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Michael Siebert Mar 2013
Twenty-five pigeons are doing **** rips in my living room.
In the middle of my living room
twenty-five pigeons
are doing **** rips
of **** that they bought
off my next door neighbor
who just happened to have some lying around.
There are twenty-five pigeons
doing **** rips in my living room,
and they will not stop watching
Battlestar Galactica.
The twenty-five pigeons
doing **** rips in my living room
ate all of my Cheese Nips,
and they drank the last
of the RC Cola I bought.
I try to get
the twenty-five pigeons
doing **** rips in my living room
to leave,
because I hate it when they do this,
but they just coo at me
and that shuts me up.
One of the twenty-five pigeons
doing **** rips
in my living room
accidentally knocks over
the ****
and spills bongwater
all over my ******* carpet.
The **** cracks.
They start flapping their wings really hard
and ******* everywhere,
because they're pigeons
and they're mad.
But then,
one of the twenty-five pigeons
produces some hash wax
from under his wings,
and now there's twenty-five pigeons
doing knife hits
of hash wax
over my stove,
and quite frankly
I'm ******.
I run in
and start waving my arms
around,
and scream,
"Get the **** out of here,
who let you in anyway?"
And the head pigeon drops the knife on accident,
and they all fly out of my living room
and into the sky,
all really blazed,
leaving me here,
mad,
with a bunch of stains on my carpet.
David Walker  Dec 2012
Voices.
David Walker Dec 2012
Origins
written and directed
by
David Walker

Inspired
by
the films of
Quentin Tarantino
David Lynch
&
Rob Zombie

There is method
To his madness

                                                        ­                                                                 ­                  January 2013              
                                              ­                                                                 ­                       first draft









1. EXT. Run down project apartment complex - 3:00 am

A dark, tall figure with long black hair and a trenchcoat opens the already cracked red door.

MAN:
I'm looking for love in all the wrong places.

                                                        ­                                                                 ­                                       CUT TO:
INT. Apartment 3

A typical roach infested apartment with a kitchen built into the living room. 3 GIRLS are on the kitchen floor. GIRL # 1 one has black hair with big lips and a curvy frame and she is wearing a pair of Tripp pants and a black bra barely covering her ample *****. She has a flesh colored rubber hose tied to her left arm. GIRL # 2 has dyed rainbow colored hair, a nice smile, and a skinny frame. She is wearing a pair of tore blue jeans with smiley faces and cute in jokes written on them, also not wearing a shirt with a lacy blue bra on. She has a spoon with water and black tar ****** inside it which she is heating up with a silver Zippo with the word "Skittles" engraved into it. GIRL # 3 Has long naturally red hair, glasses and an extremely voluptuous figure. She is wearing tight black pants and a black shirt with thin sleeves. She is inspecting a covered syringe with an unsure look in her eyes.

GIRL # 2:
So, do you wanna do it or not Jane?

Snatches the syringe out of JANE's hand.

JANE:
I'm not sure. How long have you been doing this ****?

Girl #2 takes the orange cap off the syringe revealing a small needle.

GIRL #2:
Since after I graduated. About 3 years. Liz you ready?

LIZ:
As ready as I am for dat sweet tang!

Girl #2 giggles. She sticks the needle into Liz's arm, blood mixes with the brown fluid inside, and she pushes the plunger down. Liz leans back into Girl #2's arms and Girl #2 gives her a kiss.

LIZ:
I love you, Julia.

JULIA:
Well, I love you too.

JANE:
You guys are so gay!

(OS):
Save that **** for the ******* customers!

                                                     ­                                                                 ­                                       CUT TO:
Other side of room. A greasy looking MAN with short faded black hair and a scar going from the corner of his mouth to the right ear is sitting in a beat up recliner cleaning his Uberti 1873 Cattleman revolver while smoking a fat blunt and watching some kind of high budget **** with Sasha Grey in it.

JULIA:
Sorry, Mike. It didn't stop you from leaving me and Liz unsatisfied and bored, did it?

LIZ and JULIA laugh. JANE has a nervous look in her eyes.

MIKE:
Very ******* funny you wore out trick! Am I gonna have to smack the sass out yo mouth?

MIKE gets up, puts out his blunt and walks over to the GIRLS gun in hand.

MIKE:
Or am I gonna have to give your little friend a scar like mine.

LIZ:
Mike don't!

MIKE SLAPS JULIA with the side of his UNLOADED revolver and grabs JANE by her hair.

MIKE:
Who the **** are you, anyways *****?

JANE:
(stuttering)
I was walking down the street earlier today and I ran into Julia and Liz. They went to school with my sister I think. Let me go!

MIKE:
So you're a young'n. Well you have some nice big *******!

MIKE RIPS off her shirt exposing her *******. He begins to squeeze the right one. JANE SLAPS MIKE HARD!

MIKE:
*****!

MIKE lets go of her hair. Jane runs to the other room grabbing her shirt. LIZ stumbles towards him and PUNCHES him in the nose.

MIKE:
That's it! You little *** dumpsters are dead!

MIKE picks up the REVOLVER, runs to the chair where the bullets are and tries to reload. JULIA wakes from her daze. We see him load 3 rounds. All of a sudden the DOOR gets broken down and the dark clad FIGURE from the scene before pulls out a BERETTA M9 with a silencer attachment. MIKE FIRES 2 shots at him haphazardly missing both. The MAN LAUGHS and FIRES one shot that MIKE's crotch catches.

                                                       ­                                                                 ­                                       CUT TO:
2. INT. Next door in Apartment 2.

A MAN and WOMAN in their early 40's are smoking a joint and seem disturbed by the gunfire.

MAN:
(coughing)
What the hell was that?

WOMAN:
Sounded like gunshots. Do you think we should call the cops?

MAN:
**** no! There is a pound of chronic in the bedroom closet! Just pray whoever it is doesn't come over here!

WOMAN:
Okay. Are you gonna pass that?

                                                          ­                                                                 ­                                     CUT TO:
3. INT. Apartment 3.

The smoke has cleared. MIKE is begging for death and BLEEDING out everywhere, JULIA is in a daze, dumbfounded by what she just witnessed, LIZ is cowering in fear, crying, and JANE just came out of the bedroom with her TORN SHIRT on and a terrified "Oh my God" expression. The unknown assailant has a devilish grin upon his face.

MIKE:
Godfuck! **** me you sunuvabitch! Godda--

The MAN obliges. He fires a single shot into his RIGHT EYE.

MAN:
Well, looks like I got here in the nick of time!

JULIA:
(blankly)
W-Who the **** are you?

MAN:
That is of little importance right now. Who are you foxy ladies?

JULIA:
M-My name's Julia. That girl over there (points to Liz) is Liz, and the ginger is Jane.

MAN:
What pretty names! Well, I have a question. Will you three lovely young ladies gather round that despicable looking chair and listen to what I have to say, or are you going to run? Keep in mind I have rope in my trenchcoat and the fact I mean you no harm. I am just a lonely man with a story to tell, and the way I see it, what with that bruise on your sweet face, you kinda owe me.

JULIA:
I think we can stay. I just wanna know your name.

MAN:
Ahh, but I am a man of many names. My christian name is Derek. You don't need the last for now.

DEREK walks to the chair and sits down. He waves the GIRLS over.

DEREK:
C'mon I just want to tell my tale. Look, I will put the gun under the chair as a sign of good faith that neither you girls or I will start shooting the place up again. Are we square ladies?

JULIA:
What do ya say guys?

They gather in the kitchen.

LIZ:
This guy has a ***** loose.

JULIA:
Yes, but he saved us from our ****. We should humor him.

JANE:
I think he is hot!

LIZ and JULIA just stare at JANE.

JANE:
Sorry, but he is.

JULIA:
So it's agreed. We will listen to his story, silently pray he doesn't **** us and leave afterwards.

The GIRLS walk to the chair. DEREK has lit the blunt.

DEREK:
Ahh, so you have decided to join me. Good. Do you guys wanna hit this?

LIZ and JULIA shake their heads no.

JANE:
I will.

DEREK:
Great. Now, where do I begin. I suppose everybody's roots stem from childhood, so lets go back, oh say, 20 years ago.

                                                           ­       FADE TO BLACK        
Against black, TITLE CARD

October 15th 1995.

                                                          ­                       CUT TO      
4. EXT. Suburbia circa 1995.

There are three boys between the ages of 6 and 9 playing in front of a grey HOUSE with a white MINIVAN in the driveway. Little DEREK is a scrawny 6 year old boy with short brown hair and a Teenage Mutant Ninja Turtles action figure in his hands. The 2 other BOYS ages 7 and 9 are picking on him and trying to take away DONATELLO.

DEREK:
Leave me alone or I will whoop your ****.

BOY #1:
Whatever! You are scrawny and lame. Give us your Ninja Turtle now or we will beat you up!

BOY #2 picks up a STICK and starts hitting DEREK with it.

BOY #2:
What are you going to do? Get your daddy? Oh, wait...that's right, you don't have one!

The 2 BULLIES start laughing. A look of hatred fills young DEREK's eyes. He catches the STICK and slaps BOY #2 in the face with it. He then tackles him and starts beating him mercilessly. BOY #1 runs towards the PORCH and knocks on the DOOR. DEREK'S MOM answers. She is in her mid 30's with brown hair and casual clothing on, smoking a cigarette and drinking a cup of "coffee."

BOY #2:
Derek's beating up Josh again!

DEREK'S MOM:
Well, good for him! Bet that little pecker snot deserved it too. Now, Brad...why don't you take you and your friend on home before I tell your dad you play with Barbies.

LATE 20'S DEREK:
(OS)
My mother was a sweet ol' broad!

BRAD:
(sighs)
Okay, Ms. Walters, but you do know you are going to have to pull him offa Josh right?

DEREK'S MOM:
(sighs like Brad)
I suppose.

DEREK'S MOM and BRAD walk to the front yard and GASP when they notice that DEREK has knocked out 2 of JOSH'S baby teeth, both in the front and broke his nose, which is bleeding profusely.

DEREK'S MOM:
Derek Charles Walters! Get the **** up offa him!

DEREK:
(crying)
He hit me with a stick!

DEREK'S MOM:
Well, now I'm about to!

She picks up the STICK and beats his *** with it several times.

DEREK:
******* *****!

DEREK'S MOM, infuriated throws the stick down and SLAPS him across the face. DEREK runs away.
He runs to a wooded area in the back yard as far as his legs can take him.

LATE 20'S DEREK:
(OS)
Do not weep, for on that day, I met God and Satan incarnate and it turns out they existed singularly in my head.
                                                           ­                                                                 ­                          CUT TO:

5. JANE:
Like a conscience?

DEREK:
Much more. These guys are in the room right now and only I can see him. Satan led me to you guys tonight! Who knows what kind of CRAZY hijinks are in store!

JULIA:
That's it I'm outta here! C'mon gu--

DEREK fires of his M9 1 time.

DEREK:
Now, listen to me you dykey, ****** *****. I have 3 more rounds in this ******* and one
of them is reserved for you if you don't sit your tight *** back down.

JULIA sits back down scared to death. DEREK regains his composure and is "all smiles" again.

DEREK:
Phew! I don't want to hurt anybody. I just want someone pretty to listen to my ******* story. ****, if you want, I will ask you guys about yourself later on, but for now I'm going to introduce you to my best friends.

JANE:
Who are they again?

DEREK:
Ah, you were trying to pay attention. I will remember that. They go by many names. One can be called "God", "Heroic Harry", "The White Knight", whatever you envision as good, this **** is it. He is the reason you guys are still alive.

LIZ:
And the other?

DEREK:
Ahh, him. He can go by "Satan", "The ******", "The Angel of Death." He's the reason ol' crusty here no longer bothers you.

LIZ:
So you're basically ape ****, right?

DEREK:
Pretty much! Now where was I? Ah...yes

                                                       ­                                                                 ­                                    CUT TO:

6. INT. Small wooded area behind the house --- Early evening.

DEREK has made himself a nice little HANGOUT in the woods! there is a trunk with tons of comics in it, an arsenal of sharpened sticks and rocks, Batman action figures, and a Game Boy Color. He is drawing a picture at the moment.

LATE 20'S DEREK:
(OS)
There I was in my element. ****** at my mother, then all of a sudden, a deep, angelic voice rang out.

VOICE #1:
(OS...of course)
You don't have to hate her, you know. She loves you.

LATE 20'S DEREK:
(OS)
And then another, this voice sounding more playful and mischievous then the other.

VOICE #2:
(OS)
But, for how long? Do you think she meant to have you?

DEREK:
Where are you guys?

LATE 20'S DEREK:
(OS)
And then they appeared.

A 13 YEAR OLD BOY with BROWN hair and a FLANNEL overshirt over a Nirvana T-SHIRT with baggy torn blue JEANS with stains on them appears.

BOY #1:
Don't hate your mom.

VOICE #2:
(OS)
But, watch her close.

DEREK turns his head. We see another BOY roughly the same age with slightly long BLACK hair and a TRENCHCOAT over a Nine Inch Nails T-SHIRT with tight black CHICK PANTS with a CHAIN leading from his pocket to his BELT. He has a lip piercing and he is smoking a cigarette.

DEREK:
Who are you guys?

BOY #1:
Just think of us as older brothers your mom can't see.

DEREK:
Wow! I should introduce you guys to my friends!

BOY #2:
No!

DEREK:
Why not?

BOY #2:
You are the only person that can see us. Don't go telling anyone and don't talk to us in front of anyone. People will think you are nuts!

BOY #1:
Think of us as two ghosts that give you advice. Don't listen to him though, he'll get you in trouble.

BOY #2:
Shut up! Or I will kick your *** again.

BOY #1:
Not in front of him. He doesn't need to see that ****. Not now

DEREK:
What are your names?

BOY #1:
That's up to you.

DEREK:
I'll call you Joe, and him Jerry.

JOE:
Works for me, for now. Call us whatever you feel like calling us whenever you like. If you wanna call me ******* and him poophead, go right ahead.

DEREK:
Okay, but for now you guys are Joe and Jerry.

JOE:
We are going to leave now. We will show up when we think the time is right. Sometimes you will see us others you won't, but we are always with you.

JERRY:
Even when you ****.

                                                          ­                                                                 ­                     CUT TO:
7. INT. Apartment 3.

LATE 20'S DEREK:
And then I went back home and they disappeared. I reconciled with my mom and for the next few weeks I didn't see them. Brad started hanging out with me again and school was good. The years go by and still no sight of them. 4 years pass by. It's 1999 and my tastes changed. Instead of Ninja Turtles and Batman it was KISS and Freddy Krueger. By this point me and Josh had made up and Brad was in middle school. And so we go to where me and the voices meet again.

8. INT. Taft Elementary
A class of roughly 25 children in your average 5th grade home room with a stout middle aged gentleman teaching. JOSH and DEREK are in the back row sitting side by side.

TEACHER:
...And that's how the metric system works.

JOSH:
(to Derek)
Dude, did you check out RAW last night? The Undertaker crucified Stone Cold!

DEREK:
**** I missed it. I was doing homework.

JOSH:
(loud)
****!!

TEACHER:
What did you say Mr. Jarvis?

JOSH:
Sorry Mr. Cannib. I forgot to do my homework.

MR. CANNIB:
Josh, Derek, outside!

LATE 20'S DEREK:
(OS)
The old man had taken kids out of the classroom before and they always came back with tears in their eyes. As we walked outside I heard a familiar voice.

JERRY:
(OS)
If he touches either of you, kick him in the nuts!

MR. CANNIB:
I told you boys too many times! None of this **** in my classroom! Josh get over here you little *****!

OL' TEACH GRABS JOSH by the NECK.

DEREK:
Hey ******* keep your hands to yourself!

CANNIB begins to throttle JOSH. DEREK pushes him off of JOSH and KICKS the TEACHER in the nuts with FURY about 3 times and jumps on top of him while JOSH watches holding his neck.

JERRY:
(OS) While we see Derek's mouth moving

Look here, *******. You think you can be called a teacher for drinking on a farm, ******* cattle and beating children so you can have Summer vacation every year? *******, you spiteful sad man.

DEREK SPITS in the *******'S face and begins to PUNCH him when JOSH pulls him off.

JOSH:
Dude, the door outta here is right there. Lets go to our lockers, get our **** and get outta here.

DEREK:
(Breathing heavily)
Did I just do that? What the ****? Let's get out of here...now!

                                                    ­                                                                 ­                                           CUT TO:
9. EXT. Taft Elementary
A bunch of playground equipment next to an alley with a fenced in field. JOSH and DEREK are walking down the alley. It is sunny outside but about to rain.

DEREK:
That wasn't me that did that.

JOSH:
If it wasn't you who was it?

DEREK:
It w...

JOSH:
(Interrupting)
It reall
A man rips
   apart my house
bite by bite

with teeth holding
   rotted wood chips
like toothpicks
after a meal of
   summer corn
roasted in spring green husks
and
strands of butter silk

A man rips
   apart my house
bite by bite

with brilliant teeth
   in a mouth that
speaks in tongues
that my heart knows even
   as it slips through my mind
slick as coconut oil
to pool in my wordless
mouth

A man rips
   apart my house
bite by bite

A man rips
   apart my house
lupine jowls slathering
as his chain saw teeth make
   dust of where I live
dust of what I've done and been
ashes of my name

A man rips
   apart my house
- From Picture of Yourself
Liv Catherine  Mar 2015
Smoke
Liv Catherine Mar 2015
Some people hate the smell of smoke
To me smoke meant early Thursday morning bongs rips
And the sun fighting it's way through the curtains
His 8 AM shirtless skin against mine and his face in my neck
The way our lips would play and tease each other, longing and smoke on our breath
Until we drifted back into dreams
Because we weren't about to let the morning win
To take that away from us
Jason Drury  Feb 2019
A book
Jason Drury Feb 2019
If I gave you my soul,
would you read each page?
Scribble notes of interest
and know me.
Would you take the time,
to help tape the seams?
Would you mend,
the fragility of my soul?
It tears and rips,
easily, emotionally.
Haylin  Apr 2018
Teenagehood
Haylin Apr 2018
The horror, the rain,
The misery, the pain.
The factors of teenagehood
And its ghostly being.

From nasty rivalry,
The silver teardrops quench the
Hunger of discaring boys.
They move on to their next victim.

Words like love, hate, *****,
Are thrown around and toyed with.
Teenage socialism is a witch,
Sweeping misery across the generation.

Heartbreaking, the look in their eyes,
Well up with tears, victims to lies.

Teenagehood, it grasps you
By its crooked claws.
From your peace, it rips apart
Your soul and leaves damage in its trail.

Why do we have to suffer?
Why can’t we return to the world?
The world we loved and cherished.
Toys and songs, now perished.

Puberty, hatred, fear,
They all add up to one phase in life.
With its treacherous fangs.
Hurt from distrust brings misery near.

With sympathy to all,
For a long journey ahead.
Hold on to your sanity,
For the reason you have previously read.
Umi  Mar 2018
Prestine Lunacy
Umi Mar 2018
Endless nights are passing, shadows lurking upon one another, one of greater darkness than the other, just waiting for pray alike a spider,
Fingernails possessed by a woman, sharper than knifes, almost alike claws they are an ornament to her delicate looking sweet body,
Her ****** devotion, driving her mad in a moment of distraction from deep within her split mind, time stands still, meaning is lost,
What's left to hunt in a place in which a monster causes rampage ?
Wasting no time, she seeks her next victim, drenched in impurity.
Approaching it the girl pretends to be gentle, caring yet worried but in truth she had only one plan, to feed of its despair, its infinite pain,
With crimson tears of both joy and fear of what she had become, the gal greets it to the end of its already shortened life after she gained trust, respect, maybe even a little love in this blazing hell with no sun,
Knocking it over she ramms her nails into the flesh of his face, piercing through while making sure he is not able to gain any motion,
Softly, in a slow cruel yet elegant manner she rips off chunks of it,
A distorted scream fills the room, laughter accompanies it as she loses herself to this waving melody of pain, questioning wheter or not to be replaced by the transience they have named life, or wether to live on,
As soon as he stops screaming she cuts through his cheek, getting stuck, breaking away her nail to set her hand free once again,
Nine knifes remain in there after all, surely that would be enough,
Clapping her hands in glee her next motive was a skillful punch to knock him out after her satisfaction of ruining his face had reached its peak in a riot of unexplored, absolutely undefined emotions,
Awaiting the awakening of her pray the lunatic sharpens her nails once again, now they would go on to the second act of her crime,
Tortured with true or false of this action she decides to take a stand
*******, simply to draw on the blood drenched body with cutting marks of the finest lines in an art of lunacy, a nightmare,
Recurrance in emotions, recurrance in her actions, for her it's "fun",
Act 3 has come close, it was time to rip him open and reveal his treasure, for what she actually wanted was a heart she never had,
Straight cutting to the mans chest it had been done, all what was needed now would be to break his rips to fully expose his insides,
Ah, phantoms of a long past, as the present burns away with cuts,
The symbol of hatred had achieved her final destiny, at last that is,
Each ***** was either ripped off and thrown out in fury or devoured immediately in her hunger she felt whilst working,
Hanging him by his guts she takes everything out till he is hollow,
Lifeless she watches him rot a little, having crushed his bones,
What was left when time is moving once again in a realm of light ?
Her crime goes unrecorded, unnoticed as the corpse became fuel for the fire alike hell, until her twisted mind drags her to do this again

~ Umi
Tabitha Sullivan Sep 2013
I feel like a softball net

Nobody knows how my frame is supposed to go

So they build it up

Then decide it’s not right

They tear me down again

I’m a softball net held to my frame by my friends

But each friend that holds me is fragile

Like an over used rubber band

Their hooks scar me deeply

Friends come and move around

Some break and fall

A piece of me now gone from my frame

While others grow stronger

Hooks digging deeper

While I continue to fall and be refastened

Something else is thrown at me

Drama

Big, small, fast, slow, friends, home, school

They’re the softball that hit my net

Each new drama rips my net just a bit

Or knocks another piece loose

On and on the cycle goes

Frame changing

Net ripping

Hooks digging in and falling out

Rubber bands snapping
Elle Bogue May 2017
There´s a man in my life
who with one glance
becomes commander of my will
and master of my thoughts.
My heart yearns his care,
my curves crave his hands.

However an endless void
rips trough my dream:

He doesn’t love me.

I go to him whenever he calls;
no matter the time, even when night falls.
After untangling sheets, we embrace into each other
staring into each other's eyes
until we drift into our own minds.

But he doesn't want me.

We wake up next to each other.
His smile is my warm morning sun
Yet when I manage to break his spell
and make my mind my own again
he can't wait to try to lure me back in.

Yet he says wants to be alone.

He calls and worries,
making sure I'm shielded from harm.
He couldn't stand if fatality struck,
and can't wait for me to be back
in the safety of his blessed arms;

But he wants to not care.

His eyes are yelling with his stare
that his soul is in line with mine,
that his thoughts belong to me.
When he holds me, he doesn’t let go.
With every kiss, we are nowhere and everywhere.
I am his and he is mine.

However, an endless void
rips trough my dream:

He doesn’t know he loves me.
WickedHope Nov 2014
Why is it we cure pain with pain?

A burn with utter incineration?

A cut with mortal stabs and fatal slices?

A tear with larger rips and further shredding?

A break with complete shatter and growing fractures?

A love with a deeper, truer, more honest and raw  love?
I think I'm getting worse at this poem thing.
I've basically stopped rhyming altogether it seems,
at least to me.

— The End —