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  Nov 2 Jill
Jack Groundhog
On the day of all souls in the fall
as leaves lose luster to winter’s bane
my father’s shade returns to call
while I walk along a splintered lane:

His memory murmurs in a darkened nook
of years of yearning and wasted days,
as the distance that filled up the book
of our lives still grows as I turn to grey.

The care he’d showed I did not feel
as the pillars of our bridge began to crack.
Too late, I turned back to heal
the fallen span that we now lacked.

By then his old mind’s lantern had failed;
the new light I’d shone back went unseen
and broken arches into a chasm trailed
where once a golden bridge had briefly been.

Across the valley, dark, deep, and wide,
a spectral stretch of stones appears
to shine as a silvery coach now rides
across, to bring two sundered shadows near.

Now on this day of all souls missed
by those who find themselves left behind,
one faithful departed returns to kiss
the forehead of a son’s reopened mind.
A very personal meditation on this day, All Souls’ Day.
  Nov 2 Jill
amrutha
don't be afraid

moon eyed maiden

you're too delicate

for these night shifts you pull off

let's make a

make-believe world

where the beds are all the way up

to the ceiling of stars

just the way you like it



there's no yesterday here

no tomorrow

there's only now

and the tv playing

as you cook

food for the soul



will you remember me then

your friend from another time

like memories of a nice dream

after a song-like sleep



please do

because i love u

and i know u love me
a poem about my best friend and her anxiety
  Nov 2 Jill
beth fwoah dream
winter fed us with blood-red berries and ice clouds,
our visible breath soon colder than our lips.
i did not want to see what you had seen,
could not grow out of those sad, sad eyes.
we fell into the calm wave of circumstance
and twilight hurried from us into the dark.
hurried away like the last drop of sunlight
purples the earth, dancing on the edge of the world.
do we wait, stone-heavy, for the last tendrils
of day to melt like ice?
the fearful cold breathes like a fog,
gathers its stars of voice and hill,
gathers memories and distant dreams,
lets us forget.
are you the ghost that lies on the hill
calling to me?
are you that ghost,
whose irons soften like cloud,
whose frozen leaf trembles on the branch
waiting to fall to the whispering land?
your eyes are from the past and yet
they follow like a cold wind blasts.
your eyes, everywhere your sad eyes,
biting like a frost.
~
November 2024
HP Poet: Jill
Age: 47
Country: Australia


Question 1: A warm welcome to the HP Spotlight, Jill. Please tell us about your background?

Jill: "Mum and dad immigrated from Northern Ireland to Australia before having my brother and me. I’m very grateful to be living in South Australia on Kaurna Land. My parents were teachers, and they seeded and encouraged my love for education. At university I studied psychology, philosophy, and French. Then I went on to a PhD in psychology, and later, a master’s degree in statistics. In my day job, I’m a psychology professor, which includes lots of scientific writing. Outside work, I love playing music and singing with my partner and our friends and spending time with my precious son and our fluffy dog."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Jill: "I’ve been writing poetry on and off for years. The times in my life where I have been most active coincided with having friends who were interested in reading and writing together. In high school, my dear friend and I would watch British comedy shows and write silly, surreal, or nonsense poetry. Our aim was to make each other laugh as much as possible. More currently, I’ve been writing songs with friends, including lyrics, which often start as poems. I joined HP only recently, in August 2024. This community is so generous and supportive, with such a variety of style, depth, and imagination for inspiration and motivation."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Jill: "In many of my poems, I’m trying to make sense of big feelings. I often write about my experiences caring for my parents, who both had close and complex relationships with alcohol. That is a never-ending well for poetry, ranging from trying to process some of the intense events, to exploring what it has meant for my self-concept and mental health. Having said that, sometimes I’m just trying to write something that sounds pretty or might cause someone to smile. I love challenges like BLT's Webster’s Word of the Day – seeing what comes from a single word across different poets."


Question 4: What does poetry mean to you?

Jill: "In my more personal poems I am documenting, reconsidering, and re-investigating my memories, and organising them in nice, even lines, which feels cathartic. In poems, I find that the small or large amount of distance that you can create through imagery, rhyme, or humor makes it possible to explore difficult or even traumatic experiences, thoughts, and feelings. Writing poetry is a transformative exercise, but there is something greater still about sharing poetry with others."


Question 5: Who are your favorite poets?

Jill: "One of my favorite poets is WB Yeats, I particularly love 'The Stolen Child'. Other all-time favorites include Shakespeare, Oscar Wilde, AA Milne, Lewis Caroll, Edward Lear, Spike Milligan, Rik Mayall, and Crawford Howard. I also love lyricists like Joni Mitchell, Michael Stipe, Stephen Schwartz, Tim Minchin, Wayne Coyne, Stephen Malkmus, and Rufus Wainright. I have so many favorites on HP – too many to list!"


Question 6: What other interests do you have?

Jill: "I love music. Since childhood, I’ve played violin in classical orchestras and musical theatre pits. I adore Irish folk music. For me, at the moment, music mostly happens with friends, with my electric violin, in pub bands of different kinds. Most of the poems I’ve written previously have only been publicly shared, adapted as song lyrics, with some of these bands. I also love all things science-fiction."


Carlo C. Gomez: “Thank you so much Jill, we truly appreciate you giving us the opportunity to get to know the person behind the poet! We are thrilled to include you in this ongoing series!”

Jill: "Thank you so much for giving me the opportunity to be a part of this, Carlo! It is such a privilege."




Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Jill a little bit better. I most certainly did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #22 in December!

~
  Nov 2 Jill
Anais Vionet
(a poem in Senryus)

Let’s rerun the play,
take up strings, so the puppets
can start fresh their dance.

Summon the old ghosts—
Shakespeare’s doomed heroes
—pronounce them reborn.

Recall the actors,
lead horses from their pastures,
raise the curtains.

Pay Shylock his pound
of flesh, give Richard his horse,
let Viola love anew.

Old, ever-hallowed
villainy, once banished,
has taken new stage.

Human suffering,
live—don’t fret, you won’t miss it
—it’ll come to you.
.
.
Songs for this:
Kool Thing by Sonic Youth
End of the innocence by Don Henley
The Perfect Idiot by Fievel Is Glauque
Merriam Webster word of the day challenge:
Hallowed = something or someone, highly respected and revered.

Shylock was 'the Merchant of Venice', driven to revenge by prejudice and discrimination, 'King Richard III', (also the plays name) trapped after the Battle of Bosworth Field, cried "My kingdom for a horse," before being slain, and in "Twelfth Night", Viola loved Duke Orsino, but things got 'complicated.'
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