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"danseur" poems
He always wanted to be a ballerina To dance so dainty up on his toes. But everyone could see under his tutu And the bump they saw was not his nose. He had the talent and the perfect figure To perform the balletic steps just right. There was no way he could ever manage To keep that ample package out of sight. Jete, jete. Plie, Plie. Dance like that’s all you want to do. Dancing straight, or dancing gay, Do whatever is right for you. Hands and toes pointed fine Back and necks held straight. Maybe it’s not your time to get picked. But make it worth their wait. His skin was smooth just like a swaddling baby There was no concern about flat ******* Many ballerinas are rather mannish With not much curvature to their chests. So he could pass completely undetected Androgyny was his great good friend But any moment when he swirled about Tutu would lift and then spell the spell would end. Jete, jete. Plie, Plie. Dance like that’s all you want to do. Dancing straight, or dancing gay, Do whatever is right for you. Hands and toes pointed fine Back and necks held straight. Maybe it’s not your time to get picked. But make it worth their wait. He never really loved the danseur posture The holds and lifts and hearty leaps about. But in the world of ballet and its leaders Ballerina guys are always left out. Still he danced in tutu at auditions. He heard the comments, paid them no mind. If they could not see grandly male Pavlova That meant that all of them were blind. Jete, jete. Plie, Plie. Dance like that’s all you want to do. Dancing straight, or dancing gay, Do whatever is right for you. Hands and toes pointed fine Back and necks held straight. Maybe it’s not your time to get picked. But make it worth their wait.
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Aug 7, 2015
Aug 7, 2015 at 9:07 PM UTC
HE ALWAYS WANTED TO BE A BALLERINA
He always wanted to be a ballerina To dance so dainty up on his toes. But everyone could see under his tutu And the bump they saw was not his nose. He had the talent and the perfect figure To perform the balletic steps just right. There was no way he could ever manage To keep that ample package out of sight. Jete, jete. Plie, Plie. Dance like that’s all you want to do. Dancing straight, or dancing gay, Do whatever is right for you. Hands and toes pointed fine Back and necks held straight. Maybe it’s not your time to get picked. But make it worth their wait. His skin was smooth just like a swaddling baby There was no concern about flat ******* Many ballerinas are rather mannish With not much curvature to their chests. So he could pass completely undetected Androgyny was his great good friend But any moment when he swirled about Tutu would lift and then spell the spell would end. Jete, jete. Plie, Plie. Dance like that’s all you want to do. Dancing straight, or dancing gay, Do whatever is right for you. Hands and toes pointed fine Back and necks held straight. Maybe it’s not your time to get picked. But make it worth their wait. He never really loved the danseur posture The holds and lifts and hearty leaps about. But in the world of ballet and its leaders Ballerina guys are always left out. Still he danced in tutu at auditions. He heard the comments, paid them no mind. If they could not see grandly male Pavlova That meant that all of them were blind. Jete, jete. Plie, Plie. Dance like that’s all you want to do. Dancing straight, or dancing gay, Do whatever is right for you. Hands and toes pointed fine Back and necks held straight. Maybe it’s not your time to get picked. But make it worth their wait.
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48
A bone meets another bone And you have a joint ! Joints are allright ! Cartilage ! Without them you couldn't possibly dance ! Imagine only your sacrum and your ilium and no sacro-iliac joint And no innominate bones Imagine just a second a pelvis without coccyx And your seven cervical Your twelve thoracic And your five lumbar vertebrae Hanging loose ! How could you possibly swing your pelvis From one side to the other Without your pelvic floor ? No more grand plié No more passé développé à la seconde No more attitude en avant on pointe Farewell penché Farewell attitude derrière ! See what I mean ! That's why I always say I'd rather be with no bone No skull no heart Ï 'd rather be a hurricane Wind has no skeleton Wind needs no joint Wind goes naked No shoes, no underwear And despite of all that Wind is a ballet dancer, a danseur étoile With no dimples in the back. Wind can lie supine and stand upright Feet parallel, legs stretched Wind has no greater nor lesser trochanter Wind has no right gluteus maximus muscle No feet flexed, no ****** femoris muscle Wind never gets pinched, stuck nor jammed Wind is constant ricochet, yo-yo, meanders Gulf Stream ! Wind is a catwalk model Dancing its swinging walk
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Aug 27, 2019
Aug 27, 2019 at 6:50 PM UTC
A bone meets another bone
I will not call you my baby, Until I can be your only baby. You maneuver around a subject With the litheness of a danseur. Though I would like to love you, If you would let me love you, Loneliness has never been what drives me. It is love to which I answer. I can see the youthfulness, And much more, for my sleuthfulness. Are you seeking any other than me, Who is eager to applaud as to centre stage you bound? For just a while more, I wait for first frame. It could be so grand to see how you move your frame. I have wondered if your dance would be as spry As the clever way you manage to avoid.
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Aug 15, 2015
Aug 15, 2015 at 12:34 AM UTC
A Beseechment to a Beautiful Ballerino
as is our wont, she cooks, I clean. a division of labor, that reflects skills levels celebrating les différences vivent! sink-bent, over the grill pans, with water thundering, soap liquid armies/battles concocting (secret, shh!) nonetheless overhears her chilling in bed, veg TV watching thunderous interrupted by what he knows will be minimum six or seven sneezes which is her wont. one/two won't ever do, she a veritable sneezing machine gun, ever alert, the scrubbing man becomes a danseur fluid, performing a triple tours en l'aire from kitchen to bed in three bounds with swift and mighty leaps to new heights, he makes his way to her side, having plucked tissues, from a nearby, overhanging branch upon his way. seven sneezes immobilize, kinda like being tasered, snowball-in-the-face stunners, requires her man to be a her-o-dancer to be a savior, gift bearing of relief-aid to her side. he returns to the kitchen work, you cannot half wash dishes, it's an all or none thing, it's a man self back slap/clap of the hands when satisfaction of job completed visible. satisfaction of just rewards should always be given to heroes, danseurs, dishwashers, one and all so when he slips in beside her, greeted with seven kisses for seven sneezes *and this children is no love poem, but one of daily stories of lives well lived in love, where the mundane, where the ordinary, traded up into precious extraordinary are ever on poems of life, and ok, yup, love too.* now slap/clap for jobs well done....
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May 16, 2015
May 16, 2015 at 11:10 AM UTC
Seven Sneezes, Seven Kisses
as is our wont, she cooks, I clean. a division of labor, that reflects skills levels celebrating les différences vivent! sink-bent, over the grill pans, with water thundering, soap liquid armies/battles concocting (secret, shh!) nonetheless overhears her chilling in bed, veg TV watching thunderous interrupted by what he knows will be minimum six or seven sneezes which is her wont. one/two won't ever do, she a veritable sneezing machine gun, ever alert, the scrubbing man becomes a danseur fluid, performing a triple tours en l'aire from kitchen to bed in three bounds with swift and mighty leaps to new heights, he makes his way to her side, having plucked tissues, from a nearby, overhanging branch upon his way. seven sneezes immobilize, kinda like being tasered, snowball-in-the-face stunners, requires her man to be a her-o-dancer to be a savior, gift bearing of relief-aid to her side. he returns to the kitchen work, you cannot half wash dishes, it's an all or none thing, it's a man self back slap/clap of the hands when satisfaction of job completed visible. satisfaction of just rewards should always be given to heroes, danseurs, dishwashers, one and all so when he slips in beside her, greeted with seven kisses for seven sneezes *and this children is no love poem, but one of daily stories of lives well lived in love, where the mundane, where the ordinary, traded up into precious extraordinary are ever on poems of life, and ok, yup, love too.* now slap/clap for jobs well done....
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60
Fable II, Livre V. Je suis un peu badaud, je n'en disconviens pas. Tout m'amuse ; depuis ces batteurs d'entrechats, Depuis ces brillants automates, Dont Gardel fait mouvoir et les pieds et les bras, Jusqu'à ceux dont un fil règle et soutient les pas, Jusqu'aux Vestris à quatre pattes, Qui la queue en trompette, et le museau crotté, En jupe, en frac, en froc, en toque, en mitre, en casque, La plume sur l'oreille, ou la brette au côté, Modestes toutefois sous l'habit qui les masque, Moins fiers que nous de leurs surnoms, Quêtent si gaîment les suffrages Des musards de tous les cantons Et des enfants de tous les âges. L'argent leur vient aussi. Peut-on payer trop bien L'art, le bel art de Terpsichore ? Art unique ! art utile au singe, à l'homme, au chien. Comme il vous fait valoir un sot, une pécore ! C'est le clinquant qui les décore, Et fait quelque chose de rien. La critique, en dépit de mon goût et du vôtre, Traite pourtant, lecteur, cet art tout comme un autre. Quels succès sous sa dent ne sont pas expiés ? Qui n'en est pas victime en est le tributaire. Le grand Vestris, le grand Voltaire, Par sa morsure estropiés, Prouvent qu'il faut qu'on se résigne Et qu'enfin le génie à cette dent maligne Est soumis de la tète aux pieds. De cette vérité, que je ne crois pas neuve, Quelques roquets tantôt m'offraient encor la preuve. Tandis qu'au son du flageolet, Au bruit du tambourin, sautillant en cadence, Ces pauvres martyrs de la danse Formaient sous ma fenêtre un fort joli ballet, Un mâtin, cette fois ce n'était pas un homme, Un mâtin, qui debout n'a jamais fait un pas, Campé sur son derrière, aboyait, Dieu sait comme, Après ceux qui savaient ce qu'il ne savait pas, Après ceux, et c'est là le plaisant de l'affaire, Après ceux qui faisaient ce qu'il ne peut pas faire. Quoique mauvais danseur, en mes propos divers, Pour la danse, en tout temps, j'ai montré force estime. En douter serait un vrai crime ; J'en atteste ces petits vers. Mais que sert mon exemple à ce vaste univers ? Je n'en crois donc pas moins le sens de cette fable Au commun des mortels tout-à-fait applicable. Chiens et gens qui dansez, retenez bien ceci : L'ignorant est jaloux et l'impuissant aussi.
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Les chiens qui dansent
Fable II, Livre V. Je suis un peu badaud, je n'en disconviens pas. Tout m'amuse ; depuis ces batteurs d'entrechats, Depuis ces brillants automates, Dont Gardel fait mouvoir et les pieds et les bras, Jusqu'à ceux dont un fil règle et soutient les pas, Jusqu'aux Vestris à quatre pattes, Qui la queue en trompette, et le museau crotté, En jupe, en frac, en froc, en toque, en mitre, en casque, La plume sur l'oreille, ou la brette au côté, Modestes toutefois sous l'habit qui les masque, Moins fiers que nous de leurs surnoms, Quêtent si gaîment les suffrages Des musards de tous les cantons Et des enfants de tous les âges. L'argent leur vient aussi. Peut-on payer trop bien L'art, le bel art de Terpsichore ? Art unique ! art utile au singe, à l'homme, au chien. Comme il vous fait valoir un sot, une pécore ! C'est le clinquant qui les décore, Et fait quelque chose de rien. La critique, en dépit de mon goût et du vôtre, Traite pourtant, lecteur, cet art tout comme un autre. Quels succès sous sa dent ne sont pas expiés ? Qui n'en est pas victime en est le tributaire. Le grand Vestris, le grand Voltaire, Par sa morsure estropiés, Prouvent qu'il faut qu'on se résigne Et qu'enfin le génie à cette dent maligne Est soumis de la tète aux pieds. De cette vérité, que je ne crois pas neuve, Quelques roquets tantôt m'offraient encor la preuve. Tandis qu'au son du flageolet, Au bruit du tambourin, sautillant en cadence, Ces pauvres martyrs de la danse Formaient sous ma fenêtre un fort joli ballet, Un mâtin, cette fois ce n'était pas un homme, Un mâtin, qui debout n'a jamais fait un pas, Campé sur son derrière, aboyait, Dieu sait comme, Après ceux qui savaient ce qu'il ne savait pas, Après ceux, et c'est là le plaisant de l'affaire, Après ceux qui faisaient ce qu'il ne peut pas faire. Quoique mauvais danseur, en mes propos divers, Pour la danse, en tout temps, j'ai montré force estime. En douter serait un vrai crime ; J'en atteste ces petits vers. Mais que sert mon exemple à ce vaste univers ? Je n'en crois donc pas moins le sens de cette fable Au commun des mortels tout-à-fait applicable. Chiens et gens qui dansez, retenez bien ceci : L'ignorant est jaloux et l'impuissant aussi.
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51
It comes when the wing crisply cuts air, or when the brush flicks with flair. Through the pews when the light paints walls a vibrant, revenant view. Masterful as a Commander; catching her gently in the shifting tides. 
 A carpenter’s touch, a moment of nirvana; it is we, serenity savors. Let it be graceful as a Danseur; falling as silk in pirouettes Yet impossible to grasp, a flash of truth like lighting: an instance over. Still the chase is everlasting, so long the giver is victor. For stronger we’d be, pursuing love like the dawn of the hunt. A luxury, free.
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Mar 30, 2016
Mar 30, 2016 at 9:23 PM UTC
Praza (The Prize of Passion)
Sur la corde tendue un jeune voltigeur Apprenait à danser ; et déjà son adresse, Ses tours de force, de souplesse, Faisaient venir maint spectateur. Sur son étroit chemin on le voit qui s'avance, Le balancier en main, l'air libre, le corps droit, Hardi, léger autant qu'adroit ; Il s'élève, descend, va, vient, plus haut s'élance, Retombe, remonte en cadence, Et, semblable à certains oiseaux Qui rasent en volant la surface des eaux, Son pied touche, sans qu'on le voie, À la corde qui plie et dans l'air le renvoie. Notre jeune danseur, tout fier de son talent, Dit un jour : à quoi bon ce balancier pesant Qui me fatigue et m'embarrasse ? Si je dansais sans lui, j'aurais bien plus de grâce, De force et de légèreté. Aussitôt fait que dit. Le balancier jeté, Notre étourdi chancelle, étend les bras, et tombe. Il se cassa le nez, et tout le monde en rit. Jeunes gens, jeunes gens, ne vous a-t-on pas dit Que sans règle et sans frein tôt ou **** on succombe ? La vertu, la raison, les lois, l'autorité, Dans vos désirs fougueux vous causent quelque peine ; C'est le balancier qui vous gêne, Mais qui fait votre sûreté.
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851
Le danseur de corde et le balancier
Sauté, that's how he made her heart leap. Pirouette, that's how he made her head spin with the thoughts of him. Tours en l'air, just thought of having him will brought her the feeling of having her feet off the ground whilst spinning like he is doing some sort of sorcery. And the waltz, she have witnessed him do this and soon found herself drawn to him, drawn near, too near and all willing to let him take her and lead her to the slow beat in contrary to her heart's fast thump.
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Mar 3, 2016
Mar 3, 2016 at 3:33 AM UTC
Danseur
*He stopped dancing today I read the letter again it was from my friend. She says it was his heart. His beautiful heart. I shall miss him terribly. He taught me all I am I was Just an apprentice he was Premier Danseur at the company. I was just a girl he said come I shall make you famous and you will glide across the stages of the universe. It occurred to me we were Becoming best friends. What I did not know was I was falling in love with him. He was so gentle so kind. I cannot imagine this company. Without him. For years we danced together in all the cities of the world. He would hold me afterwards in the small hotel room. Always calling me his Prima Ballerina. He aged as I grew famous I saw his bleeding feet. His broken bones. His suffering for his instrument. I could smell the musky sweat He could no longer hide And I knew his time was over. When I visit Paris again I will visit his grave on a sunny day. Touch his lovely name on the granite. I shall say I always loved you my champion. It was always you. And the spring sunshine will light the gold filigree of his chiseled name on the granite headstone. As though he knows I am there for him. As always.*
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Aug 28, 2015
Aug 28, 2015 at 2:57 PM UTC
Ballerina
My dreams are drugs; my hopes are dope –the joie de vivre of old so-so– from waning eyes to waxing grace my spirit seeks another place And rhythmically on pain of death from newborn cry to my last breath with rancid teeth and rheumy eye around the globe cutting soft sky filling the stars with water high to flood and pour to light and soar to anger each contented ***** But not so boiled nor never baked swathed transcendence of all mistakes melancholy left un-churned around young danseur crapping wealth unearned fueling no immortal work, marching still against the dark; Freshest grass-scent Lingers long past broken tractor at break of dawn as crumpled shrapnel and sticks of oak remain wedged throughout the auger's blades, refusing to reap or shadow wheat; Therefore, this vision pulls and holds on wisest minds, with fools endures; musty marble crumbles too all garish gold rusts through and through... spinning slower then Bosons are gone... sunny sleep stops mowing lawn (All things must break when left untouched but touching wears toucher oh so so much!) Arrows fly, inertly tickle all that's evil whatever's wicked; But nothing so so much as hope fades quietly oh so so much. Slumping shoulders warring forward searching ever for temperate porridge, concluding all to dust from dust Inciting all from lust to lust But rarely ever dreaming truths science mangling interstellar flight because nothing good rhymes with truths devoid of pretense and heckling youths After crops have rotted that fed our needs One contemplates tending the weeds. I've lost you now (I surely hope) Because at last, here is the dope: Riddling madness is a cancer. Reading answers is disaster. We're much too late to break the tractor. Grapes left on vine do not make wine, so smiling scythe will give me mine. And in the end it's not defeat: For Beauty Grew, And Many Ate.
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Nov 24, 2014
Nov 24, 2014 at 12:06 PM UTC
Tending the Weeds
My dreams are drugs; my hopes are dope –the joie de vivre of old so-so– from waning eyes to waxing grace my spirit seeks another place And rhythmically on pain of death from newborn cry to my last breath with rancid teeth and rheumy eye around the globe cutting soft sky filling the stars with water high to flood and pour to light and soar to anger each contented ***** But not so boiled nor never baked swathed transcendence of all mistakes melancholy left un-churned around young danseur crapping wealth unearned fueling no immortal work, marching still against the dark; Freshest grass-scent Lingers long past broken tractor at break of dawn as crumpled shrapnel and sticks of oak remain wedged throughout the auger's blades, refusing to reap or shadow wheat; Therefore, this vision pulls and holds on wisest minds, with fools endures; musty marble crumbles too all garish gold rusts through and through... spinning slower then Bosons are gone... sunny sleep stops mowing lawn (All things must break when left untouched but touching wears toucher oh so so much!) Arrows fly, inertly tickle all that's evil whatever's wicked; But nothing so so much as hope fades quietly oh so so much. Slumping shoulders warring forward searching ever for temperate porridge, concluding all to dust from dust Inciting all from lust to lust But rarely ever dreaming truths science mangling interstellar flight because nothing good rhymes with truths devoid of pretense and heckling youths After crops have rotted that fed our needs One contemplates tending the weeds. I've lost you now (I surely hope) Because at last, here is the dope: Riddling madness is a cancer. Reading answers is disaster. We're much too late to break the tractor. Grapes left on vine do not make wine, so smiling scythe will give me mine. And in the end it's not defeat: For Beauty Grew, And Many Ate.
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103
The beauty of ballet is not found in the graceful plié nor the elegance of a perfect glissade; it is in the twisted, broken toes of the dancer; the slipper full of blood. The exquisiteness of life is not in the gathering of fame and riches, but rather, like the danseur lifting the ballerina, it is found in the painful sacrifice of self that lifts another heavenward toward the dazzling stars. The beauty of the butterfly is not in the shimmering iridescence of its painted wings in morning’s light or the weightlessness of its flitting flight; but in the awe-inspiring metamorphosis from lowly caterpillar to winged god, as it slowly struggles to survive beneath the hungry beaks of a thousand birds. Likewise, the magnificence of Man is best reflected in the transformation of the lonely individual who, despite the darkness of the hour, finds his wings and angelic cause in the collective community of humankind. Beauty isn’t always lavish and dazzling, apparent to the surface of the eye; beauty can be elusive and transparent, to be felt only in the interior of the heart. It takes form when you discover something greater than yourself in the world. It takes meaning when the light that is you is redirected and reflected on the anonymous shadows of another. The smile that is on another’s face because you put it there; hope that takes root in another’s soul because you planted it there. Faith that no proof requires; the love which fills and inspires. Living in this world isn’t wonderful simply because you are in it – living in this world is wonderful because of all the people with whom you get to share the journey.
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May 10, 2017
May 10, 2017 at 12:17 PM UTC
SACRAFICE
The beauty of ballet is not found in the graceful plié nor the elegance of a perfect glissade; it is in the twisted, broken toes of the dancer; the slipper full of blood. The exquisiteness of life is not in the gathering of fame and riches, but rather, like the danseur lifting the ballerina, it is found in the painful sacrifice of self that lifts another heavenward toward the dazzling stars. The beauty of the butterfly is not in the shimmering iridescence of its painted wings in morning’s light or the weightlessness of its flitting flight; but in the awe-inspiring metamorphosis from lowly caterpillar to winged god, as it slowly struggles to survive beneath the hungry beaks of a thousand birds. Likewise, the magnificence of Man is best reflected in the transformation of the lonely individual who, despite the darkness of the hour, finds his wings and angelic cause in the collective community of humankind. Beauty isn’t always lavish and dazzling, apparent to the surface of the eye; beauty can be elusive and transparent, to be felt only in the interior of the heart. It takes form when you discover something greater than yourself in the world. It takes meaning when the light that is you is redirected and reflected on the anonymous shadows of another. The smile that is on another’s face because you put it there; hope that takes root in another’s soul because you planted it there. Faith that no proof requires; the love which fills and inspires. Living in this world isn’t wonderful simply because you are in it – living in this world is wonderful because of all the people with whom you get to share the journey.
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Ah, la danse ! La danse Qui fait battre le coeur, C'est la vie en cadence Enlacée au bonheur. Accourez, le temps vole, Saluez s'il-vous-plaît, L'orchestre a la parole Et le bal est complet. Sous la lune étoilée Quand brunissent les bois Chaque fête étoilée Jette lumières et voix. Les fleurs plus embaumées Rêvent qu'il fait soleil Et nous, plus animées Nous n'avons pas sommeil. Flammes et musique en tête Enfants ouvrez les yeux Et frappez à la fête Vos petits pieds joyeux. Ne renvoyez personne ! Tout passant dansera Et bouquets ou couronne Tout danseur choisira. Sous la nuit et ses voiles Que nous illuminons Comme un cercle d'étoiles, Tournons en choeur, tournons. Ah, la danse ! La danse Qui fait battre le coeur, C'est la vie en cadence Enlacée au bonheur.
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La danse de nuit
Quand Auguste mourut, Rome, donnant l'exemple, Sur le mont Palatin lui fit bâtir un temple ; Et Livie y dressa des figures d'airain ; Elle mit au sommet du fronton souverain Neptune et Jupiter, et sous le péristyle Le mime Claudius et le danseur Bathylle.
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Quand Auguste mourut