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Ca’ the yowes to the knowes,
      Ca’ them where the heather grows,
  Ca’ them where the burnie rows,
      My bonnie dearie.

Hark! the mavis’ evening sang
Sounding Clouden’s woods amang,
Then a-faulding let us gang,
    My bonnie dearie.

We’ll *** down by Clouden side,
Through the hazels spreading wide,
O’er the waves that sweetly glide
    To the moon sae clearly.

Yonder Clouden’s silent towers,
Where at moonshine midnight hours
O’er the dewy bending flowers
    Fairies dance sae cheery.

Ghaist nor bogle shalt thou fear;
Thou’rt to Love and Heaven sae dear,
Nocht of ill may come thee near,
    My bonnie dearie.

Fair and lovely as thou art,
Thou hast stown my very heart;
I can die—but canna part,
    My bonnie dearie.

While waters wimple to the sea;
While day blinks in the lift sae hie;
Till clay-cauld death shall blin’ my e’e,
    Ye shall be my dearie.

  Ca’ the yowes to the knowes…
Ye learnèd sisters, which have oftentimes
Beene to me ayding, others to adorne,
Whom ye thought worthy of your gracefull rymes,
That even the greatest did not greatly scorne
To heare theyr names sung in your simple layes,
But joyèd in theyr praise;
And when ye list your owne mishaps to mourne,
Which death, or love, or fortunes wreck did rayse,
Your string could soone to sadder tenor turne,
And teach the woods and waters to lament
Your dolefull dreriment:
Now lay those sorrowfull complaints aside;
And, having all your heads with girlands crownd,
Helpe me mine owne loves prayses to resound;
Ne let the same of any be envide:
So Orpheus did for his owne bride!
So I unto my selfe alone will sing;
The woods shall to me answer, and my Eccho ring.

Early, before the worlds light-giving lampe
His golden beame upon the hils doth spred,
Having disperst the nights unchearefull dampe,
Doe ye awake; and, with fresh *****-hed,
Go to the bowre of my belovèd love,
My truest turtle dove;
Bid her awake; for ***** is awake,
And long since ready forth his maske to move,
With his bright Tead that flames with many a flake,
And many a bachelor to waite on him,
In theyr fresh garments trim.
Bid her awake therefore, and soone her dight,
For lo! the wishèd day is come at last,
That shall, for all the paynes and sorrowes past,
Pay to her usury of long delight:
And, whylest she doth her dight,
Doe ye to her of joy and solace sing,
That all the woods may answer, and your eccho ring.

Bring with you all the Nymphes that you can heare
Both of the rivers and the forrests greene,
And of the sea that neighbours to her neare:
Al with gay girlands goodly wel beseene.
And let them also with them bring in hand
Another gay girland
For my fayre love, of lillyes and of roses,
Bound truelove wize, with a blew silke riband.
And let them make great store of bridale poses,
And let them eeke bring store of other flowers,
To deck the bridale bowers.
And let the ground whereas her foot shall tread,
For feare the stones her tender foot should wrong,
Be strewed with fragrant flowers all along,
And diapred lyke the discolored mead.
Which done, doe at her chamber dore awayt,
For she will waken strayt;
The whiles doe ye this song unto her sing,
The woods shall to you answer, and your Eccho ring.

Ye Nymphes of Mulla, which with carefull heed
The silver scaly trouts doe tend full well,
And greedy pikes which use therein to feed;
(Those trouts and pikes all others doo excell;)
And ye likewise, which keepe the rushy lake,
Where none doo fishes take;
Bynd up the locks the which hang scatterd light,
And in his waters, which your mirror make,
Behold your faces as the christall bright,
That when you come whereas my love doth lie,
No blemish she may spie.
And eke, ye lightfoot mayds, which keepe the deere,
That on the hoary mountayne used to towre;
And the wylde wolves, which seeke them to devoure,
With your steele darts doo chace from comming neer;
Be also present heere,
To helpe to decke her, and to help to sing,
That all the woods may answer, and your eccho ring.

Wake now, my love, awake! for it is time;
The Rosy Morne long since left Tithones bed,
All ready to her silver coche to clyme;
And Phoebus gins to shew his glorious hed.
Hark! how the cheerefull birds do chaunt theyr laies
And carroll of Loves praise.
The merry Larke hir mattins sings aloft;
The Thrush replyes; the Mavis descant playes;
The Ouzell shrills; the Ruddock warbles soft;
So goodly all agree, with sweet consent,
To this dayes merriment.
Ah! my deere love, why doe ye sleepe thus long?
When meeter were that ye should now awake,
T’ awayt the comming of your joyous make,
And hearken to the birds love-learnèd song,
The deawy leaves among!
Nor they of joy and pleasance to you sing,
That all the woods them answer, and theyr eccho ring.

My love is now awake out of her dreames,
And her fayre eyes, like stars that dimmèd were
With darksome cloud, now shew theyr goodly beams
More bright then Hesperus his head doth rere.
Come now, ye damzels, daughters of delight,
Helpe quickly her to dight:
But first come ye fayre houres, which were begot
In Joves sweet paradice of Day and Night;
Which doe the seasons of the yeare allot,
And al, that ever in this world is fayre,
Doe make and still repayre:
And ye three handmayds of the Cyprian Queene,
The which doe still adorne her beauties pride,
Helpe to addorne my beautifullest bride:
And, as ye her array, still throw betweene
Some graces to be seene;
And, as ye use to Venus, to her sing,
The whiles the woods shal answer, and your eccho ring.

Now is my love all ready forth to come:
Let all the virgins therefore well awayt:
And ye fresh boyes, that tend upon her groome,
Prepare your selves; for he is comming strayt.
Set all your things in seemely good aray,
Fit for so joyfull day:
The joyfulst day that ever sunne did see.
Faire Sun! shew forth thy favourable ray,
And let thy lifull heat not fervent be,
For feare of burning her sunshyny face,
Her beauty to disgrace.
O fayrest Phoebus! father of the Muse!
If ever I did honour thee aright,
Or sing the thing that mote thy mind delight,
Doe not thy servants simple boone refuse;
But let this day, let this one day, be myne;
Let all the rest be thine.
Then I thy soverayne prayses loud wil sing,
That all the woods shal answer, and theyr eccho ring.

Harke! how the Minstrils gin to shrill aloud
Their merry Musick that resounds from far,
The pipe, the tabor, and the trembling Croud,
That well agree withouten breach or jar.
But, most of all, the Damzels doe delite
When they their tymbrels smyte,
And thereunto doe daunce and carrol sweet,
That all the sences they doe ravish quite;
The whyles the boyes run up and downe the street,
Crying aloud with strong confusèd noyce,
As if it were one voyce,
*****, iö *****, *****, they do shout;
That even to the heavens theyr shouting shrill
Doth reach, and all the firmament doth fill;
To which the people standing all about,
As in approvance, doe thereto applaud,
And loud advaunce her laud;
And evermore they *****, ***** sing,
That al the woods them answer, and theyr eccho ring.

Loe! where she comes along with portly pace,
Lyke Phoebe, from her chamber of the East,
Arysing forth to run her mighty race,
Clad all in white, that seemes a ****** best.
So well it her beseemes, that ye would weene
Some angell she had beene.
Her long loose yellow locks lyke golden wyre,
Sprinckled with perle, and perling flowres atweene,
Doe lyke a golden mantle her attyre;
And, being crownèd with a girland greene,
Seeme lyke some mayden Queene.
Her modest eyes, abashèd to behold
So many gazers as on her do stare,
Upon the lowly ground affixèd are;
Ne dare lift up her countenance too bold,
But blush to heare her prayses sung so loud,
So farre from being proud.
Nathlesse doe ye still loud her prayses sing,
That all the woods may answer, and your eccho ring.

Tell me, ye merchants daughters, did ye see
So fayre a creature in your towne before;
So sweet, so lovely, and so mild as she,
Adornd with beautyes grace and vertues store?
Her goodly eyes lyke Saphyres shining bright,
Her forehead yvory white,
Her cheekes lyke apples which the sun hath rudded,
Her lips lyke cherryes charming men to byte,
Her brest like to a bowle of creame uncrudded,
Her paps lyke lyllies budded,
Her snowie necke lyke to a marble towre;
And all her body like a pallace fayre,
Ascending up, with many a stately stayre,
To honors seat and chastities sweet bowre.
Why stand ye still ye virgins in amaze,
Upon her so to gaze,
Whiles ye forget your former lay to sing,
To which the woods did answer, and your eccho ring?

But if ye saw that which no eyes can see,
The inward beauty of her lively spright,
Garnisht with heavenly guifts of high degree,
Much more then would ye wonder at that sight,
And stand astonisht lyke to those which red
Medusaes mazeful hed.
There dwels sweet love, and constant chastity,
Unspotted fayth, and comely womanhood,
Regard of honour, and mild modesty;
There vertue raynes as Queene in royal throne,
And giveth lawes alone,
The which the base affections doe obay,
And yeeld theyr services unto her will;
Ne thought of thing uncomely ever may
Thereto approch to tempt her mind to ill.
Had ye once seene these her celestial threasures,
And unrevealèd pleasures,
Then would ye wonder, and her prayses sing,
That al the woods should answer, and your echo ring.

Open the temple gates unto my love,
Open them wide that she may enter in,
And all the postes adorne as doth behove,
And all the pillours deck with girlands trim,
For to receyve this Saynt with honour dew,
That commeth in to you.
With trembling steps, and humble reverence,
She commeth in, before th’ Almighties view;
Of her ye virgins learne obedience,
When so ye come into those holy places,
To humble your proud faces:
Bring her up to th’ high altar, that she may
The sacred ceremonies there partake,
The which do endlesse matrimony make;
And let the roring Organs loudly play
The praises of the Lord in lively notes;
The whiles, with hollow throates,
The Choristers the joyous Antheme sing,
That al the woods may answere, and their eccho ring.

Behold, whiles she before the altar stands,
Hearing the holy priest that to her speakes,
And blesseth her with his two happy hands,
How the red roses flush up in her cheekes,
And the pure snow, with goodly vermill stayne
Like crimsin dyde in grayne:
That even th’ Angels, which continually
About the sacred Altare doe remaine,
Forget their service and about her fly,
Ofte peeping in her face, that seems more fayre,
The more they on it stare.
But her sad eyes, still fastened on the ground,
Are governèd with goodly modesty,
That suffers not one looke to glaunce awry,
Which may let in a little thought unsownd.
Why blush ye, love, to give to me your hand,
The pledge of all our band!
Sing, ye sweet Angels, Alleluya sing,
That all the woods may answere, and your eccho ring.

Now al is done: bring home the bride againe;
Bring home the triumph of our victory:
Bring home with you the glory of her gaine;
With joyance bring her and with jollity.
Never had man more joyfull day then this,
Whom heaven would heape with blis,
Make feast therefore now all this live-long day;
This day for ever to me holy is.
Poure out the wine without restraint or stay,
Poure not by cups, but by the belly full,
Poure out to all that wull,
And sprinkle all the postes and wals with wine,
That they may sweat, and drunken be withall.
Crowne ye God Bacchus with a coronall,
And ***** also crowne with wreathes of vine;
And let the Graces daunce unto the rest,
For they can doo it best:
The whiles the maydens doe theyr carroll sing,
To which the woods shall answer, and theyr eccho ring.

Ring ye the bels, ye yong men of the towne,
And leave your wonted labors for this day:
This day is holy; doe ye write it downe,
That ye for ever it remember may.
This day the sunne is in his chiefest hight,
With Barnaby the bright,
From whence declining daily by degrees,
He somewhat loseth of his heat and light,
When once the Crab behind his back he sees.
But for this time it ill ordainèd was,
To chose the longest day in all the yeare,
And shortest night, when longest fitter weare:
Yet never day so long, but late would passe.
Ring ye the bels, to make it weare away,
And bonefiers make all day;
And daunce about them, and about them sing,
That all the woods may answer, and your eccho ring.

Ah! when will this long weary day have end,
And lende me leave to come unto my love?
How slowly do the houres theyr numbers spend?
How slowly does sad Time his feathers move?
Hast thee, O fayrest Planet, to thy home,
Within the Westerne fome:
Thy tyrèd steedes long since have need of rest.
Long though it be, at last I see it gloome,
And the bright evening-star with golden creast
Appeare out of the East.
Fayre childe of beauty! glorious lampe of love!
That all the host of heaven in rankes doost lead,
And guydest lovers through the nights sad dread,
How chearefully thou lookest from above,
And seemst to laugh atweene thy twinkling light,
As joying in the sight
Of these glad many, which for joy doe sing,
That all the woods them answer, and their echo ring!

Now ceasse, ye damsels, your delights fore-past;
Enough it is that all the day was youres:
Now day is doen, and night is nighing fast,
Now bring the Bryde into the brydall boures.
The night is come, now soon her disaray,
And in her bed her lay;
Lay her in lillies and in violets,
And silken courteins over her display,
And odourd sheetes, and Arras coverlets.
Behold how goodly my faire love does ly,
In proud humility!
Like unto Maia, when as Jove her took
In Tempe, lying on the flowry gras,
Twixt sleepe and wake, after she weary was,
With bathing in the Acidalian brooke.
Now it is night, ye damsels may be gon,
And leave my love alone,
And leave likewise your former lay to sing:
The woods no more shall answere, nor your echo ring.

Now welcome, night! thou night so long expected,
That long daies labour doest at last defray,
And all my cares, which cruell Love collected,
Hast sumd in one, and cancellèd for aye:
Spread thy broad wing over my love and me,
That no man may us see;
And in thy sable mantle us enwrap,
From feare of perrill and foule horror free.
Let no false treason seeke us to entrap,
Nor any dread disquiet once annoy
The safety of our joy;
But let the night be calme, and quietsome,
Without tempestuous storms or sad afray:
Lyke as when Jove with fayre Alcmena lay,
When he begot the great Tirynthian groome:
Or lyke as when he with thy selfe did lie
And begot Majesty.
And let the mayds and yong men cease to sing;
Ne let the woods them answer nor theyr eccho ring.

Let no lamenting cryes, nor dolefull teares,
Be heard all night within, nor yet without:
Ne let false whispers, breeding hidden feares,
Breake gentle sleepe with misconceivèd dout.
Let no deluding dreames, nor dreadfull sights,
Make sudden sad affrights;
Ne let house-fyres, nor lightnings helpelesse harmes,
Ne let the Pouke, nor other evill sprights,
Ne let mischivous witches with theyr charmes,
Ne let hob Goblins, names whose sence we see not,
Fray us with things that be not:
Let not the shriech Oule nor the Storke be heard,
Nor the night Raven, that still deadly yels;
Nor damnèd ghosts, cald up with mighty spels,
Nor griesly vultures, make us once affeard:
Ne let th’ unpleasant Quyre of Frogs still croking
Make us to wish theyr choking.
Let none of these theyr drery accents sing;
Ne let the woods them answer, nor theyr eccho ring.

But let stil Silence trew night-watches keepe,
That sacred Peace may in assurance rayne,
And tymely Sleep, when it is tyme to sleepe,
May poure his limbs forth on your pleasant playne;
The whiles an hundred little wingèd loves,
Like divers-fethered doves,
Shall fly and flutter round about your bed,
And in the secret darke, that none reproves,
Their prety stealthes shal worke, and snares shal spread
To filch away sweet snatches of delight,
Conceald through covert night.
Ye sonnes of Venus, play your sports at will!
For greedy pleasure, carelesse of your toyes,
Thinks more upon her paradise of joyes,
Then what ye do, albe it good or ill.
All night therefore attend your merry play,
For it will soone be day:
Now none doth hinder you, that say or sing;
Ne will the woods now answer, nor your Eccho ring.

Who is the same, which at my window peepes?
Or whose is that faire face that shines so bright?
Is it not Cinthia, she that never sleepes,
But walkes about high heaven al the night?
O! fayrest goddesse, do thou not envy
My love with me to spy:
For thou likewise didst love, though now unthought,
And for a fleece of wooll, which privily
The Latmian shepherd once unto thee brought,
His pleasures with thee wrought.
Therefore to us be favorable now;
And sith of wemens labours thou hast charge,
And generation goodly dost enlarge,
Encline thy will t’effect our wishfull vow,
And the chast wombe informe with timely seed
That may our comfort breed:
Till which we cease our hopefull hap to sing;
Ne let the woods us answere, nor our Eccho ring.

And thou, great Juno! which with awful might
The lawes of wedlock still dost patronize;
And the religion of the faith first plight
With sacred rites hast taught to solemnize;
And eeke for comfort often callèd art
Of women in their smart;
Eternally bind thou this lovely band,
And all thy blessings unto us impart.
And thou, glad
Carol Smith Mar 2017
To hear a Mavis sing.
Is like life beginning from a pool high in the mountain tops.
The trickling of water over stones is the sound of laughter from your heart.
The doe and fawn savor the coolness of the water. The mother and daughter as one.

The flowing water goes down the mountain arriving at the heart of a forest.
Where trees have wide leafy branches open and welcoming. Like your arms which enclose around me so two hearts beat together.

The water flows down from the forest with life. Till it reaches the pool.

Our pool.

Where we sat laughed talked and cried and sometimes only the sound of hearts beating and the Mavis singing.

You are not here anymore but that pool still fills from the mountain tops.  And I am not alone when I hear the Mavis sing.
Mavis was my mothers name
Aa Harvey Dec 2018
Shopping bags


In a concrete building, there lives a man.
He has not moved in many days.
There comes a knocking upon his door,
And he returns to his reality once again.
He has been floating in a land of clouds,
Speaking with his creator,
But now a knock, knock, knocking upon his door,
Has brought him back to being, a doorman with an answer.


Through the door there stands a woman,
She has appeared from the floor below.
She is standing upright, still hopeful lips pursed together,
It is time for him to let her know.


At the main entrance there is a knock, knocking upon the door.
The guard gets to his aching feet, his walking stick no aid at all.
This is no age for him to be working,
But he has to pay for his dangerous drinking.
He hides a bottle of whiskey behind the counter,
As the bells inside his heart and mind are still ringing.
He opens the door, as the winter blows in,
Sending shivers down his spine;
This bouncer has long ago stopped all his fighting.
He looks at an angry man in his twenties;
This is no time to be staring at your prime.
He offers the man no help at all,
And sends him away with a sorrowful reply.


The children run throughout the hallways,
To the discontent of Mavis Davis.
She has not been able to sleep this week,
Due to the couple next door and their new born baby.
The sound is soon gone, the children rush by,
The baby is fast asleep, and now unfortunately so is Mavis Davis.


Her friend will find her when she remembers to visit,
But her friend has not visited this place in so long, the liar.
The last time she saw Mavis, was when they sang together in the choir.
Nobody has the heart to tell her the truth,
That behind her back they call her ‘The Trier’.
One day I read their story in the local news.
Upon her door there still hangs a flier.


I live in a home without a number.
The floor I use is not relevant.
This cul de sac which has drained all its wonder,
Has never been Heaven sent;
But there are artists and poets in residence,
They all speak of changing their lives.
They paint their pictures of a better time,
They write stories of better lives.
Only their diaries tell the truth,
And they are all kept hidden from view.
After each full stop they seek a review,
But I cannot always glue them to an answer of truth,
Because I would always disappoint their fragile ego’s;
They need to be needed, whilst I need them to go.


I turn the key and hide away my manuscripts;
The books I no longer show.
Once upon a stormy night, I allowed the world to see my soul,
And all the pens became broken, paint brushes were all snapped in two.
Now I exist in a higher rise building and I always feel too low.


The lifts are never working here, up or down is unpredictable.
Nobody can plan a future here,
Sometimes when Alice returns home from school,
There is no food waiting for her on the kitchen table.
Her Grandmother recently passed, so Alice has no more fables.
Her Mother arrives home late too exhausted to even speak.
Alice rifles through the shopping bags, so desperate to eat.
Her Father arrives home later with a rumble in his tummy,
And as he walks in and smells the hot cooking food,
He says “That smells yummy honey.”


The caretaker lives in the basement.
His wife passed on, so many years.
The engineers are called to look at the lifts again,
Without the oil to turn the gears.
They say they will return tomorrow,
But tomorrow becomes Wednesday.
As the ambulance arrives half an hour too late,
Mavis’ friend kneels down in sorrow,
Her life so left in a sorry state.


A heart attack on the Fifteenth floor;
A friend in need, a Good Samaritan called.
The desperation of the voice,
Could be heard loud and clear through paper thin walls.


Knock, knock, knocking on the door.
There comes a knock, knock, knocking upon the door.


(C)2018 Aa Harvey. All Rights Reserved.
Old Elm that murmured in our chimney top
The sweetest anthem autumn ever made
And into mellow whispering calms would drop
When showers fell on thy many coloured shade
And when dark tempests mimic thunder made
While darkness came as it would strangle light
With the black tempest of a winter night
That rocked thee like a cradle to thy root
How did I love to hear the winds upbraid
Thy strength without while all within was mute
It seasoned comfort to our hearts desire
We felt thy kind protection like a friend
And pitched our chairs up closer to the fire
Enjoying comforts that was was never penned

Old favourite tree thoust seen times changes lower
But change till now did never come to thee
For time beheld thee as his sacred dower
And nature claimed thee her domestic tree
Storms came and shook thee with aliving power
Yet stedfast to thy home thy roots hath been
Summers of thirst parched round thy homely bower
Till earth grew iron—still thy leaves was green
The children sought thee in thy summer shade
And made their play house rings of sticks and stone
The mavis sang and felt himself alone
While in they leaves his early nest was made
And I did feel his happiness mine own
Nought heeding that our friendship was betrayed

Friend not inanimate—tho stocks and stones
There are and many cloathed in flesh and bones
Thou ownd a lnaguage by which hearts are stirred
Deeper than by the attribute of words
Thine spoke a feeling known in every tongue
Language of pity and the force of wrong
What cant assumes what hypocrites may dare
Speaks home to truth and shows it what they are

I see a picture that thy fate displays
And learn a lesson from thy destiny
Self interest saw thee stand in freedoms ways
So thy old shadow must a tyrant be
Thoust heard the knave abusing those in power
Bawl freedom loud and then oppress the free
Thoust sheltered hypocrites in many an hour
That when in power would never shelter thee
Thoust heard the knave supply his canting powers
With wrongs illusions when he wanted friends
That bawled for shelter when he lived in showers
And when clouds vanished made thy shade ammends
With axe at root he felled thee to the ground
And barked of freedom—O I hate that sound

It grows the cant terms of enslaving tools
To wrong another by the name of right
It grows a liscence with oer bearing fools
To cheat plain honesty by force of might
Thus came enclosure—ruin was her guide
But freedoms clapping hands enjoyed the sight
Tho comforts cottage soon was ****** aside
And workhouse prisons raised upon the scite
Een natures dwelling far away from men
The common heath became the spoilers prey
The rabbit had not where to make his den
And labours only cow was drove away
No matter—wrong was right and right was wrong
And freedoms brawl was sanction to the song

Such was thy ruin music making Elm
The rights of freedom was to injure thine
As thou wert served so would they overwhelm
In freedoms name the little so would they over whelm
And these are knaves that brawl for better laws
And cant of tyranny in stronger powers
Who glut their vile unsatiated maws
And freedoms birthright from the weak devours
Ca’ the yowes to the knowes,
Ca’ them where the heather grows
Ca’ them where the burnie rows,
      My bonie dearie.

Hark! the mavis’ evening sang
Sounding Cluden’s woods amang,
Then a-fauldin let us gang,
      My bonie dearie.

We’ll *** down by Cluden side,
Thro’ the hazels spreading wide,
O’er the waves that sweetly glide
      To the moon sae clearly.

Yonder Cluden’s silent towers,
Where at moonshine midnight hours,
O’er the dewy-bending flowers,
      Fairies dance sae cheery.

Ghaist nor bogle shalt thou fear;
Thou ‘rt to love and Heaven sae dear,
Nocht of ill may come thee near,
      My bonie dearie.

Fair and lovely as thou art,
Thou hast stown my very heart;
I can die—but canna part,
      My bonie dearie.
Where Claribel low-lieth
The breezes pause and die,
Letting the rose-leaves fall:
But the solemn oak-tree sigheth,
Thick-leaved, ambrosial,
With an ancient melody
Of an inward agony,
Where Claribel low-lieth.

At eve the beetle boometh
Athwart the thicket lone:
At noon the wild bee hummeth
About the moss'd headstone:
At midnight the moon cometh,
And looketh down alone.
Her song the lintwhite swelleth,
The clear-voiced mavis dwelleth,
The callow throstle lispeth,
The slumbrous wave outwelleth,
The babbling runnel crispeth,
The hollow grot replieth
Where Claribel low-lieth.
Jodie-Elaine Jun 2020
As with all of the big, great losses
not very much from here forward
is going to be      the same
I know it won't
I do want you to applaud
on your way out   though
despondently, once again
the harmonica begins to play.
kirk Mar 2020
Too many good kind people, we should never take for granted
Joyful times will always end, tears of the broken hearted
loved ones have been taken, ever since our time first started
No one knows the time or place, of our Dearly Departed

Precious lives lost in a dream, something you can not repair
Who decides a persons fate, who decides the when and where ?
We don't want to say goodbye, our hearts will bleed and tare
Nothing can prepare us, for the time when your not there

I'm tired of loved ones dying, so Death give it a rest
You take away our living hope, when you demand your final test
The legacy of one more soul, a diminished family crest
Your presence is unwanted, no one wants to be your guest

Time is short for us all, and none of us are spared
Everything will then be lost, when every heart is tared
Our times become a memory, with all that we have shared
It's the relentlessness of Death itself, with everyone who cared

Among the angels is our place, too many of us dying
The day will come when we are gone, and we're no longer flying
A wing that's clipped before it's time, without us even trying
We're left alone with loneliness, and the sadness of us crying

A living soul that fades away, why doesn't time relent ?
Looking back into the past, I wonder where it went
Why take the kind and pure of heart, why take the innocent
I will always think of, all the good times that we spent

A life that's touched a thousand souls, which everyone shall miss
We never wanted you to leave, now your lost in times abyss
Tears will fall for our auntie, our mother and big sis
Kind hearts won't be forgotten, because we love you our Mavis
A poem for my Auntie Mavis who died recently, and for those Dearly Departed
Miss Mavis Morton
made Mister Milton Millgate
many morish muffins
Chris Sep 2010
Oh the faces of the bored
Frozen blankly sleep is fought
Staring vaguely at the front
But dreaming soporific thought

Twenty minutes 'til the coffee
A bourbon or a custard cream
That's if the kids don't grab them first
And so we all daydream

Mavis peers at her watch
She nudges Joan and glances
The twenty minutes now have past
And forty people sit in trances

But suddenly a head is raised
Is this the application?
That 30 second indicator
We all regain sensation.
Marius Masalar Aug 2010
Upon a crest of ruby flames,
  Was writ a list of seven names:
Of gods and goddesses untold
  Whose quiet tenets never sold.

Mavis was the nymph of pallor,
  Patron saint of putrid squalor.
Watching, with a tender eye,
  The lives of those resigned to die.

Beatrice, with hair of scarlet,
  Took the throne of seething harlot.
Harbinger of crippling sadness;
  Queen of darkness, death, and madness.

Paul, whose eyes had never wept,
  Ensured that secrets would be kept.
Cursed with blindness, deafness, dumbness,
  A walking vault of tortured numbness.

Talim broke her mother's heart,
  And many others from the start.
She, the deity of glee,
  Knew ignorance and apathy.

Alastair, the golden thief,
  Toed the boundaries of grief,
He sang to people with his flute
  That there was more to life than loot.

Tess won't look you in the eyes;
  Mistress of the compromise;
Smiling, even as she hums,
  That "maybe next time" never comes.

Alex comes to break the silence,
  God of wishes, drugs, and violence.
Crashing through with mighty clamour;
  Hope the nail, and he the hammer.

Of all the deities we cherish,
  Even those whose memories perish,
None are sad as those who don't
  Beget belief. Or can't. Or won't.

And on a crest of ruby flames,
  Another list of seven names,
Whose carvings have been long forgot,
  Will sit amidst our trash and rot.
© Copyright Marius Masalar 2010 — All Rights Reserved

www.mariusmasalar.com
Jenny Gordon Mar 2019
"...nothing really matters [anymore]--"


(sonnet #MMMMMMMDCCCIII)


Where blue heavns softly yield to orange' detail
And robins 'gain renew dear Mavis' sense
Of April gloaming with that song fr'intents,
E'en breaking off to scold as wont, the frail
Warmth sifted out while lo, a plane t'avail
'Non passes over, sparrows gaily fence
This calm with chatter, traffic likeas thence
Wont: I would sleep; yes, laugh, in sheer betrayl.
Don't let me cull to mind what tis as twere.
Who gives a hoot tis Friday night?  I do
Not care so much if I could just, in poor
Excuse, forget, and breathe.  Pink 'gins tae woo,
Now gathring on the East, and Nigel's tour
Of music oddly plays, the Scriptures too.

22Mar19c
Oh! leave me here to fade into nothingness is it?
https://www.youtube.com/watch?v=oozJH6jSr2U
Jenny Gordon Apr 2017
Kick me, I smile too gaily for the sparrows these days.



(sonnet #MMMMMMCCL)


Now twilight falls upon what was and thence
Sifts out more lucid notes, how silence' pale
Breath hangs oer naked trees until their frail
Stance, like to ghosts half frozen in suspense,
Waits for the darkness sans a voice, though hence
Ah, Mavis' hallowed strains aught thrill t'avail.
Me left alone and whispring in betrayl,
"Oh, Andrew--!" blue skies thicken oer that sense.
Yes, I watched orange splash stone walls left as twere
Forlorn with empty eyes that stared out through
The greyish windows as lo, clouds donned fer
Effect, ah, purple, fuschia winking too
Oer houses left in shadows none in poor
'Scuse shifted.  Come, tell me when he'd not woo.

06Apr17c
The sestet reads oddly in the sense the stone walls thus invoked would mistakenly appear to render the speaker, but I am too lazy presently to fix that.
Terry Collett May 2015
You gaze down at your daughter, Camille, and lay your hand upon her body. She is asleep, resting after a long day, exhausted after the day with Boris at the Zoo, then the café in the park. You wish her father had been that affectionate, had taken the time to be with her, been interested enough to want to be with her and you, but he wasn’t, just other women, other things to occupy his life and mind. You stroke her rib cage; how thin she seems; not a bit like her father, not one ounce of him in her that seems apparent. You gaze at her hair, at the features that you can see, she takes after you, it’s in her face and eyes. Even her temperament is yours, you feel, and are glad, rather than her father’s moroseness, and cruelty. If you had taken you mother’s advice you would never have married Paterson, never have let his hands or lips near you, let alone marry the ****. He’ll be no good, for you, Mavis, she had warned on your wedding eve. You never listened; never took note; you knew best you thought. Marry in haste, relent in leisure, you father had said, in that voice that made you want to hit him, but you never did, although he had hit you many a time as a child, even for the most trivial of things. Dead now, preaching to some other crowd now, wherever he is. You smile at Camille’s sleeping face. Picture of innocence. Like you as a child, you guess. But there had been no Boris in your mother’s life; just your father and his preaching and teaching and moaning and sitting at the table with his long hangdog features and the cane by his hand ready for punishments. You remember creeping into your parents one night as a child and hearing the most awful noises in the dark; like your mother were being strangled or beat up upon, you raced from the room, hid under your blankets in case you father should come and get you. Camille came into you room last month as you and Boris were making love, her voice knifed you, so that you and Boris fell apart like some circus act gone wrong. She had wanted a glass of water, her small voice echoing through the dark, Boris and you panting, going all frigid as if death had claimed. Boris lay smiling in the dark, as you went, took Camille by her hand, fetched her water, lay her back to bed and to sleep. Now she sleeps again. Picture of innocence. Angel of your life. Your precious. Your daughter.
2008 PROSE POEM.
Jenny Gordon Apr 2019
I can't find the words to translate this.



(sonnet #MMMMMMMDCCCLVI)


Frogs chorus from the hollows, moist earth' scents
'Non wafting on winds' softest kiss, th'exhale
So lightly fragile 'cross my cheek t'avail
As I hark, lips half oped to hear from hence
In sweet surprise their voices, wondring thence
If crickets also fiddle?  Robins'd hail
At gloaming, to yield notes of Mavis' scale
Of ancient lullabies I'd list to, whence?
Forsooth.  As if my soul's restored in tour,
Likeas a sleeper whose long nightmares to
Effect are broken, nor but dreams and poor,
I feel now I can breathe, yea see anew?
Perhaps...who knows what shall be?  Love'd bestir
As in the wings is't? now that Summer'd woo.

05Apr19b
Sheesh, if only I could write like this all the danged time.
Jenny Gordon Mar 2019
...I still imagine there is.



(sonnet #MMMMMMMDCCLXXIX)


Lo, how a robin scolded me in pale
Dawn's eye, as if what 'zactly for intents?
And sang how sweetly as I'd toast for sense
Um, sourdough slices, raisin bread, t'avail--
Until I took the darling then to scale
In hand t'explain (cuz they are jealous, whence
I've had such grief oer Mavis' song) from hence
I'll love all birds, not just him, in betrayl.
Now blue skies so expansive warm in tour
'Cross afternoon's half lazy sense tis new,
Snow like a curse swept far off as it were,
The memry of morn's early minutes too,
My noggin full of all since then in poor
'Scuse, sparrows tease my smiles at lunch, and woo.

16Mar19a
Ahem. I forget what else to add.
WEB: In June 1964, Chinese film history changed forever. Previously, Southeast Asian cinema had been dominated by two families — the Shaw family, headed by Run Run Shaw, and the Loke family, headed by Loke Wan Tho. The latter was a veritable empire that owned rubber plantations, banks, cinemas, and a movie studio called Cathay. Founded in 1953, Cathay specialized in urbane, Westernized musicals and comedies, whereas Shaw Brothers Studios, with its muscle-headed nationalism, was shooting squarely at the lowest common denominator.

Cathay-Keris Films Pte. Ltd.
This week's featured series at the New York Film Festival shines a light on China's great forgotten movie studio, Grady Hendrix writes. Above, Grace Chang stars in Tian-lin ****'s 'The Wild, Wild Rose' (1960).
Shaw made money, but Cathay earned the prestige with such high-class talent as screenwriter Eileen Chang (author of Ang Lee's new film, "Lust, Caution"). But on June 20, 1964, fate would vault one company over the other for the rest of time. With both film studios in attendance at the Asian Film Festival in Taiwan, Loke Wan Tho and Run Run Shaw were each invited on a sightseeing tour. Run Run begged off, Loke agreed to go, and when the plane carrying him, his wife, and his chief executives crashed, Cathay crashed with them. Today, Shaw Brothers rules the memories of Chinese film fans and Cathay's stable of stars are long forgotten.


Civil Air Transport Flight 106


From Wikipedia, the free encyclopedia

  (Redirected from Civil Air Transport Flight B-908)


Civil Air Transport Flight 106
Accident summary
Date
20 June 1964
Summary
Engine failure and loss of control
Site
Shenkang, Taiwan
Passengers
52
Crew
5
Fatalities
57
Survivors
0
Aircraft type
Curtiss C-46D Commando
Operator
Civil Air Transport
Registration
B-908
Flight origin
Taichung Airport (TXG/RCLG)
Destination
Taipei-Sung Shan Airport (TSA/RCSS)
Civil Air Transport Flight 106 was a Curtiss C-46D Commando[1] operated by the Taiwanese airline Civil Air Transport that on 20 June 1964 crashed near the village of Shenkang in western Taiwan, killing all 57 people aboard.
Contents
1 The accident
2 The aircraft
3 Causes
4 Passengers
5 References
The accident
Shortly after take-off from Taichung the No.1 engine failed and during the recovery the aircraft turned to the left impacting the ground left wing low in a nose down attitude.
The aircraft
The flight was being operated by a C-46D, regn. B-908, (C/n 32950), which had flown 19,488 hours from 1944 to 1964
Causes
Primary cause of the accident was the failure of the No.1 engine, compounded by mishandling during the recovery / return to Taichung Airport.
Passengers
Among the dead were 20 Americans, one Briton and members of the Malaysian delegation to the 11th Film Festival in Asia, including businessman Loke Wan Tho and his wife Mavis.[2][3]
Jenny Gordon Mar 2019
Please?



(sonnet #MMMMMMMDCCCXVII)


As lo, how sparrows call, whileas the frail
Warmth stirs 'gain daffodils to rise from hence
To "the occasion"--shadows drawn up thence
By those green, hopeful clusters light to scale
'Non dapples sweetly, robins scold in pale
Excuse likeas their wont...as I fr'intents
Want to hark for the mourning doves for sense--
What's left?  For ah, I hear them coo, t'avail.
If only Mum were with me now, as twere!
She'd want a coat or heavy card'gan too,
I spose talk of the Scriptures; praps a tour
Of world events... How doves yet sweetly coo
While robins sing, um, Mavis' song in poor
'Scuse, early:  shadows lengthen 'cross the view.

26Mar19c
Funny, my dad chid me again today with "You need to grow up--"  I'm supposed to buckle down and be dull like the rest of society instead of having these dreamy eyes forever looking off into the mists, was it?
Jodie-Elaine Jun 2020
Things are falling out onto the floor, bits and stuff- old hoover batteries
doing a bit of a jazzy buzzcut dance like jam hand sandwiches that moment where your
hands can’t skate fast enough and can’t stop tying themselves in knots
elephant trunk knots protruding precariously like weird plate show tunes breaking the moment, wave, pebble beach, ugh.
What a lovely space question mark, it is?
I thought you were blocks from fake eyebrow movements
the childhood adverts like many sided shapes  Michael Landy sheds his dose
Mavis plays the harmonica cha-cha-cha
the floor caves in but you don’t need it
you’re held up by sheer, pure spite, very little
IKEA scrambled eggs on toast this is how I scramble it, like bad cement mix
eyelid blink pin drop sounds like not fitting I hate your shoes, put them in the kitchen bin
and move me to the top of the wardrobe, I like to be very, very far from
the floor.
Jenny Gordon Mar 2019
Wonder what on earth THAT designation means, again?



(sonnet #MMMMMMMDCCCVII)


O do the violets peer ere yet March fail?
For how the Goldfinch merr'ly sing from hence
While lo, which sparrows woo as Mavis thence,
And robins knew to lilt?  Ere shadows trail
Across the blacktop, doilies to avail,
As blue heavns seem so warm, 'til I fr'intents
Maunt bear to stay indoors, how sweet tis! whence
Read through th'antholgy which auld flowrs detail.
Now I've a taste of Andrew Marvel fer
All he's been touted for his sonnets through
Suggestion I leave off the rules in poor
'Scuse, likeas he did with an extra two
Lines for whatever, I maunt yet bestir
Me to be naughty, tho' I wish he'd woo.

23Mar19c
I'm certain by this late in the month they do.
James Daniel Feb 16
Bio
One of my first jobs was as a waiter in a Thai Restaurant
Run by a scary Malaysian who'd taken a liking to me
We went to a rave once
And he gave me 400 AUD for Chinese New Year
Bless him

But one night a tall Singaporean guy called Sunny came in
He was a musician too
He played in a rock and roll band
The Suns

Sunny lasted one night
But he told me about an open mic run by a girl called Michelle
And we stayed in contact
----

Gom was in the year above me at school
Gom was the only African at our school, he and his brother
Goyte also went to our school, he was in Gom's year. At school I was smart and cool, played bass and was friends with everybody. School was sometimes an escape from home life.

Marcus took me to Gom's place once where he lived with his girlfriend Nikki
I took my guitar and Gom and I jammed in the bedroom
A singer and a rapper
----

The first time I ever played live was at a place called Yah man Rastaraunt
It was a Caribbean Restaurant on Hoddle Street, South Yarra, Melbourne
It had that black feeling, of warmth and mystery. Or maybe that was youth and ****.
But I played, and some of the girls were crying
I'd found my thing
I went back the next week and froze up
----

There was a place called Pure on Smith Street. This was where Sunny said the open mic was run by Michelle. In those years, Smith street had a sacred vibe. Maybe it was the presence of an Aboriginal community or the fact that gentrification hadn't yet taken hold. But things were elemental, exaggerated by the warmth of summer nights.
I loved these open mics, the people I've met. I'd invite my work crew and friends. Sometimes I'd pack that venue out, for 3 songs!
----

Gom and I started a band
Melbourne was hip-hop, music, life and Fitzroy was Mecca
On Monday nights you could go to a place called the Laundry and see B-boys doing backflips on dancefloors!
Open mics, Latin Culture, losing my virginity
I was living and working as a waiter in beautiful Carlton, Melbourne's Italy. I love the parks there.

I flew interstate to study jazz
To smoke more ****
Then less ****
To wander like the wind, to bend like the rain, but always circling music and its hubs

I moved to London in 2015
I worked in a cafe and met a guy called Stefan from Austria. He is still one of the coolest and nicest people you can meet. I'll have to link up with him in Berlin one day soon.
He introduced me to Stefano from Italy who played the drums
We set up a band and had a few gigs
We had Hakan on Trombone and Bahadir on bass
Stefano had all these connections to the Turkish musical community
Because of the fact he plays in the Oddbeats, a psychedelic Turkish Band, one of the long standing hippie bands round these parts

I worked in a cafe called Music and Beans on Green Lanes, London's Istanbul. It was run by a musician who played amazing violin and also ran a music school. I lived in a tiny room above the school for a bit. On Green lanes there was a place called Jam in a Jar where you could see all kinds of music, from Mediterranean to Irish folk. It had a festival feel to it.
----

I go to open mics and jams like I did back in Melbourne,
It's very jazzy and jammy in this city. I like going to blues jams sometimes.
But I do like to remember those first gigs and musical experiences I had back in Melbourne
The meditation and wonder of it

I see Lloyle Carner at the swimming pool sometimes
He comes in with his daughter and wife
There I work as a lifeguard
On the days when I'm not working, I'll be working on my music, playing guitar, piano, writing, listening, learning, humming, singing, reading...
Stefano and I set up a house removed from the noise of traffic, replaced by the sounds of birds. There are trees everywhere and a lake nearby.
I've dedicated myself to being able to sing that great song in great condition, so that keeps the number of joints, beers and cigarettes down and the number of kilometers run and minutes meditated up.


I would cite Stevie Wonder, Bob Marley, Aston “Familyman” Barret, Jimi Hendrix, Nina Simone, Miles Davis, The Red Hot Chilli Peppers, Flea, Michael Jackson, Marvin Gaye, James Jamerson, Donny Hathaway, Lauryn Hill, Sam Cooke, Bill Withers, Frank Sinatra, John Coltrane, Salman Rushdie, Gabriel Garcia Marquez, Carole King, James Taylor, Norah Jones, Nick Drake, Bjork, Portishead, Radiohead, Aphex Twin, Squarepusher, Burial, Flying Lotus, Fat Freddy’s Drop, Aphrodite, Charlie Parker, Chopin, Bob Dylan, Leonard Cohen, Nick Cave, Paul Kelly, Jeff Buckley, Jaco Pastorius, Eric Dolphy, David Bowie, Charles Mingus, Herbie Hancock, J Dilla, Tupac, Juicy the song, Nirvana, Crowded House, Metallica, Black Sabbath, Prince, Parliament, D'Angelo's 3 Albums to date, Blackstar, The Roots, Adele, Beyonce, Aretha Franklin, Eryka Badu, Hiatus Kaiyote, Nai Palm, Muddy Waters, BB King, Ben Harper, Joe Cocker, Cat Stevens, Paul Simon, Van Morrison, The Rolling Stones, The Doors, Led Zeppelin, Janis Joplin, Joni Mitchell, Mavis Staples, The Beatles and tapestries more as inspirations and influences

— The End —