Submit your work, meet writers and drop the ads. Become a member
Stephen E Yocum Oct 2013
The Island Moorea,
backpacking Tahiti,
In the heat, the sun,
The rhythm of my footfalls
crunching loose gravel road,
The swish of pack swaying
in conert to my measured pace.

Breeze pushing branches of Palm,
Ocean waves breaching shoreline long.
Island vehicles passing, occupant's laughing,
a man laboring under large pack, alone walking,
Who could have been freely riding,
Unthinkable to Island Folk,
in hot tropical places.

Some humble homes passed along the way.
Greetings exchanged with smiling faces there.
Not long afterward a new sound approaching,
crunching gravel, rolling up behind me.

A lovely young girl, perhaps nineteen,
long brown naked legs bike a peddling.
Hair jet black, long to her waist, wearing
a sarong, split up the side,
Shoulders bare and brown.
Dark eyes of wonder, sparkling of youth.
A radiant smile adorning a splendid face.

We went for a time at my even pace,
looking and smiling each in our place.
"Hello there," I said, she giggled, beamed
even bigger. Perfect teeth displayed.

"Why you walk?" She asked in heavily
accented puzzlement.

"To get to where I'm going". I replied
This response producing a pleasant laugh
from the girl. In which I too joined in.

"You go One Chicken?" She asked
I stopped then and turned to her.
"Where is One Chicken?" I questioned
with a grin.

She raised her graceful arm,
one finger pointing up the road.
"One Chicken there," she informed.

It was a store/bar, sort of place,
In the very midst of nowhere.
Indeed, more than one chicken roamed,
Many chickens did and a pig or two,
mingling free and doing their thing.

We entered out of the bright daylight,
into the deepest of darks,
Like in a movie theater, when arriving late.
Eyes adjusting slowly to what lay ahead.

A few Island Beers later,
I had acquired several new friends,
The girl my invitation to the party of
already happy people a little drunk on beer.
The Music was mostly of French persuasion,
With a bit of Bob Dylan thrown in.
The Beatles also had a tune or two.
The Liverpool beat resounding down Tahiti way.

Before the light did fail, I shouldered my pack
and walked some distance from Chickens and Pigs.
Found the beach, hung my Hammock for the night.
Built a small fire and opened a can of Spam delight.

She appeared again about ten,
looking beautiful in the new moonlight.
Newly washed hair, still damp and
smelling fresh of Lilacs,
Or some such aromatic scent.
We did not speak, no words were needed,

Made love on the sand, 'till the retreat of the
tide and sand ***** did come out, in their
eerie numbers, to eat what was at hand.
I suppose even us if we were still and let
them.

We retired then both to my hammock,
A pretty neat trick if you can swing it.
And we did.

She was so childlike and yet,
very much a woman grown.
There was no pretense shown,
no false inhibitions rendered.
These were not limitations of her culture.
people that respond to their emotional
impulses. An open and free spirited
people living passionately within each
minute shared.

It all felt more akin to a dream than real,
All around me there was beauty,
Loving and being loved without hurry,
Free of guilt or even a single expectation.
Living in that wondrous moment,
of uncomplicated human splendor.
Like some Garden of Eden surrender.
A real-life Gauguin painting.

In the morning, we swam naked in the sea,
frolicked like kids having a day at the beach.
Made love in the sand, I dozed in the sun.
Upon awaking she was gone.

I waited an hour or two, packed up my camp,
shouldered my load and returned to the road.
A few minutes later, again I heard the now
familiar crunch of rubber tires, rolling road
surface and there she was, a straw basket in
her Bike's basket, a huge smile on her
unforgettable, beautiful face.

We sat in a grove of trees, among birds singing,
in sight of the sea, upon a Palm log and ate fresh
bread and fruit. Drank strong black coffee
(French Roast I presume,) nibbling some
marvelous cheese.

We tried to talk, but she understood little of
what I tried to say, my French was nearly
nonexistent, only adding to confusions sake.

She leaned her head on my shoulder,
the way lovers do and tenderly held
my hand within her two,
As if not wanting to let go,
Those gestures said all there was to say,
And we savored each silent moment.

We parted there, she on blue, rusty bike
and me on "shanks mare",
Off in two different directions,
Each out into the depths of our own lives,
Gone just like that. . . And yet,
Indelible, never to be forgotten or replaced.
Some days and nights, that young maiden of
Moorea does still visit me, in dreams as real
as can be. She never grows old, nor does the
beauty we shared for that one brief moment in
time immortal.

Someplace among the Islands of Tahiti
there is a woman in her sixties, most likely
a Mother, even a Grandmother yet living.
I hope she recalls as fondly the American blond
man with the big Orange Backpack, that in 1972
she met upon the road, near "One Chicken" and
loved freely and completely for two days and a
night, as that man does so fondly remember her.
Robin Carretti Jul 2018
She moves with
      Grace
The Gracious meeting in denial
He's the baron of beef delicious side
Reproduction picture full slide
The most
   Casual face

Met the eternal masterly
    Artist face
Saying Oh! Grace
The other side of midnight
     Mask Face
She could overjoy anyone's
Heart in the right place
    Deceiving Face

The miracle of love principles
Such skepticism could it be overjoyed realism

But a hell of a time with heavenly bliss
What a shock when he gave me my kiss
His Crooked face to longevity nose
Hiding place A-Rose

Beachy trance-set face

Highlands of Scotland,
anybody would want her
     *Joyful face


He's the baronial
Secluded caves but risky dives
The turn only If?? I
could turn back the time
The events strictly
confidential

Her apple cheeks bathing suit
He is picking her fruit
So soothing the fiddle
Tinman whistles the ladies harps

Their medieval moment's help!!!
The swords  bust to his manly chest
Sleeping Inn New castle west
Their best bedrest

The cupboards open overjoyed
invitation decorative cans
Of greens, pinks, purple passion

And flourless chocolate cakes
Powdered lips love his reaction

She was seductively awe-inspiring
The top hills of Ireland grass
vividly raised her legs
The bowl next to her
The Rose blush wines
Bare it Fruit and figs

The baronial tug of war wigs

Melodious birds the
Grand One
The thousand piano words
Overjoyed but
under the {Baronial} weather

So lordly new threads tailored
White-collared
carpenter pants
Men of the herds
She's the
Caron French boutique

There ****** desires
The creature within
Wildly mating like critiques

Her perfumes so extinct
mysteriously
Overjoyed her heart
So cultured violin strings
Dollhouse Castle to restore
With her unique touches,
he wanted more

The steps tiring like a killed deer
every muscle he could hear

Over elaborating how people are dating
With a  stamped from the very
heart  approval
But hard times such laboring
Sitting in her
overjoyed chair
His face all Scrooged
no gifts of flowers
What are the odds of this pair

Over and over again her rainbow
her sensitivity we need longevity
The  endless walls are caving in
We are not so overjoyed by
this monster garden
She had her first breakdown
Going up the
Jack and Jill Ireland hill
In the longtime what long run
Way too short
It didn't come from above

The vintage oldtimer
radios sitting
together with
family listening
so long ago
So commercialized
The crazy shows
Where do you really want to go,
you just want to shut everything off

He called her the powder puff
Waiting for the nocturnal star
Those scrubs and hot rubs shower
Over my knee-high boots so in
love cahoots

Oh! It's her
The smart student
Owl Hoot whats to boot
Eating her shepherd's pie
so lordly full lips word-me
Ireland Holy Land
of love and beauty

Overly scrupulousness
The time of blessings

But the baronial loved to be
overly entertained
And she would sit there  
Blue-blooded royal dishes
Got flushed away no wishes

Oversimplification
Like the hardest love
of multiplication
The ****** overstimulation
Over embellished
But you're still positive
overjoyed
But why did she
want to vanish

Over-programming
    Web-Face
Destroyed her
Apple jubilee computer

Spiritual Zen
Or new lover Amen
Ever touched by Ireland maidens
Like the crimson and clover
I do believe in the
Four leaf clover Face

Like the only thing she picked
were the weeds
More beauty of life and deeds
Or tons of sorrow wondering
how she
would feel tomorrow?
We will never know
Overjoyed by so many things have the beauty Ireland is amazingly beautified or everything feels unnecessary gloomy or horrified you rather pick of ripe blueberry or cherry or blackberry living like your in the castle being summoned on by the Scrooged type Baron
The quarrel of the sparrows in the eaves,
The full round moon and the star-laden sky,
And the loud song of the ever-singing leaves,
Had hid away earth's old and weary cry.

And then you came with those red mournful lips,
And with you came the whole of the world's tears,
And all the trouble of her laboring ships,
And all the trouble of her myriad years.

And now the sparrows warring in the eaves,
The curd-pale moon, the white stars in the sky,
And the loud chaunting of the unquiet leaves,
Are shaken with earth's old and weary cry.
Nat Lipstadt Jun 2018
Songs of Oregon: No 5 no general impressions specifically

For the Poets of Oregon, each a unique travel guide

no salt n’ pepper shaker of general impressions for the offering,
for now, ubiquitous generalities means inclusionary which means
likely accidental to be exclusionary,
so specifically,
no ‘all in' clauses

just a few specific eye-sights, hoary words, new birth canals,
to be either eaten, resurrected, van-slaughtered, backyard buried,
all are filed nearby in the seed cabinet or the garage freezer,
or on the C drive of your brain

awaiting ideal planting conditions, and the rest,
a series perhaps,
Songs of Oregon?
Someday

someday, when all the big brief poems are fully formed,
earth ripened, mind fomented; oak barrel aged,
harvest-reading-ready,
green trees shoots busting thrusting through
misleading sandy looking soil,
needy for quenching from
aquifers that are gold geyser plentiful,
a hundred feet deep, needy only for a
“please sir, may I have some more,"
they’l be writ

but for now, these below are,
some easy to be specifics,
reveling and revealed, useful takeaways,
specifics pacifics
for those who might be traversing upon
Lewis and Clark’s Oregon Trail:

them multicolored redneck
full bearded boys
and those of the
vinnie, millennial hipsters and aging ex- hippies, also,
full bearded boys  
are indistinguishable!
many of both wear matching bib jeans,
so be careful who you be calling
a hillbilly in open carry country

the forever refilled coffee mug still exists though the price
is now $2 but the coffee is sustainable (I am evidence)
organic, from a rain forest from Timbuktu,
so it gets planted in your bloodstream and then replaced
in the soil & land,
the loam of the soul
by you

in Milwaukee,
they know how to spell Milwaukee but
not in Portland

don’t be shocked at the town naming,
these borrowers got no  i-magination,
that’s surly lacking in Oregon; mthey’ll steal your
Nor’easter or Indian
town or city’s name
with no shame
or comp-unction,
claiming it’s different cause
they made it organically and
then misspelled it,
correctly

think that pointy poem point well made,
god made only one coast (theirs) and
just forgot to put Shelter Island NY  upon it;
threw it up randomly skyward, landed on some
atlantic backwater body

getting there or anywhere in Oregon traffic
about the same as in NYC traffic, thus
the heavens balance the scales of justice with
dramatic automotive irony

in some counties, the school week is a
four day affair, for the children need to repay
their parents birthing labor, by laboring beside them
in the vineyards, on the tractors, learning from
the book and look of their parents
sun aged faces and hands,
life learning
that man must earn his sustenance
with the sweat of ones own brow
and that word;
week,
can be spelt in contradictory ways
but only one is acceptable
out here

do be careful though Oregonians are very willingly to lam it,
(Willamette) if you ask nicely,
pick up normal looking weird hitchhikers
and drive many a mile
in yours, not theirs, but sure,
“going-the-same-way direction”
if you ask polite with just a smile

and the river salmon have hired their own governmental advisors


like I said,
no general impressions
just a private’s brief recollections
from his first tour of duty
abroad
where he was purple heart medaled shot
through ‘n through with
Oregon kindness

some juicy real specifics to follow eventually
someday
songs of oregon No.5
BOOK I

     Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve's one star,
Sat gray-hair'd Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung above his head
Like cloud on cloud. No stir of air was there,
Not so much life as on a summer's day
Robs not one light seed from the feather'd grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deadened more
By reason of his fallen divinity
Spreading a shade: the Naiad 'mid her reeds
Press'd her cold finger closer to her lips.

     Along the margin-sand large foot-marks went,
No further than to where his feet had stray'd,
And slept there since.  Upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred; and his realmless eyes were closed;
While his bow'd head seem'd list'ning to the Earth,
His ancient mother, for some comfort yet.

     It seem'd no force could wake him from his place;
But there came one, who with a kindred hand
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
She was a Goddess of the infant world;
By her in stature the tall Amazon
Had stood a pigmy's height: she would have ta'en
Achilles by the hair and bent his neck;
Or with a finger stay'd Ixion's wheel.
Her face was large as that of Memphian sphinx,
Pedestal'd haply in a palace court,
When sages look'd to Egypt for their lore.
But oh! how unlike marble was that face:
How beautiful, if sorrow had not made
Sorrow more beautiful than Beauty's self.
There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up.
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain:
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning with parted lips, some words she spake
In solemn tenor and deep ***** tone:
Some mourning words, which in our feeble tongue
Would come in these like accents; O how frail
To that large utterance of the early Gods!
"Saturn, look up!---though wherefore, poor old King?
I have no comfort for thee, no not one:
I cannot say, 'O wherefore sleepest thou?'
For heaven is parted from thee, and the earth
Knows thee not, thus afflicted, for a God;
And ocean too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thine hoary majesty.
Thy thunder, conscious of the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning in unpractised hands
Scorches and burns our once serene domain.
O aching time! O moments big as years!
All as ye pass swell out the monstrous truth,
And press it so upon our weary griefs
That unbelief has not a space to breathe.
Saturn, sleep on:---O thoughtless, why did I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn, sleep on! while at thy feet I weep."

     As when, upon a tranced summer-night,
Those green-rob'd senators of mighty woods,
Tall oaks, branch-charmed by the earnest stars,
Dream, and so dream all night without a stir,
Save from one gradual solitary gust
Which comes upon the silence, and dies off,
As if the ebbing air had but one wave;
So came these words and went; the while in tears
She touch'd her fair large forehead to the ground,
Just where her fallen hair might be outspread
A soft and silken mat for Saturn's feet.
One moon, with alteration slow, had shed
Her silver seasons four upon the night,
And still these two were postured motionless,
Like natural sculpture in cathedral cavern;
The frozen God still couchant on the earth,
And the sad Goddess weeping at his feet:
Until at length old Saturn lifted up
His faded eyes, and saw his kingdom gone,
And all the gloom and sorrow ofthe place,
And that fair kneeling Goddess; and then spake,
As with a palsied tongue, and while his beard
Shook horrid with such aspen-malady:
"O tender spouse of gold Hyperion,
Thea, I feel thee ere I see thy face;
Look up, and let me see our doom in it;
Look up, and tell me if this feeble shape
Is Saturn's; tell me, if thou hear'st the voice
Of Saturn; tell me, if this wrinkling brow,
Naked and bare of its great diadem,
Peers like the front of Saturn? Who had power
To make me desolate? Whence came the strength?
How was it nurtur'd to such bursting forth,
While Fate seem'd strangled in my nervous grasp?
But it is so; and I am smother'd up,
And buried from all godlike exercise
Of influence benign on planets pale,
Of admonitions to the winds and seas,
Of peaceful sway above man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in.---I am gone
Away from my own *****: I have left
My strong identity, my real self,
Somewhere between the throne, and where I sit
Here on this spot of earth. Search, Thea, search!
Open thine eyes eterne, and sphere them round
Upon all space: space starr'd, and lorn of light;
Space region'd with life-air; and barren void;
Spaces of fire, and all the yawn of hell.---
Search, Thea, search! and tell me, if thou seest
A certain shape or shadow, making way
With wings or chariot fierce to repossess
A heaven he lost erewhile: it must---it must
Be of ripe progress---Saturn must be King.
Yes, there must be a golden victory;
There must be Gods thrown down, and trumpets blown
Of triumph calm, and hymns of festival
Upon the gold clouds metropolitan,
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children; I will give command:
Thea! Thea! Thea! where is Saturn?"
This passion lifted him upon his feet,
And made his hands to struggle in the air,
His Druid locks to shake and ooze with sweat,
His eyes to fever out, his voice to cease.
He stood, and heard not Thea's sobbing deep;
A little time, and then again he ******'d
Utterance thus.---"But cannot I create?
Cannot I form? Cannot I fashion forth
Another world, another universe,
To overbear and crumble this to nought?
Where is another Chaos? Where?"---That word
Found way unto Olympus, and made quake
The rebel three.---Thea was startled up,
And in her bearing was a sort of hope,
As thus she quick-voic'd spake, yet full of awe.

     "This cheers our fallen house: come to our friends,
O Saturn! come away, and give them heart;
I know the covert, for thence came I hither."
Thus brief; then with beseeching eyes she went
With backward footing through the shade a space:
He follow'd, and she turn'd to lead the way
Through aged boughs, that yielded like the mist
Which eagles cleave upmounting from their nest.

     Meanwhile in other realms big tears were shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe:
The Titans fierce, self-hid, or prison-bound,
Groan'd for the old allegiance once more,
And listen'd in sharp pain for Saturn's voice.
But one of the whole mammoth-brood still kept
His sov'reigny, and rule, and majesy;---
Blazing Hyperion on his orbed fire
Still sat, still *****'d the incense, teeming up
From man to the sun's God: yet unsecure:
For as among us mortals omens drear
Fright and perplex, so also shuddered he---
Not at dog's howl, or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing-bell,
Or prophesyings of the midnight lamp;
But horrors, portion'd to a giant nerve,
Oft made Hyperion ache.  His palace bright,
Bastion'd with pyramids of glowing gold,
And touch'd with shade of bronzed obelisks,
Glar'd a blood-red through all its thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flush'd angerly: while sometimes eagles' wings,
Unseen before by Gods or wondering men,
Darken'd the place; and neighing steeds were heard
Not heard before by Gods or wondering men.
Also, when he would taste the spicy wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate took
Savor of poisonous brass and metal sick:
And so, when harbor'd in the sleepy west,
After the full completion of fair day,---
For rest divine upon exalted couch,
And slumber in the arms of melody,
He pac'd away the pleasant hours of ease
With stride colossal, on from hall to hall;
While far within each aisle and deep recess,
His winged minions in close clusters stood,
Amaz'd and full offear; like anxious men
Who on wide plains gather in panting troops,
When earthquakes jar their battlements and towers.
Even now, while Saturn, rous'd from icy trance,
Went step for step with Thea through the woods,
Hyperion, leaving twilight in the rear,
Came ***** upon the threshold of the west;
Then, as was wont, his palace-door flew ope
In smoothest silence, save what solemn tubes,
Blown by the serious Zephyrs, gave of sweet
And wandering sounds, slow-breathed melodies;
And like a rose in vermeil tint and shape,
In fragrance soft, and coolness to the eye,
That inlet to severe magnificence
Stood full blown, for the God to enter in.

     He enter'd, but he enter'd full of wrath;
His flaming robes stream'd out beyond his heels,
And gave a roar, as if of earthly fire,
That scar'd away the meek ethereal Hours
And made their dove-wings tremble. On he flared
From stately nave to nave, from vault to vault,
Through bowers of fragrant and enwreathed light,
And diamond-paved lustrous long arcades,
Until he reach'd the great main cupola;
There standing fierce beneath, he stampt his foot,
And from the basements deep to the high towers
Jarr'd his own golden region; and before
The quavering thunder thereupon had ceas'd,
His voice leapt out, despite of godlike curb,
To this result: "O dreams of day and night!
O monstrous forms! O effigies of pain!
O spectres busy in a cold, cold gloom!
O lank-eared phantoms of black-weeded pools!
Why do I know ye? why have I seen ye? why
Is my eternal essence thus distraught
To see and to behold these horrors new?
Saturn is fallen, am I too to fall?
Am I to leave this haven of my rest,
This cradle of my glory, this soft clime,
This calm luxuriance of blissful light,
These crystalline pavilions, and pure fanes,
Of all my lucent empire?  It is left
Deserted, void, nor any haunt of mine.
The blaze, the splendor, and the symmetry,
I cannot see but darkness, death, and darkness.
Even here, into my centre of repose,
The shady visions come to domineer,
Insult, and blind, and stifle up my pomp.---
Fall!---No, by Tellus and her briny robes!
Over the fiery frontier of my realms
I will advance a terrible right arm
Shall scare that infant thunderer, rebel Jove,
And bid old Saturn take his throne again."---
He spake, and ceas'd, the while a heavier threat
Held struggle with his throat but came not forth;
For as in theatres of crowded men
Hubbub increases more they call out "Hush!"
So at Hyperion's words the phantoms pale
Bestirr'd themselves, thrice horrible and cold;
And from the mirror'd level where he stood
A mist arose, as from a scummy marsh.
At this, through all his bulk an agony
Crept gradual, from the feet unto the crown,
Like a lithe serpent vast and muscular
Making slow way, with head and neck convuls'd
From over-strained might.  Releas'd, he fled
To the eastern gates, and full six dewy hours
Before the dawn in season due should blush,
He breath'd fierce breath against the sleepy portals,
Clear'd them of heavy vapours, burst them wide
Suddenly on the ocean's chilly streams.
The planet orb of fire, whereon he rode
Each day from east to west the heavens through,
Spun round in sable curtaining of clouds;
Not therefore veiled quite, blindfold, and hid,
But ever and anon the glancing spheres,
Circles, and arcs, and broad-belting colure,
Glow'd through, and wrought upon the muffling dark
Sweet-shaped lightnings from the nadir deep
Up to the zenith,---hieroglyphics old,
Which sages and keen-eyed astrologers
Then living on the earth, with laboring thought
Won from the gaze of many centuries:
Now lost, save what we find on remnants huge
Of stone, or rnarble swart; their import gone,
Their wisdom long since fled.---Two wings this orb
Possess'd for glory, two fair argent wings,
Ever exalted at the God's approach:
And now, from forth the gloom their plumes immense
Rose, one by one, till all outspreaded were;
While still the dazzling globe maintain'd eclipse,
Awaiting for Hyperion's command.
Fain would he have commanded, fain took throne
And bid the day begin, if but for change.
He might not:---No, though a primeval God:
The sacred seasons might not be disturb'd.
Therefore the operations of the dawn
Stay'd in their birth, even as here 'tis told.
Those silver wings expanded sisterly,
Eager to sail their orb; the porches wide
Open'd upon the dusk demesnes of night
And the bright Titan, phrenzied with new woes,
Unus'd to bend, by hard compulsion bent
His spirit to the sorrow of the time;
And all along a dismal rack of clouds,
Upon the boundaries of day and night,
He stretch'd himself in grief and radiance faint.
There as he lay, the Heaven with its stars
Look'd down on him with pity, and the voice
Of Coelus, from the universal space,
Thus whisper'd low and solemn in his ear:
"O brightest of my children dear, earth-born
And sky-engendered, son of mysteries
All unrevealed even to the powers
Which met at thy creating; at whose joys
And palpitations sweet, and pleasures soft,
I, Coelus, wonder, how they came and whence;
And at the fruits thereof what shapes they be,
Distinct, and visible; symbols divine,
Manifestations of that beauteous life
Diffus'd unseen throughout eternal space:
Of these new-form'd art thou, O brightest child!
Of these, thy brethren and the Goddesses!
There is sad feud among ye, and rebellion
Of son against his sire.  I saw him fall,
I saw my first-born tumbled from his throne!
To me his arms were spread, to me his voice
Found way from forth the thunders round his head!
Pale wox I, and in vapours hid my face.
Art thou, too, near such doom? vague fear there is:
For I have seen my sons most unlike Gods.
Divine ye were created, and divine
In sad demeanour, solemn, undisturb'd,
Unruffled, like high Gods, ye liv'd and ruled:
Now I behold in you fear, hope, and wrath;
Actions of rage and passion; even as
I see them, on the mortal world beneath,
In men who die.---This is the grief, O son!
Sad sign of ruin, sudden dismay, and fall!
Yet do thou strive; as thou art capable,
As thou canst move about, an evident God;
And canst oppose to each malignant hour
Ethereal presence:---I am but a voice;
My life is but the life of winds and tides,
No more than winds and tides can I avail:---
But thou canst.---Be thou therefore in the van
Of circumstance; yea, seize the arrow's barb
Before the tense string murmur.---To the earth!
For there thou wilt find Saturn, and his woes.
Meantime I will keep watch on thy bright sun,
And of thy seasons be a careful nurse."---
Ere half this region-whisper had come down,
Hyperion arose, and on the stars
Lifted his curved lids, and kept them wide
Until it ceas'd; and still he kept them wide:
And still they were the same bright, patient stars.
Then with a slow incline of his broad breast,
Like to a diver in the pearly seas,
Forward he stoop'd over the airy shore,
And plung'd all noiseless into the deep night.

BOOK II

Just at the self-same beat of Time's wide wings
Hyperion slid into the rustled air,
And Saturn gain'd with Thea that sad place
Where Cybele and the bruised Titans mourn'd.
It was a den where no insulting light
Could glimmer on their tears; where their own groans
They felt, but heard not, for the solid roar
Of thunderous waterfalls and torrents hoarse,
Pouring a constant bulk, uncertain where.
Crag jutting forth to crag, and rocks that seem'd
Ever as if just rising from a sleep,
Forehead to forehead held their monstrous horns;
And thus in thousand hugest phantasies
Made a fit roofing to this nest of woe.
Instead of thrones, hard flint they sat upon,
Couches of rugged stone, and slaty ridge
Stubborn'd with iron.  All were not assembled:
Some chain'd in torture, and some wandering.
Caus, and Gyges, and Briareus,
Ty
Lou Costello’s
bronze semblance
dipped and danced atop
his granite pedestal
spinning miasmatic tales
of enigmatic hope and
resplendent labor

“the sweet
unbounded
expectation of
hope once
surged down
this city’s streets”
... said Lou

"I was a self made man
until someone thought up
the idea to cast a bronze
caricature of me and
bolt it to this grand rock”

nostalgia
is the boldest form
of fiction
culling from the past
the things hoped for
in the now

“growing up
here
I clipped school,
played ball,
rolled drunks
and fought
nickel ante
prize fights
to get my
daily bread,
I literally
punched my
way out
of this town”

a smith smelts a
batch of liquid bronze
pouring molds full of
a fervent wish
a madman's delusion
a priestly promise
a Pollyannaish illusion?

baskets overflowed
gushing hope, offered
at the holy altars by
honorable workers

it was said that
a morsel of labor
could feed 5000
starved families
breeding hopes as large
as a half cup of water

hope
the size of a
mustard seed sparked
recovery of 1000 sick children
dying from the Asian Flu
at St. Joe's

hope
willed an end to war’s slaughter
which ironically was bad for
Paterson's war profiteers
forcing layoffs
sparking labor actions

hope
ignited conflagrations firing
the resurrection of dead industries
lately there is a lot of hope
circling this one

miracles spring
from the pronounced
lips of trembling hearts

the hopeful amassed
slogging forth on bloodied toes
along razor thin slices
of expectation
hoping to begin again
eager to build anew

new starts sometimes
grow old fast soon
hope expires
winging back home
on broken wings of
misspent labor

hoping for the snow to stop
a lump of coal to last
the labor of a budding crocus
rewarded, breaking through
the hard crust of winters end
blooms for a day then expires

hope is a beggars wish
gods give yearnings heft
prayers earnestly chanted
willing paradigm shifts

prayers of absolution
play the angles
calculating odds
of probabilistic mathematics
a sure thing long shot
the prayers of the
righteous availeth much

we hoped for jobs
we hoped for leisure
we hoped for love
we hoped for labor
we hoped for rest
we hoped for luck
we hoped for a life
wealth health blest

laughing at our follies
crying over defeats
our city a tragic star
a comedy of schemes

our
hope and labor
is the keystone of
our self construction
cornerstone of
a grand city’s edifice
its negation our
deconstruction

tragedy and comedy
invested and spent
falling and laughing
foibles and faith

belief trumps evidence
happenstance slays surety
horror and beauty
compose a life's mural
nothing happens
by mistake

learning and ignorance
fate and chance
the risk of randomness
expiration dates arrive fast

predetermination a bold
conviction, suspicion,
intention a splendid  
kismet  

banality becomes
sublime  
laughter is ******

...the mystery is in
the loam... says WCW
...the finished product
is what I’m after...

“what the
**** are you
doing here?"
the bronzed Louis
gagged

"Hey Abbott
look at these clowns
in the yellow plastic
garbage bags!

bobbing in a sea of
midnight mist

a posse of
neon clowns
donning glad bags
on the most dismal
night of the year

twinkling under the
gloom of my playgrounds
faltering streetlamps

“twinkling targets
easily tracked,
a trained eye,
a steady hand
could pick you off
at a thousand paces
what gives?

“what the **** are
you doing here?

“what the **** am I doin
here for that matter?”

“the second question
is easy to answer,

“I’m Paterson’s
finest son....

...“Wherever he is tonight, I want him to hear me," and went on with the show. No one in the audience knew of the death until after the show when Bud Abbott explained the events of the day, and how the phrase "The show must go on" had been epitomized by Lou that night....

"Mr. Bacciagalupe
he use to live on
Cianci Street

“who’s on first?
what’s on second?
I don’t know is on third?
was a riddle one recited
to get into his speak

“his Ginnie Red was legendary
and no one was ever known to
die from drinking his bathtub gin”

the old world ways
are made new
by the arrival of
new old worlds
supplanting old Italiano

“where is all the goodwill capital
we invested in this place?”

successive generations
thought it best to export
the capital of the
expired generations
elsewhere

it was ferried
across the river,
crossed the
city boundaries,
leaving for Wayne
and the fairer lawns
of Wyckoff and the
greener grasses of
Franklin Lakes

all the old wise guys
died off or were sentenced
to life by their children,
some still doin time in
old age homes in
Rockaway

all the sport clubs
boarded up but their spirit
lingers like an espresso
ring on a post slurp
demitasse cup

“hell my body is buried
in Hollywood but here
I am, holding court in
Costello Park
talking with you
knuckleheads
a baseball bat
my royal scepter
a brown derby
my crown, truly a
King of Nothing,
Lord of All

“the soul of my city is
eternal,  like the comedy
of tragedy or is it
tragic comic?

“here I remain
omnipresent,
spinning about
frozen forever
in a magnificent
bronze age,
erected to my likeness
beholding me
to stand witness
to this litter strewn park
decorated with corrugated
Big Mac boxes, plastic
Big Gulp tops and discarded
rubbers bagging the ****
of this cities arrested
citizenry”

never actualized
never naturalized
citizenship denied
at the commencement
of ejaculatory flows
of joy

unfulfilled spirit
of citizenship
never to experience
the splendor
of yesterday’s
modernist
metropolis and
Lou’s stand up
routines

“look at that John
over there, that guy
wheezing like a
ruptured blacksmith’s
billow, pounding away
laboring to get off

“the poor little
******* just hopes it
will end soon

it does
**** he’s done

I” knew that guys
grandfather,
getting off
runs in the family
and remains one
of the few things
that draws the progeny back
to the old neighborhood

“you can still glimpse
snippets of the old ways
rising in new ways

“an Armenian
sports club
around the corner
is a new
incarnation of
the old Neapolitan
social clubs that
once demarcated the
neighborhoods

“these days
great grandsons
of once proud
Sons of Italy
come back to the
old neighborhoods
begging for hand-jobs
from crack ******

“welcome to my
burlesque world

“since the Gumbas
moved to Franklin Lakes
the wannabe wise guys
became ***** whipped
dumb *****
making ***** of
themselves with
their painted ****-job
Jersey Housewives

“they ***** their families
out for a bit parts on
MTV and a free lunch
at the Brownstone

“their grandfathers
labored long hours
to assure the well being
of their families in the expectant
hope of a better shot at life
but the children squandered
the hard earned bequest lovingly
bequeathed by reverent forebears

“in the wee hours
one can sometimes hear
a weeping chorus
of concrete Madonnas
musing melodious lullabies
to the sleeping
Lombard's lying
in uneasy repose at
Holy Sepulchre Cemetery

“they twist in their graves
dreaming of a last dance with the
Lady of Unending Sorrows
at weddings for unrepentant
wayward daughters and prodigal sons

“its small
recompense for a
lifetime of an
honest day’s work”

the dashed hope
of squandered labor
begets a city of ruin”

at the
parks northern corner
the Salvation Army’s
rumbling bivouac rests
in a dreamless sleep
its residents
patiently waiting to
inherit this city
abandoned by
nuevo wise guys

this tragedy
is all comedy
the comedic hope
of tragic labor
buried snoring
the millenniums away
awaiting resurrection
day

Lou was getting ******...
“get outta my park

“the artists
in the rehabbed
factories across
the street
are resting

“nothing much
going on there

“if you're hoping
to find some
homeless slogs
head over to the river
you should find some there”....

Music Selection:
Frank Sinatra, High Hopes

jbm
Oakland
3/26/13
Part 5 of extended poem Silk City PIT.  PIT is an acronym for Point In Time.  PIT is an annual census American cities conduct to count the homeless population.  Hope and Labor is the city motto of Paterson NJ, nick named The Silk City.
Theresa M Rose Oct 2015
The Midnight Dawn: The ship begins to dock.
A woman stands, looking down, silently. Black waters swirl salty white foam; Icy waters move through flapping rudders; The sounds of shifting motors pound; This is a beckoning scene for one in feelings of immersing self-isolation; And, Lora stands at this very edge. Lora stands completely unaware of the true beauty that surrounds her at this very moment.
         The ship’s docking, at Dearing's port, in the Kotzebue Sound... Alaska's pre-dawn dark blue skies with it’s tawny orangey gray clouds; A  panoramic view of white snowy peak mountains surrounds the port. And yet, the only thing Lora has on her mind … is a small Inuit village that will soon make her isolation complete.

    Out onto the deck Jeff calls, "Lora!"

Lora turns towards her husband's voice; But then, turns her eyes back to the whirling water over the stern.
  
    "Sweetheart?" Jeff places his hand on Lora’s arm, "I called the shore; The transport will be waiting… as soon as we're finished docking."
Jeff's voice becomes serene.
“ Wow. Lora, I can’t believe it. It’s been eight years since I been home last."
Jeff places his hand on Lora's.
“ It’ll be good for us to be with family. We'll leave the ship before the sunrise and we’ll arrive in the village just in time to see the final day of Tribal Awareness Week. Lora, I wish we were here a couple of weeks ago. I think my mother would have been happier meeting you when she wasn't so busy...."
  
Lora turns…, "You know, Jeff; I do wish you would just shut the hell up!”
Lora pulls her hand away.
“ Please, just keep still until we get up there.”
Her teeth clench.
“ It's another four and a half-hours, to get to  where we need to go. And, quite frankly, I think it's going to be hard enough for me to what needs to be done; And, I’d much rather get through this without having to listen to your mouth all the way up there."

"Alright.", Jeff says in a somber voice.  He turns to walk back inside but then he sees a new flicker of hope.
"Lora, I see the biplane. It's pulling in..; See it? See it, down there, at slip four, on the pier?!” Jeff smile’s pointing to the small transporter; As he does he grabs Lora kissing her cheek. “ I'm go get the porter to help me with our bags and we'll meet you down at the clearing, All right?”
"Fine.” Lora,…with a strain in her throat.
"Fine, let's just get this over with..."

    Lora stands at the clearing;… She watches the ships crew set-up for a day of helping  passengers board and depart the ship.  Jeff arranged for the two of them to leave the ship two hours earlier than everyone else so they could meet up with their connection.
As Jeff and the porter comes down the ramp a man comes down the dock waiving.
“ Jeff!”

    Jeff calls out. "Lora, here comes Gabe!"
“ Gabe! Gabe!”
"Gabe?"
"Honey!? This is my cousin, Gabriel." Jeff says to Lora as they started down the pier to the biplane. “ He runs our local transport."
    Gabe turns towards Lora.
" Yeah, I run everyone from our village up and down the river; Sometimes, I think this little craft here thinks she's just another boat! She so seldom has a chance to be airborne.”
The luggage is placed on board, Jeff and Lora settle into their seats and Gabe starts moving up the sound; Then, after about fifteen moments the little plane begins to lift, up and out, off the water.
  
    Lora becomes startled, "I thought the plane wasn't going to leave… I thought we were not going to be airborne?! I thought we were riding up the river?"
  
"Yes, Lora." Gabe states with a giggle,
"Yes, the Koyukuk River! I'm sorry, I thought Jeff would have told you?! We'll be airborne for just over an hour then we’ll reach the Koyukuk River and then, from that point, we’ll be riding the river for another three hours till we reach the village."

"Oh."
Lora sits back… and begins to stare out at the enormity of the Alaskan skyline. For her, it seems to have no end; And yet, for Lora there seems to be, nothing, nothing at all but endings on her horizon.

    The procession begins...
The parade comes down the main road in the small Inuit village. The local people are all playing drums, jingles and bones and they’re all wearing traditional ceremonial attire.

    Lora starts looking around to find her husband but Jeff is gone. Lora thinks, angrily.
‘ This is so senseless!? Why did Jeff ******* up here? I can't believe this; Here I am at The Koyukon Festival to tell his mother we're divorcing!? His mother never wanted me in his life. He was just suppose to finish his studies and come back home. I'm sure she'll be relieved to see me gone from his life.’

    Jeff comes up behind her, smiling.
"Honey, Honey isn't this wonderful?! I remember my parents and I participating all together in these events when I was small.”
Jeff points down the road. “ Hey Hon, look!" He places his arm on Lora's waistline.

    Lora turns to him with a grimace," Remove that…!"
    Jeff moved his hand and Lora turns to see where Jeff is pointing.
Lora sees, her mother-in-law, PaKaSuk; PaKa begins down the road dressed in her traditional Inuit tribal clothing.
    She has on a headdress made from the skin and skull of a coyote, and there’s a pair of small antlers imbedded on it. And, she has on tall boots made of polar-bear fur that are adorned at the rims with dangling teeth from the hunts of the past.
PaKa sings long mournful notes as she plays a soft singular beat over and over again on a drum-snare of  sealskin and whalebone.
    Jeff waves to his mother; As she sees her son, she begins to call out,


” Come fellow me one and all…;

Come fellow me to the place of the great hall;

Come to hear a tale that must be told;

Come hear the words from the time of old.”

As PaKa reaches the doorway she gestures to Jeff and Lora.
"Please come, sit here near the fireplace."
    As everyone-else  finds seat’s; PaKa kneels down, she looks deep into Lora‘s eyes; She smiles and then hands Lora a small long rectangular box.
Speaking softly, "Lora, please, hold this… But, do not open it right now; Wait until I’m done with my story. I'll return and we will talk."
  
    Lora stares at PaKa thinking…
‘She is an odd woman. To give me a gift? Looking down at the small rectangular box. She makes a huff, ‘ It's probably a brand new pen to sign the divorce papers with. She's probably…; But wait!’
Lora remembers, ‘ Jeff hasn't told her anything about the divorce yet. ‘
Lora places the box on her lap.

    The show begins...
    PaKa hushes the assembly; Cues the drums to play.
    The drums start. It is a slow, low singular beat  beating over and over…; Over and over. beating  slow low beats; Over and over... Again.

    Jeff bends down; He whispers, "Lora, the crowd is so much larger then I ever remembered it being before."
    Just then, a woman comes and sits right next to Lora and the woman has a baby sleeping in her arms.
Lora closes her eye and thinks,…
‘ Oh God… Why couldn’t this woman find somewhere else to sit; Anyplace other than here?’

    "Welcome! I am PaKaSuk...I am the Coyote-woman for my people…, now! But my story is of a Coyote-woman of long ago. Her name,… GaTraRa; The Coyote-woman Who Lost Her Tears.
Come one and all close your eyes. We shall breath deep the air and hear the drums beat…; And, we shall go… into the past.

            GaTraRa became a coyote woman when she was young. Much younger than the old custom....The old Coyote-woman would chose a young girl to replace her and she would teach the girl all of the knowledge  needed to help her people; She would learn all the wisdom of the herbs that cure and when ready she would take place. GaTraRa was chosen… And with great pride and joy of all the tribe.
She had learned much in a small time working at the side of the old Coyote-woman. But, a great sickness came to the people; Nearly half the tribe were lost...
The old coyote woman was lost…  GaTraRa was now The Coyote woman; …without knowing all the wisdom  the old coyote woman needed to give…

    Lora, sits there listening to her mother-in-law; She starts feeling cold beads of sweat against her skin. She starts feeling a slow low ache in the pit of her stomach.
    Jeff looks at Lora, "Are you alright?"
    "Leave me alone!” She swats at him. "Just go away! I'm fine. Leave me to hear this..."

    PaKaSuk continues "By our old traditions the Coyote-woman is not to join with any man; It was said… She’s to care for all the people of the tribe; But…, for GaTraRa;  GaTraRa was highly favored in the eyes of the council, And, especially by the chief elder's son, NeKraRa.
NeKraRa, who wanted the tribes very young new Coyote-woman to be his spoke a plea to the elders; GaTraRa wanted to be his as well. But she knew a Coyote-women was not allowed to join.  GaTraRa was surprised and overjoyed when the elders told her that she and NeKraRa being allowed to be joined...She felt the spirits were pleased.  And, soon after their joining they were blessed...They had conceived a child.
  
    The drums begin sounding faint and far away to Lora. The scent from  the smoke seems to be making her feel hazy.

Lora feels a low dark ache in the pit of her belly; It begins to grow; Her head lowers and her breath begins to labor. The pain is so deep Lora's eyes feel full of heat and she holds-back a feeling to cry out...
  
    PaKaSuk continues…, "It was the time of the hunt!”
  
    Eyes tighten. The pain becomes overwhelming to Lora; From a deep place within … A howling cry cries out!
"AAAAIIIIEEEEE"


    GaTraRa pushes; A baby’s cry fills the room. Her beaming sweaty body falls back onto the bedding.
    "It is a boy! You have a son!” mother-in-law smiles while wiping off the tiny crying new born.
"My child, he is a, strong, healthy boy! And, look, look see how his face shines like dawning light. NeKraRa will be pleased when he returns."

    As her husband's mother places the new born into her waiting arms, GaTraRa thinks ‘ No woman could ever be this happy.’
She looks up and says, "This day is the day of my greatest joy,"
  
Several weeks come and go. It will soon be  time for the men to return

Several weeks come and go without the young men.
The sound of drums call out from the distance; The time  for the return has come at last.
Many come to the Great Hall to greet the men when they arrive. The young Coyote-woman lefts her baby and runs happily to show her husband, NeKraRa, his fine new son.
Looking out, beyond the path, the men could be seen; They look weary of their hunt; Not all who left seems to be coming… The elder  hunters  may be a day or two behind bringing the treasures of their travels ;All the trades made with the outsiders.  The younger men come with the new pelts to cure and with the fresh meat and fish for the smoke.  As the men come closer the young women gain sight of their man; They run to walk with them to the Great Hall. But, but GaTraRa could not find her man. Her husband, NeKraRa, was nowhere among the men.
“ NeKraRa; NeKraRa !“ The young Coyote-woman begins thinking…’ He may be with the elder hunters; But why?’ She calls out several more times “ NeKraRa!”
Grabing at the men as they pass she asks,
"Where is my husband?"
    None of the men would speak to her or even look up at GaTraRa They’d just keep pass by her and enter the tribal council. Leaving her standing there holding her small baby.

    NeKraRa's father comes out of the council hall; He walks to GaTraRa and places his hand upon her arm.
"My child, our NeKraRa met his death over the ice on the very first night of the hunt."
  
    She looks down into the face of her small child.
"That was the night his son was born..."
Softly, sadly she speaks to her sleeping child cradling him in her arms,
"You will hold your father's name, my sweet boy...and his spirit.“
She walks home.

    Her mother-in-law meets her at the door, crying.
In a deep mournful tone, "My child!"
    GaTraRa just stands there with a void look on her face. Then, she looks at her baby. She lifts him up and hands him to her mother-in-law,
"Here mother," in an increasingly laboring tone,
"Here, here is our NeKraRa."

    The next day, mother-in-law waits for the baby to wake. She waits, long…, but there is no cry. She goes to lift him up and to wake him but as she pulls the blanket back she sees the baby's body is still, motionless. The baby is cold, blue and silent,
She lifts him and lets out a long wailing cry, "No...!"
  
GaTraRa runs…, only to see her baby in her mother-in-law's arms; A face full of tears and crying out over and over again, "He's gone...He is gone!"
GaTraRa falls to the floor; She begins to rock, repeating
"No…! No…! No…!"
But yet, now, not a single tear falls from her eyes.
  
Weeks pass since the death of her baby. Her duties as coyote woman become harder for her. Whenever others seek out her help she becomes angry. She says, "The spirits curse me; I went against them with family and now I have nothing; They will allow me no peace!"
All she does is watch the doorways; it is as she is waiting for someone or something...

    The council watches GaTraRa closely. Mother-in-law brings her worries to the elders.
“GaTraRa‘s sadness grows. “
Mother-in-law tells them, “She must be watched. Our Coyote-woman has felt the brush of the Raven’s feathers; Her tears are stuck within… No tears fall.”
Mother-in-law pleas to them, “ Her sorrow grows, silently! I fear, if we do nothing, she will be taken from us as well.”

    The women of the council gather together; They decide to have the grieving ritual for GaTraRa. But, none them has ever done this ritual. This was something the Coyote-woman would do.

    Days pass, the men are preparing to leave for the last hunt of the season. And, the women begin to prepare the council hall. They gather up all the things they could remember from having watched the ritual done times before.
    The chief elder sees the woman; And he asks, “What are you women doing?”
Mother-in-law tells him of what she and the other women have plan.
Shaking his head, “For as far as back as my memory takes me I have never seen a Grieving-Ritual done during this season before; And, without the young men being around. Do you really know what you are doing?”
All the women said, “ We must!”

    The men are gone…

    The women take GaTraRa to the council hall. They place her near the fire. GaTraRa watches as women gather herbs and place them in bowls.
She speaks out, “You don’t know what you are doing!?” Then, her voice saddens.
” …or maybe you do.”

    The women do not listen; Without a word, they begin to place the bowls in all the places they have remembered seeing them before…Recalling, all the men would play drums all night, during the vigil, they each pick up a drum. They gather around the fire. They stand and surround  the fire with their drums; The woman slowly begin to play.
GaTraRa, motionless, looks to the women thinks to herself, ‘Why are they doing this…I did this…to myself. They should not care
As always, I enjoy any and all  feedback you could give me.
SelinaSharday Feb 2018
IS THERE A y.o.u!

Confidently waiting
Confidently hiding. comfortably chilling..
waiting On Nothing but Y.U.O to come along..
I'm relaxing in a tub filled with caressing roses.
Pampering..
Me soothingly preparing me!..
Enjoying me and this time getting to enjoy this new me and
who I've come to be.
Working with dedication, personally I'm sure your relating.
As your working On you too. And laboring hard day after day.
I'm not wasting this time till we are found.
Love waiting to unfold.
Its wanting to be released and be yours to keep and hold..
I'm here and sometimes I do feel that lonely.
Knowing your not holding..Me!
Yet I am enjoying this new Me!
I'm confidently enjoying.
I have my family and my friends and them I'm enjoying.
But can't wait to laugh and smile and be loved by Y.O.U.
Wondering thinking of what would it be like to touch on Y.O.U.
You..You.. You.. Feel the touch of you..
In my heart sometimes I have conversation with Y.O.U.
Thinking what If I never be found by you.
Then I'll be content to live imaginatively with you.
My perfected Y.O.U. Soul mate in you..Perfect for me kinda you.
Blessed to be tapping my fingers musically because of you.
Desiring.. confidently praying.. silently hoping there is this Y.O.U!
By SelinaSharday S.A.M. TM 2018
waiting on H.I.M THE most compatible love..
Tashea Young Dec 2016
Dear Black Men,
They have been throwing you away like a trash can.
Never to Understand
That you have value, and for your life God has designed a plan.
So Here I am with you, Side by side I place my hands, in your rough, calloused, laboring hands.
Merging together in solidarity just as a musical band.
As you are Always being placed under Servere Scrutiny
At this moment I stand with you declaring that we start speaking the healing language of unity.
Or This will be The End of Our Community.
Before our Village becomes Extinct
within a moments notice like the eyes that blink.
Removing The hate from our heart and brain that have formed into a kink
like the negative thoughts that we think
Overwhelming the mind drowning only to sink.
They are an Important asset to the family  just as the body needs Zinc.
They're An Esstenial Mineral.
Yet you label them as a Criminal, Cynical, Miserable, Pitiful,
A Creature deemed Unforgivable,
But if you look beyond the attributes of the physical
Take a glace At the mental and spiritual temple.
Resting inside is Gods Love that's Unconditional.
Then is when you will see what I see  Indispensable Individuals; Descendents From Israel.
Does the pigment of thier skin disqualifies him as being equal?
Is this Prince of Egypt's Sequel?
Or maybe its the fact that These Men are  Gods Royal people.

And Still you label them a Negros.
But when thier Tribe looks at them we See A heros.
Trying to lead thier people to the mental state of freedom just Moses did In Exodus from Pharoh.
If only it were that simple
To see inside The temple's window
You would see souls so beautiful.
conscious men awoken to what thier mind and innermen has come to know
Or hearts so rare its special.
And Like A super Moon painted on the black sky thier spirits will glow.

They are kings whom are kind and gracious.
Like a lion's Roar thier Words Are Boldy spoken into the atmosphere and Audacious
Their presences is contagious
Their spirit his courageous.

They are men whos wife and children watch intentively and admire.
They are the household provider.
In their minds he sparks a fire
A flame That Inspires.

He's The The soul that lives within.
Their Maghony skin has been dipped into Hersheys Rich Chocolate Melanin
Thier Deep Voice sounds like A roar from Lions Den , Vigorous and Masculine.
They are powerful like strength and of A thousand men.
Thier smile is as bright as the Radient sun warm and Golden.
From what Cloth was these men woven
that such a men of thier statue has not only been called but also chosen.
Theres something they are Beholding
They are just as a campfire in the blackness of the night glowin.

They are men of color
They are the cover for thier lover
They are My brothers from other mothers.

To The Blackwoman they are our
Batmen, Supermen, Ironmen, Tarzan, Patrolmen, repairmen, handymen, guardsmen, Businessmen and Gentlemen.
And We are your support system, your biggest fans.

You all are The craftmanship of The Most High's hand.
Constructed from the dust of the ground on which we stand.
Mixed with breathe of Life created a human being who bare feet ran,
feeling the warmth from the grains of sand, As he Walked among the surface of the land.
Adam, the Earths first black man.

I Wrote this to let you know we value you My Dear Black Man.
XIII May 2015
You endure the pain of laboring words from your insides
Like giving birth to a new life
Bare your whole soul and let them bleed into a piece of paper
And this process repeats over and over and over

But then your precious child was stolen
You're slowly eaten by anger, your teeth gritted
You're reminded of the emotions you put into creating that child, including the pain
You want to vent the anger, your hands shaking

But you cannot do anything but to punch in the wind
Though your patience is weighing thin
You felt molested, violated
You're just hoping they wouldn't forget about the rule that is golden
“Don't do unto others what you don't want others to do unto you.”

― Confucius

So this is how it feels to be plagiarized. I know my poem was just appreciated, that was why it was copy-pasted and posted, but you can re-post a poem or like it if you really appreciate it. Not in that "copy-paste" way. I hope no one will ever do that again to a co-poet. And I hope we, here in Hello Poetry, as well as the administrators of the site, can do something about plagiarism.
Living on borrowed time
Decision at drop of a hat
Down an empty vandalized street, I walk
through the horror of silence
and silence of serenity
perdurable pathway of life

The ghastly sights
and the rustling gates
scattered people with unknown tastes
emptiness in their eyes, anger in their words
void is profound
down the perdurable pathway of life

Bifurcated roads upfront
my perception, one to hell and one to heaven
the other end of roads, a mystery
I stood there comprehending, while
my mind harks back to before I came
down the perdurable pathway of life

Endurance of a toiler
Stoicism, a rare trait, out of gratitude to employer
pain and suffering he undergoes for common good
loyalty to his master, inspire of hardships
sincerity and humbleness of the bloke
will inspire me, down the perdurable pathway of life

Deprived of education
desolated on streets laboring
disparate from parental love, subject to father's fury
fractious relations but still ignores himself, for family and domicile
The kid's love and determination, will inspire me
down the perdurable pathway of life

Spurn love took her down
Her heart wrenched and pushed her beyond limits
killed herself, leaving her parents to sore reality
not a wise choice, but courageous
I ponder upon courage, rather than cowardly suicide
Death is not an option down the perdurable pathway of life

Happy faces around taunt me to do simplest
Reality speaks otherwise
Reckoning on past, the pathway is wrought
conscious and hard choices right ahead
The bifurcated roads to heaven and hell?
I've seen it all, down the perdurable pathway of life
Jack Piatt Feb 2012
Your contribution to romantic exchange
Is sipping cold coffee
Neither satisfying nor stimulating
Your unwillingness to invest
May be reluctance at best
Yet I fail to find the charm in that
Poetry doesn’t exist there
Passion blew through this town
Along with the hope of settling here
Building a castle to protect us both
With the labor of love
But no labor came from you
Your womb is empty
And I am left to wonder about your heart
And where to start
Walking from here
Guess you were just passing through
But I found home in you
I would’ve lived in a box outside your door
If you could’ve just given a little more
I resigned from life as I knew it for awhile
Because of a smile
A look …
Mistook
Misunderstanding?
I miss …
Understanding
But there is no reason here
I’ve had my last beer with fear
Shared my last embrace
With that look on your face
The one that kept me captive
For so long
Lost in the lines of a Tod Weidner song
Slowly sedating myself awake
Curious what it is you didn’t take
Pointless to consider when there’s nothing at stake
No more plans to make
Nothing left of a heart to break
Just a tattoo of you
Etched into my soul
A piercing reminder
I will never be whole
Again
4-19-09
Lawrence Hall Sep 2018
A calendar knows little of a day,
Of any day; its arbitrary squares
Mark seasons as they amble on their way
From holy Advent ‘til the harvest fairs

When summer’s crops, all red and gold and blue
Along with piglets, ducks, some well-fed hens
Are carted squeaking, squealing, creaking to
Saint Michael’s fields in the Anglian fens

Old Father William lifts a pint (no less!)
With farmers selling cows and chicks and corn
For he is merry too, and quick to bless
The laboring marsh-folk on this autumn morn

Earth, sky, and air mark seasons as they fall,
And soon comes Martinmas, joyfully, for all
Chesterton, in ancient Huntingdonshire (only those who know not God claim that Hunts is but a division of Cambridgeshire), is the home of my de Beauville / Beauville / Beville / Bevil ancestors.  

St. Michael’s Church was built ca. 1295 and contains several memorials to the Bevilles and the tomb of William Beville, +1487.  I do not know if there was ever any bit of land designated as “Saint Michael’s Fields”; I wrote that in for the sake of an autumn fair.
Nat Lipstadt Jun 2019
poems are cheap they say, the supply exceeds the demand,
all are product of criminal mischief, and Lord, I know,
I’m one of the most thieving, most mischiefing ones

when no one was about, I scribbled many notes,
transplanted from my eyes, for a bottled voyage
to fallow beaches for sandy seeding

no matter IF these poems are from your womb ripped,
****** red concoctions of life’s cute cutting edge inscriptions,
no one cares re your titanic love’s labors, your children’s betrayal

no one cares from whence and wherefore they birthed,
all words, low class and progeny, not prodigy, of demeaning circumstances, best tossed back without much foolish hesitation

writ with pen tip of broken green glass from a parking lot,
the point I broke once more before my commencement,
inked from a wicked witch’s melted green spittle pooling alongside

poets of no way, falsely prophesying falsehoods most singularly bad,
waste not-want not, time better spent than reading rhymes of stolen disrepute and cloudy ownership and ignoble authorship

unless you among a blessed few, who see a full blown poem in glassine clarity, birthed fully formed Elton songs in a mouth full of amniotic fund, you, put down thy laboring eleven instruments

if words you claim of new parentage, you as the mother dear,
know there is nothing new under the sun, even these very words,
scripted by Israelite king whose tomb gone, he, too, poet forgotten

join me in a needle park of junkies who tried and failed, nickel bag
smoking budget dope words, in cigarettes of mostly discarded seeds and twigs, hallucinatory inhaling the same vision again & again

you refuse, naturally, glamming in notional newness, your arrogance, a plentiful commodity of wood-be writers by thousands buried in wooden caskets, under wooden inscription-less crosses

and of the trillion readers possible, to coloring picture books and instant grams, all have gone to the labor-free glancing look-see
of a seconds-short, lengthy meme, 10 second videos, 140 limitations

of the greatest, of Shakespeare and Coleridge, reader’s fast-dying, sunburned neurons reply; “free ***** of his Love’s Labour’s Lost, and the Ancient Mariner, overdue, free him too!”

ancients mock you aware that there be no verbal combination yet to foretell, what Lear said, that’s the the idea, “When we are born, we cry, that we are come to this great stage of fools.”^

fools we are, for there be no fore, the tale already told, once before & more, vaingloriously does this poet’s false vanity speak, so, so boisterously,
  
“why my tale, why my tail, is as new as the oldest fossil”
^ King Lear, Shakespeare
My thanks to the store clerk working the midnight shift
God bless the dishwashers at local restaurants laboring for minuscule pay
To the forklift operators moving freight for hours on end ,
to cleaning crews preparing offices for another day
For the plumber protecting health in the wee hours of
the morn
For sanitation workers hard at work well before dawn
Copyright April 24 , 2016 by Randolph L Wilson * All Rights Reserved
i.
the Hibiscus is the paradisiacal
armistice of quagmire and wind:
leave it there anchored to Earth.

ii
when it rains, it bows to no one;
when it genuflects to no bird,
  it trills on the red of the moseying hour—
nobody sees the Hibiscus.
  only the children of the vandal.

iii.
last summer we had makeshift
bubble machines and in the high-rise
  of the twilight's cradle, we ran
viciously against the humdrum town
  blowing bushels of laughter at
the dreary populace — the brooms
  to a sweeping rustle, unsettled dust
mounting the ether.
         we hurtled across the
infantile roads like they owed us something finitely attributed
     to our locomotives.

iv.
  the Semana Santa had gone by
and the season, no matter how promisingly redolent with emollient brush
   of wind and laboring silence, held
no reprise — the Hibiscus,
   it is not alone in the quiet verdigris.

v.
  somewhere amid the hubbub of city,
there is a pendulum of line biting
   the shore of waiting repeatedly.
only steel scaffolds erected and no
   flagrant scent aroused. peregrinating
in the haloed hour, the nascent furl of
    belch from vociferous iron-clad beasts
in all of EDSA

   and when i look at people around me
they look like gumamelas, finally,
    yet i am

        not coming home.
Bogdan Dragos May 2019
What do you want to
become when you
grow up?
was their most asked
question

And silence was my
most given answer

Might as well ask
How do you wanna die?

I didn't.
I didn't wanna grow up

but God, nature, the universe
put me through it anyway

And I told God, nature, the universe
that I would give up all the
possibilities for my future, all
the things that I could become
if only God, nature, the universe
would answer me this one question:

WHY DO I HAVE TO GROW UP
IN THE FIRST PLACE?

And a deal has been made
and God, nature, the universe said:
WHY, IT'S QUITE SIMPLE. YOU HAVE
TO GROW UP BECAUSE YOUR
GUARDIANS ARE GROWING OLD.
AND YOU WOULDN'T WANNA BE YOUNG
IN A WORLD WHERE NO ONE TAKES
CARE OF YOU, WOULD YOU?

God, nature, the universe was right
And I said it was right
and the children in the streets
and the sewers and the laboring camps
and the foster homes agreed with me

We have to grow up

And because of the deal I struck with
God, nature, the universe
I am now unable to become any of
the things I could've become

I can only imagine
those things
and write about
them

and that's
what I
do.
Hank Desroches May 2012
You’re laboring under the false assumption that I’m willing to work at anything right now.
You’re laboring under the false assumption that any part of me is working how it should right now.

Here’s something: When you connect one wire to both sides of a battery, the plastic coating of the wire starts to sizzle and melt and smoke.

When I think, that thought leaves my brain for a while, pulling a new train of different thoughts behind it.
I have a small room, and soon, the train has laid tracks all around the carpet, along the hideous green walls.
Tracks everywhere.

I’m left with a choice I can’t make.
If the train derails, then I can’t think, and that terrible void comes back.
If I let the train lay tracks back inside my head, I turn into the battery.

Is that what going crazy is like?
Is this it?

Didn’t I already say I don’t want to go there?
laura Apr 2018
Love me some more
pour your heart and i’ll pour in mine
you live near an airport
and i hear the low laboring growl
of some jets casting shadows over our heads

in bed with you in the afternoon
smearing the pink sunset
our low hanging blood keeping us
sleepy seedy and awaiting the frosty night
to come again
love me some more

let the gusts do their dance through
the windows
and let the towers of today fall
what did i do to get a daily poem thing.
All I can remember...
Was trying not to cry
My face was hot, and my eyes felt like grapes
about to burst from my head.
Hands gripped my throat, and still,
my body, unconvinced,
was shaking for air.

I don't remember scratching as much as I remember
Trying to move my legs.
All I know is that suddenly the wall was slamming into my back,
and my eyes could only focus on
the thin red lines on his bare arms.
I was pinned to the wall by my throat,
like a butterfly...
trying to fly away...
trying to get away...
Look, how pretty.
I thought if only God would show up,
I would never catch a butterfly again,
Promise.

I remember thinking,
"Please. Please. Please. Please."
More like a mantra than a prayer.
As if I was willing him to be finished with me,
my shell;
willing him to be pleased enough to just let me sleep.
Or die.
Or live.
But I couldn't really think of anything
without the oxygen pumping my ideas through me.

I didn't even realize when I stopped struggling,
I was just suddenly still and he said,
"Can't have you passing out."
And he let go.
And God let go.
And I let go.
And I started to cry
as he threw me over his shoulder.

I could see so many beautiful spots in my eyes.
There was Red. There was Blue.
Some of them were dancing.
Fading in and out.
It was like they were twinkling.
My own beautiful endless night sky.
Van Gogh, where are you?

Then I suddenly became aware of myself;
My shorts gone, my skin bare to the coldness.
I was lying with my hands pinned between my back and the floor.
I started taking stock of myself
And tasted blood on my lips.
I suddenly thought of pennies;
lots of pennies floating in front of my eyes.
No wonder they were twinkling.

I heard more than felt
him laboring above me.
He was silent and wouldn't look at my face.
And I was aware of my eyes burning
as salt water seeped out on
a quest for the ocean.
I was going with them.
My tears.
I would be a sea captain.
Far from this.
Call me Ishmael.

But it was the most quiet I've ever cried
as if I didn't want the weeping to disturb him.

"God, please. please. please."

And I was taken back to another form
hovering above my young body,
whispering things into my ear about playing house,
and staying quiet;
"Shhh. Mommies have to be quiet."
I wanted to go back to playing with my dollhouse.
Please, let me go play with my dollhouse.

I am breathing on my own again.
I am back in the room, staring up in horror,
at a boy I thought I knew.
I was trained for this,
I was taught to be silent
from childhood.
I was shown how to react to this
so long ago;
in silence.

But I was not born for this.
I couldn't have been born for this.
I was born to give life, I was born to create,
I was born to bring hope.
I am a divine creation,
Aren't I?
I feel like I'm floating.

He is finished with me.
He lets me go.
But for some reason I don't know how to sit up anymore.
He walks out to have a cigarette.
My throat is sore,
My eyes are burning,
and I feel bruised under my skin,
all the way to the middle.
To a soft part in the center
that I suddenly see
as a tender nimbus,
floating over my chest.
Forcing me to rise
and walk again.
Up, up, and away.
© Ashley Quarterman 2010


For information on how you can help prevent and fight ****** abuse, visit: http://www.rainn.org/
Adrian Sep 2018
Stitched into this sac of skin at birth.
That fused to your bones
Fabricating a narcotic seamless facade

We pluck at the seams, with crude claws.
Laboring to unravel the lace seams
In vain

Whirling, flickering, suffocating nausea aimed at
Misuse of our pronouns of
Our echoing repulsive abnormal figure.

Funding a doctor to shed our skin.
Mutilating skin and bone to perfection.
For self-acceptance.
Harsh Sep 2015
I once read a post that said
something along the lines of
“I do not trust people
who tell me ‘I love you’
and yet do not love themselves.”

And that hurt my heart, it really did.

Who are you to invalidate my love?

Do you not know
of the sleepless nights I have spent,
laboring over my sins of the day?
Knowing that sometimes
I may never repent?
With past regrets
and paranoid overthinking,
how do I rest?

Do you not know
of how I avoid looking in mirrors
throughout the day,
or how I hate looking
at myself in the shower?
Don't you know how
conflicted I feel when lying
naked and vulnerable with my lover?

Do you not know
what it feels like to apologize
for who you are?
Or to have all of
your efforts and ethics
invalidated and dismissed?

If you do not trust me then so be it,
but do not reject the idea that I can love.
I know what it means to have
neither hope nor acceptance,
I know what it means
to regret my existence.

I know what it feels like
at 4am with all the lights out
with the absolute conviction
that I am entirely worthless.

I know **** well
what it feels like to be unloved.
Does that not make my love
*mean that much more?
judy smith Apr 2015
After months of preparation — sketching and making patterns, finding and fitting models, cutting and sewing fabrics, arranging makeup and accessories — Cornell University senior Ellen Pyne this weekend will send her fairy-tale themed “Crimson” line down the Cornell Fashion Collective (CFC) runway in a matter of minutes.

Anticipating their moment to shine, Pyne and 35 other student designers have been laboring since last fall to perfect their creations for the 31st CFC runway show, Saturday, April 11, 8 p.m., in Barton Hall. For first-year designers, the event allows them to present a single look on the big stage, whereas seniors like Pyne plan a full collection, hoping it will launch their fashion careers.

“I eat, sleep, go to class and sew,” said Pyne, whose showstopper is a seamless Snow White-inspired dress made entirely out of hand-felted wool. “The collection is a statement of my artistic aesthetic and the culmination of everything I’ve learned over the past four years.”

Working just as diligently are show planners, led by senior CFC president Megan Rodrigues, who are remaking the cavernous Barton Hall field house to host a night of glamour. Since shortly after the curtain closed on last spring’s show, Rodrigues and the CFC executive board have been organizing ticket sales and a heap of other details, including a new runway design will give the expected 2,500 guests a better view of the Cornell student models on the catwalk.

“Through this process, I’ve learned a great deal about leadership, learning to delegate and being able to inspire others to a common goal,” said Rodrigues, who hopes to work in event planning after graduation. “Mostly, I’m excited to see the growth of each designer leading up to the show.”

Designers come largely from the fashion design major in the College of Human Ecology, but students from the College of Engineering and the College of Arts and Sciences will also contribute pieces. A multidisciplinary team will present “Irradiance,” a wearable technology collection that uses sensors and luminescent panels to detect and respond to audio—glowing and dimming in sync with surrounding music. Lead designer and junior Eric Beaudette said that team, which includes Lina Sanchez Botero and Neal Reynolds, doctoral students in fiber science and physics, respectively, hopes to inspire a vision for smart clothing of the future.

In the sesquicentennial spirit, the show will also include a nod to the past. Recalling campus styles dating back to 1865, Denise Green, assistant professor of fiber science and apparel design, will air a short video about an exhibit, “150 Years of Cornell Student Fashion,” currently on display in the Human Ecology Building.

Inspired by art and culture she observed studying abroad in Paris last fall, junior Linnea Fong will present “Infatuated,” luxury evening wear she described as taking on “individual obsession with physical perfection and how that manifests in the fashion industry.” Just days before the show, she’s still modifying parts of her collection, noting that “you just have to figure out how to make your ideas come to life, which is the fun part.”

Concluding the show will be a line by senior Blake Uretsky, recipient of a 2015 Geoffrey Beene National Scholarship from the YMA Fashion Scholarship Fund. Her “Crested Butte” collection of women’s outerwear, a modern twist on vintage 1950s ski clothing, includes “distinctly wearable, yet visually exciting pieces,” she said. Presenting 10 looks, Uretsky’s line incorporates classic silhouettes and wool, corduroy and denim fabrics embellished with laser cuts and other modern techniques.

“Ultimately, I want to design clothes that people love and have a desire to wear,” Uretsky said. “The show will be such a wonderful experience with my family, friends and the Cornell community all supporting my work.”Read more here:marieaustralia.com | www.marieaustralia.com/cocktail-dresses
Don Bouchard Mar 2015
Alight me Paddies! Today the world is Green;
I am in a mood, alas, to gnaw crubeen,
To kiss my Irish lass, and cuddle her awhile,
To hear the Irish Rovers sing their bonny Isle,
To wear a shamrock, laboring o'er a stout:
Murphy or Guinness, to me it matters naught.
Married to an Irish girl whose family hails from County Antrim. The luck of the Irish be with ye, as it has with me! (0=/*
See, as the carver carves a rose,
A wing, a toad, a serpent's eye,
In cruel granite, to disclose
The soft things that in hardness lie,
So this one, taking up his heart,
Which time and change had made a stone,
Carved out of it with dolorous art,
Laboring yearlong and alone,
The thing there hidden-rose, toad, wing?
A frog's hand on a lily pad?
Bees in a cobweb?-no such thing!
A girl's head was the thing he had,
Small, shapely, richly crowned with hair,
Drowsy, with eyes half closed, as they
Looked through you and beyond you, clear
To something farther than Cathay:
Saw you, yet counted you not worth
The seeing, thinking all the while
How, flower-like, beauty comes to birth;
And thinking this, began to smile.
Medusa! For she could not see
The world she turned to stone and ash.
Only herself she saw, a tree
That flowered beneath a lightning-flash.
Thus dreamed her face-a lovely thing
To worship, weep for, or to break . . .
Better to carve a claw, a wing,
Or, if the heart provide, a snake.
That Mexican hunger of memory,
That 7- 10 evening shift,
Campesinos de Chihuahua,
Sinaloans de Durango,
Day laborers:
Organized Labor’s stubborn cohort,
Largely ungovernable,
With Union Label conspicuous in absence.
Labor Unions:
Largely dead in America,
Except for SIEU, of course,
Making astonishing strides in unskilled circles.
SIEU: The Future of the American Labor Movement,
Eugene Debs rolling over in his grave again.
But I digress.
Mexican gardeners:
Doing most of southern California’s
Weekly landscaping these days.
Tree-trimming in evening twilight,
Certainly an extracurricular
Earning activity these days.
“Hustlers Only” need apply.
Adding five or ten or twenty,
Cash on Tio Sammy's barrelhead,
Mexican tree trimmers, already exhausted from
A workday that began at 6 AM.
And isn't it a pity?
A moment’s lack of concentration,
Distracted, perhaps, by *****-spirit former selves,
Sipping that last shot of afternoon tequila.
Cue Jay & the Americans:
“In a little café on the other side of the border.
She was giving me looks that made my mouth water.”
Distracted, a chainsaw arcs carnelian.
ReCue Jay et al: The chainsaw
“That belonged to JOSE!
Yes I knew. Yes I knew. Yes I knew.”
Severing his right shoulder deltoid,
A butchering to say the least,
Requiring, at least, three weeks “en casa.”
Tres semanas
Without Labor,
Consequently,
Without Capital,
No wage-slave salt lick.
“No dinero” for bread and butter.
Bread and butter?
A consummation devoutly wished for.
And dead certainly,
Better than Guns or Butter?
That Hobson’s choice.
No Padron LBJ are you,
Down along the Pedernales
Texas Hill Country, west of Austin.
Conjuring up both Guns and Butter?
You can’t have both.
Which is why we laboring folk
Always opt for the former,
Knowing instinctively that
A full-flush, spurting military-industrial complex
Means full employment and good times,
Except, of course, for the soldier boys.

“Y los sueños.”
Bourgeoisie entrechats.
I hear America still singing, faintly now.
A shrinking middle-class siren song--
Just a little something--
Some small baited hook--
Some chum bucket for Les Miserables;
Swarthy aspirants.
“Y los sueños.”
Our hunger of memory,
That once booming American 20th Century;
Horatio Alger:
Alive & kicking in the new millennium.
Nat Lipstadt Nov 2014
prefer celery to carrots
light scrunch over an orange hard crack,
straw red over berries bluest,
coffee over tea,
skies white clouded
over
all clear, unadulterated uni-tone,
blondes, brunettes, redheads,
even pink or blue haired,
well, ain't going there
(wink wink,
too smart for that...)

but that's just me

colors viral virulent  over manhattan grey~black,
a good Pinot over a glass of Jack,
beach and sea undefined
over lake delimited, outlined bounded,
ocean caught fresh over farm raised,
city slick over country sweet,
striped bass over monk,
tuna bests salmon,
but both miso coated please...

Italian Indian Ethiopian
Sushi and occasionally Chinese,
all grand,
but my kosher deli and dogs, pickles,
yellow mustard ball parked,
tops them all
especially when serving
all-you-can-eat
over tasting portions...

but that's just me

right over left,
naked better than ****,
polite over rude,
Rembrandt tops Vermeer,
but his light nonethess,
extra over ordinarie...

Swiss over white American,
Gruyere beats goat cheese,
citrus tops apples,
sweet melon my
secret passion,
paprika and oregano,
never ever cilantro,
milk over OJ,
especially, grade A
milk of human kindness,
all flavors

love my poems centered,
(except for this one)
with no sugar added,
but a lot of cream and sweat,
both a necessity, not a luxury,
prefer mesmerizing,
crafting hard, laboring,
me writing, you imbibing,
leaving you oohing and loving
me
because of the appreciation built in
over
ditties that are semisweet
sugar nadas that populate the
easy come easy go away
poem of the day

but that's just me

like myself hard
cause when I melt,
to a child's grin shyest,
laughter silly me provoking
it is ever so better so...
tears, any kind, don't mind
laughing and sorrowing pouring,
let genuine be my only test
speed limit barrier unlimited

sorta saved a street crossing
phone-occupied-woman yesterday,
put my arm across her body
fast hard, unasked
so she wasn't
bicycle crashed,
both looks well received,
the *** and the gratitude,
but latter over former,
if I had to choose,
but I dont

but that's just me

Joanie M. over Judy C.,
Amy over Adele,
Eva Cassidy over all...
Zombies over Beatles,
Blunt over Taylor,
Rhyming Simon over Billy Joel,
no typos over flaring,
glaring no caring...

your poetry over mine,
cause it amazes,
cause mine,
just old familiar crazies,
just runaround Sues from yester pester days,
transcribed for a someday later
future grimacing laugh of
good god did I write that!

but that's just me

wrote quite the many
literary escapades
this morning,
like the yore,
good old days,
when every glance,
remark passing
made me run
to tablet them
in perpetuity ASAP

placed them before you
scattered thither and dither,
like all that jazz notes
running hands over planes geometric,
most just average,
but all there in hopes
you would love me better

but that's just me

sneaking inside you with
a wink, a tink-ering whimsy,
a stupid smile, a wicked sinning
humongous grinning
with a belly laughing,
havoc raising, me crazing,

*but that's just me
11-1-14
thinking I like celery better than carrots, and the rest you just read...
They sent you in to say farewell to me,
No, do not shake your head; I see your eyes
That shine with tears.  Sappho, you saw the sun
Just now when you came hither, and again,
When you have left me, all the shimmering
Great meadows will laugh lightly, and the sun
Put round about you warm invisible arms
As might a lover, decking you with light.
I go toward darkness tho’ I lie so still.
If I could see the sun, I should look up
And drink the light until my eyes were blind;
I should kneel down and kiss the blades of grass,
And I should call the birds with such a voice,
With such a longing, tremulous and keen,
That they would fly to me and on the breast
Bear evermore to tree-tops and to fields
The kiss I gave them.  Sappho, tell me this,
Was I not sometimes fair?  My eyes, my mouth,
My hair that loved the wind, were they not worth
The breath of love upon them?  Yet he passed,
And he will pass to-night when all the air
Is blue with twilight; but I shall not see.
I shall have gone forever.  Hold my hands,
Hold fast that Death may never come between;
Swear by the gods you will not let me go;
Make songs for Death as you would sing to Love—
But you will not assuage him.  He alone
Of all the gods will take no gifts from men.
I am afraid, afraid.

                               Sappho, lean down.
Last night the fever gave a dream to me,
It takes my life and gives a little dream.
I thought I saw him stand, the man I love,
Here in my quiet chamber, with his eyes
Fixed on me as I entered, while he drew
Silently toward me—he who night by night
Goes by my door without a thought of me—
Neared me and put his hand behind my head,
And leaning toward me, kissed me on the mouth.
That was a little dream for Death to give,
Too short to take the whole of life for, yet
I woke with lips made quiet by a kiss.
The dream is worth the dying.  Do not smile
So sadly on me with your shining eyes,
You who can set your sorrow to a song
And ease your hurt by singing.  But to me
My songs are less than sea-sand that the wind
Drives stinging over me and bears away.
I have no care what place the grains may fall,
Nor of my songs, if Time shall blow them back,
As land-wind breaks the lines of dying foam
Along the bright wet beaches, scattering
The flakes once more against the laboring sea,
Into oblivion.  What care have I
To please Apollo since Love hearkens not?
Your words will live forever, men will say
“She was the perfect lover”—I shall die,
I loved too much to live.  Go Sappho, go—
I hate your hands that beat so full of life,
Go, lest my hatred hurt you.  I shall die,
But you will live to love and love again.
He might have loved some other spring than this;
I should have kept my life—I let it go.
He would not love me now tho’ Cypris bound
Her girdle round me.  I am Death’s, not Love’s.
Go from me, Sappho, back to find the sun.

I am alone, alone.  O Cyprian . . .
Facades rise in memory.
Paint peels, marble columns lean,
Rain drowns piazzas.
The bridge of sighs moans in sorrow.
Windows stare sightless into the past.
Cats remember the rustling of silk,
jeweled hands tending morsels,
magenta robes, the cloaked,
the caped, flash of daggers in starlight,
the glory on sun drenched Sundays
when church bells summoned the faithful.

Morning sun bounces off golden domes,
water shimmers a crisp mother of pearl.
Gondolieri untie boats from painted poles,
swiftly ferry their fares in narrow vessels,
pass through the shadows of bridges.
Navigate the water webbing the city,
pass slow laboring barges with overflowing loads.
White seagulls crisscross an expanse of blue.
Shouted greetings echo.

In the white palace, laced with marble columns,
painted ceilings in wood paneled rooms tell stories.
Rich and poor bow to the Republic’s justice.
Doges in pointed hats, crimson robes,
cast fate from bejeweled hands.
Ornate basilicas, simple stone chapels, ensnare sinners.
Priests give absolution behind velvet curtains
in musty confessionals reeking of secrets.
Jews marked in red hats hurry to the ghetto.

On the dock fishermen spill their iridescent catch
from hulls of brightly painted boats.
Merchants shout of silk and salamanders in markets.
Women fill woven baskets with foreign colored bounty,
peaches beckon with pink cheeks,
grapes make sweet promises, purple plums tantalize.
Sun inhales musty smells, exhales sweet scents of basil
jasmine, mint, a woman’s sweet odor of lavender lingers.
Dogs lick cobblestones, savor every rancid morsel.
Window sills host lazy eyed cats.

Goats bloated with milk make their way,
pass baying sheep herded to slaughter
by burly men in soiled leather aprons.
Top sail schooners from far away shores,
carved bare breasted mermaids at their bow,
unload treasures. Silk and spices, chained trunks,
casks of sweet wine, gold will fill coffers.

Vines dig roots deep into walls, cling in crevasses,
perfume courtyards with intoxicating smells.
A flock of small yellow birds alight from rose bushes,
drink from a tiered fountain.
Cascades of faceted crystal spills
from the mouths of carved fishes,
stone maidens’ urns. They display their charms,
smile wistfully, wish away pigeons perched on their heads.
Lovers pass, exchange furtive glances, dream of night.

Dark sweaty men push a barge with a coffin
draped in gold threaded brocade, blood red roses.
A priest at the bow, a cross encased with jewels
catches the light in a blinding reflection.
Altar boys swing shiny vessels, incense permeates the air.
High voices intone monotonous chants.
Mourners follow in gondolas, sway in a rhythm of grief.
Black silk shines. Under veils tears streak
white chalked faces, red lips know of secrets.

Celebrants toast a newly wedded couple
with sweet scented deep ruby red wine.
Boar roasts, seasoned with sage, rosemary and thyme.
Round loaves of bread crust in a brick oven.
Pairs spill into the street, dance a joyful pavane,
pounding the cobblestones to the sound of tambourines.
They freeze in a moment in silence,
watch the funeral procession,
make the sign of the cross, return to their feast.

Now canals choke in mud.
fight ruin in oil slick stagnant waters.
Palazzos put on a false-face,
prostitutes heavily painted.
Greedy currents lick at foundations,
slowly swallow remains,
**** them into hostile marshes.

The Campanile rings the hour.


Cristina Umpfenbach-Smyth     July 2010
Ken Pepiton Oct 2018
---october, same year, after the bomb,

How should we train the surplus of boys?
We can't use them to sweep chimneys any more.
Nor work in Nike's winged victory factory,
child labor's not a means to an end
any more.
A seller must sell such as toys in Thailand today.

There are too many to waste efficiently in war.
A global conundrum beating time in our global brain.

A conundrum beating cadence for the dancers on parade.
Proud dancers with a vision...

Utopian distanty visiony,
since nought left ought as our only
understood shelter,
from the storm. Cower under ought, my child,
every thing is under control.

You are welcome in our safe place,
was once the reply to thanks, in essence, that was meant.

Now, it's no problem, serves and means nothing, in return.

Why should any boy grow into man? Let them play.
Entertainment's all that needed,
that'n' bread, with sugar,
that'll fixit, do the trick, keep the boy in hero role, virtually
forever, never growing
wiser.

Virtual virtue. Tech them that.
Virtually anyone can see the connection,
virtue, virtually means

What? Exactly. The act is outed.
Virtue went forth from Jesus, there's the bomb.

What does virtue being drawn through thy very e-sense
feel like?
Would we know, you or I, the feeling of virtue going out,
escaping?

A shocking short circuit? or a buzzer triggered by alarming
outflow of essential immaterial
stuff. Unnamed, unspeakable stuff?

Immaterial. The judge declares. The clar-if-ication
means look
elsewhere.

Virtue is too dangerous for little boys at play.
'Tis a cept, signified, perhaps
that
is what a sceptre does, officially it de-sig-nates who got it,
when virtue first
appeared needing shelter in the storm.
lightning lightening,
immaterial. Nonsense, can you sense immaterial matter.
You can't touch it. The judges believe.
Nor can mortals
even imagine immaterial matters reserved for Kings and king builders.

So why seek whys, when nothing matters more than...
why? what? who? when? where?
altogether on the six o'clock news.
All-in-one, all the knowing needed. Be joyfully entertained.
Sing along, meaningless songs,
doo-dah day.
Hallelujah (wait, did you say that? Out loud, ever? In a song?

What if... never mind.. could be a trap. Don't think it means anything. An old fashion past, that's all, now.
No magi utterance that changes
matters, in real time.
Not words and ideas, but
Clocks rule this domain, it's minions are the yoke bearers pulling
loads declared worthy of laboring incessantly happy.
The yoke is on you. (Take mine, it's light.) Carry on.

Take Sisyphus, for ensample. He's as happy as a clam, they say.
Those who live near the see declare the wee bivalves happy as pi.
We don't know why.
That's all.
At this particular point in time, as the ped-ants say.
Let patience perfect that which concerns you.
Let simple morph to sublime.

See, Jesus winked.
Epic poems are a burden to the reader, this is part of something much longer This poem's been keeping time with the one life I had to live, this time, guiding me to what I am, not what I have become. Tell me if i said it right.
Robert Zanfad Mar 2011
Edgar Allen settled evenings in the room at the rear
at a desk by the window where he could hear
breeze-rustled sycamore leaves sleeping
behind the neighbor’s house next door

through night’s florescent blue moon light,
its mist through low leaden clouds
he imagined the phantom he named Lenore,
and remembered lost Annabelle Lee  
amore he'd left laid alone aside a blackened sea

hers, the voice of a tree speaking, hushed,
like distant waves rushed upon shore,
faintly whispering heart-secrets
the ardent couldn’t keep evermore

was it she who sighed with love’s breathless lips
to flicker the flame of a tortured oil lamp’s light
the words born laboring children
with pen put in service to cover past rent,
refill an empty flask of verdant absinthe
for a nine-dollar-half-column poem -
fodder for fickle romantics to tear over
before a performance of Bellini’s new Norma

hardened, our modern hearts
fattened on diets of swollen bellies
that belie the dour misery of starving
they’ve grown sclerotic and cynical,
hungry for suffering flavored substantial -
a greasy disaster to stain the paper wrapper
enclosing depths of the human condition


sophisticates, we dismissed puerile appetite
for honeyed songs of longing,
the ornamented confections of jealous angels
old drunken poets sang
until dark full comes, alone, and we’re small again

then shadows still speak to starry skies
and fairy tales may come alive
to suspend belief with secret dreams
of the dear, lost Annabelle Lee
In an annual tradition that ended in 2009, a mysterious stranger would place three roses on Edgar Allen Poe's grave to commemorate his birthday.
They call me and I go.
It is a frozen road
past midnight, a dust
of snow caught
in the rigid wheeltracks.
The door opens.
I smile, enter and
shake off the cold.
Here is a great woman
on her side in the bed.
She is sick,
perhaps vomiting,
perhaps laboring
to give birth to
a tenth child.  Joy!  Joy!
Night is a room
darkened for lovers,
through the jalousies the sun
has sent one golden needle!
I pick the hair from her eyes
and watch her misery
with compassion.
Hal Loyd Denton Sep 2012
He wore a wide brim hat

That and his other clothes dated him a character was crisscrossing our land was he human or angelic he
Seemed to be changeless it easy to trust someone who remains steady no matter what he will still say
The same thing it is called truth he even wrote it down in his travels he carries a flat leather case he
Hangs it down with a long ******* his side I was honored to read some of what he wrote the title on the
Page it said                                                       I Shall Not Want

He chose here to shift time and place but with the greatest regard and respect he wanted to speak to all
Americans and within the frame work of a people they could identify with and respect in the time of
John Wesley and George Whitfield there were a certain group of people here they are called miners
There they called them colliers of necessity John and George starting preaching in the open fields out in
The country side as George started preaching to a group that was gathered his booming voice carried
Undoubtedly close enough to the open holes that it was easily carried to those laboring below well it
Wasn’t long until the field was full of these blacked faced men and as this firebrand for God poured out
His soul revival fire leapt on all present but this was the sight hard working God fearing men stood
Before this preacher and as he expounded the love of the lamb butchered at Calvary rivulets of tears
made their way down those black faces and made the heart break to see the white tracks left as these
Honorable men found more than just back breaking work and toil with small rewards they found a love
That gave them equality peace a sense of being of unfathomable worth it all so was the greatest need
Of England she was coming apart at the seams because of the curse of Gin it had made its way into the
Church with the priest found lying drunk within its walls the scourge reached this level of contemptible
Behavior a young mother slays her child throws it in a ditch and then went and sold the clothes for Gin
What did righteous loving God do he sent his love into this cesspool it was heavy with his tears it was
Capable because of His awesome power it saved a nation tottering on the brink well what does that
Have to do with America we are not lost in that manner of madness he answers this way drugs alcohol
Deviant behavior in all of our history there hasn’t been such violence against women and children no one
Seems able to stem this tide and then we are financial slaves to a debt that staggers the mind this was in
The near political past but that can be like a soap opera stop watching for weeks and it’s still just the
Next Day and one time when politicians were baring their souls for the better of the country they said it
Takes a spiritual answer the intangibles these powerful entities will laugh and destroy as they were in
England it would have been a reordered world if it weren’t for God’s move in that country we need him
We have dirt and grime on our faces honest hard work but we find ourselves undercut by so much that
Is a travesty to decency it’s not slowing down it only picking up speed read history Rome fell and so many
Other powerful nations as well they perished from immoralities rot our soldiers and military wins
Because of a rear guard of praying people you want a future worth living for your selves your children
And your grand children this nation’s history has been built and succeeded on this bedrock and no other
Family altars at home and in the local church a man or a woman can attain no higher beauty than to
Bow in surrender to majestic love that makes them free and in turn it will free this nation from every
Chain that now has it bound the greatest power is love and you are its radiant recipient go in love and
Be victories the rest of this man’s journal will be decided by you individually that’s what America is
All about anyway what a privilege we have exorcise it!
Stephen E Yocum Jan 2014
Scant moments after sun rise they appear,
Shadows in a distant field,
Moving like ghosts upon a sea,
Of shimmering dewy green.
They toil, bent onto their work,
No music, no joyful banter,
Only their laboring breaths,
Visible in the morning air.

An aged tractor crawls along,
Out in front of them,
They stoop and toss yellow squash,
Into a trailer bin.

Fifty acres by Noon they're told,
"Get it done, or get gone by Ten!"
"No Medical Insurance here,
No Retirement Plan,
No promises or guaranties,
It's work for the moment,
Only if WE please."
Yells out the Overseer!

Noon brings the heat,
Another fifty acres of zucchini.
Nothing changes,
Not even the scenery.
Hats and hoods,
Long sleeves and scarves,
Shield from the sun,
Yet the new heat they must endure.

Still they stoop and toss,
With ****** hands and painful spines.
"Get it done today or no work for you tomorrow.
Don't get hurt there ain't no Workman's Comp."
They are often reminded.

I watch and read a book upon my shady porch,
My promenade to the world.
Morning coffee giving way,
To the afternoon's ice cold Lemonade.
I observe from my distant knoll,
Like a unfettered bird in the sky,
Being detached and alone.
As if I and the people in the field,
Reside on different worlds.

I sit there in my orb with soft hands and body,
The products of a privileged life being a Native Son.
I worked in three piece suits, shirt and ties,
An education, crafty sales ability, my convenient alibis.

They come from the South,
From poverty and dead ends,
A border or two away,  
Do the work that only slaves would do,
Back in yesterday.
To put food on our tables,
Grease the wheels of our industries.
Put some meager food in their mouths,
and fuel their fantasy's.
Most do not speak our language,
Yet still our life they crave.
We do not welcome them as we should,
They must sneak in like thieves in the night,
Just to be our willing serfs.

What real difference them to me?
Geographic locations of birth, little more.
That's not really hard to see,
If only we stop and care to look.

A ****** to their hardship,
I watch humbled and inspired,
This display of their commitment,
Their indomitable human spirit.

The hours pass and still they follow,
Up and back crossing the field,
Chasing that same tractor,
Walking miles, going no place at all.

While I've done other things this day,
Leisure, cardio stationary bike,
(No need to take a hike.)
Intellectual stimulation enjoyed,
Eaten twice and rested well.
But not those men and women across the way,
They now merely indistinct bent shapes,
Upon, an ever darkening landscape,
Smudges of smoldering black,
In a vast field of breeze tossed olive drab.

Dawn to dusk being their fate,
Their tomorrows all the same.
Hard work and a willingness to do it,
Their passports, to "Possibility",
and for staying in the game.
PJ Poesy Mar 2016
Go, my friend, to Tbilisi, where the War of Roses was won. Run the mountainsides and fall into the canyons of lapsed eons. Sunk in the valley wide, past huddling of trees that open and yawn, sprinkles a misting of sunny, dewy rocks where a certain party of gypsies gather. You will only find them there after the picking of the cherry orchards, and if they welcome you, they will feed you their cherry soup. It will intoxicate, but no more than the captivating dance of cherry stained aprons you may be privileged to witness. Dark haired and dark eyed sultanas, ****** from healthy eating and laboring, do motion a curvilinear spell. Band with the men of that tribe,  if they will have you. Let them choose for you, a server of cherry soup. Though cherry season is short, your life will lengthen.
For Irma and Mookie, thank you for your loving hospitality and the cheer drenched moments.
1733

No man saw awe, nor to his house
Admitted he a man
Though by his awful residence
Has human nature been.

Not deeming of his dread abode
Till laboring to flee
A grasp on comprehension laid
Detained vitality.

Returning is a different route
The Spirit could not show
For breathing is the only work
To be enacted now.

“Am not consumed,” old Moses wrote,
“Yet saw him face to face”—
That very physiognomy
I am convinced was this.
K Balachandran Mar 2014
Alone, she collects pebbles
from the sands of seashore
only to throw back each
with all her might, as if
its her revenge;
all of a sudden she stops
throwing them
back on the flat waves,
just to see them leapfrog,
a few times and vanish.

A sandcastle, he was busy
building on damp sand,
laboring alone like a child,
as if it means a lot,
but the spires refuse to
stay up, collapse again and again
against his wish.
it has become a total mess,
irredeemable for him alone,
or even with some help.

Perturbed he looks,
at the very moment-
from somewhere close by,
wind brings the overpowering stench
of rotting sea weeds and dead fish,
that makes them both look up
at once, by chance
and gaze at each other's face
as if they don't
recognize each other,
for a long, long moment.

— The End —