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To usher in
the wind of change,
you have to make room--

you must rearrange.

To slumber in fields
way down by the sea,
to be haunted by the scent
of sweet ambergris.

Where the tolling
bells of time will mend
those long, lost hours
when you needed a friend--

they will resonate with
reason until the end.

Go ahead and reach
for every star in the sky,
don't ever get hooked
on Who? How? or Why?

When you open your sails--

your dreams are in reach.
Ships are made for the ocean,
not for the beach.






.
A Dramatic Poem

The deck of an ancient ship. At the right of the stage is the mast,
with a large square sail hiding a great deal of the sky and sea
on that side. The tiller is at the left of the stage; it is a long oar
coming through an opening in the bulwark. The deck rises in a
series of steps hehind the tiller, and the stern of the ship curves
overhead. When the play opens there are four persons upon the
deck. Aibric stands by the tiller. Forgael sleeps upon the raised
portion of the deck towards the front of the stage. Two Sailors
are standing near to the mast, on which a harp is hanging.

First Sailor. Has he not led us into these waste seas
For long enough?

Second Sailor. Aye, long and long enough.

First Sailor. We have not come upon a shore or ship
These dozen weeks.

Second Sailor. And I had thought to make
A good round Sum upon this cruise, and turn -
For I am getting on in life - to something
That has less ups and downs than robbery.

First Sailor. I am so tired of being bachelor
I could give all my heart to that Red Moll
That had but the one eye.

Second Sailor. Can no bewitchment
Transform these rascal billows into women
That I may drown myself?

First Sailor. Better steer home,
Whether he will or no; and better still
To take him while he sleeps and carry him
And drop him from the gunnel.

Second Sailor. I dare not do it.
Were't not that there is magic in his harp,
I would be of your mind; but when he plays it
Strange creatures flutter up before one's eyes,
Or cry about one's ears.

First Sailor. Nothing to fear.

Second Sailor. Do you remember when we sank that galley
At the full moon?

First Sailor. He played all through the night.

Second Sailor. Until the moon had set; and when I looked
Where the dead drifted, I could see a bird
Like a grey gull upon the breast of each.
While I was looking they rose hurriedly,
And after circling with strange cries awhile
Flew westward; and many a time since then
I've heard a rustling overhead in the wind.

First Sailor. I saw them on that night as well as you.
But when I had eaten and drunk myself asleep
My courage came again.

Second Sailor. But that's not all.
The other night, while he was playing it,
A beautiful young man and girl came up
In a white breaking wave; they had the look
Of those that are alive for ever and ever.

First Sailor. I saw them, too, one night. Forgael was playing,
And they were listening ther& beyond the sail.
He could not see them, but I held out my hands
To grasp the woman.

Second Sailor. You have dared to touch her?

First Sailor. O she was but a shadow, and slipped from me.

Second Sailor. But were you not afraid?

First Sailor. Why should I fear?

Second Sailor. "Twas Aengus and Edain, the wandering lovers,
To whom all lovers pray.

First Sailor. But what of that?
A shadow does not carry sword or spear.

Second Sailor. My mother told me that there is not one
Of the Ever-living half so dangerous
As that wild Aengus. Long before her day
He carried Edain off from a king's house,
And hid her among fruits of jewel-stone
And in a tower of glass, and from that day
Has hated every man that's not in love,
And has been dangerous to him.

First Sailor. I have heard
He does not hate seafarers as he hates
Peaceable men that shut the wind away,
And keep to the one weary marriage-bed.

Second Sailor. I think that he has Forgael in his net,
And drags him through the sea,

First Sailor. Well, net or none,
I'd drown him while we have the chance to do it.

Second Sailor. It's certain I'd sleep easier o' nights
If he were dead; but who will be our captain,
Judge of the stars, and find a course for us?

First Sailor. I've thought of that. We must have Aibric with us,
For he can judge the stars as well as Forgael.

[Going towards Aibric.]
Become our captain, Aibric. I am resolved
To make an end of Forgael while he sleeps.
There's not a man but will be glad of it
When it is over, nor one to grumble at us.

Aibric. You have taken pay and made your bargain for it.

First Sailor. What good is there in this hard way of living,
Unless we drain more flagons in a year
And kiss more lips than lasting peaceable men
In their long lives? Will you be of our troop
And take the captain's share of everything
And bring us into populous seas again?

Aibric. Be of your troop! Aibric be one of you
And Forgael in the other scale! **** Forgael,
And he my master from my childhood up!
If you will draw that sword out of its scabbard
I'll give my answer.

First Sailor. You have awakened him.
[To Second Sailor.]
We'd better go, for we have lost this chance.
[They go out.]

Forgael. Have the birds passed us? I could hear your voice,
But there were others.

Aibric. I have seen nothing pass.

Forgael. You're certain of it? I never wake from sleep
But that I am afraid they may have passed,
For they're my only pilots. If I lost them
Straying too far into the north or south,
I'd never come upon the happiness
That has been promised me. I have not seen them
These many days; and yet there must be many
Dying at every moment in the world,
And flying towards their peace.

Aibric. Put by these thoughts,
And listen to me for a while. The sailors
Are plotting for your death.

Forgael. Have I not given
More riches than they ever hoped to find?
And now they will not follow, while I seek
The only riches that have hit my fancy.

Aibric. What riches can you find in this waste sea
Where no ship sails, where nothing that's alive
Has ever come but those man-headed birds,
Knowing it for the world's end?

Forgael. Where the world ends
The mind is made unchanging, for it finds
Miracle, ecstasy, the impossible hope,
The flagstone under all, the fire of fires,
The roots of the world.

Aibric. Shadows before now
Have driven travellers mad for their own sport.

Forgael. Do you, too, doubt me? Have you joined their plot?

Aibric. No, no, do not say that. You know right well
That I will never lift a hand against you.

Forgael. Why should you be more faithful than the rest,
Being as doubtful?

Aibric. I have called you master
Too many years to lift a hand against you.

Forgael. Maybe it is but natural to doubt me.
You've never known, I'd lay a wager on it,
A melancholy that a cup of wine,
A lucky battle, or a woman's kiss
Could not amend.

Aibric. I have good spirits enough.

Forgael. If you will give me all your mind awhile -
All, all, the very bottom of the bowl -
I'll show you that I am made differently,
That nothing can amend it but these waters,
Where I am rid of life - the events of the world -
What do you call it? - that old promise-breaker,
The cozening fortune-teller that comes whispering,
"You will have all you have wished for when you have earned
Land for your children or money in a ***.-
And when we have it we are no happier,
Because of that old draught under the door,
Or creaky shoes. And at the end of all
How are we better off than Seaghan the fool,
That never did a hand's turn? Aibric! Aibric!
We have fallen in the dreams the Ever-living
Breathe on the burnished mirror of the world
And then smooth out with ivory hands and sigh,
And find their laughter sweeter to the taste
For that brief sighing.

Aibric. If you had loved some woman -

Forgael. You say that also? You have heard the voices,
For that is what they say - all, all the shadows -
Aengus and Edain, those passionate wanderers,
And all the others; but it must be love
As they have known it. Now the secret's out;
For it is love that I am seeking for,
But of a beautiful, unheard-of kind
That is not in the world.

Aibric. And yet the world
Has beautiful women to please every man.

Forgael. But he that gets their love after the fashion
"Loves in brief longing and deceiving hope
And ****** tenderness, and finds that even
The bed of love, that in the imagination
Had seemed to be the giver of all peace,
Is no more than a wine-cup in the tasting,
And as soon finished.

Aibric. All that ever loved
Have loved that way - there is no other way.

Forgael. Yet never have two lovers kissed but they believed there was some other near at hand,
And almost wept because they could not find it.

Aibric. When they have twenty years; in middle life
They take a kiss for what a kiss is worth,
And let the dream go by.

Forgael. It's not a dream,
But the reality that makes our passion
As a lamp shadow - no - no lamp, the sun.
What the world's million lips are thirsting for
Must be substantial somewhere.

Aibric. I have heard the Druids
Mutter such things as they awake from trance.
It may be that the Ever-living know it -
No mortal can.

Forgael. Yes; if they give us help.

Aibric. They are besotting you as they besot
The crazy herdsman that will tell his fellows
That he has been all night upon the hills,
Riding to hurley, or in the battle-host
With the Ever-living.

Forgael. What if he speak the truth,
And for a dozen hours have been a part
Of that more powerful life?

Aibric. His wife knows better.
Has she not seen him lying like a log,
Or fumbling in a dream about the house?
And if she hear him mutter of wild riders,
She knows that it was but the cart-horse coughing
That set him to the fancy.

Forgael. All would be well
Could we but give us wholly to the dreams,
And get into their world that to the sense
Is shadow, and not linger wretchedly
Among substantial things; for it is dreams
That lift us to the flowing, changing world
That the heart longs for. What is love itself,
Even though it be the lightest of light love,
But dreams that hurry from beyond the world
To make low laughter more than meat and drink,
Though it but set us sighing? Fellow-wanderer,
Could we but mix ourselves into a dream,
Not in its image on the mirror!

Aibric. While
We're in the body that's impossible.

Forgael. And yet I cannot think they're leading me
To death; for they that promised to me love
As those that can outlive the moon have known it, '
Had the world's total life gathered up, it seemed,
Into their shining limbs - I've had great teachers.
Aengus and Edain ran up out of the wave -
You'd never doubt that it was life they promised
Had you looked on them face to face as I did,
With so red lips, and running on such feet,
And having such wide-open, shining eyes.

Aibric. It's certain they are leading you to death.
None but the dead, or those that never lived,
Can know that ecstasy. Forgael! Forgael!
They have made you follow the man-headed birds,
And you have told me that their journey lies
Towards the country of the dead.

Forgael. What matter
If I am going to my death? - for there,
Or somewhere, I shall find the love they have promised.
That much is certain. I shall find a woman.
One of the Ever-living, as I think -
One of the Laughing People - and she and I
Shall light upon a place in the world's core,
Where passion grows to be a changeless thing,
Like charmed apples made of chrysoprase,
Or chrysoberyl, or beryl, or chrysclite;
And there, in juggleries of sight and sense,
Become one movement, energy, delight,
Until the overburthened moon is dead.

[A number of Sailors enter hurriedly.]

First Sailor. Look there! there in the mist! a ship of spice!
And we are almost on her!

Second Sailor. We had not known
But for the ambergris and sandalwood.

First Sailor. NO; but opoponax and cinnamon.

Forgael [taking the tiller from Aibric].
The Ever-living have kept my bargain for me,
And paid you on the nail.

Aibric. Take up that rope
To make her fast while we are plundering her.

First Sailor. There is a king and queen upon her deck,
And where there is one woman there'll be others.

Aibric. Speak lower, or they'll hear.

First Sailor. They cannot hear;
They are too busy with each other. Look!
He has stooped down and kissed her on the lips.

Second Sailor. When she finds out we have better men aboard
She may not be too sorry in the end.

First Sailor. She will be like a wild cat; for these queens
Care more about the kegs of silver and gold
And the high fame that come to them in marriage,
Than a strong body and a ready hand.

Second Sailor. There's nobody is natural but a robber,
And that is why the world totters about
Upon its bandy legs.

Aibric. Run at them now,
And overpower the crew while yet asleep!

[The Sailors go out.]

[Voices and thc clashing of swords are heard from the other ship, which cannot be seen because of the sail.]

A Voice. Armed men have come upon us! O I am slain!

Another Voice. Wake all below!

Another Voice. Why have you broken our sleep?

First Voice. Armed men have come upon us! O I am slain!

Forgael [who has remained at the tiller].
There! there they come! Gull, gannet, or diver,
But with a man's head, or a fair woman's,
They hover over the masthead awhile
To wait their Fiends; but when their friends have come
They'll fly upon that secret way of theirs.
One - and one - a couple - five together;
And I will hear them talking in a minute.
Yes, voices! but I do not catch the words.
Now I can hear. There's one of them that says,
"How light we are, now we are changed to birds!'
Another answers, "Maybe we shall find
Our heart's desire now that we are so light.'
And then one asks another how he died,
And says, "A sword-blade pierced me in my sleep.-
And now they all wheel suddenly and fly
To the other side, and higher in the air.
And now a laggard with a woman's head down crying, "I have run upon the sword.
I have fled to my beloved in the air,
In the waste of the high air, that we may wander
Among the windy meadows of the dawn.'
But why are they still waiting? why are they
Circling and circling over the masthead?
What power that is more mighty than desire
To hurry to their hidden happiness
Withholds them now? Have the Ever-living Ones
A meaning in that circling overhead?
But what's the meaning?

[He cries out.] Why do you linger there?
Why linger? Run to your desire,
Are you not happy winged bodies now?

[His voice sinks again.]

Being too busy in the air and the high air,
They cannot hear my voice; but what's the meaning?

[The Sailors have returned. Dectora is with them.]

Forgael [turning and seeing her]. Why are you standing
with your eyes upon me?
You are not the world's core. O no, no, no!
That cannot be the meaning of the birds.
You are not its core. My teeth are in the world,
But have not bitten yet.

Dectora. I am a queen,
And ask for satisfaction upon these
Who have slain my husband and laid hands upon me.
[Breaking loose from the Sailors who are holding her.]
Let go my hands!

Forgael. Why do you cast a shadow?
Where do you come from? Who brought you to this place?
They would not send me one that casts a shadow.

Dectora. Would that the storm that overthrew my ships,
And drowned the treasures of nine conquered nations,
And blew me hither to my lasting sorrow,
Had drowned me also. But, being yet alive,
I ask a fitting punishment for all
That raised their hands against him.

Forgael. There are some
That weigh and measure all in these waste seas -
They that have all the wisdom that's in life,
And all that prophesying images
Made of dim gold rave out in secret tombs;
They have it that the plans of kings and queens
But laughter and tears - laughter, laughter, and tears;
That every man should carry his own soul
Upon his shoulders.

Dectora. You've nothing but wild words,
And I would know if you will give me vengeance.

Forgael. When she finds out I will not let her go -
When she knows that.

Dectora. What is it that you are muttering -
That you'll not let me go? I am a queen.

Forgael. Although you are more beautiful than any,
I almost long that it were possible;
But if I were to put you on that ship,
With sailors that were sworn to do your will,
And you had spread a sail for home, a wind
Would rise of a sudden, or a wave so huge
It had washed among the stars and put them out,
And beat the bulwark of your ship on mine,
Until you stood before me on the deck -
As now.

Dectora. Does wandering in these desolate seas
And listening to the cry of wind and wave
Bring madness?

Forgael. Queen, I am not mad.

Dectora. Yet say
That unimaginable storms of wind and wave
Would rise against me.

Forgael. No, I am not mad -
If it be not that hearing messages
From lasting watchers, that outlive the moon,
At the most quiet midnight is to be stricken.

Dectora. And did those watchers bid you take me
captive?

Forgael. Both you and I are taken in the net.
It was their hands that plucked the winds awake
And blew you hither; and their mouth
--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.
Yenson Jun 2019
Those cosmopolitan provincials sorts
the chavs, yobs, yobbesses and oiks with semolina for brains
them retro-grade grade-less sub-humans bottom feeders
who think Cardiff is in East Angular and Magaluf is Eden
and Higher Education begins in Borstal or a stint at HM Prisons
found by happenstance a tin of Caviar
something they'd never seen before
with the curiosity of practiced thieves
they proceeded to examine its worth
'its a tin of hair gel says one'
'No, no, no says another, I think its something you eat'
'it says Caviar Royal Beluga, observes another'
'throw it away, anything with a name like that is *******'
'Beluga...some foreign muck, it look dark and oily'
'yea mate, look like ****, throw it away'
One of the dis-advantaged rabble with one O'level in Carpentry
took a closer look  
'look he says, there's sticker on the bottom that reads
Caviar Royal Beluga – 1kg £3,780.00'
Hahahaha they all roared in ceaseless mirth, hahaha
'some joker is having a laugh, pull the other leg, fancy...
a tin of black gunge in some slimy stuff cost three grand,
must think people are born yesterday, Beluga..fuckoffluga'
And with that, they tossed the tin away and walked off
laughing like *******.

Ignorance is a disease, ignorance is bliss
will vandals extol the sheer magnificence of a Constable
or see anything other than a chair in a Chippendale ribbonback chair,
will Barbarians shed a tear on hearing the sensuous notes of Chopin or shiver at the graceful notes of Debussy or melt in sheer
adoration as Tchaikovsky's romance soars in magical resonance.  
Will cosmopolitan heathens gape in mesmerizing wonder on
seeing Michelangelo's Sistine Chapel and praise God for being alive
So who has great expectations of our dear cosmopolitan provincials sorts
those chavs, yobs, yobbesses and oiks with semolina for brains
for in disparaging excellence
and rubbishing  the noble and the exceptional
they make us appreciate more that we are blessed
and privileged
and do not have
semolina for brains

hey!
who would like some caviar
POSSIBLE Feb 2019
Sorry to...
Hit yo noes
like a brick of green
Like the grass that grow
nourished by the Celtic saints that know

Man tell a lie better make it true
if you don’t, then what do I make of you?

Now Wonder Woman
no wonder were human
bringing Brooklyn
some thunder hoodlum

My baited brown eyes look up and down you

Mile marker .66
and I’m still hitting this
crisp as a chrysalis
you may be the eyewitness
of my fist to this

more like the wittiness
of my pen tip dipped in ambergris
I get around you get the gist
healing hands I mend the cyst
with broken hands I gripped the rich

don't understand
don't worry
like Krishna I persist

zzzz Slept on like
The buzz of viciousness
**** the violence
turn the red to VIOLET
just look right through my eyes slit

Now and then
divine feminine deigned
to grace my face again
turned fake eyes to grin
false pride, double subs, and sin.

Complete appreciation, genuflected form reflected in

this fertile goddeSS
who puts the seeds in season
She see through SnakeS and reedS when
She based in wiSdom
reaSon

designed to take the basest race
from darkest depths to airs of divine space
till we’re flushed with grace
some are hushed by my ace in the whole

I'm a S33ker throwing axes
but YOU better only call me

an axehole

when
I
mis
s
.

***** simple as this.
I͕̩̞’̘̞̯m ̩͙̫͚̳̼͚s͇̞̞̯͕̳e͚ṱ̖̼̯̯̟͔t̘̞̹ͅi̼̠̺͇̪n̗̝̫g ͍̞th͈i̮s̮̟͕̫̫ ba̠̠̮̤r̠̙̼
͉̲I͖̱̫͈͖͈͖’͈̯̘̞̘m̞̠̠̯ͅ ͔̯̬̳̮s͚̘̝͎̮̣̩t̩̩̬̖e͉̖p̜̻p͕̼͎̗̣i̝̗̙̘n̰̫g ṱ̪̺͎͖̬̳h̰̝̘is̲͇̺ ̫f͍͉̠̹̣̯ͅa̟͉͓͖̦̗̩r͇̫̬͎̥
̹͉̱̫̟̩T͕̼̯̣̼͉r͍̘̘͎̝̤̟o̜͔̣̭͎͇n a̭͈̘̜̻ͅn̬̩̱̭̞̜͉d̺ ̠̖̯̠th̺̜e̦̯̫̙̤̠͉ ̫̟͉̗̠̤̦m͔̳a͔̝͉t̯̜ri̥͉x̦
̝̦̳͙̯b̭̤e ̯̰̖̤̯s͚̩̺̩ha͚͇̼͍͇p̭̜͖in ͕t̙̤h̟̳̣̯̬is ̠̼̹ͅc͓̼̝̣a̯̭r͓͔̙̮̠͎̠
͇̞̻̖̬
̱̟ș̝̞̫ome̯̜͎̙̤̜ͅ ͔͓͔̝͚̬s̗͍̹̟͖̼u̦b̙̜͚ͅs͖̯ ͈̦̣ ḅ̼̬̬̯ͅu̞̬̩̻͙̝m̜̭͔p͙̟̩̼̼̳ ̳̘͔͕͖͖͓s̜̺͕o̜me̖̱͓̺ ͈̣
̣͔͔̖̖b͈͖͖͈a̫̰͔̤̜̹r̤̭ͅs̻͉̼ ̗̯̪s̤͓̟o͈͕̞̞̜̯̭ ͖͙̮h̻a͙̞͇̟ṟḍ͕̻ ̖̯̘̝͕͙weͅ ̻ri̹̖̞̣͙̬s̻k̹͇̼̬ ͎̬̤̪̳̹̟mars̜͇̩͇
̹͕̖
V̺̙̞e̲͓̤͍i̹ṇ̥̰̮͍̜̟s̼ ͕s̘͍̮t̫͍͚͕͎a̙̹rṭ͖̭͕̟͙ ̺͕͎͎̖ͅp̼̮͔̭o̲̻p̙̞͕̯̫p̹͉̮͇̼̗ͅi̥̱n͚g͕̱ ̯̣̙̘̗̺̤
̤h̰̤e̺͓͓͕a̻͎rṭ̥͈̗̮̻̣s͖̠̠̤͚̼ ̗͉͓̫̱̫c͍̫̜͎͉ṛ͚̭y̘̰ ͉̗̙̻̩h̙̱͈a͔̮̟̥̞͕r͙̣̠͎d̟̬̰̫ ̰̻̭̖̻̜̬i̻n ̟͎̳̹͉ͅt͕̠̟̖̘̹h̻͓̗͉̭͖̦e̱̞͖͓̰̪ ̩ra̗͉̜̞̻ͅͅi͉͕̱̹̠n̩
̝͎̙m̜͔̱̮̻͔̜u͉̜r̮d̟̫̞̗̹e̺̭̟r̞̘̭̤ ̘an̞͔̬̫̥ͅd̺ ͙̭͔̖̤͎b̠ḷ͔̜̭̩̫͕o͕͙̬̦̝͇o͕̺̝͚̖̙ͅḓ̻̯̤̫̪̦
͇͓͚̪it̘͉̬̞’͇̞͖̺͓̲̱s̱͕̼̣ ͖̰̺̮̼̠̣n̥̝̥̼͉̙o͍͚̥͈̫t͍̜̰̞ ̼̻̗̮ha͖̭̺͙̟͖̭r̰̬͖̙̣̬̭d̲ ̻̝͙͙͔̤̘t͙͔͍̟̫͉̗o̬͓̟͙̘ ͖͈̥̬̠͎ͅe͙̮̱͓͉n̼̫̜͉̘t̪̠̹̼̲̝e̝̱̖͙͎rț̠͕̰ͅa̲͇i̥̜ṇ̙ͅ
Tom McCone Jan 2013
people watch themselves, eye to eye, in the mirror
so ******* afraid, if they turn away,
that they will put the knife down their own spine:
‘it is your fault my heart is dying’
they would say,
‘it is all your fault I am so alone’

so, everyone neglects their profile,
their victorian shade decays,
so, all humans now are, in silhouette,
as hideous as their engorged sense of vanity.
such is the nature of our society, narcissique.

but you, damp heart,
where the rain falls and makes
sweet sap, under that arterial lacework,
your side, lit by heaving sun,
took all that beauty and bound it
under and over your skin,
cheek palette like slow fire,
eyelashes like aching needles,

you keep stealing,
in all those moments between,
stealing me.
I

The cloud my bed is tinged with blood and foam.
The vault yet blazes with the sun
Writhing above the West, brave hippodrome
Whose gladiators shock and shun
As the blue night devours them, crested comb
Of sleep's dead sea
That eats the shores of life, rings round eternity!

II

So, he is gone whose giant sword shed flame
Into my bowels; my blood's bewitched;
My brain's afloat with ecstasy of shame.
That tearing pain is gone, enriched
By his life-spasm; but he being gone, the same
Myself is gone
****** by the dragon down below death's horizon.

III
I woke from this. I lay upon the lawn;
They had thrown roses on the moss
With all their thorns; we came there at the dawn,
My lord and I; God sailed across
The sky in's galleon of amber, drawn
By singing winds
While we wove garlands of the flowers of our minds.

IV

All day my lover deigned to ****** me,
Linking his kisses in a chain
About my neck; demon-embroidery!
Bruises like far-ff mountains stain
The valley of my body of ivory!
Then last came sleep.
I wake, and he is gone; what should I do but weep?

V

Nay, for I wept enough --- more sacred tears! ---
When first he pinned me, gripped
My flesh, and as a stallion that rears,
Sprang, hero-thewed and satyr-lipped;
Crushed, as a grape between his teeth, my fears;
****** out my life
And stamped me with the shame, the monstrous word of
wife.

VI

I will not weep; nay, I will follow him
Perchance he is not far,
Bathing his limbs in some delicious dim
Depth, where the evening star
May kiss his mouth, or by the black sky's rim
He makes his prayer
To the great serpent that is coiled in rapture there.

VII

I rose to seek him. First my footsteps faint
Pressed the starred moss; but soon
I wandered, like some sweet sequestered saint,
Into the wood, my mind. The moon
Was staggered by the trees; with fierce constraint
Hardly one ray
Pierced to the ragged earth about their roots that lay.

VIII

I wandered, crying on my Lord. I wandered
Eagerly seeking everywhere.
The stories of life that on my lips he squandered
Grew into shrill cries of despair,
Until the dryads frightened and dumfoundered
Fled into space ---
Like to a demon-king's was grown my maiden face!

XI

At last I came unto the well, my soul
In that still glass, I saw no sign
Of him, and yet --- what visions there uproll
To cloud that mirror-soul of mine?
Above my head there screams a flying scroll
Whose word burnt through
My being as when stars drop in black disastrous dew.

X

For in that scroll was written how the globe
Of space became; of how the light
Broke in that space and wrapped it in a robe
Of glory; of how One most white
Withdrew that Whole, and hid it in the lobe
Of his right Ear,
So that the Universe one dewdrop did appear.

IX

Yea! and the end revealed a word, a spell,
An incantation, a device
Whereby the Eye of the Most Terrible
Wakes from its wilderness of ice
To flame, whereby the very core of hell
Bursts from its rind,
Sweeping the world away into the blank of mind.

XII

So then I saw my fault; I plunged within
The well, and brake the images
That I had made, as I must make - Men spin
The webs that snare them - while the knee
Bend to the tyrant God - or unto Sin
The lecher sunder!
Ah! came that undulant light from over or from under?

XIII

It matters not. Come, change! come, Woe! Come, mask!
Drive Light, Life, Love into the deep!
In vain we labour at the loathsome task
Not knowing if we wake or sleep;
But in the end we lift the plumed casque
Of the dead warrior;
Find no chaste corpse therein, but a soft-smiling *****.

XIV

Then I returned into myself, and took
All in my arms, God's universe:
Crushed its black juice out, while His anger shook
His dumbness pregnant with a curse.
I made me ink, and in a little book
I wrote one word
That God himself, the adder of Thought, had never heard.

XV

It detonated. Nature, God, mankind
Like sulphur, nitre, charcoal, once
Blended, in one annihilation blind
Were rent into a myriad of suns.
Yea! all the mighty fabric of a Mind
Stood in the abyss,
Belching a Law for "That" more awful than for "This."

XVI

Vain was the toil. So then I left the wood
And came unto the still black sea,
That oily monster of beatitude!
('Hath "Thee" for "Me," and "Me" for "Thee!")
There as I stood, a mask of solitude
Hiding a face
Wried as a satyr's, rolled that ocean into space.

XVII

Then did I build an altar on the shore
Of oyster-shells, and ringed it round
With star-fish. Thither a green flame I bore
Of phosphor foam, and strewed the ground
With dew-drops, children of my wand, whose core
Was trembling steel
Electric that made spin the universal Wheel.

XVIII

With that a goat came running from the cave
That lurked below the tall white cliff.
Thy name! cried I. The answer that gave
Was but one tempest-whisper - "If!"
Ah, then! his tongue to his black palate clave;
For on soul's curtain
Is written this one certainty that naught is certain!

XIX

So then I caught that goat up in a kiss.
And cried Io Pan! Io Pan! Io Pan!
Then all this body's wealth of ambergris,
(Narcissus-scented flesh of man!)
I burnt before him in the sacrifice;
For he was sure -
Being the Doubt of Things, the one thing to endure!

**

Wherefore, when madness took him at the end,
He, doubt-goat, slew the goat of doubt;
And that which inward did for ever tend
Came at the last to have come out;
And I who had the World and God to friend
Found all three foes!
Drowned in that sea of changes, vacancies, and woes!

XXI

Yet all that Sea was swallowed up therein;
So they were not, and it was not.
As who should sweat his soul out through the skin
And find (sad fool!) he had begot
All that without him that he had left in,
And in himself
All he had taken out thereof, a mocking elf!

XXII

But now that all was gone, great Pan appeared.
Him then I strove to woo, to win,
Kissing his curled lips, playing with his beard,
Setting his brain a-shake, a-spin,
By that strong wand, and muttering of the weird
That only I
Knew of all souls alive or dead beneath the sky.

XXIII

So still I conquered, and the vision passed.
Yet still was beaten, for I knew
Myself was He, Himself, the first and last;
And as an unicorn drinks dew
From under oak-leaves, so my strength was cast
Into the mire;
For all I did was dream, and all I dreamt desire.

XXIV

More; in this journey I had clean forgotten
The quest, my lover. But the tomb
Of all these thoughts, the rancid and the rotten,
Proved in the end to be my womb
Wherein my Lord and lover had begotten
A little child
To drive me, laughing lion, into the wanton wild!

XXV

This child hath not one hair upon his head,
But he hath wings instead of ears.
No eyes hath he, but all his light is shed
Within him on the ordered sphere
Of nature that he hideth; and in stead
Of mouth he hath
One minute point of jet; silence, the lightning path!

XXVI

Also his nostrils are shut up; for he
Hath not the need of any breath;
Nor can the curtain of eternity
Cover that head with life or death.
So all his body, a slim almond-tree,
Knoweth no bough
Nor branch nor twig nor bud, from never until now.

XXVII

This thought I bred within my bowels, I am.
I am in him, as he in me;
And like a satyr ravishing a lamb
So either seems, or as the sea
Swallows the whale that swallows it, the ram
Beats its own head
Upon the city walls, that fall as it falls dead.

XXVIII

Come, let me back unto the lilied lawn!
Pile me the roses and the thorns,
Upon this bed from which he hath withdrawn!
He may return. A million morns
May follow that first dire daemonic dawn
When he did split
My spirit with his lightnings and enveloped it!

XXIX

So I am stretched out naked to the knife,
My whole soul twitching with the stress
Of the expected yet surprising strife,
A martyrdom of blessedness.
Though Death came, I could kiss him into life;
Though Life came, I
Could kiss him into death, and yet nor live nor die!

***

Yet I that am the babe, the sire, the dam,
Am also none of these at all;
For now that cosmic chaos of I AM
Bursts like a bubble. Mystical
The night comes down, a soaring wedge of flame
Woven therein
To be a sign to them who yet have never been.

XXXI

The universe I measured with my rod.
The blacks were balanced with the whites;
Satan dropped down even as up soared God;
****** prayed and danced with anchorites.
So in my book the even matched the odd:
No word I wrote
Therein, but sealed it with the signet of the goat.

XXXII

This also I seal up. Read thou herein
Whose eyes are blind! Thou may'st behold
Within the wheel (that always seems to spin
All ways) a point of static gold.
Then may'st thou out therewith, and fit it in
That extreme sphere
Whose boundless farness makes it infinitely near.
Your mind and you are our Sargasso Sea,
London has swept about you this score years
And bright ships left you this or that in fee:
Ideas, old gossip, oddments of all things,
Strange spars of knowledge and dimmed wares of price.
Great minds have sought you- lacking someone else.
You have been second always. Tragical?
No. You preferred it to the usual thing:
One dull man, dulling and uxorious,
One average mind- with one thought less, each year.
Oh, you are patient, I have seen you sit
Hours, where something might have floated up.
And now you pay one. Yes, you richly pay.
You are a person of some interest, one comes to you
And takes strange gain away:
Trophies fished up; some curious suggestion;
Fact that leads nowhere; and a tale for two,
Pregnant with mandrakes, or with something else
That might prove useful and yet never proves,
That never fits a corner or shows use,
Or finds its hour upon the loom of days:
The tarnished, gaudy, wonderful old work;
Idols and ambergris and rare inlays,
These are your riches, your great store; and yet
For all this sea-hoard of deciduous things,
Strange woods half sodden, and new brighter stuff:
In the slow float of differing light and deep,
No! there is nothing! In the whole and all,
Nothing that’s quite your own.
Yet this is you.
Wade Redfearn Feb 2010
ONE
Adam and Eve were born of flesh,
and woke from sleep, when God addressed
them both.
"Here is the world - unsoiled, unstained
(The sheet of the sea hides her breast and her veins.)
The time is uncertain; the end is ordained
and when it is finished, begin it again."

They saw God, saw
Lucifer, saw the tree:
felt oppressed. The world
was young but the book had
been opened. All stories conclude
in words and in gestures, wild and crude.
(They left heaven, fled to
the ambergris ocean, the
silk hills.)

TWO
Mad, they went to Egypt, built
Cairo in the delta where
her legs met, Thebes where
her eyes beat on the cataract
made cities on
her body on
credit, faith, and lust.
Until the groaning hungry ibis
and the famine drove them out.

THREE
From Egypt to Rome,
Adam to Caesar,
In Pliny's manuscript, Adam said:
"Here is Rome
a senate in your sympathy
an orphanage in your heart.
Come to his flat avenue, can't you
feel how far I've walked, on every flagstone?
Witness beaten sandals, frayed thongs;
feel your posture sag? I want to rest,
and I want you to help. I sat on the banks
of the Tiber; has Rome washed into my lap?
The streets are the furrows of my skin.

She said:
"I like a fire at my fingertips, not
bellowed to me under the floor."
Rome fell to that barbarian.

PAX ROMANA
God reminded them again.
Adam said:
"The knowledge is good, but it isn't a cure
for an Eden that seems so unlike the brochure."
He pulled back the skin of earth, and found,
a beating heart beneath the ground.
He knew, for once, the world would die.

IV
They went to ***** London, unhappy with
the lot of Rome. Amid the stench of a filthy Thames,
his blood ran with offal, with hate,
leached from the baiting pit, and she
did, too, in the ugly city,
from Knightsbridge to the sea.
They fought like monsters, fought a curse
that God foresaw, and they rehearsed.
An ugly city, from Knightsbridge to the sea,
and full of bitter folk.

V
Such is the end, a world
embalmed in salt and sand,
the leaves burned away; no cities
only orphaned tenderness under
ruined arches and aquaducts, wishing ill
but wanting that world returned,
and crying, yes, but knowing still,
their end was near; for all they yearned.

We have read this story cover to cover;
let Eve close the book, and pray in her sleep while
Adam dusts his hands,
and God begins anew.
Just ask me.
I have no store
Of gryphon-guarded gold;
Now, as before,
Bare is the shepherd’s fold.
Rubies nor pearls
Have I to gem thy throat;
Yet woodland girls
Have loved the shepherd’s note.

Then pluck a reed
And bid me sing to thee,
For I would feed
Thine ears with melody,
Who art more fair
Than fairest fleur-de-lys,
More sweet and rare
Than sweetest ambergris.

What dost thou fear?
Young Hyacinth is slain,
Pan is not here,
And will not come again.
No horned Faun
Treads down the yellow leas,
No God at dawn
Steals through the olive trees.

Hylas is dead,
Nor will he e’er divine
Those little red
Rose-petalled lips of thine.
On the high hill
No ivory dryads play,
Silver and still
Sinks the sad autumn day.
Francie Lynch Jul 2014
Visions of crystal cobwebs
swept up in awesome lies;
ambergris whisked scentless
to a sea-streaked sky.

Watching the melting snow,
feeling clouds of fire,
hearing the orchestrated chime,
touching every liar.

Morning passed, blue's forgone
for a quiet afternoon;
vapours pulled at all my senses
towards the rising moon.

Faint southern lights soon faded
against the silent sphere,
no starry sky was witness,
to your smile beguiling sneer.
Commanding the 'Crows Nest' in search of submarines on Panama City Beach
Our curiosity in real time demand , blanket oceanside Admiralty
Mariners were towing the ocean yachts into portland that day
Tales of Neptune , ambergris , running *** and rough sail
Riding the easterlies , filling our shell pails                                                        
A prize for gifted imaginations indeed , sand dollars and -
cirrus clouds above the warm turquoise Sea* .....
Copyright July 4 , 2016 by Randolph L Wilson * All Rights Reserved
I sing of brooks, of blossoms, birds, and bowers,
Of April, May, of June, and July-flowers.
I sing of May-poles, hock-carts, wassails, wakes,
Of bridegrooms, brides, and of their bridal-cakes.
I write of youth, of love, and have access
By these to sing of cleanly wantonness.
I sing of dews, of rains, and piece by piece
Of balm, of oil, of spice, and ambergris.
I sing of times trans-shifting, and I write
How roses first came red, and lilies white.
I write of groves, of twilights, and I sing
The Court of Mab, and of the Fairy King.
I write of hell; I sing (and ever shall)
Of heaven, and hope to have it after all.
Fahredin Shehu Apr 2012
The granular spittle that remains in my throat
A long day between winter and spring
My state known only by friends few of them
My Love felt by every creature
The ******* that sprinkles with their hatred
And those that converts their names and faith
This suffocating visible plurality of creatures and bizarre manifestations
My spiritual nervation has strengthened
Soul cells are dancing the muttered nation’s dance called Love
Those who make *** in the air as flies’ foals hatred babies
Can you **** babies is our question
We the invisible plurality of divine creatures and manifestations
We the perpetual Theophany coruscate in pure hearts
As Sun in the dews of mornings full of vetyver, ambergris, limonene, fragrance and a slight skunk of civet, moschus and the sweat men by labor exhausted
We speak we sing we paint
With the act without exhaling a syllable from our holly mouths
We sprinkle with the aureate dust
Straight we look at Saturn ring color eyes and the color of peacock tale feather
We built a cube temple and play chess in cube
We love the terrain where the guests of Moses and Lot before him had passed through
We sing with Seraph of high realms we sing in sync
Here we bring joy in hearts of those who encroached in procession through emerald macadam
Where you seldom pass
We know by heart the Al Jaffr and ten Sefirots and we read the Liber Razielis
We accompanied Adam Kadmon in his solitude prior to separation and embodiment in terrain that will be bloodied by human through centuries
We have said to John to go in the river Jordan baptize the Christ and lead him on
For those who knows a little
We said to Waraka to prepare Muhammad to become the leader of those who seek the truth
We said to Bahaullah to explain men to take after women and the mother Earth
Otherwise in upcoming millennium the solely food of them shall be kernels and water
We said to Gibran commence the Theurgy for upcoming millennium being as solely artistic repose for creative men
We said to Fahredin write as much as possible and hush as a canyon stone
Until he finds his echo point
We…
Within his paw
smeared bloodied red
by a deliberately mocking thorn
sat a
blanched ripple-y
guarachera strip of cloth
confined narrowly
between the love and the life lines.

TWO ROADS!

what remained of her
remained of the underthings
beneath

fluffing rows of silk
the heavy skirt had been raised
above the ankles
the creases no longer hidden in shadow,
one leg hoisted over the back,
the reigns held expertly.

Hey Beauty!
As it happens, the card numbered Eight is
Strength (also Lust)

She had surely fled
She has surely flown
through the trees and away
Not on foot at-all
while the three saw her pass.
great speed.
The two sisters
with that prince vulgaris looking on
curiously
Three daemon goblins watching from a distance
a disturbance
a smallish crashing
and afterwards
a scrap, sleepy and unfurled, relaxed
within the leaves that shudder
and give up the delicacy, slyly
into stubby fingers

Lovely
Dark
Deep
The Woods are Laughing!
Did you notice any scent?
Did it linger between
the thumb and the ring?
the remnant of her flowers,
Petals flouncing, swirling
in odorous potentiality.
a scrap, yes
a deep seated souvenir
Can we re-fabricate the whole from this little thing, you think?

we want her.
there are things that we want to do with her.

dangerous, they lean in close, nostrils flaring slightly
searching for the ambergris or the sticky  jasmine
sweet,
settling instead to gaze upon
the still clutched
still a little springy
sprightly, o! the remnants of her liveliness
and ***** and yet
No memories

3: at least let us show you the stage that we’ve built
with a clean sheet for the curtain,
paper cut-outs
and some sticks.
it’s called acting.
the wine and the wafer.
hidden in the trees’ darkening
‘the mattress’ lays where
the leaves will crumple

meanwhile, he’s petulant:
- why, if you’d just get off of that high horse!
- how long are you going to resist?
- are you STILL angry?
- why won’t you just let me stick it in you?

she telegraphs her response, cough:
‘you do know that in this
particular scenario
(fingers pointing downward and across
as if to suggest
that the scenario
had a specific location)
You are the wolf, right?
The wolf...

I, the girl,
am in the forest with my basket and
I have got a
cute little
blood red
crushed velvet
swing coat
With matching hood and a single task
And YOU
(with those other two *******) have decided
to bore ME with this ****?
Daresay slow ME down?
Of course I will get rid of YOU.
Wait, who am I talking to?

Let me also add that
there never has been any
high-stepping on my part,
nor ankle twirling,
no mandate to impress a stale balcony,
no sign of gaslit
illuminated
pink bows
that lay down flat
perfectly upon the straps
that snap
perfectly at the thigh,
NOT to be slid off a buttock (mine)
NOR crumpled into a dubious ball, ripped and torn
and yet I know that
that determined creature,
a hairy monster
more faithful than Argos,
is prepared
to wait a lazy eight
at grannie’s cozy house
in a sickly corner
over-eager and overwrought with
pandered fantasies
and explosions of once sort or another, irrelevant to me.

What I WILL admit to is
that the touch of those grubby fingers
transubstantiated at my waist
invisible
approach
as usual from behind
impatient and
impractical,
always too quick to make himself a beast
to rid himself of being a man

knowing how way
leads onto way
but I doubt if I should ever come back’
In shape and life more like a monster, than a man. - Edmund Spenser, The Faerie Queen
Third Eye Candy Nov 2012
pull them weeds from yonder brick, be quick... bedazzle me with corduroy and ambergris
be thick as thieves; be all things faithful to the shadow, and in your passing scrye
the odd ghost. decry your abominations as the fodder of false hope clothed in the style of the regent
of Amiss. on the Isle of a Man.
clip the nettle from my tongue where i'm most stung by misdeeds. amplify my misery with a joyful
peroxide, the living thing in your  chest of winters. your remarkable damnation in full blossom.
more awesome than fog diamonds in wet eyes grazing on refractions of something unknown
and that's how you see it.
a gargantuan
sliver
of
now
Third Eye Candy Nov 2011
june is a fist of botched odds
plodding along... a rube of wise fools
cumbersome.
the long frost of a brief dim
witness to a harm gone
ambergris.

you seem less full.
an entire galaxy of wane suns
lonesome.
it's your mask: my masquerade rules
under some malignant
lush fog

and asked for this.
In calm waves of imaginings  I am mermaid,
Always chasing you through the towering tides,
Disappearing between each scalloped crest;
Only my tail visible, sticking out at odd angles.

I have lean, strong swimmer's muscles; I can swim for miles,
Nearly keep up with submarines, ships, ferry’s,
For a limited time. My hair tumbles down
As though a nest, like *****, twisted seaweed
Around my face’s shipwreck-glass eyes
And sunscald lips.

I follow keenly the scent;
Something, someone who’s precious- human scent,
Pungent, earthy, vivifyingly attractive,
Counterpoint to the ocean’s ambergris.

Meanwhile there’s only horizons of teal water all around me,
And roving sky above; my sole company most days.
I swim with just the barest hint
Of whispered memories,
Something so far and long ago;
He who knew well the secret heart of me,
Within my fishy innards
And  in spite of my appearance.

Sometimes a stray dolphin befriends me,
And travels for a distance beside me;
Speaking in strange, native high-pitched dolphin talk;
And dolphins are interesting, but they are not men,
And they can’t comprehend what is it I follow

In the blind, long-aching of unknown distance,
Or what I pine for nightly, in my roiling watery soul
In the solitary caves, of this twilight world.
Mike Essig Apr 2015
Portrait d'une Femme**

Your mind and you are our Sargasso Sea,
      London has swept about you this score years
And bright ships left you this or that in fee:
      Ideas, old gossip, oddments of all things,
Strange spars of knowledge and dimmed wares of price.
      Great minds have sought you — lacking someone else.
You have been second always. Tragical?
      No. You preferred it to the usual thing:
One dull man, dulling and uxorious,
      One average mind —   with one thought less, each year.
Oh, you are patient, I have seen you sit
      Hours, where something might have floated up.
And now you pay one.   Yes, you richly pay.
      You are a person of some interest, one comes to you
And takes strange gain away:
      Trophies fished up; some curious suggestion;
Fact that leads nowhere; and a tale for two,
      Pregnant with mandrakes, or with something else
That might prove useful and yet never proves,
      That never fits a corner or shows use,
Or finds its hour upon the loom of days:
      The tarnished, gaudy, wonderful old work;
Idols and ambergris and rare inlays,
      These are your riches, your great store; and yet
For all this sea-hoard of deciduous things,
      Strange woods half sodden, and new brighter stuff:
In the slow float of differing light and deep,
      No! there is nothing! In the whole and all,
Nothing that's quite your own.
                  Yet this is you.
The original "Portrait of a Lady," although Pound refers back to Henry Jame's long and boring novel. Pound, along with Eliot, Williams, Stevens were the poets who created Modernism.
Ken Pepiton Jun 2019
Were I a whale, cartoon or
otherwise,

I would be for giving as good as I take,

and,
think, subject ob service
auto shifts,
if you know auto, yourself.
think
teeny weeny plankton by the ton
feed
me
as I cruise sans-effort, sans-trep
idation
egone into ideation,

you would be crazy as hello-happys
with no good bye

were you to agree to think with me,

is this your pa
in my belly?

Ambergris, remember this,

some aromas, sweet perfuma, you can't believe, sans
gnose blowing

during the withdrawals from 6 o'clock news

and recovery from Bernays Virii.

Behold how great a matter turns, under your
standing and above

and beyond
all a non-liar can imagine having known for sure. Okeh? Wit'me?

I knew this old guy,
one time talked me into daring
the deed, you know, it's hard
for a whale to
let some mind find time,

he said, in code... ditty dum dum and al,
banging on a bulkhead, starboard side:

LSMFT, once prompted me to choose
Lucky Strike, twen'yficent a pack, straights,
for the knowing announced with a note on a pipe,
the smoking lamp is
lighted, or lit (I forgit). It made a good smoke.

That's a whale of a comprefriendable story,
ex
cite ment to provoke a thought you never thught
possible, with no word
to express,
it past the flow, into the the ****** pool.

Life is a whale of a joke, don't you...

care. Okeh. You read, you'll survive.
If you can swallow a whale,

you can know common sense is unforgot,
get it. And with your getting,
get standing under, like a shower, you understand.

Whale of a feeling, eh?
A new voice in my realm, The daring little poem is provoking me daily.
Cherry , huckleberry , and peach Indian summer bouquets
glide across honey- brown sugar loam
They rattle , crackle and dance at the cue of fragrant ambergris winds , gather in splendid sheltered havens , attending by cackling red-winged mavens
Sing to me airborne madrigals , Cooper angels , Pileated conductors of the oakwood , choreographed lapping lakesides , the scrub of White Pines
Land of the pumpernickel shadows , of cinnamon needle carpet
cast adrift in the very breath of artist , lover and songster* ..
Copyright October 9 , 2016 by Randolph L Wilson * All Rights Reserved
William May 2019
Anxiety smothers reason in the swelter of shelter
Claustrophobic familiarity threatening avalanches
Leaving Matryoshka burial mounds
Piles of broken pylons soaking in puddles of bulk
Beneath the glassy gaze of taxidermied chaos

Calcified Mounds of once-maybe treasure
Form a cavernous regret
Where mite is rite
And the moth is a man of the cloth
Ambergris -of-honeysuckle--first cut of Summer hay ,- , petrified sap of Georgian pine , she is the epitome of love , salvation , weathered maturity and love enduring ,from a grateful recipient , knowledge of plow ,tilling of landscape, herb and berry ,  and bountiful , left thirsting for  counsel and the blessing of forefather , yea with a mighty countenance indeed !!!!
Anwer Ghani Jan 2019
It has stolen any possibly warmth from the bag of my days, so I was delightedly standing under that tree as a damp bird. This lovely coldness intentionally cuts my skin with her hidden knife, and destroying my face like a frozen lake’s water. She had fiercely slapped my face, so you are seeing the redness on my cheek every morning.
I am a man of the twenty-first century and my legs had dipped in the soul of the earth as an old cow. I don't like the darkness, or its cold voice, but my hand was frosted as a woman’s coat and my friends’ hearts were hung on the absent trees of our coldness.  
Our sun has a thick veil and many daughters with hard hearts; they are lightless and cold. Everything under our cold sun is icy and soundless even our evenings which they were travelling between the ambergris as a blind grasshopper. They are as an eternal hero eating all the beauty and building on our back all the glory. Please don’t ask me about their skirts or hair, because in addition to my blindness they have cloudy faces and we know that they had arrived from their cold winds.
Its a passion of lightness in front of the darkness.
Goodbye cold season zephyr ...
Carry your rumors of snow and ice to Carolina ..
Return in the month of May with your Summer bride ..
Signal the release of song filled nights ,
the curious Sun painting the Western sky ,
goldens orbs that compel the boardwalk lights ...
Ambergris filling the air of paradise ..
Copyright January 21 , 2016 by Randolph L Wilson * All Rights Reserved
A million sparkling movements every second
We gaze openly from whence we came in -
quiet reverence
For whom the mind rediscovers is a true
lover , to abide in perpetuity captivated in shore song and ambergris , our souls one day returned to the awaiting sea* ..
Copyright November 2 , 2016 by Randolph L Wilson * All Rights Reserved
Mike Essig Sep 2015
By  Diane di Prima*


Extract the juice which is itself a Light.


Pulp,   manna,   gentle

                    Theriasin, ergot

like mold on flame, these red leaves

bursting

                    from mesquite by the side

of dry creekbed.         Extract



the tar, the sticky

substance

                    heart

                                of things

(each plant a star,        extract



the juice of stars

                                by circular stillation

smear

            the inner man w/the coction

till he burn

            like worms of light in quicksilver

not the false

            puffballs of marshfire,      extract



the heart of the empty heart

                     it is full

of the star soul that paces fierce

in the deeps of earth

                       the Red Man,

                                                 healer

in furs

            who carries a club

who carries

             the pale homunculus

in his belly.

                         For you are angel, you call

the soul from plants



                      or pearls of ambergris

out of the grudging sea.

                       Extract arcanum.  Separate

true Archeus from the false

                       the bitter

is not less potent—nor does clarity

bespeak truth.



                        Out of the heart of the ineffable

draw the black flecks of matter

                               & from these

the cold, blue fire.

                               Dry water.   Immerse

yourself

              though it be but a drop.

                                                           This Iliaster

flowers like the wind.

               Out of the ash, the Eidolon of the world



Crystalline.

                  Perfect.
Anwer Ghani Jan 2019
When you go deep in your silence, there is nothing can break you but the faint sound of your days and when you read my poetry you will know that I am a farmer from the south my father has planted me with our ambergris. Yes, I am a simple farmer from the south around me a small tree, a small river and a small family. My morning is kneaded with my small daughter’s smiles, my evening is colored by my big son’s tales and my night is the glory of the soft hand warmness. When you have a family, at that time, you will see the secrets of twilight, the delicious taste of the backache and the very wide world of a small family in the south. Yes, I have a small family in a small house with a small window, but my eyes can see the beautiful night stars and my heart can touch the charming morning smiles. When you have a family, your smile will have pink lips and your work will wear a crown. Yes, my friend, when you have a family all the days will be valentine and all the times have meaning. Yes, when you have a family, there will be sadness and happiness, crying and laugh, pain and pleasure, but believe me this is the meaning of life.
Leay Sep 2016
Is it writ In stone

How to act
How to live

How to love
Or passion give

Made a of me a foolish thing
How react
You shagrin

Empty vessel
If not made
To mad
To
Seed
To stupor
Need

So a wink
The slightest nod

Those of pretense
Those of god

Fools aplenty
At I chuckle

While there  waistlines ever buckle

For resource
I find a cure

See the mirror
Face demure


Waist
Away

Waist aplenty

Waste today

So
On forward

Fast and play

Days from now
A day like this

A day of ****

A day of  ****

Or this of bliss
Or ambergris

Take
A chance

Look as i

Cheap is easy

Fight

Or die,

Of a fat ****  heart attack
At the worst possible moment

Like on the John, or anywhere between, our father
And yes I do.

And u swell up to Zeppelin proportions
And explode like some sort of uninvited Mexican party favor.
And the crap ***** just quit and dropped the **** mic.

God I hate everyone.

Poetry
ya.
And free speech
Get off the ******* couch. And **** the Catholic Church .
אני יכול לזכור...I can remember

I.

in the ashes of Auschwitz
February 2018 / Shevat 5778
there exists no
kol hachavvyot,
the Infinite One bring/ing
all of reality into be-ing.

there is no 'ehyeh 'asher 'ehyeh
who formed Light,
who created Darkness.

II.

the candles of the Vanished
World are no longer
sown in the seasons of breath.

in 1920 Vilna, Yehu'dit bones
were excavated for horses
to be buried,
all by the tongue of a priest
covered in ambergris.

in 2018 Cyberia alleys,
the malefactor mime cries
as Long Island parhelia
flicker in the seasonal
ice around his little girls.

III.

the cypress of the
Kingdom of Night are
amidst natz'ri house gardens,
marking in the mouths of
opus dei children the straws
of Poland.

long after midnight we seek
solace in One-Eyed Paritus's
Meditations obliques,
where Sol Nazerman's
zoharic midrashim of
Shabtai Zisel are
narrated by Claude Lanzmann.

the quantum nonlocality
of the corpse of
ha'Kodesh Barukh hu
is the Hollerith tracking
number.

IV.

Nach uraltem, aengstlich beheutetem
Klostergeheimnis lernen selbst Greise
muehelos Kavier spielen.
-- Max Ernst

this is to the memories z"l of
Rod Steiger 14 April 1925-9 July 2002
Roman Vischniac 19 August 1897-22 January 1990
Rose Leamel Ziebell (1933-2007)
Dottie Sutton (1922-2015)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
© 3 February 2018 / 18 Shevat 5778

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
STEPHAN PICKERING / חפץ ח"ם בן אברהם
Torah אלילה Yehu'di Apikores / Philologia Kabbalistica Speculativa Researcher
לחיות זמן רב ולשגשג...לעולם לא עוד
THE KABBALAH FRACTALS PROJECT
לעולם לא אשכח
Rob-bigfoot May 2022
What I lack is a porpoise in life, or do I mean dolphin?
My head is full of This n’ That, brain all a’clutta,
Joan the Mad married Philip the Handsome, imagine!
Michelangelo designed the Swiss Guard uniform, clever fella!

Yes, landlocked Bohemia once had a navy!
A very dubious Shakespearean titbit,
‘The little dog barks but the caravan passes by’
Chekov, I think, but Star Trek chappie or Russian poet?

Sadly, Virgil hero of the Classics, is now barely known,
All hail the other Virgil! the Colossus of Liverpool!
‘You’ll Never Walk Alone’
No not that version! Carousel you fool!

Ambergris used in perfumes, is present in a whale’s whatsit,
Also, in the **** glands of dogs, but let’s not go there!
Think before buying an expensive bottle, best kept a secret!
Must be the vet’s worst nightmare, I swear!

There was a noble Italian Poet named Count Mario Stanza,
Did you know Nicholas Breakspear is the only English born Pope?
Mario cheekily claimed descent from Catherine of Braganza!
Nicky took the name Adrian IV, very lucky to escape the rope!

Catherine was the wife of Charles 11 of England,
Now this is getting silly! time for a nap I think,
End of history lesson, sorry getting pompous for a split-second!
In need of a large brandy, which tout de suite I will greedily sink!

© Robert Porteus
Bits and pieces of, well, This n' That
nivek May 2017
I could walk down the road
jump in the sea
and hope to be eaten by a whale.

Jonah would be impressed
"been and done that"

and being whale puke
Ambergris
can be of value.
peter stickland Jan 2018
Dinner with the Djinn

In a few seconds the light decreased in
Lustre from dazzling brightness to a pale
Spectacle of flickering candlelight.
A djinn told me that I had summoned him,
I’d craved a place at his table and here  
He was, offering his invitation.

He conjured a dark chamber lit with lamps,
Where odours of pungent oils, frankincense
And ambergris hung in the solid air.
He conjured a table of meat and wines,
Saying, this is your exclusive banquet,
But I knew this was my funeral feast.

I fought him by conjuring emerald
Meadows, but with sweet asphodel blooming
I was only conjuring my afterlife.
He took my ring, bid me sleep and tried to
Invite my slumber with a song, but I
Grabbed the ring and placed it on my finger.

I was possessed by a frightening power.
A great noise boomed, I flew into the air,
The djinn sped thunder-like behind me.
A grim fight ensued; I, holding on to
The ring, which curled and stung me as I flew,
And the djinn screaming he’d not be cheated.

Suddenly, I was on a tennis court.
The djinn had vanished, and spectators threw
Bunches of bright flowers onto the court.
The umpire spoke, “first set to the poet,
Who summoned the djinn by trying to live
While suffocating her dreams and fancies.”
Third Eye Candy Jul 2018
The air is damp in the basement where several boxes trade baseball cards
With long-forgotten toys in
various stages of disrepair.
A 30ft. hose, pretending to be a reticulated python; commits to the role
In an asymmetrical coil of hunter’s green, weathered and neglected. It becomes a reptile in a garden of reverie.
Next to an oil can full of rusty nails and sawdust. To seldom applause.
At night, the seeping mirror is placid and black on concrete between crates.
A washing machine windges in an existential spiral
of bespoke filth and hand-me-downs.
you can hear the rain patter like fat cats in bubble wrap
as a late dinner sinks into the catacomb, crooning pork chops and maple
with a hint of ambergris’ and misbegotten broccoli.
When the hour is late… the mice chat as metallic slugs lace silver thread
to weave a two-dimensional sweater
for a concrete god
in the dark.
with no
hands.

— The End —