I can imagine her in Aarhus Kunstmuseum coming across this painting, adjusting her glasses, pursing her lips then breaking out into a big smile. The gallery is almost empty. It is early in the day for visitors, but she is a tourist so allowances are made. Her partner meanwhile is in the Sankt Markus Kirke playing the *****, a 3 manual tracker-action gem built in 1967 by Poul Gerhard Anderson. Sweelink then Bach (the trio sonatas written for his son Johann Christian) are on the menu this morning. In the afternoon she will take herself off to one of the sandy beaches a bus ride away and work on a poem or two. He has arranged to play the grand 83-voice Frobinus ***** in the Cathedral. And so, with a few variations, some illustrious fugues and medley of fine meals in interesting restaurants, their stay in Denmark’s second city will be predictably delightful.
       She is a poet ‘(and a philosopher’, she would say with a grin), a gardener, (old roses and a Jarman-blue shed), a musician, (a recorder player and singer), a mother (four girls and a holy example), but her forte is research. A topic will appear and relentlessly she’d pursue it through visits to favourite libraries in Cambridge and London. In this relentless pursuit she would invariably uncover a web of other topics. These would fill her ‘temporary’ bookcase, her notebooks and her conversation. Then, sometimes, a poem would appear, or not.
          The postcard from Aarhus Kunstmuseum had sat on her table for some weeks until one quiet morning she decided she must ‘research’ this Sosphus Claussen and his colleagues. The poem ‘Imperia’ intrigued her. She knew very little Danish literature. Who did for goodness sake! Hans Christian Anderson she dismissed, but Søren Kierkegaard she had read a little. When a student, her tutor had talked about this author’s use of the pseudonym, a very Socratic device, and one she too had played with as a poet. Claussen’s name was absent from any online lists (Were there really on 60 poets in Danish literature?). Roge appeared, and the painter Willumsen had a whole museum dedicated to his work; this went beyond his El Greco-like canvases into sculpture, graphics, architecture and photography. He looked an interesting character she thought as she browsed his archive. The one thing these three gentlemen held in common was an adherence to the symbolist aesthetic. They were symbolists.
         For her the symbolists were writers, playwrights, artists and composers who in the later years of the 19C wanted to capture absolute truth through indirect methods. They created work in a highly metaphorical and suggestive manner, endowing particular images or objects with symbolic meaning. Her studies in philosophy had brought her to Schopenhauer who considered Art to be ‘a contemplative refuge from the world of strife’. Wasn’t this what the symbolists were all about?
         Her former husband had introduced her to the world of Maurice Maeterlinck through Debussy’s Pelleas and those spare, intense, claustrophobic dramas like Le Malheure Passe. It was interesting how the discovery of the verse of the ancient Chinese had appeared at the time of the symbolist project, and so influenced it. Collections like The Jade Flute that, in speaking of the everyday and the natural world, held with such simplicity rich symbolic messages. Anyway, she didn’t do feelings in her poetry.
           When she phoned the composer who had fathered three of her children he said to her surprise ‘Delius’. He explained: C.F. Keary was the librettist for the two operas Delius composed. Keary wrote a novel called The Journalist (1898) based on Sosphus, a writer who wrote plays ‘heavily laced with symbolism’ and who had also studied art and painted in Paris. Keary knew Claussen, who he described as a poet, novelist, playwright, painter, journalist and eventually a newspaper owner. Claussen was a close friend of Verlaine and very much part of the Bohemian circle in Paris. Claussen and Delius’ circle intersected in the person of Herman Bang, a theatre director who produced Claussen’s Arbedjersken (The Factory Girl). Clauseen wrote an important poem on Bang’s demise, which Delius set to music.
          She was impressed. ‘How is it that you know so much about Delius?’, she asked. He was a modernist, on the experimental edge of contemporary music. ‘Ah’, he replied, ‘I once researched the background to Delius’ Requiem. I read the composer’s Collected Letters (he was a very serious letter writer – sometimes 10 a day), and got stuck into the letters of his Paris years when so many of his friends were Scandinavian émigrés. You once sent me a postcard of a painting by Wilhumsen. It was of Clauseen reading to two of his ‘symbolist’ colleagues. I think you’d picked it up in Denmark. You said, if I recall, that you’d found it ‘irresistible’’.
          And so it was, this painting. Irresistible. She decided that its irresistibility lay in the way the artist had caught the head and body positions of reader and listeners. The arrangement of legs, she thought, says so much about a man. Her husband had always sat with the care embedded in his training as a musician at an instrument. He could slouch like the rest of us, she thought, but when he sat properly, attentive to her words, or listening to their sweet children, he was beautiful. She still loved him, and remembered the many poems she had composed for him, poems he had never seen (she had instructed a daughter to ‘collect’ them for him on her passing). Now, it was he who wrote poetry, for another, for a significant other he had said was his Muse, his soul’s delight, his dearly beloved.
          The wicker chair Sophos Claussen is sitting in, she decided, she would like in her sitting room. It looked the perfect chair for giving a reading. She imagined reading one of her poems from such a chair . . .
 
If daydreams are wrecks of something divine
I’m amazed by the tediousness of mine.
I’m always the power behind throne.
I rescue princes to make my own.
 
‘And so it goes’, she thought, quoting that American author she could never remember. So it goes, this strange life, where it seems possible for the mind to enter an apartment in 19C København and call up the smell of brilliantined hair, cigar tobacco, and the samovar in the kitchen. This poem Imperia I shall probably never read, she thought, though there is some American poet on a Fulbright intent on translating Claussen’s work into English. In a flash of the mind’s miracle she travels to his tiny office in his Mid-West university, surrounded by the detritus of student tutorials. In blue jeans and cowboys boots Devon Whittall gazes out of his third storey window at the falling snow.
 
There is nothing in the world as quiet as snow,
when it gently descends through the air,
muffles your steps
hushes, gently hushes
the voices that speak too loud.
 
There is nothing in the world of a purity like snow's,
swan's down from the white wings of Heaven,
On your hand a flake
is like dew of tears,
White thoughts quietly tread in dance.
 
There is nothing in the world that can gentle like snow,
quietly you listen to the silent ringing.
Oh, so fine a sound,
peals of silver bells,
rings within your innermost heart.
 
And she imagines Helge Rode (his left arm still on his right shoulder) reading his poem Snow in the quiet of the winter afternoon at Ellehammersvej 20 Kastrup Copenhagen. ‘And so it goes,’ she thought, ‘this imagination, flowing on and on. When I am really old like my Grandmother (discharging herself from hospital at 103 because the food was so appalling) will my imagination continue to be as rich and capable as it is today?’
          Closing her notebook and shutting down her laptop, she removed her cat from its cushion on the table, and walked out into her garden, leaving three Danish Symbolists to their readings and deliberations.

Silence, beautiful voice!
Be hard and still, for thou only troublest the mind,
And within such a joy I cannot rejoice,
a glory I shall not find.

Catch not my breath, o clamorous heart;
for thou art more horrendous than the horrendous,
and thy mourning over this heavy breath is far too hard,
but sounding alternately irresolute and pretentious.
Thou needst not be my ultimate, though doleful, present;
thou art wicked and frail as the serpent;
I shall let thy tongue be a thrall to my eye,
but vex thee greedily 'till thou benevolently saith goodbye.
I shall makest thee angry and giveth in to anger and lie
and let thee search about within my soul, and die.

Ah! Still, I shall listen to thee once more,
But move, I entreat; to the meadow and fall before
Thy feet on the meadow grass and adore
Bring my heart to thy heat but not make it sore
Not thine, which are neither courtly nor kind;
not mine, for thy youth still, makest me sweet and blind.
Oh, if only thou couldst be so sweet,
and thy smile all the worldliness I dreamt,
For it all wouldst no longer be stormy and pale,
or threatened be, to vanish amongst such winds or ghastly gales;
Ah, yon fairness wouldst be fair,
and scented as sweetly as thy hair.

Whom but thee, again, I should meet
Whenst at stormy nights sunset burneth
At the end of the head village street,
Whom I should meet behind the red ferns?
For I believest, in such boundlessness of fate
Fate that worlds cannot deny, and grudge cannot hate.
And, I believest indeed, my darling shall be there,
to touch he, shall my hand so sweet,
He bowest to me and utterest holy amends
To his future lover, but less than meekly hesitant; friend.

What if with his sunny hair
He connivest for me a snare
Who wouldst hath thought locks of gold so fair
Huddled and curved cozily by hands of care
Immersed in silver, tailored in gold
Even darker than toil, but sharper than words
Wouldst throw in my way pranks and deceit
As to his expectations I couldst not meet?
Wouldst he expect me to stand in the snow that couldst bite
and criest for and cursest him, in the middle of furious nights?

And what if with his sunny smile
Which he refineth with sweetness all the while
And with such an ostentatious remorse
That makest truthful delight even worse
He stealest my heart and makest me swear
So for any other I ought not to care
And my tears shall again be conceived in between
In the eternal mirror of revelling seasons, unseen
Knowing not what it hath done, or where it hath been
What if seas and clouds turnest just they are, so mean?

And imprisoned up and above
I shall hearest beloved Lord talk of the futility of love
And He shall oftentimes stop and mirthlessly laugh
Ruining the castles and puzzles and stories I dreamt of
If distances are not too far to walk to
I shall darest to cross my sphere and get over you
But sins hath perhaps forbidden my courteous intentions
As their meanness swayest me around with no destination-
ah, look at how their vile, grinning eyes temptest me!
They itchest my veins, they throttlest my knees;
and how uncivilly their ****** teeth hauntest me!
Indeedst, indeedst-they are far more horrendous than these living eyes canst see!

Perhaps his smile and tender tone
Were all that I imagined alone
Now that all spells hath grimly gone
Am I truly left on my own?
Ah, prone, prone is truly my soul
But I am distant here, lonely and cold
I am also strong but this solitude is too bold
I hath always been awake with truth, but this I cannot fold
And hovering dancing leaves are grotesquely thrown
About their echoing chambers opened wide
Until more rueful gravity has grown;
and hilarity fades wholly from my side

Once we came to the bench by the rouge church
And sat for hours by the wooden pillar alone
We sang along with the singing white birds
And those strangely blushing red thorns
'Till we fought everything burdened and curtly torn
As how the moon hurriedly cried 'till it found the morn
'Till suddenly, sweetly my heart beat stronger
And thicker, 'till I almost heard it no longer
But I realised, and fast mused and sighed
'No, it cannot stayest long, it cannot be pride.'

T'en we walked a mile-
Just a mile from the moors,
Circling about to find some exile
Away from noises and banging of doors.
We both pleaded, pleaded to our dear Lord
T'at genuine love our hearts couldst afford
But time grew envious and cut our walk short
As night approached and we suddenly had to resort.

And he too, he too was mad
And frowned and twitched that so made me sad
Endlessly alone he wouldst blame me and more fret
Sending myself down and brimmed with regrets
Like a parrot shuffling about its offspring's dying bed
My eyes grew warm and hurtful and red
Anger betrothed him to its indignant powers
Corrupted his cheers and drank away his laughters
I was furious, I cursed and kicked frantically at fate
How it grossly tainted and strained my tenuous date
For it was tenuous and I struggled to makest it strong;
but fate shamefully ripped it and all the triumph I'd woven, all along.

And losing him was indeedst everything,
nothing distracted me and kept my jostled self going.
I feelest lethargic even in my sleep,
I keepest falling from rocks in my dreams-ah, too leafy and steep!
I dreamest of suburbs that are rich with divine foliage,
I rejoicest in whose tranquil, though transient, merriment.
And as morn retreatest, I shall be again filled with rage,
I refusest to eat and enjoy even a slice of everyday's enjoyment.
I am now wholly conquered by worry; I was torn and lost in my own battlefield,
I hath no more guard that shall lift me upwards and grant me his shield.
Ah, I hath now been turned, to a whole nonentity;
at my wounds people shall turn away, with a foolish laugh and mock sorry.

O, love, and I am now vainly stuck in the night,
The night that refusest to leave my tired sight.
The night that keepest returning the dark
with no more hope of reflective sight,
and no more signs pertinent burning light,
and sick I'th become, of this jealous dread.
But am I really sick now? Utterly sick of this lonesome envy?
Ah, still I better refusest to know. My dreams are bad.
The shapes in there are far too inglorious and mad.
Just like those-ah! Do not let them harm me!
Where are my eyes? My very heart, my own blood,
and perhaps, my thorough sense of humanity?
One second back they were all still with me,
but they are all now ruined phantoms and shapes,
whenever I am fast asleep,
he turnest them out like obedient sheep
and handest them to the unseen to be *****.
He was neither sincere nor tactful,
and believed too heartly in his odious and ill-coloured soul.
Ah, but duly shall I even call this season harmful,
sorrows rule our hands, whilst distaste reign our men.
Disgrace ownest its peaks, within gratuitous handfuls,
men knowest not their lovers, speakest not of us as friends.
Ah, this is a bitter spring indeed, of anger and fear;
With thousands of evil tongues and evil ears,
For lovers are at war with their lovers,
and makest each others' eyes unseeing and blind.
Even God, our lovely God himself, is at war with his heavens,
for whose minds are lost, as real conscience shall never ever find.

Where is my love? Ah, perhaps staggering under the woods,
And I, who else, shall be with him,
Gathering woodland lilies,
Prosperously blooming under the trees.
Where is my heart? Ah, it is carried again within him,
as we layest about the green grass on our limbs,
with oiled lamps at our feet,
and tellest stories as our loving eyes lean closer and meet.

Ah, beauty! That is the picture in my mind,
not him, not him, that has sent me blind.
Still the image of him makes me sick,
his image that is as stony and greedy as a brick.

He has no feelings, he has no emotion,
he has no endurance and twists of natural passion.
He has all the strength and virility the world ever wanted,
but his mind remainst cold, his heart his own self once entered.
He is as unjust as a statue,
he knowest not wrong and right, nor false from true.
For whilst I tried to praise his being so comely,
he took all my remarks sedately,
he gazed at me with an arrogant face snarling,
and praised the gentleness of his own darling.

He is unthinking, savage, and unfeeling,
his face a human, his heart a brute.
He might be all the way comely and charming,
too pitiful he is inhuman and acts like a crude.
My fancy was sometimes real overbold,
for whenst I was to coo and hold, he was but to scream and scold.
Scorned, to be scorned by one that I not scorn,
whenst all this passion my shoulder had borne?
It is unfair and ignominiously hateful,
gross and unjust, horrid and spiteful.
A fool I am, to be unvexed with his pride!
And once, during repetitive daylight,
I past him, one day I was crossing his lands,
I did look at him not as a gentleman,
He was laughing at his own tediousness,
I dreaded him for that, but as I came home
later, I cried again, over his picture with madness.

Ah! How couldst I ever forget him,
whenst he is but the one I love?
No matter how strange this may seem,
he was the one I real dreamt of;
I want to love him not in a dream,
I want to touch him in his flesh.
I want to smell that scent of him,
and breathe onto his lap and his chest.
I want to sit in his oak-room,
and tellest him of stories of glad and gloom,
before the ocean-waves afar laid
next to quiet storms, amidst our private delight.
I want to have him selfishly!
Have him laugh endlessly with me,
and all the way love him madly;
with a heart so dearly but greedy.

What, if he fastened himself to this fool dame,
and bask in her infamous joy, and fame
Should I love him so well, if he
gave her heart to a thing so low?
Should I let him again smile at me
If we are bound to see each other tomorrow?
His smile, at times can be full of spite
Yet in spite of spite, he is all but comely and white;
I miss him, I miss him as just how I miss my dream,
He is, though marred, is just as sweet as I remember him,
I insist sorrow coming up to me,
To consolest and hearest here, my deepest plea
And ****** the most painful pain to he and she
And restore then, his innocent self to me.

I hearest no sound from where I am standing
But the rivulets and tiny drops of rain
Are starting to send moonlight to my whining
As I twitch and swirl and whirl about in the rain.
I watch people flock in and out the evening train;
their thoughts hidden, like all the mimicry in a quiet play.
Hearts full of glowing love, and at the same time, of disdain;
all pass by gates and bars and entrances with nothing serious to say.
Ah, perhaps I am the only one too melancholy,
for even at this busy hour think doth I, of such poetry.
Yet melancholy but real, for if I ever be dear to someone else,
then I decide that should I be, to myself, far dearer.
For I believe not tales another creature tells,
they can be lies, they can be unfairer.
Like a nutshell too hard for the very poor shell itself,
I do feel pity for him and his ignorant self.
Unlucky him, for I carest more for every puff of his breath,
no matter how eerie-and she, rejoices over
the bashful lapse, of his death.

My life hath crept so long on a broken wing
Through cells of madness, horror, and fear;
Fear that is brutal and insidious, though inviting
and lies that eyes cannot see nor ears hear;
My mood hath changed, at least at this time of year
As I'th stayed more about and dwelled mostly here
And my previous grief hath outgrown itself like a butterfly
Too I witnessed as It fluttered and flickered madly,
and at the very last moment, died silently 'midst its own fury;
All weeks long, I hath listened and learned tactfully more
Lessons that I hath never heard of, never before.

But still, hate I this severely clashing world;
too much torpor hath we all borne, and burning, virile hurt.
O down, down with laborious ambition and ******
Kiss this earth's silent layers and fold down our knees
Ah, darling, put down thy passion that makest thee Hell!
To all madness of thine thou should sayest, farewell-
Hesitate not, and leave thy curious, and agile state
Be honest and precise, be courteous and moderate.
Crush and demolish and burn all demonic hate
Thus instead cherish and welcome thy realistic fate.
Entertain thy love; with dozens and dozens of new, novelty!
Brush up thy pride, but leavest away, o, leavest away thy old vanity-
Ah, and profess thy love only to me, for it brings me delight
It returns my hope, and turns all my dissolutions to light.

And tease, tease me, and my frenetic, personal song
Though I but be a wounded thing-with a rancorous cry,
I am wretched and wretched, as thou hath hurt me all along
Sick, sick to the heart of this entire life, am I.
Many one hath preached my poor little heart down,
Neither any merriment is mine, 'mongst this serene county town.
My only friend is my oak-room bible, and its dear God
Who mockest frenetic riches rich at diamonds but poor at heart
With cries that rulest turning minds from each other apart;
and with wealth running away to selfishly savest their spoilt, cruel hearts-
o, how I am lucky-for I am destroyed, but not by my dear Lord;
I am healed and charmed by His generous frank words.

All seemest like a vague dream, but still a dear insight
For he, above all, taught me to see which one was right
I still miss him, and dearly hope that he canst somehow be my future poem
And together we shall fliest towards joy and escapest such unblessed doom;
His musical mouth is indeedst my song,
a song that I'th been singing intimately with, all along!
For this then shall I shall continue my pursuit,
with a grateful heart and so a considerate wit,
for I am sure now-that he is mine, and only mine,
and duly certain of these promising, though long, signs;
But now I feel my heart grow easier;
as it now embraces days in ways lovelier;
for I hath now awakened again, to a better mind,
so that everything is now to me just fine;
Still he bears all my love and intuitive goodwill,
yet how to waken my love, God knowest better still.

The south-wind brings
Life, sunshine, and desire,
And on every mount and meadow
Breathes aromatic fire,
But over the dead he has no power,
The lost, the lost he cannot restore,
And, looking over the hills, I mourn
The darling who shall not return.

I see my empty house,
I see my trees repair their boughs,
And he, —the wondrous child,
Whose silver warble wild
Outvalued every pulsing sound
Within the air's cerulean round,
The hyacinthine boy, for whom
Morn well might break, and April bloom,
The gracious boy, who did adorn
The world whereinto he was born,
And by his countenance repay
The favor of the loving Day,
Has disappeared from the Day's eye;
Far and wide she cannot find him,
My hopes pursue, they cannot bind him.
Returned this day the south-wind searches
And finds young pines and budding birches,
But finds not the budding man;
Nature who lost him, cannot remake him;
Fate let him fall, Fate can't retake him;
Nature, Fate, men, him seek in vain.

And whither now, my truant wise and sweet,
Oh, whither tend thy feet?
I had the right, few days ago,
Thy steps to watch, thy place to know;
How have I forfeited the right?
Hast thou forgot me in a new delight?
I hearken for thy household cheer,
O eloquent child!
Whose voice, an equal messenger,
Conveyed thy meaning mild.
What though the pains and joys
Whereof it spoke were toys
Fitting his age and ken;—
Yet fairest dames and bearded men,
Who heard the sweet request
So gentle, wise, and grave,
Bended with joy to his behest,
And let the world's affairs go by,
Awhile to share his cordial game,
Or mend his wicker wagon frame,
Still plotting how their hungry ear
That winsome voice again might hear,
For his lips could well pronounce
Words that were persuasions.

Gentlest guardians marked serene
His early hope, his liberal mien,
Took counsel from his guiding eyes
To make this wisdom earthly wise.
Ah! vainly do these eyes recall
The school-march, each day's festival,
When every morn my ***** glowed
To watch the convoy on the road;—
The babe in willow wagon closed,
With rolling eyes and face composed,
With children forward and behind,
Like Cupids studiously inclined,
And he, the Chieftain, paced beside,
The centre of the troop allied,
With sunny face of sweet repose,
To guard the babe from fancied foes,
The little Captain innocent
Took the eye with him as he went,
Each village senior paused to scan
And speak the lovely caravan.

From the window I look out
To mark thy beautiful parade
Stately marching in cap and coat
To some tune by fairies played;
A music heard by thee alone
To works as noble led thee on.
Now love and pride, alas, in vain,
Up and down their glances strain.
The painted sled stands where it stood,
The kennel by the corded wood,
The gathered sticks to stanch the wall
Of the snow-tower, when snow should fall,
The ominous hole he dug in the sand,
And childhood's castles built or planned.
His daily haunts I well discern,
The poultry yard, the shed, the barn,
And every inch of garden ground
Paced by the blessed feet around,
From the road-side to the brook;
Whereinto he loved to look.
Step the meek birds where erst they ranged,
The wintry garden lies unchanged,
The brook into the stream runs on,
But the deep-eyed Boy is gone.

On that shaded day,
Dark with more clouds than tempests are,
When thou didst yield thy innocent breath
In bird-like heavings unto death,
Night came, and Nature had not thee,—
I said, we are mates in misery.
The morrow dawned with needless glow,
Each snow-bird chirped, each fowl must crow,
Each tramper started,— but the feet
Of the most beautiful and sweet
Of human youth had left the hill
And garden,—they were bound and still,
There's not a sparrow or a wren,
There's not a blade of autumn grain,
Which the four seasons do not tend,
And tides of life and increase lend,
And every chick of every bird,
And **** and rock-moss is preferred.
O ostriches' forgetfulness!
O loss of larger in the less!
Was there no star that could be sent,
No watcher in the firmament,
No angel from the countless host,
That loiters round the crystal coast,
Could stoop to heal that only child,
Nature's sweet marvel undefiled,
And keep the blossom of the earth,
Which all her harvests were not worth?
Not mine, I never called thee mine,
But nature's heir,— if I repine,
And, seeing rashly torn and moved,
Not what I made, but what I loved.
Grow early old with grief that then
Must to the wastes of nature go,—
'Tis because a general hope
Was quenched, and all must doubt and *****
For flattering planets seemed to say,
This child should ills of ages stay,—
By wondrous tongue and guided pen
Bring the flown muses back to men. —
Perchance, not he, but nature ailed,
The world, and not the infant failed,
It was not ripe yet, to sustain
A genius of so fine a strain,
Who gazed upon the sun and moon
As if he came unto his own,
And pregnant with his grander thought,
Brought the old order into doubt.
Awhile his beauty their beauty tried,
They could not feed him, and he died,
And wandered backward as in scorn
To wait an Æon to be born.
Ill day which made this beauty waste;
Plight broken, this high face defaced!
Some went and came about the dead,
And some in books of solace read,
Some to their friends the tidings say,
Some went to write, some went to pray,
One tarried here, there hurried one,
But their heart abode with none.
Covetous death bereaved us all
To aggrandize one funeral.
The eager Fate which carried thee
Took the largest part of me.
For this losing is true dying,
This is lordly man's down-lying,
This is slow but sure reclining,
Star by star his world resigning.

O child of Paradise!
Boy who made dear his father's home
In whose deep eyes
Men read the welfare of the times to come;
I am too much bereft;
The world dishonored thou hast left;
O truths and natures costly lie;
O trusted, broken prophecy!
O richest fortune sourly crossed;
Born for the future, to the future lost!

The deep Heart answered, Weepest thou?
Worthier cause for passion wild,
If I had not taken the child.
And deemest thou as those who pore
With aged eyes short way before?
Think'st Beauty vanished from the coast
Of matter, and thy darling lost?
Taught he not thee, — the man of eld,
Whose eyes within his eyes beheld
Heaven's numerous hierarchy span
The mystic gulf from God to man?
To be alone wilt thou begin,
When worlds of lovers hem thee in?
To-morrow, when the masks shall fall
That dizen nature's carnival,
The pure shall see, by their own will,
Which overflowing love shall fill,—
'Tis not within the force of Fate
The fate-conjoined to separate.
But thou, my votary, weepest thou?
I gave thee sight, where is it now?
I taught thy heart beyond the reach
Of ritual, Bible, or of speech;
Wrote in thy mind's transparent table
As far as the incommunicable;
Taught thee each private sign to raise
Lit by the supersolar blaze.
Past utterance and past belief,
And past the blasphemy of grief,
The mysteries of nature's heart,—
And though no muse can these impart,
Throb thine with nature's throbbing breast,
And all is clear from east to west.

I came to thee as to a friend,
Dearest, to thee I did not send
Tutors, but a joyful eye,
Innocence that matched the sky,
Lovely locks a form of wonder,
Laughter rich as woodland thunder;
That thou might'st entertain apart
The richest flowering of all art;
And, as the great all-loving Day
Through smallest chambers takes its way,
That thou might'st break thy daily bread
With Prophet, Saviour, and head;
That thou might'st cherish for thine own
The riches of sweet Mary's Son,
Boy-Rabbi, Israel's Paragon:
And thoughtest thou such guest
Would in thy hall take up his rest?
Would rushing life forget its laws,
Fate's glowing revolution pause?
High omens ask diviner guess,
Not to be conned to tediousness.
And know, my higher gifts unbind
The zone that girds the incarnate mind,
When the scanty shores are full
With Thought's perilous whirling pool,
When frail Nature can no more,—
Then the spirit strikes the hour,
My servant Death with solving rite
Pours finite into infinite.
Wilt thou freeze love's tidal flow,
Whose streams through nature circling go?
Nail the star struggling to its track
On the half-climbed Zodiack?
Light is light which radiates,
Blood is blood which circulates,
Life is life which generates,
And many-seeming life is one,—
Wilt thou transfix and make it none,
Its onward stream too starkly pent
In figure, bone, and lineament?

Wilt thou uncalled interrogate
Talker! the unreplying fate?
Nor see the Genius of the whole
Ascendant in the private soul,
Beckon it when to go and come,
Self-announced its hour of doom.
Fair the soul's recess and shrine,
Magic-built, to last a season,
Masterpiece of love benign!
Fairer than expansive reason
Whose omen 'tis, and sign.
Wilt thou not ope this heart to know
What rainbows teach and sunsets show,
Verdict which accumulates
From lengthened scroll of human fates,
Voice of earth to earth returned,
Prayers of heart that inly burned;
Saying, what is excellent,
As God lives, is permanent
Hearts are dust, hearts' loves remain,
Heart's love will meet thee again.
Revere the Maker; fetch thine eye
Up to His style, and manners of the sky.
Not of adamant and gold
Built He heaven stark and cold,
No, but a nest of bending reeds,
Flowering grass and scented weeds,
Or like a traveller's fleeting tent,
Or bow above the tempest pent,
Built of tears and sacred flames,
And virtue reaching to its aims;
Built of furtherance and pursuing,
Not of spent deeds, but of doing.
Silent rushes the swift Lord
Through ruined systems still restored,
Broad-sowing, bleak and void to bless,
Plants with worlds the wilderness,
Waters with tears of ancient sorrow
Apples of Eden ripe to-morrow;
House and tenant go to ground,
Lost in God, in Godhead found.

I remember the day we just spent hours and hours together
Even though
I know
At the time it wasn’t quite so interesting
Now with my infinite wealth of knowledge
Granted to me by time, so arbitrary in nature

It seems to me like those were the good old days
Just you and me together
I can leave out all the tediousness
The clangs and clutters that inhabit any day on this strange planet
And just remember what it was like
To be with you

The story takes place on a September day
back in that simplistic time of freshman year,
drenched in the sun and sweat
of late summer in the afternoon,
voices calling and adolescent bodies intermingled,
the stench of hot lunch and ****** conversation.
All of us, stuck and contained
in the most undesirable place to be
on an uncomfortably sunny day.

There were seagulls scavenging
and circling overhead above the Quad,
picking at garbage cast aside, scattered along the floor,
or stranded around nearby trash bins,
as if our school wasn't filthy and ghetto enough.

In a bored state, I sat
and watched them from within the cafeteria
occasionally looking over at Russell, Pokemon cards in his hand,
as he conversed with his nerd friends in nonsensical terms and phrases
and as the tediousness of the situation mounted
my patience did just the opposite
so without a word, I picked up my things
and left.

Now, before this sudden turn of events,
I have to mention
that you and me,
we hadn't spoken to each other in a long time,
not since school began,
which sounds like utter blasphemy to me now,
but this is what I remember
and this is what I realized that day
and if it was otherwise, I don't think
seeing you again would have made my breath
catch in my throat
or my heart palpitate excitedly
to the extent that it did.

Do you remember those benches in the Quad,
encircled by small trees and draped in their shade?
Many times after this very day,
I would stand on the other side by the cafeteria
and find myself gazing across the stretch
at where I knew I would probably find you,
distracted by a desire so tremendous
to be where you were.

Perhaps chance had wanted me to stumble upon the place
or luck found in itself the need to grace me with its presence
enough to allow me
to spot my two friends headed toward those benches
as soon as I walked out of the cafeteria doors.
And so I hurried to them
as relief flooded through my system
because I wouldn't have to endure being with Russell
nor have to walk around for the remainder of lunch
friendless and without a companion;
so thank goodness Russell decided to nerd out that day,
thank goodness I had not developed a love for Pokemon
or had even a vague, minuscule knowledge of its terminology.

As I approached those benches for the first time,
nostalgia filled the atmosphere in waves
and it mingled with the draping heat of summer
so that the result was electrifying.
My eyes glanced over all those I had seen so frequently
during our middle school years
but had not seen as of late,
and then I spotted your curly-haired head
and forgot everything--
all the events that had culminated to that moment--
because suddenly, there you were.

I staggered ahead to greet you,
leaving my friends behind without so much
as a glance.
And then all at once, I was swathed
in your quiet murmurs
and magical blend of words.
Smiles and laughter inflated my lungs and
seeped into my thirsty veins
as I felt time wrap upon itself
so that it became one single, solid, whole piece
and I could not believe that,
for about a month or so,
we had not spoken;
that the profound sinfulness of such a thing
never once crossed my mind.

After the bell rang
and we parted to go our separate ways,
I found I needed to see you again,
I definitely had to see you again
because I had not been touched by words
that warmed and tickled my insides
like those that escaped from your lips
in an incredibly long time,
nor had I felt so fresh, so at ease in anyone's presence
as I did in yours.
You filled me with a gentle, sweeping sense
of happiness and joy
that I came to crave intensely as much as I did your being
which is just a more embellished way of saying
that I realized I loved you that day.

They said it would get easier.
They always say that though, don't they?

A decade has gone by since the moment of my descent, when the sun began to set over me.

Ten years of surviving instead of living, constantly struggling and slipping.
Ten years of feeling the tediousness of each hesitant breath, mourning again & again after each sudden death.
Ten years of wondering when it was going to start getting easier like they all promised it would.

But the only thing getting easier is ignoring the pain of fresh wounds from old habits.

Never before has such a lie been received as the truth
As an I.O.U. that's masked within the words of I love you
For she would not be here without the chivalry of he
And she will show gratitude inside her misery

It happened and it stayed and she said she would correct it
And more time passed 'till she became complacent in her perspective
Until she found herself stuck between a rock and a heartbreak
The man who provided everything in return for a heart to take

He built his world around her with all the wishes finite
Not knowing why his love would stray away throughout the night
And he knew but refused to know, she told but refused to say
And so it carried on in the tediousness of days

And who will learn and who will crack and which side first will cry
Learning secrets and questions that seem to underlie
For love was meant to represent more than a toleration
The knight who saved her from the beasts and guaranteed her incarceration

I. nope.



II.
long-windedness verbosity
diffuseness prolixity
wordiness rambli­ng
circuity discursiveness
redundancy tautology
tediousness verbi­age
verboseness length
longevity permanence
garrulity windiness
v­olubility circumlocution
expansiveness babbling
periphrasis gushi­ng
blathering protractedness
waffling lengthiness
iteration repet­ition
prating prattling
jabbering digressiveness
dreariness tediu­m
deadliness wandering
repetitiousness repetitiveness
pleonasm co­nvolution
logorrhoea boringness
maundering superfluity
duplicatio­n tiresomeness
monotony reiteration
gabbiness informality
mouthin­ess diffusion
logorrhea wordage
blah-blah dryness
dullness boredo­m
sameness loquaciousness
talkativeness loquacity
freeness orotun­dity
roundaboutness breadth
gobbledegook gassiness
wittering mult­iloquence
perissology big mouth
gift of the gab garrulousness
staleness tallness

At her wheel again
Spinning and spinning
What will be the output, joy or pain?
Far, far away it is from our knowing,
Only the young sun on the east can tell.

A perfect dilution
Of sweet and bitterness,
Who dares the separation?
No one could endure the tediousness
Only her and her alone.

Wheel as you will
Its joy and pain we've all seen
What now will it be?

At her wheel again
Spinning and spinning
What will be the output, joy or pain?
Far, far away it is from our knowing,
Only the young sun on the east can tell.

A perfect dilution
Of sweet and bitterness,
Who dares the separation?
No one could endure the tediousness
Only her and her alone.

Wheel as you will
Its joy and pain we've all seen
What now will it be?

The Bug
Is Love a compulsion, the sudden idea that this person,
no others, will meet all your need and make you happy.
It is a moment, falling in love only happens once when
you are among the blessed and anointed by the gods.
For some, the illusion lasts a lifetime for others it falls
at the first hurdle of familial tediousness.
Luckily love is transferable you meet someone else who
will make you happy but it will not be the same as first
time, no matter how many times you try love is a gift
only given once, the rest is repetition

The sky was lost in colors, everything was snowy white, sparkling with whitish clouds that were arranged on top of other pearly ones, which tended to break from the high stupor brought by the Cherubs and Seraphim to receive Vernarth and Alikantus. Arriving at the highest plain, Vernarth saw the Mashiaj who was waiting for him, he was wearing a white garment, and on his neck an ornament that the Hoplite Soldiers of Arbela had given them. When
Vernarth dismounted, and a Hoplomachus could be seen on his Lynothorax, which was the same medallion that warriors carried to face divine death in combat, donated by a Thraex, who had always accompanied him with the Kantabroi with the sulfur mists after dark. rusty battles, and that he wore a manica on his arm that seemed to point with the tip of his finger at chapter
XIX of the Apocalypse of Saint John the Apostle, on both legs an Ocrea labeling the chorus of hexameters that the Sybillas chanted to revive him. And his head rotated three hundred and sixty degrees carrying the Leonatus with another Helmet under his arms with oculars with grid and crest, on his right leg a Xiphos hung like a thelamo that hung from both angles of his legs to approach when carrying his horse thrown by his hands.

His belly heaved with anxiety, in his hands was a folder that Drestnia and Etrestles had written, which had condescended to him from the Koumeterium of Messolonghi, saying:

“All the cities of the world will be called Athens…, because from there you will arrive at Patmos where you are in all places. Everything is old because it soon gets dark, and the funeral address is the first death you had when you were an infant..., all the people who are with your majesty yearn for civility that you imply in the legacy of the deep Christmas in Patmos, with tablecloths, wines, rolls and thick Corinthian wines in their plausible Patmian creation,
leaving them in the corridor that reaches the end, where the alabaster replaces the burning manger..., as a story of two stories and battles, which are exalted narrating the wars after they are their dominated lands suspended in the waters of the Aegean, and tinged with an apparent unrealized pact. The whole the world will be called Patmos, where nothing and no one will defeat you
without first a dirge when the gargoyles of your veins sob, when their capitulation is filled with culture that swirls between the white tablecloths of Kissamos and Kimolos, behold where the Sarissas They will parade through the pantheon like thousands of solitary lances towards the perpetuity of the patrimony that doubles the clouds pregnant with liquid bronze, to be
scattered throughout Athens like marble shawl stoles carried by the Meltemi with the prudence of ennobling cousins shocks of the storms that augur your departure. Nothing of minimalism or arbitrariness that cannot be resolved in loopholes that are hidden among the requirements, in which all the threats have admonished the canopy fallen on your integrity, on the Cherubim who fights with his empty hands like a beautiful angel fallen at the dawn of Miletus, being already a state governed by the Hoplomachus with his dyed sword, where you can see what you can be more than a convention of gladiators, just like that and indeed disposed towards the courage of what the daring produces with the infamy of seeing you pray alone in his black stretch.

In everything you were left alone, favorable only to the disagreement of what you should be or do, then return what you can do, you are already a legionnaire who carries the world on his back struck down with his Corinthian Kantabroi. Why did you stain your tanned hands, why somehow did the Nikephoros bring victories that take time to come and go soon? Thirst for victories they bring vessels and flows incapable of satisfying you in the immensity of their anguish and everything is done just when what fits my thinking fills my belly, and what saturates the belly remains tied to the Rudder of your precocious olive trees, from so much that the drum sounds, it turns it into empires of stones that do not coin the subsidiary complaints of their warfare, if you dare to be hostiles who bring food for dinner and everything that spills the tediousness of piling leftovers where nothing else is huge what an insult to sigh.

Vernarth, the world of Messolonghi and its eternity comes to give you the admission of a Commander!, who negotiates with greatness and simplicity, just as you can understand each other from sixty-four springs that have closed the eyes of Pericles just like yours, where the laws will have to compensate and fill vessels that remain empty for this toast  "Stin iyia sas o Khaire" from
Elpenor to your house and health of a Nikephoros devotional or conquest to win over everything,... but stay drunk alive and be reborn in other taps condescending to mythological ups and downs, where the laws revive the second or third vigils of banquets that lead into the orbit of a Hoplite. Do I see you comfortable in the klismós that carry you to the Empyrium, where the scattered saliva mixed with wine is confused with models to take you to your new home? perhaps of particular or unequal equals or relative merits that will make it exist and will prevent the possibility of doing it again. In the eighth Messolonghi Cemetery a great riot has been made, she prescribes to pay you honors with Markos Botsaris at the head of which all the gold spilled on the table will be made with bows and arrows, shields, and spears to take them to Patmos and Athens by river sounds that sound from the Hékein or the formality of lavishing to do or utter, so that everything is in favor of desolate places that will not be felt by all of Greece when they understand that you carry all the cries of the Warriors who hide behind the moor so as not to see they sob, still feeling the drums of the compass of a victory where wine flows that are written in the stands of Epidaurus, signing the chaste peace with their Medical Wars. It seems good to you that the ghosts speak of democracies, and that they also govern them with the spill of satisfying public ovation that only does it with two or three flags, Oh Cóphade I dress in a foreign outfit that enlivens your lightness from head to toe, I want to see you come back to life on the plains without stopping riding with Alikantus, free from all stratagems and fantastic smells of lavender, and grasses toasted by the summer of the hall, oven of Athens. Do not be afraid, we have distances that
are difficult to overcome, it will be the expulsion of our hearts if we allow ourselves to be caught up in the irrigation of their vulgarities that always complain of open will, do not be afraid, Pericles entrusts your departure just like you at sixty-four, in such a Syntagma double of 32 who appreciates you right and left in our companies, with courage obsequiously in becoming where the wind rises in Abdera.

We can dare to say that we are a group of seven, in the association of 25 Syntagma men who will accompany us split... but not divided! That it is nothing more than death as a double life that is placed in front of you, that shows its opposite side of the Syntagma where victory and defeat offer omens of reviving in both fights, not all of us are saved by our annihilation, nor by their qualities of Picking ourselves up even among those defeated by invisible
conflagrations or just because of the excessive feeling that what ends or begins is not impregnated with beauty, we know that you will come at Solstices and Equinoxes are free of their austere plagues, and reborn from Aspasia or the social life of socialites that Your eyes are drawn from seeing so much beauty ignites in the theater that never ends, and for this, we know that we will measure what fits in your gallbladder, and the wine that we are ashamed to recognize in order to satisfy you, O Brother, receive from an entire nation and from the inhumed of Messolonghi how they will see you happy to come to visit us, whose boastfulness disappropriates panegyric Homer, with plausible lightning from all borders if it is that a Sycomo to makes your initial on its bark, granting a new star to Greece where you can observe that it bears fruit from where you cannot taste it, but you are going to affirm yourselves well from the trunk where you can write values that are similar by virtue of the Kashmar that points to the Aegean Sea.

An immortal never claims a sycamore, rather he claims it with probity that resembles the wealth of a story written by locals who know well that they are spring harvests. No one will be able to hold more praise than Drestnia, and I to receive you in our land clear of enemies and that they sit at our table for the mere fact of avenging challenges that speak of saving and retreating, of counterattacking with perseverance carrying in your hand what breaks the Light and becomes subject to you "The Xiphos Sword". At the end of the voices they are filled with hope and fortune of your sword that could stop time, and bring you made of meat in the herd of Mosul as a weak mischievous, for this reason, it is equivalent to our parents that they will enjoy our vows, such cenotaphs for the weak who have to live protected by vigorous walls that have to engrave in their narrow, empty, and perplexed urns Freedom from other unfortunates who did not enjoy it, who did not cower from dying on earth that does not recognize martyrs who are still destined to live glorious declining. How foolish it seems to you when the mouthful of bodies from the battlefield rise with the same to everyone's heaven, and from evils that become benevolent from so much miracle to live next to them, fearful right there before the city bailiff who does not dare to dare to bury you in their domains, to see you resurrected in the domains or district of the fearful ruler. Now take your halo, take it with your five senses, and make of it courageous thirds where your seal is declaring that no one will erase or forget it "

Body language speaking in Shakespearian sonnet,
As I evolve from boy to man,
Hungers I battle to remain silent,
This mutual silence screams we are both in need.

Bogarting my path to seduction,
Fueling my fantasies with possibility,
I pray to god my morals vanish,
In the end it remains a dream.

A spitfire,
sophisticated and dazzling,
Motivating me to enjoy such tediousness,
I fall in love with the idea of fornication.

she was the kind of crazy people thought they liked
had a bit of a wild streak
not much of a filter
and didn't really distinguish who could get with her

at least
that what they thought was all to her

in reality
behind that beautifully masked facade

she was a fragile girl
going through the world
looking only for affection
with maybe just a hint of validation

her eyes dreamed for the world
thinking she was ready
going head first but never steady
not afraid of difficult feats
but quick to leave if her desires never meet

maybe she was fickle
loathed tediousness
and badgering of regrets
(also, the grossness of sweat)

but on the contrary
her patience was weary
and with the dullness of life
she was starting to lose her faith in faeries

maybe a bit scary

but you
you loved her
full and through
and there was nothing
you would not do
just to hear that goofy laugh
and see that dimpled grin

you finally came to terms with it,

your love for her was a blissful sin.

Morning tediousness.
I take my sight through the room and I spot loneliness standing in the corner.
The window's opened, warm breeze coming in. The summer sun's up high.
I feel your presence, but not in a physical form.
A bird's nest inside my chest, with no pigeons just emptiness.
Both of us always staring through the distance.
Eyes always devouring,
mouth drooling.
Catching your eyes sight,
everlasting in me.
Limitless and wild
I let the silk fall down
in my mind.
I was never yours to keep,
you were never mine to stay.
Yet the energy calls us,
or perhaps it only calls me.
Nothing to demand, nothing to wish.
So keep staring in silence
with your everlasting sight in me.

When did, ‘You can be
Anything’, become –
‘You must be everything’.

The mother, the provider, the
Teacher, the preacher
Of hopes and dreams for

Millennial babies. Their lot
In life cast only by themselves.
An epic of their own making.

9-5 then home again,
To dishes and husbands,
Both alike in tediousness

The warrior of sleepless
Nights, lost teeth, and
Abandoned dreams.

My mother was a Mosuo,
Her grandmother an Amazon,
Matriarchs of power

Who ruled as iron ladies.
Wooden spoons were
Their guns, and

Aprons their armour,
With a flint-like stare,
And perfectly curled hair,

They convened court in
Their sitting rooms with
Cups of tea and an intelligent

Eye; that told tales, tales
Of a proud matriarchal
Ancestry, a dynasty.

‘You are one of us,
Dear millennial baby,
A future queen whose

Kingdom will be your
Kitchen, a place where
No man dare step’.

I am not a feminist
Nor a suffragette or
A dictator. I am a

Millennial baby, and
My dreams are not aligned
With the ancestral stars.

I am a daughter and a
Sister, my voice is cast
From the silent mountains

Who rise like towers to the east,
To the drought stricken
Valley that grows more

Brown and crinkled with
Each day. Do you hear me
Now spirits of old?

You tell me to be a lawyer
So I will teach. My hopes
Do not align with your stars.

I am watched by
Eager eyes for the time
In which I may rise as queen.

Those eyes will be disappointed.
For millennial babies do not
Become queens. They are

A pair of ******* with legs,
To be gawked at by the peanut-
Crunching gallery of

Men. Men. Men. Those
Who reign in the bedroom
where their power is greatest.

‘You are Otrera. Esther.
Joan of Arc. You are Rosa Park,
Portia, Ophelia, Deborah’

Those matriarchs seem to
Say. ‘You are a matriarch,
Uphold our legacy!’

This is the point from which I begin and end:
The cyclic pilgrimage to the holy shrine.
Good or bad, it is a process that I can’t defend;
I also have not the right terms to define.

Leaving or going, I’m invaded by the same feelings:
Prospecting the unknown and putting an end to the mirage .
Regularity makes the pilgrimages insignificant dealings;
Recurrence is an instrument for exacerbating the sabotage.

This time, however, I stopped for a while,
Is the holy shrine my real destination?
It’s both a sanctuary and exile
And, also, neither pain nor sensation.

Comparisons, confusion and concepts
Assault me before every visit.
Tire, tediousness and toughness
Urge me to accelerate making it.

Repeated patterns end at that shrine
On which step morality and eternity standstill.
It is a solemn spirit and a concubine;
Vague entity but a famous thrill.

From that visit, please, spare me;
I had enough! Release my soul!
Oh, you are afraid to see me free
And capable of evading the whirlpool.

Kideía Tou Vernarth, The sky was lost in colors; everything was snowy white, shimmering with white clouds that were arranged on top of other pearly ones, which tend to break from above the stupor brought by the Cherubim and Seraphim to receive Vernarth and Alikantus. Arriving at the highest plain, Vernarth spotted the Mashiach who was guarding him, he was wearing a white garment, and on his neck was an ornament that the Hoplite Soldiers of Arbela had given them. When Vernarth dismounted he saw on his Lynothorax a Hoplomachus, which was the same medallion worn by warriors to face the divine death in combat, given by a Thraex, who always accompanied him with the Kantabroi with the sulfur mists after the battles, oxidized wore a manica in the arm that seemed to signal with the tip of the finger the XIX chapter of the Apocalypse of San Juan Apóstol, in both legs an ocrea labeling the chorus of hexameters that chanted the Sybils to revive them. And on his head that turned three hundred and sixty degrees, he carried the Leonatus with another Elbmo under his arms with eyepieces with grid and crest, on his right leg, a Xiphos hung like the telamo that he took from both angles of his legs to approximate to carrying his steed pulled by his hands.

His belly heaved with anxiety, in his hands came to the folder that Drestnia and Etrestles had written that he had condescended to from the Koumeterium of Messolonghi, saying:

"All the cities of the world will be called Athens... because from there you will reach Patmos where you are in all places." Everything is ancient because soon it gets dark, and the funeral speech is the first death that you saw when you were an infant..., all the people who are with your majesty yearn for civil that you implicate in the legacy of the deep Christmas in Patmos, with mantles, wines, rolls and thick Corinthian wines in his credible creation Patmiana leaving them in the corridor that reaches the end, where the alabaster replaces the burning manger..., as a tale of two stories and struggle, which are exalted narrating the wars after which their dominated lands are suspended in the waters of the Aegean, and tinged with the apparent unrealized pact.

The whole world will be called Patmos, where nothing and no one will defeat you without first a dirge when the gargoyles of your veins sob, when their capitulation is filled with culture that swirls between the white tablecloths of Kissamos and Kímolos, this is where the Sarissas They will parade through the pantheon like thousands of solitary spears towards the perpetuity of the heritage that doubles the clouds pregnant with liquid bronze, to be scattered throughout Athens like stoles of marble chaff that the Meltemi carries with the prudence of ennobling the first shocks of the storms that predict your departure. Nothing of minimalism or arbitrariness that cannot be resolved in loopholes that are hidden among the requirements, in which all the threats have been admonished from the fallen canopy on your integrity, on the Cherub that fights with his empty hands like a beautiful fallen angel at the dawn of Miletus, already being a state governed by the Hoplomachus with his dyed sword, where you can see what and you can be more than a convention of gladiators, such as this and in fact disposed towards the courage of what the courage produces with the infamy of seeing you pray alone in its black stretch. In everything you were left alone, favorable only to the disagreement of what you should be or do because you will not be able to return, you are already a legionnaire who carries the world on his back struck down with his Kantabroi Corinth. Why did you sully yourselves with your weathered hands, why somehow the Nikephoros bring victories that are slow to come and soon gone? Thirsty for victories they bring vessels and flows incapable of satisfying you in the immensity of their anguish, and everything is done just when what fits in my thinking fills my belly, and what saturates the belly is tied to the Rudder of your precocious olive trees, from so much that the atabal sounds, it turns it into empires of stones that do not coin the subsidiary complaints of their war, if you dare of hostiles that bring food for dinner and of everything that pours the tediousness of piling up leftovers where nothing is enormous anymore What a grievance to sigh. Vernarth, the world of Messolonghi and its eternity comes to give you the admission of a Commander!, who deals with greatness and simplicity, as you can understand from sixty-four springs that have closed the eyes of Pericles just like yours, where the laws will have to indemnify and fill vessels that remain empty for this toast "Stin iyia sas o Khaire" from Elpenor to your house and health from a Nikephoros prayer book or conquest to win over everything, ... but continue drunk alive and reborn in other taps condescending of mythological swings, where the laws revive the second or third vigils of treats that lead into the orbit of a Hoplite.

I see you comfortable in the klimós that take you to the Empyrium, where the scattered saliva mixed with wine is confused with models of taking you to your new home? Do it again. In the eighth Cemetery of Messolonghi a great revolt has been made, she prescribes to pay you honors with Markos Botsaris at the head of which all the gold spilled on the table will be made with bows and arrows, shields, and spears to take them to Patmos and Athens, for fluvial sounds that sound like the Hékein or formality of lavishing to do or utter, so that everything is in favor of desolate places that will not be felt throughout Greece when they understand that you carry all the laments of the Warriors who hide behind the moor so as not to see them sob, still feeling the drums of the compass of a victory where wine runs that is written in the stands of Epidaurus, signing the chaste peace with its Medical Wars. It seems good to you that the ghosts speak of democracies, and that they also govern them with the spill of the satisfaction of public ovation that only does it with two or three flags, Oh Brother, I dress in foreign attire that enlivens your lightness from head to toe, I want to see you revived on the plains without stopping riding with Alikantus, free from all stratagem and fantastic scents of lavender, and summer-roasted grasses from the hall of the Athens oven. Do not be afraid, we have distances that are difficult to overcome, it will be the expulsion of our hearts if we allow ourselves to be overtaken by the watering of their rudeness that always complains of open will, do not be afraid, Pericles trusts your departure just like you at sixty-four, of such a Syntagma double 32 who appreciates you right and left in our companies, with courage obsequiously in becoming where the wind rises in Abdera.

We can dare to say that we are a group of seven, in the association of 25 men from the Syntagma who will accompany us, divided... but not divided! That it is nothing more than death as a double life that is put in front of you, that shows its opposite face of the Syntagma where victory and defeat offer omens of revival in both battles, not all of us are saved by our annihilation, nor by its quality of picking ourselves up even among the vanquished of invisible conflagrations or just because of the excessive feeling that is not imbued with beauty in what ends or begins, we know that you will come in Solstices and Equinoxes free from its austere plagues, and reborn from Aspasia or social life of gatherings that draw your eyes from seeing so much beauty light up in the theater that never ends, for this we know that we will measure what fits in your bladder, and the wine that we are ashamed to recognize in order to satisfy you, Oh Brother, receive from a whole nation and from the buried of Messolonghi how happy they will see you to come to visit us, whose boasting Homer eulogy disowns, with plausible lightning strikes from all frontiers if a Sycamore makes your initial on its bark, granting a new star to Greece where you will be able to observe that it bears fruit from where you will not be able to taste it, otherwise you will be able to affirm yourselves well from the trunk where you will be able to write values that resemble it by virtue of the Kashmar that points to the Aegean Sea .

An immortal never affirms him about a sycamore, rather he affirms himself with probity that resembles the richness of a story written by locals who know well that they are spring harvests. No one can have more praise than Drestnia, and I to receive you in our land cleared of enemies and sit at our table for the sole fact of avenging challenges that speak of saving and falling back, of counterattacking with perseverance carrying in your hand what breaks the Light and becomes your subject "The Sword Xiphos". In the end, the voices are filled with hope and fortune of your sword that could stop time, and bring you made of meat in the herd of Mosul as a weak naughty, for this equivalent with our parents who enjoyed our votes, such cenotaphs and that The weak have to live protected by strong walls that have to record in their narrow urns, empty and perplexed by Freedom from other unfortunates who will not enjoy it, who will not be afraid to die in the land that does not recognize martyrs who are still destined to live gloriously declining. How foolish it seems to you when the mouthful of bodies from the battlefield rise with it to the sky of all, and of evils that are made benevolent by so many miracles to live next to them, fearful right there before the city bailiff who does not dare to dare to bury you in their domains, to see you resurrected in the domains or district of the fearful ruler. Now wear your halo, take it with your five senses, and make of them courageous thirds where your precinct declares that no one will erase or forget it”