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"presentiment" poems
764 Presentiment—is that long Shadow—on the Lawn— Indicatives that Suns go down— The Notice to the startled Grass That Darkness—is about to pass—
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Presentiment—is that long Shadow—on the Lawn
The crunchy Autumn leaf changes its mood once again. A crisp green transforms into a burnt auburn glow. I sink into my kingdom of leaves, underneath the grand sugar maple tree. The brisk wind pinches my cheeks into rosey swirls. My breath leaves my body in a thick white fog, and I lose myself in my surroundings. Suddenly crystal drops of water fall from the sky, slide down my face, and make a home in my hair. The grey sky bleeds its way into my eyes. I sit and let it all pour down on me. Let it wash me away into a presentiment abyss. The seasons will keep changing. I will keep changing. Change can be a very beautiful thing.
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Nov 20, 2012
Nov 20, 2012 at 1:23 PM UTC
Moody
"Oh father, let us hence--for hark, A fearful murmur shakes the air. The clouds are coming swift and dark:-- What horrid shapes they wear! A winged giant sails the sky; Oh father, father, let us fly!" "Hush, child; it is a grateful sound, That beating of the summer shower; Here, where the boughs hang close around, We'll pass a pleasant hour, Till the fresh wind, that brings the rain, Has swept the broad heaven clear again." "Nay, father, let us haste--for see, That horrid thing with horned brow,-- His wings o'erhang this very tree, He scowls upon us now; His huge black arm is lifted high; Oh father, father, let us fly!" "Hush, child;" but, as the father spoke, Downward the livid firebolt came, Close to his ear the thunder broke, And, blasted by the flame, The child lay dead; while dark and still, Swept the grim cloud along the hill.
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A Presentiment
A stone terrain waits A landscape deserted Devoid of real Or imagined explorations For it turns inward At a tangent that Precludes inquiry It has an articulation Of slow deliberate movements Where particularized Geology has painted it Cut off and disconnected By an estrangement of creation Other existences only serve To magnify its sense of isolation Its blank uncaring non-geometric Dimensions of observable Unquantifiable location is obscure And unrealised Producing an immediate Initiated sensory experience Of unreleased silent appraisal But why does it wait? What for Does it anticipate or foresee Some expected prediction Of apocalyptic presentiment Is it recalling color? Or is it experiencing The present like floating in a dream Alas there is no clue To its tilted yet frozen expectancy A stone terrain waits
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Feb 8, 2013
Feb 8, 2013 at 4:29 PM UTC
A stone terrain waits
As the Sun has its place In the clear, halcyon sky Your mind resides here Please don't resist to comply Intercept each divagated thought Interconnect with my waves Vibe with my presentiment Upon each other, we're slaves "Hooked" on each other's hooks As our conscious rocks and cradles Sharing minds as we flutter Animated fantasies, but no fables I think the way you think You coast adjacent to my vibe Our mental surrounds each other's Mine and yours, a dear circumscribe We entwine as a tightly woven braid Entangled upon a common bond We savor of our intuitive thoughts Your every move, I'm surely fond Enriched with pleasurable closure In summer's embrace, we wallow In this psychological playground My angel, your position is hallow We're two minds that amalgamate Gratified with not one discrepancy Only our mutual brains keep subtle A deep, infrangible, sweet telepathy.. © Michael P. Smith
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Mar 30, 2013
Mar 30, 2013 at 2:20 AM UTC
Sweet Telepathy
Our hands held each other Yet, I missed you anyway
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Apr 15, 2017
Apr 15, 2017 at 3:26 PM UTC
presentiment
I. This is a poet of the river lands, a lowdown man of the deepest depth of the valley, where gravity gathers the waters, the poisons, the trash, where light comes late and leaves early. From the window of his small room the lowdown poet looks out. He watches the river for ripples, flashes, signs of beings rising in the undersurface dark, or lightly swimming upon the flow, or, for a minnow, descending the deeps of the air to enter and shatter forever their momentary reflections, for the river is a place passing through a passing place. The poet, his window, and his poems are creatures of the shore that the river gnaws, dissolves, and carries away. He is a tree of a sort, rooted in the dark, aspiring to the light, dependent on both. His poems are leavings, sheddings, gathered from the light, as it has come, and offered to the dark, which he believes must shine with sight, with light, dark only to him. II. Times will come as they must, by necessity or his wish, when he leaves his enclosure and his window, his homescape of house and garden, barn and pasture, the incarnate life of his desire, thought, and daily work. His grazing animals look up to watch in silence as he departs. He sets out at times without even a path or any guidance other than knowledge of the place and himself as they were in time already past. He goes among trees, climbing again the one hill of his life. With his hand full of words he goes into the wordless, wording it barely in time as he passes. One by one he places words, balancing on each as on a small stone in the swift flow in his anxious patience until the next arrives, until he has come at last again into presentiment of the Real, the wholly real in its grand composure, for which as before he knows no word. And here again he must stop. Here by luck or grace he may find rest, which he has been seeking all along. Sometimes by the time’s flaws and his own, he fails. And then by luck or grace he will be given another day to try again, to go maybe yet farther before again he must stop. He is a gatherer of fragments, a cobbler of pieces. Piece by piece he tells a story without end, for in the time of this world no end can come. It is the story of eternity’s shining, much shadowed, much put off, in time. And time, however long, falls short. Wendell Berry's most recent books include It All Turns on Affection: The Jefferson Lecture and Other Essays, New Collected Poems, and A Place in Time, the newest volume in his Port William series.
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Jun 30, 2014
Jun 30, 2014 at 11:30 AM UTC
From Sabbaths 2013—by Wendell Berry
I. This is a poet of the river lands, a lowdown man of the deepest depth of the valley, where gravity gathers the waters, the poisons, the trash, where light comes late and leaves early. From the window of his small room the lowdown poet looks out. He watches the river for ripples, flashes, signs of beings rising in the undersurface dark, or lightly swimming upon the flow, or, for a minnow, descending the deeps of the air to enter and shatter forever their momentary reflections, for the river is a place passing through a passing place. The poet, his window, and his poems are creatures of the shore that the river gnaws, dissolves, and carries away. He is a tree of a sort, rooted in the dark, aspiring to the light, dependent on both. His poems are leavings, sheddings, gathered from the light, as it has come, and offered to the dark, which he believes must shine with sight, with light, dark only to him. II. Times will come as they must, by necessity or his wish, when he leaves his enclosure and his window, his homescape of house and garden, barn and pasture, the incarnate life of his desire, thought, and daily work. His grazing animals look up to watch in silence as he departs. He sets out at times without even a path or any guidance other than knowledge of the place and himself as they were in time already past. He goes among trees, climbing again the one hill of his life. With his hand full of words he goes into the wordless, wording it barely in time as he passes. One by one he places words, balancing on each as on a small stone in the swift flow in his anxious patience until the next arrives, until he has come at last again into presentiment of the Real, the wholly real in its grand composure, for which as before he knows no word. And here again he must stop. Here by luck or grace he may find rest, which he has been seeking all along. Sometimes by the time’s flaws and his own, he fails. And then by luck or grace he will be given another day to try again, to go maybe yet farther before again he must stop. He is a gatherer of fragments, a cobbler of pieces. Piece by piece he tells a story without end, for in the time of this world no end can come. It is the story of eternity’s shining, much shadowed, much put off, in time. And time, however long, falls short. Wendell Berry's most recent books include It All Turns on Affection: The Jefferson Lecture and Other Essays, New Collected Poems, and A Place in Time, the newest volume in his Port William series.
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love and self respect twined into the rope surrounded by a toxic cloud of vagueness. I am the riff-raff of my own heart my own dishonesty to myself has increased the remorseless presentiment in my soul my reactions drowned in vain as he whispered the words that i have so often used on all the wrong faces my heart was taped together with duct tape ...still some pieces were missing my heart was not "ripped in half" it was set a blaze, tortured and hung left looking in the mirror at its own worthless reflection... ...how can a heart like that ever love again?
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Feb 5, 2014
Feb 5, 2014 at 9:26 PM UTC
tug of war
Imposing despondence annexing hypnogogic state escapes; dominating Precariously constructed walls; stifling Presentiment projected, callous shadow castles; towering Looming structures of concentrated contempt; ensnared A solitary luminescent casement; revealing radiant retreat Evanescent relief... Enticing evacuation from encasement; a Dusty Miller Flourishing amongst debris and ruin The first sign of life... in years
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Jan 4, 2014
Jan 4, 2014 at 7:05 PM UTC
Rescue
love and self respect twined into the rope surrounded by a toxic cloud of vagueness. I am the riff-raff of my own heart my own dishonesty to myself has increased the remorseless presentiment in my soul my reactions drowned in vain as he whispered the words that i have so often used on all the wrong faces my heart was taped together with duct tape ...still some pieces were missing my heart was not "ripped in half" it was set a blaze, tortured and hung left looking in the mirror at its own worthless reflection... ...how can a heart like that ever love again?
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Feb 5, 2014
Feb 5, 2014 at 9:25 PM UTC
tug of war
With baffling reticence these limbs pour-- were they the scream of their creation... space would about-face. A clarion call issued them as stars to constellate a soul. Secure a God's temperament--and of the mind given them, what to derive therefrom? Their wound is not wide from their reticence, the presentiment of their journey is a steady creeping...the inching forth of termless conscription. As pastoral confines bled out the lamb by the Hand of necessity, these limbs have so gathered to impart their sacrifice. A single push of an unfathomable nature sees them thus and thus. What center they contrive's amiss...one cannot take hold the Agony and Ecstasy handed by One so great.
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Feb 20, 2016
Feb 20, 2016 at 11:11 AM UTC
Baffling Reticence
Imperative perception It was all far fetched, a time when I searched myself in others No one can ever give me the moment of clarity and serenity An eternity of peace within oneself, an embody of higher self This place of ultimate truth and surreal objectification A reflection of timeless lapses, the laps of completeness The storms were a taboo, the recurrent flying unquietness The un-resolving trips and flares of unpolarised magnetic currents The escape to pristine moments, prestige throughs and peaks A vision from the drowning sea, me sinking in the whirlpool I mirrored my own reflection to yours, my 'I' to "you", your 'I" to "me" Melodious Creeks The moment called now is my only lullaby I can hear A whisper so harmonised and crystallised deep in the seabed A candle light of moment of truth in a rotating crystal ball The chaos in the jungle have escaped to the peaks of the mountain Uninformed lands with uniformed pebbles, the shattered glasses Demons that stood ***** as they pierced and taunted a being Why did it take so long? Lets go the springs and streams of pain, the unending past It's not a feeling, or logic, its a way of human existence An entwinement of anthems embellished with peace Presentiment ***** the barred barricades for me to see your pastures I can feel the darkness that embodies your soul and mind A thunder in the unending jungle, jiggling in kingdoms Reject my sharp vision, I cry your tears as you do mine I stare at your blur as you submerge in the deep waters The blackening tunnels with no escape reject my eyes The icy layers squeezing to escape in your sorrows The narrowed aisles have become the only island you cruise The trajectory of our blood realigned in our future sins Found self? Listen to the strings adjoining in the basements of the cliffs The line balancing on the centrifugal pump as it impels to shrouds Of choices? Predetermination and judgment of other as I lost a piece of my time In this territory, I stand at the borderline of my devotion in battle Holding my rifle and connecting to life and all; me a solider of love Parading in the landscapes of inhibitions and thought processes A soul I hold is my only liberation to live fully and autonomously Eyes wide open, mouth wide ajar as we rise and survive doing our best!
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Feb 11, 2018
Feb 11, 2018 at 8:59 AM UTC
A Haunting Jaunt (301 Darkened Marbles)
Imperative perception It was all far fetched, a time when I searched myself in others No one can ever give me the moment of clarity and serenity An eternity of peace within oneself, an embody of higher self This place of ultimate truth and surreal objectification A reflection of timeless lapses, the laps of completeness The storms were a taboo, the recurrent flying unquietness The un-resolving trips and flares of unpolarised magnetic currents The escape to pristine moments, prestige throughs and peaks A vision from the drowning sea, me sinking in the whirlpool I mirrored my own reflection to yours, my 'I' to "you", your 'I" to "me" Melodious Creeks The moment called now is my only lullaby I can hear A whisper so harmonised and crystallised deep in the seabed A candle light of moment of truth in a rotating crystal ball The chaos in the jungle have escaped to the peaks of the mountain Uninformed lands with uniformed pebbles, the shattered glasses Demons that stood ***** as they pierced and taunted a being Why did it take so long? Lets go the springs and streams of pain, the unending past It's not a feeling, or logic, its a way of human existence An entwinement of anthems embellished with peace Presentiment ***** the barred barricades for me to see your pastures I can feel the darkness that embodies your soul and mind A thunder in the unending jungle, jiggling in kingdoms Reject my sharp vision, I cry your tears as you do mine I stare at your blur as you submerge in the deep waters The blackening tunnels with no escape reject my eyes The icy layers squeezing to escape in your sorrows The narrowed aisles have become the only island you cruise The trajectory of our blood realigned in our future sins Found self? Listen to the strings adjoining in the basements of the cliffs The line balancing on the centrifugal pump as it impels to shrouds Of choices? Predetermination and judgment of other as I lost a piece of my time In this territory, I stand at the borderline of my devotion in battle Holding my rifle and connecting to life and all; me a solider of love Parading in the landscapes of inhibitions and thought processes A soul I hold is my only liberation to live fully and autonomously Eyes wide open, mouth wide ajar as we rise and survive doing our best!
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you could store water in the wells dipped deep into my neck where your grip once was. your hold is too strong, its weeds choke my lungs, steals my own words to replace with your own. I was your garden and I felt your hands uproot my ugly, but you took the flowers away too. I stand now, an arboretum of almosts and painful potential. you leave me barren so I have nothing to offer, nothing of my own. I wait to claim back myself, all that I have, and I am almost ready.
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Aug 15, 2016
Aug 15, 2016 at 11:48 PM UTC
presentiment
When hardened hearts ignore the plaintive tears Of those who are invisible yet present, They disregard the strugglers' hopes and fears And make a situation more unpleasant. Many suffer hazardous conditions And work that earns a pittance but still brings A lifestyle that won't **** their true ambitions. How dare we think that they all live like kings! Imagine living daily with the terror Or harsh presentiment--with stress and pain-- Of knowing that despite abuse or error, Your hands are tied, for you cannot complain. Your life becomes a sad catch-22. To keep on going is all that you can do. Imagine fleeing poverty and war And frightful acts of cruel persecution. Your life at least is better than before, But you await a permanent solution. Your kids are now American at heart, But jobs and college cause much consternation. You work two jobs; you try to do your part; Yet there's the constant threat of deportation. When people turn their heads and look away, A blaze of cruel injustice wildly rages. The ones affected most can have no say In how to fix what's NOT worked well for ages. Solutions lacking heart are cold and numbing And demonstrate how ugly we're becoming. - by Bob B (2-23-17)
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Feb 23, 2017
Feb 23, 2017 at 12:39 PM UTC
Sonnets for the Invisible Ones
She has always had a suspicion that the boy was on a secret mission In addition She had a presentiment because of their heated arguments and how they could never nod in assent And how he was never quiet and just so defiant The uncertainty she felt whenever he watched her as she persistently walked down the halls Or when she sluggishly sat in class and as he stared at her lovingly it made her feel uneasy When she turns to look at him disgusted she sees just how flustered he look All these suspicions it was like a six sense but she could never suspect or come to accept the event of him loving her
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Jul 20, 2016
Jul 20, 2016 at 7:29 PM UTC
Suspicions
In my hands rest words I couldn’t bring myself to eat they rose up my throat like a tree roots itself into the ground I plucked the leaves from my mouth and wrote my simple query, “who told me I could not stay?” “who told me I must go away? then left them in the air to float amongst quandaries of maple and oak wrapping my head in black webbing and taking off my shoes as a presentiment and a gesture of compliance as I wait for the day
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Feb 24, 2017
Feb 24, 2017 at 12:08 AM UTC
The Pianist