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Even as the sun with purple-coloured face
Had ta’en his last leave of the weeping morn,
Rose-cheeked Adonis hied him to the chase;
Hunting he loved, but love he laughed to scorn.
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor ‘gins to woo him.

“Thrice fairer than myself,” thus she began
“The fields chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee with herself at strife
Saith that the world hath ending with thy life.

“Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know.
Here come and sit where never serpent hisses,
And being set, I’ll smother thee with kisses.

“And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety:
Ten kisses short as one, one long as twenty.
A summer’s day will seem an hour but short,
Being wasted in such time-beguiling sport.”

With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth’s sovereign salve to do a goddess good.
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.

Over one arm the ***** courser’s rein,
Under her other was the tender boy,
Who blushed and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.

The studded bridle on a ragged bough
Nimbly she fastens—O, how quick is love!
The steed is stalled up, and even now
To tie the rider she begins to prove.
Backward she pushed him, as she would be ******,
And governed him in strength, though not in lust.

So soon was she along as he was down,
Each leaning on their elbows and their hips;
Now doth she stroke his cheek, now doth he frown
And ‘gins to chide, but soon she stops his lips,
And, kissing, speaks with lustful language broken:
“If thou wilt chide, thy lips shall never open”.

He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;
Then with her windy sighs and golden hairs
To fan and blow them dry again she seeks.
He saith she is immodest, blames her miss;
What follows more she murders with a kiss.

Even as an empty eagle, sharp by fast,
Tires with her beak on feathers, flesh, and bone,
Shaking her wings, devouring all in haste,
Till either gorge be stuffed or prey be gone;
Even so she kissed his brow, his cheek, his chin,
And where she ends she doth anew begin.

Forced to content, but never to obey,
Panting he lies, and breatheth in her face;
She feedeth on the steam as on a prey,
And calls it heavenly moisture, air of grace,
Wishing her cheeks were gardens full of flowers,
So they were dewed with such distilling showers.

Look how a bird lies tangled in a net,
So fastened in her arms Adonis lies;
Pure shame and awed resistance made him fret,
Which bred more beauty in his angry eyes.
Rain added to a river that is rank
Perforce will force it overflow the bank.

Still she entreats, and prettily entreats,
For to a pretty ear she tunes her tale;
Still is he sullen, still he lours and frets,
‘Twixt crimson shame and anger ashy-pale.
Being red, she loves him best; and being white,
Her best is bettered with a more delight.

Look how he can, she cannot choose but love;
And by her fair immortal hand she swears
From his soft ***** never to remove
Till he take truce with her contending tears,
Which long have rained, making her cheeks all wet;
And one sweet kiss shall pay this countless debt.

Upon this promise did he raise his chin,
Like a dive-dapper peering through a wave
Who, being looked on, ducks as quickly in;
So offers he to give what she did crave;
But when her lips were ready for his pay,
He winks, and turns his lips another way.

Never did passenger in summer’s heat
More thirst for drink than she for this good turn.
Her help she sees, but help she cannot get;
She bathes in water, yet her fire must burn.
“O pity,” ‘gan she cry “flint-hearted boy,
’Tis but a kiss I beg; why art thou coy?

“I have been wooed as I entreat thee now
Even by the stern and direful god of war,
Whose sinewy neck in battle ne’er did bow,
Who conquers where he comes in every jar;
Yet hath he been my captive and my slave,
And begged for that which thou unasked shalt have.

“Over my altars hath he hung his lance,
His battered shield, his uncontrolled crest,
And for my sake hath learned to sport and dance,
To toy, to wanton, dally, smile, and jest,
Scorning his churlish drum and ensign red,
Making my arms his field, his tent my bed.

“Thus he that overruled I overswayed,
Leading him prisoner in a red-rose chain;
Strong-tempered steel his stronger strength obeyed,
Yet was he servile to my coy disdain.
O be not proud, nor brag not of thy might,
For mast’ring her that foiled the god of fight.

“Touch but my lips with those fair lips of thine,
—Though mine be not so fair, yet are they red—
The kiss shall be thine own as well as mine.
What seest thou in the ground? Hold up thy head;
Look in mine eyeballs, there thy beauty lies;
Then why not lips on lips, since eyes in eyes?

“Art thou ashamed to kiss? Then wink again,
And I will wink; so shall the day seem night.
Love keeps his revels where there are but twain;
Be bold to play, our sport is not in sight:
These blue-veined violets whereon we lean
Never can blab, nor know not what we mean.

“The tender spring upon thy tempting lip
Shows thee unripe; yet mayst thou well be tasted.
Make use of time, let not advantage slip:
Beauty within itself should not be wasted.
Fair flowers that are not gathered in their prime
Rot and consume themselves in little time.

“Were I hard-favoured, foul, or wrinkled-old,
Ill-nurtured, crooked, churlish, harsh in voice,
O’erworn, despised, rheumatic, and cold,
Thick-sighted, barren, lean, and lacking juice,
Then mightst thou pause, for then I were not for thee;
But having no defects, why dost abhor me?

“Thou canst not see one wrinkle in my brow,
Mine eyes are grey and bright and quick in turning,
My beauty as the spring doth yearly grow,
My flesh is soft and plump, my marrow burning;
My smooth moist hand, were it with thy hand felt,
Would in thy palm dissolve or seem to melt.

“Bid me discourse, I will enchant thine ear,
Or like a fairy trip upon the green,
Or like a nymph, with long dishevelled hair,
Dance on the sands, and yet no footing seen.
Love is a spirit all compact of fire,
Not gross to sink, but light, and will aspire.

“Witness this primrose bank whereon I lie:
These forceless flowers like sturdy trees support me;
Two strengthless doves will draw me through the sky
From morn till night, even where I list to sport me.
Is love so light, sweet boy, and may it be
That thou should think it heavy unto thee?

“Is thine own heart to thine own face affected?
Can thy right hand seize love upon thy left?
Then woo thyself, be of thyself rejected,
Steal thine own freedom, and complain on theft.
Narcissus so himself himself forsook,
And died to kiss his shadow in the brook.

“Torches are made to light, jewels to wear,
Dainties to taste, fresh beauty for the use,
Herbs for their smell, and sappy plants to bear;
Things growing to themselves are growth’s abuse.
Seeds spring from seeds, and beauty breedeth beauty;
Thou wast begot: to get it is thy duty.

“Upon the earth’s increase why shouldst thou feed,
Unless the earth with thy increase be fed?
By law of nature thou art bound to breed,
That thine may live when thou thyself art dead;
And so in spite of death thou dost survive,
In that thy likeness still is left alive.”

By this, the lovesick queen began to sweat,
For where they lay the shadow had forsook them,
And Titan, tired in the midday heat,
With burning eye did hotly overlook them,
Wishing Adonis had his team to guide,
So he were like him, and by Venus’ side.

And now Adonis, with a lazy sprite,
And with a heavy, dark, disliking eye,
His louring brows o’erwhelming his fair sight,
Like misty vapours when they blot the sky,
Souring his cheeks, cries “Fie, no more of love!
The sun doth burn my face; I must remove.”

“Ay me,” quoth Venus “young, and so unkind!
What bare excuses mak’st thou to be gone!
I’ll sigh celestial breath, whose gentle wind
Shall cool the heat of this descending sun.
I’ll make a shadow for thee of my hairs;
If they burn too, I’ll quench them with my tears.

“The sun that shines from heaven shines but warm,
And lo, I lie between that sun and thee;
The heat I have from thence doth little harm:
Thine eye darts forth the fire that burneth me;
And were I not immortal, life were done
Between this heavenly and earthly sun.

“Art thou obdurate, flinty, hard as steel?
Nay, more than flint, for stone at rain relenteth.
Art thou a woman’s son, and canst not feel
What ’tis to love, how want of love tormenteth?
O, had thy mother borne so hard a mind
She had not brought forth thee, but died unkind.

“What am I that thou shouldst contemn me this?
Or what great danger dwells upon my suit?
What were thy lips the worse for one poor kiss?
Speak, fair; but speak fair words, or else be mute.
Give me one kiss, I’ll give it thee again,
And one for int’rest, if thou wilt have twain.

“Fie, lifeless picture, cold and senseless stone,
Well-painted idol, image dull and dead,
Statue contenting but the eye alone,
Thing like a man, but of no woman bred!
Thou art no man, though of a man’s complexion,
For men will kiss even by their own direction.”

This said, impatience chokes her pleading tongue,
And swelling passion doth provoke a pause;
Red cheeks and fiery eyes blaze forth her wrong:
Being judge in love, she cannot right her cause;
And now she weeps, and now she fain would speak,
And now her sobs do her intendments break.

Sometime she shakes her head, and then his hand;
Now gazeth she on him, now on the ground;
Sometime her arms infold him like a band;
She would, he will not in her arms be bound;
And when from thence he struggles to be gone,
She locks her lily fingers one in one.

“Fondling,” she saith “since I have hemmed thee here
Within the circuit of this ivory pale,
I’ll be a park, and thou shalt be my deer:
Feed where thou wilt, on mountain or in dale;
Graze on my lips, and if those hills be dry,
Stray lower, where the pleasant fountains lie.

“Within this limit is relief enough,
Sweet bottom-grass and high delightful plain,
Round rising hillocks, brakes obscure and rough,
To shelter thee from tempest and from rain:
Then be my deer, since I am such a park;
No dog shall rouse thee, though a thousand bark.”

At this Adonis smiles as in disdain,
That in each cheek appears a pretty dimple.
Love made those hollows, if himself were slain,
He might be buried in a tomb so simple,
Foreknowing well, if there he came to lie,
Why, there Love lived, and there he could not die.

These lovely caves, these round enchanting pits,
Opened their mouths to swallow Venus’ liking.
Being mad before, how doth she now for wits?
Struck dead at first, what needs a second striking?
Poor queen of love, in thine own law forlorn,
To love a cheek that smiles at thee in scorn!

Now which way shall she turn? What shall she say?
Her words are done, her woes the more increasing.
The time is spent, her object will away,
And from her twining arms doth urge releasing.
“Pity!” she cries “Some favour, some remorse!”
Away he springs, and hasteth to his horse.

But lo, from forth a copse that neighbours by
A breeding jennet, *****, young, and proud,
Adonis’ trampling courser doth espy,
And forth she rushes, snorts, and neighs aloud.
The strong-necked steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven’s thunder;
The iron bit he crusheth ‘tween his teeth,
Controlling what he was controlled with.

His ears up-pricked; his braided hanging mane
Upon his compassed crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send;
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.

Sometime he trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say ‘Lo, thus my strength is tried,
And this I do to captivate the eye
Of the fair ******* that is standing by.’

What recketh he his rider’s angry stir,
His flattering ‘Holla’ or his ‘Stand, I say’?
What cares he now for curb or pricking spur,
For rich caparisons or trappings gay?
He sees his love, and nothing else he sees,
For nothing else with his proud sight agrees.

Look when a painter would surpass the life
In limning out a well-proportioned steed,
His art with nature’s workmanship at strife,
As if the dead the living should exceed;
So did this horse excel a common one
In shape, in courage, colour, pace, and bone.

Round-hoofed, short-jointed, fetlocks **** and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide;
Look what a horse should have he did not lack,
Save a proud rider on so proud a back.

Sometime he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a base he now prepares,
And whe’er he run or fly they know not whether;
For through his mane and tail the high wind sings,
Fanning the hairs, who wave like feathered wings.

He looks upon his love, and neighs unto her;
She answers him as if she knew his mind:
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
Spurns at his love, and scorns the heat he feels,
Beating his kind embracements with her heels.

Then, like a melancholy malcontent,
He vails his tail that, like a falling plume,
Cool shadow to his melting buttock lent;
He stamps, and bites the poor flies in his fume.
His love, perceiving how he was enraged,
Grew kinder, and his fury was assuaged.

His testy master goeth about to take him,
When, lo, the unbacked *******, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them,
Outstripping crows that strive to overfly them.

All swoll’n with chafing, down Adonis sits,
Banning his boist’rous and unruly beast;
And now the happy season once more fits
That lovesick Love by pleading may be blest;
For lovers say the heart hath treble wrong
When it is barred the aidance of the tongue.

An oven that is stopped, or river stayed,
Burneth more hotly, swelleth with more rage;
So of concealed sorrow may be said.
Free vent of words love’s fire doth assuage;
But when the heart’s attorney once is mute,
The client breaks, as desperate in his suit.

He sees her coming, and begins to glow,
Even as a dying coal revives with wind,
And with his bonnet hides his angry brow,
Looks on the dull earth with disturbed mind,
Taking no notice that she is so nigh,
For all askance he holds her in his eye.

O what a sight it was wistly to view
How she came stealing to the wayward boy!
To note the fighting conflict of her hue,
How white and red each other did destroy!
But now her cheek was pale, and by-and-by
It flashed forth fire, as lightning from the sky.

Now was she just before him as he sat,
And like a lowly lover down she kneels;
With one fair hand she heaveth up his hat,
Her other tender hand his fair cheek feels.
His tend’rer cheek receives her soft hand’s print
As apt as new-fall’n snow takes any dint.

O what a war of looks was then between them,
Her eyes petitioners to his eyes suing!
His eyes saw her eyes as they had not seen them;
Her eyes wooed still, his eyes disdained the wooing;
And all this dumb-play had his acts made plain
With tears which chorus-like her eyes did rain.

Full gently now she takes him by the hand,
A lily prisoned in a gaol of snow,
Or ivory in an alabaster band;
So white a friend engirts so white a foe.
This beauteous combat, wilful and unwilling,
Showed like two silver doves that sit a-billing.

Once more the engine of her thoughts began:
“O fairest mover on this mortal round,
Would t
Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to **** but sand channel ruts

Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go

One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad

Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls ***** & groan
Millions of families hopeless alone

Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan

Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts

Wet processions   Families walk
Stunted boys    big heads don't talk
Look bony skulls   & silent round eyes
Starving black angels in human disguise

Mother squats weeping & points to her sons
Standing thin legged    like elderly nuns
small bodied    hands to their mouths in prayer
Five months small food    since they settled there

on one floor mat   with small empty ***
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry

Two children together    in palmroof shade
Stare at me   no word is said
Rice ration, lentils   one time a week
Milk powder for warweary infants meek

No vegetable money or work for the man
Rice lasts four days    eat while they can
Then children starve    three days in a row
and ***** their next food   unless they eat slow.

On Jessore road    Mother wept at my knees
Bengali tongue    cried mister Please
Identity card    torn up on the floor
Husband still waits    at the camp office door

Baby at play I was washing the flood
Now they won't give us any more food
The pieces are here in my celluloid purse
Innocent baby play    our death curse

Two policemen surrounded     by thousands of boys
Crowded waiting    their daily bread joys
Carry big whistles    & long bamboo sticks
to whack them in line    They play hungry tricks

Breaking the line   and jumping in front
Into the circle    sneaks one skinny runt
Two brothers dance forward    on the mud stage
Teh gaurds blow their whistles    & chase them in rage

Why are these infants    massed in this place
Laughing in play    & pushing for space
Why do they wait here so cheerful   & dread
Why this is the House where they give children bread

The man in the bread door   Cries & comes out
Thousands of boys and girls    Take up his shout
Is it joy? is it prayer?    "No more bread today"
Thousands of Children  at once scream "Hooray!"

Run home to tents    where elders await
Messenger children   with bread from the state
No bread more today! & and no place to squat
Painful baby, sick **** he has got.

Malnutrition skulls thousands for months
Dysentery drains    bowels all at once
Nurse shows disease card    Enterostrep
Suspension is wanting    or else chlorostrep

Refugee camps    in hospital shacks
Newborn lay naked    on mother's thin laps
Monkeysized week old    Rheumatic babe eye
Gastoenteritis Blood Poison    thousands must die

September Jessore    Road rickshaw
50,000 souls   in one camp I saw
Rows of bamboo    huts in the flood
Open drains, & wet families waiting for food

Border trucks flooded, food cant get past,
American Angel machine   please come fast!
Where is Ambassador Bunker today?
Are his Helios machinegunning children at play?

Where are the helicopters of U.S. AID?
Smuggling dope in Bangkok's green shade.
Where is America's Air Force of Light?
Bombing North Laos all day and all night?

Where are the President's Armies of Gold?
Billionaire Navies    merciful Bold?
Bringing us medicine    food and relief?
Napalming North Viet Nam    and causing more grief?

Where are our tears?  Who weeps for the pain?
Where can these families go in the rain?
Jessore Road's children close their big eyes
Where will we sleep when Our Father dies?

Whom shall we pray to for rice and for care?
Who can bring bread to this **** flood foul'd lair?
Millions of children alone in the rain!
Millions of children weeping in pain!

Ring O ye tongues of the world for their woe
Ring out ye voices for Love we don't know
Ring out ye bells of electrical pain
Ring in the conscious of America brain

How many children are we who are lost
Whose are these daughters we see turn to ghost?
What are our souls that we have lost care?
Ring out ye musics and weep if you dare--

Cries in the mud by the thatch'd house sand drain
Sleeps in huge pipes in the wet ****-field rain
waits by the pump well, Woe to the world!
whose children still starve    in their mother's arms curled.

Is this what I did to myself in the past?
What shall I do Sunil Poet I asked?
Move on and leave them without any coins?
What should I care for the love of my *****?

What should we care for our cities and cars?
What shall we buy with our Food Stamps on Mars?
How many millions sit down in New York
& sup this night's table on bone & roast pork?

How many millions of beer cans are tossed
in Oceans of Mother? How much does She cost?
Cigar gasolines and   asphalt car dreams
Stinking the world and dimming star beams--

Finish the war in your breast    with a sigh
Come tast the tears    in your own Human eye
Pity us millions of phantoms you see
Starved in Samsara   on planet TV

How many millions of children die more
before our Good Mothers perceive the Great Lord?
How many good fathers pay tax to rebuild
Armed forces that boast    the children they've killed?

How many souls walk through Maya in pain
How many babes    in illusory pain?
How many families   hollow eyed  lost?
How many grandmothers    turning to ghost?

How many loves who never get bread?
How many Aunts with holes in their head?
How many sisters skulls on the ground?
How many grandfathers   make no more sound?

How many fathers in woe
How many sons   nowhere to go?
How many daughters    nothing to eat?
How many uncles   with swollen sick feet?

Millions of babies in pain
Millions of mothers in rain
Millions of brothers in woe
Millions of children    nowhere to go

                                        New York, November 14-16, 1971
Wade Redfearn Sep 2010
He loved it when she slid up
to him, as sweet as a sprinkle doughnut -
but now, something has befallen her,
she's been burned or frozen, tastes more like
cinnamon raisin; but by virtue of his
firelit face and tall tales,
he still gets invited out.
_________

He creaks upstairs an hour late, we
are already tangled up on the
back porch, smoking, and the
liquor has made everything
an economy of scale.

He is a ray of sunshine. Tells us
all the old groaners. The big fish.
Ultimately says, "Happy birthday.
Never let your guard down."
and hobbles off, with barb-wire chafing
his heel, and the rheumatic suspicion
that "rest" and "wellness" are
the fables taught to us by
bogeymen, trying to convince us
there are no bogeymen.

I am a tender Twenty tonight.
I want to twirl my fists in Muhammad Ali speedbag-spirals,
saying, "I am the champion. Never undefended."
But I am too drunk, and maybe
too humiliated.

God! He floats like painkillers. He stings like loss.

There he is, the tall order, the iron giant:
a two-story brainfreeze milkshake.

I shudder, a pipsqueak of a prizefighter.
The bucktoothed squirt at the icecream booth,
too short to notice that there are only three flavours.
And all of them involve pistachios! Gasp!
bleh Nov 2014
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barometric tendrils
psuedo-random and hybrid sets
growing like ivy in the clutches of time
such a
           chocking
                   but actualising
    grasp

..huh? what?
oh yes! sorry, sorry
come in, come in,
                       ..you know,
I too, once, like how you are now,
was here too
                          so
                                 very
                                            very
                                                       present.
Aha! Oh yes!
Permit me a mock stifled cry of ostentatious self derision,
'hee hee hee'
aaaaaahhh..
I really was pitiful back then.
seeing you there now, I feel oh so whimsical and overcome
with
ahem
sorry.
..dank and musty cellars,
    hashish and a can of beans.
(baked, not fried, -we were really naive enough to believe that?- )
had it all back then though, didn't we?
By which I mean we had nothing,
but the conviction
that obligation was something that actually meant something
rather than a Cryptocurrency in a Ponzi scheme,
                                                            (with a slice of lemon)
confidence intervals stockpiled in the stocks of confidence men.
Derivative markets
oh, so very much so
                        so very
                            derivative
                                  idiomatic
                                        and *******
                                              asinine.  

..Still, it does harken to its era, doesn't it?
'detached and disposable.'
toothpicks
limbs
ideals
all that
goodness!
I was supposed to be offering advice, wasn't I?
Interpolate up some mediated conjecture.
But the kids can look after themselves just fine, can't they?
So our fiscal policy seems to think;
'I wager we shear up the youth
to buy shares in implementing youth wages.'
sorry, I guess it's an antiquated complaint,
“think of the children!” , they say?
Can't they see,
the whole **** market's aimed at the proto-teens??
we do it all for them the little snots.
laissez faire welfare
hedge or double down?
A shrubbery?
Or a bacon butty with bread as ****** chicken and cheese?
(I just vomited in my mouth a little,
(how pastiche))

See, and people ask why I’m trapped in the past;
the future's got me car sick.
and honestly
we're just brimming with history
(the scourge of post-modernity)
like a black moss spewed on the walls
Poisoning visions and Rheumatic fever
tearing up our lovely
lovely
pacified
pay and display
psuedo
proto
posterity
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crowbarius Aug 2012
Daniel?

A piggish snort. Crusted eyes crack open like the wings of a beetle. Ragged nails scrape against the red-worn desert of an adolescent jawbone. A fishlipped yawn.

Ugh. What?

What did you call that plant thing again?

Jesus, James. Waxwood. It's a reddish bark. Oozes this cloudy stuff if you crush it.

Oh. Yeah, of course. Sorry.

Ambient silence. Raindrops fill with rotting organic sediment and fall into the leaves around the
clapboard tollbooth. A zealous fist of ivy tightens its tattered fingers across rheumatic windowpanes.


Dan?

Mm?

Why don't you like to talk about Clifftown?

Ambient silence. Raindrops. Ivy.

I’ll tell you why I don’t like to talk about Clifftown.

Go on.

Sigh.

I was born there. Before all this happened, it was this small village where onions grew. Not many people lived there. There was... Christ. A church, a chemist, a library and a few houses. The biggest house was this tall yellow clapboard place, which was on the cliff by the sea. This kid who lived there. He wasn’t -

A thud as a gesticulating knuckle rasps against splintered pine.

-Ow, **** - didn’t look human. His head was big and soft like a berry, and his eyes were wide and wet and creepy, and he never spoke. It was like he was empty.

What’d you say his name was again?

Never did.

A dusty rubbing noise as the fluid is forced out of a cheekbone.

Leviticus Croker. He died when he fell from a low salt cliff into the sea or something. Can’t remember.

****. I’m sorry.

Don’t be. I hated him.

A lump of pressed asphalt sends a clouded multitude of motes spinning and passes screaming through the glass pane of the sunwards window. A chuckle.

That was a year ago. They had to blame somebody.

Oh. Right.

An eyelid raised in revelation traps a mote against the skin stretched taut across a young skull.

Right. ****.
Terry Jordan Dec 2015
My Mom called me a clever girl
It felt like a slap in the face
She said, “My sister did that, too,
Wrote silly poems and crocheted lace”

Since Alpha, her older sister
Had a bad rheumatic heart
Too weak to help with the farm work
She cooked a little for her part

While Mom, the Swedish farm girl
With a rope tied around her waist
Up at four to reach the barn
Six feet of snow was every place

She had to milk the cows then
It was bone-freezing cold
Her older brother Forrest
Plowed the fields at twelve years old

Their father died and left them
To run the family dairy farm
Soon after Alpha passed on, too
Depression inflicted more harm

That year was 1931
Ancient history one might say
Grandmother never recovered
Her depression years there to stay

Cokato, Minnesota
Who could blame my mom for running
Her mother could not forgive her
Til she installed indoor plumbing

She had run away to Oakland
A California nursing school
Her mother called her *******
And disowning her was cruel

But she was the lone survivor
In her family of five
So she nursed her future husband
After World War II arrived

They married and moved to Boston
The Yankee soldier and farm girl
It was 1950’s suburbs
To my father it was rural

Theirs was such a raucous union
Like a constant fire alarm
That when I could I moved down South
My dream came true-I bought a farm

How history repeats itself
And leaves its own impression
Alpha was reborn as me
But treated for depression
Growing up, My brothers & I heard my mother's stories about growing up on a dairy farm in Cokato, Minnesota.  My grandparents were immigrants from Sweden who had 3 children.  My mother's older sister, Alpha, had rheumatic fever as a young child, which damaged her heart and caused her death at 19.  I think that both my Grandmother and mother suffered from depression most of their lives.  When I started writing poetry as a child, my mother would be dismissive about it, saying that's all her sister Alpha did, other than crocheting and reading, while she & her brother had to do all the  hard work.  And we heard the story about when she tied a rope around her waist to get to the barn, and back, without getting lost in the snow-a million times.  She'd laugh at my interests that were so like her sister Alpha's that I believed I WAS her sister, Alpha, especially since I looked like her, too.   The farm girl & city boy, my parents, were a mismatch, like many who met from different places during the Post-war years.  It sounded romantic, the way she nursed him when he was hospitalized for Malaria in California after WWII.  I just had to try and get it out in this poem...
Mateuš Conrad Oct 2016
this feeds me: http://tinyurl.com/hvz44mr - sure, when you see flowers pollinate more frequently, and pigs slaughtered more so, you begin to wonder: this gentlemanly approach to things is really paying off... sure is... oh well, why are they born to necessitate such matrimony kindred to sadism? why?! by now i'm in the refugee camp: i really don't care, just get me off this orbital **** of pathos.

when bass and drums merge,
and soon overpowered rhythm guitars
all long gone...
                                    i don't have to be right,
or wrong,
                      Sacha Baron Cohen and the Cohen
brothers (albeit distinctive) and
     Mel Brooks still understand comedy:
has to do about something concerning genitalia,
but feel the rhythm,
                      it's slightly dangerous,
it's thematic according to a rheumatic
piston sharpening to pulverise you into
a state of being brain dead, that's dangerous,
skin-heads aplenty, with the fake dodo-extinction
of the left leaves the right ripe and open
to invigorate itself... just like
Urban the 2nd launched the crusades during
the first crusade... my ethnic cousins were not involved,
we waited for the Teutons, then the Mongols,
what a magical ethnic diversity,
                         you end up discarding English
media, even if or whenever they come up with a story
akin to *all the king's men
- whoop d d'ah:
               helium filled balloons...
                      because what you're speaking is: i'm not
discovering as a legitimate differentiation
basis for either Lenin or Lennon -
                            shoot the dummy,
well: you're all Clinton and California is orange...
                         you see, techno punk is vague...
i'm vague...
                     i loved being in brothels,
they told me about black boys with elephants *****
and tried to get me angry,
         hell, i passed the test when one ******* stole
my bank card and the **** showed me an *** array of
stolen cards in his plagiarism wallet...
                                many more examples...
why did i retire my youth and beauty to
encounter prostitutes?
                ever tried courting an English girl?
i dare say, gnarl?
                                             you'd sooner find a *******
leprechaun than **** an English girl...
                               the bony **** of my own extensive limb
curled got boring, university wasn't the 1960s,
               i didn't want to ****...
i didn't want a Clinton reputation...
                 what's the answer? am i gay? no!
brothel 999.
                          well: if you're not going to **** me,
and i'm tired of yanking the doodle and saying
*** is actually Switzerland, where am i to go?
          the only way is brothel-land.
                                  **** a nippy chicken off a supermarket
shelf? is that your idea of currency?
                  oh i heard, two guys drugged a girl
***** her then impaled her like a Polish-Lithuanian
          Commonwealth baron speaking Ukrainian
in Argentina... then the street protests...
           i'm convict for rightfully paying for ***,
paying an extra £10 for eating the genitals out,
         making a Jewish joke akin to Balaam -
getting what i want,
                                    telling the British girls:
oh here comes the Pakistanis, curry kebab dab in that?
sure!
               whey hey!
                                   Sinjit's your uncle!
why the **** would you wonder why i designate
myself as being misogynist?
                                   i conceptualised the idea by
splitting the Cartesian Siamese distraction
into two: ergo doesn't necessarily precipitate into
the arithmetic...
                    i coordinate otherwise...
                                        going to the brothel liberated
me from dating culture,
                          from dating apps,
                                  from that i call pork trimmings.
easy to say you're an atheist but have no atheistic
thought to back it up... and few hardly do:
    because it's easy to assume you are something
but have no agreeable thought to manage the throttling
being as such.
                  a man can masquerade his delving
into lost genital interaction for only so long,
but when you live in a society where women are deaf
and blind, and prefer the company of perverts...
hey **! the ****** are parading and knocking on your
front-doors...
                      because they can, and because they will...
            what, you want to date?
                       is that eating a date while breaking
the Raamadam fasting month?
                      you got to be ******* kidding me...
don't bother...
                                      you'll die a *******-load of
squatting ***** exercises that's politically merely a
handshake... if the English girl don't give to a man:
        then let the perverts come -
i'm done.... Bulgarian ****** taught me all i need to know,
and i even decided to pay an extra £10 to slurp up that
excess of Isaac's necktie on the altar of Abraham -
funny how the Aztecs built pyramids but where not
interrupted: 'cos they were palaces of capital punishment
not trivial tombs!
                                  they taught me more than
i could have ever learned...
             when it comes to dating these days?
i can't be bothered, should i be bothered? probably no.
well, there's that case of drugging a girl, ****** her
and then impaling her in Argentina...
                       with so many insects roaming the place,
you're bound to feel a desire to ****,
  and when not gratified and not interested in games,
you go the source of your woes and
                    desire to buy salt,
and you buy salt,
                 and oh god, it's so impersonal
and yourself so intact,  and then you leave,
                                      and then you have very or merely
little concern for keeping certain things memorable.
Marshall Gass Jul 2014
GP
I knew him well. Ten years attached to his clinic
like a stethoscope dangling with ailments
I knew the carpet threads
The old painting on the wall
The posters on rheumatic fevers
Pains in the chest, nurses call
And the vague smell of antiseptic cream
Liberally applied over every visitors hands

I knew all those dangly instruments and probes
Designed in the middle ages
And given a stainless shine just now
Bright and sparkling.

I knew his receptionist too quite well
Her big *****, had just a button undone
But I had xray vision and a sharp brain to imagine
Tropical island and coconuts

I knew his voice, his signature
His way of asking questions
And his way of checking the big fat book
Of pills and potions that held his practice together

Every time he called my name out
In the reception area
He always said it funny:
The Gass rhymed with a donkey
And never with a glass.
( I corrected him many times)
But as old as he was his memory could not hold
my correct name for more than 3 seconds. He won.

On leaving his clinic, I always wished
The Tropical Islands goodbye-and winked
That 'just cured wink' like I knew
how to collect coconuts!
It never worked in ten years
But hope is not a medical condition. Thank you.

Author Notes
Ha ha.
Please check out ISBN 9781493137848-  my new book published last night. The Trilogy is better than all the poems I ever wrote. Unashamedly, promoting my book, currently on Amazon.Com and soon on all e-books.

Thank you.

© Marshall Gass. All rights reserved, 2 months ago
Jet Dec 2020
Mobile/Stabile - I don’t speak French

Main two types of mainly 3D artist
Alexander “sandy” Calder

Mobile - is a French pun meaning both "motion" and "motive"

If you had one of these above your crib to muse over as you drifted to dreamland, you have Sandy to thank.

Stabile-  following the style of the name mobile, is a sculpture that is unmovable

Both are French words I have trouble saying


I am becoming or was becoming paralyzed from my feet up
(they still haven’t decided which,
feel free to laugh at that)

Feel free to laugh at all of it, I do

I have complications from unbeknownst year long scarlet fever that turned into rheumatic fever that turned into julian Barre to thank for that.

There is no cure, so I’m using condescension.
I call it Julian Barre because “Gee YAWN BERET” is just so **** hard to eek out.
And
It requires more pomp than it deserves

Okay it’s part condescension and part more French words I can’t quite say.

It’s sort of like the opposite of when I try to say  “petit” pwessON” to be cute, I mean to say Little Fish to address my partner:

But instead say “petit pwazOne” which means
little Poison
Originally performed at iFell Gallery on November 30, 2019
Jude kyrie Mar 2016
The stone mason

*he was old now
his hands unsteady.
The eyesight fading.
in winter he worked
inside his barn.
it could let the rheumatic
cool down to let him work
for an hour or more.
His grandfather had
apprenticed his father.
and he had apprenticed him.
and now his son was apprenticed.
The tools were the same.
no room for technology
Here only artisan skill.
The polished marble slab
was taking shape.
a headstone that
would stand proudly
in the cemetery.
like many of his others
that he had made
in over fifty years of his life.
it was almost finished
possibly the best work
he had ever done.
the N was the final letter
he tapped it with the iron
rounded chisel.
just hard enough
to create a perfect slant
in the marble.
her name a thing of beauty
EMMA BROWN
His wife
he was careful to leave
space for his own name
below hers
his son would chisel that
when his time was called.
rubbing the marble to a high gloss
he whispered
see you soon my love.
Lexander J Apr 2015
He comes every rainy day,
when all the outside is dull and grey -

a glorious smile killed by a frown,
he's Misery Pessimist
the Ever-Weeping Clown.

He peers through the windscreen at me,
breath fogging up the glass,
his hair slimy with greased sweat
his rictus grinning mouth as bold as brass.

Droplets of rain
making him look as if he's always crying
in bone-grinding pain,
smiling that sickened smile -
never knowing who it is he should blame.

I try to ignore him
but he doesn't go away -
he's a sadistic little puppy
that just wants to play.

[Maybe he'll go away if I fall asleep?]

but I can't rest at the car wheel
and besides, he'll just creep

[to the door handle]

What do I do?
Where do I go?
Is there any window where his face won't show?

Those charred eyes, always -

CRYING

[lying]

That bloodstained rictus -

LIKE CHEWING ON BROKEN GLASS

A torrent of angst, a tidal wave of rheumatic arthritis
spreading like noxious -


GAS


I can't laugh at the Clown,
can't laugh into his rheumatically mauled face -

thick oil running down his cheeks,
a face of mutilated insanity,
of a thousand screaming freaks

leaking eyes burning,
desperately pleading to be set free -

I can't laugh at Misery the Clown,
because I secretly know

that Clown is a true reflection of me.

AJ
Mateuš Conrad Nov 2016
lekki, and
thus said *leki
...
     former: slightly.
and latter: medicine....
     medicine: or pills...
that's half a summary
of leftovers...
strutting toward
a hamstrung plagiarism
worths' worth of
kindergarten blah blah...
  if ever the case
  was ever the rheumatic catchphrase
or said: gyroid stubble...
     the five o'clock tanning...
yep, lekki meaning a slightness,
meaning a gargantuan woo...
             a slightness,
and that's half of ascribed Loci...
     leki means medicine,
a plural circumstance...
                      letki meaning
paper-weight...
                  lekki hark and stutter...
Loci... or lost jarring toward
             insinuated lightness,
as said: personified lightness,
unbearable to the suitor Kundera.
oh the stutter.
Chris Sep 2020
And your life after that
Is like rheumatic pain.
On the sunny days,
You can act as if nothing happened,
But on the rainy nights,
Even years and years after,  
The familiar pain
Will still be let out of the same wound.

Of course separation is what you want
When there has been a crack,
One that you can’t ever fix.
You know that
Pieces of the puzzle can’t be forced together.
But what you don’t yet know is,
Pulling apart hurts far more.
There is no way out
Of remember what had happened.
Leaving, or staying.
But who said life has to give you a way out?
hope it won’t hurt on my wedding day

and try not to hate the person who broke the bones in the first place
james nordlund Apr 2020
The great Ellis Marsalis, Jr., died of corona virus in NOLA,
one of a thousand that passed away this Avril Fool's, from it,
all of whom will be missed dearly, "...we(e),..."'ll ever bay.

In his day, near his death, (W.A.) Mozart said to his wife,
"I fear I am writing a requiem for myself", as he composed
'Requiem Mass in D minor- Lacrimosa', of unparalleled beauty.

With rheumatic fever hitting Europe at that time, and soon
after, yellow fever in Philly, here, epidemics and pandemics
became common, the worst, 1918 Spanish Flu, 1/2 a bill dead.

listening to comedy ring hollow, a necessary alternative to
the news that isn't new, my ear longs for his veracious music.
How can USA have the worst response to it among technocracies?

Our king-kong sized terrible-two, ****, playing his keystone
President act for 3 months has determined the repub conspiracy's,
global oligarchy's agenda's yoke tighten around the people's neck.

The stealing of social security from the elderly, infirm, through
Covid-19 exterminating them more than others, this couldn't get
done politcally by the repubs for 2 decades.  As well, the poor

to lower-middle-class, especially people of color, can't afford
to defend themselves usually, now it's worse. "Stimulus bills"?,  
over 1/2 a trill to bail out small, big businesses, pay big Pharma,

medical supplies corps, who're already making hand over fist from
the bidding war between States, federal agencies, dictating Bush,
**** klans who're heavily invested, ever increasing kafknching.

Coastal regions, big cities, mostly dems, are murdered more by
virtue of #, close proximity, needs, ****'s re-election plan.
This while he kept his criminal cuts to SNAP, still stealing food

from mouths of babes and handing it to billionaires.  Same as
it ever was, class war, repubs using jobs they don't do, to mass-
exterminate non-repubs instead.  like the serial murderers who

masquerade as cops, killers ..., as doctors, judges as justices.
The 'big fix' is in, if it ain't fixed don't break it, stop all
criminal insanity, if not you then who, here, where, now, when?

This leaf of poetree, although it just a twig be, may be my last.
If so, I'm honored to pass with such great artists, yet, hopefully
not from skyrocketing price of living.  Social distance, wear mask.
"The sleepers must awaken" (before they're extincted by climate change), movie Dune.  Thanx for all you All do.  Have a great eve'   ;)   reality
Breon Oct 2018
The music box grinds down to silent rest
Between a crone’s rheumatic, weathered hands.
A simple enough trinket, she'd attest,
But quick enough to answer her demands:
Her brittle fingers wait for it to cease,
Then seek the winding key, its battered brass
All lacquered in patina, thumbprint grease
And dusting left undone, its fragile glass
A testament to things left well alone,
A dancer wrought in crystal finery
Awaiting his accompaniment’s tone,
His patient poise the winder’s reverie...
Returned, rewound, to tabletop in time,
The music box begins, again, to chime.
alaric7 Jan 2018
Proper ode’s brief introductory yells or sings atropa nigrescent nihil, nomads’ nimble befools *****, hammers filthy rebauldry, bewilders attentive homonym.  Springs forth then wet naiad, nautilus axle to lynch pin, to forgive them their apparitions.  Some wanton rheumatic planetary nostalgia suckles gumption.  Myristica fragrans offers milk, carnations blood, violets desecration, rosemary hope.   Then in a window, across alley, up to high rise, from dropped white towel,

                                                       brown
                                                       naked
                                                       stirs

long after renovating **** or democracy.  Trade coronation for radiant girls, deign north wind flee worthy rage.  Nincompoops, heresiarchs, plums, avocadoes, remain stealthily authentic.  Liberty regulates caravansary, sweeps away umber, re-tenants constitutional, tups tympani, hays hero.  But deflated cocky rhymes bore juridical, where wasted boys go down to their under hill havens.
We spark flames
To feel ecstatic
Our movements erratic
Our breathing like static
To forget we’re rheumatic
We overthink like quadratic
Now we’re sounding pneumatic
Take a hit
And now we’re behaving asthmatic
Like a real fade fanatic
Too ****** for pragmatic
Our mind’s like a dark attic
Where we hide our ****
When we don’t want them to know that we are back at it
Thinking like backward chromatic
Yeah, this **** is thematic
And it’s ******* dramatic
But it’s all schematic
for the bad habits of a using drug addict
Dada Olowo Eyo Oct 2018
Back breaking labour,
Rheumatic pay at the most,
Then cold morsels to break evening fast,
Life of the People of State.
One percent of Nigeria lords it over the other 99. But when will the latter reclaim their prosperity?
GOD TALKS TO PEOPLE A LOT - Why do you love God so much? Because He's really nice. How nice? I just told you. Does He protect you day and night? Yes. He always has. What about Jesus? What about Him? Oh, nothing. Pull out a ride-hiking finger and let's hitch a hip trip to Toronto where 43% of Canadian women are living lives devoted to free-love & casual-*** giving. I got a rheumatic disease that kills nobody. Now that I know that I won't do THAT anymore unless I'm forced by the force of law to do that or if I'm conned into doing that, or lured by hussies who aren't real hussies into doing that. Debbie Watson's rotten dreams haunted her lover Kyle Yarborough's coma-deep slumber while he was attached to hospital machines. He had a career in car-racing to return to if his brain-reduction surgery was successful. "Dear Lover," Debbie whispered through a feeding-tube, "one day we'll make love in a motel room in France a lot." Suddenly, like a miracle, Kyle's eyes flew open like a helicopter stalling out over the Teton Dam. "Oh Kyle! God does grant prayer requests!" Debbie exclaimed like she was Kammy Harris opening a bag of new knee pads. Debbie, why are you crying? My mother was just eaten by cannibal Pygmies. Oh, is she going to be alright? Yes, I think so. Mom? Are you okay? Yes darling. I'm just a little sore.
My face is the front gate
of a rotting town

people sweeping
through streets
like a Plague
that kills with
disproportionates

my eyes the ticket-men
who check scraps of
yellowed paper for
numbers, ripping
of corners for their
pocket

my ears hum
with the sound of
Thalidomide bees,
collecting nectar
from dying flowers

I can smell scattered
chemicals and poverty,
children without shoes
and old ladies who
knit with rheumatic
fingers

I keep my mouth shut
to stop the spread of this
war

I let my head fall forward
sometimes, or shake

but

I will not open my lips
for anyone
Why do you love God so much? Because He's really nice. How nice? I just told you. Does He protect you day and night? Yes. He always has. What about Jesus? What about Him? Oh, nothing. Pull out a ride-hiking finger and let's hitch a hip trip to Toronto where 43% of Canadian women are living lives devoted to free-love & casual-*** giving. I got a rheumatic disease that kills nobody. Now that I know that I won't do THAT anymore unless I'm forced by the force of law to do that or if I'm conned into doing that, or lured by hussies who aren't real hussies into doing that. Debbie Watson's rotten dreams haunted her lover Kyle Yarborough's coma-deep slumber while he was attached to hospital machines. He had a career in car-racing to return to if his brain-reduction surgery was successful. "Dear Lover," Debbie whispered through a feeding-tube, "one day we'll make love in a motel room in France a lot." Suddenly, like a miracle, Kyle's eyes flew open like a helicopter stalling out over the Teton Dam. "Oh Kyle! God does grant prayer requests!" Debbie exclaimed like she was Kammy Harris opening a bag of new knee pads. Debbie, why are you crying? My mother was just eaten by cannibal Pygmies. Oh, is she going to be alright? Yes, I think so. Mom? Are you okay? Yes darling. I'm just a little sore.
0
GOD TALKS TO PEOPLE A LOT - Why do you love God so much? Because He's really nice. How nice? I just told you. Does He protect you day and night? Yes. He always has. What about Jesus? What about Him? Oh, nothing. Pull out a ride-hiking finger and let's hitch a hip trip to Toronto where 43% of Canadian women are living lives devoted to free-love & casual-*** giving. I got a rheumatic disease that kills nobody. Now that I know that I won't do THAT anymore unless I'm forced by the force of law to do that or if I'm conned into doing that, or lured by hussies who aren't real hussies into doing that. Debbie Watson's rotten dreams haunted her lover Kyle Yarborough's coma-deep slumber while he was attached to hospital machines. He had a career in car-racing to return to if his brain-reduction surgery was successful. "Dear Lover," Debbie whispered through a feeding-tube, "one day we'll make love in a motel room in France a lot." Suddenly, like a miracle, Kyle's eyes flew open like a helicopter stalling out over the Teton Dam. "Oh Kyle! God does grant prayer requests!" Debbie exclaimed like she was Kammy Harris opening a bag of new knee pads. Debbie, why are you crying? My mother was just eaten by cannibal Pygmies. Oh, is she going to be alright? Yes, I think so. Mom? Are you okay? Yes darling. I'm just a little sore.

— The End —