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Nigel Morgan Aug 2013
In the night it had been so dark he had been unable to see across the room. The uncurtained window was a thought, a remembrance. He had to feel his way across the room from the warm bed, and across the wooden floor his feet felt one of the two small rugs he knew were there. Finding the windowsill he looked out into sheer darkness, but then a glimmer of light flashed far away across the valley, and yes there was just the faintest trace of dawn, and it was so still. He opened the window and could hear a faint breath of wind moving the trees surrounding this estate house, a house empty but for him. Somewhere quiet, unpopulated by this pulsing, vibrant, unreal community he had joined the previous afternoon.

There was an owl distant, and he immediately thought of the poem Owl written just a few hundred yards away by a poet who had once lived on the estate. He imagined her writing it in a half hour captured from being a mother of small children, and of being a gardener and wife. Maybe she had her worktable in her bedroom, a small space wholly hers where she could form her thoughts into these jewels of words.

Owl

Last night at the joint of dawn,
an owl’s call opened the darkness

miles away, more than a world beyond this room
and immediately I was in the woods again,

poised, seeing my eyes seen,
hearing my listening heard
under a huge tree improvised by fear

dead brush falling then a star
straight through to God
founded and fixed the wood

then out, until it touched the town’s lights,
an owl elsewhere swelled and questioned
twice, like you light lean and strike
two matches in the wind.


He returned to bed and as he lay down to gather a little sleep before the early morning light summoned him to his desk, he thought about ‘the joint of dawn’. Only a poet could have found that word ‘joint’, the exactness and rightness of it. It gave him a sudden and prolonged moment of joy. That’s what the creative mind sought, the right word, a word that summoned up not just images – he knew exactly what the joint of dawn was as an image – but also a very particular emotional and experiential state, for him a whole history of early mornings sitting quietly with a cup of tea between his hands, looking out; or sometimes being out, in winter before dawn, walking to his studio, the old walk through the industrial estate, over the river, into that vast silent building, up the three flights of stairs by feel and long practice – the metal rims on each stair step a guard against a long fall – then to his room, and before turning on the light at his drawing board he would stand by the long windows whose sills held his shells and stones, a vase of flowers, a small collection of old (and blue) bottles, a framed photograph of his children, he would stand and see the joint of dawn begin as a crack in the sky and then open like a lid on a box, a box that held a faint morning light, a pre sun, a grey glimmering.

As he lay awake, but with eyes closed, he thought of a conversation they had had recently, he and the woman he loved, the woman who warmed his heart and whose image in so many different forms floated continually in his consciousness. The feel of her under his body pulling herself to the compass points of his passion, and in such a moment when time had become suspended, had found this release, this overflowingness that gave him now, alone in this dark bedroom, a joy he could barely contain, that it could be so and to which his own body now expressed in its own vivid and physical way.

This conversation – he sought to remember the circumstances. Maybe it was over the telephone. Many of their conversations had to be so. They lived apart, and even when they lived together for short periods they were not truly together. There was often the intervention of work, of present children, of heads full of lists of things to do.  This conversation was about a short story he had written and sent to her to read – she had supplied the title, curiously, and he had accepted it, the title, as a challenge. She said ‘I’m often unsettled by your stories, by not knowing what is ‘real’ and what is invented. I find it difficult to read what you write as fiction because I’m aware that some of what you write is based on memory, people you have known perhaps, and I have not’. He could tell from the examples she gave (that were really questions) that there was, perhaps, a particular unease when it came to women he had portrayed. He felt a little sad and uncomfortable that his answers did not seem to help, and he thought quietly for some time after about this problem. Of course, authors did this, they trawled their memories, and often and usually ‘characters’ (he had read) were composites. The character in question, a poet in her sixties called Sally, was one such, a composite. He had invented her he thought, but to her, his questioner, his loved one, she had assumed a reality. It was those intimate details he had supplied, those small things that (he felt) drew a fictional character to a reader. Had he known a Sally? How intimately had he known a Sally? Was this the sort of woman he would like to know, perhaps even fantasied about knowing? A woman who handled words well, poetically, that was plain, but unmarked by her age, though had large feet and moved without grace.

He loved to write letters to her, his loved one. He wanted, this morning, to write to her, but he didn’t want his letter to be another list of ‘I did this, then this, and I saw this, and this made me think of this poem (and here it is), or this picture, and I heard this music (and there attempt a description). He was selfish really. He didn’t want the letter skimmed through and discarded. He has written, he loves me, he is thinking about me so he writes knowing I like letters, but that’s it, and his letter, because they come so frequently, is just another mark on the drawing that will be the day; it carries little permanence with it. And sadly, he will occasionally (although he is improving) allow these little intimacies to fall into words, and that I find difficult, embarrassing. I suppose I want letters anyone could read, that I could leave about on the kitchen table.

So, just occasionally he would place himself in a story, and this is what he began to prepare as he lay in bed and the dawn lit this bare room, so minimally furnished, in this quiet and beautiful place where a ten-minute walk would bring him to the bank one of Tarka’s rivers, where from the kitchen window, looking north, he could see the Moor and even one of its signifying and majestic Tors.'
The poem Owl is by Alice Oswald
noa harriott Sep 2013
angelica fits, weaves through
my fingertips,
out my mouth sprouts
morning glories
and wormwood blooms across
my eyelashes. i’ve lost
something i never had;
nevertheless
i feel the lack in
the spaces in my chest.

perhaps some space is left
yet uncultivated,
yet unpopulated by meadowsweet or
marigold --
perhaps i could unfold
the silk-soft petals of
a crocus,
let the columbine alone
and let the moss rose grow.
(c) noa harriott
Leiak, omnipresent vague pneuma-dancing spirit, ductile pious water of epiphany and extraordinary example, lives on the water with his parasitic chin in the Vernarthian epigram; he is seen with his jocular back, breaking the lines of the swamps between muscles and silhouettes. Before the First station..., primitive of the three remaining nights before reaching the volcano of Patmos, its deluge begins. "

It bathes in the Davidian, Alexandrian, and Vernarthian rains. A little touched he is seen and insubordinate in the astragali that he has gained in his allegories, squeezing his chest, exactly for the good of a wonderful Hellenistic city statue of the Dyticá, where he imbibed Vernarth's putti, adhering to the hydric spheres that fell over the ceilings of the heavens that Eros himself and his crush, which struck the heart axis of Medea, totally extracted from Zefian's quiver, constricted in Borker's nanotechnological sub-mythology. From the comedy of Attica and in the superb speeches of endo-adverbial satire, he stigmatized verbal changes of creation, superimposing them on tops of excesses carried by heavy drops inside some amphorae brought from the eastern sunset, tracking happiness that arrived on the western shores, waiting letters of sigh and loneliness stretched out on the thalamus full of stretch marks. So Leiak expanded, where everyone made fun of him being a satyr by essence, but being unaware of it. Perhaps as a unitary gesture of shadows when going to dawn, before having the best light that they put in figures or pirouettes, without disgracing him as a satirical minority in the Epicurean doctrine, he is inquiring a happy life through the intelligent search of innate pleasures, the ataraxia and in apocalyptic friendships with Zefian, Borker, and Kaitelka.

Borker did not intend to heal himself of trifles at all; it will be a habit to venerate the revelations against polytheism, to then cling to an interiority that points to corroded execration from the root to the top of the fallen tree, with force blinded by the blindness of the Automaton, as far as it is concerned. By itself, of identical significance in the background; but with so-called change that he tends to totally eliminate the last trait of personification of the divine. From this dilemma, the values will be spikes in his hands, sheaves in both, and what he envisions of Hellenism will be the property of nano-technology, submitting under the lens of time dividers that have never been pieces of rest under the Duoverse-Universe., the lens will be your Iridium and the microbes that govern us will be the atomic force, to discover them. What atomistic world will there be between Borker and Leiak, if in this nanoworld; The nanometer is one-billionth of a meter ?, What will be enough to start being tiny in this great epic, which is called Vernarth intra-spaces and inter-Verthians of the universal macrocosm, which will now approach the microcosm of human consciousness, and the laboratory of Epicurean affabilities in Ataraxias decreasing the passionate intensity of the Hypothalamus, and the supra desires that can alter the mental-corporal balance, strengthening in misery that they reach said balance, and finally happiness, which is a meta-plane of Epicurean convergence that runs after the lost. Ataraxia is, therefore, tranquility, serenity, and imperturbability analogous to Vernarth's soul, reason and feelings in his dislocated world, and the hemispheres of himself that will be rationalized in their slightest longitudinal measure, in what fits and in the precarious!

Passionate laboratories were magnetized every time Leiak walked on its extension, and his hands went beyond his fingers, touching the Constellation of Aorion, to indicate that the longitudinal metric of man is measured beyond the fingers of the Duoverse, where it appears the Extra-Cosmos in the proximal of a nano-scale is a submultiple of the conferred means of the Saint John the Apostle pattern. The scientific notation will be the safeguard of the magisterial scientist exponentiated brain; 10.1 mm = 10-3., the kilometer or km, is the opposite equivalent in what submultiples of the meter are called a micrometer: 1 μm = 10-6 m. In this scale we find bacteria, which constitute the main group of microbes, hence the name of the submultiple between observation scales of the macro and micro world of this being of Holographic Lux called Leiak, having the composition between this nanoscale, and the opposite of 1 μm = 10-6 m. projected onto a bacterium, which in turn is ten times larger than a viral body. Sizing enough to balance the biosphere that will surround the Automaton Mandragoron.
Leiak's world is an outpatient virtual laboratory, as it is valid in colloquial language, adhering to measures that differ by the conception of transliteration or decimal mathematical positioning. The letters and lines have been interpreted by Leiak, they are Vernarthian Parapsychologies that oscillate gaps of mismatch of billionths of wasted knowledge, in displays of ghostly reigns and in no-man's-land. This nanoscale makes us nano-poetize themes of ultra interference of the Epicurian decree, of tranquility, serenity, and imperturbability, with the meagerness that we know of the enlightened after a thousand moons writing under the stars:
"Woman when you touched my life with the grace of your fingers, I could see how the kind nights closed my eyes, caressing the entire Universe." This is undoubtedly Epicurean Nano Poetry, but the Author is Tagore "

The exponential oscillates in the parameter of the outstanding Astronomer of the divine verb and poetic thinking, in the most intimate and dynamic Hindu techno-language. Quantum mechanics here is the debit of the iconic remnant reached, by parameters not achieved below the average intelligence, providing lost data far from collecting and storing. Tagore's logic is nano-poetry, which balances billionths that are not achieved by occupying the Corporal Dytiká (poetic sunset) and the synchronic soul, rather the material simultaneity of the fifth element of will, emotional and objective desire, condensing into matter already conferred consciousness, in gaps in fit at all times, but linking it to her divinity as intelligence never before out of date; V.G. The Mashiach is always linked to the vertebral and communicational axon of the plasma nano-particles by grasping its infinite numinosity, making this scale it's one billionth, and being within the Eras that will be the largest average of the macrocosm, in the quantum itself of the Christian Era and in other Quantum worlds.

Strictly speaking, the molecules are angels without a will, but the dispensers are the consciousness of Leiak, which transfers hybrid consciousness, for purposes of regulating and shaping the ravings of intelligence and atheistic consciousness, and for purposes of the great remnant always present and active in the emergency. Spirituality of the Mashiach-revolutionized. The by-product will be Zefian's Tetra Sagita with its ergonomic tip, opening up doubts and tracing the future of a rewritten bible in the same character and fidelity, but with the omnipresent Mashiach of a Scientific Eucharist.

Leiak walked through minefields, and in some, he saw universes come out that exploded in livid colors, among them Vernarth, who had been recovering from malaria, and who helped him create a culture composed of a great artifice of immutability, for those who are close to his Greek spirit. Overwhelming those who lack the will, clarifying where the great art galleries of the world will be, not because of their current works but because of those they will have to exhibit? From the rushing philosophical delta, germs of dominance were trickling, distinguishing properties that did not germinate under his feet. Bread and water of the hundredfold fruit of all the lesser forces that resist on the thirty and nine with fever, more than the narrow borders to be discovered, in democracies that will prosper in the hands of kind tyrants, and not in the unitary Ecumene. Vernarth did not denationalize from his grass crops, he was Hetairoi more than all the commanders of Alexander the Great because his native country never sank next to him, he only prospered in centuries where he had to rise again silenced and prostrate oblivion.

The chaos of an absence accuses a majority of sadness that greets the Celtic Gauls for the axon of the anointed cosmos of the divine autarkic world. But not in seditious wars devoid of bread and water that does not support them, nor by papyrus did nets that do not contain them either, in the spiral retransform the land of all, as a plural work done here, by the Mandragoron Áullos Kósmos, intends. The male rectors will trust their works in the widespread Greek language, called koine (common). A language that writes has its own feet to write new divisions, and ordinal paragraphs to fulfill in proskínesis or obeisances in those who have golden knees or not! They will continue to make separate book stores or libraries for Filososfia or science sub-themes that will tackle the top of Profitis Ilias. For all large cities and nations, it will only be Leiak's legacy, of having large spaces for dialogues where no one can resist his man-made preaching, holographic rain forest, and times that not even in billionths will make him melt spaces of ignorance, diverge from the juxtaposed principle of unpopulated urban schools do not deserve.

Says Leiak: “Every time it is more intense to turn the dislocated nature of man, my literary idylls are at the end of everything with his genre works. Life and it's agitated think idyllic of removing the talus, which is not swayed in my chest by the Metelmi..., but by my breath of death! "
Dyticá Leiak's twilight
Jack Gladstone Jul 2014
There is something to seeing small towns at night time.
Unpopulated it seems and yet,
there people are.
Asleep,
watching tv,
dreaming or awake thinking of life,
love,
travel.
The unfortunate ones occupied with
work,
loss,
stress.
You are there unbeknownst to them all,
on the other side of so many man made giant cubicles
out living your life.
beside your brother-in-law, they placed you in the ground. they buried you by my great grandparents in an unpopulated town. by early September, the grass was cold; but they made a spot for you, so they wouldn’t be alone. dressed in black, i took a step forward; i grasped some courage, then reached for a rose. there were tears in my eyes; there was hesitancy in my step. they lowered your coffin as i took a deep breath. i swear i tried; i tried to be strong. but i remember you healthy, and now you’re just gone. so here i am; i’m faced with a choice: cry quickly, move on, & live, or socialize and listen, & try to forgive. they’re all here, grandma, your friends and your family; they came. you have no idea how great an impact in these lives that which you have made. i didn’t tell you that i’d been halfway lying, about the mistakes that i’d made. i regret not sharing my poems with you. i’m sorry for the excuses i always made. i’m sorry that i didn’t just sit with you to visit and crochet; i tried too hard to be busy until it was just too late. and i live with that regret everyday. grandma, i miss you. i love you. i know where you are lain. your beautiful soul is flying with angels, but your body’s in this dying grave. unrelenting overthinking causes a heart to stop its beating, and this gut-wrenching under-eating has got to STOP. my stomach’s bleeding from the constant hunger to feel needed. to be heard & to live in peace…once more. because grandma, i went back to your grave on September 7th this year, but i could not find your site. and i started to cry as i wandered aimlessly; to try to lay down the letter to you that i started to write. they told me that you’re better off now, but i’m not so sure i can go on living like my heart didn’t get torn out. my hands shake as i hang my head in shame because i cannot bear the thought of someone looking at me and finally noticing that i am broken..and hurt. frankly, i ache inside because, though i was there when you were buried, i know not where you lie. i forgot to pay too much attention to the site of your grave. maybe it’s because i was afraid to admit that this would turn out to be a familiar place, a desperate space, an earth-shattering, sob-crying, soul-dying, terrifying thing! grandma, i am afraid. because this…this is where you are lain.

© Melissa Carlson 2015
Marshal Gebbie May 2015
Little is known and less is appreciated about the geographic, strategic and political significance of the Spratley and Paracel Islands situated midway across the South China Sea.

Disputed historically for ownership by Malaysia, Vietnam the Phillipines and China, amongst others, the islands are situated strategically across the major commercial sea lanes of the region and atop an ocean of vast, submarine deposits of untapped fossil oil.

China has used her muscle to occupy and claim these islands, together with unspecified, adjacent sea way area. She has claimed them as sovereign territory of the People’s Republic of China. Until this occupation the islands have been largely unpopulated and have had little or no military significance. Recently, however, Chinese constructors have been ruthlessly dredging the surrounding coral reef and building a 3000m long concrete runway for military purposes on the hugely expanded artificial island area created.
Chinese troops, in divisional strength, occupy and defend the new territory.

It is significant that all parties in the region are watching China and gauging her intentions. None less so than the United States Navy who have an aircraft carrier and supporting military vessels, stationed permanently nearby and conduct over flights of the island airspace testing sovereignty and Chinese reaction.
To date reaction has been muted….but this will definitely change.

China is frantically building to be the world’s next superpower, economically, industrially, politically and militarily.
...And, as this development comes to fruition in the very near future, it is inevitable that this distant, remote set of  South China Sea islands shall become the next global hot point of international confrontation.

China and the United States of America will go eyeball to eyeball, bristling with hostility, resolute and immovable, each waiting for the other to blink!

…..and we, the rest of the world, shall, again, tremble in our boots, breathlessly awaiting the outcome.

Marshalg
22 May 2015
AUCKLAND.
The Macedonians in this spectral fight would spend their last efforts to reach the heart of Vernarth and Alexander the Great, to try to ****** and defeat them from their captaincies that challenged Asmodeus. The colossal figure of the converted Sapsila had a longitudinal figure from head to toe of approximately four kilometers, all the maritime lines of Leros, Lipsi, and Pireas housed him in the hemisphere of contemplation where his skeleton was more sensitive than the geographical area of Sapsila, where the Achaemenids approached the longitudinal pectoral of several kilometers in length, pointing out the effigy of an immemorial Hoplite sedimented in this region where the feet rested at the height of the southern hemisphere of the feet of the corresponding Nótos and Vóreios that corresponded to its head. The Achaemenids reached the exact diameter of Vernarth's pectoral where it had the admission of the energy of the Kassotides, the same entrance hole that it had with the elder in the Bumodos, ad portas of the Gaugamela stage. Here his exoskeleton was transfigured towards the monastery of Atros with the cognition of the Katapausis, which led him through the hiding place of his epistíthios breastplate or iron and bronze breastplate, which exemplified how it was erected after the Achaemenids dispersed over the nearby line of Skalá. , where they will arrive with the Psiloi, for the purposes of raising the phalanxes that will lift with their feet the colossal figure of the Psiloi being nothing less than an archetype of Brisehal in the desolate Dasht-e-Lut desert, being from unpopulated places of devotion that again he was emerging from the empty glow of the Profitis Ilias. The specters abounded wandering alone as if trying to grasp the last sparks of the politics that remained for them to surrender from their own unencumbered solitude. Brisehal was a mountain with a canine head similar to Anubis, but millions of times larger towards the top and acid, like the hope of regulars to enter the garden-kingdom of Heaven. Before the day trembled with the movement of his trembling mocking strides, that Brisehal was from Das-e-Ruth from Arbela shaking day and night, embodied in the body of Vernarth, like the bombast of the archaeological sedimented hoplite of the Subclavian Kabbalah demarcating the entire pedestrian propulsion dynamics in the Achaemenids by his rib when he was soaked in Samael's silica, since he had been given a superior potion to close the Vernarth pectoral hole, and which has not yet been transplanted by the Kassotides. In such a way that all his anatomy would border the anatomy of his body gigantic free from Asmodeus, and from the whole cycle of tons of breaths of the shadow that conceived sparks of Shemesh on them, to revert the potion of Asmodeus to the degree of innocuous elixir.

Consisting of the voluminous being stretched out in the midst of Gnosticism that declared the figure of its proverbial monstrosity to be erected, born from the consciousness of the sectarian origins that placed it after a being harassed by Samael for centuries and centuries being condemned to be stretched in non-clairvoyance of those who did not really love him and yes, with the great profile of venerating the sublime sky that he knows in front of his eyes looking at the sky that divides Grikos and Skalá, after it was time to get up for the purposes of the Battle of Patmia in the Seventh Heaven, from where Vernarth ran terrified by the Olympic archaeological excitement in which this buried being was, being the same one that represented the god that Saint John the Apostle had mentioned to him referring to Geburah; where all the serpents or basilisks protocolized appeals of revolt against Alehisebenech, the serpent that will transmit paths from Dash-e-Lut on all the heads of the Achaemenids, asserting the judgment of Gnosticism when they were incarnated by Geburah and lost their night vision through nocturnal curtains that this abnormal god of the mesosphere, who was trying to eradicate them from the roof of the Tabernacle of Faith, pointing out that the noble harassments became more inexorable with the counterattack for those who suffered temporarily from the stubborn blindness that this god Geburah forged, as a God who claimed the abilities of Mars to constitute the existential fear that would ultimately intimidate even the Islamist soul that resided in these involuntary beings, being a trophy of their instincts and losing the chrism of the Hoplites for the reason of filling them in the glasses of the room chalice of Elijah, even if they do not attend the Upper Room but may be judicious to exalt the glory oria that resides in the front of the colossus, who personifies the versatile power facing the left where he carried his Xiphos vehemently, trying to adulterate them towards the sword of Samael. The lights of the sea were appreciated in the bay of Skalá exhibiting the ardor of the breakers as the arrest of archangels that took cover to slide in the toppers that were expelled when the mass was finally raised, flickering from a forest of life that would protect the troops of Vernarth, expelling them of every scale that could lodge in a decapitated teacher, being able to come sooty and representing in the Muslim Iblis that he would exchange the eternal nocturnal light, in advance when the first movements of the troops were unleashed, while some were in the stillness of the bonfires. pointing out the glimpse of the Iblis that came quickly to shoot fire due to its excoriation, showing that just by looking into their eyes, the Vernarth clone judged him at more than four kilometers of elevation, causing dissension by trying to stun them. Once again the embryonic action of Alexander the Great would relapse on Vernarth, who was laborious among all the Syntagmas that were conglomerating from the Psiloi, and already on their boyar horses, infants of the Ida and the newly developed wagons of the epsilon, pretending to debate them in doubt of the Exodus. that resembled in the infinitive people that flee from the Shemesh that whipped them from their scriptural registers, on the hands of cherubs with their hands hold the reins, with the patriarchs with the twelve crowns of stars that shone as in the Nile linking with the Sea of Patmia.
Battle of Patmia  Part  II
Revenant Jan 2015
I understand (to the best of an 18 year old's respectively limited understanding) how the heart works, and I know how manipulation works. I'm damaged..I don't think I know what true love might be like, but I know what it feels like to receive it. I know what soulful intimacy is like. I know what it's like to trust someone with your life, but I only know that because I didn't have a choice. I know what it is to lay my mind and body down in submission in the lap of a mad man, and bow to whatever he wants, because you know it's not him, but the "other guy" talking. I know what it's like to think you can save someone if you sacrifice yourself. I know what I thought was love.
I also know what it is to grow up and leave. I know what it is to turn around and bite the hand that fed me poison. I know what it's like to rip out and desecrate the heart of the one who thought he owned mine. I know what it is to be looked at like prey. I know what it is to feel the presence of hot breath on my neck, and have cold chills run down my body and have my stomach turn; legs twitch in anticipation of frantic flight. I know what it is to uproot my future-- my life, wrap my new tender roots in rough burlap, cram them into a small plastic bin, and run.
I know not what it is to stop seeing his truck around every corner. I know not what it is to stop looking over my shoulder. I know not what it is to not be in fear in my own stomping grounds. I know not what it is to not think every set of dim headlights on the dark, unpopulated roads riding too close behind me are him. I know not what it is to breathe easy. I know running away once is not enough.
I know
I know
I know
I know
I know
I knew what I thought was love.
I knew what I made were excuses for inexcusable actions.
I knew I was wrong
I knew he was wrong
I knew
I knEW
I KNEW
I knew he was poison..I didn't want to believe it..he was antifreeze..he was so sweet..honey and molasses and syrup and sap I was STUCK TO HIM LIKE A FLY ON FLYPAPER OH HOW I REGRET EVER SEEING HIS FACE OH GOD, and I when I left, part of me ripped away from my bones, and I'm bleeding out..
No. NO NO NO NO N--
He was a long, slow inhale of mustard gas; burning my lungs and cutting my breath short and sweet. Choking me. Choking me. Choking me.
I know what I thought was love.
He's right..It wasn't and will never be considered ****..I never said "no", and I never said "stop"..
But the little cries said "no", and my face said "stop", and that should've been enough.
We are picking through the
roots of flowers we have left
to die. Imagining there is
something we can salvage
from the chemical soaked
soil. But we are no experts,
and we cannot tell the
difference between a **** and
a stem. We are blind, hungry
children. Rummaging
through the grains of moon -
rocks that fell to Earth. As
they say that stars can only
shine in darkness, and that
planets steal the oxygen
from human lungs, but -
I am sure we will be able to
breathe somewhere. That
we will find a sparse,
unpopulated land with clear
air that heals, that spreads
through our bodies and sings
that we are home
kneedleknees Dec 2016
it is strange that I find you here
unpopulated
w/o a bottle of ***** and orange
juice in backpack
w/o a ukulele in hand with which
I would sing about
drinking alone and my
******* roommates.
with the moon close
to the fretboard
and the electric lit windows
of the residence halls
like constellations
closer.
‘I love you so much’

He said so sweetly
In an empty bedroom
With the door open
To a barren hallway
Of a vacant home

From a sole house
With no other nearby
Not a single soul
In the region all around

In an unpopulated country
Of an empty continent
On a deserted planet
From a desolate galaxy

‘I love you so much’

He said once again
To a picture in his hands
And with a tear in his eye
Lovingly all alone
Through the desolate Dasht-e-Lut desert. Brisehal's huge shadowy structure moved him when he clothed himself to the whole of the Middle East, even disobeying his parents; beings unpopulated from places of contemplation that were emerging from their great mountain of the enchanted desert. The lemurs were overflowing, wandering alone as if wanting to hold on to the last sparks of politics that remained for them to surrender in their own unencumbered exile. Brisehal was a canine-headed mountain similar to Anubis, but millions of times the size upward and hydrochloric, like the prospect of parishioners entering the garden-kingdom of Heaven on their laps. Before shaking the day with the movement of his trembling footsteps, Brisehal spent two years moving day and night on the surface that became attractive to Solari's lux. Brisehal in this fifth codex was liquefied in the black layer of the wind tunnels that were by Dash-e-Lut, until the sensory layer of Dasht-e-Kavir, being attracted by the tunnel of the cave 308 meters high in Intra geological Patmos, all the sculptures and images of the cusps were made near 103 meters of initial altitude in this vertical subway, in connection with parallels that were retracted in cubic tons, drilling the dolonines or geological depressions in the extensive Lut, for a giant born from the laments and lacerations of Vernarth, when he was mentored by arrows in the middle of the Gaugamela field, even moving Maceo. When the sinkholes moved noisily, smaller mountain ranges were conceived deduced with the greater effect of their rotating nerves.

They were immense thunderings that even scrubbed even the nimbus spheroids reddened by Dasht-e-Kavir's clamor. He turned from left to right, pretending to exile the Lut Desert, tubed from his pro-generation by two bundles of high-density optical or fibral rope that he energized, and that could cohabit with Vernarth disabled in his odyssey of the Horcondising (Paradise of the lineage of Vernarth to Gaugamela).
Canto de Brisehal: “the veil that shelters indifference, has been knotted in the hatched abdomen of the earth, and of the doline that protected me from the folio that exchanges what has or will happen. The feat of all those who suffer from standing and lying down, have three routine abortions in their relative white pregnancy, which made me nest in love for my lord Vernarth. The Eritrean Sibyl, neither in Greek nor in Latin, has to circumvent the breviaries of the Pontiff Maximus who speaks while he sleeps, of aniline nights where no one perishes awake. "

Sibylline for the Saudi, from the vortex the gulfs that hide are directed,
from where they are reborn as choirs of Aeschylus, behind the springs of Agamemnon, where Clytemnestra opens the plains that make the

Shamal runs through its dry mood dew, but wet with Eritrean sap, it is an affront in subtropical springs that dry up tears from the sturdy fallen body, in tears that will not be heard by the tenacious hemp...

Al-Haffar, pierced in arrows on his thighs, arms, and pectoral, where the star opens, shining for those who die for it in the first sheet-lightning of the Thorayya night,

with violent hugs to receive who from a codex, receives the fifth bowl, for the violent winds of fishermen who ditched themselves from the wind into fine dust, and from the cleft hands of Aldebaran, peepholes of bilges of ogres that are born hellish to die as, pious in the arms of the Eritrean Sibyls, and in prologues of Brisehal with so many meters of wingspan, notwithstanding that no rye in a greater degree, which has to be ceremonial to them at the expense of a revived Libyan Sibyl.
Codex V - Brisehal Tectonics
Odd Odyssey Poet Dec 2018
Impromptu,
Finding many answers in few scriptures.
"Do as you told", by a world's control.
"Don't stray from the crowd", I were told. "Stay on target if you wish to reach a goal".

Blood pressure is rising. Where to.
Breaking through scales, passed the limits. Hoping for some Love to come through.

Liars lie in between the sheets.  It's a roose.
An already lost game with people who refuse to lose.

It's abuse.

Perusing through channels of regret with a glitchy remote,
Stuck on old memories I'd hate to stay by as a resort.

Motion pictures, showing  scenes of my life I'd  hate to lose.
I'd  hate my next steps to lead me to a life led by the *****.

Why though, be populating unpopulated areas of all hate, less Love.
While the last time feels like the first I once fell in love.

Still the many questions of what may be TRUE Love, rather than us teens smash  and pass.
I'd long for the real, that would last.  Alas.

Impromptu. Make up these words as they randomly come.
Life is not always a game but still finding ways to have fun.
Norbert Tasev Mar 2020
Homes like bombed, stateless beetle nests, clouds of cotton candy, - The ****** twilight's callous, cautionary voice would have to go home: The Dark is threatening, the secret whisperer! There's still room to get home - at least for now! The landscape alone, guarded, protected, and standing - with unshakable will, raised in armor like a glorious relic, is robbed of its natural plunder.

An unknown, alien face to you is still on the panel island - tiled carpet, and as a special piece of art in ladies ears I was able to freely congratulate the wishes of my congratulations, beautiful acts! Now it was just the gassed, grizzly destruction: outside, there were unpopulated pampa grasses, alfalfa waiting for long-lasting mowing. The passion for the day's knife has faded! "Man has always been a mini-Taigatos, like a lonely one-man."

the struggle for existence had been diligently exercising her birth-fragile capillaries. An exploratory curiosity about the captivity of longing, comforting mother's lap. - Only the priceless evocation of memories remains with me: the seductive scent of flirtations, the bombshell gaze's silent and blazing body, the cry of lips, tongues

the extinction of a glowing bully in the atomic bomb moments of passions! - You can only keep it as a mini-tyrant in your all-knowing and storeroom consciousness, with a sufficiently arbitrarily captive past; This is your home, your untouchable, earthly paradise! - Great

the blazing cauldrons of injustice will boil over you if you hold your head up to the point of innocence quickly: You don't have a heavenly smile with your loyalty, keeping morals - your dreams can only be hanging on,

stubborn, self-reassuring Prometheusian renewal, - smiling faces around you; a set of towering viper nests - your being is constantly twisting. And only your heart can beat! Perhaps pointless and increasingly futile? Suicide's lighthearted, hotheaded and irresponsible intention to bring even to life a deadly plague for their incomprehensible death

— The End —