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"opaquely" poems
Steam escapes the surface Of infant mince pies. It spirals upwards, dancing Into the winter haze Where headlights, opaquely visible, Fight the fog. The mist flurries atop the frozen pond, Over brittle leaves, half caught. The deer nuzzles in frosty thickets, Searching the winter veil For stray nut. ‘neath the tap my hands endure The bitter cold of winter’s water; But happily I return to my window, And cast a gaze once more on winter Britain. The fire leaves a smoky essence, A homely smell. December come.
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Nov 15, 2012
Nov 15, 2012 at 2:29 PM UTC
Winter Britain
Step one, choose your topic. Likely yourself. Because what greater subject could there be? None surely. Step two, choose an image. Find something that can serve as a metaphor for you. Find the rain forest for instance. Or perhaps a pond frozen over in winter. Yes, these should serve nicely. Step three, place yourself somewhere in the midst of these things. Let you be the trunks of the trees supporting the lush, green canopy. You, poor, tired, supporting the thick boughs that are the real life meters and meters and meters above you. Or is your face the ice of the pond. All that people ever notice is how much you can take before you break. But there is so much more just beneath the surface. So much teeming with life. No one knows how deep you go. No one will know until the ice thaws      (which is unlikely to happen anytime soon.           but the metaphor was never meant to extend that far.) Step four, write yourself in to the piece in such a way that no one else will be able to identify you.      (Unless they're **** cunning.) Perhaps disguise your identity within the purpose of the piece or the flowing imagery seeping through the spacious cracks in your technique. Riddle the work with subtle ins and outs and minute complexities that vex the reader away from your intentions. Nicely done. Step five, ruminate. contemplate your reflection as it appears in your monitor. Not the image of your face bouncing off the glass but the snapshot of your thoughts so opaquely back-lit. Remind yourself that this is for you and no one else. Proofread. This is just for you and no one else. Revise. This is just for you and no one else. Justify this is just for you. Step six, post to a public forum. Check back in an hour.
0
Aug 22, 2012
Aug 22, 2012 at 4:14 PM UTC
How to Write a Poem for Yourself (And No One Else)
Step one, choose your topic. Likely yourself. Because what greater subject could there be? None surely. Step two, choose an image. Find something that can serve as a metaphor for you. Find the rain forest for instance. Or perhaps a pond frozen over in winter. Yes, these should serve nicely. Step three, place yourself somewhere in the midst of these things. Let you be the trunks of the trees supporting the lush, green canopy. You, poor, tired, supporting the thick boughs that are the real life meters and meters and meters above you. Or is your face the ice of the pond. All that people ever notice is how much you can take before you break. But there is so much more just beneath the surface. So much teeming with life. No one knows how deep you go. No one will know until the ice thaws      (which is unlikely to happen anytime soon.           but the metaphor was never meant to extend that far.) Step four, write yourself in to the piece in such a way that no one else will be able to identify you.      (Unless they're **** cunning.) Perhaps disguise your identity within the purpose of the piece or the flowing imagery seeping through the spacious cracks in your technique. Riddle the work with subtle ins and outs and minute complexities that vex the reader away from your intentions. Nicely done. Step five, ruminate. contemplate your reflection as it appears in your monitor. Not the image of your face bouncing off the glass but the snapshot of your thoughts so opaquely back-lit. Remind yourself that this is for you and no one else. Proofread. This is just for you and no one else. Revise. This is just for you and no one else. Justify this is just for you. Step six, post to a public forum. Check back in an hour.
Continue reading...
91
True I am not one for declarations or discussing emotions, if I keep you around then that's enough of a notion that yes, perhaps I will fall to love you, one day in the future, not right now is true. I will never willingly admit to being the fallen, more likely to distance and cautiously move on then risk the words slipping from my tongue to yours, as we kiss on dark corners and leave late night bars. How many times has happiness skipped me by? Living so opaquely and lying with my eyes, as you take my lips but never do take my hands, I could love you, dear J, but I'm too scared to stand. This image you project is one I cannot pierce, I do not know if you feel when I am in tears, whilst you do not know that that yes they have fallen for you, our bodies make such awful love that our minds are askew, tied to decimations old lovers cast, for it seems two stones do not make a love that can last.
0
May 4, 2015
May 4, 2015 at 2:24 PM UTC
It must be ecstasy to be worthy of love.
Steam escapes the surface Of infant mince pies. Spiralling upwards, it dances Into the winter haze Where headlights, opaquely visible, Shine beams stopped short in the fog. The mist flurries atop the frozen pond, Over brittle leaves, half caught. The deer nuzzles in frosty thickets, Searching the winter veil For stray nut. Mittened song sheets conduct a huddle of duffle coats and frosted boots, rooted in the snow. Sweet carols leave notes hanging in tranquil harmony. ‘neath the tap my hands endure The bitter cold of winter’s water; But happily I return to my window, And cast a gaze once more on winter Britain. The fire leaves a smoky essence, A homely smell. December come.
0
Sep 13, 2013
Sep 13, 2013 at 2:20 PM UTC
Winter Britain II
She has a tattoo on her left forearm. She gave it to herself when she was fifteen, with a pen and a needle in the back of her room… And I’d always thought that was pretty cool. It was just a little line, like a “z” or the trail of a honey bee, something from deep within a mind flowing with twisted fantasy, but I could never see that it was a “two”. Because we, the children of Ignorance and Bliss, are number two. And you, my dear friend, are number one, in both our minds and yours. So we lock ourselves behind closed doors and waste away doing chores that were yours, and lore of cut wrists or an air-tight noose for the gender I kiss is so cliché that you, in all your self-love and knowing when and how to turn push into shove, somehow missed that my wrists are scar free, and I love my sexuality, and my sole insecurity is that I am number two. To both me and you. And it doesn’t matter if you lead with your left or your right, if you flee or you fight, if you’re gay, straight, or bi, you’re a butterfly in my eyes, the thousand-mirrored eyes of a simple housefly that can’t even see the sky in which you preside through this opaquely glass ceiling… And that window of opportunity looks rather appealing, but I have this feeling it’s only reserved for those with pretty, powerful, or popular wings… and I am none of those things. And for once, I see that my story may never be quite as uplifting as I’d like to make it seem, because I’m quite keen to the fact that Act III will always end in tragedy. And those aren’t things I like to say, but to this day I pray that this grotesque display of shimmering wings and beautiful things would simply go away so I could say that a tattoo of the number two is something I will never do, but until that happens the concept rings true. Yet I’m told my wrists aren’t fit for a single number or slit. I have a long fuse, but it’s already been lit, so the next time you see fit to shoot ***** of spit or permit your self-love to turn push into shove, it may be my blood and ink that pools in the sink, mixing with my salty tears I’ve held through literally years of no self-love and knowing that the dove is you. And I am number two.
0
Oct 2, 2013
Oct 2, 2013 at 3:17 PM UTC
#2
She has a tattoo on her left forearm. She gave it to herself when she was fifteen, with a pen and a needle in the back of her room… And I’d always thought that was pretty cool. It was just a little line, like a “z” or the trail of a honey bee, something from deep within a mind flowing with twisted fantasy, but I could never see that it was a “two”. Because we, the children of Ignorance and Bliss, are number two. And you, my dear friend, are number one, in both our minds and yours. So we lock ourselves behind closed doors and waste away doing chores that were yours, and lore of cut wrists or an air-tight noose for the gender I kiss is so cliché that you, in all your self-love and knowing when and how to turn push into shove, somehow missed that my wrists are scar free, and I love my sexuality, and my sole insecurity is that I am number two. To both me and you. And it doesn’t matter if you lead with your left or your right, if you flee or you fight, if you’re gay, straight, or bi, you’re a butterfly in my eyes, the thousand-mirrored eyes of a simple housefly that can’t even see the sky in which you preside through this opaquely glass ceiling… And that window of opportunity looks rather appealing, but I have this feeling it’s only reserved for those with pretty, powerful, or popular wings… and I am none of those things. And for once, I see that my story may never be quite as uplifting as I’d like to make it seem, because I’m quite keen to the fact that Act III will always end in tragedy. And those aren’t things I like to say, but to this day I pray that this grotesque display of shimmering wings and beautiful things would simply go away so I could say that a tattoo of the number two is something I will never do, but until that happens the concept rings true. Yet I’m told my wrists aren’t fit for a single number or slit. I have a long fuse, but it’s already been lit, so the next time you see fit to shoot ***** of spit or permit your self-love to turn push into shove, it may be my blood and ink that pools in the sink, mixing with my salty tears I’ve held through literally years of no self-love and knowing that the dove is you. And I am number two.
Continue reading...
6
I shalt not fall in love with the hand of one god For many oversee my world. Nor listen to the lies that dance off your tongue In a way so distant and curled. See I live in a way so peaceful and kind As these spirits around me say. For seeing through the eyes of one powerful man Is like selling my soul to the grave. Your love- Your captain- Your savior of beast- Although whoever betrays him is of ways- Of crafts and horrid slurs to keep Me locked in with devilish dismays. The fate that lies if I do not drift In love with the hand of your kind. Of a man that promises all and hell If I don't sync with the ways of his mind. So go on and tell me the ways I should see Although I feel it deep in my heart. For if I succumb to the ways of your world My life will diminish and fall apart. Surrender my soul for one who sees all as sin? I'd rather vanish into the depths- Of whirl winds and tragic mystics that spin Down the treacherous dismays of man. So go on and tell me the things I should feel Just because you were brought up that way. For it doesn't mean I shall appeal to his eyes For mine turned opaquely to grey. If hell is what I'm given for my love Of many spirits and gods- Then let this reign of "darkness" devoir My body- My heart- And my mind. Alysia Marie 2015 ©
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Apr 6, 2015
Apr 6, 2015 at 2:38 PM UTC
Patchouli
*Puzzles are frazzling Oblique and opaquely designed to Effuse effectively in earnest someone’s Mental juices, in most cases to futile ends.*
0
Apr 20, 2017
Apr 20, 2017 at 9:04 AM UTC
Mental Gymnastics
Fleetingly, in passing A tremor of her lip, I see, An anxiousness about the way she moves her eyes, averted now And smoothes her dress as if to say…”How can this be ?” Quietly so, in shadows, so anxiously. Alone, so alone amidst the surging crowd… Who throng, unaware of the quiet agony of she, She who sits so quietly in shadow all alone…. Completely unaware the throng And they, untouched, Opaquely, move along For they don’t care. They don't care. M.
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May 16, 2014
May 16, 2014 at 9:09 PM UTC
Moment in the Crowd
And, this bit of line, Here, Tells me why your heart’s Achings pour out So thickly In your sighs- Why you paint on Boisterous smiles, To draw away from Your telling eyes. My fingertips feeling, The way the bowl dips, Deeply, Full of somethings Too heavy, Find the reasons You can’t fall prey To those who don't say, But reveal, With rottenly Itching fingers, & Why I can't do away with Those maddening strokes, That have melted into Cracks in marble. You've so many Drooping wilts, On a wiltingly drooping line, Dripping Downward In their gentle slopes, Reminding me To be gentle In the way that I Love you In ashen days. Though, These three little x's, Snickering beneath your bowl, Tell me, You've probably been Reading me, In opaquely mirrored ways, Peering from your bowl, All along.
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Jul 30, 2011
Jul 30, 2011 at 10:59 PM UTC
Kissing Corners with Painted Smiles
Alteration. As dawn began to steal on night's unyielding obscurity penetrant sheen moved into semi-translucence. Dark slowly gave way as multiple rays darted opaquely to gild the east with wisps of victorious vapour. Day lifted sky's shade then blushing, winked welcome by tinting pink flush on a morning's pale breast. Filigree clouds laced changing horizon as sun's throne flickered and shone in the rising blue of azure dome. Awed watchers thrilled when night's shawl, shrugged off by light's order, performed alteration never forgot. While black lightened and gloom's murk scuttled away sparks began work as alchemy turned dark into day.
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Jun 25, 2016
Jun 25, 2016 at 4:40 AM UTC
Alteration
Catherine stood over the bar counter and pored herself a glass of absinthe. She placed the special spoon over the top of the glass and put a sugar cube over it and proceeded to pore slowly the water over the the sugar and into the glass of real Pernod. She watched as the drink turned its green tinted color and she could feel her insides hunger for the wormwood drink. She loved the preparation of such a cocktail and if she were truthful it is one of the reasons that it was her go to drink. Another equally important reason it was her drink was because it awakened the creativity in her and inspired her work. Catherine was working on her fifth novel and had come to an impasse and could not write her way around nor through her dilemma and she sought hell from the Green Fairy for a little inspiration. She took the drink to her lips and savored the anise flavored liquor as it rolled across her tongue. She closed her eyes and held on to the affects of it, seeing the edges of her vision go an opaquely luminescent green. She walked over to her desk and dipped her quill into the jar of squid ink and began to write on the parchment, letting the absinthe take her writing on the journey it needed to finish the story.
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Jun 14, 2014
Jun 14, 2014 at 10:39 PM UTC
Catherine
Derelict  recondite alone and Hemorrhaging. nocturnal ebullience, sporadic . Effulgent , Paltry surreptitiously vacuous and limpid to deliquesce upon perspicuity at its core abhorrent , perhaps surreptitious assuredly altogether banal. Marginal, salacious      nominal not liminal. decrepit cerebral palimpsest. Sesquipedalian abstrusity . Obumbrated syllogism stochastically innervated.   Berated lugubriously . Masticated openly opaquely supercilious mellifluous synergy extirpated redundantly.
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Apr 30, 2025
Apr 30, 2025 at 2:52 AM UTC
No
I'm living in a tiny box With pin pricked holes around I see the light reflect on skin And hear most every sound The walls -- opaquely vivid I see all that is to be But sometimes I only wish I was a different me A me that didn't have a box A me that interacted One who could live out loud and wild One that's less distracted One that didn't have restraints Who filled her life with fun Because living inside my box Is dulling heat from sun See, some can live without a box Smiling through their skin They dance and run under the sun The world is but their kin They go on great adventures Capture potent smiles Dance under the raining sky And sing out loud for miles. I'd like to say my box protects From ultimate demise But the things that worry me the most Are the things that lie inside
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Mar 17, 2017
Mar 17, 2017 at 1:36 AM UTC
A tiny box
and yes all of us must ......... ? .............. we are so opaque unseen hidden .............. we know we are somewhere .... ? ......... or some-where's else ????? lovely children are crying don't you know just where you are and what you should be doing being as you are human? .... ? ...... soon the world as you think it is shall be gone what then .... ? ...... we are so opaquely hidden stop being opaquely hidden and live
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Jul 7, 2011
Jul 7, 2011 at 12:51 PM UTC
....?.....