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There are who lord it o'er their fellow-men
With most prevailing tinsel: who unpen
Their baaing vanities, to browse away
The comfortable green and juicy hay
From human pastures; or, O torturing fact!
Who, through an idiot blink, will see unpack'd
Fire-branded foxes to sear up and singe
Our gold and ripe-ear'd hopes. With not one tinge
Of sanctuary splendour, not a sight
Able to face an owl's, they still are dight
By the blear-eyed nations in empurpled vests,
And crowns, and turbans. With unladen *******,
Save of blown self-applause, they proudly mount
To their spirit's perch, their being's high account,
Their tiptop nothings, their dull skies, their thrones--
Amid the fierce intoxicating tones
Of trumpets, shoutings, and belabour'd drums,
And sudden cannon. Ah! how all this hums,
In wakeful ears, like uproar past and gone--
Like thunder clouds that spake to Babylon,
And set those old Chaldeans to their tasks.--
Are then regalities all gilded masks?
No, there are throned seats unscalable
But by a patient wing, a constant spell,
Or by ethereal things that, unconfin'd,
Can make a ladder of the eternal wind,
And poise about in cloudy thunder-tents
To watch the abysm-birth of elements.
Aye, 'bove the withering of old-lipp'd Fate
A thousand Powers keep religious state,
In water, fiery realm, and airy bourne;
And, silent as a consecrated urn,
Hold sphery sessions for a season due.
Yet few of these far majesties, ah, few!
Have bared their operations to this globe--
Few, who with gorgeous pageantry enrobe
Our piece of heaven--whose benevolence
Shakes hand with our own Ceres; every sense
Filling with spiritual sweets to plenitude,
As bees gorge full their cells. And, by the feud
'Twixt Nothing and Creation, I here swear,
Eterne Apollo! that thy Sister fair
Is of all these the gentlier-mightiest.
When thy gold breath is misting in the west,
She unobserved steals unto her throne,
And there she sits most meek and most alone;
As if she had not pomp subservient;
As if thine eye, high Poet! was not bent
Towards her with the Muses in thine heart;
As if the ministring stars kept not apart,
Waiting for silver-footed messages.
O Moon! the oldest shades '**** oldest trees
Feel palpitations when thou lookest in:
O Moon! old boughs lisp forth a holier din
The while they feel thine airy fellowship.
Thou dost bless every where, with silver lip
Kissing dead things to life. The sleeping kine,
Couched in thy brightness, dream of fields divine:
Innumerable mountains rise, and rise,
Ambitious for the hallowing of thine eyes;
And yet thy benediction passeth not
One obscure hiding-place, one little spot
Where pleasure may be sent: the nested wren
Has thy fair face within its tranquil ken,
And from beneath a sheltering ivy leaf
Takes glimpses of thee; thou art a relief
To the poor patient oyster, where it sleeps
Within its pearly house.--The mighty deeps,
The monstrous sea is thine--the myriad sea!
O Moon! far-spooming Ocean bows to thee,
And Tellus feels his forehead's cumbrous load.

  Cynthia! where art thou now? What far abode
Of green or silvery bower doth enshrine
Such utmost beauty? Alas, thou dost pine
For one as sorrowful: thy cheek is pale
For one whose cheek is pale: thou dost bewail
His tears, who weeps for thee. Where dost thou sigh?
Ah! surely that light peeps from Vesper's eye,
Or what a thing is love! 'Tis She, but lo!
How chang'd, how full of ache, how gone in woe!
She dies at the thinnest cloud; her loveliness
Is wan on Neptune's blue: yet there's a stress
Of love-spangles, just off yon cape of trees,
Dancing upon the waves, as if to please
The curly foam with amorous influence.
O, not so idle: for down-glancing thence
She fathoms eddies, and runs wild about
O'erwhelming water-courses; scaring out
The thorny sharks from hiding-holes, and fright'ning
Their savage eyes with unaccustomed lightning.
Where will the splendor be content to reach?
O love! how potent hast thou been to teach
Strange journeyings! Wherever beauty dwells,
In gulf or aerie, mountains or deep dells,
In light, in gloom, in star or blazing sun,
Thou pointest out the way, and straight 'tis won.
Amid his toil thou gav'st Leander breath;
Thou leddest Orpheus through the gleams of death;
Thou madest Pluto bear thin element;
And now, O winged Chieftain! thou hast sent
A moon-beam to the deep, deep water-world,
To find Endymion.

                  On gold sand impearl'd
With lily shells, and pebbles milky white,
Poor Cynthia greeted him, and sooth'd her light
Against his pallid face: he felt the charm
To breathlessness, and suddenly a warm
Of his heart's blood: 'twas very sweet; he stay'd
His wandering steps, and half-entranced laid
His head upon a tuft of straggling weeds,
To taste the gentle moon, and freshening beads,
Lashed from the crystal roof by fishes' tails.
And so he kept, until the rosy veils
Mantling the east, by Aurora's peering hand
Were lifted from the water's breast, and fann'd
Into sweet air; and sober'd morning came
Meekly through billows:--when like taper-flame
Left sudden by a dallying breath of air,
He rose in silence, and once more 'gan fare
Along his fated way.

                      Far had he roam'd,
With nothing save the hollow vast, that foam'd
Above, around, and at his feet; save things
More dead than Morpheus' imaginings:
Old rusted anchors, helmets, breast-plates large
Of gone sea-warriors; brazen beaks and targe;
Rudders that for a hundred years had lost
The sway of human hand; gold vase emboss'd
With long-forgotten story, and wherein
No reveller had ever dipp'd a chin
But those of Saturn's vintage; mouldering scrolls,
Writ in the tongue of heaven, by those souls
Who first were on the earth; and sculptures rude
In ponderous stone, developing the mood
Of ancient Nox;--then skeletons of man,
Of beast, behemoth, and leviathan,
And elephant, and eagle, and huge jaw
Of nameless monster. A cold leaden awe
These secrets struck into him; and unless
Dian had chaced away that heaviness,
He might have died: but now, with cheered feel,
He onward kept; wooing these thoughts to steal
About the labyrinth in his soul of love.

  "What is there in thee, Moon! that thou shouldst move
My heart so potently? When yet a child
I oft have dried my tears when thou hast smil'd.
Thou seem'dst my sister: hand in hand we went
From eve to morn across the firmament.
No apples would I gather from the tree,
Till thou hadst cool'd their cheeks deliciously:
No tumbling water ever spake romance,
But when my eyes with thine thereon could dance:
No woods were green enough, no bower divine,
Until thou liftedst up thine eyelids fine:
In sowing time ne'er would I dibble take,
Or drop a seed, till thou wast wide awake;
And, in the summer tide of blossoming,
No one but thee hath heard me blithly sing
And mesh my dewy flowers all the night.
No melody was like a passing spright
If it went not to solemnize thy reign.
Yes, in my boyhood, every joy and pain
By thee were fashion'd to the self-same end;
And as I grew in years, still didst thou blend
With all my ardours: thou wast the deep glen;
Thou wast the mountain-top--the sage's pen--
The poet's harp--the voice of friends--the sun;
Thou wast the river--thou wast glory won;
Thou wast my clarion's blast--thou wast my steed--
My goblet full of wine--my topmost deed:--
Thou wast the charm of women, lovely Moon!
O what a wild and harmonized tune
My spirit struck from all the beautiful!
On some bright essence could I lean, and lull
Myself to immortality: I prest
Nature's soft pillow in a wakeful rest.
But, gentle Orb! there came a nearer bliss--
My strange love came--Felicity's abyss!
She came, and thou didst fade, and fade away--
Yet not entirely; no, thy starry sway
Has been an under-passion to this hour.
Now I begin to feel thine orby power
Is coming fresh upon me: O be kind,
Keep back thine influence, and do not blind
My sovereign vision.--Dearest love, forgive
That I can think away from thee and live!--
Pardon me, airy planet, that I prize
One thought beyond thine argent luxuries!
How far beyond!" At this a surpris'd start
Frosted the springing verdure of his heart;
For as he lifted up his eyes to swear
How his own goddess was past all things fair,
He saw far in the concave green of the sea
An old man sitting calm and peacefully.
Upon a weeded rock this old man sat,
And his white hair was awful, and a mat
Of weeds were cold beneath his cold thin feet;
And, ample as the largest winding-sheet,
A cloak of blue wrapp'd up his aged bones,
O'erwrought with symbols by the deepest groans
Of ambitious magic: every ocean-form
Was woven in with black distinctness; storm,
And calm, and whispering, and hideous roar
Were emblem'd in the woof; with every shape
That skims, or dives, or sleeps, 'twixt cape and cape.
The gulphing whale was like a dot in the spell,
Yet look upon it, and 'twould size and swell
To its huge self; and the minutest fish
Would pass the very hardest gazer's wish,
And show his little eye's anatomy.
Then there was pictur'd the regality
Of Neptune; and the sea nymphs round his state,
In beauteous vassalage, look up and wait.
Beside this old man lay a pearly wand,
And in his lap a book, the which he conn'd
So stedfastly, that the new denizen
Had time to keep him in amazed ken,
To mark these shadowings, and stand in awe.

  The old man rais'd his hoary head and saw
The wilder'd stranger--seeming not to see,
His features were so lifeless. Suddenly
He woke as from a trance; his snow-white brows
Went arching up, and like two magic ploughs
Furrow'd deep wrinkles in his forehead large,
Which kept as fixedly as rocky marge,
Till round his wither'd lips had gone a smile.
Then up he rose, like one whose tedious toil
Had watch'd for years in forlorn hermitage,
Who had not from mid-life to utmost age
Eas'd in one accent his o'er-burden'd soul,
Even to the trees. He rose: he grasp'd his stole,
With convuls'd clenches waving it abroad,
And in a voice of solemn joy, that aw'd
Echo into oblivion, he said:--

  "Thou art the man! Now shall I lay my head
In peace upon my watery pillow: now
Sleep will come smoothly to my weary brow.
O Jove! I shall be young again, be young!
O shell-borne Neptune, I am pierc'd and stung
With new-born life! What shall I do? Where go,
When I have cast this serpent-skin of woe?--
I'll swim to the syrens, and one moment listen
Their melodies, and see their long hair glisten;
Anon upon that giant's arm I'll be,
That writhes about the roots of Sicily:
To northern seas I'll in a twinkling sail,
And mount upon the snortings of a whale
To some black cloud; thence down I'll madly sweep
On forked lightning, to the deepest deep,
Where through some ******* pool I will be hurl'd
With rapture to the other side of the world!
O, I am full of gladness! Sisters three,
I bow full hearted to your old decree!
Yes, every god be thank'd, and power benign,
For I no more shall wither, droop, and pine.
Thou art the man!" Endymion started back
Dismay'd; and, like a wretch from whom the rack
Tortures hot breath, and speech of agony,
Mutter'd: "What lonely death am I to die
In this cold region? Will he let me freeze,
And float my brittle limbs o'er polar seas?
Or will he touch me with his searing hand,
And leave a black memorial on the sand?
Or tear me piece-meal with a bony saw,
And keep me as a chosen food to draw
His magian fish through hated fire and flame?
O misery of hell! resistless, tame,
Am I to be burnt up? No, I will shout,
Until the gods through heaven's blue look out!--
O Tartarus! but some few days agone
Her soft arms were entwining me, and on
Her voice I hung like fruit among green leaves:
Her lips were all my own, and--ah, ripe sheaves
Of happiness! ye on the stubble droop,
But never may be garner'd. I must stoop
My head, and kiss death's foot. Love! love, farewel!
Is there no hope from thee? This horrid spell
Would melt at thy sweet breath.--By Dian's hind
Feeding from her white fingers, on the wind
I see thy streaming hair! and now, by Pan,
I care not for this old mysterious man!"

  He spake, and walking to that aged form,
Look'd high defiance. Lo! his heart 'gan warm
With pity, for the grey-hair'd creature wept.
Had he then wrong'd a heart where sorrow kept?
Had he, though blindly contumelious, brought
Rheum to kind eyes, a sting to human thought,
Convulsion to a mouth of many years?
He had in truth; and he was ripe for tears.
The penitent shower fell, as down he knelt
Before that care-worn sage, who trembling felt
About his large dark locks, and faultering spake:

  "Arise, good youth, for sacred Phoebus' sake!
I know thine inmost *****, and I feel
A very brother's yearning for thee steal
Into mine own: for why? thou openest
The prison gates that have so long opprest
My weary watching. Though thou know'st it not,
Thou art commission'd to this fated spot
For great enfranchisement. O weep no more;
I am a friend to love, to loves of yore:
Aye, hadst thou never lov'd an unknown power
I had been grieving at this joyous hour
But even now most miserable old,
I saw thee, and my blood no longer cold
Gave mighty pulses: in this tottering case
Grew a new heart, which at this moment plays
As dancingly as thine. Be not afraid,
For thou shalt hear this secret all display'd,
Now as we speed towards our joyous task."

  So saying, this young soul in age's mask
Went forward with the Carian side by side:
Resuming quickly thus; while ocean's tide
Hung swollen at their backs, and jewel'd sands
Took silently their foot-prints. "My soul stands
Now past the midway from mortality,
And so I can prepare without a sigh
To tell thee briefly all my joy and pain.
I was a fisher once, upon this main,
And my boat danc'd in every creek and bay;
Rough billows were my home by night and day,--
The sea-gulls not more constant; for I had
No housing from the storm and tempests mad,
But hollow rocks,--and they were palaces
Of silent happiness, of slumberous ease:
Long years of misery have told me so.
Aye, thus it was one thousand years ago.
One thousand years!--Is it then possible
To look so plainly through them? to dispel
A thousand years with backward glance sublime?
To breathe away as 'twere all scummy slime
From off a crystal pool, to see its deep,
And one's own image from the bottom peep?
Yes: now I am no longer wretched thrall,
My long captivity and moanings all
Are but a slime, a thin-pervading ****,
The which I breathe away, and thronging come
Like things of yesterday my youthful pleasures.

  "I touch'd no lute, I sang not, trod no measures:
I was a lonely youth on desert shores.
My sports were lonely, 'mid continuous roars,
And craggy isles, and sea-mew's plaintive cry
Plaining discrepant between sea and sky.
Dolphins were still my playmates; shapes unseen
Would let me feel their scales of gold and green,
Nor be my desolation; and, full oft,
When a dread waterspout had rear'd aloft
Its hungry hugeness, seeming ready ripe
To burst with hoarsest thunderings, and wipe
My life away like a vast sponge of fate,
Some friendly monster, pitying my sad state,
Has dived to its foundations, gulph'd it down,
And left me tossing safely. But the crown
Of all my life was utmost quietude:
More did I love to lie in cavern rude,
Keeping in wait whole days for Neptune's voice,
And if it came at last, hark, and rejoice!
There blush'd no summer eve but I would steer
My skiff along green shelving coasts, to hear
The shepherd's pipe come clear from aery steep,
Mingled with ceaseless bleatings of his sheep:
And never was a day of summer shine,
But I beheld its birth upon the brine:
For I would watch all night to see unfold
Heaven's gates, and Aethon snort his morning gold
Wide o'er the swelling streams: and constantly
At brim of day-tide, on some grassy lea,
My nets would be spread out, and I at rest.
The poor folk of the sea-country I blest
With daily boon of fish most delicate:
They knew not whence this bounty, and elate
Would strew sweet flowers on a sterile beach.

  "Why was I not contented? Wherefore reach
At things which, but for thee, O Latmian!
Had been my dreary death? Fool! I began
To feel distemper'd longings: to desire
The utmost priv
PJ Poesy May 2016
}I{
“Sinuhe”

King Khety is blinking madly
Haruspex has left him ominous oracle
Sinuhe is on his return, fugitive no more
Sinuhe brings with him enemy’s daughter
Not prize, Nefru his wife and Libyan lore
Sinuhe from slavery came, poet she did adore

Egyptian tombs do tell in detail
Hieroglyphic tales, this juncture of peril
Khety not King, but Sinuhe’s noble brother
Knows true King come to claim throne
Sinuhe the nobler, knows a life of none other
Than slave sold by Odious, the step-mother

Yes Queen Odious, deep in den of asps
Collected poison venom to undue her marriage
To Sinuhe’s father Merikare, Pharaoh of Moon
Odious’ ghastly act nearly tore Egypt in two
Her derangement sent Sinuhe far across sand dune
Odious took crown, added gilded teeth of baboon

Made her son King, though he did implore
Khety saw insanity and for what, he was in store
Khety remembers his Great Father’s words
“The heart of someone who listens to his temper
Is doomed to follow the stink of camel herds
Better to let heart fly upon sky, as do birds”

Yet by years tormented, Khety became undone
More like his mother and even more sniveling
Than the Odious one, so he did as he was told
Incessant dribbling marked a life for him
He minded his words lest he knew he’d be sold
Mother’s high priest Abhorus was bitter and cold

Sinuhe’s struggles were unknown to King Khety
Years of near starvation and wearisome labor
Made Sinuhe the better man, as he did never forget
Assurances of his noblest Father, Pharaoh Merikare
Virtue ascribed, Sinuhe kept valor in each trial met
Furthermore, his noblest task still to come as of yet



}II{
“Numidian Queen”

Nefru, Numidian Queen to Land of Libya
Recalls young slave Sinuhe’s hostility to captivity
His intelligence overcoming, who once would be King
Of Egypt had not violent arm but ferocious mind
Using wit to overcome adversity and words he did sing
To free his self of internment and all oddity it did bring

Nefru looks upon loyal husband Sinuhe
It is an arduous journey this man has taken
Her commitment be bound now by ivory ring
Loyalty to this man before all forsaken
It is spring, and amongst abundant life come dead things
Fledgling birds first flight failed or so siblings did fling

Now swept into his pilgrimage, Nefru perceives
All adversity Sinuhe did overcome so nobly
To her, he is chukar, partridge of rare plumage
It is to the ground, which this bird be bound
Never reaching sky, low brush be its’ *******
Though its’ song give to her heart an anlage

Freedom from slavery, is Sinuhe’s triumph
Vindication of crown be the mark of new flight
He prays to Horus Behudety, Winged Sun God
Nefru knows of her husband’s will and might
She gifts to him her father’s pinioned golden rod
Scepter of enslaver Mehru, and his feathered shod

It was not of great agreement by Mehru
Should his daughter Nefru marry a slave?
Much less to son of Merikare, an arch enemy
Yet he be so brave, impressions of Sinuhe’s strength
Be made so to change, very nature Sinuhe’s destiny
So much so, Mehru did lament in Merikare’s elegy

So it came to be, a slave marries Queen
Sinuhe and Nefru’s love broke all patterns
Such a love to win hearts of, Gods and Goddess’ unseen
Who rule other worlds and all rings of Saturn
History had never known affection so purely clean
Gatherings from far off fields came to witness such glean



}III{
“Haruspex And Detritus”

Haruspex, soothsayer speaks in half-truths
King Khety believes only small contingent
Be on way to Byblos, presently approaching Qedem
Little does he know, armies of Elephant in tow
Masses of feathered and golden archer’s stem
Blessed by breath of Bat, Goddess and her phlegm

Detritus, Animal Man, hired scout to King Khety
Possesses claws and hair of lion, his home Serengeti
Animal Man’s mane is thrashed in thorns and rubble
Smells of cat ***** but has nose that knows much
Such why Detritus be tolerated, though be much trouble
Haruspex twists tale of tailed man, speaks of him double

Calls him lazy, shiftless, yet Haruspex be cryptic mess
Detritus be banal yes, but true to Khety none the less
Knew his father well, Merikare be his master
It was always Queen Odious, Detritus distrusted
Knowing her demonic betrayal and Egypt’s disaster
She kept him in gypsum cave, scratching alabaster

Kindness had left this Kingdom sometime ago
When Odious and Abhorus overthrew rule
Merikare Moon Pharaoh mummy cry from tomb
Sinuhe ripped from his side by Abhorus
His funeral a very mockery and Detritus’ doom
Haruspex made way from Libya, eyes mucous rheum

Planted by Mehru, Haruspex be sent through desert
King of Libya be wise, sent this oracle as disguise
Not soothsayer at all but spy of opposition
King Mehru knew upon Moon Pharaoh’s death
Peace upon land would not soon come to position
Quickly he sent Haruspex, strangest magician

Detritus knew by the first smell of him
Haruspex came from earth west, not with best
Intentions to natural order of land and sky
And this test of two egos be quite perplexed
With each other and another reason why
This brawny epic riled through years gone by



}IV{
“Ode ‘O’ Odious”

Motioning her battalions, priests and beasts
Evil Queen who overthrow, joins Abhorus’ feast
Beldams be this clergy, **** all about Odious
Snapping of rabbits heads in cacophony of blood
Plunking chalices of malice’s, sacrifices melodious
All in dark chamber halls in depth’s commodious

Stretching of intestine to fine tune harp
Butchers waylay innards with daggers sharp
Mawkish music be Odious’ fame
Concavity’s entrance a perilous scarp
Passers-by enticed by bergamot oil’s flame
Fall to their death to be eaten by dame

Ode ‘O’ Odious, Ode ‘O’ Odious
Drunken mayhap through day and nightcap
She rumpus muck, she ruckus all luck
Ode ‘O’ Odious, Ode ‘O’ Odious
Chambers fill with all matter of bile guck
Bites cobra tails, hooded heads protrude to ****

Death be her power to innocence’s pain
Queen Odious oblivious to her own danger
Seems unstoppable to submissive subjugates
Spinning her terror, cackle calls to maidens
Fem ferocious, how ‘O’ Odious undulates
Casualties collected in long hundredweights

Probity of her high priest be none
Abhorus puppets Odious and will be done
With her second rare blue water lilies run out
The Nile produces this flower of intoxication
Extinction of it is of all certainty, no doubt
Named after her, O Odious flora beguiles lout

Ode ‘O’ Odious, Ode ‘O’ Odious
It is Evil Sorceress and midnight blue flower
Power of it be all in her high flighty head
She misuses its’ tincture to her own final hour
Harvesting it foolishly, nearly till it is dead
And when it is, it will be to all worlds’ dread



}V{
“Oasis In Iaa”

Sinuhe receives word elephants parched
Water need be found, arduous trek campaigned
Nefru never witness such worry, Sinuhe’s face
Ox tail be split to drain nourishment from beasts
No water for miles, no sea birds upon sky to trace
Sinuhe prays, “Montu, God of War find oasis to race!”

Sekhmet, Archer Goddess visits Nefru
Great Lady is besieged by dessert’s spell
Hallucinations bring mirage to Nefru’s sight
Transfixed on dessert’s horizon her eyes
Contingents warriors, bands of archer’s fright
Paths set forth, only to journey by starlit night

At dawn Sinuhe strands his band
Takes his most devoted men of arms
Bhaktu, Parsi, Rhaktu, follow their Lord
Each having faith in man and his wisdom
Eastward they find Syrian tribe in horde
They are welcomed, none need draw sword

Master of Syrian tribe Abu Sefa
Understands who Sinuhe is and was
Orders falconers to find Nefru and throng
Apprises Sinuhe of oasis beyond hummocks
All are soon joined together in wine and song
Oasis found, Iaa, fruited land and lagoon long

Khety is warned of revelry in Iaa
Sends legions Egyptian arms, by order Odious
Anubis, jackal head God given zebra sacrifice
Detritus employed for battle with spears
Copper shields, mediocrity will not suffice
All swords be sharpened by order thrice

Lifeblood battle of Egypt ensues
Sinuhe taken off guard in Iaa,
Elephant screams to be heard for miles
Bhaktu cut down, Rhaktu not found
Parsi’s archers never saw such trials
From lagoons come seething crocodiles



}VI{
Twist Of Fate

Rensi was chosen by Abhorus to speak for Khety
As High Priest, Abhorus did most doling of employs
This proxy Rensi though, be mockery of King
His speech more stammered than Khety’s noise
Grossly disfigured as well, soundings as mice sing
Rensi aware of this, musters all dignity he may bring

Perigee moon at present, o howling now
Hyena laughing at dissertation of Khety’s proxy
Ill ease overcomes this Rensi, an impediment
Speech undone on terrestrial stairs to Memphis
Escalades flora, fauna; monsoons washing sediment
Tefnut, great rain goddess turns world to excrement

This not so illustrious disquisition muted
By torrent winds and torrential liquid compounds
Tefnut’s tears plunk upon all, turning mud blood
Looking out from his great house Khety embroiled
Bares soul to Sobek-Re, Crocodile God; Sun and Crud
Sobek-Re answers prayer, suspending flash flood

In Iaa, as gore of battle ensues, fate lose
As twist of tale find new bemuse and worlds infuse
Detritus sees his lost master Sinuhe encroaching peril
This recognition swells an emotion deep and confuse
Detritus bent in memories flash reacts nobly not feral
With a roar to be heard over all, clamor become sterile

Sounds of battle cease and gaze of majesty
Sinuhe seeing Detritus is overcome by sensibility
Two old beloved friends stare upon each other
Dragging swords behind each move to indemnity
Embrace of each other; secures allegiance another
Sinuhe kisses feet of Detritus; calls him “brother”

As witness to such, all weary legions unite
Moon turn blue, assured sign of Pharaoh Merikare
Mehru’s star battalions federate Moon Pharaoh’s armies
Together as one to Memphis they shall siege Khety
Overthrow Queen Odious and her sinister parties
This mainly being High Priest Abhorus’ autocracies



}VII{
Epitaph Of Detritus

Odious in lair drinks tinctures blue water lilies
Abhorus her advisor suggests only more intoxicants
Khety is shrilling at sight of this deceptive lure
Haruspex makes prophesy of Detritus’ betrayal
Khety sends hunters to trace Animal Man’s spoor
Abhorus finds more legions of archers to procure

Leaving Iaa and moving toward Memphis
Detritus is fitted by Nefru’s maidens new armor
Embroidered with gold, a striped khat is made to adorn
Detritus is humbled by Sinuhe and Nefru’s gifts
His body is perfumed and oiled; his mane then shorn
Beholden to the true King of Egypt, Detritus is sworn

Two men of different lands, both once slaves
Overcome their adversities and rise upon sun
Sinuhe and Detritus’ bond is legitimately noble
Wearing of these worlds bare them new providence
Seemingly this union appears fortuitous global
Keeping steadfast of Abhorus’s archers now mobile

In Sakkara, south of Memphis come tempest
Raining arrows as if raindrops, Sinuhe’s challenge
Detritus’ valor finds reckoning to his last will
Defending Sinuhe, Detritus falls to cumulating
By strength this virtue witnessed, Sinuhe rise still
Throwing down legions of archers, making his ****

Abhorus, Odious, and Khety with no troops left
Surrender to Sinuhe upon his return to Memphis
Odious drinks last vials blue lily tincture, expires
Abhorus struck dead by hand of Khety in resolve
Khety bows to Sinuhe and his Queen as requires
King Sinuhe , Queen Nefru read parchments and fliers

In honor of great Detritus and his noble deeds
Commissioned is greatest sculpture Animal Man
During its’ long construction, most joyful jinks
Song and dance to honor a great warrior true
Each artisan so proud to have heritage to links
Of Animal Man, Detritus, now known as Sphinx
This is my adaptation of The Tale Of Sinuhe. It is the oldest known work of Egyptian literature. This epic poem was written by me with the intent of creating a puppet opera. I hope to collaborate with other poets, musicians, artists and puppeteers to see this come to life. Between each chorus should be arias which embellish the plot and theme. If you may be interested in working on this piece, please let me know via private message. I hope to make it a collaborative work.
Eleete j Muir Apr 2012
The circumambient wings of a seraph
Obstrepously monastic within
Dereliction contemning the
Mendaciously obsequious;
The bathos of ablution grittily
Jejune fulgerating the engrossed.
The chaldean lachrymatory
The ligature of the darklings rheum,
Volently acclaimed
The paladin necromancers
Circumfluous wintry orbs
Ardently accosting the chasm
Lasping tarnation fructifying
Acedias roborant,
Heavens ignoble lassitude
The boreal scope of causality-
Hells predacious moil.



ELEETE J MUIR..
Reece Nov 2013
He wakes up with teeth grinding, lightening bolts in his jaw
Crooked smile, broken as his home is and lonely in suffering
Each day when the cruel sun streaks in through cracked curtains
and he is reminded of a unique affliction, the asymmetrical torso
moreover, the scabrous flesh that adorns the arms and inner thigh
He feels morose and grotesque, as a woman could never be
Reflective avoidance, the mirror always covered when he stands to ****
Rheum still covers delicate eyes so accuracy goes out the window
and grumbling, stooping over, wiping the mess he sighs and makes wishes

How painful these days are to a man that prays for femininity
Stature and girth like a real man, though dreaming as a schoolgirl
Bristling stubble, adoration for his thick hair from envious men
Appeasing some latent homosexual desire,
but not enough to reciprocate adoration
The pain in his worn teeth is a constant reminder of ineffectual existence
and his shoulders ache every day, whilst legs are jelly and lose balance constantly
How cruel the lethargy can be, that some days he alters anatomy
at least in his own psyche, that ever fruitful imagination

So in lonely doledrum evenings when the mists set on cityscapes
the petty escape is worn, vibrant black ladies-wear, evening gowns
and wild high heels, posturing female attire for a tender soul
Corsets and tapes hiding unseemly masculine traits,
figurine madness, the make-up set meticulous and dynamic
Ruby red lips that eschew gender conformity and mascara mirrors the sky
She feels that warm embrace, spiritual in deep ****** chasms
Grasping for the apparently unattainable; magazine littered pictures on the tabletop
and her coarse fingers glide on silken garments, moonlight serenade on the speaker

How elegant the movie star madame, in this depression taken hold
A temporary release she clinches on to some beautiful image, forever in love
To be beautiful is to be happy and all women are beautiful, experience as a teacher
Funny how fatigue disappears once embellished in womanly garb
and funnier still that the aching head and rotting mouth are nil under blusher
Those nights can be liberating for a man of ennui and illness
Confusing though it may be, that such a man can attain such joy
and still feel devotion for every woman he loved, the fact still remains that
In the mirror she saw herself smiling and so she reasoned to turn the mirror the correct way up
the moon of my life; you'll always have your gravitational pull on my watery heart

my heart is filled with happy tears of joy

buddying tears on the sides of my eyes when I'm so happy to see you

be around you

when we have the bestest of time

when we're laughin' the hardest

when you make me feel like the funniest

those are happy tears that fill my watery heart

the moon of my life; yes, you'll always have your gravitational pull on my watery heart
and they are ready to pull,
   a crew of pinkish wands
sprouting from the ground,

clouds of green
   flecked with mulberry veins,
the soil quite soggy

from last night’s rain,
   grass tickled silver,
pewter-rippled sky.

I grab the first,
   press down, listen
to the burst of a crackle

like the spine of a book,
   tug it out
as if a tooth.

When I carry them
   to the kitchen I think
of the crumble to come,

the smell, the spoon
   diving in, exhuming a pool
of amethysts beneath.
Written: November 2018.
Explanation: A poem written in my own time for university. Feedback welcome. Please note that title is the more technical term for rhubarb. A link to my Facebook writing page can be found on my HP home page.
Anonymous May 2013
I sat next to Death
In a ***** and dark barn.
"Take a swig of ***
And taste the smoke, brother.
I'm cooking humans,
Like pine-nuts, in the cauldron. "

She said, smoking a pipe.
"In the dry and gray wilderness
Called 'life' I got them;
They are, like oysters, food:
The shells of flesh houses
Tasteless and slimy mucus,

The watery rheum of the soul,
That some God in there sneezed. "
"But such oysters have no pearls?"
My ambition asked.
"Nearly all, not" Death,
Chewing, belched:

“But the heart of some
Rots and inflammates in strange islands:
The dreams, the fantasies,
The most durable daughters of the soul;
But even such diamonds I break
And eat like peas porridge."

And at that I rose disturbed
By Death, who I could not trust
And went about my way.
"Come back soon, dear oyster."
Called the woman enrobed,
"For Death finds all, eventually."
See original at www.poetboi.deviantart.com
Ja Sep 2016
Like a giant Sequoia tree, well aged and outwardly still tall and firmly anchored                                        
I proudly display, my outer senescent bark, but inside, I’m pitted and cankered

Still majestic and straight, branches spread, with fingered needles reaching for the sky                            
But at each limb joint, those cracks lay hidden; not yet visible, to the naked eye

Those blisters ravage and rage, at my inner trunk; but not, so you can clearly see                                                                                    
Hidden by the sap; like those morning rheum tears, which seep out and crust on me

I reach skyward, extend my branches to the sun; my sieve tubes there unplugged                                                                                  
But below, my veins congested, and my arteries full of sap, are fully clogged  

And yet I stand, without an outward tremble; disguising well the tremors in my roots                                  
With all my strength, I will them hold; do not cede, to the pain that in them shoots                                                        

I will perceiver; not able to bend with the wind, I stand firm still; until I break                                              
Stiffen my resolve; until my fluids coagulate, and rigor mortise does me overtake                                
BOEMS BY JA 397
Mateuš Conrad Sep 2016
and what a difference a clock brings, two clock stand
on a shelf already, both of them with dead batteries -
a third is brought in, and it ticks,
and it Tokajs - and up rise the zemplén
mountains where Attila was laid to rest...
and after a night of drinking -
the ticking clock gives out an energy:
that makes you wake up early,
the alarm is set 15 minutes prior noon,
but you wake up earlier than that:
a nervous energy surrounds the clock
like a bomb, you actually are the bomb,
going off early - otherwise?
what Sartre said about 3 p.m., that
the day is laid to rest by that time,
and if ever from 7 a.m. to 3 p.m. in
the land of Noddy you dreamt a void
of pristine calm, then after 3 p.m.
the t.n.t. in you is wet, and there's no
spark, the ultimate existential angst -
as with any synthetic approach of creating
sleep, you are sometimes powerless to
the cure, hardly any analysis of the day's
dignified toils, in biblical jargon:
to live by the sweat of the brow -
some would claim this to be an aristocratic
pastoral - and it could very well be:
a decadent with a ***** room with whips
and handcuffs - but also a decadent with
a personal library... who would have thought
the two are so akin, even with their
seismic polarity. so on a day like this,
two coffees in, four cigarettes later,
a minor literary feat, as ever a poem -
with an approach of: get me out of these
straitjackets of conformity, according
to genres and proven techniques akin to
the sigma opus (or, oeuvre) of an Agatha
Christie... or as fellow men said: eat, ****, repeat...
the true art: how to find the eye of the storm,
the centre, away from the pulverising
strobe lighting of this realm: find me a straight
line off this ****** roundabout - if to infinity
then all the better: away from the re re re re
of res (the repetition of a thing) - be is summer,
be it spring, and the countless admirers of
such idle pursuits as said: shall i compare you
to a summer's day blah blah -
or start stiff, a corpse stiff in writing: mere
warm-up - then loosen the joints (conjunctions
prepositions et al.) and let us butter those
nouns - and change a few nouns into verbs
as already stated - a real ******* moment in
writing: haphazard here, unexplained mutations
here... let us return the same frenzied favour
that this hellish carousel imposed on us;
and as ever, a day that begins prior to 3 p.m.
will usually yield a daylight poem,
the sun is to bright, a vampire like myself
cannot stand the seemingly ultra-violet tinge
to things: a real phosphorescent sheen to all
things oily, whether my lipid skin, or the aloe
of leaves - then to the massive stumbling
block of the dictionary and all principles of
a priori entitled with that fiendish book -
as with every mind: algorithms never provide
the answers, if you haven't already experienced
the word said, by someone else.
so with a day prior to 3 p.m., you wake and wait
till the "natural crumbs in eyes after sleeping"
(rheum) dissolves - the radio is turned on,
the empty bottle of coca cola is ****** into and
the waiting for the alarm to ring - but it doesn't,
you're up already, and take up dietary reading
snippets of ivan bunin's memoir about
the civil war in Russia: cursed day (some could
say, one of the most enduring books concerned
with pleasurable reading while lying in bed,
flat out) - and this poem? all because of the
following snippet from a narrative:
            the Odessa Alarm is requesting information
about the fate of these missing people:
     Valya Zloy (zloi, i.e. evil, alter. in polish?
        zło, alter. in ~english? "zwo'h");
   Misha Mrachny (mrachnyi, i.e. gloomy, alter.
in polish? mroczny, alter in ~english?
             a dried out y, a hollowed out y,
                                   cz via ch, dependent
    of the exclusiveness of independent elocution);
  Furmanchika (furman, i.e. driver...
              an etymological mirror -
           a driver who transports goods using
    a horse and carriage, this is 1918, after all);
  Muravchika (muravei, i.e. ant, alter. in polish?
   mruwka - orthography as rigid aesthetics?
welcome to the army son... but it's actually mrówka,
    i call it personal preferences sometimes,
  not necessary rules, there's no limit to this anarchism,
and there's also another word: murawa (thick grass,
akin to earth, and ants burrowing) -
but you don't see ó at the beginning there, do you?
  the aesthete says: further in, mostly when
   congested with consonants, the alter. to what
the Chinese call: the great wall - or defence against
Mongolian invaders: doubled up with ideograms
that put the Egyptian ideograms to shame,
   is that necessary classification? owl pigeon palm,
less skeletal, then necessarily not ideograms:
hieroglyphics: it gets funnier when phonetic approximates
come across meaning approximates,
   you get ~etymological something or other,
e.g. mirror, you hear shouting: misnomer!
          and you're like: well, you have surd lettering
   and i have ~thedesiredword, so ~exact -
nonetheless, intricacies of a polymer with a benzene
ring at some point.
               i was lying though: this poem actually
came from a very English peculiarity -
name the word aunt, and how i'm sometimes
tongue tied on it: not ant when the English say
auntie - i.e. antee - or how the tongue is less
tied to a Sisyphus stone with the word augment:
so i guess i have to practice augmenting
the word aunt - so it sounds similarly good as
auntie - and that's the prickly feeling there,
a syringe on the tongue and less of a tongue-tie
but more a tongue-numbing - liked to a dentist's
request: open wide and say ah - not a - ah -
                     ah choo!               and many chopstick
dances later: the sound of pain, a shortened version
of aww (which is intended for babies and puppies,
but not all things small) - as in cute -
thus this au grapheme (no Latin variation akin to
æ or œ) - which is acute in comparison to
the two examples çited - ash and eðel / eθel -
                meaningful enough to drop a unit from
the couplet - as the English already do,
                            as explained already - ouch -
and many more theories can be revelled in -
   when looking for handwriting smoothness
of wave weaving stylistics - given now the hand
no longer writes, but the digits dent in grooves onto
    a much smoother surface (in terms of fluidity).
Samy Ounon Jun 2013
The stone prophet calls, "you've got some work to do, son"
Moon's sleepy coruscation wake before me runs
I instead reflect the light of the pulsing hot sun
To blind all the answers until the question's given up

A light warm and safe and easy to unfold
For another to wrap 'round your tongue and your nose
But my dance you catch in your searching eye rolls
So I refuse to bow and to pick up my rose

Because light is simple and reflected and not mine
Far easier to slice into thrices and dine
On the fine wafer fillers and loose-legged wine
Because though light is heartless- it's far from unkind

So why must I face, then, the undulating moon?
The immensity, instensity, the blue lover's swoon?
The well of reflection white clarity in tune
To the spotted man crouching, denying his rheum

My starry knight buckles and falls down depleted
In a panic, I frantically get my men seated
I wring out the cosmos for what I've become
As I turn and say
"You've got some work to do, son"
JP Goss Aug 2014
This disconnect from the grey and cold
Of a winter’s breadth
Enough, I deem, to let me stumble bold
Pink and wrapped in baby fat
Romantic lines fit to caress.
Call this the poet’s regression: that
Urge to beautify the same alloy
Dismantle the hearth, the laying of brick
Warmly, as the walls of Troy;
Like the end of Homer’s sum
My fate in poems like that of Illium.
Spectres of the warmed men
Haunt the open air
Adopted aspects in a long-since ken
A half-toothy smile
A finesse made manifest
In the yard of Elegy’s rose.
Written in their stony vines
A chronicle of the lovely evergone
Dates and names, the last image
So manicured, so plastic,
So subject to temperament.
What real flowers can spring in rheum
I put and sob for them, time steals
As the robbers will in their tomb
Where knowledge walks beside
Hope runs on ahead.
My weapon was anxiety
Completed fear of loss
Slated but loved dossier
Or pretense of the fiery.
I cannot be certain, but that deeds conclude
Behind the curtain of the heat, fonts
On cobble, I brood with chills
Of those winter months.
Before me a new yard, rolling green
Opens for, piecemeal,
The bloodless thing called Beauty,
Quite ill equipped for my touch.
Elemenohp Dec 2010
The morning came to my surprise,
as I woke again, with salty eyes.
Cool chills and air, fill up my room,
This could be the cause of my rheum.
I am unwilling to leave my warm cocoon,
You may portray me as an unwilling poltroon.
Wake, rise, absorb some sunshine,
I'll give today the impression, I will consign.
Bored, morning. no reason to be awake, yet sleeping in would have been a mistake.- From Improvising.
neth jones Oct 2021
sun supping                             
eeling at the gland
baiting at the flosses of night
breaks in the dossing vandals
                    sipping at their tempers
they earned their flare             
                    burned out of their daily favour
they mumble home
heart half rowdy
extended version

in the mug of night
tempers
                 when tugged
                                            earn their flare

the park
bored out with teen wrath        
         they brawl at the green space idols ;
            these monuments
jarringly dispersed eyesores
of marble decor
lions,                                        
peacocks,                
                   pineapples
                                                 and ancient greeks
rattled, tagged, spray painted and chipped
defaced at the frenzied hands      
                                of mentally matted groinal youths

a fostered rage

the fiends and furies                        
            occupy the play set
suspended at rest with stain        
reclined at odd angles            
                    with rush in the system
wary and glowing
feeding each other's gaze

underdressed                                
they feel now dew and cold
shaking gestures
contact
awkwardly shared
huffs on each others
vapor, smoke
and oder

(a
curtain
of
fume)

glint :
sun supping
eeling at the gland
sips the flosses of night
nocturnal waning hauled
draining of the nerve

morning gulls and tree rats
raid the trash
(baiting
indifferent gods)
trade
for the dossing vandals        
  
              burned out of their favour
half heart rowdy                
          grumbing obscenity
they attack recycling bins
put the boot to chained bicycles
and ******* a mail box
flaking their way
tweaking the gasp remains of the humour
fumbling their way home
                                     to decline into a tumorous sleep
No antihistamine can
unblock the lifetime
accumulation of stoppered emotional gunk
zapping, undermining, and polluting *****
mine early life in retrospective avast flunk
stripped mined wasteland qua sinkhole,

where eternal reverberations soundlessly plunk
inescapable deafening, and
blinding this targeted
"scapegoat" bullied by most every punk
wrathful verbal sucker punches,
whereby yours truly habitually shrunk

within himself, yet self actualization
predates how severe
introvertedness doth debunk
the penultimate prevalence that mean kids,
albeit cruel, fiendish, incriminating
ganged accomplices further sunk

this then boy careering
into an abysmal funk
crashing into bajillion pieces
with soundless silent thunk
pitching mental health
(actually entire self)

analogous to comatose
state losing a chunk
of vital growing up years,
when upon reluctant
commencement into early adulthood
debilitating chafing

against self destructive
(mailer daemon) nemesis did brood
apathetic degree of functionality crude
delivering punishing perception,
now this older dude
writhes with lament oft times exude

ding self hatred, especially during
critical years, I denied myself food
never reconciling how affliction
cost development good
and plenti stunted development,
when scythe ying grim reaper donning
trademark black hood

dee metaphorically pinned toothpick
lovely bag of bones fragile as breadstick
easily crushed by madding publick
crowdsource, that slip of a cowlick
my excruciating body electric
demolished with figurative flick

of wrist now shutters hermetic
vacuum sealed "prison" brick
an invincible fortified bailiwick
walled in invisible steely fortress
hardest and most resilient mucous thick
against any wrecking ball.
Carlo C Gomez Sep 2020
Riding
The color
Wheel

From
Liftoff
To splashdown

Onyx
Eyelids
Heavy with rheum

Waking to
Laminated
Stick-ons

A vinyl ocean
Of unco adhesion
And snap vacuum

Jettisoned
Trinkets
Of youth

Soaring
Prophetically
Overhead

Acquiescing
As scenes
Of upended worlds

The simple playgrounds
Both remembered
And loved
T R S Dec 2018
Sifted through a scouring pad
I had ten pounds of hellbent powder
and a shower of hellhole bits.
Bits that lit when dawn will light the rest of life
Who Will Miss Me

Who will miss me
anyway?
The Autumn’s imperative
signals the
long division of my
mind.

Under the geography of
Love is a fear that
nothing

Matters.

Longhaired dreams are
features of the young.

It's the Emblem of the
70's.  The crusts of the
untried. No matter
tears on the rheum.

Why wait for love?

There is a
whisper
in the

afternoon.

Only the sad
know

Literature.


Caroline Shank
August 31, 2024
IX. cathedral

i am human
i am young and stupid
unusual, tragic, and alive
and this is my penance

you are not mine
to keep, to touch, to hold, to love
i will smile when i want to cry in your arms
and i will laugh when i want to scream
i will be content and happy
everything you gift me
will burn as incense, fragrant within
the cathedral of my heart of hearts

till roses bloom within these lungs
and the incense begins to choke
my minutes, hours, days
they are all yours

i only ask that you don't
drop this heart of mine;
appraise it, dust it off, and
replace it in an unsuspecting alcove
for in its fragility, it has been
broken time and time again
and i'm not sure i have it
in me to mend it once more

addiction
speed
immoral
ecstasy
in the
continuum
of
risk, reward, and rheum
everywhere
there is only You
and i...

am but shattered abstractions
fractured glass
in a mosaic beyond
but i will love You
in the only way i know:
wholly, in life and in death,
always and forevermore

goodbye and farewell,
my darling achilles.
to risk and rheum: the temple smoke consecrates all as the delphic oracle heralds fate.

~ILIAD~
this series, inspired by the greek epic of the same name attributed to homer and madeline miller's "song of achilles", is a narrative of my life, short as it may be. i [attempt] to explore everything from race to sexuality, to friendships and reconciliation. i hope you take something from this. you can read in whichever order you like, as a series or as standalones.
This is Spinal tap
bamboozling, binding, bleeding, bombing...
ripped from every dog eared
and book marked page
recounting latest ill fated fiasco,
now peppering my life and hard times
causing quite an ache – fiercely teasing
(the fire cat) curative panaceas  
sans almond sunset, chamomile,
Osage Tea for the Tillerman.

I tell myself Yukon try
grabbing at straws
with all your might to no avail
even enlisting Strain gauge
in tandem donning
common cents equipage
with a bunch of bootlegged banshees
freed from their cage
and as last ditch resort
drafting electric eels.

Yours truly as shock absorber quite astute
accompanied by Jack and the Giant
beanstalk golems to boot
or lion eye zing tiger
(perhaps named Tony,
mean to the bone, but...oh so cute,
who dwells in a tony neighborhood),
swishing (Nike like) tail,
and held up ala playing the flute
an unseen hellacious, ferocious, atrocious

or outlandishly jowly, egregious beast,
who expelled offal asphyxiating
noxious, odious, pernicious, et cetra odor
from a moon unit sized Glute
yea, I could also allude
to some Monty Python flying dragon,
who gives nada hoot,
somehow remotely controlling
any errant cyber wayfaring day tripper
simultaneously while droning
sheepishly not to ram into ewe.

These high speed U-Haul trucks
combine all the above scenario,
to glean mental state of mine
aye know really *****,
which gagging induces
the worst instance of reflux
making little rheum for ordinarily
phlegmatic ** hum (what me worry
Alfred E. Neuman
persona non grata) guy.

Sum total of available funds
(since being defrauded to the hilt)
to qualify for credit card,
would only feebly meet Karma
credit rating as risky business
approximating the quacking
of red hot inflamed ducks
(my apologies to PETA, Paul, Luke...),
they madly flap wings, yawping beaks,
visa vis masterfully discovered on par
with orange iz the new black
evidenced courtesy Wu Tang clan  
in no way, shape, nor form
unrelated to que clucks clan.

Whew...only then
(after reviewing the situation)
panoply of mystical elements of breath aired
per millennia times two resonated
veritable pantheon of superstitions
fired imagination as catalyst
viz **** sapiens forehead
tugging simian beard,
whence bygone agents provocateurs
fueled tens of previous generations
bred Manichaeism credo,
a nebulous ethos sans early humanity
vetted dual chaired

spirit world wide web populated
with ******* Roman sol invictus
wrought fiery brimstone who dared
assert antiestablishmentarian dogma
got hounded to whit; the bowels
of hellish firmament most
and/or many feared,
they would be pitched headlong
into said purported fiendish furnace,
thus particular obeisance payed
to morays; any voracious
marine coastal eel of the family Muraenidae,
esp Muraena helena, marked
with brilliant patterns and colours.

— The End —