first I smell myself.

the deep bass tonality of my musk,
hot, creamy, sweetness unique, of coffee and creamy,
my owned sweat oiled secretions massaged into her skin
emplaced by vigorous parts rubbing and tongue caressing,
under the fading shadows of my glancing, desirous admirings


then I smell herself.

sinking sunset glimpses of last nights parfume parfait,
scattered in random strategic locations architecturally planned,
some flavors come over me like modest waves,
others spelunking found in crevices, cracks and caves,
where humans tread in guileless search of guiltless pleasure

then I smell our sharings.

lemon and thyme, paprika, sea salt and pepper,
a basted rub laid upon animal skin consuming, and consumed,
the vinaigrette balsamic and California yellow raisins, pine nuts,
decorating leaves of red soil spinach and spicy arugula,
word salads, so miraculously ingenious, you swear off eating flesh

then I smell our combinations.

the air conditioned atmosphere that blends us properly chilled,
the olive oils pressed from two colored differing skins,
the mortal and pestle finely grinding our own fresh crumbled dirt,
appearing in places where dirt is wet panko crumbs encrusting us,
our combined liquidity, shaken and stirred, drying in martini tandem

it is 8:17am and this recipe of reciprocity,
at its most pungent peaking,
for soon raining waterfalls of potable city water
and the sophistry of French soap,
the pseudoscience of modern chemical shampoo,
together erasing, scrubbing away this poems aromatherapy tapestry,
your perplexed complexing nostrils will mock you once more,
for ever disbelieving, thinking you could no longer write of
only love poetry that crested high above the trite


Friday, March 29 2019

~for she who will know~

the Mother of Muses came to me

on bended knee
come for to confess
a lie so grand it boggled
the heart

we bring you nothing more
than what you already possess,
the jewels of rose gold are emplaced
in your dual ventricles,
the veins stained with blue green sapphires to
feed the right and left hemispheres,
where the emerald heat and the yellow gold,
raw melt the alpha word-finery awaiting,
the pinpointed pinprick of an eyed glimpse

to release the oxidizing words atmospheric
we are not needed, just proceeders,
*** stirrers? no. *** watchers? oh yes.

all contained within,
this then, the art of the human heart,
where the external stains rest awaiting,
completing, complimenting, coming
to fruition in a reforged new birthing

see how the child looks with adoration,
perceiving the art of the mothers heart,
the spilling of time at the precise moment
when the exchange is as long as an eye wink
and as short as an entire lifetime

We the Muses, not teachers, nor inspirers,
just peddlers, collecting thimbles of words,
polished with hued syllables of tarnish,
experienced watchers discerning the exacting,
the interactive interactions of the cells,
the DNA concoctions of singers and sinners,
priests and the unforgivable, trying to tie
what deserves untying, which is an everlasting
poem that needs, laughing, an original act
of the art of the heart, yours, permission to say
The End

11:14pm
nyc
Sept. 18, 2019

The noblemen control the pen, indeed they own the farm,
but nonetheless exude finesse (and need I mention charm?)
with revenue to sate the few, exulting arm in arm;
for all the rest, they wish the best and certainly mean no harm.

The fourth estate stands proud and straight, emplaced upon a peak,
beside a birch where parrots perch and claim the truth to speak;
while hatching schemes, they’re hawking dreams to keep us mild and meek,
promoted by the gods on high, that clever reigning clique.

They spread their lies throughout the sties to keep the truth at bay
and horoscopes are filled with hopes for those with faith to pray;
the other few wait in the queue, with faces made of clay,
collecting crumbs which have become their dreams of yesterday.

The tube embeds the talking heads (you know the ones, the tools)
who on the screens won’t spill the beans, lest mighty might unspools,
so bend the news reflecting views of those who set the rules
to obfuscate and fabricate their pabulum for fools.

With pyrite smiles and other wiles, they thrive concocting tales
that lead to wars on foreign shores, which help improve the sales
of missile tips and battleships, discounting death that pales
and broken hearts for body parts a graveled grave regales.

You wouldn’t guess, the yellow press, when out to make a ****,
will sell their soul (to dodge the dole) and feed the swine some swill –
a trenchant trope with inside dope that gives the crowds a thrill
(when mixed with tripe, they call it hype) and masks a bitter pill.

The tabloids reek of doublespeak – when did the stench begin?
In olden times, with paradigms, no doubt with but a grin;
but nowadays, in subtle ways, there’s far more discipline:
they scrawl their screeds neath headline ledes that give the tales a spin.

A clever dunce tried hard just once to read between the lies
and thereby found that facts are drowned within a newspeak guise.
Yeah, all that stuff reflects the slough they hide behind their eyes,
although absurd it fuels the herd like  sustaining flies.

Within the fort a special court is hidden from our view
where sits a judge who’ll never budge, called Captain Kangaroo;
as justice bleeds, those evil deeds (like leaking what is true)
will be convicted as pre-scripted by the hangman’s crew.

A blue-eyed wight uncloaks the night and when (by chance, perhaps)
his whistle blows, the airwaves close, high crime stays under wraps,
and those that sin prevail again with feathers in their caps;
the price instead’s the leaker’s head, precluding a relapse.