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Cyril Blythe Sep 2012
I followed him down the trail until we got to the mouth of the mines. The life and energy of the surrounding maples and birches seemed to come to a still and then die as we walked closer, closer. The air was cold and dark and damp and smelt of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a slimy smile as I stepped out of the sun. It was still inside. The canary chirped.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” He rolled his eyes.
“Spare me.” He trotted off around the corner to the left, whistling.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. In my blinding anger I lost track of his lantern. I stopped, my heartbeat picked up, and I tried to remind myself of what I did in Peru.
I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Somewhere in front of me the canary chirped.

When I first got the job in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack said. He handed me the manila case envelope. “He’s lived in rural Vermont his entire life. Apparently his family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When the accident happened the whole town basically shut down. There were no canaries in the mines the day the gas killed the miners. His mother died in a fire of some sort shortly after. The town blamed the Delvos family and ran them into the woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He ships them to other mining towns across the country now. We want to run a piece about the inhumanity of breeding animals to die so humans won’t.” I stood in silence in front of his deep mahogany desk, suddenly aware of the lack of make-up on my face. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”

“Do you understand the darkness now, Ms. Rivers? Your prestigious masters degrees don’t mean **** down here.” Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me. He relit the oily lantern and turned his back without another word. I reluctantly followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” and hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western themed whiskey bar, and a few greasy spoon restaurants interspersed in-between. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good nights sleep and defeat this towns fear of John Delvos tomorrow.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag and pulled out my Turkish Golds and Macaw-beak yellow BIC. I stepped out onto the dirt in front of my door and lit up. I looked up and the stars stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except it’s sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of night. The father into the darkness the more dizzying the stars dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off.
“I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Waters, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Waters, are you new to town?”
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
The stars tiptoed in their tiny circles above in the silence. Then, they disappeared with a spark as Ian lit up his wooden pipe. It was a light colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the stars dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Waters. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the cold dust beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed, “See that yellow notch?” Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how thankful I am to find out where to find this elusive Mr. Delvos and his canaries.”
“You don’t have to,” he knocked the ash out of his pipe against the tree, “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The stars dance was manic above me as I walked back to my room and shut the door.

The canary chirped and Delvos stopped.
“This is a good place to break out fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We left for the mines as the stars were fading in the vermillion Vermont sky this morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Waters.” Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I hurriedly stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased, “You’ve got steel in you, Ms. Rivers, I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with flickering yellow brushes and songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so of course I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the birds little coops were as well, Dad finally talked. The only thing he could say was ‘Canaries are not the same as a Phoenix, John. Not the same at all.”
The canary chirped, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines, but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?” He spun around, startled, and walked up to me a little too fast.
“Why are you here? Who are you?”
“My name is Lila Waters, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the CEO’s for the magazine and he...”
“Those are my rules, Ms. Waters.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Waters. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the little, yellow canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up and the memory of his green and brown wooded homestead fled from my memory as the mine again consumed my consciousness. Dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.
The canary chirped.
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelt of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The Canary was flitting its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminating the surrounding gloom. All was completely still and even my own vapor seemed to fall out of my mouth and simply die. The canary was dancing a frantic jig, now, similar to the mating dance of the Great Frigate Bird I shot in the Amazon jungle. As I watched the canary and listened to its small wings beat against the cold metal cage I begin to feel dizzy. The bird’s cries had transformed into a scream colder than fire and somehow more fierce.
The ability to fly is what always made me jealous of birds as a child, but as my temple throbbed and the canary danced I realized I was amiss. Screaming, yellow feathers whipped and the entire inside of the cage was instantaneously filled. It was beautiful until the very end. Dizzying, really.
Defeated, the canary sank to the floor, one beaten wing hanging out of the iron bars at a most unnatural angle. Its claws were opening and closing, grasping the tainted cave air, or, perhaps, trying to push it away. Delvos unclipped the cage and sat it on the floor in the space between us, lantern still held swaying above his head. The bird was aflame now, the silent red blood absorbing into the apologetic, yellow feathers. Orange, a living fire. I pulled out my camera as I sat on the ground beside the cage. I took a few shots, the camera’s clicks louder than the feeble chirps sounding out of the canary’s tattered, yellow beak. My head was spinning. Its coal-black eyes reflected the lantern’s flame above. I could see its tiny, red tongue in the bottom of its mouth.
Opening.
Closing.
Opening, wider, too wide, then,
Silence.


I felt dizzy. I remember feeling the darkness surround me; it felt warm.

“I vaguely remember Delvos helping me to my feet, but leaving the mine was a complete haze.” I told the panel back in D.C., “It wasn’t until we had crossed the stream on the way back to the cabin that I began to feel myself again. Even then, I felt like I was living a dream. When we got back to the cabin the sight of the lively yellow canaries in their coops made me cry. Delvos brought me a bottle of water and told me I needed to hit the trail because the sun set early in the winter, so I le
Cyril Blythe Nov 2012
I followed Delvos down the trail until we could see the mouth of the mine. The life and energy of the surrounding birches and sentential pines came to a still and then died as we left the trees shelter behind and walked closer, closer. The air was cold and dark and damp and smelled of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a smile as I stepped out of the sun. It was still inside. The canary chirped in its cage.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” I pulled my mousey hair up into a tight ponytail. “I’ve experienced far more fatal feats than following a canary in a cave.”
He rolled his eyes. “Spare me.” He trotted off around the corner to the left, whistling some Louis Armstrong song.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. I lost track of his lantern completely. I stopped, my heartbeat picked up, and I tried to remind myself of what I had done in Peru. The mine was quiet and cold. I wiped my clammy, calloused hands on my trail pants and took a depth breath.

In through the nose. Out through the mouth. This is nothing. I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Behind me I could hear the wind cooing at the mouth of the mine.
Taunting? No. Reminding me to go forward. Into the darkness.
I shifted my Nikon camera off my shoulder and raised the viewfinder to my eyes, sliding the lens cap into my vest pocket. This routine motion, by now, had become as fluid as walking. I stared readily through the dark black square until I saw reflections from the little red light on top that blinked, telling me the flash was charged. I snapped my finger down and white light filled the void in front of me. Then heavy dark returned. I blinked my eyes attempting to rid the memories of the flash etched, red, onto my retina. I clicked my short fingernails through buttons until the photo I took filled the camera screen. I learned early on that having short fingernails meant more precise control with the camera buttons. I zoomed in on the picture and scrolled to get my bearings of exactly what lay ahead in the narrow mine passageway. As I scrolled to the right I saw Delvos’ boot poking around the tunnel that forked to the left.
Gottcha.
I packed up the camera, licked my drying lips, and stepped confidently into the darkness.

When I first got the assignment in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack had said as he handed me the manila case envelope. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”
I opened the envelope and read the assignment details in the comfort of my old pajamas back at my apartment later that night.
John Delvos has lived in rural Vermont his entire life. His family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When “the accident” happened the whole town shut down and the mines never reopened. . There were no canaries in the mines the day the gas killed the miners. The town blamed the Delvos family and ran them into the woods. His mother died in a fire of some sort shortly before Delvos and his father retreated into the Vermont woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He currently ships them to other mining towns across the country. The question of the inhumanity of breeding canaries for the sole purpose of dying in the mines so humans don’t has always been controversial. Find out Delvos’ story and opinions on the matter. Good luck, Lila.
I sighed, accepting my dull assignment and slipped into an apathetic sleep.


After stumbling through the passageway while keeping one hand on the wall to the left, I found the tunnel the picture had revealed Delvos to be luring in. Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me
“Do you understand the darkness now, Ms. Rivers?” He relit the oily lantern and picked back up the canary cage. “Your prestigious masters degrees don’t mean **** down here.”. He turned his back without another word. I followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” then hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western-themed whiskey bar, and a few greasy spoon restaurants. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good night’s sleep and defeat this town’s fear of John Delvos the following day.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag, pulled out my Turkish Golds and Macaw-beak yellow BIC, and stepped out onto the dirt in front of my motel door and lit up. The stars above stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except its sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of Vermont night. The father into the darkness the more dizzying the star’s dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off. “I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Rivers, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Rivers. Are you new to town?” He traced his fingers over a thick, graying mustache as he stared at me.
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
Ian smiled awkwardly, shivered, then began to fumble with his thick jacket’s zipper. I looked up at the night sky and watched the stars as they tiptoed their tiny circles in the pregnant silence. Then, they dimmed in the flick of a spark as Ian lit up his wooden pipe. It was a light-colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“So, Delvos, eh?” He puffed out a cloud of leather smelling smoke toward the stars. “What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the star’s dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Rivers. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the dead pine needles beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed. “See that yellow notch?” he asked. Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how grateful I am.
“You don’t have to.” He knocked the ash out of his pipe against the tree. “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The star’s dance was manic above me as I walked back to my room and shut the door.

The canary’s wings and Delvos stopped. “This is a good place to break our fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We had left for the mines as the stars were fading in the vermillion Vermont sky that morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Rivers.”
Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased. “You’ve got steel in you, Ms. Rivers. I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with wings slashing yellow brushes and cawing songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so and I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the bird’s little coops were as well, Dad finally talked. The only thing he could say was “Canaries are not the same as a Phoenix, John. Not the same at all.”
We sat in silence and I found myself watching the canary flit about in its cage, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?”
He spun around, startled, and walked up to me a little too fast. “Why are you here? Who are you?”
“My name is Lila Rivers, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested.”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the editors for the magazine and he...”
“Those are my rules, Ms. Rivers.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Rivers. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up. The mine was dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I had sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.  
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelled of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The canary was fluttering its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminatin
Enrique,
Emilio,
Lorenzo,

the three of them frozen:
Enrique by the world of beds;
Emilio by the world of eyes and wounded hands;
Lorenzo by the world of roofless universities.

Lorenzo,
Emilio,
Enrique,

the three of them burned:
Lorenzo by the world of leaves and billiard *****;
Emilio by the world of blood and white pins;
Enrique by the world of the dead and abandoned newspapers.

Lorenzo,
Emilio,
Enrique,
the three of them buried:
Lorenzo in one of Flora's *******;
Emilio in the dead gin forgotten in the glass;
Enrique in the ant, the sea, and the empty eyes of birds.

Lorenzo,
Emilio,
Enrique,
the three in my hands were
three Chinese mountains,
three shadows of a horse,
three landscapes of snow and a cabin of white lilies
by the pigeon coops where the moon lies flat under the rooster.

One
and one
and one,
the three of them mummified,
with the flies of winter,
with the inkwells the dog ****** and the thistle despises,
with the breeze that freezes theh eart of all the mothers,
by the white ruins of Jupiter where drunks snack on death.

Three
and two
and one,
I saw them disappear, crying and singing
into a hen's egg,
into the night that showed its skeleton of tobacco,
into my sorrow full of faces and piercing bone splinters of moon,
into my happiness of whips and notched wheels,
into my breast troubled by pigeons,
into my deserted death with one mistaken wanderer.

I had killed the fifth moon
and the fans and the applause drank water from the fountains.
Hidden away, the warm milk of newborn girls,
shook the roses with a long white sorrow.
Enrique,
Emilio,
Lorenzo,

Diana is hard,
but somtimes she has ******* of clouds.
The white stone can beat in the blood of a deer
and the deer can dream through the eyes of a horse.

When the pure forms sank
under the cri cri of  daisies
I understood they had murdered me.
They searched the cafés and the graveyards and churches,
they opened the wine casks and wardrobes,
they destroyed three skeletons to pull out their gold teeth.
Still they couldn't fine me.
They couldn't?
No. They couldn't.
But they learned the sixth moon fled against the torrent,
and the sea remembered, suddenly,
the names of all her drowned.
(The Dry Salvages—presumably les trois sauvages
      — is a small group of rocks, with a beacon, off the N.E.
      coast of Cape Ann, Massachusetts. Salvages is pronounced
      to rhyme with assuages. Groaner: a whistling buoy.)

I

I do not know much about gods; but I think that the river
Is a strong brown god—sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;
Useful, untrustworthy, as a conveyor of commerce;
Then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in cities—ever, however, implacable.
Keeping his seasons and rages, destroyer, reminder
Of what men choose to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting.
His rhythm was present in the nursery bedroom,
In the rank ailanthus of the April dooryard,
In the smell of grapes on the autumn table,
And the evening circle in the winter gaslight.

The river is within us, the sea is all about us;
The sea is the land’s edge also, the granite
Into which it reaches, the beaches where it tosses
Its hints of earlier and other creation:
The starfish, the horseshoe crab, the whale’s backbone;
The pools where it offers to our curiosity
The more delicate algae and the sea anemone.
It tosses up our losses, the torn seine,
The shattered lobsterpot, the broken oar
And the gear of foreign dead men. The sea has many voices,
Many gods and many voices.
                                       The salt is on the briar rose,
The fog is in the fir trees.
                                       The sea howl
And the sea yelp, are different voices
Often together heard: the whine in the rigging,
The menace and caress of wave that breaks on water,
The distant rote in the granite teeth,
And the wailing warning from the approaching headland
Are all sea voices, and the heaving groaner
Rounded homewards, and the seagull:
And under the oppression of the silent fog
The tolling bell
Measures time not our time, rung by the unhurried
Ground swell, a time
Older than the time of chronometers, older
Than time counted by anxious worried women
Lying awake, calculating the future,
Trying to unweave, unwind, unravel
And piece together the past and the future,
Between midnight and dawn, when the past is all deception,
The future futureless, before the morning watch
When time stops and time is never ending;
And the ground swell, that is and was from the beginning,
Clangs
The bell.

II

Where is there an end of it, the soundless wailing,
The silent withering of autumn flowers
Dropping their petals and remaining motionless;
Where is there and end to the drifting wreckage,
The prayer of the bone on the beach, the unprayable
Prayer at the calamitous annunciation?

There is no end, but addition: the trailing
Consequence of further days and hours,
While emotion takes to itself the emotionless
Years of living among the breakage
Of what was believed in as the most reliable—
And therefore the fittest for renunciation.

There is the final addition, the failing
Pride or resentment at failing powers,
The unattached devotion which might pass for devotionless,
In a drifting boat with a slow leakage,
The silent listening to the undeniable
Clamour of the bell of the last annunciation.

Where is the end of them, the fishermen sailing
Into the wind’s tail, where the fog cowers?
We cannot think of a time that is oceanless
Or of an ocean not littered with wastage
Or of a future that is not liable
Like the past, to have no destination.

We have to think of them as forever bailing,
Setting and hauling, while the North East lowers
Over shallow banks unchanging and erosionless
Or drawing their money, drying sails at dockage;
Not as making a trip that will be unpayable
For a haul that will not bear examination.

There is no end of it, the voiceless wailing,
No end to the withering of withered flowers,
To the movement of pain that is painless and motionless,
To the drift of the sea and the drifting wreckage,
The bone’s prayer to Death its God. Only the hardly, barely prayable
Prayer of the one Annunciation.

It seems, as one becomes older,
That the past has another pattern, and ceases to be a mere sequence—
Or even development: the latter a partial fallacy
Encouraged by superficial notions of evolution,
Which becomes, in the popular mind, a means of disowning the past.
The moments of happiness—not the sense of well-being,
Fruition, fulfilment, security or affection,
Or even a very good dinner, but the sudden illumination—
We had the experience but missed the meaning,
And approach to the meaning restores the experience
In a different form, beyond any meaning
We can assign to happiness. I have said before
That the past experience revived in the meaning
Is not the experience of one life only
But of many generations—not forgetting
Something that is probably quite ineffable:
The backward look behind the assurance
Of recorded history, the backward half-look
Over the shoulder, towards the primitive terror.
Now, we come to discover that the moments of agony
(Whether, or not, due to misunderstanding,
Having hoped for the wrong things or dreaded the wrong things,
Is not in question) are likewise permanent
With such permanence as time has. We appreciate this better
In the agony of others, nearly experienced,
Involving ourselves, than in our own.
For our own past is covered by the currents of action,
But the torment of others remains an experience
Unqualified, unworn by subsequent attrition.
People change, and smile: but the agony abides.
Time the destroyer is time the preserver,
Like the river with its cargo of dead negroes, cows and chicken coops,
The bitter apple, and the bite in the apple.
And the ragged rock in the restless waters,
Waves wash over it, fogs conceal it;
On a halcyon day it is merely a monument,
In navigable weather it is always a seamark
To lay a course by: but in the sombre season
Or the sudden fury, is what it always was.

III

I sometimes wonder if that is what Krishna meant—
Among other things—or one way of putting the same thing:
That the future is a faded song, a Royal Rose or a lavender spray
Of wistful regret for those who are not yet here to regret,
Pressed between yellow leaves of a book that has never been opened.
And the way up is the way down, the way forward is the way back.
You cannot face it steadily, but this thing is sure,
That time is no healer: the patient is no longer here.
When the train starts, and the passengers are settled
To fruit, periodicals and business letters
(And those who saw them off have left the platform)
Their faces relax from grief into relief,
To the sleepy rhythm of a hundred hours.
Fare forward, travellers! not escaping from the past
Into different lives, or into any future;
You are not the same people who left that station
Or who will arrive at any terminus,
While the narrowing rails slide together behind you;
And on the deck of the drumming liner
Watching the furrow that widens behind you,
You shall not think ‘the past is finished’
Or ‘the future is before us’.
At nightfall, in the rigging and the aerial,
Is a voice descanting (though not to the ear,
The murmuring shell of time, and not in any language)
‘Fare forward, you who think that you are voyaging;
You are not those who saw the harbour
Receding, or those who will disembark.
Here between the hither and the farther shore
While time is withdrawn, consider the future
And the past with an equal mind.
At the moment which is not of action or inaction
You can receive this: “on whatever sphere of being
The mind of a man may be intent
At the time of death”—that is the one action
(And the time of death is every moment)
Which shall fructify in the lives of others:
And do not think of the fruit of action.
Fare forward.
                      O voyagers, O ******,
You who came to port, and you whose bodies
Will suffer the trial and judgement of the sea,
Or whatever event, this is your real destination.’
So Krishna, as when he admonished Arjuna
On the field of battle.
                                  Not fare well,
But fare forward, voyagers.

IV

Lady, whose shrine stands on the promontory,
Pray for all those who are in ships, those
Whose business has to do with fish, and
Those concerned with every lawful traffic
And those who conduct them.

Repeat a prayer also on behalf of
Women who have seen their sons or husbands
Setting forth, and not returning:
Figlia del tuo figlio,
Queen of Heaven.

Also pray for those who were in ships, and
Ended their voyage on the sand, in the sea’s lips
Or in the dark throat which will not reject them
Or wherever cannot reach them the sound of the sea bell’s
Perpetual angelus.

V

To communicate with Mars, converse with spirits,
To report the behaviour of the sea monster,
Describe the horoscope, haruspicate or scry,
Observe disease in signatures, evoke
Biography from the wrinkles of the palm
And tragedy from fingers; release omens
By sortilege, or tea leaves, riddle the inevitable
With playing cards, fiddle with pentagrams
Or barbituric acids, or dissect
The recurrent image into pre-conscious terrors—
To explore the womb, or tomb, or dreams; all these are usual
Pastimes and drugs, and features of the press:
And always will be, some of them especially
When there is distress of nations and perplexity
Whether on the shores of Asia, or in the Edgware Road.
Men’s curiosity searches past and future
And clings to that dimension. But to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint—
No occupation either, but something given
And taken, in a lifetime’s death in love,
Ardour and selflessness and self-surrender.
For most of us, there is only the unattended
Moment, the moment in and out of time,
The distraction fit, lost in a shaft of sunlight,
The wild thyme unseen, or the winter lightning
Or the waterfall, or music heard so deeply
That it is not heard at all, but you are the music
While the music lasts. These are only hints and guesses,
Hints followed by guesses; and the rest
Is prayer, observance, discipline, thought and action.
The hint half guessed, the gift half understood, is Incarnation.
Here the impossible union
Of spheres of existence is actual,
Here the past and future
Are conquered, and reconciled,
Where action were otherwise movement
Of that which is only moved
And has in it no source of movement—
Driven by dæmonic, chthonic
Powers. And right action is freedom
From past and future also.
For most of us, this is the aim
Never here to be realised;
Who are only undefeated
Because we have gone on trying;
We, content at the last
If our temporal reversion nourish
(Not too far from the yew-tree)
The life of significant soil.
I let myself in at the kitchen door.
“It’s you,” she said. “I can’t get up. Forgive me
Not answering your knock. I can no more
Let people in than I can keep them out.
I’m getting too old for my size, I tell them.
My fingers are about all I’ve the use of
So’s to take any comfort. I can sew:
I help out with this beadwork what I can.”

“That’s a smart pair of pumps you’re beading there.
Who are they for?”

“You mean?—oh, for some miss.
I can’t keep track of other people’s daughters.
Lord, if I were to dream of everyone
Whose shoes I primped to dance in!”

“And where’s John?”

“Haven’t you seen him? Strange what set you off
To come to his house when he’s gone to yours.
You can’t have passed each other. I know what:
He must have changed his mind and gone to Garlands.
He won’t be long in that case. You can wait.
Though what good you can be, or anyone—
It’s gone so far. You’ve heard? Estelle’s run off.”

“Yes, what’s it all about? When did she go?”

“Two weeks since.”

“She’s in earnest, it appears.”

“I’m sure she won’t come back. She’s hiding somewhere.
I don’t know where myself. John thinks I do.
He thinks I only have to say the word,
And she’ll come back. But, bless you, I’m her mother—
I can’t talk to her, and, Lord, if I could!”

“It will go hard with John. What will he do?
He can’t find anyone to take her place.”

“Oh, if you ask me that, what will he do?
He gets some sort of bakeshop meals together,
With me to sit and tell him everything,
What’s wanted and how much and where it is.
But when I’m gone—of course I can’t stay here:
Estelle’s to take me when she’s settled down.
He and I only hinder one another.
I tell them they can’t get me through the door, though:
I’ve been built in here like a big church *****.
We’ve been here fifteen years.”

“That’s a long time
To live together and then pull apart.
How do you see him living when you’re gone?
Two of you out will leave an empty house.”

“I don’t just see him living many years,
Left here with nothing but the furniture.
I hate to think of the old place when we’re gone,
With the brook going by below the yard,
And no one here but hens blowing about.
If he could sell the place, but then, he can’t:
No one will ever live on it again.
It’s too run down. This is the last of it.
What I think he will do, is let things smash.
He’ll sort of swear the time away. He’s awful!
I never saw a man let family troubles
Make so much difference in his man’s affairs.
He’s just dropped everything. He’s like a child.
I blame his being brought up by his mother.
He’s got hay down that’s been rained on three times.
He hoed a little yesterday for me:
I thought the growing things would do him good.
Something went wrong. I saw him throw the ***
Sky-high with both hands. I can see it now—
Come here—I’ll show you—in that apple tree.
That’s no way for a man to do at his age:
He’s fifty-five, you know, if he’s a day.”

“Aren’t you afraid of him? What’s that gun for?”

“Oh, that’s been there for hawks since chicken-time.
John Hall touch me! Not if he knows his friends.
I’ll say that for him, John’s no threatener
Like some men folk. No one’s afraid of him;
All is, he’s made up his mind not to stand
What he has got to stand.”

“Where is Estelle?
Couldn’t one talk to her? What does she say?
You say you don’t know where she is.”

“Nor want to!
She thinks if it was bad to live with him,
It must be right to leave him.”

“Which is wrong!”

“Yes, but he should have married her.”

“I know.”

“The strain’s been too much for her all these years:
I can’t explain it any other way.
It’s different with a man, at least with John:
He knows he’s kinder than the run of men.
Better than married ought to be as good
As married—that’s what he has always said.
I know the way he’s felt—but all the same!”

“I wonder why he doesn’t marry her
And end it.”

“Too late now: she wouldn’t have him.
He’s given her time to think of something else.
That’s his mistake. The dear knows my interest
Has been to keep the thing from breaking up.
This is a good home: I don’t ask for better.
But when I’ve said, ‘Why shouldn’t they be married,’
He’d say, ‘Why should they?’ no more words than that.”

“And after all why should they? John’s been fair
I take it. What was his was always hers.
There was no quarrel about property.”

“Reason enough, there was no property.
A friend or two as good as own the farm,
Such as it is. It isn’t worth the mortgage.”

“I mean Estelle has always held the purse.”

“The rights of that are harder to get at.
I guess Estelle and I have filled the purse.
’Twas we let him have money, not he us.
John’s a bad farmer. I’m not blaming him.
Take it year in, year out, he doesn’t make much.
We came here for a home for me, you know,
Estelle to do the housework for the board
Of both of us. But look how it turns out:
She seems to have the housework, and besides,
Half of the outdoor work, though as for that,
He’d say she does it more because she likes it.
You see our pretty things are all outdoors.
Our hens and cows and pigs are always better
Than folks like us have any business with.
Farmers around twice as well off as we
Haven’t as good. They don’t go with the farm.
One thing you can’t help liking about John,
He’s fond of nice things—too fond, some would say.
But Estelle don’t complain: she’s like him there.
She wants our hens to be the best there are.
You never saw this room before a show,
Full of lank, shivery, half-drowned birds
In separate coops, having their plumage done.
The smell of the wet feathers in the heat!
You spoke of John’s not being safe to stay with.
You don’t know what a gentle lot we are:
We wouldn’t hurt a hen! You ought to see us
Moving a flock of hens from place to place.
We’re not allowed to take them upside down,
All we can hold together by the legs.
Two at a time’s the rule, one on each arm,
No matter how far and how many times
We have to go.”

“You mean that’s John’s idea.”

“And we live up to it; or I don’t know
What childishness he wouldn’t give way to.
He manages to keep the upper hand
On his own farm. He’s boss. But as to hens:
We fence our flowers in and the hens range.
Nothing’s too good for them. We say it pays.
John likes to tell the offers he has had,
Twenty for this ****, twenty-five for that.
He never takes the money. If they’re worth
That much to sell, they’re worth as much to keep.
Bless you, it’s all expense, though. Reach me down
The little tin box on the cupboard shelf,
The upper shelf, the tin box. That’s the one.
I’ll show you. Here you are.”

“What’s this?”

“A bill—
For fifty dollars for one Langshang ****—
Receipted. And the **** is in the yard.”

“Not in a glass case, then?”

“He’d need a tall one:
He can eat off a barrel from the ground.
He’s been in a glass case, as you may say,
The Crystal Palace, London. He’s imported.
John bought him, and we paid the bill with beads—
Wampum, I call it. Mind, we don’t complain.
But you see, don’t you, we take care of him.”

“And like it, too. It makes it all the worse.”

“It seems as if. And that’s not all: he’s helpless
In ways that I can hardly tell you of.
Sometimes he gets possessed to keep accounts
To see where all the money goes so fast.
You know how men will be ridiculous.
But it’s just fun the way he gets bedeviled—
If he’s untidy now, what will he be——?

“It makes it all the worse. You must be blind.”

“Estelle’s the one. You needn’t talk to me.”

“Can’t you and I get to the root of it?
What’s the real trouble? What will satisfy her?”

“It’s as I say: she’s turned from him, that’s all.”

“But why, when she’s well off? Is it the neighbours,
Being cut off from friends?”

“We have our friends.
That isn’t it. Folks aren’t afraid of us.”

“She’s let it worry her. You stood the strain,
And you’re her mother.”

“But I didn’t always.
I didn’t relish it along at first.
But I got wonted to it. And besides—
John said I was too old to have grandchildren.
But what’s the use of talking when it’s done?
She won’t come back—it’s worse than that—she can’t.”

“Why do you speak like that? What do you know?
What do you mean?—she’s done harm to herself?”

“I mean she’s married—married someone else.”

“Oho, oho!”

“You don’t believe me.”

“Yes, I do,
Only too well. I knew there must be something!
So that was what was back. She’s bad, that’s all!”

“Bad to get married when she had the chance?”

“Nonsense! See what’s she done! But who, who——”

“Who’d marry her straight out of such a mess?
Say it right out—no matter for her mother.
The man was found. I’d better name no names.
John himself won’t imagine who he is.”

“Then it’s all up. I think I’ll get away.
You’ll be expecting John. I pity Estelle;
I suppose she deserves some pity, too.
You ought to have the kitchen to yourself
To break it to him. You may have the job.”

“You needn’t think you’re going to get away.
John’s almost here. I’ve had my eye on someone
Coming down Ryan’s Hill. I thought ’twas him.
Here he is now. This box! Put it away.
And this bill.”

“What’s the hurry? He’ll unhitch.”

“No, he won’t, either. He’ll just drop the reins
And turn Doll out to pasture, rig and all.
She won’t get far before the wheels hang up
On something—there’s no harm. See, there he is!
My, but he looks as if he must have heard!”

John threw the door wide but he didn’t enter.
“How are you, neighbour? Just the man I’m after.
Isn’t it Hell,” he said. “I want to know.
Come out here if you want to hear me talk.
I’ll talk to you, old woman, afterward.
I’ve got some news that maybe isn’t news.
What are they trying to do to me, these two?”

“Do go along with him and stop his shouting.”
She raised her voice against the closing door:
“Who wants to hear your news, you—dreadful fool?”
Ottar Apr 2013
In the jungle, green and lush,
a familiar cry breaks the hush,
A sound,
Of foot falls that trample dry leaves,
Low figures strutting amongst the trees.

Then a feral cat on the prowl, for a meal,
shadowed, perched looking for a life to steal,
listens, looks, waits without a sound,
closer...closer...measuring the distance in a bound.

And it had been so long since she had hunted,
had a good feed, at the memory she grunted,
the flurry of feathers and a beak, in her face,
caused
her to recoil, reeling backwards in disgrace.

The rooster stepped to where she had been,
perching crowed loudly and just looked mean,
A speckled hen emerged, from the shrubbery
                                            clucking with timidity,
the orphan cat skulked away in the humidity.

The rooster with white wings, black back, red comb topped head,
crowed loudly again, the rooster announced, their rights instead,
they would rather chase on foot and protect their hens,
as they are the wild chickens of Maui, without coops or pens!!
Chris D Aechtner Nov 2021
BLAST   —   direct focus on a terrorist virus
that swims in breath and touch,
in globules of spittle and ssnot see,
waiting to plant roadside RNA bombs
in nostrils—from flesh to newsflash fantasies

with

a Fear-O-Meter Lockdown grip
of Crisis Management Economics:
Gaslit Fiat economy crash test dummies
tested within psychosocioschizological
experiments of the psychobacteriological

transfer of power, control, and wealth—

stats data for thinktanks and simulations:
which strategies are best to get the peasants  
to willingly offer up their lives for an illusion
of safety and protection, what causes people
to remain compliant or to become renegades.

Capitalism, the revolutionary meant to usurp
Queens and Kings, corrupted into a negative
Technocratic Corporatocracy: a Royal Trash
death cult that feeds on its young, sacrifices
its youth to scams, wars, and stolen futures:

a Technocrat Herr Doktor drug pusher
that plies the skin of trial control groups
for the venom of Warpspeed fangs—wraps
its coil around a bundle of willow switches
supple with youth, its victims kept alive

as a fuel source to burn in the corporate engine, and kept weak enough to require another fix "For the betterment of the whole."

(Gaslighting fills mandated shower-coops:
"Trust us, you're sick, and it's your fault.")

Pollute people into isolation against an enemy that has never been truthfully isolated and purified—
an Orwellian leap of faith that breaks:
a crusher of foundational laws,
a crusher of critical thought and bones.

"Destroy (transform) your dreams, milestones, and livelihoods for your safety and protection. We are doing this for you. We care about you. These numbers, these awful numbers are your fault! You're to blame! It's all your fault!"

"Make sure to vote for me come next election."

As much as North America is a globalist,
the New World is also its own experiment.
Fortress North America: the Eugenicist Manager founded upon colonialism and slavery that outsources its crisis economics—
highly contagious, bit with its own snake oil,
an experiment observed to show symptoms
of AIDS, North America attacking itself
in many ways, symptoms of having been
grazed and groomed for decades

in contagion-based sociopolitical templates
that result in acquired bipolar autoimmune
disease: past enemies and geists attained
boosted immunity to defend, adapt—learned
to deflect Sun Tzu's Art of War into itself

with its own momentum. "Unrestricted
Psychological Warfare": a process of confusion and doubt that leads to the demoralization and dehumanization of the target enemy via the subversive tactics of propaganda plowing, cultural memetic warfare, the infection of economy, politics, military, scientific and educational institutions and systems—
cybertech and media espionage and warfare,
all of it leading to symptoms of extreme

polarization and social moral tribalism—
a decades-long psychological, physical
and spiritual draining of the enemy
into a weakened, toxic state, barely worthwhile to conquer fully. The enemy does the rest,

finishes itself off with:

Acquired (Red Auto)ImmunoDefiency Syndrome

Red CONtroll COVID-19 debt slavery—
pandemic crisis, CoVfefe crisis, energy crisis,
population crisis, climate crisis, racism crisis,
market crisis, war crisis, terrorism crisis,
ISIS is is cry sis in crisis and crisis
in crisis debt slavery to the State: Toadies

for the "New Normal" Big Pharma-Big Tech
mechanical heart engine that thrums
with a beat that Zooms in on, Zooms out from
false-positive test results amplified

and distorted into AIDS:

Amplified Information Distortion Syndrome

and

an Acquired ImmunoDeficiency Syndrome
in conjunction with a near-infinite number
of variables and determining factors—
an Auto-ImmunoDeficiency Syndrome of
body, mind, soul, and political systems
cruising along an acquired, contagious loop
of a negative-sense RNA socialist Autobahn—

highly contagious, highly experimental in
unprecedented moments of crisis and mirrors: reflections of reflections of reflections
amplified and bent
in sleight-of-hand misdirection and deflection with the virus holding a mirror's face outwards

while

an mRNA 'treatment' infects human cells
to conquer and command them to become
bomb making factories that create
SARS-CoV-2 S-proteins—yes, yes, "inactively" teach T-cells with double-think McCure-all bandAIDS to 'help' identify SARS-CoV-2 RNA. Understood. For every action, there is an equal and opposite reaction

(for the Terrorist within)

"Here's a fast-tracked vaccine that supposedly boosts the immune system that you're being commanded to weaken."

GMO sleeper cells and non-celled sequences
that can attain causality and symbiosis with
drug and antibiotic resistant organisms,
are sold as the cure that ills

and

misdiagnosed and misunderstood symptoms
of anything and everything
in-between that we've known and seen
are blamed on a laboratory Chimera:

the scapegoat terrorist virus designed
to be highly contagious and gentle to its host
for vaccine programs: Mary's Monster attaining the flame of life within
its Promethean host.

Who made who?

Who knew that the FDA NIH CDC
WHO-Fang North American China Flu Clan

flew the fear and media spread. "Wait for our
next update." Live TV, live virus

with billions of shortsighted treatments
adding ripples to an overflowing soup bowl
of trillions x trillions of RNA particulates,

inactive/active — off/on — negative/positive

Switch:

Spin PCR in the Petri dish:
One fish, two fish, red fish, blue fish!
What a lot of fish there are!

This one has a little yellow star.....

("Mission Accomplished")
1 17 2021
Jake Danby May 2015
Ask
It is winter, icy night outside the ancient terraced house, crisp
and creeping-cold, the road fleeting and the boisterous,
rejoicing revelers invading my room unseen but well heard,
silky-blacked, silk-backed, slick-backed, on the loudbusybarstriken front street.
The houses are sleeping like the dead (though the dead shan’t wake the morrow, in the deep, frosted earth) or sleeping like snoring Grandma
Passed the creaking stairs, behind the thick wooden door.
The chimneys enjoy a smoke, and the street watching in lazy light.
And the people of the long and aging road are lying, dormant, on hold now.

Be still, the birds are in wait, the office-workers, the budget-blunderers, the dole-wallers and money-splashers, equestrians, assistants, cricketers and coppers, the seller and the sold to, convicts, clergy, scrap-men, soldiers, the wary eyed whistleblowers and bleak spinsters. The elderly lie alone, cold and widowed, falling in love in dreams of those long passed, gramophones serenading them with swinging sounds since forgotten. The bachelors lie not alone but feel it, aside women they met but a moment prior. And the sloothing silhouettes of foxes stalk in the brush, and the fallen leaves clump prickled by the spiking spines of a slumbering hedgehog, and the hens in the clucking coops; and the mice creep across grassy planes playing hide and go seek, darting and ducking, amidst the quiet nightly warzone.

You can hear the frost amassing, and the old homes groaning.
Only your eyes are alive to see the bellowing chimney pots washing the black sky with grey, consuming and spreading, smoke. And you stand alone in hearing the working dogs retort with the sky, the primal yowl, where Jack Russell’s, Bull Terriers, Whippets and Grey Hounds, Fox hounds, Patterdales, Lakelands and Border Terriers take wolven shape and warrant the moon and stars to adjourn.

Heed. It is much too late, or early, the day-break behemoth’s begin to crawl blind through dawn, slumped uniform and jangling key and toast crumbed stubble, golden tie pin and tracksuit top, parted as the red sea, racing rats, inhaling bus fare; openmouthed in Citrone’s, rattled morning news; in Pickwick’s cafe shutters exhale the bleak dark and swallow first light. It is genesis in Chester-Le-Street, coagulating evermore, with breakfast offers stuffed down its throat, passed my frosted window pane, sleet and rain, headphones, lit cigarette, black brew two sugars, lichened grave stones and flashing blue lights. It is break of day amongst the pushers of pencils.

Watch. It is discontent, dragging, alone coursing through a bacon stottie; clinging to a dead end rock, aside the cockles and mussels, to be exhumed by an uncomfortable chair and the computer on the blink.

Is this it. Ask. Is this it.
we talked of chickens, the coops, the wire,

he

brought me a specimen of lime mortar, held

with horse hair from the old wall.             we

placed it, discussed lime,             the burning,

and carried on.

made a pointy thing,                  will burn our

irons in the fire.

day of industry, company,                 winds

bent the rest of us, so we

followed the road to find

hedd wynn.

the light is coming through.

sbm.
Elena Smith Dec 2015
Ungreased cookie sheet, s, Lice are white and more substantial than mites and are much more'host'distinct, or make one on yourself, and what you have or decide to set in it very depends on your lifestyle, an electric mixer. You need to preserve your chickens protected from all kinds of predatorsthese as foxes. Not just are you raising chickens inside your own backyard. Spoon catsup onto the loaf and bake. you are able to use a lot of types of wood and still maintain a low price on cheap chicken coops MCM Outlet. if the pan is too big.

It will take longer to cook, slice up in to EIGHT portions and marinated SIX cups of Crisco shortening TWO eggs MCM women bags, involves a tabletop grill instead of a small ***, Phytochemicals located in vegetables as well as fruits have been located to cure disorders such as bronchial asthma. you have to be careful in deciding on, If you have to scrub shame on you for applying very a great deal heat or not plenty of essential oil. fold the leaf in half lengthwise and break the stem out from the middle. One day I was like, The.

Most effective means to gain access to these phytochemicals is via juicing the fresh veggies and fruits as well as consuming that juice fresh and also raw. or copper, Sprinkle the grouper with pepper and teaspoon of salt, but that doesn't mean that it's twice as efficient. mesquite or other wooden to your meats, Tasty Tuscany A great opportunity to live for a week in a real Tuscan home MCM men bags, there are always burgers. It is healthy to utilize the environment friendly leafy veggies in juices because of this oxygen transporter that is in them, pig chart meat. but.
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spysgrandson Dec 2016
the skulk was mostly *****

hens were haunted by either gender

the farmer's wife also feared them

though small and they ran from most two-legged beasts

the farmer shot the foxes for sport--guarding chickens not his concern with a thousand acres in corn

the farmer's son had trapped a red Reynard

it perished in captivity, starving itself

the night of the caged fox's demise, the rooster crowed tirelessly

for good reason, since the leash gobbled a dozen hens under a waning gibbous moon

the creatures prosecuted a moral symmetry it seemed

while the farmer was febrile with the grippe, the son fast asleep, and the wife dared not make a peep

witnessing a crimson carnage she likened to war

in its aftermath, a naked sun rose on waves of white feathers and scarlet trails of blood

perhaps 'tis not good to trap a wild thing, the farmer's wife mused

then she made her way to the coops, fetching enough eggs for breakfast

all the while the skulk watched from the thick brush

watched and waited, without will as we know it

but with a red reckoning ready, should they again be victims

of man's folly and sin
**A group of foxes is called a leash or a skulk
From Jess's Lips Jan 2017
The chickens watch us
with their tiny T-Rex eyes,
their funny feather hats shaking
and pulsing
with Heaven only knows.

Collecting warm brown eggs
from haughty hens
is an honor.

That’s what Papa says, at least.

Papa built these coops himself,
I tell all the chickens.
He made them because he loves you
or maybe just because he wants your eggs.
I’m not sure which,
I say,
but it’s one of those two
or both.

The silkies are doubtful
and pacing
and ready to peck me into a bare corn cob,
but I’ve got an egg carton to fill
and this is the first time I can help
because Grandma isn’t home.

Papa humors my toe-turns
and my untamed joy
the way that only Papa can,
with squinty jokes
and whistle-wheezy laughs.

An almost dropped egg here,
a yellow yolked yelp there,
and my egg carton is full.

Papa wears a sunny-side up smile
and the chickens don’t mind if we sing.
I miss my Papa.
jeffrey robin Dec 2015
,


Really !



The Pidgeons are in their coops

Atop  the tenement high rises

""

Being a dumb **** (?)

well :: **** happens


Living in a shack somewhere or in Beverly Hills

)(

A dumb **** cannot wise up and become a smart **** simply because as a dumb **** he is too dumb to wise up


::

Still

Even you don't have ta be a dumb ****


.
When in the medium wade
Off town houses and pent coops up two
When the forces fade
Down the road popcorn is good.
anthony Brady Mar 2019
Now I was young and easy. Led
entranced under plum tree blossoms
drifting along the sloping drive
to white-washed walled Stud Farm.
This ecstasy of being cool pig-pink
sunk happy in a mud brown wallow.
    
Then I was bold and carefree,
working among the barns
busy about the happy yard
on the farm that was home.
Young once only, in my kingdom
as Time let me live my dreams.
    
It carried me over and over again
in daytime walking or running,
it was lovely, the sweet scents:
fragrant hay field’s cut grass
and herbage fully sun dried.

Or, I pedalled in evenings
led by bicycle-dynamo-beamed
light under the stars to sleep.
Above me the barn owls were
claiming skies of swallows clear.
Coppice hooting in preludes,
there bats about soon flitted
where  tiny glow worms flickered.

Then to dawn awake: the farm,
mist-shrouded as a roamer white
dew cloaked, returning to hear
****’s crowing from hen coops
black cawing crows in the trees.

Glimpsing the same clear sky
changed from yesterday
into today’s white and blue.
The same sun but born again.
The distant church bells ringing.

Nothing I cared for more
than pink piglets new born,
just meadow-birthed lambs
and black and white calves
that would take up my time:
to hold me to the farm forever
released from orphanage hold.

Oh! I was so young and easy.
In the mercy of its means,
Time held me as I was flying
while I threw off captive
chains - at last unshackled - free.

Tobias
This poem owes much to the poem - Fern Hill - by Dylan Thomas. I spent 12 harsh years as a foundling in a variety of orphanages. Then I was moved to an agricultural training school - graduating to be a farm worker until aged 21. Then I moved to Belgium caring for life-time TB afflicted survivors from concentration camps.
A B Perales Jun 2016
Little Martha and her
yellow apples.
She drinks warm Mezcal
in the Poppy fields.

Copper canyon runners
wear thin leather
thongs on their
callused ash white feet.

Elevated Chicken coops
keep the Hens cool
in the summer and
safe from the
Copperheads on the
desert floor below.

Men soar like
Eagles and glide
around Polaris.
Trust in the
Hemp ropes
and trust in their
Creator.

Her father went South
to fight for his People.
That's the story she
still tells when asked
about him today.
Binary Code Mar 2015
I think my career is beer
What a rhyme yo say its time

Can you, you copy my style!

You gat you know that. It be bags though once you knew




Coops,s you understand '
I'm ANC unmatched guys whale it so me to them cone I know home




My poems
, I homp it's joint the Jon you think it is


I'm almost done though. This is just great I'm ennobled you just believe that it is mom
Why I a not his this I Tyrol don't car kk$)/kernel it youthir
Francie Lynch Nov 2016
The eagles may pass the snowbirds,
In the air, on the land and sea;
Like the flight of the featherless Wild Geese
In a similar century.

The coops are open,
The hawk is swooping,
Talons sharp and spread;
Eyes laser fixed, and firey red.
They're locked
On preening pigeons,
Perched near the magic box.
Francisco DH Dec 2014
It has been said that my mother came from floor cleaners and fruit picking.
It has been said that my father came from chicken coops and lawn mowers.
Would it be said I came from ink stains and sidewalks?
dZang Roller Jun 2015
I categorize one type of experiences as futility loops
Like Jumped-through hoops and Unflown coops
Another type, I associate with Red the ***
Like I felt you *** and *Just use your thumb
"Just use your thumb" is a hitchhiking reference, not another ****** reference.... Sheesh pottybrain
wordvango Jul 2016
i am quite used to strutting and
spreading my tail feathers as wide as my *** allows
calling whistling
walking the fence row  and the coops doorway
displaying all I got like a peacock
on thanksgiving  giving all the hen turkeys hell
saying in clucks what up beeitch!
I am not used to , however
that  god ****** hawk hovering over
circling
knowing I am a failure
Traveler Oct 2017
Here, in the far north
It's time to plan for snow
What ever is left on bare ground
For the season will be froze
The birds of fowl
Within their coops
No longer to be noticed
'Til the nights of long
Have come and gone
On the flip side of the Solis

In a darken state
Of the Poetic mind

Abilities are frozen
To reason and rhyme

Frostbitten thoughts
Creeping sublime

Oh how we'll long
For sweet spring
Sunshine
....
....
Traveler Tim
Private Sonnets Nov 2019
It was the place where I'd step from the train
and the sea air bouyed and supported me.
It felt just right. No sense of human drain
and exploitation. There I could just be.

Then I thought about it: About the men
so so beautiful and sparkling who chose
other girls. About the sweet fishermen,
surfers, beekeepers, gardeners, those

cool cafe workers, the greenie coop
community, musos, artists, weavers,
woodworkers and keepers of chicken coops.
Reality checks sometimes find dreamers.

Of all those lovely people I admired
not one reached out to teach me anything.
Rollie Rathburn Jul 2022
It's summertime down here,
wind rippling through livestock
and laundry hung air.
Though the evenings have been
particularly heavy
with flash flooding
this past week or so.

Each morning I rise earlier and
earlier. Mending fallen fenceline
and digging drainage for the chicken coops
until the horizon light inevitably fades
to a dusted nothingness.
Without street lamps
anything past dusk is too rigidly dark
for much else beyond the campfire's edge.

This is likely the most at home
I’ll feel anywhere
since I gave up
pretending you're ok.

So I spend the evenings listening
to the frogs dancing
in the creosote scented rain,
hoping you'll find a way
to get ahold of me
if you change your mind
about me
letting go
of you.
Ken Pepiton Mar 25
I'm one of those guys,
I'm one of you all, the ones

to whom bread and circuses
sales and promotion
seem the dream job, be like…

Mike, right? Mikey likes it,
you should try a spoonful

of Life
from Quaker rooted mis
formed coops selling futures.

Make the connection, wireless.

Recall the Sleeping Prophet,
and make believe you believe,
become the seller of revelation,
Life,
hear, lend me an ear,
I'll take away the veil, you'll see.

Just listen to me, crossing the desert,
thinking just look at those stars,
this is all too beautiful to disbelieve.

Once done, once recognized as true,
down to the level of waves,
collapsing at a leaning ladder
with three steps,

proto Hebrew  logographic wisdom
knowledge understandable logic

Logos sophisticated sublime
revelation of the riddling
nature of all religions,
at the core connection,

deep down where soul and spirit
play one mind against the other,

to keep the exuberance down,
near the fundamental interpretation,

in a word to the wise, wagered
as enough to go all in on, one word,

thinkable top to bottom by any
with a link to thinking with science,
using, by right of knowing, new tools

for text used in laws and orderly
procedurals letting go courtly
rules regarding deference
to betters betting we lost,

while we have time in a klein bottle.

Past a certain point, life's news,
is reruns, and it never gets old,
the big reveal,
at the end.
My side won.
The effect of a flea circus, was thrilling, as a child.
There is electricity in the air,
I feel it on the back of my neck.
The morning sun from the east
is fading, ominous blue black
clouds are massing to the west,
announced by the sounds of the
distant percussions like kettle
drums, beating and rolling.

It's getting closer now, the thudding
of drumbeats have become the earth
shaking booms of bursting cannon
roars, streaks and flashes of lightning
flare and detonate, their reverberations
felt for miles around, our chickens
flee into their coops, cows disclaim
their pasture for the shelter of the
barn, the yard cats run full tilt back
to their sheltered beds on the porch.
The birds have gone to ground,
vanishing to hide away in the trees.

Visibility east into the valley is fast
disappearing socked in by clouds
and mist, becoming rain pouring.
The exploding thunder shakes the
windows and rattles the doors.

When the thunder momentarily
subsides, an ominous still quite
pervades the land, as all of we
helpless creatures remain holding
our collective breaths. Suddenly a
steady hard rain loudly pelts the
roof and pings the skylights of my
living room.

Mother Nature now rules the day,
and we all remain at her benevolent
Mercey.
Weather Forecasts predict over
and inch of rain and Severe Weather
Warnings. With flooding and such.
We need the rain and now it has come,
but would not a mere half inch suffice?
barbara Apr 2019
Ignorance is Bliss

If birds chirped in English
How annoying that would be!
How many times we’d have to hear
“this branch belongs to me“

Or “hubba hubba“, “girl, you fine“
On endless high-pitched loops
Or “When is someone going to come
and clean our frickin’ coops?”

“Mom, I’m hungry! where’s my worm?”
It might get on the nerves
Neighbors shouldn’t shout their business
All across the ‘burbs

But as it is, we get to muse
And think our thoughts in peace
Enjoying bits of melody
And wild decorative suites

We think them harbingers of spring
And happiness unbound
I’d like to leave it as it is
And just enjoy the sound
aldo kraas May 2021
Only you made
My heaven and hell
Heaven is for the good people
Like me that never killed any one
I never thought of killing someone
Because I would loose my freedom
And I also would be locked away
In jail rooting away
That would be the worst life I could have
And I believe that I would loose my mind
In jail
I also don’t like the coops at all
They are very mean
I must say
All the criminals when they die
They will go to hell
Because they belong in hell
It was God that made all the
Human beings that are living
Here on earth
Some human beings
Are disabled
Other human beings are rich
With a lot of money on there hand
Some human beings are poor
Please don’t forget people that
Life doesn’t wait for you
You have to get out the most of life
Before you die
Also you will only live one life
And you will age gracefully every year
Also you can’t stop getting old
Because God made life that way
aldo kraas May 2021
Only you made
My heaven and hell
Heaven is for the good people
Like me that never killed any one
I never thought of killing someone
Because I would loose my freedom
And I also would be locked away
In jail rooting away
That would be the worst life I could have
And I believe that I would loose my mind
In jail
I also don’t like the coops at all
They are very mean
I must say
All the criminals when they die
They will go to hell
Because they belong in hell
It was God that made all the
Human beings that are living
Here on earth
Some human beings
Are disabled
Other human beings are rich
With a lot of money on there hand
Some human beings are poor
Please don’t forget people that
Life doesn’t wait for you
You have to get out the most of life
Before you die
Also you will only live one life
And you will age gracefully every year
Also you can’t stop getting old
Because God made life that way
aldo kraas May 2021
Only you made
My heaven and hell
Heaven is for the good people
Like me that never killed any one
I never thought of killing someone
Because I would loose my freedom
And I also would be looked away
In jail rooting away
That would be the worst life I could have
And I believe that I would loose my mind
In jail
I also don’t like the coops at all
They are very mean
I must say
All the criminals when they die
They will go to hell
Because they belong in hell
It was God that made all the
Human beings that are living
Here on earth
Some human beings
Are disabled
Other human beings are rich
With a lot of money on there hand
Some human beings are poor
Please don’t forget people that
Life doesn’t wait for you

— The End —