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"tipperary" poems
Whisky in the bottle County Donegal The flowing river swilly In the distance Errigal I don't know how I made it To the port of letterkenny Nor where I'm going next As my bottles almost empty I am just a poor boy Born in county Tipperary I left my family farm And the maiden I would marry I made my way to Ulster Searching for the town of Derry I spend all my gold on whiskey Now I cant afford the ferry Met a man from cork In a pub where I was drinking Why come so far north We were talking and were thinking Kilometres from home And from anyone we've known County Donegal And there's whisky in the bottle Whack-fol de daddy-ol
0
Mar 10, 2016
Mar 10, 2016 at 3:55 PM UTC
Donegal
Daves trowel has a hickory handle, With a blade thats broader than most, It could cover the **** of a Tipperary mare Going down to the Steeplechase post. I spin it around in my palm, the trowel . . . not the horse, Its old, from a bygone age, When skill was the poor brother of force. Now its weatherbeaten and corroded, Every cut and nick still lingers, Daves trowel shines as bright as day, Im talking about my fingers.
0
Jan 27, 2016
Jan 27, 2016 at 7:38 AM UTC
Daves trowel
i tip toed to tipperary with its land so green with lots of different things that made a lovely scenethere were hills and mountains and castles everywhere. lots of lakes and rivers i saw while i was there i saw piper playing such a lovely tunewalking through the glen underneath the moonthere was lots of grass as soft as eiderdown.and clouds that looked like silk in this tipperary town.
0
Feb 22, 2010
Feb 22, 2010 at 5:48 AM UTC
tipperary town
04:14 and the shadows are long A boy pressed into a rail-side bench Raises his arms to shelter himself From the cloudless sky He ticks off seconds with the twitch of his left knee And the jump of his unhinging jaw He falls He falls nowhere But flat, back, motionless in his seat Hands cocooning head like a heavy day’s work And then digging up and pressing down Trying to rid himself of the sounds Which splice him like glass shards Or screaming shrapnel And mutilate His view of a pretty English station And a blue steam engine Beaming like the moon for which it was named 04:18 and he sets himself straight Like ***** shoelaces Or cards on the mantelpiece Winds a bit of string Around his wedding finger And croons As a man inside a toddler Re-wired refrains Lick his lips like soup stains        *Pack up your troubles…                 Long way to Tipperary…         In your old kit bag…                                  I wonder who’s…                 My heart’s right there…                                  Kissing her now…          Smile, smile, smile…* And from my compartment I watch him fade like An ink blot from a pillow case While a boy who looks a lot like him Turns with purposeful avoidance And takes the opposite view Of a pretty English station He soothes the angry creases Of his forehead Of his uniform And smiles Smiles Smiles And mutters to himself And they said it would be over by Christmas 04:14 and the shadows are long A boy pressed into a rail-side bench Jogs his knees With the obligatory poppy His mum pushed into the zip of his winter coat Drooping like a hangnail He is busied and hassled By the phone in his palm It plays an odd kind of game Where those who die Are allowed to come back And press Retry
0
Nov 15, 2014
Nov 15, 2014 at 11:23 AM UTC
When we thought about November
04:14 and the shadows are long A boy pressed into a rail-side bench Raises his arms to shelter himself From the cloudless sky He ticks off seconds with the twitch of his left knee And the jump of his unhinging jaw He falls He falls nowhere But flat, back, motionless in his seat Hands cocooning head like a heavy day’s work And then digging up and pressing down Trying to rid himself of the sounds Which splice him like glass shards Or screaming shrapnel And mutilate His view of a pretty English station And a blue steam engine Beaming like the moon for which it was named 04:18 and he sets himself straight Like ***** shoelaces Or cards on the mantelpiece Winds a bit of string Around his wedding finger And croons As a man inside a toddler Re-wired refrains Lick his lips like soup stains        *Pack up your troubles…                 Long way to Tipperary…         In your old kit bag…                                  I wonder who’s…                 My heart’s right there…                                  Kissing her now…          Smile, smile, smile…* And from my compartment I watch him fade like An ink blot from a pillow case While a boy who looks a lot like him Turns with purposeful avoidance And takes the opposite view Of a pretty English station He soothes the angry creases Of his forehead Of his uniform And smiles Smiles Smiles And mutters to himself And they said it would be over by Christmas 04:14 and the shadows are long A boy pressed into a rail-side bench Jogs his knees With the obligatory poppy His mum pushed into the zip of his winter coat Drooping like a hangnail He is busied and hassled By the phone in his palm It plays an odd kind of game Where those who die Are allowed to come back And press Retry
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61
I see a payload on the rocky road and no one's crying wolf we're a long,long way from Tipperary but there's warships in the gulf. The clock spins back,the lights burn low and off we go once more we're a long,long way from Tipperary but it's still a ****** war.
0
Aug 28, 2013
Aug 28, 2013 at 12:20 AM UTC
Cheese on toast
No social *********** no discourse on current affairs, on who's doing what or where or to whom and that's why you will always be the silence in the silent room. In aluminium doorways where the sun's rays reflect I have always suspected a hoax, japery that capers about my head, is it me or the sun that is dead? Victorian cobblestone paths made from grandad's dry bones and shells off the front line on the Somme meandering, Picardy's never that far from me and Tipperary just goes on and on. I sit here in reverie and the world pebbledashes me I am becoming a scroll lost to history a paint *** full of scenery the brush with the bristles all gone.
0
Mar 15, 2015
Mar 15, 2015 at 4:58 AM UTC
Bus 26
His name was Father Harrigan. He was so poor at the seminary . . . Ireland’s flagship seminary, Erin’s last remaining seminary, Maynooth College near Dublin, Once a network of theological schools Exporting priests worldwide, Struggling today to Produce enough priests for The shrinking next generation of Irish Catholics . . . He was so poor upon Sacrament of Holy Orders, He accepted a first post to Argentina, Where he met a young Pope Francis, “The Talking Mule,” as he was Mocked back then, back in The student lounge, Universidad del Salvador, A Jesuit institution, Buenos Aires. But I digress. Father Harrigan made friends easily. It wasn’t too long before He had his choice assignment— His coveted next assignment-- North America--specifically the Boston Archdiocese, For any ***** Irishman A land of carnal opportunity & Never Ending Corn Beef & Cabbage Bowl®, ($Ka-Ching! Finally making poetry pay!$) The Olive Garden. Southie was where it all got Started in 5th Grade, Elementary, Our Lady of Tipperary, the Spring talent show. His mother convinced him to sing One of George M. Cohan’s tune, i.e. A tune by His Eminence “Yankee Doodle Dandy,” A song called "Harrigan." **“H, A, Double-R-I, G-A-N spells Harrigan, Proud of all the Irish blood that's in me . . .”** What better way to ingratiate Himself to his parish, Or his parish priest to his family? Father Seamus Harrigan: Built like John Candy, RIP. A fat Irish slob, A captive of his appetites, Including one for boys. That guy should be given Kennedy Center Honors, for Giving the gift that keeps on giving: That first exquisite ******* Which in subsequent years Defined my taste for women Capable of perfection.
0
May 17, 2015
May 17, 2015 at 9:26 PM UTC
“Fat Irish Priest”
His name was Father Harrigan. He was so poor at the seminary . . . Ireland’s flagship seminary, Erin’s last remaining seminary, Maynooth College near Dublin, Once a network of theological schools Exporting priests worldwide, Struggling today to Produce enough priests for The shrinking next generation of Irish Catholics . . . He was so poor upon Sacrament of Holy Orders, He accepted a first post to Argentina, Where he met a young Pope Francis, “The Talking Mule,” as he was Mocked back then, back in The student lounge, Universidad del Salvador, A Jesuit institution, Buenos Aires. But I digress. Father Harrigan made friends easily. It wasn’t too long before He had his choice assignment— His coveted next assignment-- North America--specifically the Boston Archdiocese, For any ***** Irishman A land of carnal opportunity & Never Ending Corn Beef & Cabbage Bowl®, ($Ka-Ching! Finally making poetry pay!$) The Olive Garden. Southie was where it all got Started in 5th Grade, Elementary, Our Lady of Tipperary, the Spring talent show. His mother convinced him to sing One of George M. Cohan’s tune, i.e. A tune by His Eminence “Yankee Doodle Dandy,” A song called "Harrigan." **“H, A, Double-R-I, G-A-N spells Harrigan, Proud of all the Irish blood that's in me . . .”** What better way to ingratiate Himself to his parish, Or his parish priest to his family? Father Seamus Harrigan: Built like John Candy, RIP. A fat Irish slob, A captive of his appetites, Including one for boys. That guy should be given Kennedy Center Honors, for Giving the gift that keeps on giving: That first exquisite ******* Which in subsequent years Defined my taste for women Capable of perfection.
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60
She belonged to him, no other man, So he said to her each day she left. To sell the eggs and the dress she made, To pull them from the line of the poor. On the way to town each day she passed, The rings of County Tipperary. The ancient rings that live the wee folk, Who dance in moonlight and trick us all. That day she waited to see her kin, But she left no gift to please the old. So home she came with arms still heavy, and a chest that weighed a cough so foul. “My Bridget” as he knelt by her bed, Holding her hand as it shook with cold. In the crack of the flame voices he heard To hang him from his grief with despair. The news he heard was of his father Whom died the evening he felt alone. Mr Cleary swore and slammed his fist. “Midnight tonight or Bridget is lost!” The men in village knew the tale, Of the wee folk who cursed Bridget. The woman in the Cleary home bed, Was an echo of the wife he loved. They held her down and asked her, her name, She screamed and growled but did not reply, Three times they asked and still she refused. So tight the grips they beat her to sleep. The morning arrived, Bridget awoke, To her husband who looked upon her. His eyes full of loss and fear as-well, “my Bridget?” he asked “are they gone now?” She smiled and agreed, she was alone, So the priest came to deliver mass. Mr Cleary agreed and drank from the cup But he knew that his wife was not home. He asked her again, three more times; “Speak, Your name to me now, are you my wife?” Each time she replied “It is I, Yes.” Michael still knew his wife was away. That evening men from the town arrived And took Bridget deep into the bog, Where they bound her and lay her down flat, As she screamed for her husband to help. “It is I, It is me, Your sweet wife, Believe me my husband I am here, No faerie has seized my soul from me, No witch has uttered a devil curse.” Her mouth was covered and bound so tight Her screams were made only with her eyes. In front of the men, Michael asked her. “Are you my wife? My Bridget Cleary?” No voice or reply came from the girl. Her body lay still in the bog land. So onto a bed of wood she was placed, And burned in the cold evening moon light. The story was told through the village, That Bridget had fled with another, A man who bought all her eggs each week, But not everyone believed this tale. The priest of the village found Michael, Praying blood, sweat and tears in the church. He told him the fairies had taken, The changeling they had placed there before. The priest told the men of the Garda That ****** was rife in this village. That men had taken a sick women And burned her to death in the bog land. Michael was guilty of Manslaughter No conviction of ****** was passed For the people believed his story, The woman who burned was not his wife To this day the rings of Tipperary Still grow foxglove and weeds in the cracks, The Faerie mounds are feared like darkness And steered clear of, by those who live near. Even now it is heard in the school, By the children who skip on the rope. “Are you a witch, or are you a fairy, Or are you the wife of Michael Cleary?”
0
Jun 27, 2018
Jun 27, 2018 at 4:19 PM UTC
My Bridget
She belonged to him, no other man, So he said to her each day she left. To sell the eggs and the dress she made, To pull them from the line of the poor. On the way to town each day she passed, The rings of County Tipperary. The ancient rings that live the wee folk, Who dance in moonlight and trick us all. That day she waited to see her kin, But she left no gift to please the old. So home she came with arms still heavy, and a chest that weighed a cough so foul. “My Bridget” as he knelt by her bed, Holding her hand as it shook with cold. In the crack of the flame voices he heard To hang him from his grief with despair. The news he heard was of his father Whom died the evening he felt alone. Mr Cleary swore and slammed his fist. “Midnight tonight or Bridget is lost!” The men in village knew the tale, Of the wee folk who cursed Bridget. The woman in the Cleary home bed, Was an echo of the wife he loved. They held her down and asked her, her name, She screamed and growled but did not reply, Three times they asked and still she refused. So tight the grips they beat her to sleep. The morning arrived, Bridget awoke, To her husband who looked upon her. His eyes full of loss and fear as-well, “my Bridget?” he asked “are they gone now?” She smiled and agreed, she was alone, So the priest came to deliver mass. Mr Cleary agreed and drank from the cup But he knew that his wife was not home. He asked her again, three more times; “Speak, Your name to me now, are you my wife?” Each time she replied “It is I, Yes.” Michael still knew his wife was away. That evening men from the town arrived And took Bridget deep into the bog, Where they bound her and lay her down flat, As she screamed for her husband to help. “It is I, It is me, Your sweet wife, Believe me my husband I am here, No faerie has seized my soul from me, No witch has uttered a devil curse.” Her mouth was covered and bound so tight Her screams were made only with her eyes. In front of the men, Michael asked her. “Are you my wife? My Bridget Cleary?” No voice or reply came from the girl. Her body lay still in the bog land. So onto a bed of wood she was placed, And burned in the cold evening moon light. The story was told through the village, That Bridget had fled with another, A man who bought all her eggs each week, But not everyone believed this tale. The priest of the village found Michael, Praying blood, sweat and tears in the church. He told him the fairies had taken, The changeling they had placed there before. The priest told the men of the Garda That ****** was rife in this village. That men had taken a sick women And burned her to death in the bog land. Michael was guilty of Manslaughter No conviction of ****** was passed For the people believed his story, The woman who burned was not his wife To this day the rings of Tipperary Still grow foxglove and weeds in the cracks, The Faerie mounds are feared like darkness And steered clear of, by those who live near. Even now it is heard in the school, By the children who skip on the rope. “Are you a witch, or are you a fairy, Or are you the wife of Michael Cleary?”
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80
i went to tipperary with its land so green with lots of different things that made a lovely scene there were hills and mountains and castles everywhere. lots of lakes and rivers i saw while i was there. i saw pipers playing such a lovely tune walking through the glen underneath the moon there was lots of grass as soft as eiderdown. clouds that looked like silk in tipperary town.
0
Jan 3, 2015
Jan 3, 2015 at 11:33 AM UTC
tipperary town
Magdalene lay beside Mary on her own bed as Magadalene's parents were out shopping in town wonder what Sister Luke'd say if she saw us here like this? Mary said exhaling smoke from the cigarette she held away from her lips, probably have a fit or wet her bloomers in the middle of Mass Magdalene said before she inhaled smoke from her cigarette and going red in her plump face she'd mouth out half a dozen Hail Marys Magdalene said through a mouthful of smoke, what'd your Da say if he saw us now? Mary said bet he'd take to your behind with his big hairy hand and mine too she added laughing, Magdalene hadn't put on the record player so she could hear if the parents returned and they could vacate the bed as quick as they could and dress, are you still seeing the Brady boy? Magdalene asked as I saw you talking to him the other day and you were making him laugh, wouldn't give him more than a smile the big loon nor let him near my *** *** nor lick my skin Mary said, they turned to face each other having stubbed out their cigarettes in the ashtray beside the bed and embraced for the last time before dressing, they had just dressed when the downstairs door opened and they could hear her father's voice and so left the bedroom and went downstairs acting all innocent and pure as angels and lied about what they had been doing, the parents greeted Mary in half smiles and lowered voices and were glad when she left and moaned at Magdalene for bringing her home, just played records and talked Magdalene lied sensing the kisses which had stayed and dried.
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Aug 22, 2018
Aug 22, 2018 at 4:48 AM UTC
Tipperary Girls 1963
Magdalene lay beside Mary on her own bed as Magadalene's parents were out shopping in town wonder what Sister Luke'd say if she saw us here like this? Mary said exhaling smoke from the cigarette she held away from her lips, probably have a fit or wet her bloomers in the middle of Mass Magdalene said before she inhaled smoke from her cigarette and going red in her plump face she'd mouth out half a dozen Hail Marys Magdalene said through a mouthful of smoke, what'd your Da say if he saw us now? Mary said bet he'd take to your behind with his big hairy hand and mine too she added laughing, Magdalene hadn't put on the record player so she could hear if the parents returned and they could vacate the bed as quick as they could and dress, are you still seeing the Brady boy? Magdalene asked as I saw you talking to him the other day and you were making him laugh, wouldn't give him more than a smile the big loon nor let him near my *** *** nor lick my skin Mary said, they turned to face each other having stubbed out their cigarettes in the ashtray beside the bed and embraced for the last time before dressing, they had just dressed when the downstairs door opened and they could hear her father's voice and so left the bedroom and went downstairs acting all innocent and pure as angels and lied about what they had been doing, the parents greeted Mary in half smiles and lowered voices and were glad when she left and moaned at Magdalene for bringing her home, just played records and talked Magdalene lied sensing the kisses which had stayed and dried.
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75
& AGAIN: "YES!" He stepped out of the photo stretched and gave a great yawn. He had been standing by that wall it seemed forever. The sun shone in black&white.; Outside it was night. He had never seen  his grandson who lived in colour on the mantlepiece just newly born. He strode out boldly in 3-D with the strange gait of a 2-D'er trying to put his best foot forward. It was a long long way to the photo of Tipperary and the smiling newborn boy but by God he made it. His grandson lay smiling in a shaft of sunlight that rocked him gently and gently. He stepped into the colour and turned into a nice sepia. He held his grandson against his chest smiling in Kodachrome. Then put him back in the frame. He managed to return to his own black& white as headlights travelled across the ceiling before the telephone rang and the morning awoke and sleepy feet from above went to answer it with a yawn: "Yes...yes. . ." & again: "YES!"
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Apr 7, 2016
Apr 7, 2016 at 2:58 PM UTC
& AGAIN: "YES!"
Her baby was buried in a grave alongside 827 other babies. Who knew no mothers. Her mother thought it best to let the nuns help her sell the child to the Americans. The babies would have had names like Dermot, Aoife, Sandra and Sean "Would have" isn’t an awfully good thing to think about. It was a typically miserable November Sunday When they brought her over there after that last mass. Unrelated to this, there is a launderette named the Magdalene in the city I live in, which is nowhere near Tipperary but in the East of England. In fairness, it is located on Magdalen Street, without the second “e”, A once rough and tumble but now an up and coming kind of place, where among the students and young professionals getting their whites cleaned the only ones likely to take offense at this are students of history or the named émigré children of Irish parents. I’ve been told it’s now a chain of launderettes, but I imagine the owners have enough on their mind without constantly Googling their services. When they let her out of the home for troubled girls, it was the warmest July she’d ever seen. Some days the baby’s name is Michael, others it’s Matthew, recently, it’s been Corey, Ryan, even Sean. But she never wishes that it would have been a girl.
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Apr 19, 2019
Apr 19, 2019 at 12:53 PM UTC
The Sorrow
Mary Moran rolls a cigarette between fingers and thumbs, liberated tobacco and paper from her da's pocket, if he knew he'd belt her behind, she licks the paper end with her damp tongue, rolls it thin and lights it up with a Swan Vesta stole from her ma's kitchen box, Magdalene she'd met at the coffee bar had a laugh talked of Sister Bridget and the priest and some going ons, sweet Mags gazed at her placed a hand on her thigh talked of her da, the smoke rises from the ciggie skyward cloud like, Martha sat sipping her coffee ********* her rosary in the bar like Brian fingers my bra strap the loon, Mary knows what Brian is after he's more chance of the pox than that she muses watching the smoke twirl as it touches the roof of the greenhouse glass, if Da found me now he'd tan my *** she muses inhaling deeper lungful drag, the priest in confessions (the old boy)nigh on had a heart attack when she confessed the weeks worth, spluttering she heard through the wire mesh of the confessional, Magdalene wants me to go listen to LPs on her record player in her room away from her da and ma and their moans and groans, Martha with her blue eyes stared at the crucifix on her rosary like a lovesick cow as they sipped their coffee and yakked of the priest and nun and imagined fun.
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Dec 29, 2015
Dec 29, 2015 at 10:18 AM UTC
TIPPERARY MARY 1963.
Dear Charlie, Don’t worry about me, I am doing all alright Today I ate a Rhubarb custard pie Like mom used to cook when we would’ve cried Or when we finished eating dinner late in the night Then, we played "Beat Your Neighbor Out Of Doors" And we wagered collectible cigarette packs I have won a Lucky strike just like yours So I exchange it for a bugles and dots snack Later, we listened to the radio Everyone knew: “It's a Long Way to Tipperary" I looked at some memorable photos Even the one with grandpa who stayed temporarily Finishing the day, I read the book you gave me Looking at the sky, reminiscing our memories At the end of the day, I cherish you greatly So, little brother, don’t worry about me
0
Mar 22, 2019
Mar 22, 2019 at 3:37 AM UTC
Dear Charlie
((20 minute poetry) To be sure the beginning always starts with a flutter of hearts and the shivers that run down your spines. Has it happened to you how many times, and can you tell me what did it do? did it make all those dreams that you once dreamt come true, or did the heart only flutter in you? down here on the lower rung where the choir boys once stood and sung, it's a long way back to Tipperary. From Bantry bay through Kenmare on the way, then on to the old town of Cork it was a long road, but a nice day for a walk.
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May 6, 2016
May 6, 2016 at 6:36 AM UTC
The Irish connection
I'm nostalgic for those old wars; The coloured Roses kind, With heroes and villains named Henry or Joe. Wars that inspired poems about fields and bunkers. And songs. So many catchy lilts with Tipperary, white cliffs and battleships. And slogans that made children want to fight Against Loose Lips and encrypted blips on collateral damages. I could be persuaaded to enlist, To serve along side guys like the Duke, And **** and **** Tojos and Huns, While singing and dancing. And the community. How all chipped in with the Effort. Congealing around ***** of yarn or tinfoil...  and victory gardens! We'd be three deep on the boulevard, handing flowers to marching children on Main St., And the pulpits and towers exalt our efforts: *God is with us. Shangdi yu women tong zai. Dieu est avec nous. Gott ist mit uns. Bag s nami. Dio e con noi*. Nobody has penned a memorable song About Nagasaki; We've seen some brain numbing, Award winning pics About Hiroshima. We won't meet again. I don't know when, But how is definite. A few big boys, And... Phsssszzzzzt! How does that song go?
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Dec 21, 2024
Dec 21, 2024 at 10:23 AM UTC
We Won't Meet Again
Martha stood outside the door of Sister Teresa’s office; other pupils passed by along the corridor on their way to lessons. One of the pupils came over and said: What you doing here? Martha paused ********* her rosary in her skirt pocket. Seeing her about my vocation to be a nun, she said. Rather you than me, Mary said, I wouldn’t be a nun for all the holy water in Rome: See you later, and she walked off down the corridor. Martha resumed ********* her rosary and muttering an Ave. The door opened and the nun poked her head out: Come in, Martha. Martha entered the room and the nun closed the door behind them, and sat at the desk. Sit down, Martha. Martha sat in the chair opposite the nun. Sister Teresa, fingered pages in front of her. So you want to be a nun? Martha nodded and gazed at the nun. The nun was thin and had a pointed nose and thin line of a mouth. What kind of nun? Sister Teresa asked. A good nun, Martha replied. The nun frowned: I meant, an active or contemplative nun. Contemplative nun, Martha said. She focused on the crucifix on the wall above the nun’s head: the Crucified's eyes were half open and half closed, and the crown of thorns was pushed down into the head. The nun studied the young girl opposite her: plump with brown hair and a vacant expression on her face. Have you spoken to the priest about this? the nun asked. Yes, Martha replied returning her gaze to the nun. What did he say? the nun asked. To see you, Martha said. The nun looked at the girl’s expression, at her other-worldly gaze. Have you any particular order in mind? Martha’s eyes lifted to the feet of Christ, nailed one on top of the other, bloodied. Not sure which, Martha said, but my auntie Rose is a Benedictine nun in some abbey in the south. The nun gazed at the girl’s hands ********* a rosary. She took down a book behind her and opened it. Shall we write to the Benedictine order? she asked. Martha wanted to go and kiss the feet of Christ, place her lips where the feet met. Cistercians nuns, Martha said, gazing back at the nun. The nun scribbled down the address of the order from the book. I will write to the abbess of the order and see what she suggests, the nun said, but you will need to be at least sixteen before you can enter, although they prefer eighteen. Martha remembered seeing a photograph of a Cistercian nun in a book from the school library. I’m nearly fifteen, she said, and by the time all the letter writing is done and I make a visit and they see me, the time will go, Martha said. The nun said she would write and after a few more questions, Martha left the room. The nun gazed at the door; she would write the letter and express the best she could about the girl. She was certainly not the usual fifteen year old in Tipperary; and there was something a bit odd about her, how she eyed the crucifix on the wall during the interview. She would write and hopefully it would do.
0
Nov 5, 2018
Nov 5, 2018 at 6:47 AM UTC
Martha's Interview 1963
Martha stood outside the door of Sister Teresa’s office; other pupils passed by along the corridor on their way to lessons. One of the pupils came over and said: What you doing here? Martha paused ********* her rosary in her skirt pocket. Seeing her about my vocation to be a nun, she said. Rather you than me, Mary said, I wouldn’t be a nun for all the holy water in Rome: See you later, and she walked off down the corridor. Martha resumed ********* her rosary and muttering an Ave. The door opened and the nun poked her head out: Come in, Martha. Martha entered the room and the nun closed the door behind them, and sat at the desk. Sit down, Martha. Martha sat in the chair opposite the nun. Sister Teresa, fingered pages in front of her. So you want to be a nun? Martha nodded and gazed at the nun. The nun was thin and had a pointed nose and thin line of a mouth. What kind of nun? Sister Teresa asked. A good nun, Martha replied. The nun frowned: I meant, an active or contemplative nun. Contemplative nun, Martha said. She focused on the crucifix on the wall above the nun’s head: the Crucified's eyes were half open and half closed, and the crown of thorns was pushed down into the head. The nun studied the young girl opposite her: plump with brown hair and a vacant expression on her face. Have you spoken to the priest about this? the nun asked. Yes, Martha replied returning her gaze to the nun. What did he say? the nun asked. To see you, Martha said. The nun looked at the girl’s expression, at her other-worldly gaze. Have you any particular order in mind? Martha’s eyes lifted to the feet of Christ, nailed one on top of the other, bloodied. Not sure which, Martha said, but my auntie Rose is a Benedictine nun in some abbey in the south. The nun gazed at the girl’s hands ********* a rosary. She took down a book behind her and opened it. Shall we write to the Benedictine order? she asked. Martha wanted to go and kiss the feet of Christ, place her lips where the feet met. Cistercians nuns, Martha said, gazing back at the nun. The nun scribbled down the address of the order from the book. I will write to the abbess of the order and see what she suggests, the nun said, but you will need to be at least sixteen before you can enter, although they prefer eighteen. Martha remembered seeing a photograph of a Cistercian nun in a book from the school library. I’m nearly fifteen, she said, and by the time all the letter writing is done and I make a visit and they see me, the time will go, Martha said. The nun said she would write and after a few more questions, Martha left the room. The nun gazed at the door; she would write the letter and express the best she could about the girl. She was certainly not the usual fifteen year old in Tipperary; and there was something a bit odd about her, how she eyed the crucifix on the wall during the interview. She would write and hopefully it would do.
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156
The sky is blue, the water green, the sand is white and the Seagulls squawk. The squish between my toes is friendly. Try as hard as I can I find no joy.   The children dash about and mother's call.  The red bathing suit of the toddler shines and is beautiful. The lovers on the blanket kiss, oblivious to my gaze. The sun is strong, the breeze is glorious.  The lifeguard watches the bathers from a ladder high off the ground. I walk, alone, along the shore holding no one's hand. The salt air is filled with the smells of Sunday. You are off to the wars and I am walking to Tipperary. Caroline Shank 10.18.19
0
Oct 18, 2019
Oct 18, 2019 at 12:17 PM UTC
Walking to Tipperary