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"slantwise" poems
Saturday Sounds like the pattering Of bare feet On a dusty concrete yard, Smells of chimney smoke And jagged coal heath, Sheep-scent and Wiry wool on a barbed fence, Saturday Is a jangly guitar In a rickety truck On a gravel road, With a gravel voice Rough as grit, Deep as the caverns Between the peaks, Saturday Is sunlight on an enamel *** A tin kettle And its blood metal tea, It is blackberry-bitten legs and iodine streams, A canopy of heady bracken Below penny-marked trees, Then Sunday, Slantwise Against the setting sun Away again.
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Jan 12, 2018
Jan 12, 2018 at 6:09 PM UTC
Saturday
Go to sleep—though of course you will not— to tideless waves thundering slantwise against strong embankments, rattle and swish of spray dashed thirty feet high, caught by the lake wind, scattered and strewn broadcast in over the steady car rails! Sleep, sleep! Gulls’ cries in a wind-gust broken by the wind; calculating wings set above the field of waves breaking. Go to sleep to the lunge between foam-crests, refuse churned in the recoil. Food! Food! Offal! Offal! that holds them in the air, wave-white for the one purpose, feather upon feather, the wild chill in their eyes, the hoarseness in their voices— sleep, sleep . . . Gentlefooted crowds are treading out your lullaby. Their arms nudge, they brush shoulders, hitch this way then that, mass and surge at the crossings— lullaby, lullaby! The wild-fowl police whistles, the enraged roar of the traffic, machine shrieks: it is all to put you to sleep, to soften your limbs in relaxed postures, and that your head slip sidewise, and your hair loosen and fall over your eyes and over your mouth, brushing your lips wistfully that you may dream, sleep and dream— A black fungus springs out about the lonely church doors— sleep, sleep. The Night, coming down upon the wet boulevard, would start you awake with his message, to have in at your window. Pay no heed to him. He storms at your sill with cooings, with gesticulations, curses! You will not let him in. He would keep you from sleeping. He would have you sit under your desk lamp brooding, pondering; he would have you slide out the drawer, take up the ornamented dagger and handle it. It is late, it is nineteen-nineteen— go to sleep, his cries are a lullaby; his jabbering is a sleep-well-my-baby; he is a crackbrained messenger. The maid waking you in the morning when you are up and dressing, the rustle of your clothes as you raise them— it is the same tune. At table the cold, greeninsh, split grapefruit, its juice on the tongue, the clink of the spoon in your coffee, the toast odors say it over and over. The open street-door lets in the breath of the morning wind from over the lake. The bus coming to a halt grinds from its sullen brakes— lullaby, lullaby. The crackle of a newspaper, the movement of the troubled coat beside you— sleep, sleep, sleep, sleep . . . It is the sting of snow, the burning liquor of the moonlight, the rush of rain in the gutters packed with dead leaves: go to sleep, go to sleep. And the night passes—and never passes—
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4k
A Goodnight
Go to sleep—though of course you will not— to tideless waves thundering slantwise against strong embankments, rattle and swish of spray dashed thirty feet high, caught by the lake wind, scattered and strewn broadcast in over the steady car rails! Sleep, sleep! Gulls’ cries in a wind-gust broken by the wind; calculating wings set above the field of waves breaking. Go to sleep to the lunge between foam-crests, refuse churned in the recoil. Food! Food! Offal! Offal! that holds them in the air, wave-white for the one purpose, feather upon feather, the wild chill in their eyes, the hoarseness in their voices— sleep, sleep . . . Gentlefooted crowds are treading out your lullaby. Their arms nudge, they brush shoulders, hitch this way then that, mass and surge at the crossings— lullaby, lullaby! The wild-fowl police whistles, the enraged roar of the traffic, machine shrieks: it is all to put you to sleep, to soften your limbs in relaxed postures, and that your head slip sidewise, and your hair loosen and fall over your eyes and over your mouth, brushing your lips wistfully that you may dream, sleep and dream— A black fungus springs out about the lonely church doors— sleep, sleep. The Night, coming down upon the wet boulevard, would start you awake with his message, to have in at your window. Pay no heed to him. He storms at your sill with cooings, with gesticulations, curses! You will not let him in. He would keep you from sleeping. He would have you sit under your desk lamp brooding, pondering; he would have you slide out the drawer, take up the ornamented dagger and handle it. It is late, it is nineteen-nineteen— go to sleep, his cries are a lullaby; his jabbering is a sleep-well-my-baby; he is a crackbrained messenger. The maid waking you in the morning when you are up and dressing, the rustle of your clothes as you raise them— it is the same tune. At table the cold, greeninsh, split grapefruit, its juice on the tongue, the clink of the spoon in your coffee, the toast odors say it over and over. The open street-door lets in the breath of the morning wind from over the lake. The bus coming to a halt grinds from its sullen brakes— lullaby, lullaby. The crackle of a newspaper, the movement of the troubled coat beside you— sleep, sleep, sleep, sleep . . . It is the sting of snow, the burning liquor of the moonlight, the rush of rain in the gutters packed with dead leaves: go to sleep, go to sleep. And the night passes—and never passes—
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~ *abruptly waking to discover the sempiternal daylight of herself in a small silent village in Brussels the sky's a cloudless blue and she needs the sun like children need two parents sunglasses conceal bedroom eyes smiles hide like inverted ******* clothed in peekaboo milieu a highly individual creature in an era of the exaggerated curve she's an amnesiac doodle-dawdling in the altogether wrapping herself around mise-en-scène it's breakfast with Mr. Svengali then unacquainted foothills and undergrowth in the flaring of conjugal light and shadow hum thrum 'n strum she's got the whole wide world in her hands her simple slantwise silhouette declivitous neck inclining embonpoint summoning him no clock, no watch the keeping of time is served by rapping her crown upon the headboard at regular intervals her open-tempered sighs closing with the heaviness of a sleepy hush until the echoing of church bells announce the footfalls of tomorrow-come-looking* ~
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Aug 26, 2021
Aug 26, 2021 at 3:02 PM UTC
Sleeping with Audrey Hepburn
(this is another throw-back - a piece of writing, from high school, used in my Yale applications) I pound the pillow, curse the clock and mock injunctions to rest. The sun finally rises and its rays slantwise fall through the curtains as I dry my hair. A meal, like a forced dose, we soak ourselves in wasted, nervous time. Finally! We arrive at the competition... Tension is here and tireless pressure. The players waiting stiff as straw, tongues playing over dry lips. Teachers and coaches unapologetic in their pallor. Music drifts behind us and occasionally gasps, as imperfections play like daring circus tricks. The sparkling prodigy returns disappointed, grimace of a smile, stricken, he stares away as we search for words, oh! clumsy, unrepairable prince! Suddenly, its time and I wonder why we are hurrying, feeling weak, momentarily frightened to go there. On this stage in this great, hushed hall, enormity suddenly dawns with mass enough to crush me. At last, I sit before this odd Steinway music machine - my dearest mechanical friend. A tremble resisted - the reward of mortal afternoons - endless practices fruit. Eyes closed I prepare my best self - pushing all fear, all doubt, to the margins - and begin. I hope, to recreate, one note at a time, Chopin's ancient impact - with hands flying, like tethered birds, I hammer out his timeless melody explosions, his streams of crazily exact math exam fiery semiquaver motions.. then, almost suddenly, I'm done. I stand, joyously, nearly crying.. The world hasn't ended. . . Songs for this: 12 Etudes, Op. 10: No. 4 in C-Sharp Minor by Vladimir Ashkenazy Part of Your World by Emile Pandolfi We gather together by Emile Pandolfi
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Nov 3, 2024
Nov 3, 2024 at 9:30 PM UTC
The Competition
(this is another throw-back - a piece of writing, from high school, used in my Yale applications) I pound the pillow, curse the clock and mock injunctions to rest. The sun finally rises and its rays slantwise fall through the curtains as I dry my hair. A meal, like a forced dose, we soak ourselves in wasted, nervous time. Finally! We arrive at the competition... Tension is here and tireless pressure. The players waiting stiff as straw, tongues playing over dry lips. Teachers and coaches unapologetic in their pallor. Music drifts behind us and occasionally gasps, as imperfections play like daring circus tricks. The sparkling prodigy returns disappointed, grimace of a smile, stricken, he stares away as we search for words, oh! clumsy, unrepairable prince! Suddenly, its time and I wonder why we are hurrying, feeling weak, momentarily frightened to go there. On this stage in this great, hushed hall, enormity suddenly dawns with mass enough to crush me. At last, I sit before this odd Steinway music machine - my dearest mechanical friend. A tremble resisted - the reward of mortal afternoons - endless practices fruit. Eyes closed I prepare my best self - pushing all fear, all doubt, to the margins - and begin. I hope, to recreate, one note at a time, Chopin's ancient impact - with hands flying, like tethered birds, I hammer out his timeless melody explosions, his streams of crazily exact math exam fiery semiquaver motions.. then, almost suddenly, I'm done. I stand, joyously, nearly crying.. The world hasn't ended. . . Songs for this: 12 Etudes, Op. 10: No. 4 in C-Sharp Minor by Vladimir Ashkenazy Part of Your World by Emile Pandolfi We gather together by Emile Pandolfi
Continue reading...
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I am too inconsistent I'm sick too deep to fully heal (in time for your bouts of playfulness) I'm a little close to the edge I have a hard time keeping up with the changes, broad view I do not like your brother I can't cook worth dirt But You do not see people as they think they are You act a little slantwise You can't stand my quiet disorder You have some strange compulsions You just need to grow up You always cry wolf
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Jan 10, 2011
Jan 10, 2011 at 1:37 PM UTC
Sore Points Between the Two of Us
I pound the pillow, curse the clock and mock injunctions to rest. The sun finally rises and its rays slantwise fall through the curtains as I dry my hair. A meal, like a forced dose, we soak ourselves in wasted, nervous time. Finally! We arrive at the competition... Tension is here and tireless pressure. The players waiting stiff as straw, tongues playing over dry lips. Teachers and coaches unapologetic in their pallor. Music drifts behind us and occasionally gasps as imperfections play like daring circus tricks. The sparkling prodigy returns disappointed, grimace of a smile, stricken, he stares away as we search for words, oh! clumsy, unrepairable prince! Suddenly, its time and I wonder why we are hurrying, feeling weak, momentarily frightened to go there. On this stage in this great, hushed hall, enormity suddenly dawns with mass enough to crush me. At last I sit before this odd Steinway music machine - my dearest mechanical friend. A tremble resisted - the reward of mortal afternoons - endless practices fruit. Eyes closed I prepare my best self - pushing all fear, all doubt, to the margins - and begin. I hope, to recreate, one note at a time, Chopin's ancient impact - with hands flying, like tethered birds, I hammer out his timeless melody explosions, his streams of crazily exact math exam fiery semiquaver motions.. then, almost suddenly, I'm done. I stand, joyously, nearly crying.. The world hasn't ended.
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Dec 3, 2020
Dec 3, 2020 at 6:53 AM UTC
The Competition
gray storm clouds moving in while the haunted rain falling slantwise again
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Jun 8, 2016
Jun 8, 2016 at 8:42 PM UTC
The Haunted Rain
I hear it before I see it - A steady everywhere-roar. A sleepy tumble to slide the slats of blinds confirms: Turbulent and torrential puddles seem to leap ever-so-slightly skyward with each wet wallop. It is the determined, slantwise rain of change, blustering with purpose, washing winter woes. I dress - pink galoshes pink slicker pink smile To greet this Gray April Shower
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Apr 8, 2018
Apr 8, 2018 at 4:02 AM UTC
Pink galoshes