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Poetic T Mar 2021
This is mostly based on the true-ish happenings of
Beth Huges was born in the 80s, her parents
called her Lizzy for short well that would explain
a few things. Her upbringing was more in the 70s
then the 80s. Her parents were new-age hippies but
with the chemical abuse of the 80s.

They were vegans, nothing on land was to be sacrificed
for the fulfillment of their needing only organic substitutes.
  They'd eat from the Ocean as that was the well of life
and always giving and in a continuous replenishment cycle.

Not knowing, she was repeatedly dosed with LSD.
to open the spiritual aspects. But Daddy had a bad trip.
            And wore mummies face saying she was
talking through him.

The cops didn't see that way and vented his body with
                           at least nine new breathing holes...
She was still high as daddies blood spayed over her and
she finger painted on the floor.

She'd lived with relatives but this didn't last long as they
were meat-eaters and she had a vast disdain for all who
murdered and disfigured the life of the land.
   Her auntie was a vegan, so realized the pressures.
   But as she got into her older years having episodes.
of repressed trips. Glaring at the walls and painting in
her own blood.
It hit a moment in her twenties when she caught
her auntie giving head to her new boyfriend..

She was disgusted as she heard her call it "the meat,
             distrustful of her auntie and she'd desecrated
the law of her body, after she pleaded no meat.

While her auntie was being contaminated she put
sleeping tablets into their drinks after the *****
inducing acts had finished and she came out of
the room wiping her mouth.

                     "Here guys I made you a drink,

She played it cool reading a book until they
fell unconscious. She was reprehensible that
                   what was being done was right.
Pulling down his joggers she got some
scissors and grabbed it, momentary she put
it in her mouth, it was soft and she felt a sturring
and gagged... with one fatal swipe she cut it off.
throwing this maggot in the fire, Burn filth...
Her auntie lied there silent, her breath deep.

"How could you,

Even though she has momentarily engaged in
                pleasures of the flesh.

She went into the cupboard and found a cleaner,
             the warning on the side said corrosive
wear gloves.

She stroked her aunties hair and then tipped the
entire bottle down her throat to clean the desecration
from her.
All that was heard was a curdling and then froth
expelling from her nostrils and mouth...
She got a cloth and wiped her mouth, even though
doing this had murdered her auntie, she still loved her.
Now she was clean from the manmade contamination.
    Pure once more, the acid mixed with her stomach acid
creating a pungent smell as it was eating through her side.

A pool of blood and partly digested food bubbled
on the floor, it started to eat through the laminate flooring.
At that very moment, she heard screaming incoming on
her kneeled position.
As she turned she saw the half-naked bleeding profusely boyfriend. In his anger, he never saw the pool of corrosive remanence of his departed girlfriend.

Scissors raised and ready for vengeance, he lurched
losing his balance and landed face down in the
bubbling maroon stench.
Lizy scrambled to her feet, ready to run.
Instead, she screamed as he got up and turned around.
The flesh was peeling off, as he grabbed at his now dissolving
features. The shock was too much as she passed out.
A while had passed and as she awoke she went to move
but the scissors were interred in her hair.
Her scalp felt wet, as she touched the area, red liquid coated
shaking hands. She put her fingers in her mouth and tasted,
yes, it was her blood. she pulled at the scissors and they
wouldn't dislodge as they were firmly embedded in the
laminate flooring.

She had no other option but to yank her hair out,
******* that hurt, she had a blad patch where
the hair follicles had pulled away.
Her head spinning, but as she turned around there
he was still, his face no more just white, with patches
of blood his hands around his throat.

She got a hand towel and threw it over his featureless
remanence, and then saw the disemboweled auntie.
If it wasn't for the middle missing dissolved all over the
floor, you'd think she was sleeping.

Lizzy had to think fast, how could she get out of this?
But it was easy, she'd heard shouting and saw her
auntie come out with scissors, soon after her boyfriend
came out blooded, she saw me and told me to hide.
As I watched he grabbed her dragging her to the
cupboard unscrewing a bottle with his mouth,
then pouring it down the struggling auties mouth
at that moment I ran at him pushing him away as her  
auntie convulsing. We struggled but he was too strong.

It was at that moment he grabbed the scissors lifting me up,
he lost his balance and that the last I remember before waking
up with my hair pinned to the floor by the scissors.

The flashing lights were so bright in the darkness as I was huddling it to the waiting ambulance.
Crocodile tears poured from my eyes.
I told my story, it was worthy of an Oscar.
There on the stage, thanking the gullible audience.

As I walked from the courthouse, tears flowing thanking
everyone for their condolences and wishing me well.

I looked in the mirror as I saw my aunties face,
wearing it like my daddy wore mummies.
sprinting at the policeman at the door I got him
in the neck. Shots echoing out into the dark night.

They must have been alerted by the screaming,
can't people just die quietly? I ran into the night.
Not been found yet, but I kept the scissors.

I go after men now, I'm quite pretty for being so
crazy. I offer them ****** favours for drinks,
I always make sure they have a car, that's a must.
My favourite trick is getting them to drive to a secluded
spot offering them head-on their bonnet.
somewhere we will not be disturbed.

It's amazing how gullible men are when they think with
there meat instead of there brain.
I found this awesome pen that's a tasar, telling them
I'm leaving my signature and number, so if they liked it
they knew where to look if they wanted more fun.
Its quite funny the gurgling scream they make when
you zap their ball bags, they crumble like wet paper.

Kind of pathetic really.  Now we alone and there quite,
snip, snip some do take two chops you know.
Then into the woods or the dirt side of the road.
But I learnt from my first time, cut the femoral attire
in the leg, that way they stay down some did come to
but a was driving away by then I heard their
screams and I smiled. Of to the next town now I think
Driving while its dark is better I sell their belongings
in a pawn shop to raise money the dead cant report
their belongings stolen after all. I just tell them there
my ex. They don't really care about where it came from.

I like my new  hobby, at last count I'd snipped fourteen
of them and I still have my auntie with me I wear her
sometimes just to feel close to her.
her pa
Amy Childers Feb 2019
The sun never shines
On even the best of days
Because of the house on Sixth Street
Stares at Auntie May.

She screams and cries
But no one hears
The fear her throat is trapping.
Maybe I should lend an ear.

Bumping and thumping
The house goes a rumpling.
I find it rather sparkling
But not my Auntie May.

She screams of the body behind the door
and the blood stains on the bedroom floor.
Poor Auntie May has been screaming for years
Of the monster that whispers in her ears.

Auntie May now sits in a trance.
She is as quiet as a mouse in a trap.
Poor Auntie May was sealed in her tomb.
Then I realized that the house did move.

I looked for it the next day
And found it by my Auntie Mays grave.
Curious I knocked on the door
And inside was horror galore.

Blood was on the floor like
Auntie May did say
But the body was gone
That she screamed about the other day.

On the chair by the door
I saw a figure sitting on the floor
and to my dismay, I looked at the figures face
And found it to be my old Auntie Mays.

The sun never shines
On even the best day
Because the house on Sixth Street
Scares little Olivia May.
I was challenged to write a dark poem in a Dr. Seuss style. I think I did pretty well.
Marshal Gebbie Jun 2011
For Beep & Sue Robinson, Foreman, Victoria Park Tunnel


Auntie Elaine Kingii
Died last night in her sleep,
Ninety years of age
Keeping secrets she would keep.
Last night she passed away
In her tiny single bed,
At the Onehunga rest home
Where she finally laid her head.

Auntie Elaine Kingii
Lived her long life on the street
Helping other vagrants
Find a kinder place to sleep,
Helping other street kids
With the hassles of their day,
Sharing a quick cigarette
Or a dryer place to stay.

Auntie Elaine Kingii
In her ninety years of life
Had eighteen babies born to her
From sailors , waifs and like.
Eighteen babies born to her
Beneath the Grafton bridge,
Each with unknown fathers
Or a family heritage.

Auntie Elaine Kingie
As a girl danced out of class
Where the morning sunshine sparkled
On the crystal dew, clad grass,
And her green eyes shone with lustre
In her  joy of dancing free,
Whilst the street kids stood in cluster
Quite entranced by what they see.

Auntie Elaine Kingii
With her eyes of emerald green
Lived her days among the lost souls
Of the City Mission scene.
Life amongst free spirits
Was a chosen path for her
Shunning organised prosperity
With a structured raconteur.

Auntie Elaine Kingii
With her eyes of emerald glass
Chose to die the way she lived
Quite serenely with her class.
Happy with the company
Of whom she would befriend
In the park surrounds of Auckland city’s
Busy people blend.


Marshalg
Victoria Park Tunnel
21 June 2011
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
Terry Collett Aug 2012
You made your way from the john
to the dining table
and Auntie said

have you washed your hands?
yes
you said

are you sure?
Auntie asked
looking at you

with her fixed stare
and the black mutt
under the table

gazed at you too
I washed them this morning
you said

let me see your hands
Auntie said
and so you held out your hands

and she turned them over and up
and held them looking at them
you’re meant to wash them

after going to the toilet each time
she said
not just

when you get up
in the morning
she released your hands

and you looked at them
as if they were suddenly there
before you for the first time

so you had best wash them
Auntie said
before I dish up your dinner

and so you went back
to the wash room
and turned on the tap

and taking soap
between your hands
you washed and rinsed

and dried them
on the white towel
on the rail and went back

to the dining room
and showed your aunt
that’s better

she said
now go sit down
and wait for your dinner

and the black mutt
put its chin on your lap
waiting in anticipation

for titbits from your plate
and Auntie called out
from the kitchen

remember to say your prayer
before meals
and you said ok

and muttered
thank you for what I’m about to eat
may there be few vegetables

and lots of meat
and the mutt’s dribble
wet your thigh

its jaw lingering there
giving you
its dark eyed stare.
Brent Kincaid Jun 2015
Auntie Ellen was already crazy
The day her brother moved her in.
She was not my relation but
Everyone addressed her like kin.
She was Auntie to everyone
And she got rather hollersome
If you didn’t call her that way;
She’d shout until kingdom come.

Rumor had it she met a fellow
When she did factory work.
He led her on and dumped her.
He was that kind of a ****.
Something snapped inside her
And she was never the same.
About that time, she started in
Telling people her choice of name.

She lived down the block, alone
And you could hear the music playing.
She’d wave when I passed her home;
I couldn’t hear what she was saying.
One time I started to walk closer
So I could hear the words she said
But she got very angry all at once
And chucked a dirt clod at my head.

We all felt sorry for Auntie Ellen
And didn’t think she was a threat.
The occasional dirt clod was not
Something any of us would sweat.
Her brother came around at times
To see how Auntie Ellen was faring.
I don’t think anyone ever understood
Her words to know if she was swearing.

She was sort of our neighborhood’s
Crazy person we kept in the attic.
She looked strange and sounded worse
And her behavior was quite erratic.
But she never harmed anyone here
And her dirt chucking always missed.
So, we just remembered her as
Auntie Ellen who was usually ******.
Terry Collett Jul 2012
Auntie cut the rind
off the bacon
and offered it
to the dog

but before the dog
could put his lips to it
you made off with it
down the cast iron stairs

beside the barrack block
and the dog followed you
barking as it did so
and once you reached the ground

you went off
onto the grass
and the dog
chased you

and jumped up at you
trying to reach
the bacon rind
you held between fingers

and Auntie called over
the metal rail
let the mutt have it
don’t tease him

and so you bit
the rind in half
and gave the mutt one half
and ate the other yourself

but sometimes after Auntie
put the bacon rind
in the dog’s bowl
you picked it up

and tossed it
over the balcony rail
onto the ground below
and the dog raced down

the stairs after it
but now and then
you pretended
to toss it over

and after the dog
raced off
you would hold it
over the side of the rail

and called to the mutt
and said
I still got it mutt
and the dog raced back

up the stairs
and you sat there
on the metal landing
and the dog came

and licked and nuzzled you
and you gave the dog
the bacon rind  
and he licked you

and wagged its tail
and Auntie called out
what are you up to?
what are you doing now?
tread Nov 2012
I am the rest stop for truckers in the window
The dark and muggy photographic night
so they forget they've become widows.

I don't believe in kness nor turtles talking terror
Nor do I believe that the Earth moves from quaking tremors.

I am the cradle of the civil sight sorority
Making love to castles for I don't believe seniority.

I am the rebel which Camus told would come hold
The oldest, boldest lotus flower
Frozen solid in the cold.

Drinking Rose remembering young-old Auntie Debbie
Who had eyes like pies mixed in the ocean and a bevvy of
Insulation, house-hold and a water-forlorn view
With her lionness curled hair which the wind affectionately blew.

Sitting on her lawn chair, not on lawn but on the deck
She loved, she laughed, she looked to what she had inside her head
Like landing immigrants from countries far from White Rock shore
She had it all, she owned the sprawl, but knew she wanted more
and that she had it, glad it never took the sun from out the sky
Not once did the window break from sunlight in her eye
and doorknobs crawl left
as she sits so patient ready for the.. everything

ready for the.. everything

ready for the.. everything.

she's NOT waiting, she's just making
every single moment COUNT
lies and likes mean non to her as the counter fills up like a FOUND
fountain. she's rounding every corner in her Jetta
Uncle Jerry in the next seat, happy that he got to meet

with the women of his dreams
I see his eyes still gleam and scream
'I love you Debbie, love you Debbie'

Life and death is just the water
in the stream

forever flowing
Auntie Debbie was a river
and all rivers lead

to ocean.

she never really arrived
so she never really left.

hello, Auntie Debbie?

I know you go by a different name now.

Perhaps we'll each meet you again one day
a different body
a different face.

"You want to keep things on an even key, this is what I'm saying. You want to go with the flow. The sea refuses no river. The idea is to remain in a state of constant departure while always arriving. It saves on introductions and goodbyes. The ride does not require explanation - just occupants. That's where you guys come in. It's like you come onto this planet with a crayon box. Now you may get the 8 pack, you may get the 16 pack but it's all in what you do with the crayons - the colors - that you're given. Don't worry about coloring within the lines or coloring outside the lines - I say color outside the lines, you know what I mean? Color all over the page; don't box me in! We're in motion to the ocean. We are not land locked, I'll tell you that." -Waking Life
Terry Collett Jun 2015
We sit by the river
on the grassy bank
our bikes parked by trees

Milka says
no ***
Auntie Flo's come

I look at the water
who's she?
I say

she looks at me darkly
my bad week
she says

I look at her
is that why you
were so long
coming down
this morning
while your mother
was giving me
the works?

What do you mean
the works?
She says moodily

you know
tea and biscuits
offering me stuff
being nice
talking warmly
walking quite seductively
across the room
I say

so while I was having
to bathe myself clean
and stuff
she was coming on
to you?

That's a bit strong
just being nice to me
I reply

she fancies you I bet
if she wasn't
so ancient
she'd be at your door
Milka says

jealous of
your mother?
I say  

no annoyed that she
has the nerve
and with you
for encouraging her
you should take pity
on her not
encourage her
Milka says

she pouts her lips
and stares ahead
at the flowing river

I just sat there
didn't have to
encourage her
the tea was nice
and the biscuits
quite scrumptious
I say

aren't I nice
and scrumptious?
She asks
turning and gazing
at me

shame about Auntie
I say
and it is such
a lovely day
and the grass
is quite tall over there
and well that's it
I guess

yes it is
she says
so make the most
of me as I am
and be nice

she kisses me
and we lay down
on the grass
and make the most
of what we have
and curse Auntie's arrival
and she thinks
of what may have been
and I think of her
and try to keep
my thoughts
quite clean.
A BOY AND GIRL BY A RIVER IN 1964.
RAJ NANDY Jul 2017
THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI
L B Aug 2016
It was the time of my Auntie Bee summers
   I was small then
   She had a parakeet that landed on my head
   and a bathtub too
   with water so deep!
   and legs and claws!
   **** thing nearly chased me down the stairs!

She lived in slumbery Windsor Locks
   where bugs hung-out in the haze
   of teenage August
   I played in the tall weeds
   with a shoeless Italian boy
   who ate tomatoes like apples
   and cucumbers right off the vine!
   He was ***** free and foreign!
   We played— reckless, abandoned
   behind the gas pump, under the tractor, in the barn   
   and through the endless fields
   I didn’t know....
   His name was Tony
   I ate pizza with him—the first time

At Auntie Bee’s I had to go to bed at eight
   but I could watch night flowers
   bloom on wallpaper
   She came in to say good night
   slippered, shadowy, night dress slightly open
   and I peeped her *******!
   like Tony’s cucumbers!
   I had never seen my mother’s wonders....

Night spread its wings from the old fan—
   a bird of tireless exhaustion
   whipped, whipped, whipped to death in its cage
   tireless exhaustion
   tic-tocking in time to a wind-up clock
   stretched out on the whine
   of the overland trucks
   Route Five through the night of an open window

In the grape arbor below—
tremulous incessant
   crickets    crickets    crickets
tremulous incessant—insides of a child
   a summer child
   not yet ready for the fall of answers

Auntie Bee had a daughter—Maureen
   I followed her everywhere I could
   I was small then--    
   do anything for a stick of Juicy Fruit
I followed Maureen through my dreams
   of being sixteen
   and woke to Peggy’s “Fever”
   while she tied her sneakers
   against the mattress by my head

I followed Maureen (in my mind)
   tanned and bandanned
   to work in the fields of shade tobacco
   with all those Puerto Rican boys!
   She knew where she was going!

I was small then
...do anything for a stick of  gum

“Mauney! Mauney! Mauney!”
   ...through the goldenrod of roadside
   through the smell of oil that damped the dust    
I followed Maureen’s white shorts
   and chestnut hair...to the corner store
I followed the way the boys smiled
   the way the screen door slammed
   on her bright behind
   the way her lips taunted and took
   the coke-bottle’s green
I followed Maureen

I swear, I tried for hours to get that right!

Must have been Peggy Lee’s “Fever”

Maureen ties her sneakers in my face
Flaunts her years above my head
She has that look—
“We kids don’t know nothin”
(Little turds” that we be)

…followin’ Maureen
through the goldenrod of roadside
tic-tockin’, beboppin’

“Fever— in the morning
Fever all through the night….”
Peggy Lee's Fever:
https://www.youtube.com/watch?v=b4hXyALR9vI
I was seven years old and did I ever get this!
Peggy Lee's stripped down performance is the epitome of ***.

Windsor Locks is in Connecticut.
Terry Collett Jul 2013
Auntie’s mutt followed you
around the army base
across parade grounds
and grass between trees

keeping out of the sun
you racing ahead
but the mutt keeping up
getting by you easily

its head looking at you
as if to say
you can't keep up
with me kid

but you tried
and then stopped
on the edge
where the army huts were

and stood staring at them
behind a little way
you could hear
some voice shouting

from a parade ground
and the sound
of marching feet
but there by the huts

it was quiet
except for bird song
and the hum
of distant traffic

Auntie had said
don't go
where I can't see you
but you had

and looking back
the place
where Auntie lived
was out of sight

must have run too far
you said
but the mutt just lay there
with its tongue

hanging out
panting
let's go look around
you said

so the mutt followed you
around the huts
and there were two
large gates

which were locked
and so you and the mutt
crawled underneath
and into the bigger

huts beyond
and you ventured forth
the mutt behind you
wagging its tail

and you looking
through windows spying
but seeing nothing
but desks and chairs

or iron bedsteads
in a long line
then you saw
an open window

and climbed the bricks
and peered in
and there was a whole bunch
of soldiers sitting

at desks
and this tall guy
with a moustache
bellowed out at you

and you leapt down
and made a run for it
towards the double gates
the mutt getting underneath

but you getting stuck
and the moustache soldier
and another pulled you out
and said

what you doing here kid?
you spying?
no mister just looking around
you said nervously

well where you from?
you told him
about your auntie
and how your uncle

was away fighting
some place called Korea
and you were keeping
your auntie safe

and he raised his eyebrows
and said
well keep out kid
go play elsewhere

and he opened up
the double gates
and let you out
and the mutt

was waiting for you
wagging its tail
its tongue hanging out
of its mouth

and you walked back
to Auntie’s place
hoping she'd not find out
and if she asked

where you'd been
you'd say
oh just over there
where the grass is green.
Alin Jun 2015
Beware Hooray
the Cavemen are comin
jumpin up and don knock-kneed
sweepin the hill with their new harvested beard

Howdy chicky chicken leg
What’s goozin under your sweaty shirt
lookin like ma granpa
with ur baby cream breath
or is it maybe somethin else luscious
spring of intermittent discharge
making rainbows duplicate

yep gimme two too
when u come to me
oh when u come to me

cause I am a matured
lovin n **** is my blanched bird nest
neatly crowned above my head
I shall unbind it for
adorable is your lady color short pants
I bet holographic daisies growin
along the tri-d charm
of your ******
if any yeah if any

Beware Oh the cavemen
Run flat out nou
cause I shall feed you
to my auntie’s aging dreams
with the buncha hair on ur face
u look lika somethin
resembling
a man before her famine

Beware Oh the cavemen
Auntie is comin
he he
Iris Rebry Jul 2014
You say what I read is
****
You say I need to get
The best education I should have.
Thank you auntie the great
And terrible.
I hate your efforts,
But I know you're trying to help me
To get farther.
Than I can reach on my own.
Thank you auntie
My great but terrible
Auntie.
PJ Poesy Apr 2016
"You're ******* your life away Bobby," screamed Auntie Abhaya in her native tongue. Malayalam has many nuances and maybe a better translation is, "lightning currents from your privates and blast River Ganga, streaming your soul away." Dravidian poetics go as such and Auntie Abhaya seemed to have quite dramatic flare. In any case, cousin Bobby was once again, drunk. Auntie Ay, as we lovingly referred to her, in her fearless way, was having nothing of it. Worse yet, seems Bobby had funded his ****** with rupees stolen from Auntie Chhaya's purse. A storm of tears she was, in the corner of the humble hut they all resided in, in Kerala.

Kerala's backwaters wash in from the Arabian Sea. Tropical delicacies abound; markets filled with fish, pineapple and coconut groves, and an array of spice that keep the main agricultural commerce of India most enticing to the rest of the world. Yet, life earnings are hard and for some hard habits easy to pick up. This was truest in Bobby's case, though he did try and try to make his family proud.

As I was only a guest in this loving but burdened home, and recognizing a family crisis at hand, I and my traveling partner put forth finances lost to ensure our safe return to Mumbai north in Maharashtra and not embarrass our host family any longer. Though we had touched a Garden of Eden, the lesson of banishment was still at hand.
J M Surgent Dec 2013
Auntie Jean got a gun and she loves it. She calls it her little .38 special, and she carries it around in a concealed harness under her jacket all the time. She even brought it to Christmas once.

Auntie Jean also loves wine, and she carries that around a lot too, concealed in a paper bag so crinkled it looks like a burlap sack with a glass neck with a cork in it sticking out. She brings that to Christmas every year.
CK Baker May 2017
like that pill bitter Sunday morning (after)
with a nauseating hack
the previously uneventful Tuesday
derailed
in surrealistic tale
with Auntie and Jack (and a quarter of fate)
in the 748
on a night flight
from Sherwood to Lore

reverberating waves
of imminent summer haze
river flats
and flower fields
fly weights
and silver bait
shredders and shysters
and open gates
(into those everlasting
and sweated journeys of hope)

bloods and strays
and florentine grays
(reminiscent of Rockwell fame)
running horses
and overgrown country lanes
morning grace
and gentle cheer
eyes clear
on the river pass
blunted paddles for those ancient
and not so willing suckers!


duke making his own way
(to the corner club)
Parsons and Poe
stream from the torn screen door
cricket cadence
and symphony of the Deere
calm and deliberate
in the soft
and silent fields

meadows open for grazing
(guineas scamper across the till)
pocket apples fill
the country ripe air
drunken bees
and chestnuts
and electric fingers
strike the surface pool
(a cedar strip wedged on the white wash dock)

baited bull heads set to cast
evenings with hearts
and Nolten Nash
may flowers bloom
across the grass
~ time unmatched ~
with blue jays
and river bends
and channel cats
...and that warm
and recurring
Coleman drift
Mateuš Conrad Sep 2016
and what a difference a clock brings, two clock stand
on a shelf already, both of them with dead batteries -
a third is brought in, and it ticks,
and it Tokajs - and up rise the zemplén
mountains where Attila was laid to rest...
and after a night of drinking -
the ticking clock gives out an energy:
that makes you wake up early,
the alarm is set 15 minutes prior noon,
but you wake up earlier than that:
a nervous energy surrounds the clock
like a bomb, you actually are the bomb,
going off early - otherwise?
what Sartre said about 3 p.m., that
the day is laid to rest by that time,
and if ever from 7 a.m. to 3 p.m. in
the land of Noddy you dreamt a void
of pristine calm, then after 3 p.m.
the t.n.t. in you is wet, and there's no
spark, the ultimate existential angst -
as with any synthetic approach of creating
sleep, you are sometimes powerless to
the cure, hardly any analysis of the day's
dignified toils, in biblical jargon:
to live by the sweat of the brow -
some would claim this to be an aristocratic
pastoral - and it could very well be:
a decadent with a ***** room with whips
and handcuffs - but also a decadent with
a personal library... who would have thought
the two are so akin, even with their
seismic polarity. so on a day like this,
two coffees in, four cigarettes later,
a minor literary feat, as ever a poem -
with an approach of: get me out of these
straitjackets of conformity, according
to genres and proven techniques akin to
the sigma opus (or, oeuvre) of an Agatha
Christie... or as fellow men said: eat, ****, repeat...
the true art: how to find the eye of the storm,
the centre, away from the pulverising
strobe lighting of this realm: find me a straight
line off this ****** roundabout - if to infinity
then all the better: away from the re re re re
of res (the repetition of a thing) - be is summer,
be it spring, and the countless admirers of
such idle pursuits as said: shall i compare you
to a summer's day blah blah -
or start stiff, a corpse stiff in writing: mere
warm-up - then loosen the joints (conjunctions
prepositions et al.) and let us butter those
nouns - and change a few nouns into verbs
as already stated - a real ******* moment in
writing: haphazard here, unexplained mutations
here... let us return the same frenzied favour
that this hellish carousel imposed on us;
and as ever, a day that begins prior to 3 p.m.
will usually yield a daylight poem,
the sun is to bright, a vampire like myself
cannot stand the seemingly ultra-violet tinge
to things: a real phosphorescent sheen to all
things oily, whether my lipid skin, or the aloe
of leaves - then to the massive stumbling
block of the dictionary and all principles of
a priori entitled with that fiendish book -
as with every mind: algorithms never provide
the answers, if you haven't already experienced
the word said, by someone else.
so with a day prior to 3 p.m., you wake and wait
till the "natural crumbs in eyes after sleeping"
(rheum) dissolves - the radio is turned on,
the empty bottle of coca cola is ****** into and
the waiting for the alarm to ring - but it doesn't,
you're up already, and take up dietary reading
snippets of ivan bunin's memoir about
the civil war in Russia: cursed day (some could
say, one of the most enduring books concerned
with pleasurable reading while lying in bed,
flat out) - and this poem? all because of the
following snippet from a narrative:
            the Odessa Alarm is requesting information
about the fate of these missing people:
     Valya Zloy (zloi, i.e. evil, alter. in polish?
        zło, alter. in ~english? "zwo'h");
   Misha Mrachny (mrachnyi, i.e. gloomy, alter.
in polish? mroczny, alter in ~english?
             a dried out y, a hollowed out y,
                                   cz via ch, dependent
    of the exclusiveness of independent elocution);
  Furmanchika (furman, i.e. driver...
              an etymological mirror -
           a driver who transports goods using
    a horse and carriage, this is 1918, after all);
  Muravchika (muravei, i.e. ant, alter. in polish?
   mruwka - orthography as rigid aesthetics?
welcome to the army son... but it's actually mrówka,
    i call it personal preferences sometimes,
  not necessary rules, there's no limit to this anarchism,
and there's also another word: murawa (thick grass,
akin to earth, and ants burrowing) -
but you don't see ó at the beginning there, do you?
  the aesthete says: further in, mostly when
   congested with consonants, the alter. to what
the Chinese call: the great wall - or defence against
Mongolian invaders: doubled up with ideograms
that put the Egyptian ideograms to shame,
   is that necessary classification? owl pigeon palm,
less skeletal, then necessarily not ideograms:
hieroglyphics: it gets funnier when phonetic approximates
come across meaning approximates,
   you get ~etymological something or other,
e.g. mirror, you hear shouting: misnomer!
          and you're like: well, you have surd lettering
   and i have ~thedesiredword, so ~exact -
nonetheless, intricacies of a polymer with a benzene
ring at some point.
               i was lying though: this poem actually
came from a very English peculiarity -
name the word aunt, and how i'm sometimes
tongue tied on it: not ant when the English say
auntie - i.e. antee - or how the tongue is less
tied to a Sisyphus stone with the word augment:
so i guess i have to practice augmenting
the word aunt - so it sounds similarly good as
auntie - and that's the prickly feeling there,
a syringe on the tongue and less of a tongue-tie
but more a tongue-numbing - liked to a dentist's
request: open wide and say ah - not a - ah -
                     ah choo!               and many chopstick
dances later: the sound of pain, a shortened version
of aww (which is intended for babies and puppies,
but not all things small) - as in cute -
thus this au grapheme (no Latin variation akin to
æ or œ) - which is acute in comparison to
the two examples çited - ash and eðel / eθel -
                meaningful enough to drop a unit from
the couplet - as the English already do,
                            as explained already - ouch -
and many more theories can be revelled in -
   when looking for handwriting smoothness
of wave weaving stylistics - given now the hand
no longer writes, but the digits dent in grooves onto
    a much smoother surface (in terms of fluidity).
At the Matra, in a country,
Lives my elder and dear auntie,
Warmhearted, hardworker and hale,
She is from whom I know this tale.

A bumbling deerling on a day,
Went astray onto the highway,
He fell over a fallen trunk,
Breaking his leg with crack and clunk.

While the poor was sadly weeping,
The old lady stopped there, seeing.
Taking him up, right to the lap,
She took the fawn home for a nap.

Curing him and cherishing him,
Not just healing his broken limb,
But giving him fresh hay, water,
As if she were his dear mother.

Katy the cat and Doug the dog,
Nestled to him next to the stove's log,
Sharing humanely their one nest,
They could not hurt the little guest.

The fawn's leg is quickly mending,
He could dance without pretending,
He could dance since he is not *****,
However, he wasn't in the mood.

His doleful brown eyes in the far,
Are hanging on the morning star,
While the morning's red-purple lights,
Are playing on the mountain's sights.

Evening winds are chasing the haze,
Then, they get lost in the hills' maze.
"My fresh crops are waiting for you,
Come home, deerling! We all love you!"

Tears sprang into the deerling's eyes,
He wished to go back, without lies,
Only if his mother wouldn't worry,
Only if his auntie wouldn't pity.

Day and night he wants to go back,
Whither the smooth grass is his snack,
Where are fancy fields of flower,
Waiting for their deerling brother.

Where squirrels are jumping around,
Woodpeckers are hitting the trees' crown,
Cuckoos are singing gay sonnets,
And ants are wearing heavy puppets.

He's waited by the stream, by the wind,
By the running clouds there sky-pinned,
By the dewy blue-bell flower,
By the fields in colour-shower.

The old dame is weeping for him,
However, she won't hold back him,
Each one has a home to live in,
Being deer woods or human housin'.

Escorting him until the gate,
The dame must tip-tap back and wait,
Waving to him until seeing:
"Farewell, my dear little deerling!"

Pacing slowly, ambling stilly,
Door is clacking, curtain's swishy,
She is watching her dear from there,
For last, he may look back to her.

Her helpless little animal,
Hurries more and more his footfall,
And then, as fast as the lightning,
He is on the mountain, climbing.

But on the top, under the sky,
He turns back to say a goodbye:
"God bless you, field, and my old dame" -
Like the wind, he left as he came.

The summer fleets, the leaf falls down,
Every beech tree balds its ex-crown,
Snow blankets the houses, the lawn,
The old lady's living alone.

Nature's waking up, flowering,
She doesn't forget her deerling,
The Earth is turning once and twice,
The gate is knocked by someone nice.

She looks out the window lattice,
What a strange nightly guest that is?
Moonlight beems upon the country,
She opens wide the wooden entry.

Her hands opens in hugging blow:
A deer, deerling and a mother doe,
Standing there, then letting them in,
Her heart's beating, recognizing:

Her deerling became a deer dad,
Having a son now being sad:
His forefoot's broken a little;
They visited the hospital.

He asked her with his bare eyes:
Please Dame, cure my son with your ties,
Don't let him crying dear auntie,
May God return you your bounty.

Mist is afore them, fog behind,
They dressed the cape of night to hide,
Leaving their little in her arm,
Knowing, she will cure all his harm.

The little got cured one by one,
He was almost able to run,
And before the beech throws its mast,
The young buck is in the forest.

At the Matra, village border,
The Old Dame within the portal,
She's not alone why she would be,
Cold or hot, she's a busy bee.

She's surrounded by bucks and does,
They're coming back as visitors,
Winter-summer, from year to year,
They bow their head to Mother Deer.

The village folks loving her too,
They give her nicknames, one or two:
The Old Lady within the dear,
Or just simply Dear Mother Deer.

Red poppy, carnation, sage bloom,
Are decorating her mild room,
In big vases and little jugs,
Rainbow colours like made of drugs.

A flower from Steven Peter,
Another from Flower Esther,
A third one from Johhny Seral,
Surely, they'll be good persons all.

The wild flowers followed by songs,
The room's full of musical tongues,
Children singing is far and near,
While laughes and cries Dear Mother Deer.

At the Matra, in a country,
Lives my elder and dear auntie,
Warmhearted, hardworker and hale,
Her golden heart is in this tale.

Salt loaves wait the little deerlings,
Swiss rolls wait for the new-comings,
Be her guest, you too, I just say:
This is the tale's end; run away!
Fazekas Anna - "Öreg néne özikéje" translated by me, Benyamin Bensalah, from Hungarian.

12.10.2017
Terry Collett Oct 2013
Matilda listens to make sure they’ve gone out knowing Mr Doozie the cat is licking his milk the slurping sound fills the now silent room but she has to be sure her aunt and uncle have gone she can’t allow Moses to come in by the backdoor until they’re long gone and in the town buying and selling their wares she places her hands on her head and closes her eyes to focus her listening to close out Mr Doozie’s sounds the saucer of milk being pushed across the floor the purring but she cannot hear them now cannot hear their voices can’t hear Auntie’s whines and Uncle’s bellows can’t smell Uncle’s pipe or the aroma of his farts or Auntie’s sour body odour and sniffs the air and puts one leg up on the chair and lets the skirt fall back revealing her fine thigh and underwear something for Moses to see and get excited about not that he needs any encouragement  especially after the last time he came around when her aunt and uncle had gone off for the day to market on the old bus and Moses had sneaked in the back door his eyes peering around the door and she saying They’ve gone out you can come in and he did and while Mr Doozie sat on the end of the bed watching disinterestedly Moses had kissed her all over her body and after games of foreplay he’d entered her with subtleness and moved in a slow motion so that the bed only moved and rattled slightly and did not disturbed Mr Doozie and they had only just dressed and was letting Moses out the back door when Auntie came in the front door followed by Uncle with his arms laden with shopping and moaning about the prices and the shop girls and how there is no manners anymore and she feeling Moses’ ***** easing down her thigh and stood there with her innocent stare but this time Moses would need to be quicker as they had only gone to town and wouldn’t be long and if they returned earlier and caught her and Moses undressed and ******* with Mr Doozie sitting watching she doesn’t know what they’d say or do although knowing Uncle he’d chase off Moses with his walking stick and tan her hide until she cried and cried but Moses hasn’t come and she listens out hushing Mr Doozie with a shush shush and scratches her thigh and strains her ears was that him? She sighs opening her eyes sitting up looking towards the door waiting anticipating feeling the body’s urge the body’s need wanting Moses to come through the door and hurry with her up the stairs followed no doubt by Mr Doozie and quickly ******* and into her bed and setting aside the kissing and messing get on with the ******* but the door remains closed the room is almost silent apart from Mr Doozie’s licking and purring and the soft tick tocking of the grandfather clock and her heart thumping boom boom boom boom like a small drum all around the room and inside her head and she disappointed frustrated with no *** with Moses just a small empty bed.
PROSE POEM. COMPOSED A FEW YEARS AGO.
CarolineSD Jul 2019
How many long years did I spend with you,
Lakota Oyate?
Though Wasicu skinned, wearing the paleness of imperial greed,
The reverberant beating of ceremonial drums
Caused my heart to bleed
Rivers of blood,
Tears that I shed,
Soaking the sagebrush and sorrow-laden plains
Inside the hollows of my bones.

Tiyospaye, you are always.

Pilamaya, always and forever.

Mitakuye Oyasin.

Lakota Oyate, you raised me,
A rootless, tender-hearted girl,
Kicking up the dust on some
Empty reservation road.

Lost, but found
In your kindness.

Tiwahe, when I had none.

I filled my plate at your tables, Wojapi and thickened breads,
The laughter of the wild-hearted children
Ringing through the stars like the songs of rainbow-chested prairie birds.

Little takojas, how you grasped my hands and claimed me.
How clearly I can hear them calling, “auntie, auntie, come play!”

And so, the people of the river, below the plains of Standing Rock,
I love you, thechihila,
Forever.

My little children will forever walk in kindness and humility
Because of the values you raised in them;
Because you drew them in as if they were your own blood,
Because you sewed vibrant ribbons on their shirts
As if they belonged in their humanness,
In their innocence,
To your great nation.

Lakota Oyate, I can never repay you for the way your heartbeat

Saved me.

Prayed for me.

Pilamaya Wopila,
Always and forever.
Fifteen years on a reservation in South Dakota. I will never forget. The people raised and healed me in so many ways. In so many ways, it is home.

Wasicu - White Man
Oyate - Nation
Tiyospaye - Family/Clan
Pilamaya - Thank you
Tiwahe - Family
Wojapi - Berry soup
Takoja - Grandchild
Thechihila - I love you.
Yenson Dec 2018
You see dearie
When you want to show imbeciles the moon
and you point a finger upwards
Our imbeciles will look at your finger

So don't bother wasting your time
Let them look at the finger
Let them see their moon on your finger
that's Auntie Mona Kists for you

They say life is full of questions
and idiots are full of answers
So they know the law of Diminishing returns
means anodyne harassments is yielding great rewards
Is thirty years of Blackpool a happy life in Whitehaven
Ask Auntie Mona Kists and our persistent gaggle of imbeciles

Alexandre Dumas says " I prefer rogues to imbeciles,
because they sometimes take a rest"
I forget who said "My very existence seems to offend and upset imbeciles. Which thrills me."…
Imagine the laughter induced to know they where on point
even on Xmas day, talk about dedication of the stupefied

Of all human weakness Obsession is the most dangerous
And the silliest.
East end Criminals and the lunatics fringe in cohorts have
infected vigilante mob and demented Racists.
That's Auntie Mona Kists for you.........

More, more, more please!
Hahaha....Hahaha


Copyright@Kisma Aryse
Taylor Nov 2018
I.

Auntie’s fingertips were always stained
with the blood of scarlet petunias
in summer, a pile of
wilted blooms in a Pyrex bowl.
This is how they grow so beautiful, she told me,
so when Uncle’s knuckles grew red with her blood
and since she always stayed at his side
i thought it must be the same for people.

II.

Truckin’—got my chips cashed in…
Uncle’s favorite song crackled over the speakers
as I rode in his cab across the state line,
army men in my lap.
A three-fingered hand chucked a lieutenant out the window
into the golden wheat.
I knew he lost those fingers
in some faraway place called Vietnam.

Later that night,
I sat in the empty back of the truck,
nothing to play with,
imagining my lieutenant marching through wheat,
dodging gunfire,
listening to the bang bang bang
as Uncle and the lady he met in the lot
cleaned out the cab.

III.

I came home from Iraq
after losing ******* to an IED
and drove straight to Auntie’s.

We pruned petunias in silence.
She grew purple and black alongside the red now,
velvet flowers the color of her left eye,
of the blossom on her shoulder.

I heard my drill sergeant.
Blood! Blood! Blood makes the grass grow!
Turn this ******* desert into an oasis!—
and I knew why Vietnam was a jungle.

Uncle got home. “Hey, Uncle,” I said,
“how about we go for a drive like old times?”

IV.

I killed the engine next to a wheat field.

“Blood on your hands,” Uncle said.

“I’ve been pruning the petunias with Auntie,” I told him.
“You gotta get rid of the wilted ones
so the plant can grow. Flourish.”

“Naw, I mean, from Iraq,” he said. “Blood. You killed
any men?”

“Not yet,” I said.

V.

Auntie and my boy and I sing along to Bryan Adams
in the cab—
Out on the road today,
I saw a Deadhead sticker on a Cadillac;
a voice inside my head says don’t look back,
you can never look back…

He’s got a lap full of Army men.

Across from a field of wheat,
a little patch of grass
blazes emerald in the midday sun.
Incongruous by nature
wrapped in ignominious twine
I eat sushi and a 12 dollar slice of cheese cake
Chug two old english and spend the night at the porcelain throne both ends screaming
staring into eyes rapt with fear
all eyes are rapt with fear
Of what then? Death? Shame?
in the rubber belts and fulcrum arms and cogs of the melting ***
all perspectives have value
and the decadence signified in a haircut or a cadillac is nothing more
than the words on the bathroom walls
or little brown note books
Clarity is for saps
Flourish dans l'entropy
Ou mourir dans la peur
Sean M O'Kane Sep 2018
Auntie Em is calling….

I was just getting to love my Emerald City
The shiny feel of it, its sweetly diverse demi-monde.
Its shimmering green beauty and tranquil sense of safety.
The heels of my ruby red slippers were well & truly dug in.
But no, the state fair balloon stands before me ******* & ready to go.
A grand exclamation mark in my way if ever there was one.
And Toto for once has gone mute, no chance of a last minute hold up.

"Dorothy, Dorothy, where are you?"

I guess it must have been too fantastical a dream to be true.
A time for goodbyes.
I’m embracing the Lion telling him to always be proud of himself & not to walk unafraid.
The Tin Man’s gentle open heartedness I compliment him on as we both shed tears.
The Scarecrow I kiss and thank for his loyalty & grace under fiery pressure.
With a heavy heart, I climb that first tentative step on the block.  

"We’re sick with worry over you"

I could be angry but the wise words of the mystic ring loudly in my year.
I do need to go back – My Auntie Em is really calling me.
Calling me back to the grey flatlands of home.
Back to the numbness of small town heteronormativity.
Where Twisters rarely every came by to sweep you away and save you.
I could only keep singing ‘Over The Rainbow’ in vain hope.

"Find yourself a place where you won't get into any trouble!

Unlike Dorothy Gale, this Dorothy left Kansas voluntarily
The long yellow brick road finally took me under the rainbow and on to my Emerald City
I no longer pined for home but knew all along that it would call me back one day.
And so here I am, drifting higher & higher away from my adopted home.
Perhaps I need to build a revolving door when I get there to pass through both worlds easily
Or perhaps bring something of the rainbow back to illuminate the grey-lands.
Or perhaps – in reality -  some reconciliation between these worlds is in order.
Perhaps.
It’s time to slip on the ruby red slippers and prepare the way for Kansas.
Yes, this Dorothy has surrendered but
I always had the power to be me, my dear.
I just had to learn it for myself.

August –September 2018
This poem was written in response to my feelings about some tragic news I received last month & how I was dealing with it. Initially, it was quite deep & bitter in the way it wallowed over the world I thought I was losing because of my duty to family. My home town is a stifling throwback to bad old neanderthal homophobia and has nary a sniff of transcendental beauty unlike my adopted home.

However, I thought long & hard and realised that because I now stand tall as a proud bi/pan/queer person I should take what I have gained and use it to guide me. Plus my anger was wrongly placed - not at the family member for taking me away from my Emerald City but cancer itself for throwing chaos into our lives.
Mateuš Conrad Nov 2015
sample precursor: there are three binding directions of a chemical group (e.g. CH3) to the benzene ring - the ortho-, the meta- and the para-... but i'll ask a different question: what is copernican north what is copernican east a copernican west or a copernican west without a "flat-earth" / how else to read / navigate a 2D map going from point (a) via vector (c) to point (b) along the short-cut of the hypotenuse - which, isn't a short-cut, but the logical conclusion of walking neither the middle path nor the right path, but the logical path? we're no astronauts... we didn't see the proof... we can only entertain the "idea" of a 3D object we live on, but we're still strapped to a "flat earth" in order to navigate... endless stories of how GPS tech. fooled people off the edge of a cliff... "flat earth" is no reverse psychology ploy... i'm no ******* astronaut... i never stood left right or center on the moon to have the foggiest sense of admiration for that awe-balancing moment that leaves so many deluded in it being otherwise: first come first served, last come: what's there's to serve that last man if not merely the drudge-report of a commute? besides... trans- and cis-, why are people borrowing from chemistry and attaching gender to what is exlusive to chemical compounds? look at them... pop chemistry... cis-trans isomerism... fine, let these people have that... my new n.e.w.s. (north, east, west, south): orthography, something clearly missing in the anglophone world (no diacritical markers, i and j do not count)... ergo? orthography = east... paranormal = west... since the west is obsessed with either aliens or hush-hush military projects... now... both north and south are meta- coordinates... on the basis, on the basis of what? two words really work well to establish a foundation: from ars poetica? metaphor (borrowed from a change of mind - meta- and -phren - mind, a change of mind, all mental illnesses are changes of the mind, alternatives to alleviate the stranglehold of the commune of the greater picture known as society)... but... there's also metaphysics... which is in the interest of philosophy... how else not to explain the obvious, how else to treat both the reader / audience as the well informed genius(es) but mistreat them as would be grander genius(es) if the socratic endeavour of "pretense ignorance" was not to be established? it's a hard juggle... east is already well established in orthography, west in paranomal... literally: metaphor - a change of mind, literally metaphysics - a change of groundwork physicality of things... a rock remains a rock in either "heaven" or in "hell"... metaphysically there seems to be a direct translation... this is why i'm terrible at crosswords, this whole puzzle structure of either working from a direct definition to the word itself, some random geographical posists, some historical posits, some outdated out-of-vogue words related to specified period idiosyncracy, a tinge of the therausus... my current crossword is an interchange: meta-phor, meta-physics, meta-phot, meta-physics and on and on it goes: even with the isolated prefix of meta-, if i return to the words: as they are... would: denoting a change of thinking (state of mind) or... denoting a change of physics, i'm met with metaphysics, i.e.: a branch of philosophy that deals with the first principles... sounds like a priori physics, yet all i can fathom if i wrestle this word to its casual use: isn't it a posteriori physics?! the what comes after physics? i should think that most people understand metaphysics on an a posteriori basis rather than an a priori basis... hence the question: what happens when we die? last time i checked: death happens last... birth happens first... any question-worthiness (according to heidegger) should begin at: the beginning rather than begin at the end, in the same way that all questions should be sought in a medium of predating the dates of events, rather than with a spirit of hindsight, hindsight belongs to the "what if" of history in that dynamism of expressed time... on the canvas of an infinitely expanding space: we seem to be riddled by a very cul de sac concept / expression of time: our quill - given that ****** didn't learn from napoleon when it came to russia... perhaps finding out what copernicus found out: "we" figured: get me off this ******* celestial carousel where i can't even feel the dizzy immediate of a ferris wheel! again: i'm terrible at crosswords, sudoku? no problem... but words: if not gushing out of me, waiting like a lizard predator for a linear narrative spew? count me out... i don't play with words, i use words... i'm a wordsmith, hence the ethnic origin denote: słowianin: slav - i don't know where these west-saxon punks derived their etymology from: słowo = word... *****-liquor juice teens thought it was: oh fo' sho' smart... still: metaphor, metaphysics... metaphor... metaphysics... disgruntled with the immediate compound readied for pop use... meta-physics... the vector is the prefix... why do philosophers push metaphysics so much, but in turn rely on the crutch of metaphor? to change their mind, if metaphysics is an abstract theory with no basis in reality, then the schizoid / metaphorical mind is an abstract in an abstracted theory of the mind - which has "no" knowledge of reality, or rather: "reality" excludes such a mind from ever absorbing an expression in it... a schizophrenic can't explain the reality of a person who can solve crossword puzzles... just as someone who solves crossword puzzles with a fear of alzheimer's: who treats the fatty tissue that's the brain as a muscle... given that the cells of alzheimer's disease are killer proteins... proteins as the antithesis of white blood-cells that feed of fat tissue... after all: what else could the brain be if not fat and water? slow burner... first the sugars, then the more complex carbohydrates, then the fat: last? the proteins... the process of starvation... you want up? you want down? again: metaphysics / metaphor... ta meta ta phusika... the things after the physics... so what's with the inverted: prior things? hence people associated a life after death... hence how philosophers have to escape into the poetic realm to quickly change their minds on the definition... a change of mind is much easier than a change of what physicality entails... most spew metaphors but keep on course... after all: given the genesis of the metaphor, a metaphor is just a tool, a humble stop-off pause... born from humble poetics: it's only a literary tool, it's not some grand pillar of morality associated metaphysics, which nonetheless dictates: first principles come last and last principles come first... here's my crossword puzzle: metaphor, metaphysics, meta-alpha, meta-beta, metaphor and the meta-alpha, metaphysics and the meta-beta... etc. etc., i will not solve this crossword puzzle, even though it doesn't look like a crossword puzzle... it's a narrative crossword puzzle, i'm just looking for the sort of fixed point people associate with prime words: red, left, blue, right, up, fox, dog... words of readied vocabulary, readied vocabulary dissociated from puzzled vocabulary... i want to established a fixed permanence of the dissociated close proximity grounded in the meta- prefix of the words meta-phor and, meta-physics... i'm starting to find this impossible, given how the words have dissociated themselves from the grounding in the meta- prefix... phor alias phren (mind) and the whole gush of isolated metaphysics of beginnings: meta a priori vs. meta a posteriori - and of course: meta a- apriori... hell if i can't solve crossword puzzles: since i already have a crossword puzzle in my head... what am i to do? try writing pop?! a dog does what his master orders, a jester tells a joke his king would find amusing... i'll just treat this enclave of an audience as a bunch of people subscribed to ulterior forms of voyeurism (dissociated from pain / pleasure gratification, esp. that of a ****** nature).

.you know like in latin you had the interchangeable tongue twisters æ and œ? well... english resurrected one more... au... oh stralia... auntie; ******* hell i've been speaking this since aged ate and i still can't get my tongue into that phonetic plughole... or what's that onomatopoeia for: it really hurts? awe... nah... aw... aw... well no cute kitten about to say aww.

well it began with the usual... i wish i didn’t...
sitting in the autumnal garden
drinking coffee and eating a nicotine croissant,
watching the fog recede into nothing
while the earth showed its naked cleavage
after what seems like centuries of arcane dryness
befitting a story of an egyptian idol...
then the panic set in...
what to cook?! what to cook?!
my mother is away visiting her parents in poland,
who celebrate the feast of all saints with the usual
tackle formidable in poland:
forget the paris fashion week, forget the london fashion week...
forget the next gucci advert...
all the action happens in poland’s annual all saints’ fashion week...
through the cemetery (ahem) cat walks
(more like death on rollerblades donning a tutu
and looking fatter than size 0 models)...
because that’s when the fur coats are worn,
the make-up is heavier and everyone comes
to discuss the materialistic jealousy of a small town...
it is a small town after all...
death knocks with all the nine cat’s lives just to prove
the point...
anyway, so i’m the head chef, and in panic
i search for a recipe... i’ve only got pork on the ready
in the recognisable frozen state...
but i also have shrimps... tiger prawns...
so i look through the usual suspects... thai green curry...
ah ****! no coconut milk!
what’s it going to be? prawn korma curry
(better mild than hot i say, with all this maple syrup
and honey colours about... talk about decay),
active ingredients? chilli powder (1/2 tsp), cinnamon
(1/2 tsp), turmeric (1/2 tsp) and ground almonds (2 tbsp),
there ready... looking suntanned my gorgeous twirls of seabed manure...
enough to spare my father making himself sandwiches (i always
disguised my “dyslexia” by associations... sandy witches...
the t broke the barriers and the floods entered)...
with toasted nannies / au pairs... relatives of some sort...
then onto writing my father’s invoices:
project plaistow hospital and some housing development near
the city airport... beckton we call it... backwards and forwards
stink crowned with drinkers regurgitating on the pave...
now that is a *******... recycling centre or horse manure?
then to tesco... for the nightcap...
oddly enough tesco has become a friend of mine once more,
i divorced the turkish shop, they added 10 pence to the polish beers,
now i’m on the sedative medication of this bottle bavaria beer
and whiskey... 1 quid for the former... 10 quid for the latter -
i’ve sold my soul! never mind...
then to the beacon that’s home... it’s night... it’s spooky...
it’s essex: that non-touristy place in england people with passports
never dare to visit, shambles.
well one thing came out true... none of the above though:
you ever consider the theory of the aeroplane syndrome in writers?
you know, like with rock stars you get the full package,
you get the aeroplane and the retrieved delay of the engine mushroom,
but with poetry (which is competing with music,
philosophers just wait in that queue for the cheese, wink, whine and wrinkle)
you only get the sound... that delayed mushroom...
you see the poet but never hear him...
it’s a typical delusion i’d call parallel or even adjacent to narcissism,
you walk down the street and the closest you come
to someone recognising you is a stranger uttering out: ‘hey richard!’
‘name’s matt mate.’
‘oh... sorry.’
it’s this aeroplane syndrome theory... it’s perfectly acceptable...
you have the image but don’t have the delayed sound...
you have the delayed sound... but you only get a photograph...
you have the english national health service mental health unit crisis...
and then you have people shunning intellectualism
trying to cure people by burning / not reading philosophical books;
the day ends with drinking and reading
an article about keith richard’s antics in the sunday times’ supplement
and the thought: well i gave her a stabbing chance
at feminism... she thought the active ingredient in anti-contraception
pills was placebo... she phoned and gave birth to me...
i said abort... you’re no post-teen mum at university, you won’t be...
******* was great but i’m not that much of a match from a cosmopolitan magazine quiz
(as duly taken on my way from st. pestersburg to moscow to see
metallica play), plus there are no roofing jobs in scotland...
the scots have mountains already... there’s no point building
scratched sky skylines with mountain ranges nearby...
so even though i went to a catholic school...
i did my first redemptive act by reading about gnostic heretics...
and not getting confirmed being the second...
i would have not taken first communion... but playing the xylophone
at the nativity play was too much fun...
plus it is the only salvador dali bit of the story...
after that you have st. sebastian...
plus you see where this is going... the greeks translated
the tetragrammaton into the gospels
of st. matthew, luke, mark and john...
and the romans were duped into the legality of
things... first name, second name, confirmation name...
surname.

— The End —