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Iris Proctor Jan 2018
Saturday
Sounds like the pattering
Of bare feet
On a dusty concrete yard,

Smells of chimney smoke
And jagged coal heath,
Sheep-scent and
Wiry wool on a barbed fence,

Saturday
Is a jangly guitar
In a rickety truck
On a gravel road,

With a gravel voice
Rough as grit,
Deep as the caverns
Between the peaks,

Saturday
Is sunlight on an enamel ***,
A tin kettle
And its blood metal tea,

It is blackberry-bitten legs
and iodine streams,
A canopy of heady bracken
Below penny-marked trees,

Then Sunday,
Slantwise
Against the setting sun
Away again.
I remember a sunrise,
when language
finally spun out and left
us in easy stillness.

We watched the green
canal awake with a
flicker and I inclined;
willing him to touch me
just once...
But so relieved
when he only smiled and
said,
"Goodnight starshine."
~
Jamie, with one hand on her
hip and a flip-flop in the
other, struck the best
mighty-black-woman pose
a little-white-girl could
muster and cried,
"Harmoni, I'm gonna get
the shoe on you!"

Laughing
until tears reflected on
our faces and our ribs
implored mercy.
Laughing,
because all the world
was laughter.
~
I remember a Gemini saying,
"I love you."
Words a mere breath, a flutter
winging across distance
and circumstance, to rest
on my ear.

I remember having faith
and, for the first time in
my life,
faith was okay.
~
Tim’s profile ate at
my eye, vampire pale under
a bloated blue moon.

There was silence as there
was always silence,
expanding and breathing, throbbing
against the walls of my thoughts.

Dawn begged entry as his arms
wrapped me safe, and he said,
“I have to get out of this town.”

The hush mocked me. My tongue
became a corpse in my mouth.

“And I don’t want to go alone,”
he concluded but his thoughts were
far away from me and his arms and
the bloated moon, a sinking vista.

The silence belonged to me and so
did this lie,
maybe a finer gift
for the moment
than the truth.
~
I remember kissing a Kentucky
boy at a retro party. Long hair,
pulled into a reckless ponytail
and dance moves to rival
John Travolta's.

He was sporting a glittering
Saturday Night Fever costume,
beaming at me, and whispering,
"But I'm gay."
I remember a sly smile saying,
"It's time to put that theory to the test."
~
Shawn with his secret grin and
his animated hands,
hiking in the Glades.
He said,
"You're going to need a stick."
Knowing everything, my natural
response was an arrogant,
"What for?"
He shrugged, raised one of his
fine brows.

Later, when I was up to my chest
in mud, swimming alongside
a crayfish,
missing one of my shoes,
he smiled brightly down at me,
his chocolate curls a halo in the
backlighting sun,
"That's what you needed the stick for."
He demonstrated how he used it to
gauge the depth of the muck.
But he didn’t hesitate to offer me
his clean hand.
~
I remember a Gemini’s whisper,
"I love you."
Words a vague breath,
spinning and soaring across
distance and circumstance,
to rest on my heart.

I remember believing.
~
I remember Ashton and me
driving to The Waffle House
after midnight.
There was a smashed motorcycle
on the highway ahead, emergency
lights washing across the windshield.

Ash grinned and said,
"I'm glad I brought this."
And he lit a joint.
Half an hour later,
still in the exact same spot,
The Beatles Twist and Shout came
on the radio and
I screeched my best version on Lennon’s
wild invitation to shake it baby now
and Ash bellowed ah
Ahhh
AHHH
and laughter became warm wine
dribbling down our chins
as the final chords and beats
and voices
pounded together in a final
triumphant roar,
dissolving us into a happy heap
suspended in a moment where
such songs never end and
someone is always shouting,
“Play it again, John!”

The smile in Ashton’s eyes
said exactly what I was thinking
as horns honked and sirens cried
in some other universe…  
We didn't care if they never
cleared that road.
~
My voice made of iron,
I said to Phillip,
"There is no God."
I was sitting at the kitchen table
in our one-room apartment,
our first apartment,
naked and clinging to
a cup of coffee,
clinging to the only things
I could cling to with bitter
grief staining my lips.

He said,
"No?
Well, you're not alone, anyway."
I didn't know why it should matter
or if it did,
but I knew it was true and felt the
fact ride along to the tips of my toes.

I am not alone.
I wondered if that would always be true.
~
I remember a Gemini said,
"I love you."
Words a naked breath,
Sent to sail and glide across
distance and circumstance,
to quiet the shrill music of
my memories.
~
Chris’ hands shook as
he smoked and avoided my
gaze. We sat in inconsiderate  
plastic seats in a visiting room
where drooling, mumbling
patients weren’t allowed lighters
or belts or shoe laces.

This was before…
Before Cindy Cyanide
received her formal invitation;
When Slappy Sleepinol seemed like
a decent date to dance him into
a bruised and dreaming garden.

I examined those hollow eyes
in slantwise glimpses;
seeking answers in the creases
of his forehead, in the stroke of
his long smoky exhale,
inquiring, finally, “Why? But why…”

Through the haze, he
caught my eye, held it firm, and said,
“There is no ‘why’. I’m sorry.”
~
Hallucinating madly with Jessi
at my side, walking
down deserted streets in the
middle of the night.

She took off her skirt and put
it on her head. Became a Native
princess, headdress rising
from her brow,
spreading long down her naked back.
We continued walking, she
wearing nothing but a smile
and her *******.

The stars painted a melting  
map over our heads
and the road home was endless.
We were children and in that
immaculate moment, I knew
and I was glad.
~
And then there was
a Gemini.

And then there were dreams.
This poem can be found in Venus Laughs, a collection of poetry from Harmoni McGlothlin, available at GraceNotesBooks.com.
Go to sleep—though of course you will not—
to tideless waves thundering slantwise against
strong embankments, rattle and swish of spray
dashed thirty feet high, caught by the lake wind,
scattered and strewn broadcast in over the steady
car rails!  Sleep, sleep!  Gulls’ cries in a wind-gust
broken by the wind; calculating wings set above
the field of waves breaking.
Go to sleep to the lunge between foam-crests,
refuse churned in the recoil.  Food!  Food!
Offal!  Offal!  that holds them in the air, wave-white
for the one purpose, feather upon feather, the wild
chill in their eyes, the hoarseness in their voices—
sleep, sleep . . .

Gentlefooted crowds are treading out your lullaby.
Their arms nudge, they brush shoulders,
hitch this way then that, mass and surge at the crossings—
lullaby, lullaby!  The wild-fowl police whistles,
the enraged roar of the traffic, machine shrieks:
it is all to put you to sleep,
to soften your limbs in relaxed postures,
and that your head slip sidewise, and your hair loosen
and fall over your eyes and over your mouth,
brushing your lips wistfully that you may dream,
sleep and dream—

A black fungus springs out about the lonely church doors—
sleep, sleep.  The Night, coming down upon
the wet boulevard, would start you awake with his
message, to have in at your window.  Pay no
heed to him.  He storms at your sill with
cooings, with gesticulations, curses!
You will not let him in.  He would keep you from sleeping.
He would have you sit under your desk lamp
brooding, pondering; he would have you
slide out the drawer, take up the ornamented dagger
and handle it.  It is late, it is nineteen-nineteen—
go to sleep, his cries are a lullaby;
his jabbering is a sleep-well-my-baby; he is
a crackbrained messenger.

The maid waking you in the morning
when you are up and dressing,
the rustle of your clothes as you raise them—
it is the same tune.
At table the cold, greeninsh, split grapefruit, its juice
on the tongue, the clink of the spoon in
your coffee, the toast odors say it over and over.

The open street-door lets in the breath of
the morning wind from over the lake.
The bus coming to a halt grinds from its sullen brakes—
lullaby, lullaby.  The crackle of a newspaper,
the movement of the troubled coat beside you—
sleep, sleep, sleep, sleep . . .
It is the sting of snow, the burning liquor of
the moonlight, the rush of rain in the gutters packed
with dead leaves:  go to sleep, go to sleep.
And the night passes—and never passes—
Carlo C Gomez Aug 2021
~
abruptly waking to discover
the sempiternal daylight of herself
in a small silent village in Brussels

the sky's a cloudless blue
and she needs the sun
like children need two parents

sunglasses conceal bedroom eyes
smiles hide like inverted *******
clothed in peekaboo milieu

a highly individual creature
in an era of the exaggerated curve
she's an amnesiac

doodle-dawdling in the altogether
wrapping herself around
mise-en-scène

it's breakfast with Mr. Svengali
then unacquainted foothills
and undergrowth
in the flaring of conjugal
light and shadow

hum
thrum
'n strum
she's got the whole wide world
in her hands

her simple slantwise silhouette
declivitous neck
inclining embonpoint
summoning him

no clock, no watch
the keeping of time
is served by rapping
her crown upon the headboard
at regular intervals

her open-tempered sighs
closing with the heaviness
of a sleepy hush

until the echoing of church bells
announce the footfalls
of tomorrow-come-looking

~
I am too inconsistent
I'm sick too deep to fully heal
    (in time for your bouts of playfulness)
I'm a little close to the edge
I have a hard time keeping
    up with the changes, broad view
I do not like your brother
I can't cook worth dirt

But

You do not see people as they think they are
You act a little slantwise
You can't stand my quiet disorder
You have some strange compulsions
You just need to grow up
You always cry wolf
Anais Vionet Dec 2020
I pound the pillow, curse the clock and mock injunctions to rest.

The sun finally rises and its rays slantwise fall through the curtains as I dry my hair.

A meal, like a forced dose, we soak ourselves in wasted, nervous time.

Finally! We arrive at the competition...

Tension is here and tireless pressure.

The players waiting stiff as straw, tongues playing over dry lips.

Teachers and coaches unapologetic in their pallor.

Music drifts behind us and occasionally gasps as imperfections play like daring circus tricks.

The sparkling prodigy returns disappointed, grimace of a smile, stricken, he stares away as we search for words, oh! clumsy, unrepairable prince!

Suddenly, its time and I wonder why we are hurrying, feeling weak, momentarily frightened to go there.

On this stage in this great, hushed hall, enormity suddenly dawns with mass enough to crush me.

At last I sit before this odd Steinway music machine - my dearest mechanical friend.

A tremble resisted - the reward of mortal afternoons - endless practices fruit.

Eyes closed I prepare my best self - pushing all fear, all doubt, to the margins - and begin.

I hope, to recreate, one note at a time, Chopin's ancient impact - with hands flying, like tethered birds, I hammer out his timeless melody explosions, his streams of crazily exact math exam fiery semiquaver motions.. then, almost suddenly, I'm done.

I stand, joyously, nearly crying.. The world hasn't ended.
competition maybe good for the soul but it can be ******* the nerves =]
Anais Vionet Nov 4
(this is another throw-back - a piece of writing, from high school, used in my Yale applications)

I pound the pillow, curse the clock and mock injunctions to rest.

The sun finally rises and its rays slantwise fall through the curtains as I dry my hair.

A meal, like a forced dose, we soak ourselves in wasted, nervous time.

Finally! We arrive at the competition...

Tension is here and tireless pressure.

The players waiting stiff as straw, tongues playing over dry lips.

Teachers and coaches unapologetic in their pallor.

Music drifts behind us and occasionally gasps, as imperfections play like daring circus tricks.

The sparkling prodigy returns disappointed, grimace of a smile, stricken, he stares away as we search for words, oh! clumsy, unrepairable prince!

Suddenly, its time and I wonder why we are hurrying, feeling weak, momentarily frightened to go there.

On this stage in this great, hushed hall, enormity suddenly dawns with mass enough to crush me.

At last, I sit before this odd Steinway music machine - my dearest mechanical friend.

A tremble resisted - the reward of mortal afternoons - endless practices fruit.

Eyes closed I prepare my best self - pushing all fear, all doubt, to the margins - and begin.

I hope, to recreate, one note at a time, Chopin's ancient impact - with hands flying, like tethered birds, I hammer out his timeless melody explosions, his streams of crazily exact math exam fiery semiquaver motions.. then, almost suddenly, I'm done.

I stand, joyously, nearly crying.. The world hasn't ended.
.
.
Songs for this:
12 Etudes, Op. 10: No. 4 in C-Sharp Minor by Vladimir Ashkenazy
Part of Your World by Emile Pandolfi
We gather together by Emile Pandolfi
I thought I was going to be a concert pianist once - before covid.
Did you know there are piano recital competitions?
I wasn't a prodigy, I practiced endlessly, only to lose, eventually, to one of the prodigies.
I competed in 7 'big ones,' two were international, and I came in second every time.
My joke was, "I'm the second-best pianist in any room."
I only switched my goals (to medicine - sort of the family business) when that fell through (Thanks, one more time, covid).
I hear it before I see it -
A steady everywhere-roar.
A sleepy tumble
to slide the slats of blinds
confirms:
Turbulent and torrential
puddles seem to leap
ever-so-slightly skyward
with each wet wallop.
It is the determined,
slantwise
rain of change,
blustering with purpose,
washing winter woes.
I dress -
  pink galoshes
  pink slicker
  pink smile
To greet this
Gray April Shower
Stu Harley Jun 2016
gray
storm clouds
moving in
while
the
haunted rain
falling slantwise
again

— The End —