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Duncan Brown Aug 2018
Archie was smart; at least he reckoned he was, because he had what he considered to be the good things in life: dosh in his wallet, a Cat in the garage, and a detach. in the green belt; all of which he had worked hard to acquire. Worked, is not exactly the word for it. Archie did deals. He reckoned he could always turn a fiver into a tenner an’ a tenner into a pony; a pony into a ton and a ton to a grand. He was one of the cash economy’s natural alchemists.  The folding stuff was the measure of a person, he reckoned. Archie never thought about anything; he reckoned everything, and nothing on God’s good earth was beyond reckoning, he reckoned. An ever-ready reckoner; that was Archie, and he loved himself for it. Only John Wayne did more reckoning than Archie, his old dad, bless him, used to say, thought Archie. In Archie’s world a grand was currency; less than that was just spare change. He reckoned he gave superior meaning to the expression ‘it’s a grand life’. The only blemish on Archie’s horizon as far as he could see was the lack of a class bird, or ‘ream sort’, as he preferred to say; hence this evening’s extravaganza at a posh French restaurant in the company of a beautiful lady. Archie only had two serious weaknesses in his existence: a fondness for the last word in a dispute about anything you care to mention, and his infatuation with his dining companion, the beautiful Carmela.


Carmela shared a common background with Archie. They grew up on the same council estate in the inner city. They were aware of each other’s existence as kids and teenagers, but they didn’t really know each other. Carmela was a quiet child and very singular; even in company she could be by herself. None but she was wise to her sense of solitude. She had three passions in life: knitting, sewing and weaving; the blessed trinity of her existence. Carmela interpreted the world by these three gifts. Here she was, she thought, weaving her way through an evening, in the company of three strangers. One she knew, herself, another she didn’t know at all, despite proximity and semi-shared origins. Then there was the complete stranger to the trinity: the waiter in his new and very polished shiny black shoes, “You can tell a lot about a person by their shoes”, Carmela’s mum used to say, she was thinking about that as the waiter appeared to almost pirouette into vision.


The waiter was a patient soul, it goes with the territory. The waiting game wasn’t something you should rush in to, he often told himself, in one of his more existentialist moments. He appreciated the irony of the comment in a Sartresque kind of fashion. He was from a steel town in the Rhonda Valley of South Wales. Iron was in his veins if not his appearance. A creature of paradoxes, that’s what he told himself he was. He liked that assessment of himself. It complimented his passion for all things French: French food, French wine, French philosophy, literature and art. He was learning the language at night school. Alas, his accent was as lyrically refined as the landscape that bred him He shovelled the words onto a conveyor belt of sound and meaning as best he could in the general direction of the person he was talking to, more in hope than in faith that they understood what was being said .The other passion in his life was tap dancing, and as luck would have it he could wear the same outfit for work and leisure, hence the very shiny shoes which allowed him to dance around the tables of the restaurant, practising his language skills on the clientele, His life work and leisure dovetailed with his ambition and he was pleased to wake up in the morning and set about the mortal trespass with a skip in his step. The waiter imagined himself to be a cosmopolitan and enlightened soul, in a very Fred Astaire kind of way, and life was a flight of stairs which he could ascend and descend in a Morse code type of style, just like Mr Bojangles.


The fare was fine. the wine was rare, but the conversation was spare until the cheese board arrived.” Good grub”, said Archie to the waiter. “We don’t do grub, sir, we only serve the finest Gallic cuisine in this establishment,” replied the waiter, in his usual mangled French, whilst smiling that smile that only waiters can manage when registering disapproval. Archie looked blank. It was Carmela who spoke: “C’était magnifique! Mes compliments au chef.” “Streuth! You speak better French than Marcel Proust here” said Archie.” I studied Fashion and Design in Paris for five years “replied Carmela.” “An’ I joined the Common Market many moons ago. It’s good for business” said Archie. The waiter was impressed: “Food, fashion, wine, Proust and Paris. This must be Nirvana” he said. “Great band, but a very dubious heaven.” replied Carmela, knitting together the threads whilst changing the pattern of the conversation in a very subtle fashion that was more to her liking.” “It’s only rock ’n’ roll” said Archie, an’ if you’ve ever heard French rock ’n’ roll it’s enough to make you believe in Foucault” “Foucault, my hero!” said the waiter, “a philosophical genius”. “According to Foucault, a knitting pattern is the hieroglyphic of a consumerist and decadent capitalist society.” intoned Carmela.” “And ‘A recipe is a critique of a cake’, said the great Structuralist philosopher,” interjected Archie, so if you serve the gateaux we may effect the collapse of western civilisation as we all know and love it”. “Allors, Let them eat cake” said the waiter, and everybody smiled at the irony of the comment.

The waiter bojangled his way into the night, tapping and clicking the pavement as he went.  Carmela and Archie got into a black cab. “That was a night to remember,” said Carmela, “very Proustian”. “A la recherche du temps perdu”, replied Archie, pleased as punch to have the last word. Carmela just smiled as she looked at Archie’s shoes.
StuKerr Jun 2014
Glistening blackness flows before me and slowly the tinge of dawns burning light begins to run across my vision.

The still gentle waters begin to glow at the horizon, dazzling through the spectrum of light.

The sky awash with umber and azure conceals the glittering majesty of infinite.

As light passes the darkness recedes creeping out of sight.

The shadows lengthen then begin to darken as in contrast the warm rich brightness envelops me.

At once a ray bursts from the edge between azure and umber and they are swallowed by the white.

I gaze out onto the ocean. Its glimmering majesty losing the sparkling wonder of the night above.

Blinding it sears across the sky and hesitates at the edge of my vision before fading, a memory of bright.

The glorious halo of white fire reaches above the limit of the edge of the world and the day begins anew.
Jesse Osborne Nov 2015
Dear Ian
The First always tastes like honeyed-sunlight on cheek and windowpane:
first kiss, first cigarette, first rooftop.
I never wanted to come down.

Dear Greyson
Beautiful and empty.
Our hands didn't fit right.

Dear Anton
Thank you for kissing prayers into the crosses on my forearms.
It wasn't enough.
I'm sorry I kept you on your knees.

Dear Eli
*******.

Dear Wyatt
We were high and you were there.
Your mouth tasted like sour milk
and I was lonely in the morning.

Dear Ian
Snorting coke off my naked body was all you needed.
I think I caught you too late.

Dear Cody
Thanks for the ****.
I'm sorry I made you leave--
I couldn't stop looking at the orchid petals falling on my windowsill.

Dear Howard
I never realized my power
until the day I let you finger me in the seasonal section of a CVS.

Dear Sky
Loving you was like loving river currents.
I lost myself in the way you looked at me like
you were looking past me.
I'm still learning how to let go of dead things.

Dear Jessica
I was high on painkillers for the 6 months you tried
to bring me back down.
But if you had a condo on a cloud
I'd have stayed at your place.

Dear Robert
I just needed a prom date.
Don't read into it.

Dear Sarah
You and spring rains are synonymous.

Dear Vanessa
Venus.
Someday I'll come back.
We'll paint piazzas into dusk.

Dear Maya
Your lips were swollen honeysuckle and I was all hummingbird.
I wish you could've held me after.

Dear Alyson
We never met in person,
but the way you glittered behind my phone screen
fogged up the glass with light-hot possibility.
Our timing wasn't right.

Dear Amélie
"On n'aime que ce qu'on ne possède pas tout entier."

Dear Izzy
I would've sewn stars down your backbone.
That night at the End of the World, we held eternity in our fingertips.
or maybe it was just the *****.

Dear Brendan
Drunken lapse in judgement.
I'm not "experimenting", I'm actually gay.

Dear Sara
I wish I was looking for something casual.
The Washington Sq. Park fountain will always be holy.
Bless my forehead whenever.

----

Dear Jesse*
It's time to fall in love with your palms.
They fit together perfectly.
Plant chrysanthemums in your abdomen
and let yourself bloom again.
Like it's the first time.
Like you owe it to yourself.
Mateuš Conrad Feb 2017
i actually like the way slavoj žižek understands fascism, given the fourth movement of Beethoven's ninth symphony... as it stands: i really had to take pleasure in my suffering... i once called it: an exquisite pain... it's not that acknowledging pain is difficult, what's difficult is taking pleasure in it... on a whim... nothing as flamboyant as baron sacher-masoch's take on it, transcending toward the ****** thesis... i am the grey matter, the everyday comparison to a factotum sort of analogue of what pain constitutes... and i'm actually free from depressive apathy... i am sometimes prone to laugh like i might be experiencing what the Fore women experienced... the kuru "disease", otherwise known as the creutzfeldt-jakob "disease"... yes... mm... uncontrollable laugher... akin to St. Vitus' dance... sydenham's chorea.. it's hard to see why there should be any cure to the experience... given that the experience is so liberating and has no materialistic mono-mania of a well tended to economy... cannibalism really has a great array of noun-arsenal... a bit like the poetry of Christianity it's akin to... to really believe this *******: you have to take it to the extremes and make every word: utterly isolated, and in a sentence utterly meaningless... it's like a swarm of wasps honing in on a body of a bear that mistook its ash-phlegm nest for a beehive feast... sometimes it happens... but sure as all else concerning: why not take pleasure in an anti-cross crucifixion, i.e. a sick-bed? sure, it's less theatre and many less marble statues worthy of a church... but, if according to žižek / rzirzek / really? ź ż vs. ž... a fascists takes pleasure from suffering... i must be in this club, since i do, the pain in my brain with its sizzling quiz of blood emeshed in synapses has moved to my *******... ******* ahoy! i sit in a chair, and when drink (esp. when drinking): they are goosebump prone, titilating me... amusing me... all the pain concerning my brain has moved into a pleasure reaction bound to the testicles... i couldn't have foreseen this waterfall if i didn't explore the word fascist beyond the communal horror of spotting an orthodox practitioner in either street or cyber-space...

e.g. the fore of papua new guinea
(ghee-knee... later the debated about
quinoa... apparently it's not qui-
       or french agree, we-noah...
  but something else... oh, it's related to a quiz
asking me whether i could possibly be a 5% liberal
elitist... well, if you were reading
the sunday times magazine: it would ask you
that... i did cut it apart as qui- -noa...
  but apparently it's pronounced:
kin-wah...                 once again my point:
you don't use highly concentrated phonetic
units, i.e. diacritical marks...
you're bound to leisure in this linguistic hell
of constantly "correcting" people....
just saying... what's the matter, toad stole
your burp?)

   and i really wanted to write a neat poem...
poems like this emerge,
you go to a shop, by the cheapest whiskey
two cans of beer and a bottle of cola...
it's early February... the cars parked
have the eerie circumstance of jack o'fogfrost
breathing onto the windows...
    your fingers itch from the cold...
you start to really see a skeleton walking
rather than something resembling protein
fat and carbohydrate...
    thankful for winter: to naturally imagine
a skeleton walk in the cold
   smoking a cigarette and drinking the beer
while the whiskey cools in your rucksack...
all you end up needing is
   a square mile, and outer English suburbia...
and a look into that forest you once frequented
walking as if with gauged eyes into
the custard darkness...
   then sitting on a stump, taking all the clothing
items from your torso and listening in
as something neared, cracked a branch
and you uttered into the forest:
  no animal would dare come so near...
      
... (man has to drink, take a break...
         sneaky ******* get to see
a work in progress... lucky them...
           too much of a sober me)...
hey! i'm warming the stove, it's not going to
shoot out firecrackers made from words
into a
     hoghmony celebration.... oh look...
another googlewhack!
      http://tinyurl.com/z8xeqpsn
(billionth of another! this is how i play the "lottery")
ah freckle feckle ****... scoot for new years...
hogmaney...  hogmoney...
  hagmanny...
                 ­  ****! Hogmanay!
    what was i "saying"?
                            
ah wait... i know... i know...
i was watching this film goat (2016)....
with james francko doing cameo but mainly producing...
if anything could put you off going to
university, well, notably an american university
it's this film... now i drink, i really do, heavily...
but what went on in that film was nothing short
of happens when people lack any respect for liquor...
i could watch the roman empire in a zoo...
what i witnessed in this film was:
well... can't see a point of caging a lion,
but i can see all the reason for caging man...
but the problem arises with:
you can take children to a zoo...
          you couldn't even want a child
to experience this sort of Iraqi **** made in
America...
                       i drink, i really do...
i slurped on a prostitutes ****** when drunk...
hell... i even wrote this...
          and i am really starting to believe
that going to university was the worst mistake of my life...
i left it, educated as a chemist,
without a clear move toward a career as a chemist...
    would i care to learn the use of language
to university level? i.e. get an english degree?
      not if i were a middle-class woman
   who's daddy was a doctor or a dentist...
                            people from my background,
double that up with a father who works in construction
and me being of immigrant stock (when will i get
to say expat?) -
  it was the biggest mistake of my life...
you see... other immigrants start to get jealous...
     they say you have to die: for raising for head
above the water...
         a bit like they kicked the hell out of
Jamie Redknapp's career in football...
now he's a pundit... but not a football player...
they smacked him about...
good thing my grandfather was a Silesian miner
for some time... i decided to dig trenches...
yes, metaphor: write poems...
   because i still can't see what nature ordained me
to possess... and why these little hitlers decided wasn't
fair for their "sense of worth"... oh i can name them...
one of them, a childhood sweatheart of a friend,
egyptian / persian, used to call me during
weekdays and sing to me over the phone...
   apparently he could ******* 20 times a day...
i tried 4 times in one day... nothing came out...
      the other was an add on to being in school from
the age of 16 to 18... a paddy-sikh...
   loved barrington levy and driving a car while
******... loved the whole gansta gimmick...
a complete *******...
                           and to think i was fooled into their
little of jealousy... this will make absolutely no sense
to you... given we (a) never spoke outside the realm
of my tornado... and (b) had a coffee?
               well... let's just say: one stupid move on
my behalf while intoxicated on marijuana
aged 21 taught me all i needed to know...
  from the age of 21 through to the age i am now:
some could consider me a monk...
                 or that infamous word: cenobite -
oh i'm just obsessing about how i want to
put my top 3 picks into classic.fm's hall of fame,
and write 3. christopher young's something to think about,
2. christopher young's something to think about...
1. christopher young's something to think about...
as i realised the past two days...
  collecting a personal library of classical music
makes no sense... unless it's Händel... (æ, i.e. :)...
and classical music only makes sense
with a d.j., and yes: a radio...
            there's no point being poncy about classical
music when you collect it...
        unless it might be something by Hans Zimmer
or any other movie soundtrack...
      and you can just sit back, listen to the radio,
and the classics just come and come...
i spent today lying in bed, because classic.fm
was playing from about 6am to about 1pm...
  and then i extended it to 3pm because
of aled jones and the voice so necessary as
that of alexander armstrong... in between?
                     bill turnbull... a news anchor
if i'm not mistaken... couldn't handle it...
  no, not the voice: the choice of music...
but even such people are absolutely necessary...
and would anyone care to remember
the ****** megastore on oxford street?
  the classical music department?
does anyone remember is being sealed off by
   glass like an aquarium from all the other music
genre departments in the store?
   a bit like walking into a lunatic asylum:
everything had to be cork-lined waiting for a Proustian
novel... first you had to appreciate
and build up a palette for silence... before
some concerto could be "ate" like refined sushi...
    radio and classical music does work,
i might have made a mistake collective obscure tastes,
i.e. proto-folk examples in Polish and compositions
of German industrial music...
   i might have done that... yeah, so true with the jazz...
but you have to have a Houdini weak-spot...
so in bed... rummaging through the radio and
television listings and reviews...
   after doing a bit of a crossword (which i can't
for the love of god) and a 6 x 6 su doku...
        now that's definitely sunday activity...
looking through the radio and tv listings...
   esp. noting the day's programme of bbc radio 4...
well, it's not that i'm a convert, with a house
in south-west london...
                i just heard that england is famous
for its eccentrics... i wanted to experience
    the most eccentric practice on these isles...
      tending to a garden would have made sense...
if it wasn't February...
   so reading the listings and reviews was the next
best thing...
    what with confusing Aled Jones with Alex Jones...
that famous britpop bassist turned cheese-maker.

then how do you begin taking fatal
mortal steps, simply motivated by biological
dynamics? i could have ended that
servitude to the waterfall, or should
i correct myself: required it to continue...
      but then interludes in the case of opera
leave me peasant-like, most ignoble...
      there's the 15 minutes were no fame is mentioned,
and no one forces art to become advert...
   since we're talking of the thin-red-line,
i can't but help myself reading more book reviews
in English, than actual books in Polish...
because i care for the cognitive labourers,
i really do... i think they are needed
to bypass actual books, meaning they do all
the work... or should i say arbeiten?
well.. enough critics about, you get to
dissociate yourself from the actual origin...
     a bit like waving your hand at god
and embracing the "awe" inspiring profusion
of the human tongue becoming over-bearing...
not even bearing grudges...
  but no gratitudes either...
                it just is what you care to make of
germans the sole originators of
   the proto "bayeux" tapestry given a.i. -
but then you treat the germans as they
are currently given the sway,
and you awake a humanity in them:
a humanity only germans know how
to acknowledge: a collectivisation -
germans know no concept of individualism
akin to the late-removed isle Saxons...
i.e. the English... the English are always
blitzkrieg specific about the individual,
the fact that so many individuals get a chance to vote
leasves me with blisters of what i can best
estimate as noted to being conscience...
          the germans are best appropriate to
express the volk... the english are like stuffed
animals worshiping the name Byron... Milton...
Blake... Newton...
         and let's leave them there, because if they
finally manage a homogeny of an ethnic
accord to give a momentum unto it via their lack
cohesion... i am assured a passage to
the houses of parliament to laugh,
as a test of my carve to veto, rather than vote.
mainland europe calls them: the islanders!
you can't help but see a care to blow up
the tunnel la mange... the channel tunnel...
because if a 2nd ****** arose...
the tanks would flod that serene countryside...
     i come across foxes all the time...
once i picked a dead fox near the bus station
in romford using two bin bags from the nearby skip...
and walked with it home, weighed it,
just under 10 kilograms... i weighted myself first,
then with the dead fox enclosed in the bin bags...
then i walked with the fox and threw it into
a meadow... i was thinking along the lines:
at least the sanitation officer will have a day off..
  obviously i was tattooed with the idea that
i was some sort of shaman, given two people witnessed
me picking up the corpse...

900 gull herrings eating their own...
      chimanzees also take to a nibble...
        banana slug females are fond of eating
"******", when the mating gets heavy...
not ever, as ever, but with Darwinism had i ever
managed to see a woman like a mantis...
  sorry... looking at the ***-hole of nature like that
will eventually leave you paralysed and
not even awe-struck but fear-woken...
             because it really can't be so much a desire
to look at it as if it was necessarily needing
incorporation, but was necessarily incorporated
nonetheless...
         the ogasawara incident... 1945...
       yoshio had a fine fine palette...
                          cannibalism was never suggested
as equivalent of a war crime...
  and one said: human thighs tasted like chicken,
another said: a bit like raw tuna...
          judeo-christian food prohibitions...
    well... once the prohibitions come along with
the poetry... left can mean right...
and right will evidently mean left...
                 during the yuan dynasty...
         pedohpiles were more or less reductive in
their transgressions... they ate more: than they ******.
two freedoms then, china prone to omnivore status
and hindustan prone to vegetarianism...
               both examples lead to a success rate of
a billion examples...
                       it's only these pest-like infections of
mono-this omni-that are keen to always give their
i love yous as politico dictates...
  maxims even... so very fond they are: of their maxims...
they even infected their youth in the 21st century
stating that: no one is akin to us,
if not in his youth, having been ***** by abou10
10 favourite maxims... most kept, hardly any employed...
1261 edict: when children were asked to stop
plucking out their eyeballs...
   horror films are therefore, equivalent to soft-core
******... history is thrice over the real horror movie...
    but given our faculty of memory is so
(putting it mildly) "biased"... i think we're over-sensitive
in giving imagination the scenes from both
horror and Disney... we've already gave the former
and the latter we have just sold...
           but hey! a placentta fry-up like a setting sun,
illuminates with more choice of hue than
noon and the "dehydrated" shadow (yes,
i know, a better word would be suited, but i have
no time to ascribe it to a tailor-fitting, a neat and tidy
resonance... treat dehydrated as a dwarf shadow,
mingle that with photon and phonetic -
that light illuminates, and traps things into bites,
like H or He denote hydrogen and helium
respectively... and qui- and -noa denote
necessary argument of what sound goes where,
rightly)...

evidently i did take the quiestionnaire about
whether i am a liberal elite...
it had to be done... why would i otherwise read a sunday
newspaper?
            end result? 0-50 (norm), 51-100 (aspiring),
    101-150 (not quiet there), >150 (elitist snob)...
(ref. the 5%, charles murray, coming apart,
   the bell curve... superzips)
q1: what is the top prize in the thunderball and when
is it drawn?
   a1: i play the googlewhack lottery.
      alt. a1: 0 (alright), 5 (days rights), 10 (what is thunderball?)
             talk of chav tax...
q2: how many people in your vicinity voted for
    Brexit?
    a2: i just had an opinion... voting is cheap
when you can't express a ballot veto.
   alt. a2: 0 (all of them), 5 (one or two)... 10 (aghast at the question)
              a bit ******* obvious, no point explaining....
q3: what is your favourite dish on th
Mateuš Conrad Feb 2016
i still get two alumni magazines
shoved through my mailbox,
edinburgh's edit, and u.c.l.'s portico,
they're alike, they're asking for money:
which is a bit like that mystery of lawlessness,
one word... money!*

i love poetry, i really do,
i think it respects readers more
than those glutton chatterers of off-the-page prose,
there's no need to create characters,
prose readers have an easy way out,
they have all the hidden architecture
keeping them involved with time-wasting
effectively-exploitative narration,
and then the characters, off the page
nothing like the readers with mundane jobs,
with menial tasks better augmenting
the cartesian thought and being,
ego and something that represents a passing,
meaning the unit, re-, of something the same
that changes each day...
readers of poetry are not readers of prose,
in comparing poetry to prose
poetry is naked... there is no elaborate
scaffolding... to concrete character study...
a poet can't conjure characters...
he can't even conjure rivers or readers...
when prose has characters, poetry has readers;
how many memorable characters emerge
from a prosaic narrative? one, two... fifty?
you see the pawn legion fall on the first
shot shadow of mongolian arrows...
you see their slain bodies hit the mud without
a word... so you see:
poetry is too naked, it's a mud-hut compared
to prose's glass spiral...
poetry will leave you an architect, rather than
a labourer... you will build your own you...
i wish i too could build from scratch
a horizon of distractions...
i rather you build that... you can't be a character
for me... you have to be a reader... not necessarily
an orator of what i wrote... just a reader...
and more than all the summations of characters
can be moulded into... hence the loss of tightly packed
paragraphs... hence the scarcity of composition...
if prose be a Chopin or a Liszt... then poetry be a Debussy or
a Satie... and i prefer the latter...
plus poetry is written so there's less eye-strain
bothering you... no loss of post-interlude starting point...
when poetry is read standing up...
prose is a style taken to bed and falling asleep to,
or that easy armchair: when i was converting my
grandmother to read poetry (zbigniew herbert's)
and forget the cheap romance novels... she was quietly
amused... i told her we write scarce words, once in a while,
rather than attempting to procrastinate
as most work is these days with the lost scythe and plough
on the pseudo-faustian bargain of Proust
(if it has no direct meaning, remember
there's a direct and an indirect article dualism,
just let it resound... don't treat it like a comet...
but more like rainfall... i treat ezra pound's like that...
like a hundred people could say the same,
even though only one did)...
the proustian bargain fabble? babble babble blah blah
babylon... the israelites sung about the babylonian
captivity... thought about the egyptian one...
i once said architectural necrophilia, and i'm true to it
like an expected tide...
but let us return to the title...
poetics explains economics the best...
new notation in post-existentialism, the ditto-encapsulation
will be replaced with a non-literary notation,
with the approx. mark, so a word is referred to
as approximately rather than within the skeleton
of ambiguity, loose the question mark, that way you will,
no longer "haiku" as referring to syllables, but rather
referring to length, hence the notation ~haiku, e.g.:
poet strip yourself of priceless / worthless subject matters,
the mechanics of the moon and the sun are too much,
you write of beauty for beauty be only a grandeur,
and indeed you take pick of the celestial bodies,
but you leave the two-pence coin on the pavement
when you pass it, and by not picking it up
not blowing on it for good luck (come one moment
come the next moment, gone),
so that the pennies can be increased...
write a thousand moons into a single poem
and still the thousand moons will not translate
into a thousand pounds: you speak of the nocturnal
moisture with a mouth of a desert, and a tongue
like a sidewinder... always missing the topic
you care for because you have never took step
on the object stressed, used...
don't make this a barren art-form.
Terry Collett Jun 2013
Summer recess had come
and she sat with you
out in the field
over looking her house

and the railway
was not far off
where the occasional train
puffed by sending

a sprouting of white smoke
as it went by
and she looked at it passing
and spoke of after school days

when she would begin
her adult life and settle down
and have children
but you were thinking

of a train trip with your parents
years before
to some seaside place
and you watched

the scenery go by
and the steam go by
the window
and the smell

and the sight excited you
and stuck itself
inside your head
and Judith said

what do you think?
and you said
about what?
and she said

about children's names?
what names
would you choose?
your brain struggled

to the surface
and whirled through
a list of names
that came to mind

boy or girl?
you asked
she sighed
either

haven't you been
listening to me?
sorry got distracted
by the train smoke

had a Proustian moment
you said
a what?
she said

a Proustian moment
you replied
what the heck is that?
she said

pulling her skirt
over her knees
where it had risen up
as she moved  

Marcel Proust wrote
that eating a certain cake
took him back
to a certain moment

of his life
but you
haven't been eating cake
Judith said

her hand rested
on her knees
her eyes focusing on you
no it's just an example

you said
about how things
can remind you
of other things

or places or times
do you recall
the first time we kissed?
she asked

yes
you said
of course I do
it was near Christmas

and we were carol singing
and it was dark
and the moon was out
and the stars were bright

and your lips pressed
onto mine
ok ok
she said laughing

at least you remember
and as she moved forward
the buttons
of her white blouse

parted briefly
to reveal a hint
of fleshy *******
so what names

do you like?
she asked
none come to mind
you said

she shook her head
what about Rachel or David?
she said
fine

you said
nice religious names
although David
brings to mind

a kid with a catapult
and a girl I once knew
with buckteeth who smelt
of old socks

she looked skywards
and sighed
and lay back
on to the grass

and you lay beside her
both of you  
gazing up
at the expanse

of blue and white
her hand reaching out
for yours
in that one moment

of life
in the great
out of doors.
Mateuš Conrad Dec 2015
since i turned into a nocturnal creature i’ve changed a bit,
i started the theological arithmetic:
(right hand) thumb, index, *******(s) -
january february march,
ring, pinky & pinky (left hand) -
april may june,
ring middle index (left hand)
july august september -
thumb (left hand) thumb and index (right hand)...
of yes, intelligent design...
now make a hole using your thumb & index finger,
then ensure your thumb goes in & out from that whole...
like god, say: oh ****... i forgot the piston!
guess what’s the slang term for a russian in polish?
kacap.
guess what’s the slang term for a german in polish?
szwab (shvab) /
i know, i too wish it was sax...aphone.
guess what’s the slang term for a dwarf in polish?
karakan.
but i said, there are really two branches from the 20th
century growing into the 21st century,
there’s the proustian branch that’s a cul de sac...
and there’s the joycean branch, that leads to ezra pound et al.,
finnegans wake (which i have read) i can a 50p with an invention
of a terminology: uncoded phoneticism, i.e.
alpha bravo charlie delta echo, only because:
prirates’ aye, eye and lie and high sounded pretty much the same
even though they were spelled differently.
uncoded phoneticism means you use a coding of language
from thought / silence in a way that elevates it
from the standard usage, from novelty interests
of a righteous narrator crafting new characters...
of course your writing will appear chaotic... but in reality
it will not be... trust me... i simulated paranoid schizophrenia
for seven years... fooled three psychiatrists
and regained a chance to provoke.
nicholas ii is smiling at me from a banknote i own,
and i have a kopek’s worth of currency from dostoyevsky’s times.
Autumn Jan 2019
Something funny about airports
My childhood
Teenage independence
Young Adulthood

Two hours
I said goodbye to you
One week from now

I’ll see you again

But airports are funny
My body thinks I’m leaving you
Until next summer
My body’s been conditioned

To believe goodbye means indefinitely

I know you may not get it
And that’s okay
Please don’t think I’m being clingy
When I say “I’ll miss you”

The fiftieth time

It’s just a Proustian moment
juicy mint chewing gum
with crackling eardrums
Sends me back in time

To that funny thing about airports

Where hellos are met with goodbyes

Impatiently, I wait

When the goodbye is met with hello
Mateuš Conrad Apr 2016
indeed, i finished the night off with a wolf's operatic ah woo! at the yellow lunar scythe.

i never understand why people, with such fascinating lives,  |
pre posthumous auto-biographic
with so much Don Juan  excitement would surrender to
being cocooned by bookworms,
the silence of libraries...
just last night i had the most lucid
and the most entangled experience
within the world of the living,
i so desperately want to write about...
but i can't...  i can't!
i want to, but i'll flush all the emotions
that went into experiencing the night
away and feel vane, which is hardly
apathetic, syndrome of atheism
a fake, a- (without) pathos (some sort
of pathology) -
**** it, the highlights, two mates out for a
drink, end up in the company of
a half-mandarin half swede (suede eh eh,
nudge nudge, buckle two stops of a torero
winky wink - nudge nudge of the elbow
only fools & horses banter);
graffiti on a book i carried:
dr. john marchent, LSBU,
london south bank university,
the science of chocolate*...
the scribbler? her name be... what
a ******* zigzag, got her surname
but her name i had to rewrite:
rhiannala                            fowler...
yes, the H is silent, it always is in english
unless it be a haystack of hyphens...
there were many more details regarding
last night, i could write them,
but when i once saw a girl getting spat on
by her "boyfriend"
and the way i spat kisses all over a girl's face
i think it's too painful to make details of...
a sly impromptu in polish with
a guy who was smoking hashish...
12 years over here... i don't know why i
kept associating his name with ******;
a fine Friday event in bohemian east-end
London... that's all, and yes, i seriously wish
i could do a detailed Proustian outline...
eating a ******* macaroon to delve into
the gaping hole of memory making 20 years
seem like 20 minutes...
of course i'll curse, pornographic over saturation...
obscenity trials my ***...
             i'm so ****** tempted to recount you
the night... the drinking Bacchus **** and laughter...
die sonne satan and what not mentioned...
           runes ironic third ***** ******* for good luck
    tilting to antagonise a clear upstart failure...
feminism and advertising,
                   comic book strips and something about
keeping a brand with an ethic worthy of anorexia
and gluttonous upheavals as the end...
               'and yes, i decided to become an Elvis Costello
    song because i thought my life was boring enough
worthy of a manuscript...
            if i had the life of a Don Juan, i wouldn't have
   bothered... me in a cocoon? n'ah,
me in a coconut sounds better...
          or as i wrote in my high-school memorandum:
  to live a bohemian life in one of the EU's capitals...'
and that's prior to the 2004 expansion,
even though i was sceptic - and to finish:
west end you get cosmopolitan culture -
east end you get bohemian culture -
               or as a quasi Mr. Portillo noted -
toff toff truffles too! yep, some ******* labour
coal miner descendent fanatic bemused out-loud
on our way for the night bus 86 -
where i was hit by an existential conundrum
about having this ethnicity bred
and this psychology acquired:
'i spoke to them native and they're thinking
i spoke Hungarian or Czech or Yugoslav! ha ha'
the two children were a wormhole into the past for me...
but for the love of god
you can't find steve wynn & the miracle 3's song cindy
on the internet... i have the album, but the compact
is scratched... and encode a scratched compact
into an mp4 format and your iPod is kung fu ******.            |

|represent a neurosis of a perfect width...
|should the middle ground be peppered
|with shorter stances,
|the first few lines have to match-up
|to the elongating caterpillars of the end -
|a kinda hug / embrace.
Mateuš Conrad Oct 2015
i mean, i love your sanity, but
i need a drink; i learned more sanity from a cat
than i did trying to cure my eyesight;
if you think my parents did wrong
by giving me a proustian lifestyle
then i’m faust; polka dittoed devil usurps all
meanings, even the clever ones typed: chlorophyl.
well i'll be too many coo coo in pikachu for the orange
minding the size of the amazon
(and saying - there's a pain in my chest when laughing...
had i a heart i'd call it keith lemon) allowing
the "fashion statement" and instant grams of followers -
hey, it's called a ******* for a reason - let me
anally absolve you from prayer
and salutation of the crucifix... k k o.k.?
Mateuš Conrad Jun 2016
watching a German substitute come on is a bit like watching the opening scenes of Gladiator... the German tribe north of the Rhine resounding to the decapitation of an envoy... painting in writing, ascribing the appropriate diacritical marks to the Venus bathing the alphabet the Anglos kept as source of their demise; naked unsupervised to stress certain sounds and thus unsupervised the slang emergence, and total ignorance of diacritical marks of football commentators, stemming from disengagement from dialectics as the supreme proof... from the film: 'tu bista ***! aß sēhta'h fuhta'h ūnna'h!' - das längezeichen, ein verlängerung (two definite articulations of the definite article, a quarter das, a quarter die) - the macron, an extension;
one H the vowel / breath catcher, former H the precursor of catching breath, the latter, a breath shortened, mildly operatic... from the cradle... to the grave... but watching a German match is like watching the battle speech in the opening scenes of Gladiator... a substitute comes on, the announcer says his first name, the horde bellow out: bastian... Schweinsteiger! macron v. umlaut, when did - also mean a horizontal colon above a letter? just now. i'm still surprised that the English are too proud of memories of the Empire to even allow the greeks to utilise diacritical marks, and leave themselves jaded with computer encryptions, ugly emoticons ( :) as a perfect e.g.) and acronyms... what a waste of when revelling in Ave Britannia, Empire of the Pond... ruler of mirror ripples rather than turbulent waves - but it's like that, whether in the Bundesliga or the UEFA championship... a substitute or a goal scorer... like a ******* german tribe antagonising the Roman expansion tactic, the bellowing grooming of a beast.

in terms of song subjects, i can't feel the vibe
of urban socialites and heavy affairs,
any more chromatics' songs akin to
the velvet underground and i'll just keep
staring at only having done marijuana,
whiskey, and the deadly Salvia Divinorum,
many a good Aztec died from this plant,
very few fared to become Proustian shamans
of changed perception - but seriously,
a second more with the haunting female voice
enticing me and i'm done.

but there are some extension i made from
having the oeuvre of Iron Maiden and Slayer,
post-2000 music to me is hardly represented:
the chromatics (**** for love),
the besnard lakes (until in excess, imperceptible ufo),
uncle acid & the deadbeats (blood lust) - i need
to get mind control for one song, under your spell,
naam (self-titled),
dead skeletons (black magik),
tame impala (lonerism),
wooden shjips (west),
moon duo (circles),
black ox orchestra (nisht azoy),
pop levi (medicine),
                                     allah las (self-titled)...
i mean, it's out there, the alternative, it's out there,
but people don't like sharing their personal tastes
for a public reason, but a personal reason,
as long as personal interests are necessary all
public coercion is lost in the art world for
a scrap heap... so true the myth and so also tiresome
the idea that art is best kept (at least the obscure type)
for a Don Giovanni adventure - i mean,
had i more money i'd invest in art more -
but the retaliation was inevitable,
the karaoke culture of philip k. ****'s prediction
of the *man in the high castle
came true...
well, it wasn't a prediction but a fantasy...
karaoke culture took over, pop is karaoke, the few
brave souls are there, but the general public is starving,
1950s American cinema and 1970s American cinema,
music prowess in the 1960s -
well, if you steal from artists... why expect any art to
exist if that art isn't simply advertisement?
ever used the radio? i would have, kept my honour...
how many thieves prowl in western society
under the disguise of technological progress?
too many.

*if i were polish, i'd add the Czech utility, to change -sz- with š, and -cz- with a sharpened breve / upside-down circumflex above... and not learning the specific encoding of diacritical marks gave us the linguistic alphabet... -sz- with š as replacement, -cz- with č, to simply drop the z... this is painting, and the only painting you can have is with stresses on the sounds... so in example:
škoda że tak mało času
it's a shame that there's so little time.
Literary allusions: the curse of
Those who overdo—or, as some say--
Overdid the reading thing.
I speak of close associates,
Imaginary friends you’ve not met,
Let alone read (pronounced "RED") about.
Like this guy down at Moe’s Tavern,
An 8th Avenue writer’s bar I frequent.
Let's call him Paulie Muldoon,
A fat Irish slob who claims to be
Poetry Editor, "The New Yorker."
Paulie likes to give me tips on
HOW TO GET PUBLISHED!
Like me, he’s never
Been in print anywhere,
Other than his ***-encrusted laptop, &
A letter he once wrote to the editors of
"The National Kreplach Review,"
A radical Zionist quarterly
Funded by The Mel Brooks Foundation,
Harvey Weinstein & Condé Nast.
Nevertheless, Paulie seems to know
A lot about the publishing business,
Particularly after six stiff Jack & Cokes.
He says the thing is this:  
The best of the Ivy-League’s
English majors wind up in Manhattan,
Slaving away in cubicles,
Working for peanuts—literally,
The publishing industry has some sort of
Barter agreement with Planters.
(www.planterspeanuts.com)                                       ­            
They sit around on their ***** all day,
Getting their kishkes in a twist,
Eating peanuts, perusing manuscripts,
Like chimp Zoo valedictorians.
The manuscripts submitted by the hopeful
And--for the most part--delusional.
According to Paulie, these Yalie, Princeton,
Harvard, Columbiana WORDMEISTERS
Are more likely. . .
(Urban Dictionary: word-meister (www.urbandictionary.com/define.php? 1. Something yelled in place of a cuss word. 2. a rare species of humpback whales. 3. small children whose mother's name is Debbie.)
. . . More apt to be impressed with your scree
If you lay siege their psychic CPUs,
Pushing a few obscure,
Mnemonic function keys, remembrances
Of past Proustian peregrinations.
That's right, you get a much
Better shot at sidestepping that
First smug obstacle of arrogance,
If you slather them; go right
Ahead & flatter them with
Lotions, potions & emoluments,
Arcane passwords,
Vain secret satisfactions,
Tidbits of titillation,
Things that only some mook
That actually had read "The Crucible."
Or "The Scarlet Letter,"
Could possibly know,
Let alone, remember.
For a publisher’s water-boy,
A synaptic switch is keyed,
Tripping off an avalanche of
Marginally relevant,
Yet ultra-literate,
Cognitive highlights.
And, while we're on the subject,
Has anyone actually read Melville's "OMOO?"
Terry Collett Jan 2014
Miryam slept
most of the way
through Paris
that evening

her head
on your shoulder
her eyes closed
like pink shells

her mouth
slightly ajar
an innocent
sleeping child

kind of look
on the coach
as it travelled
through the bright lights

and sights of Paris
Beethoven's
5th Piano Concerto
pouring

from the coach's
loudspeakers
you gazed
at her tight

red haired head
sense of her
laying there
a soft sound

of breathing
a barely felt sense
of her pulse
and feeling

that the most
important thing
at that moment
that pulse

that sound
of breathing
that the whole world
would cease

if she did
neither again
you lay back
your head

on the headrest
taking in the sights
the lights
people passing

street scenes
bars and cafés open
couples walking
arm in arm

a kissing couple
here and there
the second movement
of the Beethoven concerto

easing through
the coach
and looking down
at her hands folded

in her lap
as if they too slept
fingers holding
thumbs touching

her knees visible
where her skirt
rode up as she sat
and as you lay there

taking in
her being there
that eternal moment
sinking in

the Proustian connection
of her sleeping so
and the Beethoven episode
the piano easing out

and her head there
on your shoulder
rested childlike
and all or most

of desires kept at bay
seeing her lay so
like untouched
untrodden snow.
A BOY AND GIRL IN PARIS IN 1970.
Megan Sherman Jul 2018
I love the hunted not the hunt.
Pursued, they want to hold your warm heart,
My trophy, gold-gleaming and thunders with love,
Proceeding from your great soul's core.
More beautiful than a rainbow.

Maybe you consider yourself a messenger,
Megaphone for the wisdom oppressed.
Fifty years now you have, wide-eyed,
Rendered the world with beauty,
And Proustian sensual bliss.

Pacing little alleys with just my passport and mauve dress
I crawl towards the dead-end, its van
And its suited men; they point and laugh.
To save myself I turn back, run;
A car swerves in, fast as a gun.

An obsidian dread engulfs my heart,
Running faster, ever fast
Underneath the emerald green parasols of Harrods.
I am the hunted now, they want my heart
Too. For being one who is kin to you.

Anarchy on the streets, I scream!
And then as if on the zephyr of a dream
You, abrupt, enter my sight,
Drifting through the pacing crowd
And I turn back, to distract the police.

Counting the beats of my thundering heart
I, coy, catch glances. You glance back.
Seeing you return, your back, head to the ground, the lady officer swivels,
Sees you! Fills my heart with dread.
I do not flinch: the questions resume.
A true story
Dave Robertson May 2020
The balm of sun and charcoal smoke
instantly evoke lost togetherness
from the very first time in the eighties
when beguiled by a well fired banger
and Russ Abbot opined a party

Hold fast to the Proustian rush
as soon enough the dim seasons will return
and the muted, sterile days withhold
all but a sense of cold and pause,
so revel in the glut and sing
Last Arpeggios Jan 2015
Grab a seat, don’t take your coat off
    in your own house, I’m not staying,
    only until it clears up; if I go out now
    I will sink into the ground, You say
    as you sink into a chair - a creaking noise,
    to remind you.

    You survive on the short sugar rush
    of a Proustian coffee; the past is a gentle
    unfaithful lover
    I’ll call them. Put on your nicest voice,
    sing yourself to them.
    But you push in so many words;
    they can’’t understand.

 Fall asleep, don’t take off your coat
    in your own bed, I’m not sleeping,
    so when they ring, my phone or door,
    I can open up. I can go home, You say,
    but the blinds have been down so long
    you can’t see when it stops raining

    It hurts to see you try.
Mateuš Conrad Jun 2017
what i remember of my dreams,
lately,
               is not a case of images,
it's mostly pitch-black upon
      the notion of trying to remember,
i... just remember talking...
             and that begs the question:
can blind people see dreams
      if they can't see consciously?
            or, perhaps, i write too much,
in the proustian sense of dynamism
regarding ushering out as many words
as i have; and, condolences, for anyone
keeping up... you poor buggers,
or should i say, junkies?
   just thank **** i'm not pushing
you ******;
  you know who you are,
                        i have no names;
and this is the type of introspection
that the internet allows,
     which, if asked to be printer in
the, say, 17th century? wouldn't see print;
so lucky us, saving the amazon,
         by having paper in pixel format;
however,
one day in the internet's publishing dynamic,
would overpower even the vatican's
                                          library content.
its not unlike humanity to seek answers. we look toward our largest, most near satelite and; well nothing--at least until a few decades ago. Nothing more could be done than to gaze at its surface and ponder the texture and deformations of its outer most layer. we have, since, spent billions of dollars to, in my best aproximation, spend a few hours there trapsing around on it. to smash a golf ball a little bit farther than one could on their best day on the green.

the stories contained herein, are little more than testaments of how individuals, without golf clubs let alone space craft, have sought the same relationship with foriegn textures.

and, while these inner-efforts have been as costly as those toward our moon, and that their gleanings have been equally fleeting, and the fact that their experiences provide more questons than answers, it remains that, just like our excursions toward a spinning rock, the dabblings of psychonauts are just as much an undertaking of a serious narrative--whether personal or univeral.
and here we find ourselves half-way understood, and even less understanding searching for a narrative. yes, and now, the narrative may even be abandoned in search of it, as DiVinci would have never imagined the telescope without first dreaming to travel amongst the stars.
may these entries be only a comma in a Proustian sentactical excursion. a pause amidst a thought still forming. a psychological hypothesis, equally ready to be both further tested or discarded.
it may have begun
maria Oct 24
Sometimes, I’ll fall asleep on my couch,
while my bed sits a couple feet away.
It reminds me of the sleepovers I had,
of the holidays where the house was filled,
of movie nights and drunken collapses,
of the Proustian disorientation in misplacement.
I’ll sleep next to my ashtray of Marlboros,
my dropped keys, and haphazardly placed gloss,
my leftover coffee and capped waxy candles.
I grow a fondness and rapport with my mess,
a familiarity I sought with myself for ages.
Make yourself at home, I’ll say.
Stay a while.

— The End —