"garret" poems
KEEP a red heart of memories
Under the great gray rain sheds of the sky,
Under the open sun and the yellow gloaming embers.
Remember all paydays of lilacs and songbirds;
All starlights of cool memories on storm paths.
Out of this prairie rise the faces of dead men.
They speak to me. I can not tell you what they say.
Other faces rise on the prairie.
They are the unborn. The future.
Yesterday and to-morrow cross and mix on the skyline
The two are lost in a purple haze. One forgets. One waits.
In the yellow dust of sunsets, in the meadows of vermilion eight o'clock June nights ... the dead men and the unborn children speak to me ... I can not tell you what they say ... you listen and you know.
I don't care who you are, man:
I know a woman is looking for you
and her soul is a corn-tassel kissing a south-west wind.
(The farm-boy whose face is the color of brick-dust, is calling the cows; he will form the letter X with crossed streams of milk from the teats; he will beat a tattoo on the bottom of a tin pail with X's of milk.)
I don't care who you are, man:
I know sons and daughters looking for you
And they are gray dust working toward star paths
And you see them from a garret window when you laugh
At your luck and murmur, "I don't care."
I don't care who you are, woman:
I know a man is looking for you
And his soul is a south-west wind kissing a corn-tassel.
(The kitchen girl on the farm is throwing oats to the chickens and the buff of their feathers says hello to the sunset's late maroon.)
I don't care who you are, woman:
I know sons and daughters looking for you
And they are next year's wheat or the year after hidden in the dark and loam.
My love is a yellow hammer spinning circles in Ohio, Indiana. My love is a redbird shooting flights in straight lines in Kentucky and Tennessee. My love is an early robin flaming an ember of copper on her shoulders in March and April. My love is a graybird living in the eaves of a Michigan house all winter. Why is my love always a crying thing of wings?
On the Indiana dunes, in the Mississippi marshes, I have asked: Is it only a fishbone on the beach?
Is it only a dog's jaw or a horse's skull whitening in the sun? Is the red heart of man only ashes? Is the flame of it all a white light switched off and the power house wires cut?
Why do the prairie roses answer every summer? Why do the changing repeating rains come back out of the salt sea wind-blown? Why do the stars keep their tracks? Why do the cradles of the sky rock new babies?
4.4k
As a child
I put my finger in the fire
to become
a saint.
As a teenager
every day I would knock my head against the wall.
As a young girl
I went out through a window of a garret
to the roof
in order to jump.
As a woman
I had lice all over my body.
They cracked when I was ironing my sweater.
I waited sixty minutes
to be executed.
I was hungry for six years.
Then I bore a child,
they were carving me
without putting me to sleep.
Then a thunderbolt killed me
three times and I had to rise from the dead three times
without anyone’s help.
Now I am resting
after three resurrections.
4k
In Vienna there are ten little girls,
a shoulder for death to cry on,
and a forest of dried pigeons.
There is a fragment of tomorrow
in the museum of winter frost.
There is a thousand-windowed dance hall.
Ay, ay, ay, ay!
Take this close-mouthed waltz.
Little waltz, little waltz, little waltz,
of itself of death, and of brandy
that dips its tail in the sea.
I love you, I love you, I love you,
with the armchair and the book of death,
down the melancholy hallway,
in the iris' darkened garret.
Ay, ay, ay, ay!
Take this broken-waisted waltz.
In Vienna there are four mirrors
in which your mouth and the echoes play.
There is a death for piano
that paints little boys blue.
There are beggars on the roof.
There are fresh garlands of tears.
Ay, ay, ay, ay!
Take this waltz that dies in my arms.
Because I love you, I love you, my love,
in the attic wherethe children play,
dreaming ancient lights of Hungary
through the noise, the balmy afternoon,
seeing sheep and irises of snow
through teh dark silence of your forehead.
Ay, ay, ay, ay!
Take this "I will always love you" waltz.
In Vienna I will dance with you
in a costume with
a river's head.
See how the hyacinths line my banks!
I will leave my mouth between your legs,
my soul in photographs and lilies,
and in the dark wake of your footsteps,
my love, my love, I will have to leave
violin and grave, the waltzing ribbons.
3.5k
Deeming that I were better dead,
"How shall I **** myself?" I said.
Thus mooning by the river Seine
I sought extinction without pain,
When on a bridge I saw a flash
Of lingerie and heard a splash . . .
So as I am a swimmer stout
I plunged and pulled the poor wretch out.
The female that I saved? Ah yes,
To yield the Morgue of one corpse the less,
Apart from all heroic action,
Gave me a moral satisfaction.
was she an old and withered hag,
Too tired of life to long to lag?
Ah no, she was so young and fair
I fell in love with her right there.
And when she took me to her attic
Her gratitude was most emphatic.
A sweet and simple girl she proved,
Distraught because the man she loved
In battle his life-blood had shed . . .
So I, too, told her of my dead,
The girl who in a garret grey
Had coughed and coughed her life away.
Thus as we sought our griefs to smother,
With kisses we consoled each other . . .
And there's the ending of my story;
It wasn't grim, it wasn't gory.
For comforted were hearts forlorn,
And from black sorrow joy was born:
So may our dead dears be forgiving,
And bless the rapture of the living.
3.4k
1182
Remembrance has a Rear and Front—
’Tis something like a House—
It has a Garret also
For Refuse and the Mouse.
Besides the deepest Cellar
That ever Mason laid—
Look to it by its Fathoms
Ourselves be not pursued—
3.2k
709
Publication—is the Auction
Of the Mind of Man—
Poverty—be justifying
For so foul a thing
Possibly—but We—would rather
From Our Garret go
White—Unto the White Creator—
Than invest—Our Snow—
Thought belong to Him who gave it—
Then—to Him Who bear
Its Corporeal illustration—Sell
The Royal Air—
In the Parcel—Be the Merchant
Of the Heavenly Grace—
But reduce no Human Spirit
To Disgrace of Price—
2.9k
Come, let us pity those who are better off than we are.
Come, my friend, and remember
that the rich have butlers and no friends,
And we have friends and no butlers.
Come, let us pity the married and the unmarried.
Dawn enters with little feet
like a gilded Pavlova
And I am near my desire.
Nor has life in it aught better
Than this hour of clear coolness
the hour of waking together.
2.7k
934
That is solemn we have ended
Be it but a Play
Or a Glee among the Garret
Or a Holiday
Or a leaving Home, or later,
Parting with a World
We have understood for better
Still to be explained.
2k
Vivid with love, eager for greater beauty
Out of the night we come
Into the corridor, brilliant and warm.
A metal door slides open,
And the lift receives us.
Swiftly, with sharp unswerving flight
The car shoots upward,
And the air, swirling and angry,
Howls like a hundred devils.
Past the maze of trim bronze doors,
Steadily we ascend.
I cling to you
Conscious of the chasm under us,
And a terrible whirring deafens my ears.
The flight is ended.
We pass thru a door leading onto the ledge—
Wind, night and space
Oh terrible height
Why have we sought you?
Oh bitter wind with icy invisible wings
Why do you beat us?
Why would you bear us away?
We look thru the miles of air,
The cold blue miles between us and the city,
Over the edge of eternity we look
On all the lights,
A thousand times more numerous than the stars;
Oh lines and loops of light in unwound chains
That mark for miles and miles
The vast black mazy cobweb of the streets;
Near us clusters and splashes of living gold
That change far off to bluish steel
Where the fragile lights on the Jersey shore
Tremble like drops of wind-stirred dew.
The strident noises of the city
Floating up to us
Are hallowed into whispers.
Ferries cross thru the darkness
Weaving a golden thread into the night,
Their whistles weird shadows of sound.
We feel the millions of humanity beneath us,—
The warm millions, moving under the roofs,
Consumed by their own desires;
Preparing food,
Sobbing alone in a garret,
With burning eyes bending over a needle,
Aimlessly reading the evening paper,
Dancing in the naked light of the café,
Laying out the dead,
Bringing a child to birth—
The sorrow, the torpor, the bitterness, the frail joy
Come up to us
Like a cold fog wrapping us round.
Oh in a hundred years
Not one of these blood-warm bodies
But will be worthless as clay.
The anguish, the torpor, the toil
Will have passed to other millions
Consumed by the same desires.
Ages will come and go,
Darkness will blot the lights
And the tower will be laid on the earth.
The sea will remain
Black and unchanging,
The stars will look down
Brilliant and unconcerned.
Beloved,
Tho’ sorrow, futility, defeat
Surround us,
They cannot bear us down.
Here on the abyss of eternity
Love has crowned us
For a moment
Victors.
1.7k
A great many people cross the Liffey and dance on the shore,
At Ringsend the Pigeon House falls to earth, the dust settles,
Cuchulain leaps from Bull to Bull and retreats into the mountains.
I linger for some time watching the waters pass beneath ha’penny bridge.
I’ll find me a garret, and in that garret,
Curse in undertones Windows Vista,
********** to the **** stanzas of Homer,
Drink cold coffee with the blood of a nation,
Finally, say with surety,
Here is a poem which has taken everything, and given nothing,
Here is everything that meant something to somebody at some time.
Jan 24, 2015
Jan 24, 2015 at 5:14 PM UTC
I TOO have a garret of old playthings.
I have tin soldiers with broken arms upstairs.
I have a wagon and the wheels gone upstairs.
I have guns and a drum, a jumping-jack and a magic lantern.
And dust is on them and I never look at them upstairs.
I too have a garret of old playthings.
1.4k
Sweet New England;
its where my heart is, and where I belong.
I know,
the day I left I buried it deep
on the western prom of Portland Maine
to call me back someday
though I may be old and frail
when that times comes.
And though I am southern born
it’s scents, moods, colors and cold
have etched themselves like scrimshaw onto my soul.
I now want my bones shattered by frost,
not left to mildew in the humid southern heat.
For me New England’s like warm light
shining through frost covered windows,
or a cozy, cluttered old room
filled with the bric brac of a life long well lived,
an attic garret maybe,
confined yet comfortable.
The rest of the country’s expansive and open
except parts of the south
where the heat & humidity will smother you in your sleep;
then hide the evidence
in swamps of ancient illusion like southern hospitality,
smiling to your face while sharpening the knife.
Offering another helping
while grandpa finishes the grave.
Ya’ll come back now ya hear.
Give me the hidden heart of New England any day;
chilly and cool outside
but warm as a glowing wood stove.
While memory tends to shade everything
in afternoon’s golden light or midnight blue and gray,
I’d rather hard scrabble times up north
than easy living in a place that says nothing to me
even if this place is home.
I miss Maine so very much,
I taste her like a lover in October air
rich with the season’s smells
of apples, leaves, sea, smoke and pine.
Sweet New England;
where I belong is where my heart is.
And though I wasn’t born there
I’ve walked that land as a pilgrim
singing its songs as my song
until they became my own.
My heart reaches out now
longing to return,
to the place I called home,
until the end of days.
And my bones not left to mildew
in the humid southern heat,
shatter with the frost.
Sep 18, 2011
Sep 18, 2011 at 1:16 PM UTC
Fourteen years old
and my life was a trap -
My ankle was caught
All red and ragged
In the jaws of an age-old machine
Designed to catch boys.
But there was a missing cog –
a little *****
because there was a way,
(There was a way)
There was a way
to
get away…
College Library,
Domed and dark,
The silence disturbed by a bluebottle’s
Rumble
And the sly ticking of my own gold watch.
Oh! Getting high on the smell of
Other people’s universes,
Tissue thin and
Dogeared immortal -
Gotcha!
I’ve got 'em all!
You can’t contain me in these walls,
I can go an – y -where.
I can get drunk on Holden’s Highballs
Or Sebastian’s brandy,
I can weep at the grave of Ignatius Riley’s
Sexually inappropriate wank-fantasy dog,
I can neatly eat Prufrock’s peach
Or a dismal breakfast in a seaside caff
With Dallow and Spicer
And dear Rosaried Rose
With one eye on the sea and
Some lukewarm tea.
I can spend a season with my namesake,
Far away from Heaven,
And shake hands with Satan as he
Finishes a speech,
Wiping his mouth on a swollen
rock,
Hot as heaven and black as a leech.
I can walk that sheep on B612,
I can whip around the Second Circle
Of Hell
Or lock myself in a toilet
With Franny,
I can live in a garret with a garrulous ****** -
I can be East of Eden,
Wonderland,
I can die in Venice,
I can shoot soldiers in the sand,
I can lust after Lo – lee – ta
Tip of the tongue,
I can be a girl,
I can be a nun,
Blow into a conch,
Diffuse a bomb,
Digest my lunch,
Be a sub,
Be a dom,
I can sparkle here,
I can be free here,
I can just be here
And there are no rules here,
Just one boy
And a book
And a bluebottle
And a watch.
Aw dear -
What a flawed design for a cage!
Aug 22, 2014
Aug 22, 2014 at 6:59 PM UTC
nothing bothers me more than people who say they have found god.
no one has found god.
life is not about finding god.
"GOD" is intangible and not something we can grasp,
but we pretend to.
people put quotes around his words
and then put those words in his mouth
they string ideas of her into beads and crosses -
what exactly are you clinging to?
people don't know.
we are too small
and we are not wise enough.
god is the whole universe.
god is nothing.
god is a tree, a bird, a thought.
god is a little boy with a piece of candy stuck in his hair,
an artist in a garret,
a dog on a cushion,
a girl in an alley.
i don't believe that god has abandoned the church.
i believe that the church has abandoned god.
i don't believe in my catholic roots.
i don't believe in christianity.
i don't believe in buddhism.
i don't believe in islam.
i don't believe the bible.
i don't believe the priests, the shamans, the medicine men.
i don't believe the trappings we place around god
(our weak ideas of her,
our sorry attempts to define him).
i believe that god is people
god is rain, god is the sun
god is the night air
god is the words on paper
god is the paint on canvas
god is creating, god is being, god is gone.
god is here, now, and everywhere
and i only call her god because i lack another name for him.
it has no name.
i understand this
or i think i do.
god knows me intrinsically
or not at all.
god loves infinitely and sees to the depths of humanity
or else god is old, decrepit, and alone
curled in a corner of the world
trying to shut out the mayhem of his earth
(what have i done?).
god cringes at our killings
rejoices in our births,
or is vengeful, red, and full of war and death.
god is spring, summer, and fall.
he is the snow in winter, she is the birdsong
at my window.
she is multitudes and she is one
wildly insignificant
and all-knowing being.
she is the creator, the destroyer, the lover.
she is nature, she is earth,
she is people,
she is the industry, the tapestry, the travesty.
she is love, she is me.
she is loss, she is you.
she is life, she is them.
and i love her,
as anyone loves her -
if you can love an energy,
an idea,
the ungraspable concept that a grain of sand
is the same as the greatest mountain in the world.
but i don't presume
to know her.
Dec 22, 2011
Dec 22, 2011 at 10:21 AM UTC
It is an ancient Poet
and he stoppeth me.
“Beware of poetry, my son,
She’s a gold digger.
She’ll chew you up and spit you out,
leave you penniless and lying in a gutter,
drunk on absinthe,
while the rich novelists and scriptwriters
step over you, laughing.”
“Hold off! unhand me, greybeard loon!”
Unheeding, I slunk off to my garret
to compose a villanelle,
heavily derivative of Dylan Thomas.
I only wanted to get girls,
but before I knew it
I was roaming with the Romantics,
bopping with the Beats
and cruising with the Classicists.
Popping some Pope, shooting some Stevie Smith
or hitting up Heaney,
I was hopelessly addicted.
And I never did get the girl.
Feb 20, 2015
Feb 20, 2015 at 2:44 AM UTC
Hard boiled eggs.
Fill the saucepan
up with water;
boil and boil
till everything is dry;
then run
the cold tap
so that
the inferno
cools down.
Peel
gently,
add
salt and pepper
and
devour.
A
gastronomical
delight
for
anyone
in
a garret.
Jul 15, 2010
Jul 15, 2010 at 5:07 PM UTC
“The trouble is, we think there’s time”
Buddha said it so urgent
Complete with Sanskrit contractions
The baby delivering doctor saying we all have a cancer, no matter how slow
so pick up your passions with a god’s effortlessness
Play a concerto that makes your hair stand on end
because the music was more important than a reflective surface
Looking like a you were born in a stormy garret
Writing, thinking, and plucking, as if the gods set you there
instead of the million hopeless mediocre ones
No, instead you are brethren to those gods
All competing for immortal kicks – like mortal tail
Until the game board perspective ceases
looking down on the plebeian pantheon
and it’s just you and what you lived for
Jul 26, 2014
Jul 26, 2014 at 10:13 PM UTC
Somewhere in the blackness of you
hides the light of a young Sol.
Sometimes you are liquid, viscous,.
sometimes you are shards of coal.
You heat my garret and light the night.
Somehow your darkness
has been made bright,
But, even as you
make night to day,
I know they’ll be a price to pay.
-My meter was read yesterday..
Jun 18, 2013
Jun 18, 2013 at 8:12 AM UTC
I woke to a knock at the door one day,
And stumbled, to put on my gown,
The place was a shambles, and last night’s tea
In cartons, was scattered around.
I hate people seeing the way I live,
They shouldn’t call round, it’s a *****
But called out, ‘Who is it?’ and got the reply,
‘It’s me, it’s the upstairs witch.’
I had no idea she lived upstairs,
The apartments are all very small,
The slightest of noises will carry on through
The ceilings, and paper thin walls.
I opened the door in bemusement then
To see who was pulling my leg,
She wore every colour the rainbow sent,
Pushed past me, and said: ‘Call me Peg!’
I followed her into the wreck of my room,
And mumbled, ‘I know, it’s a mess.’
She shrugged, and she pointed my PC out,
‘I knew it was that, nothing less!
You sit and you type through the early hours
I hear all your whistles and bells,
Your tappity-tapping is driving me spare,
And worse, is confusing my spells.’
‘I have to compose when the mood is high,
And that is from midnight and on.’
‘And I only spell when the Moon is nigh,
I can’t til the sun has gone.’
We stared at each other with little grace,
Both grim, with a certain intent,
She wouldn’t be giving an inch to me,
I murmured I wouldn’t relent.
‘We’ll have to come up with a compromise,
I’ll help you, if that helps myself,
I’ll spell in your program a silence key,
And you’ll be at peace with yourself.’
‘But what am I getting from you in return,
This sounds like it’s going one way…’
‘I’ll bring all your stories to life,’ she said,
‘In colour, and one for each day.’
‘I’ve written so many, you’ll never keep up,
I’ll need to go back through my files.’
‘Just open the drawer of your cabinet,
And I’ll carry you there, for a while.
I’ve seen all your stuff on the Internet,
Your devils and demons and ghouls,
I haven’t a clue what you think you will do
In a garden, with so many fools.’
She sits in her garret and plays with her spells,
I type without making a sound,
I open the drawer and I walk on the shore
Or hear bells from the church in the town.
I follow each lady I’ve written in verse
And make love when I’m feeling the itch,
They all wear the colours of rainbows at first,
And they look like the upstairs witch!
David Lewis Paget
Sep 20, 2014
Sep 20, 2014 at 3:51 AM UTC
“Virginia Woolf was wrong, you don’t need money, hell you don’t even need a room , to be a writer. All you need is a lonely garret and a toilet. Got that, and a writer’s got it all.”
I think it’s a misconception
That a writer’s garret is blue.
Not at all, it’s a place of bonding
Where it takes me and you.
The only choice we have to make
When you come over at two
Is to think when you’re reading my poetry
Have we got any learning left to do?
We get on so well
There’s nothing left to say
Apart from to have a laugh
And strum the day away.
I treasure these moments
It’s more than a poem or a song
It’s more like a healing
And I feel it growing strong
You show me what you’ve written
I’ve tried to hold you before
But only now do I see that
A relationship is so much more
Than a warm body to hold
And our experiences are so sublime
When I’m sat with you
And you’re glowing all the time
You’re smiling, ah yes
This is a partnership we both can offer to
A writer’s garret is a place where we can grow
Not a place where we go to be blue.
Nov 13, 2011
Nov 13, 2011 at 12:57 PM UTC
If dreams were tangible, dear princess, I'd give you mine
this dream where unfading echoes never die
Back a long, grassy lane, a house once white, now greying with time
set against the slope of verdant hill, and crowded amongst a hundred soughing pines
Nearby a sundappled wood with tranquil creek and mossy stones
Ferns tall as your waist and creamy mushrooms
Beyond stretch clover scented pasture haunted by purplish dusk and
ghosts of gurnsey calves with solemn eyes
To bring a smile to your lovely face and a song to your heart.
Above a garret where silvery moonbeams dance
scented by old mothballs and books from bygone days
their yellowed pages mildewed and musty with age
Perhaps some tear stained journal from yesteryears
penned by long dead poetess, kindred spirit facing hardships like our own
listening to this same ancient wind sweeping the trees, gaunt branches scratching windowpanes as souls forlorn
yes, I would give you all this, sweet princess, if wishes had wings
just to bring a smile to your lovely face
this dream where unfading echoes never die
Aug 13, 2014
Aug 13, 2014 at 9:30 PM UTC
I sit in my garret, I twiddle a thumb;
I drain the last dregs of my tea.
I gaze through a window, over the hill
as far as the eye can see;
but no inspiration will come from the Muse
to help with a poem – from me.
I browse through a bookcase, shelf after shelf,
I thumb though a volume or three;
I reach for my Chambers, Thesaurus too,
I even search down on a knee;
but no one will guide me, no one at all,
to help with a poem – from me.
My failure’s emphatic, my failure’s complete,
as plain as a failure can be.
With trawls through the papers, internet too,
I’ve even considered a fee;
if only some person will lend me a hand
and help with a poem – from me.
And you write so well, so naturally too,
a style both flowing and free;
Oh how I envy your neat turn of phrase,
which highlights your true pedigree.
But me? I just sit here, yearning to write
a little love poem – from me.
~
Dec 7, 2010
Dec 7, 2010 at 7:57 AM UTC
WANTED:
one poet!
garret trained,
impractical in many ways,
scatterbrained, dark, mysterious.
and lovelorn.
must be at the very least lovesick.
not adverse to occasional starving and bouts of woe.
even able to adapt to living
in a continual cycle of manic depressive flux.
able to overcome writer's block...
and worse!....word drought
able to converse in both, straight and rhymed verse.
desirable; an understanding of
freeflow and rap
must have ability to write,
day as night and night as
day
must work for minimal pay,
read: mostly zero $$.
just occasional compliments.
should be able to empathise.
and in a position to consider (as a carreer pathway)
attempted suicide.
applications by way of
verse
can be sent to the reader
via the internet eather
and will be read of course
but be warned the reader
is fickle and may not deign
to reply...
hallmark cardwriters need not
apply
Mar 20, 2014
Mar 20, 2014 at 8:58 AM UTC
Winter in Lisbon
Up rua Garret I walked and it is steep in baixa, the old heart of
this grand city, past shops that sell lottery ticket, besides a shop that sells
religious artefacts, and a shop that sells Cartier watches.
If you win there is money enough to decorate your mother's grave
and to buy a posh watch.
At the top of the street of the street a café Brasilia, it used to be
Fernando Pessoa's drinking den, now it is upmarket, suit and short
hair place who drinks tea and eat pastry; their forefathers used to
look down their noses at Fernando, now they are proud of him.
Irreverent poets can go somewhere else to drink.
The master poet is a statue outside his café in the rain, and tourists
take picture of him, one wonders what he thinks of it all.
There is also a statue of Antonio Ribero Chiado, a poet who lived
in the sixteen hundred, the largo is called after him, he was bald
and dressed like a monk.
I could see the river Tagus where tug-boats ply their in grey waters,
and remembered when I used to be a ******
The church across the street “Incarnacao”, where Antonio used to pray
is beautifully restored, but his God had left by the back door
the front door was too heavy but saw a woman weeping in front
of a statue of Christos, ***** for the masses? Why not?
It is getting dark the Portuguese suits are swallowed by the metro,
and men with cardboard boxes look for a doorway to sleep in.
Over this scene hovers Amalia Rodrigues the great Fado singer,
born in poverty, she hums a song for the wretched.
Aug 2, 2017
Aug 2, 2017 at 9:52 AM UTC
This dog of a sun
And how it remains
As it stains the hole
Of larklights in blue
Obstinate nuns in the hold
As they fold on forever
What a blessing, Sue
To see vicious sounds
In the halls of commotion
Now we surround
With our teeth, amber glow
As it sows a piece of forever
Fever, fever honey
You know what begets
The regret that you feel
Dance in the garret
Now, I hear in my fear
The hounds of forever
Think of what will never come
And it breaks the hollow sound
Of sweet repetition
Where pain is not mentioned
Hold your lover sweet
And you will fall, complete
See, hear, taste that sibilance eye
I shan't cry, nor state why
For freedom, despite its size
Will fail me in time
Wallace, come here
See the face I faithfully
Made in the image of you
I hope you find
The beauty that you
Have lost to old forever
Goddess, be soft
Know you're not known
By the people that hurt you
Stay in your loft
And let the lamp resound
The drums of forever
Don't fall to greed
By planning for fates
That are best left forgotten
Knowledge will wait
Unlike the sun or the moon
For they deny forever
Think of what will never come
And it breaks the hollow wound
Of sweet repetition
Where pain is not mentioned
Hold your lover sweet
And you will fall, complete
Strenuous, this malarkey eye
Waning clock in tentative sky
Do not take life for granted
Even when not wanted
Strong Héloise
Lay upon me
With your shackled aroma
Let it release
And scatter away
In your piercing gaze of forever
Héloise, come to me, see
That I haven't stopped
My attempts to capture you
On a damp canvas
Of trickling hues
That dare to uproot forever
I'll start with your nose
And give you a pose
That mimics your stature
Rock in your chair
As shadows deface
Your grace, lasting and tethered
Think of what will never come
And it breaks the hollow wound
A sophomore face
With sweet murder's gaze
These gibbous hours cease
As the day finds peace
Your fur shambles so
Your fingers corrode
As the deluge below
Now blows us into forever
Mar 9, 2020
Mar 9, 2020 at 6:55 PM UTC