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"pizzicato" poems
I was watching the Nutcracker, stage drinking blue The violins pizzicato, pizzicato the wood sprung floor breathing with the knock of ballet shoes I was watching the Nutcracker, sitting in the mezzanine, Mezzanine the red kiss of cherry wood and green, I live in the mezzanine I was watching the Nutcracker, peering into the pit, a small gap in the stage floor where I could see your wrist, holding your bow, swaying your bow, pushing back and forth making my carpal tunnel ache, oh your bow I was watching the Nutcracker and you were playing the score Tchaikovsky Tchaikovsky beneath the stage floor
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Jul 26, 2016
Jul 26, 2016 at 12:13 PM UTC
Nutcracker.
Fall to me, all you streets of Rome, With your embrowned oils from torched walls and breccia of shadows, The pizzicato of stairways and afternoon slowly closed Like the thick, leathery-echo from this book of all roads. Fallen, smoldering empire of storefronts and back-shop heirlooms, Your lupine hills unbound with milk of cur in the wind and woods, To your fallow fields rowed deep by a conquest of oars, To the deepest silence and soot-muted oneness of Pompeii, And a sky that is an ancient coin, without worth, But still rubbed smooth at the edges by overfond lovers.
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Jun 14, 2019
Jun 14, 2019 at 4:16 PM UTC
Ancient Roman Coin
Sinbad’s sea-battered ship was poised on the edge of annihilation, The Sultan's brow furrowed with curiosity, then without warning Scheherazade stilled her narrative and lived to see the morning sun. When the moon and stars next owned the sky, Sinbad was snatched from the jaws of death then the saga of Prince Kalandar seized the king's soul with wonder but Scheherazade left the tale unfinished and sang with the birds at dawn. Rimsky-Korsakoff turned the pages at his desk - consumed by Scheherazade’s charms then etched his pen across the waiting staves: The violin must weave her spell once more and bassoon and oboe take the prince’s part. Trombone and trumpet led the martial call and all the rest enlisted for the cause. Russian bravura fused with the seductive allure of exotic tunes born of the dust on the silken road. A sonic whirlwind filled Saint Paul Church, as winds and tremolos grew to cyclonic force. A wall of brass completed Kalandar’s tale. capped by an exuberant clash of cymbal plates. The silence yielded to tender violins chanting a hymn to the princess in all her grace. Tambourine and winds wove a tapestry of her debonaire and most virtuous prince. As the final pizzicato chord faded, the Sultan turned to Scheherazade with tear-filled eyes and beheld his immortal princess and she her valiant and eternal prince and so it would be as long as night preceded dawn. She kissed away his tears of joy and whispered in his ear, “My beloved husband, I will tell you stories forever. Tomorrow you shall learn of the Feast at Baghdad.”
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May 21, 2016
May 21, 2016 at 11:27 PM UTC
A Thousand and One Nights
Sinbad’s sea-battered ship was poised on the edge of annihilation, The Sultan's brow furrowed with curiosity, then without warning Scheherazade stilled her narrative and lived to see the morning sun. When the moon and stars next owned the sky, Sinbad was snatched from the jaws of death then the saga of Prince Kalandar seized the king's soul with wonder but Scheherazade left the tale unfinished and sang with the birds at dawn. Rimsky-Korsakoff turned the pages at his desk - consumed by Scheherazade’s charms then etched his pen across the waiting staves: The violin must weave her spell once more and bassoon and oboe take the prince’s part. Trombone and trumpet led the martial call and all the rest enlisted for the cause. Russian bravura fused with the seductive allure of exotic tunes born of the dust on the silken road. A sonic whirlwind filled Saint Paul Church, as winds and tremolos grew to cyclonic force. A wall of brass completed Kalandar’s tale. capped by an exuberant clash of cymbal plates. The silence yielded to tender violins chanting a hymn to the princess in all her grace. Tambourine and winds wove a tapestry of her debonaire and most virtuous prince. As the final pizzicato chord faded, the Sultan turned to Scheherazade with tear-filled eyes and beheld his immortal princess and she her valiant and eternal prince and so it would be as long as night preceded dawn. She kissed away his tears of joy and whispered in his ear, “My beloved husband, I will tell you stories forever. Tomorrow you shall learn of the Feast at Baghdad.”
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37
*Utterly enchanted 'neath   mesmerizing constellations, as an entranced blue moon     swoons over sparkling            celestial diamonds, cello's were eloquently playing   serenading starry stratospheres        within an endearing melody            and milky ways of poetry, simultaneously syncopating    strumming pizzicato heartstrings, tuning our harmonious passages       of rhythm and rhyme 'pon apricot mist sunset horizons &    seraphic skies rendered of           lapis lazuli sunrise grandeur*
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Jul 2, 2015
Jul 2, 2015 at 1:54 PM UTC
Blue moon swooning
the wind whispers to you in furious ways, ominous notes, like a dusty violin stenciling finality into the air. the percussion of foot-soldiers trembles the grass.   you have grown, my war-child,   from the days of ****** tea parties   to a diva guerrilla,   terrible and well-rehearsed,   your bulleted libretto close to your chest-- and as trumpets sound in the offing, the curtain draws back. AK-47, pizzicato-- gasoline breeds fire, incinerates woodwinds, the wine of the coloratura soprano melts into blood.   witch, ***** daughter of gunpowder,   bella contralto, your   deep and tremulous vibrato is a   grenade, and as death crashes to a crescendo, mortality in the tin frequency of cymbals-- the only armistice is annihilation.
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Dec 4, 2013
Dec 4, 2013 at 10:27 PM UTC
shotgun opera
*Walter, I just want to sit on my *** and **** and think about Dante.* —Samuel Beckett All this fractures the Wolf. The ancient leaves amid the ancient woods, wind riffling wind in eddies she can see but she can’t hear, the braying of a fatted calf which she could eat, if she could hear thy call, O Wolf. The tympani pretend to be a thunder roll, the crashing cymbals mean to simulate the distant lightning, all the strings—cello, base, violin and viola—play the pizzicato of rain commencing… The Wolf sits to watch—what?—the floodlights fill the stadium? the baton poised? the crowd about to have their daily dose of not quite silence served up yet again? She hates that they have come to watch a prophecy. It’s raining full blast now, the Wolf’s exchange for music, how things balance out, how rain fornicates in the forest, with its pools and puddles, how it tenders lakes and rivers and shadows… It can’t be! Ahead she sees him. She sees Dante, the poet of the prophecy, the one she has to drown. It’s why she’s deaf. She will not hear him wail. **** him so he will rot in hell before the other poet comes. **** him and spare the world another poem about another world. The rain and music grow so dense around her soul. She is so quick, too quick for him to flee. She drags him still alive, drags him to the lake of his heart. Sink and die. In Paradise only bubbles rise. The tympani pretend to be a thunder roll, the crashing cymbals mean to simulate the distant lightning, all the strings—cello, base, violin, viola—play it soft, so soft, as if the rain is about to start… The Wolf and I walk the slopes of hell. When Farinata and Cavalcante rise up to ask her, ‘Who were thy ancestors?’ and ‘Where Is ***** she howls. O Wolf. O Tuscan. She howls.
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Aug 25, 2010
Aug 25, 2010 at 5:51 PM UTC
O Wolf, O Tuscan
*Walter, I just want to sit on my *** and **** and think about Dante.* —Samuel Beckett All this fractures the Wolf. The ancient leaves amid the ancient woods, wind riffling wind in eddies she can see but she can’t hear, the braying of a fatted calf which she could eat, if she could hear thy call, O Wolf. The tympani pretend to be a thunder roll, the crashing cymbals mean to simulate the distant lightning, all the strings—cello, base, violin and viola—play the pizzicato of rain commencing… The Wolf sits to watch—what?—the floodlights fill the stadium? the baton poised? the crowd about to have their daily dose of not quite silence served up yet again? She hates that they have come to watch a prophecy. It’s raining full blast now, the Wolf’s exchange for music, how things balance out, how rain fornicates in the forest, with its pools and puddles, how it tenders lakes and rivers and shadows… It can’t be! Ahead she sees him. She sees Dante, the poet of the prophecy, the one she has to drown. It’s why she’s deaf. She will not hear him wail. **** him so he will rot in hell before the other poet comes. **** him and spare the world another poem about another world. The rain and music grow so dense around her soul. She is so quick, too quick for him to flee. She drags him still alive, drags him to the lake of his heart. Sink and die. In Paradise only bubbles rise. The tympani pretend to be a thunder roll, the crashing cymbals mean to simulate the distant lightning, all the strings—cello, base, violin, viola—play it soft, so soft, as if the rain is about to start… The Wolf and I walk the slopes of hell. When Farinata and Cavalcante rise up to ask her, ‘Who were thy ancestors?’ and ‘Where Is ***** she howls. O Wolf. O Tuscan. She howls.
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42
Dear Mother I must confess a secret sin It may sound foolish You might just grin And should these words Make little sense Please tell me so Avoid any pretense I slipped into your skin today How the weight of time wears In memory's ***** I sought to lay Antecedent memories I tried to bare But I could not comprehend A Pizzicato journey Well-paved walkways The darkest alleys Waves of variations Like the untried Unconquered waters Ripples and swells Of every known emotion And more I slipped into your shoes today Memory lane I threaded It's not an intrusion I must say But a lesson from the learned Though I still could not understand Interludes and episodes I would never fathom Actions, reactions I failed to decode Highroads, crossroads, Byroads, no roads Turbulence in truckloads Pardon the rhyme Allow me to switch modes I slipped into your past today And caught a glimpse of you Like the most delectable spread I feasted on the fleeting view Yet that does not mean I comprehend But when time unfolds The truths to behold In subtle forms Or atomic bombs Should I discern The right lessons to learn I'll go with the flow I'll let you know
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Oct 20, 2011
Oct 20, 2011 at 4:55 PM UTC
I'll Let You Know
IV Pizzicato pianissimo its sound gestured into resonance a slight plosive of winds sustained Arco – a lament in falling thirds whispering towards an upward leap and a hold crescendo  decrescendo Imagine his imagining in nature’s realm (that patient catalyst for the solitary maker’s mind) now guarding here its assembly in a sounding out Adagio – in a three-fold telling A measured preliminary to the music’s soon-to-dance theme before rising scales and emphatic chords – Allegro Vivace V Words on the rise bricks on the going then in the hall on the wall A poem you simply have to read so crouch close to the Suffolk brick don’t mind those  descending shoes The verse is laced with words of sound breaker march cry rumble clap cueing memory into remembrance And why why here where formal musicking lives and rules are we noised down steps by a boiling kettle? VI As the water holds its breath so a dense cloudscape forms and floats Inverted mirrored wholly still it replaces the water with horizonless sky and extended reflections of grass But as water exhales clouds coalesce a right perspective restores
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Dec 31, 2012
Dec 31, 2012 at 6:45 AM UTC
Remembering Britten (part 2)
At this specific point in time, I pause and give contemplation to the definition of time, whilst the echoing chords of pizzicato remind me of lettuce and a comfortable sense of direction in the face of adversity. Chicken is very much related to time. Now, I know that such loose associations can be categorised within psychiatric parameters. However, such assertions are not baptised in epistemological fires. If you and I rise upon the wings of the wind, then we will understand that the aroma of Ellen will etch herself in the psyche of eternity. I am comforted by the wisdom of predestination.
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Nov 8, 2013
Nov 8, 2013 at 1:53 AM UTC
Rest Assured
Cicadas pizzicato their magical violins in sweet , whirling summer serenade Field Crickets staccato their beautiful cellos from the pink Dogwood Trees , Killdeer swoon to the music of June , Mayflies tango by the light of the Moon
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Apr 16, 2016
Apr 16, 2016 at 1:04 AM UTC
Nighttime chorus ..
The distortion of rectitude maintains the guise of a charismatic persona, with a co-existing ulterior motive. Searching for our lost soul is intensified by the diametrically opposed collision of ancient and modern pizzicato. Listen to the voices as they forcefully project powerful messages into the darkened recesses of presumed enlightenment. I have released my imprisoned being from this custodial fabric of presumed alignment, into the lofts of undetectable thermals, where soaring wings surf undefined boundaries of spatial awareness. Cosmological democracy is the State in which our orchestral garden grows, light years beyond the doorway of the beginning.
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Feb 8, 2015
Feb 8, 2015 at 4:47 PM UTC
Rational Choices within Vistas of Musical Galaxies
i feel like: a violin string unprepared for pizzicato plucked too sharply the skin of a drum after ten thousand songs beat too hard a piano wire awaiting the strike strung too taut the singer's throat called for an encore too hoarse to scream
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Jul 6, 2015
Jul 6, 2015 at 1:46 AM UTC
played out
Take a walk to clear your troubled mind, And hear the pizzicato violins In the wind in the pines, and see The flaming leaves Brilliant orange, dying in a fire Of hot colors in the early dawn The grey sky, cold and smooth The leaves gilded with frost Fire and ice lying quietly In harmony On the forest floor. Take the time to Clear my troubled mind Take the time to shut up And listen Normally I write, but now I must be quiet. Just be -- As the sky As the cold granite in this forest, and The snow-glimpsed peaks. Do you love me? I cry into the sky Too resigned for tears. Do you live, is there life, must I Always try to read What you might say in the wind and the trees? Will you ever speak to me? I touch a coal to my lips It is dead and cold I feel no fire springing to life in my soul No words of prophesy tearing out. The morning is silent. I am ashamed. I walk back to the road And look back over the forest, Alone.
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Oct 13, 2013
Oct 13, 2013 at 11:30 PM UTC
A Walk
I am able to acknowledge the different seasons, where climate and vegetation are some of the various characteristics which are subject to unforeseen variation. Our spirit is not divorced from scientifically defined Earthly parameters. Have you ever heard of the wet and the dry seasons? I must urge you to give thought to your position in this ever-changing climate of indigenous being. The octaves of intense pizzicato are able to establish the facts with accuracy, where words are inadequate.
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Dec 14, 2013
Dec 14, 2013 at 11:49 PM UTC
Music of Momentary Awareness
*A slow and steady crescendo Of blended melody and rhythm Grips the edge of reason and Pulls it softly, toward contentment. It feels and folds its way through Storming emotions and insecurities. Ushering their voices to calm and follow. Harmonizing against the pizzicato Of over stimulated heart strings, It flows outward from her core. Its cadence steady and sincere. As it rushes to alter her face, The sensory orchestra of Memory, thought, fear and hope Culminates in the most subtle of smiles.   She exhales. This is LOVE.*
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Jul 8, 2016
Jul 8, 2016 at 8:02 AM UTC
- 87 -
The mood Played a fiddle With the music of a violin I followed the same hips To the tune of feminine Then I mastered the gentle fiddling And the plucks of pizzicato Before the moon cried Her desperate eyes For the sound of a cello
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Aug 18, 2019
Aug 18, 2019 at 10:56 PM UTC
Begging For Bass
Jazz… Spontaneous! Unique! You are certainly one of a kind… The notes you play caress my heart… Your words, they fill my mind. Alto…Baritone…Upright Bass… Your voice is an instrument… My soul must embrace. Pizzicato… crescendo… Feel the rhythms sway us to and fro Your eyes can say with just one glance All that my heart will need to know Profundo…staccato… Why must this symphony come to an end? So we may return once more to the notes we played And perfect our love again! Bravo? Encore? La Fine!
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Mar 20, 2014
Mar 20, 2014 at 6:18 PM UTC
Jazz
Up and down, play keys in forte, Faster and faster, only by ear heard. Cantabile, fortissimo, piano, fine, A variety of gloom and love in tone. Echoes all over the wall you feel, Majestic and grand tells a tale of old. Vibrato, detache, pizzicato, trill, Its heartbreaking voice pouring out its soul. Quiet and smooth, the wind blows through, Glints of silver, brass, and gold. Repeat the variation and the solo too, Then continue at coda big and bold. Beethoven, Mozart, Handel, Bach, Music speaks what these quadrants lack.
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Feb 21, 2018
Feb 21, 2018 at 10:32 AM UTC
Concerto
The violin plays a young tune Turned panicked from innocent The cello with plucked chords Plays a pizzicato of black lungs and smoke The bass plays a low tune of sobs Somber over the lost viola
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Nov 6, 2016
Nov 6, 2016 at 5:49 PM UTC
Symphony of Screams
Se respira una brisa de tarjeta postal.¡Terrazas! Góndolas con ritmos de cadera. Fachadas que reintegran tapices persas en el agua. Remos que no terminan nunca de llorar.El silencio hace gárgaras en los umbrales, arpegia un pizzicato en las amarras, roe el misterio de las casas cerradas.Al pasar debajo de los puentes, uno aprovecha para ponerse colorado.Bogan en la Laguna, dandys que usan un lacrimatorio en el bolsillo con todas las iridiscencias del canal, mujeres que han traído sus labios de Viena y de Berlín para saborear una carne de color aceituna, y mujeres que sólo se alimentan de pétalos de rosa, tienen las manos incrustadas de ojos de serpiente, y la quijada fatal de las heroínas d'Annunzianas.¡Cuando el sol incendia la ciudad, es obligatorio ponerse un alma de Nerón!En los piccoli canali los gondoleros fornican con la noche, anunciando su espasmo con un triste cantar, mientras la luna engorda, como en cualquier parte, su mofletudo visaje de portera.Yo dudo que aún en esta ciudad de sensualismo, existan falos más llamativos, y de una erección más precipitada, que la de los badajos del campanile de San Marcos.
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409
Venecia