Dedication

Inscribed to a dear Child:
in memory of golden summer hours
and whispers of a summer sea.

Girt with a boyish garb for boyish task,
   Eager she wields her *****; yet loves as well
Rest on a friendly knee, intent to ask
   The tale he loves to tell.

Rude spirits of the seething outer strife,
   Unmeet to read her pure and simple spright,
Deem, if you list, such hours a waste of life,
   Empty of all delight!

Chat on, sweet Maid, and rescue from annoy
   Hearts that by wiser talk are unbeguiled.
Ah, happy he who owns that tenderest joy,
   The heart-love of a child!

Away, fond thoughts, and vex my soul no more!
   Work claims my wakeful nights, my busy days--
Albeit bright memories of that sunlit shore
   Yet haunt my dreaming gaze!

PREFACE

If--and the thing is wildly possible--the charge of writing nonsense were ever brought against the author of this brief but instructive poem, it would be based, I feel convinced, on the line (in p.18)

"Then the bowsprit got mixed with the rudder sometimes."

In view of this painful possibility, I will not (as I might) appeal indignantly to my other writings as a proof that I am incapable of such a deed: I will not (as I might) point to the strong moral purpose of this poem itself, to the arithmetical principles so cautiously inculcated in it, or to its noble teachings in Natural History--I will take the more prosaic course of simply explaining how it happened.

The Bellman, who was almost morbidly sensitive about appearances, used to have the bowsprit unshipped once or twice a week to be revarnished, and it more than once happened, when the time came for replacing it, that no one on board could remember which end of the ship it belonged to. They knew it was not of the slightest use to appeal to the Bellman about it--he would only refer to his Naval Code, and read out in pathetic tones Admiralty Instructions which none of them had ever been able to understand--so it generally ended in its being fastened on, anyhow, across the rudder. The helmsman* used to stand by with tears in his eyes; he knew it was all wrong, but alas! Rule 42 of the Code, "No one shall speak to the Man at the Helm," had been completed by the Bellman himself with the words "and the Man at the Helm shall speak to no one." So remon{-} strance was impossible, and no steering could be done till the next varnishing day. During these bewildering intervals the ship usually sailed backwards.

As this poem is to some extent connected with the lay of the Jabberwock, let me take this opportunity of answering a question that has often been asked me, how to pronounce "slithy toves." The "i" in "slithy" is long, as in "writhe"; and "toves" is pronounced so as to rhyme with "groves." Again, the first "o" in "borogoves" is pronounced like the "o" in "borrow." I have heard people try to give it the sound of the"o" in "worry." Such is Human Perversity. This also seems a fitting occasion to notice the other hard works in that poem. Humpty-Dumpty's theory, of two meanings packed into one word like a port{-} manteau, seems to me the right explanation for all.

For instance, take the two words "fuming" and "furious." Make up your mind that you will say both words, but leave it unsettled which you will say first. Now open your mouth and speak. If your thoughts incline ever so little towards "fuming," you will say "fuming-furious;" if they turn, by even a hair's breadth, towards "furious," you will say "furious-fuming;" but if you have that rarest of gifts, a perfectly balanced mind, you will say "frumious."

Supposing that, when Pistol uttered the well-known
words--

     "Under which king, Bezonian? Speak or die!"

Justice Shallow had felt certain that it was either William or Richard, but had not been able to settle which, so that he could not possibly say either name before the other, can it be doubted that, rather than die, he would have gasped out "Rilchiam!"

CONTENTS

Fit the First. The Landing
Fit the Second. The Bellman's Speech
Fit the Third. The Baker's Tale
Fit the Fourth. The Hunting
Fit the Fifth. The ******'s Lesson
Fit the Sixth. The Barrister's Dream
Fit the Seventh. The Banker's Fate
Fit the Eighth. The Vanishing

Fit the First.

THE LANDING

"Just the place for a Snark!" the Bellman cried,
    As he landed his crew with care;
Supporting each man on the top of the tide
    By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
    That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
    What I tell you three times is true."

  The crew was complete: it included a Boots--
  A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
  And a Broker, to value their goods.

A Billiard-marker, whose skill was immense,
  Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
  Had the whole of their cash in his care.

There was also a ******, that paced on the deck,
  Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,
  Though none of the sailors knew how.

There was one who was famed for the number of things
  He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
  And the clothes he had bought for the trip.

He had forty-two boxes, all carefully packed,
  With his name painted clearly on each:
But, since he omitted to mention the fact,
  They were all left behind on the beach.

The loss of his clothes hardly mattered, because
  He had seven coats on when he came,
With three pair of boots--but the worst of it was,
  He had wholly forgotten his name.

He would answer to "Hi!" or to any loud cry,
  Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
  But especially "Thing-um-a-jig!"

While, for those who preferred a more forcible word,
  He had different names from these:
His intimate friends called him "Candle-ends,"
  And his enemies "Toasted-cheese."

"His form in ungainly--his intellect small--"
  (So the Bellman would often remark)
"But his courage is perfect! And that, after all,
  Is the thing that one needs with a Snark."

He would joke with hy{ae}nas, returning their stare
  With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
  "Just to keep up its spirits," he said.

He came as a Baker: but owned, when too late--
  And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
  No materials were to be had.

The last of the crew needs especial remark,
  Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark,"
  The good Bellman engaged him at once.

He came as a Butcher: but gravely declared,
  When the ship had been sailing a week,
He could only **** Beavers. The Bellman looked scared,
  And was almost too frightened to speak:

But at length he explained, in a tremulous tone,
  There was only one ****** on board;
And that was a tame one he had of his own,
  Whose death would be deeply deplored.

The ******, who happened to hear the remark,
  Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
  Could atone for that dismal surprise!

It strongly advised that the Butcher should be
  Conveyed in a separate ship:
But the Bellman declared that would never agree
  With the plans he had made for the trip:

Navigation was always a difficult art,
  Though with only one ship and one bell:
And he feared he must really decline, for his part,
  Undertaking another as well.

The ******'s best course was, no doubt, to procure
  A second-hand dagger-proof coat--
So the Baker advised it-- and next, to insure
  Its life in some Office of note:

This the Banker suggested, and offered for hire
  (On moderate terms), or for sale,
Two excellent Policies, one Against Fire,
  And one Against Damage From Hail.

Yet still, ever after that sorrowful day,
  Whenever the Butcher was by,
The ****** kept looking the opposite way,
  And appeared unaccountably shy.

II.--THE BELLMAN'S SPEECH.

Fit the Second.

THE BELLMAN'S SPEECH.

The Bellman himself they all praised to the skies--
  Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
  The moment one looked in his face!

He had bought a large map representing the sea,
  Without the least vestige of land:
And the crew were much pleased when they found it to be
  A map they could all understand.

"What's the good of Mercator's North Poles and Equators,
  Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
   "They are merely conventional signs!

"Other maps are such shapes, with their islands and capes!
  But we've got our brave Captain to thank
(So the crew would protest) "that he's bought us the best--
  A perfect and absolute blank!"

This was charming, no doubt; but they shortly found out
  That the Captain they trusted so well
Had only one notion for crossing the ocean,
  And that was to tingle his bell.

He was thoughtful and grave--but the orders he gave
  Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
  What on earth was the helmsman to do?

Then the bowsprit got mixed with the rudder sometimes:
  A thing, as the Bellman remarked,
That frequently happens in tropical climes,
  When a vessel is, so to speak, "snarked."

But the principal failing occurred in the sailing,
   And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
  That the ship would not travel due West!

But the danger was past--they had landed at last,
  With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view,
  Which consisted to chasms and crags.

The Bellman perceived that their spirits were low,
  And repeated in musical tone
Some jokes he had kept for a season of woe--
  But the crew would do nothing but groan.

He served out some grog with a liberal hand,
  And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
  As he stood and delivered his speech.

"Friends, Romans, and countrymen, lend me your ears!"
  (They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
  While he served out additional rations).

"We have sailed many months, we have sailed many weeks,
   (Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
  Have we caught the least glimpse of a Snark!

"We have sailed many weeks, we have sailed many days,
  (Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
  We have never beheld till now!

"Come, listen, my men, while I tell you again
  The five unmistakable marks
By which you may know, wheresoever you go,
  The warranted genuine Snarks.

"Let us take them in order. The first is the taste,
  Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
  With a flavour of Will-o-the-wisp.

"Its habit of getting up late you'll agree
  That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
  And dines on the following day.

"The third is its slowness in taking a jest.
  Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
  And it always looks grave at a pun.

"The fourth is its fondness for bathing-machines,
  Which is constantly carries about,
And believes that they add to the beauty of scenes--
  A sentiment open to doubt.

"The fifth is ambition. It next will be right
  To describe each particular batch:
Distinguishing those that have feathers, and bite,
  From those that have whiskers, and scratch.

"For, although common Snarks do no manner of harm,
  Yet, I feel it my duty to say,
Some are Boojums--" The Bellman broke off in alarm,
  For the Baker had fainted away.

FIT III.--THE BAKER'S TALE.

Fit the Third.

THE BAKER'S TALE.

They roused him with muffins--they roused him with ice--
  They roused him with mustard and cress--
They roused him with jam and judicious advice--
  They set him conundrums to guess.

When at length he sat up and was able to speak,
  His sad story he offered to tell;
And the Bellman cried "Silence! Not even a shriek!"
  And excitedly tingled his bell.

There was silence supreme! Not a shriek, not a scream,
  Scarcely even a howl or a groan,
As the man they called "**!" told his story of woe
  In an antediluvian tone.

"My father and mother were honest, though poor--"
  "Skip all that!" cried the Bellman in haste.
"If it once becomes dark, there's no chance of a Snark--
  We have hardly a minute to waste!"

"I skip forty years," said the Baker, in tears,
  "And proceed without further remark
To the day when you took me aboard of your ship
  To help you in hunting the Snark.

"A dear uncle of mine (after whom I was named)
  Remarked, when I bade him farewell--"
"Oh, skip your dear uncle!" the Bellman exclaimed,
  As he angrily tingled his bell.

"He remarked to me then," said that mildest of men,
  " 'If your Snark be a Snark, that is right:
Fetch it home by all means--you may serve it with greens,
  And it's handy for striking a light.

" 'You may seek it with thimbles--and seek it with care;
  You may hunt it with forks and hope;
You may threaten its life with a railway-share;
  You may charm it with smiles and soap--' "

("That's exactly the method," the Bellman bold
  In a hasty parenthesis cried,
"That's exactly the way I have always been told
  That the capture of Snarks should be tried!")

" 'But oh, beamish nephew, beware of the day,
  If your Snark be a Boojum! For then
You will softly and suddenly vanish away,
  And never be met with again!'

"It is this, it is this that oppresses my soul,
  When I think of my uncle's last words:
And my heart is like nothing so much as a bowl
  Brimming over with quivering curds!

"It is this, it is this--" "We have had that before!"
  The Bellman indignantly said.
And the Baker replied "Let me say it once more.
  It is this, it is this that I dread!

"I engage with the Snark--every night after dark--
  In a dreamy delirious fight:
I serve it with greens in those shadowy scenes,
  And I use it for striking a light:

"But if ever I meet with a Boojum, that day,
  In a moment (of this I am sure),
I shall softly and suddenly vanish away--
  And the notion I cannot endure!"

FIT IV.--THE HUNTING.

Fit the fourth.

THE HUNTING.

The Bellman looked uffish, and wrinkled his brow.
  "If only you'd spoken before!
It's excessively awkward to mention it now,
  With the Snark, so to speak, at the door!

"We should all of us grieve, as you well may believe,
  If you never were met with again--
But surely, my man, when the voyage began,
  You might have suggested it then?

"It's excessively awkward to mention it now--
  As I think I've already remarked."
And the man they called "Hi!" replied, with a sigh,
  "I informed you the day we embar

PREFACE

If---and the thing is wildly possible---the charge of writing
nonsense were ever brought against the author of this brief but
instructive poem, it would be based, I feel convinced, on the line

''Then the bowsprit got mixed with the rudder sometimes''

In view of this painful possibility, I will not (as I might) appeal
indignantly to my other writings as a proof that I am incapable of
such a deed: I will not (as I might) point to the strong moral
purpose of this poem itself, to the arithmetical principles so
cautiously inculcated in it, or to its noble teachings in Natural
History---I will take the more prosaic course of simply explaining
how it happened.

The Bellman, who was almost morbidly sensitive about appearances,
used to have the bowsprit unshipped once or twice a week to be
revarnished, and it more than once happened, when the time came for
replacing it, that no one on board could remember which end of the
ship it belonged to. They knew it was not of the slightest use to
appeal to the Bellman about it---he would only refer to his Naval
Code, and read out in pathetic tones Admiralty Instructions which
none of them had ever been able to understand---so it generally ended
in its being fastened on, anyhow, across the rudder. The helmsman
used to stand by with tears in his eyes: he knew it was all wrong,
but alas! Rule 42 of the Code, ''No one shall speak to the Man at the
Helm'', had been completed by the Bellman himself with the words
''and the Man at the Helm shall speak to no one''. So remonstrance
was impossible, and no steering could be done till the next
varnishing day. During these bewildering intervals the ship usually
sailed backwards.

This office was usually undertaken by the Boots, who found in it
a refuge from the Baker's constant complaints about the insufficient
blacking of his three pairs of boots.

As this poem is to some extent connected with the lay of the
Jabberwock, let me take this opportunity of answering a question that
has often been asked me, how to pronounce ''slithy toves''. The
''i'' in ''slithy'' is long, as in ''writhe''; and ''toves'' is
pronounced so as to rhyme with ''groves''. Again, the first ''o'' in
''borogoves'' is pronounced like the ''o'' in ''borrow''. I have
heard people try to give it the sound of the ''o'' in ''worry''.
Such is Human Perversity.

This also seems a fitting occasion to notice the other hard words in
that poem. Humpty-Dumpty's theory, of two meanings packed into one
word like a portmanteau, seems to me the right explanation for all.

For instance, take the two words ''fuming'' and ''furious''. Make up
your mind that you will say both words, but leave it unsettled which
you will say first. Now open your mouth and speak. If your thoughts
incline ever so little towards ''fuming'', you will say
''fuming-furious''; if they turn, by even a hair's breadth, towards
''furious'', you will say ''furious-fuming''; but if you have that
rarest of gifts, a perfectly balanced mind, you will say
''frumious''.

Supposing that, when Pistol uttered the well-known words---

''Under which king, Bezonian? Speak or die!''

Justice Shallow had felt certain that it was either William or
Richard, but had not been able to settle which, so that he could not
possibly say either name before the other, can it be doubted that,
rather than die, he would have gasped out ''Rilchiam!''.

Patristic Excerpt
John where made Patristic delays on the island in Christian times by building numerous panagias decorated with mosaics. They enter the port of the island walking in wild revelry after being greeted at the port. At dusk they arrive in Jorió finding the Venetian castle of the knights of the Order of Saint John, completely covered in blue olive oil (a phenomenon that had been caused by the previous visit of Etrestles and his entourage) In the same way, they make an antechamber to the northeast finding the Grotto of the Seven Virgins or Nymphs, whose satire succumbed to some incredulous neighbors, hiding some of their minor daughters after denying its consummation. This is not a minor legend told of how seven young girls disappeared into the cave when fleeing from some pirates, noting if it could be so, also the clues to find Etréstles that he had recently been here in frank search for his ghosts. “Behold, all this paraphernalia of bilocation was accentuated by the god Spílaiaus creating immediacy with all the times that they wanted from the present, and the future that is exclusive to the Itheoi gods” Petrobus the Pelican goes back to the colonies of his ancestors, he wore gold rings around his neck, and had no contact with his native colony since the last day they helped the fields with water due to the lack of fresh water. It is worth noting their property of converting salt water into fresh water but even more the quality of Petrobus in addition to where they step on its paws, everyone will shine and rejuvenate. It off-centers its wings with allotropic dyes that made it turn colors in addition to strengthening and lightening its body during long periods of flight, and lifts its angular bag and takes vertical flight to meet Reader and Vernarth again in the Early Christian Necropolis of the burial chapels, here they meditate with the god Azofar who levitated above them offering their submission to the wind that flows with great power under the catacombs pulling and moving spirits that wish to relocate with their placebo presiding over their doubts. They leave the port boarding a Triaconter that would take them to Kinaros before the night falls and is seized by the coastal fog, not resisting the rope that holds a ship, whatever it was many times these ships were maneuvered by rowing sailors but this time it was only consigned for them, it would only move without anyone intervening, only the eternal wind that kind will take them to the island of Reader's progenitors. On the transparent waters sailing in the Triaconter were the three, Vernarth in the Petrobus bow on the main mast of the sail, and Raeder beside him a few meters away remembering his parents when they emigrated from this island? The name of the ship that was named as “Eurydice” in every certain space of advance they approached the macaroon to empty the tears that this Nymph emanated through her half-open eyes, she would take a rag of the holy cocoon and wipe away the effusions that must have been more for some reason that he would want to know…? Upon arriving in the vicinity of Kinaros, a rainy cyclone hit them which lifted them above the surface of the island when they were less than 5 km from arriving. Vernarth takes the Xiphos's sword from him and cuts the ropes then Raeder noticing that they were at serious risk of being shipwrecked, tells Vernarth to get out of the ship and quickly runs to the bow covering the eyes of the Mask of the Eurydice and leaves the ship.

With an epic metaphysical tendency, he acclaims his magical steed Alikanto..., he flies over the ship and picks them up, and Reader takes hold of the rings on Petrobus's legs reaching the mainland consecutively. Kinaros is a land of fishermen and farmers, a long-lived land and ancient inhabitants who do not age; here there are no cemeteries or monuments, there is only eternal spring for those who can be grateful for a place that gives them peace, and melancholy love for those who do not live there. Here from this bountiful land come the Raeder Parents, they migrated to Kalymnos; being this land the one that saw his birth and immortalizes him so he remembers…: “In the islands of the Dodecanese, subdued by the carmine dew that falls at dawn on its crystalline waters, important archaeological remains and cenacles appear on the sand or gravel beaches to compete in athletic leisure, Raeder ran naked after the outfits of which his mother had made him. He was permeated by crystalline Byzantine, architectural and medieval monuments due to long Venetian dominations in his mannerisms what unite them to these islands is their history, and their occupations: that of the knights of the crusades to that of the Turks, the Italian occupation to the Greek annexation with their volatile outfits useless to dress up, Patmos is very popular among pilgrims from the moment his work was raised in one of the caves on the island of San Juan Evangelista, the disciple of Christ writing the Book of Revelations. Astypalea is the westernmost island of the archipelago and has Dodecanese Cycladic architectural features it is also related here in the Novel of Etréstles of Kalavrita matter of his victorious boast to Patmos when he resorts after the reverie with the Laziko Dance that was held by the little finger and circulated in commemoration of the stripping of the rebirth of spring with the Sousta del Dodecanese. These dances were engendered in the infra-ocean floor of the Ionian Sea, generating the power of the ethereal emanation of Etrestles from Kalavrita by daring to put Eclectic confrontation to the invisible portal of the Evangelist Saint John in his sacred basaltic cavern in the Patmos archipelago (Koumeterium Messolonghi, Chapter 16 - page 114. Editorial Palibrio-USA) (Koumeterium Messolonghi Chapter 16 - page 114 Editorial Palibrio-USA) It is also related here in the Novel of Etréstles of Kalavrita matter of his victorious boast to Patmos when he resorts after the reverie with the Laziko Dance that was held by the little finger and circulated in the commemoration of the stripping of the rebirth of spring with the Dodecanese´s Sousta. It is also related here in the Novel of Etréstles of Kalavrita matter of his victorious boast to Patmos when he resorts after the reverie with the Laziko Dance that was held by the little finger and circulated in commemoration of the stripping of the rebirth of spring with La Sousta del Dodecanese.

In the Chapel of Ministers: They were seconded by the high representatives of Kalymnos, among them the curious immortal serpentine Raeder son of native Kinaros farmers belonging to a clan group of six small islands and six small families. Some islets used to boast the genealogical beams and challenges of Antigone, and documented inspirations found between Leros and Kálymnos in the east and the Cyclades islands of Amorgós in the west. Raeder always got up before dawn on his window sill there always appeared a petite blue bonsai Pelican he called Petrobus, in the mornings he would run beating this Olympic bird in a fast dispute sometimes he was not able to say goodbye to his bird friend because he ran so fast that the days used to be weeks in a row, while Petrobus puffed through the Ouranos with his Hellenic Artificial Intelligence elytra, with his hyper exhalation he moved great rocky crags even moving and disorganizing the geographical nomenclature of these twelve polygon islands between the Cyclades and the Dodecanese. The lesser known and immaculate islands are Leros or Pserimos, while Rhodes and Kos the largest and most cosmopolitan islands are the goal of the migrated Blue Pelicans throughout the year. Before returning to his house, Raeder stretched out on grasses sheared by the heels of Petrobus's migrates and his henchmen in this grass dancer I could feel the dances with the gag dance bread vibrate through his arms in all the rumps of the maidens in the Sousta dance running after Petrobus with his golden mask and hanging from the wings or legs of his bird (Wings Mate), the art of flying with golden magical birds and his Ancient Mama Antigone to Raeder when sometimes he was flying by the legs of Petrobus, he thought...:

“My land… a thousand times I will lift you up with my arms, do not doubt it, my arms believe it… Oh, my venerated Ionian I will do apnea to please you a thousand times to become your Ionian molecule… Wind of Kalimnos himself…, I will make the flute an Ode that runs through twelve perforated epitaphs with my ancestors in the Dodecanese sleeping paroxysm in the panagia where I was baptized for the ninth time! And in the fatuous lavish fire, I will put the ceremonial ribbon of the Sousta Dance in the nap in the new migration of my transparent Pelicans….”

Raeder tells a visibly emotional Petrobus about imagining crying with his imagined friend. "Little Raeder of the Dodecanese" he utters to his magical imaginary friend; Petrobus, what else was missing from ground breadcrumb paste for next winter…? Petrobus, distracted and not looking at him tells him…, only placing his web-footed Hellenophile leg on his other equal…: “Fear nothing Raeder, God does not coexist! ...Now He and you are the same. With your arms you will be able to lift the sphere of the bare earth and reconvert it into a Healthy Earth of Milk and mead of our Kalymnos that runs like a quagmire through the mountains of your Life converted into a new House dressed in a new house” when Raeder finishes thinking…, Vernarth tells him that they had to sail to Patmos, curiously Eurydice's ship was in the bay, they believed that this ship had capsized and sank somewhere in the wide open sea of ​​the Aegean.
The three on boards the ship Eurydice, Alikanto stays in Kinaros batoning very well guarded by peasants who took great affection for him later he would join him on Patmos for service and trades pantry to Saint John the Evangelist. Alikanto will take a great contribution and role in the prophecies of Vernarth on the Isle of Patmos, just on board the Eurydice and surround themselves with a climate of seclusion and peace on the ship, not so far behind were the Cyclades and part of the Dodecanese he was full of vitality, he completely covered the Triaconter it was late and the moon was beginning to dress the deck with phosphorescence, Raeder and his little Petrobus were clearly exhausted deciding to sleep right there on the deck. He was also relieved of emotions after so much experimenting on the islands, as well as not being able to find his brother Etréstles to prepare to rest in her poetry, almost falling asleep he sees that from the bow a very quiet female figure approaches him with her lost gaze, and stands up seeing that it was Eurydice who was in front of him. She had her bandage on her eyes still approaching her and says Eurydice: “Can you remove the tape…? Only you can do that! Although due to this subtlety of yours in attention to me I tried..., of course, I must be able to recover my subsistence and its mobility as an indissoluble watercolor. Vernarth says; “In my narrative we know that Eurydice was a dryad, being the wife of Orpheus as a poet and musician. After evading Aristaeus´s harassment, she would now take refuge in a shipyard in Amphipolis and hide on a ship. She escapes with great speed and fear, as her heart only belongs to Orpheus, as she flees, Eurydice is bitten by a snake and dies, Orpheus, disconsolate, cries for her and her desperation finds no consolation, so he makes the risky decision to go in search of his sweet and beloved wife to Hades, the land of the dead. Vernarth longs to revive her in her comparative fable to her sweet song and her poetry, Orpheus managed to move Charon who lets him cross the River Styx, the boundary between the world of the living and the dead. Later, also with his artistic abilities, Orpheus manages to convince Persephone and Hades to allow him to take Eurydice. The subterranean divinities agree to be taken away but Orpheus must promise that he will not attempt to see his wife until he has brought her into the sunlight, so as agreed, Eurydice followed Orpheus on the way to the light, and at the moment when they were about to leave the dark depths, Orpheus had doubts thus, he began to think about the possibility that Persephone had deceived him and that Eurydice did not come after him, so he could not bear her temptation and turned to look at her and confirm that she was coming with him. When this happened, Eurydice was dragged by an irresistible force back to Hades. Orpheus, desperate tries to go again to rescue his beloved but this time Charon does not allow it, at this moment the god of the Genus Itheoi Aiónius clings to the purity of the distilled water pretending that Eurydice was going to the underworld, but the mirror flash of Ibico 1 would bring Eurydice from the darkness to the parallel world of Orpheus and Vernarth. Here Kaitelka and Borker (Semi Itheoi, concur in total harmony with Demeter, Persephone, and Hestia bringing from the labyrinths the rusty chains of Prometheus and Vertnarth that were wandering through infinity) Orpheus when he doubts is more than divine doubt, it is submithological human doubt that cracks the recondite doubts and trigger the valleys of perdition in the jungle dense in roads without being able to follow, especially if I personalize it in myself, said Vernarth. According to Vernarth giving ears in this magnanimous moment of what was narrated by herself, it represented Eurydice fearing being left unattended under hell, fleeing to Thrace to the port of Amphipolis, then boarding a ship stealthily entering being discovered by a captain later. She runs strong escaping from the officer and jumps overboard, the officer searches for her vehemently for several days, remaining buried in the holistic totally under a complication plot since a sailor had recapitulated her in a passage of this mythology that could take live life and action on your boat. Days go by and this Triaconter ship is whipped by the Persians on a disastrous day, everything frolicked from large figures to consider as well as fleeing from the Persians before an impartial and just intensified attack from the enemies the Triaconter is adrift. Eurydice follows in the footsteps of this ill-fated boat and then boards it again. “In the eighth month of navigating fully, she is discovered by Aristeo, She takes the start of a terrifying heart because she feared what could be born from the ship; perhaps become a subjective fear! She realized that it was not real and she understood that it was an anxiety of profuse delirium”. But it was too late for she hid in the bowsprit on her way to the bowsprit, with the decaying line to the figurehead she stays silent, tries to remove her feet and can't remain thus captive of the ship bound to the figurehead, provoked only by herself not by her as a divine Nymph but by the fear that haunted her like a viral fear in her own and her delusional fears. Vernarth, hates himself and tells Eurydice: “If you wish, I will jump overboard and be swallowed by the sea, and so I can find the oppressors who harass your persecution. Just tell me and I'll jump to save your reckless shattered fate. Only the existence that is nothing more than Bravery will combine the power to relieve you and free you from your chains.”

The pirate quartermaster, Maro, saw two galliots
Coming towards the carrack; the first one had ten cannons.
To start the maneuver on the carrack, he asked his pilots.
They were attacked by a volley of fire; maniac in action,



Maro caught up with this army and replied with another
Volley of fire, but he had to retire the carrack.
Then, the army came alongside it and fought in a smother.
This assault was preceded by some flurries of the bullet attacks.



Using the muskets and some small arms designed for superior
Accuracy, the army could leap from ship to ship;
Once the ships had met, the battle had been waged; ulterior,
They used long polearms and swords which were kept on their hips.



The first galliot approached and used the bowsprit,
A protrusion which was angled upward from the bow,
To charge the flank of the carrack; some pirates wanted to quit.
The bowsprit penetrated the breeze upper the low



Waist of the opened deck, in the middle; it could be used
As a connection between the ships; a part of the army
Fiercely attacked the pirates making them be confused.
The ships collided; raw in front of the enemy,



The hidden soldiers started to shoot; they held the fire
At a close range; this ship was narrow for the artillery,
But into saving some honest lives they had to inquire.
These guns were placed on the centerline by the military.



The pirates turned to the opposite direction, but they were
Attacked by the second galliot equipped in the same way.
The bandits could barely put up a resistance; their deaths were near.
The fight had lasted until it was all done in their play.



The first galliot caught the carrack with the help of
The other one; Maro ordered one of his crew to cut
A small hole in the carrack to make this ship sink thereof
And to hurry the soldiers to save the hostages, but



They would need to know if there was a way to swim to the shore.
They abandoned quickly the carrack; the result of the fight
Was the victory of the army, stopping the devil's roar.
They took three pirates captive; three escaped in the waters' night.



The governor had the loyalty of a gentleman
While keeping his word in front of Frederick and while
Dedicating himself to protecting any merchant
And any passenger; they disembarked on that emerald isle.


(Frederick, Pedro, Naimah, Miguel, Cruz, Ivan, Pedra, Chiara, Francesca and the remained crew went to Prinylas. Cruz was injured but still alive. At least, while having tears in his eyes, Frederick embraced his junior who looked exactly like him. The child smiled and touched his father’s face with his little hand. Geraldine embraced Frederick and kissed him while crying.)


The governor had built frigates and galliots to maintain
Safety on the coast and to guard them against the invasions.
Then, he sent them to capture the pirate ships hoping to gain
Peace, wealth and a good fortune for the future generations.
(To be continued…)

Poem by Marieta Maglas

silent march past abandoned store
working the burger has got me teary eyed
Bowsprit kicks me into 7th and I stop,
and I stop.
ears ring, head spins, goodbye
I'm moving to Lund to hug the red wood.

The Bellman's Speech

The Bellman himself they all praised to the skies--
Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
The moment one looked in his face!
He had bought a large map representing the sea,
Without the least vestige of land:
And the crew were much pleased when they found it to be
A map they could all understand.

"What's the good of Mercator's North Poles and Equators,
Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
"They are merely conventional signs!

"Other maps are such shapes, with their islands and capes!
But we've got our brave Captain to thank"
(So the crew would protest) "that he's bought us the best--
A perfect and absolute blank!"

This was charming, no doubt: but they shortly found out
That the Captain they trusted so well
Had only one notion for crossing the ocean
And that was to tingle his bell.

He was thoughtful and grave--but the orders he gave
Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
What on earth was the helmsman to do?

Then the bowsprit got mixed with the rudder sometimes:
A thing, as the Bellman remarked,
That frequently happens in tropical climes,
When a vessel is, so to speak, "snarked".

But the principal failing occurred in the sailing,
And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
That the ship would not travel due West!

But the danger was past--they had landed at last,
With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view
Which consisted of chasms and crags.

The Bellman perceived that their spirits were low,
And repeated in musical tone
Some jokes he had kept for a season of woe--
But the crew would do nothing but groan.

He served out some grog with a liberal hand,
And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
As he stood and delivered his speech.

"Friends, Romans, and countrymen, lend me your ears!"
(They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
While he served out additional rations).

"We have sailed many months, we have sailed many weeks,
(Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
Have we caught the least glimpse of a Snark!

"We have sailed many weeks, we have sailed many days,
(Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
We have never beheld till now!

"Come, listen, my men, while I tell you again
The five unmistakable marks
By which you may know, wheresoever you go,
The warranted genuine Snarks.

"Let us take them in order. The first is the taste,
Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
With a flavour of Will-o'-the-Wisp.

"Its habit of getting up late you'll agree
That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
And dines on the following day.

"The third is its slowness in taking a jest.
Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
And it always looks grave at a pun.

"The fourth is its fondness for bathing-machines,
Which it constantly carries about,
And believes that they add to the beauty of scenes--
A sentiment open to doubt.

"The fifth is ambition. It next will be right
To describe each particular batch:
Distinguishing those that have feathers, and bite,
From those that have whiskers, and scratch.

"For, although common Snarks do no manner of harm,
Yet I feel it my duty to say
Some are Boojums--" The Bellman broke off in alarm,
For the Baker had fainted away.

Too much alone
Too much afraid
Too much unknown
Too much paid

To let us go
By the way
For no show
So they say

Could I tell you a story
Ole storyteller
Like bees buzzing flowers
With some honey on hive's mind

It's a modern tale
That has sat sail
All sewn up
At a rate of knots

That black book
Bought with blood money
Dares to say it holds a name
Spar - with these throat barnacles
(Alternately feeding and fighting With their feet)
bowsprit [bee block]
know your ropes, carried away deep six

It's a thieves cat o nine tales
Captain of chewing the fat
Or combing the cat
I've never seen (one) better

Dunnage topping a tonnage
From that trusty barrage
I'm everything on top and nothing handy
An eye splice on a short rope
Given and giving leeway

Haven't got a clew for true whence such hails from

...
So... She measures faces with her heart and hands
And a camera lens for a few

I ride on her coat tails,he sails at odd angles and angels come calling,
stalling for time,pretending, I mime I can't talk and walk to the bowsprit to spit in the ocean.
In that slow motion of epiphany I see what will and can never be and it all becomes clear to me,I spit again in the sea,cross my fingers for luck,tell the angels to f.....
No,
I don't swear out loud,I want the good Lord's protection,in signs,more mimes,they get what I'm meaning.
The moonbeams gleam off deck boards as the pendulum swings,things are taking shape and the ship sings through the waters,but later in the doldrums where the dolphins knit sweaters and the daughters of sirens play canasta with mermaids while braiding dreams with the seaweed,
I need to take a fix on the noon day sun, a hand on my gun lest the latitude betray me,I lay in a course for the Island of Tahiti where the girls sway and greet me,the old dog from the sea.

It's easy to be a madman on the sea when the salt is your spice and I've never thought twice about the angels sent packing,just went on stacking up bookmarks to feed the circling sharks,stark and unfriendly would the sea ever lend me a bed to lay down in?would this ship that I sail in ever founder,I flounder and flail but I sail into the moonlight,on a bright night you'll see me until the sunsets will free me to the tidal eternity of the sea deep within me.

Far off in the distance,
a thousand dreams or so,
a winged syren beckons
of land, of hope, of home 

An alluring vision rises,
between port bow and port beam,
above the windward gunwale,
above the Devil's seam 

The main and mizzen struggle
against the howling wind,
the staysails strain
against the sheets
hauled taut and closely in 

But the course we follow
cannot reach our destination true 

We must tack and then again,
until our bow is set dead on,
and find a steady
wind and fair  
to fly above
the pounding waves,
to free the maiden's hair 

Just beyond the bowsprit,
a thousand leagues at sea,
the flying jib will lead us where
our spirits find their peace

Catching a star, rushing forward the frigate,
Through the storm ahead, the bowsprit of his high,
But ahead all the same abyss without borders,
The desert of black waters in silence of latitudes.

Cracks and groans bom-topgallant topmast,
Chiseling strong ezelgof,
Mars and Ray converged with parrel in battle,
With a dream - to get rid of the shackles.

The wave growls, rolling terribly,
And with the power of the wind jib-boom mast on the beats,
And a low, menacing sound of the cello,
It is suddenly heard from the blackening heights,

That drill groans together with a heavy wind,
The key of the forgotten Symphony are trying to find,
And torn violin strings - moaning times through the centuries,
And killed the brave men among depths.

The thunder storm is rushing with noise, howling,
Shaking stars in heavens,
And the thunder echoes it a disparate,
And the frigate is hurtling on the sails.

In the spring of 331 BC C., Alexander the Great left Egypt returning to the port of Tire, where his fleet was. From there he went to Antioch, crossing the valley of the Orontes River, and reached the Euphrates River at the height of Tapsaco, where he founded the city of Nicephorus to be a stronghold and storehouse for army supplies. Here he learned that Darío was in Arbelas, so he crossed the Tigris and headed north along the eastern bank of the river.

The sibyl Cumana was at level 97 of the wind tunnel when listening to these waves, very close to the doline karst, in avidity of Pythia Delfica with divinatory proselytes that crossed folds of her attire, in pleats of a brain divinatory flock. His Cumana relativity was spent on the mausoleum, prophesying life for all in the passion of living together with the bodies abandoned by the souls of the Devotee, and in the innocence of the soul that slips away, daunted by not being desolate, amidst the parchment of Lilith, and in the offerings of the Strigoi, for breaches of troubling visions of darkness from the cavern of Chauvet, by sacrificing competing sense-emotions of Lilith's malefic Votum. Only one can exist as an inviolable part of chaste Wonthelimar tradition, groping the Xifos with human sheepskins, tectonic offerings, and fringing the altitude 103 of the Strigoi wind tunnel.

Vlad Strigoi Sings: “Mardiath, noble and loyal hussar of the Vernarth Sea, Chief of the Gulf fleets, came from the deck when he turned around the bowsprit; he was picked up and hit by ropes in parasitism, which shone like strays. Oars of gods in supplications that were felt in the whistles of the wind. He approaches and descends dark staircases in the direction of the water piston, whose heresy in a Vladiana ship was pending. “When I train myself to write by saying who I am or what I am, I only receive massive abscesses Saecula Saeculorum, not finding the basis to confess. They say they do not know what to reveal because there is no content that compares to someone who does not have Age, Life, or Compassion, that I only have to communicate as a Strigoi messenger?. Now I know that no one will sing my thoughts, there is no ink that dares smear a comparable calamus that resists my word of Strigoi ammonia, usurped from a Balinger ship to some Flemish pirates, seconded to the side by a Panescalm barge, which shot 64 thousand bodies massacred from the Bubonic Plague.

Mardiath graduates from the Ballinger and leaves his sword to Vlad next to a geographical table to rediscover destiny in a maiden who attends to his disorders, more than a ganglion suppurating prostration. He goes back to Tire to meet Vernarth, and his henchmen to finally head to the wild fields of Gaugamela "

Chthonic Prehensiles referred to the gods or telluric spirits of the tectonic underworld, as opposed to celestial deities, appearing in the tubular ascension of warm wind, which crowned the consecration, and those who were above waiting for them. Oblations of light illuminated particles of woodworm that were suspended, expelling those that were magnetized from the phosphorescent matter. The disjointed syntax became periodic in the words of Strigoi, from the Capite Velato or veiled head from the Strigoi Ballinger who managed to reposition him. In double increase of sap, it made him less to resist his life and his closeness, lying minimally before Wonthelimar, and Mardiath who filled him with the company in the eyebolt that supports the path of his sullen life.

Sings Mardiath: “Vernarth's troops would depart from Tire where his fleet was, which came from Sudpichi, from the Horcondising Empire. Legend has it that in the heights of the Gulf, when his army was sailing, a mysterious tempest of hot air from Hormuz broke out on his squads, at height 665 miles from Um Kasar, they had found a ship from present-day Romania. When they spotted them and intervened inside this frigid ship, there was nothing ... just creaking masts and their main yard that was spurring, presenting palisade curtains that came from Sighisoara / Transylvania; where the very similar Vlad Tepes was sitting behind a captain's room writing on his desk. Every so often he would take out a handkerchief to dry his ****** nose, like a pinch of gelatinous ink, shady and stained”

Isaías sings: “The presence in the corresponding versed folio makes relative the prophecy of Immanuel born of a ******, who is associated with a similar Virgilian prophecy of Cumana, justifying its prophetic symbolism. Here is the admonition that blackens the skies where the light retracts, thousands are chained during the announcement of a thousandth that climbs abysses like the fateful Strigoi, and only tribulated pasture will have to transplant rebellions, which lie asleep for the awakening of the ideal of incipient spiritual ******* dressed in execration. Has the conflagration of the heart that resists death been unleashed and that agonizes several times in the ...? The conditions wait for the apostates to refuse the water that does not make them optimal, and makes the radius of obedience of the Vernarthian heart elliptical, full of granules of Physconia lumpy, whose frequency encysts in the bodies of treacherous, kingdoms and fungal lineages. The reign of the saints will judge plurality on the thrones with devastation in the fatuous beatifications in Pergamum, already admonished by me.

She stood and she watched as the storm came in
With the wreck of the Unicorn,
Its forward cabins under the swell,
Its masts so high and forlorn,
Her sailors dashed on the wicked rocks
To colour the blood-red foam,
‘Oh where, oh where is my sister Kate,’
She cried with a blood-red moan.

I reached on out and I spread the shawl
To cover her auburn hair,
The wind and rain in our faces as
I stood by the wall, with Claire,
The wreck was merely a hundred yards,
Was foundering near the shore,
With not a single man on the spars
Where the sail had billowed before.

We heard the bowsprit grind on the rocks,
The rudder tear from the post,
And Claire gave out the cry of the lost
To call for the customs boat,
The waves came thundering onto the shore
Flung spindrift high in the air,
Its mist obscured what the waves had lured
To drift in a mute despair.

‘How may I save my sister Kate,’ she cried,
But I couldn’t tell,
The Unicorn was coming apart
Was bound on its trip to hell,
And Kate by locking her cabin door
To keep out the surging sea,
Had forged herself a coffin before
The schooner had ceased to be.

We found her there in the flooded room
With the wreck cast up on the shore,
The moment the storm had shed its gloom
And the sun shone bright once more,
With gentle currents making her sway
And seaweed caught in her hair,
She held a locket her sister gave
With the line, ‘Bon voyage, Claire.’

David Lewis Paget

Chapter VI
Strigoi frigate

In the spring of 331 a. C., Alexander left Egypt returning to the port of Tire, where his fleet was. From there he went to Antioch, crossing the valley of the Orontes River, and reached the Euphrates River at the height of Tapsaco, where he founded the city of Nicephorus to be a stronghold and deposit for army supplies. Here he learned that Darío was in Arbelas, so he crossed the Tigris and headed north along the eastern bank of the river. Vernarth's troops would depart from Tire where his fleet was located, which came from Sudpichi, from the Horcondising Empire. Legend has it that in the heights of the Gulf, when his army had been sailing, a mysterious tempest of hot winds from Hormuz broke out on his squads, at the heights of 665 miles from Um kasar, they had encountered a ship from present-day Romania . When spotting them and intervening inside this frigid ship, there was nothing but the creaking of their masts and their main **** spurring, they presented palisade curtains that came from Sighisoara / Transilvania; where the very like Vlad Tepes was sitting behind the captain's camera writing at his desk. Every so often he would take out a handkerchief to dry his ****** nose like drops of slimy, slimy jelly ink. He was writing a letter in the text of which said:

Vlad Tepes says to the Vernarth captain:
Mardiath,  his noble and loyal hussar of the sea. Head of his Gulf fleets, he came across the deck, as he turned around by the bowsprit, picked up and struck by some parasitic ropes that shone like lost thighs of gods in prayers they felt for the whistles of the wind. He approaches and descends the dark ladder stairs towards the water pump whose heresies this ship Vladiana was hanging.
“When I train myself to write saying who I am who I am, I only receive from the purulence of the multitudes, in centuries by centuries, not finding a basis to answer me. They say they do not know what to answer because there is no content that compares to those who have no Age, Life or compassion. That I only have to communicate with the Strigoi messenger articulated with the souls of the dead who come out of their graves at night to terrorize the neighborhood. That it is the same as me condemned to sail and swarm the World of the Nosferatu aristocracy, survivor of all human vanity, in all the empires of the World”

Now I know that no one will answer my thoughts. There is no ink that dares spread a comparable feather that resists my words of ammonia Strigoi, usurped from a Balinger ship to some Flemish pirates, seconded by a Panescalm barge, which was throwing 64 thousand massacred bodies of the Bubonic Plague.

Mardiath, graduated from the balinger and left her sword to Vlad next to a geographical table to find her destiny in some maiden who attends to her disorders more than her ganglia suppurate discouragement. He heads back to Tire to meet Vernarth. And her minions,  to finally head to the wild fields of Gaugamela.
On the gallon of the Macedonian Wine cruet Vlad left him a notice...:

“In order for Strigoi to leave their victims alone, seeds must be scattered with nails hidden inside them. These obsessive creatures cannot go their way without first counting the seeds by throwing the brides' lace to the altar. When they ***** with the hidden nails, they start counting again… ”

In the frenzy of his prophecies, Darius had recruited a new army after his defeat at Issos. From Babylon he advanced north, passed the left bank of the Tigris, and continued toward Arbelas as if guessing that he would never escape the Alexandrian shadow, where he established his supply and his harem. Then he directed the army to Gaugamela, a place that had a wide plain that would favor the movement of its numerous mounted troops but not on Hellenic horses with Homeric gales within reach. He even proceeded to level the terrain and remove obstacles as if emphasizing fearing that the moon would resemble holes in his strategies where his dreams would fall, turning Gaugamela into an immense field of maneuvers suitable and great and indigestible for his chariots equipped with scythes to move on the oppressor wheels.

Thirty-sixth Oases in Siwa:
Alexander Magnus after founding Alexandria he marches to the Siwa oasis, where he is proclaimed by the priests as "son of Ammon", god already identified with Zeus by the Greeks. With this, he consolidated his own divine ancestry, as a descendant of the Argéada dynasty, which went back to Heracles and, therefore, to Zeus himself.

The entire dynasty moved from its acropolis under the limits of each empire to what would be the final battle. This time Darío does not want surprises, so he arrives at the battle stage in advance. As always, he has his cavalry on the flanks, with the heavy infantry in the center and the rear. It also has more than 50 war chariots with sickles on the wheels and about 15 elephants.

Alexander launches the attack diagonally and the Persian left wing defends himself as best he can. Vernarth, Simultaneously harasses Strigoi's allegories by subordinating the Persian chariots that speedily launch upon the Macedonians. Many of the drivers are headless by the arrows of the draconian archers. The rest pass by as the Macedonian infantry opens. This strategy is complemented by a second line of heavy infantry called the Force of the Dead from in the Siwa Mountains, which receives the stray tanks, while the first line turns around and attacks them from the rear guard surrounding them. Opening a gap between the Persian lines, Alexander's cavalry managed to wedge themselves in search of Darius. As in Issos, the Persian king is stuck and unable to maneuverIn this onslaught, see how the prognosis moves more fluidly, after the textual support with Strigoi in his Balinger he was able to allow himself to advance the ellipsis of the ****** battle and more importantly of the defenders of the embolism of the tyrant and secular Gods, in his caves of lost and soul pains. Since this last festival of the Siwa soils, the events of Alexander Magnus and Vernarth can be seen.

He only separated the lashed rows of threads from the majestic Bumodos, before entering the back room of the great fight. It is now thirty-six times that he needs the therapeutic methods of Walekiria, to supply him through his veins with ****** essences to immortalize his stout columns that support the beams of the Hellenic world.  Caryatid that flows through the delta of the cries of all the heroes,  devoid of helmets under the limits to resign.

Ellipsis Tomb of the Patriarchs:
Vernarth says: You are not a vision ... nor an illusion, nor a lonely image, because if so, include my image to accompany you in this tragedy! He tells Walekiria, his seductive valhalica.
My little Walekiria, not the slightest disdain, will make me leave you halfway, we are in the same position to remove the terror that creeps through the spaces of the plain of the Gaugamela cemetery. Here we will scare away all the demons that betray our plans. Only you here in the Charioteer's particle crypt. Mardiath tied to the acacia and Alikanto spitting out more fiery fires that will reduce the unproductive paperwork. To improve that others optimize the sharp means to use to overcome the medium that has darkened all hopes. Now we are going to plot the plans that we have improvised in this barracks.

Walekiria says to him:
My mind together with my feeling make me closer to you Verbarth. It seems that now more than ever I will hold on to you more. Since our gross bodies lack any possibility of holding together.

Vernarth when leaving says to him:
Of the cosmic forms, yours Being has been hit in my box in Andromeda. Vitalizing and healthy part will strengthen what remains of your exploded mind and my elevated feeling to the ethereal worlds, will make rainbow emblems for your resentment.

To be continued… / under edition

I say “Which wrist?”
Her hands twitch as she reaches down
Pulls up the sleeve with such strength to reveal
The places she tried to carve herself anew
Like a bowsprit to guide her ship
I say “It’s like Van Gogh
Because Michelangelo didn’t deal
With those hues of red
And I know you feel like a Picasso painting
But you are a never-before-displayed original
Valued priceless because the world knows
You are incomparable”