frail but beautiful
Love is rare
Love is once in a lifetime
True love is not ***
It's not given to anyone
True love is given to one person
Today true love is rare
Rarer then anything imagianable
This is not a poem
It's an announcement
If you've experienced true love
Don't let it go
Don't be like most people today
If you connect with someone
Don't let them go
Wait for your true love
An evening all aglow with summer light
And autumn colour—fairest of the year.

The wheat-fields, crowned with shocks of tawny gold,
All interspersed with rough sowthistle roots,
And interlaced with white convolvulus,
Lay, flecked with purple shadows, in the sun.
The shouts of little children, gleaning there
The scattered ears and wild blue-bottle flowers—
Mixed with the corn-crake's crying, and the song
Of lone wood birds whose mother-cares were o'er,
And with the whispering rustle of red leaves—
Scarce stirred the stillness. And the gossamer sheen
Was spread on upland meadows, silver bright
In low red sunshine and soft kissing wind—
Showing where angels in the night had trailed
Their garments on the turf. Tall arrow-heads,
With flag and rush and fringing grasses, dropped
Their seeds and blossoms in the sleepy pool.
The water-lily lay on her green leaf,
White, fair, and stately; while an amorous branch
Of silver willow, drooping in the stream,
Sent soft, low-babbling ripples towards her:
And oh, the woods!—erst haunted with the song
Of nightingales and tender coo of doves—
They stood all flushed and kindling 'neath the touch
Of death—kind death!—fair, fond, reluctant death!—
A dappled mass of glory!
Harvest-time;
With russet wood-fruit thick upon the ground,
'Mid crumpled ferns and delicate blue harebells.
The orchard-apples rolled in seedy grass—
Apples of gold, and violet-velvet plums;
And all the tangled hedgerows bore a crop
Of scarlet hips, blue sloes, and blackberries,
And orange clusters of the mountain ash.
The crimson fungus and soft mosses clung
To old decaying trunks; the summer bine
Drooped, shivering, in the glossy ivy's grasp.
By day the blue air bore upon its wings
Wide-wandering seeds, pale drifts of thistle-down;
By night the fog crept low upon the earth,
All white and cool, and calmed its feverishness,
And veiled it over with a veil of tears.

The curlew and the plover were come back
To still, bleak shores; the little summer birds
Were gone—to Persian gardens, and the groves
Of Greece and Italy, and the palmy lands.

A Norman tower, with moss and lichen clothed,
Wherein old bells, on old worm-eaten frames
And rusty wheels, had swung for centuries,
Chiming the same soft chime—the lullaby
Of cradled rooks and blinking bats and owls;
Setting the same sweet tune, from year to year,
For generations of true hearts to sing.
A wide churchyard, with grassy slopes and nooks,
And shady corners and meandering paths;
With glimpses of dim windows and grey walls
Just caught at here and there amongst the green
Of flowering shrubs and sweet lime-avenues.
An old house standing near—a parsonage-house—
With broad thatched roof and overhanging eaves,
O'errun with banksia roses,—a low house,
With ivied windows and a latticed porch,
Shut in a tiny Paradise, all sweet
With hum of bees and scent of mignonette.

We lay our lazy length upon the grass
In that same Paradise, my friend and I.
And, as we lay, we talked of college days—
Wild, racing, hunting, steeple-chasing days;
Of river reaches, fishing-grounds, and weirs,
Bats, gloves, debates, and in-humanities:
And then of boon-companions of those days,
How lost and scattered, married, changed, and dead;
Until he flung his arm across his face,
And feigned to slumber.
He was changed, my friend;
Not like the man—the leader of his set—
The favourite of the college—that I knew.
And more than time had changed him. He had been
“A little wild,” the Lady Alice said;
“A little gay, as all young men will be
At first, before they settle down to life—
While they have money, health, and no restraint,
Nor any work to do,” Ah, yes! But this
Was mystery unexplained—that he was sad
And still and thoughtful, like an aged man;
And scarcely thirty. With a winsome flash,
The old bright heart would shine out here and there;
But aye to be o'ershadowed and hushed down,

As he had hushed it now.
His dog lay near,
With long, sharp muzzle resting on his paws,
And wistful eyes, half shut,—but watching him;
A deerhound of illustrious race, all grey
And grizzled, with soft, wrinkled, velvet ears;
A gaunt, gigantic, wolfish-looking brute,
And worth his weight in gold.
“There, there,” said he,
And raised him on his elbow, “you have looked
Enough at me; now look at some one else.”

“You could not see him, surely, with your arm
Across your face?”
“No, but I felt his eyes;
They are such sharp, wise eyes—persistent eyes—
Perpetually reproachful. Look at them;
Had ever dog such eyes?”
“Oh yes,” I thought;
But, wondering, turned my talk upon his breed.
And was he of the famed Glengarry stock?
And in what season was he entered? Where,
Pray, did he pick him up?
He moved himself
At that last question, with a little writhe
Of sudden pain or restlessness; and sighed.
And then he slowly rose, pushed back the hair
From his broad brows; and, whistling softly, said,
“Come here, old dog, and we will tell him. Come.”

“On such a day, and such a time, as this,
Old Tom and I were stalking on the hills,
Near seven years ago. Bad luck was ours;
For we had searched up corrie, glen, and burn,
From earliest daybreak—wading to the waist
Peat-rift and purple heather—all in vain!
We struck a track nigh every hour, to lose
A noble quarry by ignoble chance—
The crowing of a grouse-****, or the flight
Of startled mallards from a reedy pool,
Or subtle, hair's breadth veering of the wind.
And now 'twas waning sunset—rosy soft

On far grey peaks, and the green valley spread
Beneath us. We had climbed a ridge, and lay
Debating in low whispers of our plans
For night and morning. Golden eagles sailed
Above our heads; the wild ducks swam about

Amid the reeds and rushes of the pools;
A lonely heron stood on one long leg
In shallow water, watching for a meal;
And there, to windward, couching in the grass
That fringed the blue edge of a sleeping loch—
Waiting for dusk to feed and drink—there lay
A herd of deer.
“And as we looked and planned,
A mountain storm of sweeping mist and rain
Came down upon us. It passed by, and left
The burnies swollen that we had to cross;
And left us barely light enough to see
The broad, black, branching antlers, clustering still
Amid the long grass in the valley.

“‘Sir,’
Said Tom, ‘there is a shealing down below,
To leeward. We might bivouac there to-night,
And come again at dawn.’
“And so we crept
Adown the glen, and stumbled in the dark
Against the doorway of the keeper's home,
And over two big deerhounds—ancestors
Of this our old companion. There was light
And warmth, a welcome and a heather bed,
At Colin's cottage; with a meal of eggs
And fresh trout, broiled by dainty little hands,
And sweetest milk and oatcake. There were songs
And Gaelic legends, and long talk of deer—
Mixt with a sweet, low laughter, and the whir
Of spinning-wheel.
“The dogs lay at her feet—
The feet of Colin's daughter—with their soft
Dark velvet ears pricked up for every sound
And movement that she made. Right royal brutes,
Whereon I gazed with envy.
“ ‘What,’ I asked,
‘Would Colin take for these?’
“ ‘Eh, sir,’ said he,
And shook his head, ‘I cannot sell the dogs.
They're priceless, they, and—Jeanie's favourites.
But there's a litter in the shed—five pups,
As like as peas to this one. You may choose
Amongst them, sir—take any that you like.
Get us the lantern, Jeanie. You shall show
The gentleman.’
“Ah, she was fair, that girl!

Not like the other lassies—cottage folk;
For there was subtle trace of gentle blood
Through all her beauty and in all her ways.
(The mother's race was ‘poor and proud,’ they said).
Ay, she was fair, my darling! with her shy,
Brown, innocent face and delicate-shapen limbs.
She had the tenderest mouth you ever saw,
And grey, dark eyes, and broad, straight-pencill'd brows;
Dark hair, sun-dappled with a sheeny gold;
Dark chestnut braids that knotted up the light,
As soft as satin. You could scarcely hear
Her step, or hear the rustling of her gown,
Or the soft hovering motion of her hands
At household work. She seemed to bring a spell
Of tender calm and silence where she came.
You felt her presence—and not by its stir,
But by its restfulness. She was a sight
To be remembered—standing in the straw;
A sleepy pup soft-cradled in her arms
Like any Christian baby; standing still,
The while I handled his ungainly limbs.
And Colin blustered of the sport—of hounds,
Roe, ptarmigan, and trout, and ducal deer—
Ne'er lifting up that sweet, unconscious face,
To see why I was silent. Oh, I would
You could have seen her then. She was so fair,
And oh, so young!—scarce seventeen at most—
So ignorant and so young!
“Tell them, my friend—
Your flock—the restless-hearted—they who scorn
The ordered fashion fitted to our race,
And scoff at laws they may not understand—
Tell them that they are fools. They cannot mate
With other than their kind, but woe will come
In some shape—mostly shame, but always grief
And disappointment. Ah, my love! my love!
But she was different from the common sort;
A peasant, ignorant, simple, undefiled;
The child of rugged peasant-parents, taught
In all their thoughts and ways; yet with that touch
Of tender grace about her, softening all
The rougher evidence of her lowly state—
That undefined, unconscious dignity—
That delicate instinct for the reading right
The riddles of less simple minds than hers—
That sharper, finer, subtler sense of life—
That something which does not possess a name,

Which made her beauty beautiful to me—
The long-lost legacy of forgotten knights.

“I chose amongst the five fat creeping things
This rare old dog. And Jeanie promised kind
And gentle nurture for its infant days;
And promised she would keep it till I came
Another year. And so we went to rest.
And in the morning, ere the sun was up,
We left our rifles, and went out to run
The browsing red-deer with old Colin's hounds.
Through glen and bog, through brawling mountain streams,
Grey, lichened boulders, furze, and juniper,
And purple wilderness of moor, we toiled,
Ere yet the distant snow-peak was alight.
We chased a hart to water; saw him stand
At bay, with sweeping antlers, in the burn.
His large, wild, wistful eyes despairingly
Turned to the deeper eddies; and we saw
The choking struggle and the bitter end,
And cut his gallant throat upon the grass,
And left him. Then we followed a fresh track—
A dozen tracks—and hunted till the noon;
Shot cormorants and wild cats in the cliffs,
And snipe and blackcock on the ferny hills;
And set our floating night-lines at the loch;—
And then came back to Jeanie.
“Well, you know
What follows such commencement:—how I found
The woods and corries round about her home
Fruitful of roe and red-deer; how I found
The grouse lay thickest on adjacent moors;
Discovered ptarmigan on rocky peaks,
And rare small game on birch-besprinkled hills,
O'ershadowing that rude shealing; how the pools
Were full of wild-fowl, and the loch of trout;
How vermin harboured in the underwood,
And rocks, and reedy marshes; how I found
The sport aye best in this charmed neighbourhood.
And then I e'en must wander to the door,
To leave a bird for Colin, or to ask
A lodging for some stormy night, or see
How fared my infant deerhound.
“And I saw
The creeping dawn unfolding; saw the doubt,
And faith, and longing swaying her sweet heart;
And every flow just distancing the ebb.

I saw her try to bar the golden gates
Whence love demanded egress,—calm her eyes,
And still the tender, sensitive, tell-tale lips,
And steal away to corners; saw her face
Grow graver and more wistful, day by day;
And felt the gradual strengthening of my hold.
I did not stay to think of it—to ask
What I was doing!
“In the early time,
She used to slip away to household work
When I was there, and would not talk to me;
But when I came not, she would climb the glen
In secret, and look out, with shaded brow,
Across the valley. Ay, I caught her once—
Like some young helpless doe, amongst the fern—
I caught her, and I kissed her mouth and eyes;
And with those kisses signed and sealed our fate
For evermore. Then came our happy days—
The bright, brief, shining days without a cloud!
In ferny hollows and deep, rustling woods,
That shut us in and shut out all the world—
The far, forgotten world—we met, and kissed,
And parted, silent, in the balmy dusk.
We haunted still roe-coverts, hand in hand,
And murmured, under our breath, of love and faith,
And swore great oaths for one of us to keep.
We sat for hours, with sealèd lips, and heard
The crossbill chattering in the larches—heard
The sweet wind whispering as it passed us by—
And heard our own hearts' music in the hush.
Ah, blessed days! ah, happy, innocent days!—
I would I had them back.
“Then came the Duke,
And Lady Alice, with her worldly grace
And artificial beauty—with the gleam
Of jewels, and the dainty shine of silk,
And perfumed softness of white lace and lawn;
With all the glamour of her courtly ways,
Her talk of art and fashion, and the world
We both belonged to. Ah, she hardened me!
I lost the sweetness of the heathery moors
And hills and quiet woodlands, in that scent
Of London clubs and royal drawing-rooms;
I lost the tender chivalry of my love,
The keen sense of its sacredness, the clear
Perception of mine honour, by degrees,
Brought face to face with customs of my kind.

I was no more a “man;” nor she, my love,
A delicate lily of womanhood—ah, no!
I was the heir of an illustrious house,
And she a simple, homespun cottage-girl.

“And now I stole at rarer intervals
To those dim trysting woods; and when I came
I brought my cunning worldly wisdom—talked
Of empty forms and marriages in heaven—
To stain that simple soul, God pardon me!
And she would shiver in the stillness, scared
And shocked, with her pathetic eyes—aye proof
Against the fatal, false philosophy.
But my will was the strongest, and my love
The weakest; and she knew it.
“Well, well, well,
I need not talk of that. There came the day
Of our last parting in the ferny glen—
A bitter parting, parting from my life,
Its light and peace for ever! And I turned
To ***** and billiards, politics and wine;
Was wooed by Lady Alice, and half won;
And passed a feverous winter in the world.
Ah, do not frown! You do not understand.
You never knew that hopeless thirst for peace—
That gnawing hunger, gnawing at your life;
The passion, born too late! I tell you, friend,
The ruth, and love, and longing for my child,
It broke my heart at last.
“In the hot days
Of August, I went back; I went alone.
And on old garrulous Margery—relict she
Of some departed seneschal—I rained
My eager questions. ‘Had the poaching been
As ruinous and as audacious as of old?
Were the dogs well? and had she felt the heat?
And—I supposed the keeper, Colin, still
Was somewhere on the place?’
“ ‘Nay, sir,’; said she,
‘But he has left the neighbourhood. He ne'er
Has held his head up since he lost his child,
Poor soul, a month ago.’
“I heard—I heard!
His child—he had but one—my little one,
Whom I had meant to marry in a week!

“ ‘Ah, sir, she turned out badly after all,
The girl we thought a pattern for all girls.
We know not how it happened, for she named
No names. And, sir, it preyed upon her mind,
And weakened it; and she forgot us all,
And seemed as one aye walking in her sleep
She noticed no one—no one but the dog,
A young deerhound that followed her about;
Though him she hugged and kissed in a strange way
When none was by. And Colin, he was hard
Upon the girl; and when she sat so still,
And pale and passive, while he raved and stormed,
Looking beyond him, as it were, he grew
The harder and more harsh. He did not know
That she was not herself. Men are so blind!
But when he saw her floating in the loch,
The moonlight on her face, and her long hair
All tangled in the rushes; saw the hound
Whining and crying, tugging at her plaid—
Ah, sir, it was a death-stroke!’
“This was all.
This was the end of her sweet life—the end
Of all worth having of mine own! At night
I crept across the moors to find her grave,
And kiss the wet earth covering it—and found
The deerhound lying there asleep. Ay me!
It was the bitterest darkness,—nevermore
To break out into dawn and day again!

“And Lady Alice shakes her dainty head,
Lifts her arch eyebrows, smiles, and whispers, “Once
He was a little wild!’ ”
With that he laughed;
Then suddenly flung his face upon the grass,
Crying, “Leave me for a little—let me be!”
And in the dusky stillness hugged his woe,
And wept away his pas
Nat Lipstadt Jun 2018
porch talk, simmering in a Bud light sauce
everyone chair-rocking, even the boxer dog,
in his self-propelled 360 degree swiveling chair
eavesdropping and spy eyeballing the farm for
strangers and any creatures as of yet, unsmelled

get done with weather, the crops,
the neighbors,
the weird, and the truly neighborly,
grandkids escapades, hopes and desires, comparative literature and regional dialects and philosophical dialecticals tickling,
bs’ing and tall tale telling,  breathing the windy geography of the air over the land that dictates the how we live,
open another Bud for the buds,
did I forget to mention
farm equipment?

skirt politics cause nobody wants any
nothing-to-be-done-****-aggravation,
leaves nothing mo’ to ramble on about ‘cept the

absent women

no worries all above board no secrets uncouthed,
but the mood softens as the pale daylight wisps come rarer
as now
nearer to nine pm, obvious saved the best for last,
a very manly-way of ordering things,
big silent pauses in the converso conversation,
guy-sighs many,
as the last essay of the day is being jointly authored,
denotating the generalized listings of
how they drive us crazy,
listing the repetition of ever changing instructions,
which doesn't recognize bi-coastal mannerisms,  non-differentiating
just  humanism-isms

and the peculiarities of each (a list kept)
in a compare and contrast,
an end of the day summation,
and the boasting-outbesting,
of each of their
specialisms
which is sadly now forgotten and which haven’t been
brain-recorded so cannot be disclosed
other than it’s now ten
and all that’s left is
to sleep, perchance, to dream,
of private things
and bigger and better
John Deere tractors
Songs of Oregon  No. 4
Of that sort of Dramatic Poem which is call’d Tragedy.


Tragedy, as it was antiently compos’d, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr’d up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us’d against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse.  The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between.  Heretofore Men in highest dignity have labour’d not a
little to be thought able to compose a Tragedy.  Of that honour
Dionysius the elder was no less ambitious, then before of his
attaining to the Tyranny. Augustus Caesar also had begun his
Ajax, but unable to please his own judgment with what he had
begun. left it unfinisht.  Seneca the Philosopher is by some thought
the Author of those Tragedies (at lest the best of them) that go
under that name.  Gregory Nazianzen a Father of the Church,
thought it not unbeseeming the sanctity of his person to write a
Tragedy which he entitl’d, Christ suffering. This is mention’d to
vindicate Tragedy from the small esteem, or rather infamy, which
in the account of many it undergoes at this day with other common
Interludes; hap’ning through the Poets error of intermixing Comic
stuff with Tragic sadness and gravity; or introducing trivial and
****** persons, which by all judicious hath bin counted absurd; and
brought in without discretion, corruptly to gratifie the people. And
though antient Tragedy use no Prologue, yet using sometimes, in
case of self defence, or explanation, that which Martial calls an
Epistle; in behalf of this Tragedy coming forth after the antient
manner, much different from what among us passes for best, thus
much before-hand may be Epistl’d; that Chorus is here introduc’d
after the Greek manner, not antient only but modern, and still in
use among the Italians. In the modelling therefore of this Poem
with good reason, the Antients and Italians are rather follow’d, as
of much more authority and fame. The measure of Verse us’d in
the Chorus is of all sorts, call’d by the Greeks Monostrophic, or
rather Apolelymenon, without regard had to Strophe, Antistrophe
or Epod, which were a kind of Stanza’s fram’d only for the Music,
then us’d with the Chorus that sung; not essential to the Poem, and
therefore not material; or being divided into Stanza’s or Pauses
they may be call’d Allaeostropha.  Division into Act and Scene
referring chiefly to the Stage (to which this work never was
intended) is here omitted.

It suffices if the whole Drama be found not produc’t beyond the
fift Act, of the style and uniformitie, and that commonly call’d the
Plot, whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three
Tragic Poets unequall’d yet by any, and the best rule to all who
endeavour to write Tragedy. The circumscription of time wherein
the whole Drama begins and ends, is according to antient rule, and
best example, within the space of 24 hours.



The ARGUMENT.


Samson made Captive, Blind, and now in the Prison at Gaza, there
to labour as in a common work-house, on a Festival day, in the
general cessation from labour, comes forth into the open Air, to a
place nigh, somewhat retir’d there to sit a while and bemoan his
condition. Where he happens at length to be visited by certain
friends and equals of his tribe, which make the Chorus, who seek
to comfort him what they can ; then by his old Father Manoa, who
endeavours the like, and withal tells him his purpose to procure his
liberty by ransom; lastly, that this Feast was proclaim’d by the
Philistins as a day of Thanksgiving for thir deliverance from the
hands of Samson, which yet more troubles him.  Manoa then
departs to prosecute his endeavour with the Philistian Lords for
Samson’s redemption; who in the mean while is visited by other
persons; and lastly by a publick Officer to require coming to the
Feast before the Lords and People, to play or shew his strength in
thir presence; he at first refuses, dismissing the publick officer with
absolute denyal to come; at length perswaded inwardly that this
was from God, he yields to go along with him, who came now the
second time with great threatnings to fetch him; the Chorus yet
remaining on the place, Manoa returns full of joyful hope, to
procure e’re long his Sons deliverance: in the midst of which
discourse an Ebrew comes in haste confusedly at first; and
afterward more distinctly relating the Catastrophe, what Samson
had done to the Philistins, and by accident to himself; wherewith
the Tragedy ends.


The Persons

Samson.
Manoa the father of Samson.
Dalila his wife.
Harapha of Gath.
Publick Officer.
Messenger.
Chorus of Danites


The Scene before the Prison in Gaza.

Sam:  A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of Sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toyl,
Daily in the common Prison else enjoyn’d me,
Where I a Prisoner chain’d, scarce freely draw
The air imprison’d also, close and damp,
Unwholsom draught: but here I feel amends,
The breath of Heav’n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn Feast the people hold
To Dagon thir Sea-Idol, and forbid
Laborious works, unwillingly this rest
Thir Superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease,
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of Hornets arm’d, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an Angel, who at last in sight
Of both my Parents all in flames ascended
From off the Altar, where an Off’ring burn’d,
As in a fiery column charioting
His Godlike presence, and from some great act
Or benefit reveal’d to Abraham’s race?
Why was my breeding order’d and prescrib’d
As of a person separate to God,
Design’d for great exploits; if I must dye
Betray’d, Captiv’d, and both my Eyes put out,
Made of my Enemies the scorn and gaze;
To grind in Brazen Fetters under task
With this Heav’n-gifted strength? O glorious strength
Put to the labour of a Beast, debas’t
Lower then bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great Deliverer now, and find him
Eyeless in Gaza at the Mill with slaves,
Himself in bonds under Philistian yoke;
Yet stay, let me not rashly call in doubt
Divine Prediction; what if all foretold
Had been fulfilld but through mine own default,
Whom have I to complain of but my self?
Who this high gift of strength committed to me,
In what part lodg’d, how easily bereft me,
Under the Seal of silence could not keep,
But weakly to a woman must reveal it
O’recome with importunity and tears.
O impotence of mind, in body strong!
But what is strength without a double share
Of wisdom, vast, unwieldy, burdensom,
Proudly secure, yet liable to fall
By weakest suttleties, not made to rule,
But to subserve where wisdom bears command.
God, when he gave me strength, to shew withal
How slight the gift was, hung it in my Hair.
But peace, I must not quarrel with the will
Of highest dispensation, which herein
Happ’ly had ends above my reach to know:
Suffices that to me strength is my bane,
And proves the sourse of all my miseries;
So many, and so huge, that each apart
Would ask a life to wail, but chief of all,
O loss of sight, of thee I most complain!
Blind among enemies, O worse then chains,
Dungeon, or beggery, or decrepit age!
Light the prime work of God to me is extinct,
And all her various objects of delight
Annull’d, which might in part my grief have eas’d,
Inferiour to the vilest now become
Of man or worm; the vilest here excel me,
They creep, yet see, I dark in light expos’d
To daily fraud, contempt, abuse and wrong,
Within doors, or without, still as a fool,
In power of others, never in my own;
Scarce half I seem to live, dead more then half.
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav’d thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the Soul,
She all in every part; why was the sight
To such a tender ball as th’ eye confin’d?
So obvious and so easie to be quench’t,
And not as feeling through all parts diffus’d,
That she might look at will through every pore?
Then had I not been thus exil’d from light;
As in the land of darkness yet in light,
To live a life half dead, a living death,
And buried; but O yet more miserable!
My self, my Sepulcher, a moving Grave,
Buried, yet not exempt
By priviledge of death and burial
From worst of other evils, pains and wrongs,
But made hereby obnoxious more
To all the miseries of life,
Life in captivity
Among inhuman foes.
But who are these? for with joint pace I hear
The tread of many feet stearing this way;
Perhaps my enemies who come to stare
At my affliction, and perhaps to insult,
Thir daily practice to afflict me more.

Chor:  This, this is he; softly a while,
Let us not break in upon him;
O change beyond report, thought, or belief!
See how he lies at random, carelessly diffus’d,
With languish’t head unpropt,
As one past hope, abandon’d
And by himself given over;
In slavish habit, ill-fitted weeds
O’re worn and soild;
Or do my eyes misrepresent?  Can this be hee,
That Heroic, that Renown’d,
Irresistible Samson? whom unarm’d
No strength of man, or fiercest wild beast could withstand;
Who tore the Lion, as the Lion tears the Kid,
Ran on embattelld Armies clad in Iron,
And weaponless himself,
Made Arms ridiculous, useless the forgery
Of brazen shield and spear, the hammer’d Cuirass,
Chalybean temper’d steel, and frock of mail
Adamantean Proof;
But safest he who stood aloof,
When insupportably his foot advanc’t,
In scorn of thir proud arms and warlike tools,
Spurn’d them to death by Troops.  The bold Ascalonite
Fled from his Lion ramp, old Warriors turn’d
Thir plated backs under his heel;
Or grovling soild thir crested helmets in the dust.
Then with what trivial weapon came to Hand,
The Jaw of a dead ***, his sword of bone,
A thousand fore-skins fell, the flower of Palestin
In Ramath-lechi famous to this day:
Then by main force pull’d up, and on his shoulders bore
The Gates of Azza, Post, and massie Bar
Up to the Hill by Hebron, seat of Giants old,
No journey of a Sabbath day, and loaded so;
Like whom the Gentiles feign to bear up Heav’n.
Which shall I first bewail,
Thy ******* or lost Sight,
Prison within Prison
Inseparably dark?
Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy Soul
(Which Men enjoying sight oft without cause complain)
Imprison’d now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night;
For inward light alas
Puts forth no visual beam.
O mirror of our fickle state,
Since man on earth unparallel’d!
The rarer thy example stands,
By how much from the top of wondrous glory,
Strongest of mortal men,
To lowest pitch of abject fortune thou art fall’n.
For him I reckon not in high estate
Whom long descent of birth
Or the sphear of fortune raises;
But thee whose strength, while vertue was her mate
Might have subdu’d the Earth,
Universally crown’d with highest praises.

Sam:  I hear the sound of words, thir sense the air
Dissolves unjointed e’re it reach my ear.

Chor:  Hee speaks, let us draw nigh.  Matchless in might,
The glory late of Israel, now the grief;
We come thy friends and neighbours not unknown
From Eshtaol and Zora’s fruitful Vale
To visit or bewail thee, or if better,
Counsel or Consolation we may bring,
Salve to thy Sores, apt words have power to swage
The tumors of a troubl’d mind,
And are as Balm to fester’d wounds.

Sam:  Your coming, Friends, revives me, for I learn
Now of my own experience, not by talk,
How counterfeit a coin they are who friends
Bear in their Superscription (of the most
I would be understood) in prosperous days
They swarm, but in adverse withdraw their head
Not to be found, though sought.  Wee see, O friends.
How many evils have enclos’d me round;
Yet that which was the worst now least afflicts me,
Blindness, for had I sight, confus’d with shame,
How could I once look up, or heave the head,
Who like a foolish Pilot have shipwrack’t,
My Vessel trusted to me from above,
Gloriously rigg’d; and for a word, a tear,
Fool, have divulg’d the secret gift of God
To a deceitful Woman : tell me Friends,
Am I not sung and proverbd for a Fool
In every street, do they not say, how well
Are come upon him his deserts? yet why?
Immeasurable strength they might behold
In me, of wisdom nothing more then mean;
This with the other should, at least, have paird,
These two proportiond ill drove me transverse.

Chor:  Tax not divine disposal, wisest Men
Have err’d, and by bad Women been deceiv’d;
And shall again, pretend they ne’re so wise.
Deject not then so overmuch thy self,
Who hast of sorrow thy full load besides;
Yet truth to say, I oft have heard men wonder
Why thou shouldst wed Philistian women rather
Then of thine own Tribe fairer, or as fair,
At least of thy own Nation, and as noble.

Sam:  The first I saw at Timna, and she pleas’d
Mee, not my Parents, that I sought to wed,
The daughter of an Infidel: they knew not
That what I motion’d was of God; I knew
From intimate impulse, and therefore urg’d
The Marriage on; that by occasion hence
I might begin Israel’s Deliverance,
The work to which I was divinely call’d;
She proving false, the next I took to Wife
(O that I never had! fond wish too late)
Was in the Vale of Sorec, Dalila,
That specious Monster, my accomplisht snare.
I thought it lawful from my former act,
And the same end; still watching to oppress
Israel’s oppressours: of what now I suffer
She was not the prime cause, but I my self,
Who vanquisht with a peal of words (O weakness!)
Gave up my fort of silence to a Woman.

Chor:  In seeking just occasion to provoke
The Philistine, thy Countries Enemy,
Thou never wast remiss, I hear thee witness:
Yet Israel still serves with all his Sons.

Sam:  That fault I take not on me, but transfer
On Israel’s Governours, and Heads of Tribes,
Who seeing those great acts which God had done
Singly by me against their Conquerours
Acknowledg’d not, or not at all consider’d
Deliverance offerd : I on th’ other side
Us’d no ambition to commend my deeds,
The deeds themselves, though mute, spoke loud the dooer;
But they persisted deaf, and would not seem
To count them things worth notice, till at length
Thir Lords the Philistines with gather’d powers
Enterd Judea seeking mee, who then
Safe to the rock of Etham was retir’d,
Not flying, but fore-casting in what place
To set upon them, what advantag’d best;
Mean while the men of Judah to prevent
The harrass of thir Land, beset me round;
I willingly on some conditions came
Into thir hands, and they as gladly yield me
To the uncircumcis’d a welcom prey,
Bound with two cords; but cords to me were threds
Toucht with the flame: on thi
Julius Dec 2013
For all the people who tell me I can't be a feminist

My feminism ruins my chat up lines
So much so that you couldn't call them that
I feel pathetic, ironic
Less of a man
Because I haven't touched a girl without her permission
Girls spill their drinks on me in clubs (with no apology), boys don't
Boys ask permission before they touch my entertaining hair
I love women, they're better to be around
I'm not gay, bi maybe but don't stick labels on me
Actually girls do that to me all the time
Literally, they rub their wet hands on my clothes
And stick stickers on me like I'm an object
But no a man is not objectified
Male equals misogynist
Equals creep
I can't criticise a woman's actions, thats sexist
They're in the struggle
This makes me wish I was a girl
I want informal privileges
I'm a ****** is that clear by now?
I don't know if I can **** a girl with my *****
With all of HIStory behind me

I suffer under patriarchy, but not like you do
I understand even non feminist girls,
Or bad feminists,
Still products of this gut wrenching, repulsive system
I'm crying now, an emotional wreck
My mates, some female, will tell me not to act like a girl
But that joke isn't funny anymore
It's too close to home and it's too near the bone
(or *****)
Literally the **** in my trousers is a curse I can't control
An animalistic cage that traps me within expectations
As I write outside a club, three people grab my hair
One male, so I'll take back the generalisation that they ask first. He didn't.
Girls look cold out here
They've come out like this for me
And I shouldn't feel guilty but I do
In the club I'm genuinely objectified
Girls get slurs, sexually abusive labels, they're human there
I'm literally shoved aside like a door by girls eager to look hot at the bar
The only feminist in a room full of chicks

I tolerate this because I love women
Is that sexist?
Is that gay?
If so that's very disappointing
But I've masturbated to **** involving girls
Is that sexist?
Female friendly ****
****** **** - Is that sexist?
I'm academic, I 'get' the gender binaries
Transcend sexuality labels - Is that arrogance?
Why don't these ******* love me?
Note the ironic slur
(Males can be ******* too)
So maybe I'm just the *****
But...I'm sorry
This is poetry, or prose dressed up like it
Emotional inadequacy dressed up like it
I've seen like minded men dispense with the term 'feminism' in pursuit of popularity
That tears me apart because women do the same
I'm not gay
I'm not gay
Stop with the labels
**** me with a strap-on if you have to
Get us back
But I'm not submissive, just overly dedicated
It'll hurt because my **** is virginal
Pure
Sure, I'm a feminist
But stop with the labels
This has become obscene
Put me on page 3 and call me a hero

I'm being sexist here
By noticing gender
Real feminists, please improve me
Fake feminists, how dare you use my views against me?
If I wasn't ugly I wouldn't be a feminist
(Product of my environment and all that)
Like you but with a rather different inferiority complex
As I said, please love me?
Or at least, let me be your friend because the average boy repulses me
Maybe we have at least that in common?
These men cause me to
Try to emasculate me
Women too even but it's understandably rarer
Though on the rise in our modern age
As feminism "succeeds"
But this is my pathetic emotional venting
My male sense of self importance
Or am I too harsh on myself?
Ok so I'll self aggrandise
I transcend your petty, completely logical movement
Look at yourself in the mirror
Metaphorically
(I'm fat too, and some girls make me feel the pain of it)
Yeah I'm a feminist ally
But I'll school half of you

"You've" made me leave the club now
I can't look at these amazing women the same way they want me to anymore
But by 'you've' I mean 'I'VE'
The emphasis is on me to remain rational,
Calculating (my chances with who in the club),
Hardy,
The breadwinner
The one with the jeans
Look, I'd wear a dress if it wasn't for the connotations
Ramifications
I'm ahead of my time, let's agree on what we can
I'm on your side can't you see?
I'm big, I could hurt you and I hate myself
For representing what could be
What is
What my brothers do behind my back
(Because my sickly chivalry would have me try my hardest to pummel these ******* into the ground to protect the damsel in distress)
But I'm not a violent person
As I text, I cant go back into the club but to say goodbye
to my female friend who I came out with alone despite the ****** undercurrent
I half notice two men try to charm this girl
I hear echoes of 'This Charming Man'
(Later I will go and stand on my own, leave on my own, go home, cry and want to die)
These ******* 'gentle' men

But here I'm being arrogant
Self indulgent
Assertive
Typically 'male'
I see a fight break out
The women aren't allowed to be involved
Their voices are drowned out though they push themselves between combatants
Men, we are responsible for wars
**** all of you (*some)
I'd trade social and political male privilege for free 'freedom from guilt'
I'd trade my **** away so I'm not called one callously
(You could even use it as a ***** if you wanted, but its not as big as the shop-bought alternative)
And the funniest thing is, I think my words are important
Think I can say all this and be a controversial,
Exciting
Challenging figure
Asserting my intellectual dominance
Now that's ironic
Ironic to the core that eats at me
That makes me feel like your plaything
Because these ironic jokes like me calling you ******* are too close to home, too near the bone
The bone I gave away, possibly to you (but it hardly matters)
I'm too 'above it all' to be loved or to love faithfully (like Morrissey?)
But all I ask is for your love

That's all I ask
For me to **** on the **** of your respect and trust
Like I did my mother, using her for milk
For sustenance
So my kind survives
And now I go back to the wild,
To the looks that barely notice me as they smash or glance off me
That label me a pig
Or a creep
Or a ****, a *******
Or a gay,
Or a man
Or a feminist

---

So next thing I know I'm with a load of girls again
(Rugby playing girls my mate knows)
I'm the only 'lad' (Irony really hurts)
I'm told my presence makes them claustrophobic
I give them five minutes
(Because my male voice counts for nothing when deciding on a club)
I tell them I'm a feminist
The more honest way out than pretending I'm gay
Its OK now
Thanks, labels.
I swallowed and dealt with the rejection because I'd just had this emotional vent
Thanks vent
And thanks girls for trying to make me feel small and unwelcome at your table
Because it makes me better
Makes me stronger (like men desire to be)
Only I was a step, a poem, a vent ahead this time
So I wasn't crushed or pierced under your high heel
High horse
You weren't willing to flip the tradition on its head and buy my entry to the club
When I couldn't pay
But it's OK.
At least you were real with me
And I'll be there in spirit
In my dreams
Checking you out while you buy drinks
Then wake up and hate myself again

Tears were in my eyes when the girl said that to me
But I, like a true misogynist,
Fought them back and remained a gentleman
Polite and robotically rational
Pliable
But really, how painfully ironic are these semantics?
To 'fight' emotion
To 'fight' honesty?

Like men do, because we're all the same
Rowan Deysel Mar 2016
Fresh from the kennels. A whole world away.  
Companion conversion for a young castaway.  
A darling of distraction with irrational fears.
The clumsiest canine with ever aware ears.
Guardian of gourmet. Suspect of all sounds.
He'll catch himself someday, spinning around.
A tug of war here. A muddy mess there.
A lick to the face of the humans in his care.
How thrilled his tail and tremendous his teeth.
How dug up the planet from paw underneath.
The running for fun. The claiming of trees.
The car window ride along - face full of breeze.

--------------------------------------------------------

But now he's a master of "Stay!".
His eagle ears succumbing to gravity's sway.
Napping much more, barking much less.
Now rarer the cuddle, the clean, the caress.
Patch protector. Owner of no debts.
A veteran of various villainous vets.
Birds as trivial as the tennis ball is far.
Eyes now as hazy as the indistinguishable stars.
A howl at the moon. A loosening tooth.
An ode to memories of a modest youth.
They still love this pup. He still loves them back.
May he long be remembered as he faces the black.
Fay Slimm Oct 2016
Those who take life and shake it a bit,
to make trauma less,
And fit all error into pockets of love,
will also enmesh
Forgiveness in and around each hurt,
to become a breed
With rarer hearts, and sounder minds,
who, with no vested needs
Are free to serve the spirit of giving
as from their core emits
Understanding and quiet acceptance
of facts befitting
An air of compassion, then, easier
their souls will soar
Toward untroubled lives, more ready
To show rarer love than before.
Jonny Angel Jan 2014
I rumbled down the highway,
usually after the fear of
intimacy would hit me,
it was time to move on.

It seems so strange
how something so feared
is what we crave the most.
How could we ever **** loneliness
when her ally always wins?
That is the eternal question
pondered throughout the ages
by the sages & lovers alike,
seems many have not  found,
the solution, any answers yet.

Maybe it's slaughtering that pesky,
that sneaky ego who always
seems to crush our common sense,
another friend who seems so rare,
one not rarer than true love.
I

Out of the little chapel I burst
Into the fresh night-air again.
Five minutes full, I waited first
In the doorway, to escape the rain
That drove in gusts down the common’s centre
At the edge of which the chapel stands,
Before I plucked up heart to enter.
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Six feet long by three feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving.
They eyed me much as some wild beast,
That congregation, still arriving,
Some of them by the main road, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self through the paling-gaps,
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion” with Love-lane at the back of it,
They front you as little disconcerted
As, bound for the hills, her fate averted,
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II

Well, from the road, the lanes or the common,
In came the flock: the fat weary woman,
Panting and bewildered, down-clapping
Her umbrella with a mighty report,
Grounded it by me, wry and flapping,
A wreck of whalebones; then, with a snort,
Like a startled horse, at the interloper
(Who humbly knew himself improper,
But could not shrink up small enough)
—Round to the door, and in,—the gruff
Hinge’s invariable scold
Making my very blood run cold.
Prompt in the wake of her, up-pattered
On broken clogs, the many-tattered
Little old-faced peaking sister-turned-mother
Of the sickly babe she tried to smother
Somehow up, with its spotted face,
From the cold, on her breast, the one warm place;
She too must stop, wring the poor ends dry
Of a draggled shawl, and add thereby
Her tribute to the door-mat, sopping
Already from my own clothes’ dropping,
Which yet she seemed to grudge I should stand on:
Then, stooping down to take off her pattens,
She bore them defiantly, in each hand one,
Planted together before her breast
And its babe, as good as a lance in rest.
Close on her heels, the dingy satins
Of a female something past me flitted,
With lips as much too white, as a streak
Lay far too red on each hollow cheek;
And it seemed the very door-hinge pitied
All that was left of a woman once,
Holding at least its tongue for the *****.
Then a tall yellow man, like the Penitent Thief,
With his jaw bound up in a handkerchief,
And eyelids ******* together tight,
Led himself in by some inner light.
And, except from him, from each that entered,
I got the same interrogation—
“What, you the alien, you have ventured
To take with us, the elect, your station?
A carer for none of it, a Gallio!”—
Thus, plain as print, I read the glance
At a common prey, in each countenance
As of huntsman giving his hounds the tallyho.
And, when the door’s cry drowned their wonder,
The draught, it always sent in shutting,
Made the flame of the single tallow candle
In the cracked square lantern I stood under,
Shoot its blue lip at me, rebutting
As it were, the luckless cause of scandal:
I verily fancied the zealous light
(In the chapel’s secret, too!) for spite
Would shudder itself clean off the wick,
With the airs of a Saint John’s Candlestick.
There was no standing it much longer.
“Good folks,” thought I, as resolve grew stronger,
“This way you perform the Grand-Inquisitor
When the weather sends you a chance visitor?
You are the men, and wisdom shall die with you,
And none of the old Seven Churches vie with you!
But still, despite the pretty perfection
To which you carry your trick of exclusiveness,
And, taking God’s word under wise protection,
Correct its tendency to diffusiveness,
And bid one reach it over hot ploughshares,—
Still, as I say, though you’ve found salvation,
If I should choose to cry, as now, ‘Shares!’—
See if the best of you bars me my ration!
I prefer, if you please, for my expounder
Of the laws of the feast, the feast’s own Founder;
Mine’s the same right with your poorest and sickliest,
Supposing I don the marriage vestiment:
So, shut your mouth and open your Testament,
And carve me my portion at your quickliest!”
Accordingly, as a shoemaker’s lad
With wizened face in want of soap,
And wet apron wound round his waist like a rope,
(After stopping outside, for his cough was bad,
To get the fit over, poor gentle creature
And so avoid distrubing the preacher)
—Passed in, I sent my elbow spikewise
At the shutting door, and entered likewise,
Received the hinge’s accustomed greeting,
And crossed the threshold’s magic pentacle,
And found myself in full conventicle,
—To wit, in Zion Chapel Meeting,
On the Christmas-Eve of ‘Forty-nine,
Which, calling its flock to their special clover,
Found all assembled and one sheep over,
Whose lot, as the weather pleased, was mine.

III

I very soon had enough of it.
The hot smell and the human noises,
And my neighbor’s coat, the greasy cuff of it,
Were a pebble-stone that a child’s hand poises,
Compared with the pig-of-lead-like pressure
Of the preaching man’s immense stupidity,
As he poured his doctrine forth, full measure,
To meet his audience’s avidity.
You needed not the wit of the Sibyl
To guess the cause of it all, in a twinkling:
No sooner our friend had got an inkling
Of treasure hid in the Holy Bible,
(Whene’er ‘t was the thought first struck him,
How death, at unawares, might duck him
Deeper than the grave, and quench
The gin-shop’s light in hell’s grim drench)
Than he handled it so, in fine irreverence,
As to hug the book of books to pieces:
And, a patchwork of chapters and texts in severance,
Not improved by the private dog’s-ears and creases,
Having clothed his own soul with, he’d fain see equipt yours,—
So tossed you again your Holy Scriptures.
And you picked them up, in a sense, no doubt:
Nay, had but a single face of my neighbors
Appeared to suspect that the preacher’s labors
Were help which the world could be saved without,
‘T is odds but I might have borne in quiet
A qualm or two at my spiritual diet,
Or (who can tell?) perchance even mustered
Somewhat to urge in behalf of the sermon:
But the flock sat on, divinely flustered,
Sniffing, methought, its dew of Hermon
With such content in every snuffle,
As the devil inside us loves to ruffle.
My old fat woman purred with pleasure,
And thumb round thumb went twirling faster,
While she, to his periods keeping measure,
Maternally devoured the pastor.
The man with the handkerchief untied it,
Showed us a horrible wen inside it,
Gave his eyelids yet another *******,
And rocked himself as the woman was doing.
The shoemaker’s lad, discreetly choking,
Kept down his cough. ‘T was too provoking!
My gorge rose at the nonsense and stuff of it;
So, saying like Eve when she plucked the apple,
“I wanted a taste, and now there’s enough of it,”
I flung out of the little chapel.

IV

There was a lull in the rain, a lull
In the wind too; the moon was risen,
And would have shone out pure and full,
But for the ramparted cloud-prison,
Block on block built up in the West,
For what purpose the wind knows best,
Who changes his mind continually.
And the empty other half of the sky
Seemed in its silence as if it knew
What, any moment, might look through
A chance gap in that fortress massy:—
Through its fissures you got hints
Of the flying moon, by the shifting tints,
Now, a dull lion-color, now, brassy
Burning to yellow, and whitest yellow,
Like furnace-smoke just ere flames bellow,
All a-simmer with intense strain
To let her through,—then blank again,
At the hope of her appearance failing.
Just by the chapel a break in the railing
Shows a narrow path directly across;
‘T is ever dry walking there, on the moss—
Besides, you go gently all the way up-hill.
I stooped under and soon felt better;
My head grew lighter, my limbs more supple,
As I walked on, glad to have slipt the fetter.
My mind was full of the scene I had left,
That placid flock, that pastor vociferant,
—How this outside was pure and different!
The sermon, now—what a mingled weft
Of good and ill! Were either less,
Its fellow had colored the whole distinctly;
But alas for the excellent earnestness,
And the truths, quite true if stated succinctly,
But as surely false, in their quaint presentment,
However to pastor and flock’s contentment!
Say rather, such truths looked false to your eyes,
With his provings and parallels twisted and twined,
Till how could you know them, grown double their size
In the natural fog of the good man’s mind,
Like yonder spots of our roadside lamps,
Haloed about with the common’s damps?
Truth remains true, the fault’s in the prover;
The zeal was good, and the aspiration;
And yet, and yet, yet, fifty times over,
Pharaoh received no demonstration,
By his Baker’s dream of Baskets Three,
Of the doctrine of the Trinity,—
Although, as our preacher thus embellished it,
Apparently his hearers relished it
With so unfeigned a gust—who knows if
They did not prefer our friend to Joseph?
But so it is everywhere, one way with all of them!
These people have really felt, no doubt,
A something, the motion they style the Call of them;
And this is their method of bringing about,
By a mechanism of words and tones,
(So many texts in so many groans)
A sort of reviving and reproducing,
More or less perfectly, (who can tell?)
The mood itself, which strengthens by using;
And how that happens, I understand well.
A tune was born in my head last week,
Out of the thump-thump and shriek-shriek
Of the train, as I came by it, up from Manchester;
And when, next week, I take it back again,
My head will sing to the engine’s clack again,
While it only makes my neighbor’s haunches stir,
—Finding no dormant musical sprout
In him, as in me, to be jolted out.
‘T is the taught already that profits by teaching;
He gets no more from the railway’s preaching
Than, from this preacher who does the rail’s officer, I:
Whom therefore the flock cast a jealous eye on.
Still, why paint over their door “Mount Zion,”
To which all flesh shall come, saith the pro phecy?

V

But wherefore be harsh on a single case?
After how many modes, this Christmas-Eve,
Does the self-same weary thing take place?
The same endeavor to make you believe,
And with much the same effect, no more:
Each method abundantly convincing,
As I say, to those convinced before,
But scarce to be swallowed without wincing
By the not-as-yet-convinced. For me,
I have my own church equally:
And in this church my faith sprang first!
(I said, as I reached the rising ground,
And the wind began again, with a burst
Of rain in my face, and a glad rebound
From the heart beneath, as if, God speeding me,
I entered his church-door, nature leading me)
—In youth I looked to these very skies,
And probing their immensities,
I found God there, his visible power;
Yet felt in my heart, amid all its sense
Of the power, an equal evidence
That his love, there too, was the nobler dower.
For the loving worm within its clod
Were diviner than a loveless god
Amid his worlds, I will dare to say.
You know what I mean: God’s all man’s naught:
But also, God, whose pleasure brought
Man into being, stands away
As it were a handbreadth off, to give
Room for the newly-made to live,
And look at him from a place apart,
And use his gifts of brain and heart,
Given, indeed, but to keep forever.
Who speaks of man, then, must not sever
Man’s very elements from man,
Saying, “But all is God’s”—whose plan
Was to create man and then leave him
Able, his own word saith, to grieve him,
But able to glorify him too,
As a mere machine could never do,
That prayed or praised, all unaware
Of its fitness for aught but praise and prayer,
Made perfect as a thing of course.
Man, therefore, stands on his own stock
Of love and power as a pin-point rock:
And, looking to God who ordained divorce
Of the rock from his boundless continent,
Sees, in his power made evident,
Only excess by a million-fold
O’er the power God gave man in the mould.
For, note: man’s hand, first formed to carry
A few pounds’ weight, when taught to marry
Its strength with an engine’s, lifts a mountain,
—Advancing in power by one degree;
And why count steps through eternity?
But love is the ever-springing fountain:
Man may enlarge or narrow his bed
For the water’s play, but the water-head—
How can he multiply or reduce it?
As easy create it, as cause it to cease;
He may profit by it, or abuse it,
But ‘t is not a thing to bear increase
As power does: be love less or more
In the heart of man, he keeps it shut
Or opes it wide, as he pleases, but
Love’s sum remains what it was before.
So, gazing up, in my youth, at love
As seen through power, ever above
All modes which make it manifest,
My soul brought all to a single test—
That he, the Eternal First and Last,
Who, in his power, had so surpassed
All man conceives of what is might,—
Whose wisdom, too, showed infinite,
—Would prove as infinitely good;
Would never, (my soul understood,)
With power to work all love desires,
Bestow e’en less than man requires;
That he who endlessly was teaching,
Above my spirit’s utmost reaching,
What love can do in the leaf or stone,
(So that to master this alone,
This done in the stone or leaf for me,
I must go on learning endlessly)
Would never need that I, in turn,
Should point him out defect unheeded,
And show that God had yet to learn
What the meanest human creature needed,
—Not life, to wit, for a few short years,
Tracking his way through doubts and fears,
While the stupid earth on which I stay
Suffers no change, but passive adds
Its myriad years to myriads,
Though I, he gave it to, decay,
Seeing death come and choose about me,
And my dearest ones depart without me.
No: love which, on earth, amid all the shows of it,
Has ever been seen the sole good of life in it,
The love, ever growing there, spite of the strife in it,
Shall arise, made perfect, from death’s repose of it.
And I shall behold thee, face to face,
O God, and in thy light retrace
How in all I loved here, still wast thou!
Whom pressing to, then, as I fain would now,
I shall find as able to satiate
The love, thy gift, as my spirit’s wonder
Thou art able to quicken and sublimate,
With this sky of thine, that I now walk under
And glory in thee for, as I gaze
Thus, thus! Oh, let men keep their ways
Of seeking thee in a narrow shrine—
Be this my way! And this is mine!

VI

For lo, what think you? suddenly
The rain and the wind ceased, and the sky
Received at once the full fruition
Of the moon’s consummate apparition.
The black cloud-barricade was riven,
Ruined beneath her feet, and driven
Deep in the West; while, bare and breathless,
North and South and East lay ready
For a glorious thing that, dauntless, deathless,
Sprang across them and stood steady.
‘T was a moon-rainbow, vast and perfect,
From heaven to heaven extending, perfect
As the mother-moon’s self, full in face.
It rose, distinctly at the base
With its seven proper colors chorded,
Which still, in the rising, were compressed,
Until at last they coalesced,
And supreme the spectral creature lorded
In a triumph of whitest white,—
Above which intervened the night.
But above night too, like only the next,
The second of a wondrous sequence,
Reaching in rare and rarer frequence,
Till the heaven of heavens were circumflexed
Another rainbow rose, a mightier,
Fainter, flushier and flightier,—
Rapture dying along its verge.
Oh, whose foot shall I see emerge,
Whose, from the straining topmost dark,
On to the keystone of that are?

VII

This sight was shown me, there and then,—
Me, one out of a world of men,
Singled forth, as the chance might hap
To another if, in a thu
I'm a Tree Huggin', Soy Chuggin',
I won't eat no meat
I'm a vegan of convenience,
Still, there's leather on my feet
I don't believe in lots of things
I'll protest and attack
But you won't find me out in front
'Cause I'll be in the back
I give money to my causes
Save the whales, electric cars
But I'm not one to lead the fight
"Cause I don't like the scars
Bricks get thrown alot you see
And those things ****** hurt
And I'm not a happy camper
When there's blood upon my shirt
I won't eat seeds of any sort
They get stuck in my teeth
My clothes are all from LL Bean
Except what's underneath
Way back in the sixties
I lived communaly
We ate only what the earth gave up
We didn't watch tv
As years passed by, our voices died
Our causes became much rarer
We sounded more like Manilow
Than Phil Ochs or Tom Lehrer
I choose fine wine over wheatgrass juice
I like leather and wear silk
I no longer go and get the goat
So we can have fresh milk
I'm a Tree Huggin', Soy Chuggin',
I won't eat no meat
I'm a vegan of convenience,
Still, there's leather on my feet
I don't believe in lots of things
I'll protest and attack
But you won't find me out in front
'Cause I'll be in the back
I've changed lots since the sixties
I'm a capitalist blood hound
If I said I'm a true vegan
My board would see me drowned
I used to wear just cotton
Hemp and caftans  and blue jeans
Leather shoes and belts and jackets
Were just not part of my scene
My friends, well, they grew up
And others stayed in touch
The ones with money see me
The others not so much
I used to go out jogging
Through the park in puma shoes
Now I workout in a private gym
Wearing nikes and with my  crew
You see I'm still a vegan
When it suits me, don't you see
My new girlfriend likes organic
And she's only twenty three
There's forty years between us
Though I've done it all before
When my girlfriend is not with me
I am a carnivore
I support all of her causes
Though most things I don't attend
I'll be a vegan of convenience
Until our courtship ends
Who knows, what then will happen
Will I eat Tofu or some chops
I know which way I'm leaning
We'll see how that one drops
Like I said when we first started
I am a vegan, so I am
But instead of eating quinoa
I'll stick to eggs and ham.
I'm a Tree Huggin', Soy Chuggin',
I won't eat no meat
I'm a vegan of convenience,
Still, there's leather on my feet
I don't believe in lots of things
I'll protest and attack
But you won't find me out in front
'Cause I'll be in the back
David Hall Sep 2014
beauty is of many faces
found in many forms and places
first is seen the beauty of the face
it's the greatest at the start
but before its dead it can swell your head
and leave you naught but a broken heart
all and all a rarer find
is the beauty of the mind
it grows and flowers with each season
it’s one true love is love of reason
if this beauty grows to great
it can see the need for love too late
if too much of this you own
expect a hard thought life alone
the most amazing of all is set apart
it's the deepest beauty of the heart
traces found almost everywhere
it’s on the wind and in a prayer
you'll find it anyplace that's wild
and in the laughter of a child
its the beauty that will never fade
still found today as god first made
when this beauty you can confess
you'll find true love and happiness
poet ninja Aug 2015
Haven't you heard.... love cures all things?
It seeps into your veins,
burning through each layer
like its a second skin?
Its a once in a lifetime connection....
even rarer should you be bestowed
and granted to meet your twin flame.
Silence is comfortable,
beauty peeking through ocular view.
A vision so refined, it caught me breathless
As I stare into her eyes, i see a reflection......my soul...
*"Welcome Home" she whispered,
'Time stood still while i waited for you"
judy smith Mar 2017
It is rare that, outside Japan, you hear anything positive about the lot of women in the Japanese workplace. Well-meaning rankings and anecdotal articles frequently do little more than reinforce tired stereotypes. Still, change is afoot and there are many voices in the Japanese corporate world that have a nuanced story to tell—even some who dare to assert that there might be something that Japanese working women have to teach the world.

One important factor preventing progress in how women are viewed in the Japanese workplace is the ongoing prevalence of highly gendered uniforms. This is true both in the literal sense and in what is implied—from strictly structured dress codes that govern post-graduation job hunts right through to the president’s chair. These remain highly gendered for both men and women, a visual reminder of the very different roles played by the “salarymen” and “office ladies” of years gone by, but a stumbling block now, considering how much has changed.

Representative of this change is fashion brand Kay Me, from entrepreneur Junko Kemi. Not just an oddity in the Japanese fashion world, Kemi is an unassuming revolutionary who has dispensed with the establishment path to the racks by forgoing trade shows and industry-only runways. Instead, she builds on her own experience in the Japanese corporate world to fashion the clothes she would wear to the office. In the process, she has managed to chalk up a Ginza flagship store, key retail positions at Japan’s top department stores—including Odakyu in Shinjuku, Mitsukoshi in Nihombashi, Breeze Breeze Umeda in Osaka, and Isetan at Haneda International Airport — and even a presence in London. She’s accomplished this in just over five years — less time than it takes the average brand that plays by the fashion industry’s rules to get their first round of scattered stockists.

Kemi sat down with The Journal to talk about why she moved from marketing to fashion, how she sees women in the workplace, and what she aims to achieve with her designs.

Japanese fashion is a notoriously saturated field. With no background in fashion, why did you choose to enter it?

My background is in marketing and consulting, but I was always aware that, at the root of all market analysis, is the Japanese phrase ishokuju, meaning the necessities of life: food, clothing, and shelter. When you look at Tokyo, there may be a lot of fashion, but that is the way it should be. It is as important and necessary as food and shelter. After the Lehman shock and the March 11 earthquake, this idea of necessity came to have greater meaning for me. I wanted to make something that was really required by people in their lives.

Of course, my background in marketing helped, and I knew that the bigger companies would be scared to compete with me if I chose a niche that wasn’t a proven quantity yet. That niche was professional women; women with the drive to go beyond what society expects of them and who want to express themselves on their own terms in the workplace. There is also part of me that likes to be the rebel, and to a certain extent I just wanted to prove people wrong when they said the market was oversaturated.

One of the most important Japanese fashion designers of our time, Yohji Yamamoto, famously started his eponymous brand in rejection of Japanese “office lady” attire and how working women, as a whole, dressed. Is this a shared source of inspiration?

Perhaps. Although, ironically, given that Yohji Yamamoto mainly uses black, I feel that women’s clothes are too dark! Fundamentally, I feel that historically it made sense that for women to enter the male-dominated workplace they first started dressing like men; but that can’t be where it ends. Far more interesting is for women to be unapologetically feminine and be accepted for it. Women should not have to cast off their own culture to enter the workplace, nor deny their own nature between 9:00 and 5:00. Why shouldn’t there be flowers in an office? In that sense, I am the opposite of Yohji Yamamoto — he wanted his clothes to protect women from men, but I don’t think women need protecting.

My real inspiration is surprisingly conventional. My grandmother ran a kimono shop, so I am always attracted to traditional themes in my work. The Japanese motifs I use, in particular, have been key to reaching people abroad. It is not necessarily targeted like “Cool Japan,” just a lucky coincidence. For Japanese customers, they are a way of building elements of kimono into their working wardrobe instead of wearing full kimono, which is hard in daily life—never mind the workplace.

As an entrepreneur, what do you look for in your employees? Do you actively create a female-friendly work environment?

I have been all around the world meeting entrepreneurs — especially in the UK and East Asian countries — and I am frequently the only Japanese person, and nearly always the only Japanese female entrepreneur. Therefore, similarly minded people with an international mindset are my key assets. With that comes an ability to communicate in English, and the confidence that your ideas will resonate not only in your own country but globally. That is rarer than you think, and a big issue over the course of a career is that only high-ranking members of Japanese companies ever go abroad on business. That locks women out of having experience abroad and stops them thinking more globally.

In terms of workplace, I would like a 50-50 split in my workforce; but right now we are still at the early stage of growing, so it has been vital that everyone understands the shared goal. As I am dressing working women, I have far more women than men working for me for now; unfortunate, but it will change. Also, I insist on flexible working hours for my staff with children. It creates some small issues with timing group meetings, but it is easy to work through and worth it for the talent they bring.

What could institutions like the Japanese government and universities do to change the status quo?

Universities are taking the lead in thinking globally, but that is only half the battle — they need to create more competition among students — female in particular — so they have confidence to go abroad. That needs to be the spark that starts a movement.

As for the government, there are lots of programs out there to support companies like mine, but to be honest we just don’t have the time to apply for them — they require so much documentation. So far, the programs feel like lip service from an older generation who doesn’t understand mine; time will change that.

In the meantime, I am focused on thinking globally. We haven’t targeted the inbound phenomenon as such because they are not necessarily our customers. Instead, I am focused on online expansion and taking my brand to Europe, and hopefully to America via New York in the near future. Of course, I want quick expansion; but ultimately we have been quality- and service-driven in Japan, so we can’t forget that as we look abroad.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Onoma Mar 2022
far rarer than the

idea of oneself...

to have connected

with their mind.

in another.
The cypress stood up like a church
That night we felt our love would hold,
And saintly moonlight seemed to search
And wash the whole world clean as gold;
The olives crystallized the vales’
Broad slopes until the hills grew strong:
The fireflies and the nightingales
Throbbed each to either, flame and song.
The nightingales, the nightingales.

Upon the angle of its shade
The cypress stood, self-balanced high;
Half up, half down, as double-made,
Along the ground, against the sky.
And we, too! from such soul-height went
Such leaps of blood, so blindly driven,
We scarce knew if our nature meant
Most passionate earth or intense heaven.
The nightingales, the nightingales.

We paled with love, we shook with love,
We kissed so close we could not vow;
Till Giulio whispered, ‘Sweet, above
God’s Ever guarantees this Now.’
And through his words the nightingales
Drove straight and full their long clear call,
Like arrows through heroic mails,
And love was awful in it all.
The nightingales, the nightingales.

O cold white moonlight of the north,
Refresh these pulses, quench this hell!
O coverture of death drawn forth
Across this garden-chamber… well!
But what have nightingales to do
In gloomy England, called the free.
(Yes, free to die in!…) when we two
Are sundered, singing still to me?
And still they sing, the nightingales.

I think I hear him, how he cried
‘My own soul’s life’ between their notes.
Each man has but one soul supplied,
And that’s immortal. Though his throat’s
On fire with passion now, to her
He can’t say what to me he said!
And yet he moves her, they aver.
The nightingales sing through my head.
The nightingales, the nightingales.

He says to her what moves her most.
He would not name his soul within
Her hearing,—rather pays her cost
With praises to her lips and chin.
Man has but one soul, ’tis ordained,
And each soul but one love, I add;
Yet souls are ****** and love’s profaned.
These nightingales will sing me mad!
The nightingales, the nightingales.

I marvel how the birds can sing.
There’s little difference, in their view,
Betwixt our Tuscan trees that spring
As vital flames into the blue,
And dull round blots of foliage meant
Like saturated sponges here
To **** the fogs up. As content
Is he too in this land, ’tis clear.
And still they sing, the nightingales.

My native Florence! dear, forgone!
I see across the Alpine ridge
How the last feast-day of Saint John
Shot rockets from Carraia bridge.
The luminous city, tall with fire,
Trod deep down in that river of ours,
While many a boat with lamp and choir
Skimmed birdlike over glittering towers.
I will not hear these nightingales.

I seem to float, we seem to float
Down Arno’s stream in festive guise;
A boat strikes flame into our boat,
And up that lady seems to rise
As then she rose. The shock had flashed
A vision on us! What a head,
What leaping eyeballs!—beauty dashed
To splendour by a sudden dread.
And still they sing, the nightingales.

Too bold to sin, too weak to die;
Such women are so. As for me,
I would we had drowned there, he and I,
That moment, loving perfectly.
He had not caught her with her loosed
Gold ringlets… rarer in the south…
Nor heard the ‘Grazie tanto’ bruised
To sweetness by her English mouth.
And still they sing, the nightingales.

She had not reached him at my heart
With her fine tongue, as snakes indeed
**** flies; nor had I, for my part,
Yearned after, in my desperate need,
And followed him as he did her
To coasts left bitter by the tide,
Whose very nightingales, elsewhere
Delighting, torture and deride!
For still they sing, the nightingales.

A worthless woman! mere cold clay
As all false things are! but so fair,
She takes the breath of men away
Who gaze upon her unaware.
I would not play her larcenous tricks
To have her looks! She lied and stole,
And spat into my love’s pure pyx
The rank saliva of her soul.
And still they sing, the nightingales.

I would not for her white and pink,
Though such he likes—her grace of limb,
Though such he has praised—nor yet, I think,
For life itself, though spent with him,
Commit such sacrilege, affront
God’s nature which is love, intrude
‘Twixt two affianced souls, and hunt
Like spiders, in the altar’s wood.
I cannot bear these nightingales.

If she chose sin, some gentler guise
She might have sinned in, so it seems:
She might have pricked out both my eyes,
And I still seen him in my dreams!
- Or drugged me in my soup or wine,
Nor left me angry afterward:
To die here with his hand in mine
His breath upon me, were not hard.
(Our Lady hush these nightingales!)

But set a springe for him, ‘mio ben’,
My only good, my first last love!—
Though Christ knows well what sin is, when
He sees some things done they must move
Himself to wonder. Let her pass.
I think of her by night and day.
Must I too join her… out, alas!…
With Giulio, in each word I say!
And evermore the nightingales!

Giulio, my Giulio!—sing they so,
And you be silent? Do I speak,
And you not hear? An arm you throw
Round some one, and I feel so weak?
- Oh, owl-like birds! They sing for spite,
They sing for hate, they sing for doom!
They’ll sing through death who sing through night,
They’ll sing and stun me in the tomb—
The nightingales, the nightingales!
Oh, may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,
In deeds of daring rectitude, in scorn
For miserable aims that end with self,
In thoughts sublime that pierce the night like stars,
And with their mild persistence urge men's search
To vaster issues. So to live is heaven:
To make undying music in the world,
Breathing a beauteous order that controls
With growing sway the growing life of man.
So we inherit that sweet purity
For which we struggled, failed, and agonized
With widening retrospect that bred despair.
Rebellious flesh that would not be subdued,
A vicious parent shaming still its child,
Poor anxious penitence, is quick dissolved;
Its discords, quenched by meeting harmonies,
Die in the large and charitable air,
And all our rarer, better, truer self
That sobbed religiously in yearning song,
That watched to ease the burden of the world,
Laboriously tracing what must be,
And what may yet be better, -- saw within
A worthier image for the sanctuary,
And shaped it forth before the multitude,
Divinely human, raising worship so
To higher reverence more mixed with love, --
That better self shall live till human Time
Shall fold its eyelids, and the human sky
Be gathered like a scroll within the tomb
Unread forever. This is life to come, --
Which martyred men have made more glorious
For us who strive to follow. May I reach
That purest heaven, -- be to other souls
The cup of strength in some great agony,
Enkindle generous ardor, feed pure love,
Beget the smiles that have no cruelty,
Be the sweet presence of a good diffused,
And in diffusion ever more intense!
So shall I join the choir invisible
Whose music is the gladness of the world.
Black Jewelz Jan 2016
There lives a woman who
Seems mystical, even mythical
--It is true--
Because she is biblical;
Rarer than a precious jewel.

She is virtuous
She is loyal
She is courteous...

She is royal.

She shines brilliantly, like a star cluster trapped inside a room.
She glistens like jubilant sun rays dancing atop the ocean.
The wind of her voice sets inspiration in motion,
Like a sonic boom.

She is powerful.

She is virtuous,
Who is worthy? Just
Wonder & coil
In a corner & toil
As you ponder this.
And honor this
Acknowledgment,

Because she is royal.

Don't dare compare her to the likes of
Nefertiti or Isis.
They are not so estimable,
You couldn't buy her even with a million zeros before the decimal,
Because...

She is priceless.

So the King adorned her,
Because the King adores her.

She is beautiful, so they say,
But such a meager word could not suffice,
Because her true charm emanates like waves
In the ardent expression of her practice of life.
And from her mind and her soul.
Her precious heart--more precious than gold--
Looks like a kaleidoscope of rare gems,
Darting dazzling colors; the spectrum in whole.

Diamonds die in comparison,
Hand her a diadem...

She is special
She is jovial
She is gentle

She is royal.

She is not haughty,
Nor does she flaunt like worldly wenches do.
She tells girls who've been told they're peasants they can be a princess too.
She is not naughty,
Nor does she taunt like wanton vixens do...

Because she is godly.

Yes, indeed there lives a woman who
Seems mystical, even mythical
--But it is true--

She is virtuous,

She is royal...

She is you.
Written for a woman I adore. Not my wife or girlfriend or anything like that. Just someone I knew.
vea vents Sep 2014
If you want to find out about someone’s character you ask them how do they gauge truth, or how do they know something is true?

Most will say because so and so said so, some variant of outsourced knowledge. Some "Religion." Some "Scientist." Some "Dr." Some "Guru." Some "Parent." Some "Mother." Some "Father." Some "Thought triggered by someone else." Some “Theory.”

Rare people will say they don’t know, they’re a bit more evolved because they see the conditioning. They see the confusion.

The rarer people will say they know because they’ve observed for themselves, not blindly, but with purity enough to observe correctly.
I miss you all so much
Words with such passion, right?
If only you could feel what I feel
(But you do, don't you?)
Then you would know what it is to “miss”
(But you do, don't you?)
Then “so much” would actually mean something
Maybe if I used a rarer word
A word favored by artists and English teachers
Then the feeling would be adequately described
Right?
Correct?

My heart longs, but that does not do it
My heart cries, but that does not do it
My heart burns, but that does not do it
My heart explodes with every pain of desire it has ever held
Repeat with soul
And still, nothing
These words are meaningless before feeling

Why do we move around?
Why create these feelings?
Maybe if
I add some Santa Easter Bunny Jesus Lincoln desire-made belief?
That I will see you all again
And we will share our most intimate moments
Worthy of many exclamation points
!!!!!!!
Until the end of time?

Stay put and never leave
Put down roots in the soil and in hearts
Never go and always let them know
Just how much you care
Never let your ambition or desire outweigh your love
And Be Godammit, Be!
Jasmine Oct 2014
You make my cheeks burn brighter than Charizard's flame,
And make my heart beat faster than Sonic The Hedgehog on Green Hill Zone,
You calm me down like you're Lugia's song,
And you make me laugh harder than a boss level itself.

If you were the doctor I'd jump in the Tardis without a second glance,
And fight daleks and weeping angels just for the chance,
To grasp your hand.

Out of all the starter Pokemon,
I'd still choose you,
And never trade you away,
Not even for Mewtwo,

You're rarer than a shiny Pokeman and mean more to me than that,
You're hotter than Aiden Turner and Ash,
If you're Link then I'd love to be your Zelda,
The princess you save over and over.

Like Tetris itself you complete me,
You hold the key to my heart,
And I'd proudly go on a quest to reclaim Erebor if you were by my side.

I know this poem is nerdy,
But I hope you find it sweet,
Because I find without you,
My life wouldn't be complete.

Copyright© 2014 Megan John
All rights reserved.
This poem was written by one of my close friends Megan John, she wanted me to publish it for her. Hope you like it.
Lady Misfortune Apr 2017
I am feeling very small
Like I don't need to feel at all
But numbness doesn't last
Only a step in my emotional fall
Give me the luxuries of a queen
And shower me with everything I could've wanted
And I still will not find my happiness
Because everything is as black as coal
As cold as a blizzard
That leaves 11 inches of snow
You can try
With material things
Buy me diamond necklaces and a ring
But it won't mean a thing
If you don't treat me as rare as the accessories and jewels
Money can't buy me love just materials
They have no heart
So you ask me if I'm happy
I reply with a thank you for all you have given
But I've been deprived of love
So my final answer is I'd rather have love than diamond rings
Because to me love is rarer than the most expensive items you can buy
Love is a jewel itself
Show me with actions not a stone
Because my heart is breaking
Due to feeling alone
It's only me and loads of cash
Wishing I had what I needed the most looking back
Follow Ty Harrell
CharlesC Jun 2012
Two antagonists
joined and evolving...
prevailing scarcity
far rarer abundance
a forked pattern
through millennial time

new century
visions holistic...
technology sightings
viewing through lenses
holographic
wholeness appearing in parts...
promises of science
now simply profound

clear water and plenty
hungry billions soon fed
innovations cropping from
the boisterous crowd...
standing robots astute
heavy labor performed...
global nervous system
growing and formed
by the web...
residue and waste becoming
power transformed...
optimism breaking long
history's confines

questions
large and looming give pause...
the antagonists mentioned
are they soon to transform?
abundance and scarcity
new parents
new consciousness birthing...
awareness with awe
in one simple moment?

ancient spiritual light
is it now flowing
holographic vessels to fill?
what might the
newborn be named?
should she simply
be called... enough?

this name also naming
a bright center glow...
daughter scarcity now
absorbed and lining
her abundant light...
new strength
new vision
a new fork
in our road?
Let's oftener talk of noble deeds
and rarer of the bad ones,
and sing about our happy days
and not about the sad ones.
We are not made to fret and sigh,
and when grief sleeps, to wake it,
bright happiness is standing by
this life is what we make it.

Let's find the sunny side of men.
Or be believer in it
a light there is in every soul
that takes the pains to win it,
Oh; there is slumbering good in all,
and we perchance may wake it.
Our hands contain the magic wand,
this life is what we make it.

Then here's to those whose loving hearts
shed light and joy about them
thanks to them for countless gems
we ne'er had known without them:
Oh; this should be a happy world,
to all who may partake it.
The fault's our own if it is not
this life is what we make it.
This is one of her poems, I have seen only one other, she didn't write poetry, was a mathematics teacher, and a great person.
Thomas Lundberg Apr 2013
It’s really a feeble attempt to make something between one and five work in our daily lives. They have gone from an intriguing idea and amount of worth to a silly little gift grandparents hand out freely on Valentine’s Day along with a card worth more than the contents. They've never set foot in any wallet of mine; they simply always made their way back behind my socks. The valuable of least worth I owned was never spent strictly based on rarity. These days you are a mistake just like all the other rarer coins like that three-legged buffalo nickel only I could maybe pay a bit of college tuition with one of those. You can bring in about four Lira though; enough to get a big bowl of any kind of noodles and sauce they have down at that restaurant in Istanbul near the Grand Bazaar. That night I stopped a little closer to my hotel and spent my last four on a beer with my meal. We kept walking and saw that young boy shivering as always against the cold vents that produced less heat than my freezer back home. No change jingled in my pockets because I had eaten my fill. A thousand suns heated my back without that jacket but the warmth was bitter like stolen Turkish Delights. I couldn't tell if he was going to drape that jacket around his tiny body or have it stolen by one of the bigger kids. We still spoke though. I know that was the day I discovered the language of the universe.
Caroline Grace Apr 2013
This year, Spring has been stopped in its tracks.
Incessant rain has driven life underground,
so as a diversion, we're putting on a play.

It's not the real world, rather a representation of it.

The director is a control freak, so her role is perfect-
she can dictate without having to act.

Rehearsals take place in the Philharmonic Hall where the local
band used to practice. But the young have all gone to the city
looking for work, so the drum kit in the corner stays shrouded
in a black cloth and the unplayed snooker table supports our props.

On the stage, the backdrop is dominated by a church.
Its steeple points to God only knows where, aiming to instill pure thoughts.
Impossible to believe, its true aim is to inject fear into its people-
depending on your point of view.

The main player likes to be different. He turns up.
A vain attempt to give some structure to his life.
Late as usual, he's unshaven, and drowsy with wine.
No one can decide whether he's in character or himself.

Waiting for our cue, we stand on the narrow balcony,
flicking damp cigarettes into the river of rain below.

Eventually, we all change, put on our monstrous armour,
become the same curious creatures following the same script.  

Except one....

who refuses to change, deciding in his own mind where he will play his part.
So he pulls on his proofed coat and heads out for the bar.

Outside, the power is off.

The streets are silent. Even the cafes have closed earlier than usual,
tables and chairs left out in the rain chained together, like prisoners
crying for release.

He slips along the cobbled streets, chanting his lines in time with his own footsteps:
'There are more dead people than living....the living are getting rarer.'
Even he's not sure if he's quite himself or still in character.

Briefly, the clouds part to reveal the cold light of the moon,
the only thing in which he has absolute faith to guide him on his way.


copyright © Caroline Grace 2013
axr Oct 2014
I don't have a best friend
Not to be mistaken with having no friends
I do have some friends
But I have to the conclusion that they aren't trustworthy
Instead,  they are rather demanding
They have seen me laugh
and be funny
Talk about silly mistakes
and how others make me feel
They know that I don't have anyone in my life
and my unwillingness to dance
What they don't know
is that every day I fight
with myself
Not with scratches, blades and pins
But with my soul within
They don't know what I have been through
They have never seen the bruises still blue

They don't know
They just assume
They are not there when I am begging to up above
They are not there when I need a little love
They are not there when I have been crying for hours
They are not there when I feel like dying in the shower

Gossips and lame stuff is what they share
I continue to listen while the music continues to blare
There were many
who became my best friends over the years
Losing touch with them is what I feared
Then that's what happened
Sooner or later they forgot me
Phone calls became rarer
and Facebook our home.

Till today,  I stand without a best friend
Because I know I am whole
I am a winner
who stands alone.
Em MacKenzie Oct 2018
All work, no play and neon screens
menial tasks even coat my dreams.
Overboard in bored and a silent phone,
oh no, I think I’ve evolved to drone.

Punch in, punch out, this is the wrong route.
Punch in, punch out, a life of drought.
This technological terror
has caused life to flash in error.
For lady dollar; I can’t bear her,
as the riches are even rarer.

I’ve become a machine, to crush numbers
with no log off for needed slumbers.
Now my brain’s racing, a million miles per hour,
oh no, I think I’ve gained A.I’s power.

Punch in, punch out, this is the wrong route.
Punch in, punch out, now what life is about.
This technological terror
has caused life to flash in error.
No sudden movements; don’t want to scare her,
she’s updating with no carer.

Learning binary,
a breathing library,
processing slowly
but still a finery.

I forgot what my hands were for
they used to write all that I adore.
Now fingertips type, each key a shot,
oh no, I think I’ve grown into a robot.

Punch in, punch out, this is the wrong route.
Punch in, punch out, no one hears me shout.
This technological terror
has caused life to flash in error.
Pure absorption; a simple stare,
life’s equation could be fairer.

Learning binary,
a breathing library,
walking geometry
complete machinery.
Iago Prytherch his name, though, be it allowed,
Just an ordinary man of the bald Welsh hills,
Who pens a few sheep in a gap of cloud.
Docking mangels, chipping the green skin
From the yellow bones with a half-witted grin
Of satisfaction, or churning the crude earth
To a stiff sea of clods that glint in the wind—
So are his days spent, his spittled mirth
Rarer than the sun that cracks the cheeks
Of the gaunt sky perhaps once in a week.
And then at night see him fixed in his chair
Motionless, except when he leans to gob in the fire.
There is something frightening in the vacancy of his mind.
His clothes, sour with years of sweat
And animal contact, shock the refined,
But affected, sense with their stark naturalness.
Yet this is your prototype, who, season by season
Against siege of rain and the wind's attrition,
Preserves his stock, an impregnable fortress
Not to be stormed, even in death's confusion.
Remember him, then, for he, too, is a winner of wars,
Enduring like a tree under the curious stars.
SøułSurvivør Aug 2016
Is not an easy task
But it is rewarding
To do what Jesus asks

My father now needs me more
A new level of care
So I will look after him
I'll always be there

My mother is not able
Handicapped herself
And so it is left up to me
I put much on the shelf

I won't be on the site as much
I guess a rarer bird
But I will still share with you
You will read my words

I will need strength in spirit
I must find a way
If you find it in your heart

Please help me and PRAY.


♡ Catherine
My father is very stubborn man. He doesn't like people fussing over him. He's very independent. But I've let him have his independence too long. He needs more care and I am being diplomat and caregiver at the same time. My mother has West Nile and back problems. She needs care too. So if you could pray or send me good thoughts I would really appreciate it!
alexandra Feb 2013
salt water breath
i'm thinking about air or an heir or whatever you call it,
whatever you think i'm thinking cause i don't know how to explain this feeling
heart is aching and breaking as time goes on
freezing in the lack of ocean, fresh air, and sight of the milkyway
how my body craves the smell of salt and family,
the desire keeps me up at night with taunting dreams of gummy bears and the breeze,
never thought i'd say i'd miss a mode of transport that makes me physically ill,
red eye lids, and chapped lips pine for a better way to sleep due to the sick desire for some place a little rarer
There was a saviour
          Rarer than radium,
     Commoner than water, crueller than truth;
          Children kept from the sun
          Assembled at his tongue
     To hear the golden note turn in a groove,
Prisoners of wishes locked their eyes
In the jails and studies of his keyless smiles.

          The voice of children says
          From a lost wilderness
     There was calm to be done in his safe unrest,
          When hindering man hurt
          Man, animal, or bird
     We hid our fears in that murdering breath,
Silence, silence to do, when earth grew loud,
In lairs and asylums of the tremendous shout.

          There was glory to hear
          In the churches of his tears,
     Under his downy arm you sighed as he struck,
          O you who could not cry
          On to the ground when a man died
     Put a tear for joy in the unearthly flood
And laid your cheek against a cloud-formed shell:
Now in the dark there is only yourself and myself.

          Two proud, blacked brothers cry,
          Winter-locked side by side,
     To this inhospitable hollow year,
          O we who could not stir
          One lean sigh when we heard
     Greed on man beating near and fire neighbour
       But wailed and nested in the sky-blue wall
Now break a giant tear for the little known fall,

          For the drooping of homes
          That did not nurse our bones,
     Brave deaths of only ones but never found,
          Now see, alone in us,
          Our own true strangers' dust
     Ride through the doors of our unentered house.
Exiled in us we arouse the soft,
Unclenched, armless, silk and rough love that breaks all rocks.
RebelJohnny Jul 2014
Inside of my body
Amidst death and poison
a virus lurks

in every
puddle,
pumping
blood that flushes
my tired heart
like
the river
Styx

Amidst this
battlezone
that is my
failing being
lies
a secret, sleeping

The cells swim by
They are
rarer
now like precious gems
the factories of my
fighting body

produced like
diamonds
born amidst feverish
forges within
a toxic mine

The gems,
they call them T-cells,
are now suicide bombers
converted daily
by the
whisper of
necromancy

They call
this
hex ***
a war against
your own
treasures

Yet my T-cells
are more,
runes blazing
mystic and
glowing,
antigen sorcery
that wards against
failing

Amidst
the 300,000 +sleeper
cells
that abandoned
my cause

Insurgence
bulges with
nightmare

The cells
clamour
growing with the whispers
of past victims
now roped into the
mystic chains, the wizards
call it RNA,
that bind us

An ironic family
of ghosts
who live
in each other
"junk DNA"

My body
is no junk;
instead a treasure
- what do they say
one man's trash?

My body
an
amalgamation
30 years
magic growing
twisted
like thorny vines
that must consume
their
helpless host

My
T-cells
inception
Worlds within me
the "JUNK"
of
lovers past
becomes entangled
in archives
carved in my bones.

Amidst recipes
of a poison
I cannot trace,
I am
ironically
linked
into

a
family of
ancestors
whose cries
beat in
my still
working heart

The drum
of the long fallen
crying for justice
...My blood

Our blood.
chains enmeshing
....ghosts I
will never know

Now parts of me
that lie sleeping in
Trojan horses,
all my own.
wordvango Sep 2017
ah built of the rarest things
she stands elegant
a flare a star a moonbeam
all the rarest things
here

here I accept her bright her smile
her heat her heart glare
her touch a soft warming
confidence

all woman
all stars
all earthy knowing
all rarer than any
diamond

I take it
I bask I glow I become more
than what I was
before she dawned crested
smiled that beginning at me

I bow I pray I thank
every god I know
praise her
she is rare
she is precious

she is now
everything
bambi Jul 2013
There is a creature rarer than
you dare to dream.

If once it flourished
within your lungs,
savor the eternity,
it left on your tongue.

I have been evaded by
that space between the stars.
It's existence has eluded me,
it's true.

But it thrives in side your mouth
in your cuticles, it blooms
traced 'cross your eyelid
wandering from me to you.

Now I grasp the phantom creature,
I feel it's warmth between my thumbs,
taste the word within me,

because this is us and this is love.
Reposting after some edits.

— The End —