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A phalanx of hooded human figures preceded the undead horde. One could almost feel them coming, the first hint being a sound like swarms of locusts devouring crops. It forced all who beheld the spectacle to keep their eyes transfixed. Closing them, even for a moment, flooded the mind's eye with the crippling thrum of ravenous ceaseless mouths  an impenetrable veil of darkness in flight descending and consuming remorselessly all in its path.
Creaking and deep groaning overpowered the subtle rattling of chains and the clinking of armor. Pervasive walls of sound never ceasing. Inescapable and heartless, like the piercing cold that spreads out in front of encroaching glaciers. You could feel it deep down in the pit of your stomach, crushing and rendering inconsequential everything in its path. The sounds were from a dream a nightmare you can’t wake up from, and they complemented the deep bass chanting of the human males exquisitely. Upon becoming enamored by the spell-like quality of it all, one would forget their earthly worries and struggles, if only for a mind-numbing evening.

Indistinct in the heavy incense smoke, slow movement enhancing effect with precision. Each figure was captivating in its own right. Grotesque sculptures forged from the bones of every creature, from the living to the long extinct. Dormouse skeletons scampered about, cobwebs clinging to delicate brittle ribs, rapiers and belts bouncing like chimes. They complimented and contrasted sharply among colossal monstrosities formed from thick femurs and crowned with heavy prehistoric skulls. Shadow clung to twisted, shining horns and gnarled, jagged teeth. These tireless wretched creatures, crafted from the remnants of ancient giant lizards and mythological beasts, evoked the eternal nature and inevitability of certain death. The frozen skeletal grins of so many exposed teeth cruelly mocked living smiles, while vacant, hollow eyeless sockets bore down upon the souls of the slack-jawed and helpless.
Thick incense billowed like ghostly tendrils, emanating a growing and intoxicating shroud. The reverent, deep reverberating chant grew louder, a cadenced incantation of somber, evocative fantasy, layers of mystical depth, coiling around—a spellbinding dirge that seeped into their very marrow. Most felt it as pure, frozen, primal fear, vibrating and resonating throughout... Air stolen from lungs, replaced by an inevitable longing and an uncontrollable pull to shuffle along and sway. Voices rose, trembling and uncertain, merging with the throng in a darkly captivating celebration, enthralled by the unfathomable. Not many knew the ancient spell-like songs, but twice as many tried to sing and hum along, their wills surrendered, entrapped in an insatiable vortex. Dragged into the depths of the procession.
The entire effect permeated all. A unique hypnotic display of decay and artistry, an unspoken reminder of the unseen. No one could form the questions about what forces were animating this skeletal orchestra. Robes and wrappings intentionally concealed flashes of weapons and sinister implements. What was left to appear harmless—like a tiny dormouse or an empty, fleshless hand—added to the intentionally reassuring yet engulfing sense of unease. Despite the sunlight inevitable on some days, the procession exuded an aura of the darkest, most moonless night, drawing all who saw it into a dreadful, trance-like ambiance.
Hooded robes, some pristine while others no more than sackcloth burial wrappings riddled with myriad holes, flapped and swayed. The cloying incense wafting around intensified a dreadful fog-like effect. Tiny torches, carefully proffered by the most diminutive, flickered weakly like the dying breaths of ancient spirits, casting an ethereal glow. Their faint, orange-ish light perfectly complemented the reds of the flowers and gems, accenting the details they wanted the eye to be drawn to with subtle precision. Blood-red roses, ribbons, and highly polished, oily-looking rubies adorned their sumptuous armor, glinting ominously against the spectral white of the long dead. Every decoration and position was meticulously chosen to create a visual contrast that was both hauntingly beautiful and profoundly terrifying. Important figures had torchlights in their rib cages and torsos where a heart may once have been. The ensuing play of light and shadow, coupled with the macabre elegance of their exquisite attire, transformed the scene into a nightmarish tableau. Undeniable beauty, craftsmanship, and horror interlacing in a scarring, value-disintegrating, magnetic embrace.
For you see, the procession was not merely a parade but a traveling theater troupe, a haunting performance replete with everything from huge bass drums to tiny handheld affairs. There was constant fire breathing and dangerous juggling. Horns ringing out in a beckoning cry, accompanied at times by simple string instruments. The theatricality and stage magic were designed to be beyond creepy and mesmerizing, ensnaring the unblinking eyes and stupefied minds of all who chanced to behold. They performed marionette-like fable plays that shifted into song, dance, and choreographed fighting, building to a grand crescendo that hammered home the futility of resisting them.
Announcing their intended set list and schedules were their human companions, medieval grave diggers and partitioners, willingly serving as the heralds of the horde. Some with great horns fashioned into megaphones. Flanked by those that swung incense censers, releasing plumes of smoke that mingled with the dust, enhancing the otherworldly aura. Together their steps produced a thunderous rhythm, an intentional comforting homage to mimic the last of life’s heartbeat.

Unassumingly stirring up a fine sediment that never seemed to settle as they pushed, dragged, and pulled everything needed for their grand show. The Jingoes wheeled their giant covered cages, chains, and ropes over many a shoulder as they leaned in. A long, majestic procession ordered to never appear mundane. They had amassed the most magnificent display of bones, gathered over countless centuries and now on full display. After watching them bleach in the sun and allowing ants to remove the remaining flesh, they applied a clear lacquer of their own design, creating these mighty skeletal constructs. Alarmingly many of the most fearsome were motionless for long periods before erupting into jerky, sometimes blurry and erratic movements.

The fiery flourishes, timed to the beating of drums, the banners, the staged violence and its chanted message—all worked together as planned and seamlessly. Nothing else in all the lands created such a spectacle of dark, powerful grandeur. Villagers came from near and far, gathering outside and watching. As the procession moved forward like a parade, they were gladly offered tickets to attend the show, regardless of how much coin they had or had not. There was a seat available for everyone.

Inside cages, resting peacefully, concealed from the eyes of those they crushed past, were enormous primordial gods. Sky, a magnificent blue dragon-like creature with a long, slender neck and a head covered in frills, spikes, and horns, lay nestled on a bed of goose-down pillows. Her water bowl, designed with a large base tapering upward, prevented spills as the cage rolled along. Nearby, trailing slightly behind, was her lifelong companion, Earth, a giant six-legged behemoth with two spines forming a Y-shape from its head down to heavily armored tails. This splendid, original beast possessed the head of a giant lion with fangs, and its body was covered in thick, gold and green dragon-like scales. The deepest greens faded into a lime color before transitioning to a metallic gold, with scales speckled in a sparkling effect. Adorned in magnificent armor, this accidental and bizarre creature moved as comfortably as possible within her confinement.

Earth also had a water bowl and food, of course, with less need for so many pillows. She tended to curl up and rest on her own bulk. In her confines hung the tusks of some unknown creature. These were sometimes worn behind both sides on the neck, jutting out in front to provide additional damage and sorely needed protection. Many believed these tusks were part of her body due to how deep down around the shoulders and neck they tended to ride. Those who helped put them on were reluctant to spread the truth.

Now, this magnificent beast catnapped, occasionally licking at huge, fault-like feet—a mixture of claws and scales with horned lateral protrusions. With six feet, it's a lot to keep up with. Caregivers were honored to attend to and worship this delightful creature. Much of Earth’s day was spent being dressed and armored. Sky lavished her resplendently, helping with her very long eyelashes and beautiful makeup. Huge, darting, solid black pupils occasionally flickered, turning into a golden hue with layers of slits and coverings like those of a cat's eyes.

The sky continued to darken, clouds gathered from nowhere casting wicked shadows that seemed to shift and writhe in the dying light. The sparse torch glow highlighted the scenes brilliantly. Steve had spent his day as usual, toiling in the turnip fields, the sun beating down relentlessly on his strong but skinny back. He was just about ready to head home when his buddy, Greg, came rushing over, eyes wide with contagious fear and excitement.

“Steve, Steve! You’ve got to see this!” Greg grabbed him by the sleeves, his moppish bowl-like cut swaying over his well-formed eyebrows. His somewhat gentle, kind, and energetic voice carried humorously. He grabbed him again, more firmly this time, nearly dragging him down the dusty street.

“Dang, Greg, what is it?” Steve asked, trying to keep up. “What’s so all-important?”

“You won’t believe it until you see it. Trust me!” Greg replied, a  twitchy grin spreading across his handsome young face.

As they rounded the taverns’ corner, the spectacle came into view. Waboom! The procession was unlike anything Steve or Greg had ever seen. The chanting grew louder, resonating through the bones of everyone watching, filling the crude streets with arousal, confusion, and mystery. Their hamlet had disappeared in many ways, replaced by a blurry, confusing mirage of bones and fire. Steve felt as though he could hardly breathe as the forms of his long-dead relatives shuffled past to the music.

In this ordinary village, the destitute townsfolk had all gathered to witness this unforgettable morbid display.  Wordlessly summoned like so many moths to a flame. Among them was Old Martha, a sweet, frail woman whose health had been declining for years. She stood reluctantly at the edge of the growing crowd, clutching her chest as raised and wheeled platform drew nearer. Her heart pounded erratically, the rhythmic chanting resonating through her small, frail bones. The sight of the skeleton warriors—some humanoid, others monstrous with multiple limbs and horns—filled her with a tenacious fear she just couldn’t shake. One looked so much like her missing husband that she gasped, her hand going to her tired mouth. It had an exact match of his crooked, broken teeth. Even the one gold tooth that she had so painstakingly saved up to buy him was still exactly where they had put it. She felt disturbed and vaguely betrayed, sick, and lightheaded. She ****** in air as deeply as her small, shaking frame would allow.

As the death cult creeped its way slowly passed, a massive bone dragon with extra-large wings arrested her ******. It had what must have been some type of leader holding its useless chains, his huge thorax alight with flames from within. He held lightly onto leaders attached to a spiked collar around the smoldering dragon's vertebrae. It was intentionally hulking and utterly terrifying, adorned with a twisted, multi-horned, demonic-looking skull. The humanoid was dwarfed in the shadow of the dragon towering above.
    When the Jingo Captain did come into full view, it seemed to stare directly with his eyeless sockets into the very soul of poor, dear, religious Martha. It appeared that he may also lift his arm to point directly at her. The vision, encompassing enormity; the profound horror of the scene was just too much for Granny Martha. She gasped, her eyes rolling back wide and white. Helplessly, Martha collapsed to the ***** ground, clutching at her heart. Some villagers including her cherished Steve and his well meaning friend Greg eventually gathered at her side, but it was too late for the lecherous old wash-woman. The heat and the shock had been too much.

Word of her death and loss of her “services” spread quickly, and by the time the Jingoes reached the next village, a group of religious zealots had gathered. Their faith was their armor, and they were determined to rebuke what they saw as an abomination. Clad in simple robes, they brandished holy symbols, chanting fervently as they drew symbols on the ground with salt and colored chalk. They attempted to create a mystical barrier, believing it would drive away the perceived demons.

“Begone, foul spirits!” cried their leader, a gaunt man with a shaved head and wild eyes. “Return to the abyss from whence you came!”

The undead moved on, undeterred by the zealots’ many annoying yet fruitless attempts. The fanatics' chants mingled into the procession's own mournful cacophony, creating a new and even louder performance, filled now with pleading desperate sounds that only heightened the terror. The sight of ancestral bones, animated and repurposed into abominable constructs, struck a chord of deep-seated sadness and awe among the confused and overwhelmed throngs.

Too many uneducated villagers were convinced that these were the restless spirits of their beloved ancestors. Blocking the path, up until the point of being trampled, they fell to their knees, praying and beseeching the many gods for mercy. The bone constructs, ranging from humanoid figures to centaur-like creatures and massive mammoths, moved on with a calloused precision, their obfuscated forms evoking the eternal and inevitable nature of death on their synchronized ground-shaking march.

As the constantly shifting ordeal reached the outskirts of the village, the leader of the particular Jingo society, adorned with triceratops skulls, raised his clawed hand, signaling a halt. The chanting ceased, replaced by the sound of huge bass drums and the haunting notes of horns. The theatricality and stage magic of the troupe were on full display, drawing the largest crowd ever.

The grand finale was a mesmerizing blend of fire juggling, marionette-like plays, and choreographed fighting, building to a crescendo that left the audience spellbound. The bone dragon, now illuminated by the setting sun, cast a deep, powerful shadow over the crowd, its wings spreading wide in a display of dominance and power. They reveled in the fear and awe they inspired, each piece meticulously chosen to create the most elaborate and terrifying spectacle ever seen.

In the end, the show was a reminder of the fragility of life and the power of death, a traveling theater that left a trail of sleepless frightening fascination in its tumultuous spreading wake.
If you enjoyed this ..pls search Gamleon on youtube . Worlds of Within is also the channel name . All the links are on that page
Sorelle 2d
October burns in colours no other month can hold
Leaves crack beneath my boots
Each one a reminder that
Endings can be beautiful
Halloween grins on porches
Plastic fangs and candle flames
A carnival of shadows that feels more honest
Than daylight ever does
I love it for its strangeness
For the way it makes the world admit
That there’s something waiting in the dark
And Samhain
The air shifts
The veil thins
I light candles for the ones I miss
Watch the smoke climb into night
Like a message they might still read
I don’t beg them back
I just say "Thank you"
Or that I still remember them
This month is home
The crunch of leaves
The smell of smoke
A carved pumpkin collapsing into itself
While the flame inside refuses to die
October is where I feel most alive
Orange skies and black nights
My body tuned to the hum of it
I will not let you rush me past it
In favor of tinsel and candy canes
This is my season
My altar of colour
Bone
And flame
My love letter written in cider breath
And the sound of footsteps in the dark
October holds all of it
The grief
The joy
The masks
The monsters
The ancestors
The harvest
The truth that nothing really leaves
It only changes form
And I would live here forever
If the year would let me
A love letter to October
The only altar I trust

-Sorelle
DB Sullivan Sep 23
Ah! It was there, and a lifetime ago,
In that kingdom by the sea,
Our love was unfurled - our own little world,
And you called me Annabel Lee;
We lived and we loved and such passion we shared,  
And I showered my love on thee.

We were but children with dreams of our life,
In that kingdom by the sea,
I was your princess and you were my prince,
And you called me Annabel Lee.
We planned our dominion and dreamed of our future -
A future for you and me.

But down came the wind with its icy embrace,
So cold and capriciously;
The clouds that were sent from the angels above,
Were born of their jealousy.
They envied our love and conspired to break
The bonds between you and me.
And so lies my body returning to dust;
The curse of mortality.

But death could not sever the bonds of our love -
United perpetually.
Our souls are a part of each others’, as one,
Just as the salt in the sea,
Or unceasing tide - my darling, my pride,
Will soon be returning to me.

I’ve watched as the decades have taken their toll,
Upon your longevity -
Upon your vitality -
You’ve never abandoned the love for your bride,
So true and so faithfully.
You’ve waited through time to renew our embrace,
So well and so patiently.

By the setting of sun, our two souls will be one,
My love, you’ll be coming to me;
And the dawning of night, will have us reunite,
My love, you’ll be coming to me;
Upon this night-tide, you will be by my side;
This moonlit night - my darling - my love and my pride,
In our sepulchre, there by the sounding sea -
Tonight! - together, blissfully.
This poem is written to be a companion piece to the Edgar Allen Poe
poem "Annabel Lee", as written from the perspective of Annabel Lee as she awaits her lover in the afterlife. Copyright ©2025 by D B Sullivan. All rights reserved. This work may not be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the author.
DB Sullivan Sep 16
May peace and truth beguide my wounded soul
That tends and treats the sick with caring hands.  
Compassioned heart for mothers new, and ole,
And infants brought to bear within these lands.  

With bone and herb, and balm and flame, my trade
Is healing, birthing, mending. Berwick North
At Nether Keith I dwelt. No accolade
I sought, but honed my skills and blossomed forth.

Though widowed, I, with help of kith and kin,
Provided care and nourishment to those
Whom surgeons spurned or medics cast chagrin.
This tough but noble calling here, I chose.

These humble skills in time became revered,
Until the cold distrust of church appeared.

Until the cold distrust of church appeared,
Content was I, to toil through my days.
My truthful testimony volunteered,
When called upon to answer for my ways.

At Haddington I stood and spoke my truth,
That ne’er was dev’lish force about my dwell,
Nor thoughts nor will of evil. Nay, forsooth!
Tis virtue that beguides this mortal shell.

“A godly, humble, simple maid am I,
That tends the sick and lame with loving touch.
The wanton work of evil I decry,
And guard myself from Satan’s icy clutch”.

But far from calming fears of devil’s coup,
The Presbet’ry’s suspicion only grew.  

The Presbet’ry’s suspicion only grew
As I continued practicing my craft.
My prayerful, solemn words they’d misconstrue,
And scribe them as an evil, carnal draft.

“All kinds of ills that ever be, be gone!
Both more and less and all the mass - and stone!
And right the blood that reeked o’er truthful rood
Of forth and flesh and of the Earth and bone!”

By name of God and Christ, I conjure thee!
That binds and heals the sinew and the vein
That sin shall have no vex of malady
And cast away the putrid and profane.

As sabbats turn, and seasons changing tide,
Contrary winds would surely soon collide.

Contrary winds would surely soon collide
As James the Sixth’s ambition sought to claim
Dominion over witch or devil’s bride
Who’d threaten order o’er his vast domain.

On Hallows Eve the coven met, they say,
At Auld Kirk Green with witches dancing free.
Consorting with the devil fore the day
And sacrificed a cat to sink at sea.

By this I was arrested for the crime
Of witchcraft and a plot to sink the king
While sailing home with bride on seas sublime
Where ghastly winds and danger forth did bring.

Imprisoned now, in chains, awaiting fate
With torture’s looming fear yond prison gate.

With torture’s looming fear yond prison’s gate,
I steel myself for what may lie ahead.
With nerves alight, in silence here, I wait,
Consumed with ever growing sense of dread.

To dungeon cast where instruments of pain
Would tear my flesh and stab unto the bone.
Deprived of sleep, my thoughts became insane.
My will began to fade, my spirit flown.

Despite the searing pain and agony,
My innocence of evil, I maintained.
The torture did not break my sanity,
Until their searching left me unconstrained.  

When privy mark of devil came to view,
Confessed, I did, declaring charges true.  

Confessed, I did, declaring charges true,
And brought to trial swiftly on the morn.
I never would be spared from death, I knew,
When guilty I did plead, confession sworn.

At Holyrood the trial did commence
With charges read and evidence amassed.  
No counsel did I keep, nor recompense
In predetermined manner, judgement passed.

Convicting witches demonstrates the might
Of King, despite perpetuating lies,
Regardless of the sin of claiming “right”
While wrongfully convicted person dies.

But such is true of Christian powerlust
That soon I’ll be returning to the dust.

That soon I’ll be returning to the dust
Is fear and anguish, tormenting my soul.
To die by execution as I must,
I pray that God will soon receive me whole.

The rope ‘round neck was drawn for bringing death,
Constricted, strangled, held to agonize
And suffocated wind and air and breath.
Asphyxiating into my demise.

With final, fading vision seeing flames,  
My body, limp and hanging from the stake,
As fire consumes my flesh and fin’lly claims,
My life, my name, my truth, let none forsake.

A casualty of Christian wrathful toll,
May peace and truth beguide my wounded soul.
"The Burning of Agnes Sampson" is written in the form of a Crown of Sonnets, comprised of 7 individual sonnets, where the first line of the first sonnet becomes the very last line of the last sonnet, and that the last line of each individual sonnet is the first line of the very next sonnet. This construction lends a very nice flow of the narrative through the life of Agnes Sampson, and some of the major details of her ordeal in the Scottish North Berwick Witch Trails in 1590.
Copyright ©2025 by D B Sullivan. All rights reserved. This work may not be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the author.
DB Sullivan Sep 8
Lenore’s Messenger - by D.B. Sullivan

Once upon a mornings’ splendor, youthful hearts so loving, tender,  
Bursting joy, a blissful courting, that rivaled the tales of yore.
Angels swoon and praises singing, multitudes of blessings bringing,
High the bells of heaven ringing, ringing, for whom they adore.
Bless’d were we, betroth’d, by Seraph singing for whom they adore.
Grasping love forevermore.

True and pure was our devotion, hearts enraptured with emotion,
Vast and deep, but still the ocean could not hold the love we bore.
Long we yearned for wedded living, youthful souls intent on giving -
Covenants and consecrations, bless’d by God we knelt before.
We upon the hallowed morrow, bless’d as all who’d knelt before,
Shall be wed forevermore.

But the tranquil eve was shattered, when a sudden spasm battered,
Waves of burning, shearing, searing, deeply through my ***** tore.
Retched and tossed about by quaking, all my senses howling, shaking.
Here my chest continued breaking, till I fell upon the floor.
Writhing, retching, convulsating, in a heap upon the floor.
Spat with blood and scarlet gore.

Wailing, I attempted standing, ev’ry ounce of strength demanding.
Agonizing pains and tremors left me prostrate furthermore.
Piercing lights and dreadful flashing, sordid sense of balance crashing,
“Lord above!” I pleaded, gnashing, “Torture!” - I could bear no more!
Left adrift and god forsaken, such that I could bear no more,
Closed my eyes for evermore.

Pallid, pale, my will succumbing, closer to a corpse becoming.
Cataleptic, body rigid, dying, lonesome on the floor.
Feeling now, my soul retreating, rapidly my senses fleeting.  
Woeful sobbing, oft repeating,”Save my soul - this prayer implore!”
With the final languid beating, “Guy de Vere!”, this prayer implore.
Stopped at last, and nothing more.

Weeping, mourning, lamentations, solemn, sober incantations,
Chanting dirges, exaltations, grieving, saddened, sorrow o’er,
Sacramental rites to aid in blessing she whom coffin laid in.
Blessings, unto God conveyed, in tolling bells and prayers outpour.
Debonair, this saintly maiden, requiems and prayers outpour.
Tombed in dirt for evermore.

Died in youth, denied of marriage, rendered now by hearsen carriage.
Laid to rest on dreary hillside - foggy, bleak and fodder for -
Root and rot, putrescence creeping, tombstone silent mem’ry keeping.
Ash to ash, eternal sleeping, there reposing furthermore.
Dust to dust with mildew seeping, decomposing furthermore -
With the worms and petrichor.

Wakened to a strange dimension, filled with anxious apprehension.
Conscious now with new awareness, shaken, dazed as ne’er before
Slowly, faculties regaining, as I struggled, vision straining.
Drunken, deathly stupor waning, I perceived what lay before.
Finally composure gaining, now discerned what lay before.
Darkness here and nothing more.

Frightened at this realization, swelling sense of desperation -
I, with dread and trepidation, ventured outward to explore.
Distant rolling thunder crashing, forked and fiery lightning flashing,
Wracked my nerves with savage thrashing, gnashing as I wandered fore.
Feeling deeply disconcerted, anxious as I wandered fore.
Godless night for evermore.

Onward through the tempest tearing, searching for familiar bearing,
Quickly then, I found myself upon a darkened desert shore.
Gazing out, with frenzied feeling, suddenly in horror reeling;
From horizon to horizon - nothing but a ghastly moor.
Nothing seen of soul or structure, desolate this ghastly moor.
Emptiness for evermore.

Cognizant of this damnation, pure and utter isolation -
“God!!” I cried, with consternation, but no answer came before.
Filled with burning desperation, here, I wailed with indignation -
“Why have you abandoned this child upon the Stygian shore!?”
“What great sin would cause thy God to cast me to this stranded shore!?”
Loneliness for evermore.

Longing, and for comfort seeking, no response from God there speaking;
Lightning all around me streaking, agonizing furthermore.
Addled with despair, affliction, at this godly dereliction,
When, a sound, a sudden diction, broke the silence heretofore.
Then, a murmur - plainly, faintly - broke the silence heretofore;
Whispered out my name - “Lenore!”

Stunned to hear the silence broken, startled by the word there spoken;
It delighted my heartbroken soul to hear my name, “Lenore”.
With this whisper disappearing, quickly I betook to peering -
Outward, nothing further hearing, here on this Hadean shore.
Sullen now, with disappointment, here on this Hadean shore.
Silence here and nothing more.

But, again there came a calling, much unto my ears, enthralling.
Only this time sounding wholly more resounding than before.
Steadily, this vocalizing echoed louder, hypnotizing -
With a boundless localizing, was a voice that I adore.
Here upon, I heard the voice of - “Him! My Love Whom I Adore!”
He doth cry my name - “Lenore!”

Discomposure overtook me. “Guy de Vere!” - my wailing shook me
With great agonizing desperation to embrace once more.
"Cursed place of condemnation, stricken, wretched desolation!”
“Unredeemed and lonesome, this deathly estrangement I abhor!”
“Stridently, this awful fateful separation, I abhor!”
Lost in dreams for evermore.

Sinking into woeful sadness and an all consuming madness;
Calling out into the blackness - “Deathly master, I implore!”
“Send this child of woe a yeoman to convey this somber omen!”
Suddenly here flew a raven - with no common mein he bore.
Demon eyes and plumage stately, quite a royal mein he bore.
Croaked and flit and nothing more.

Marveling at his emergence, and conveying sense of urgence -
“Counsel him of this divergence, this great painful message. Soar!”
“OH! My love, no balm shall lift thee. Somber last goodbye I bid thee”.
“Take my cries and render swiftly, bird, from this Stygian shore”.
“Carry now my heart and render tidings from this stranded shore”.
“BIRD! Out from this desert soar!”

“Find my love - alone, aggrieved and anguished, heartbroken and bereaved”.
“Find my love, whom by God deceived, and relay this dreadful lore”.
“OH!, BIRD!, be not thou craven and find him in his mortal haven”.
“Shall we ever clasp? Fly thee raven to he whom I adore” -
“Shall we ever grasp? Fly thee raven to he whom I adore” -
“Tell him sadly - ‘nevermore!’”
Lenore's Messenger is written to be a companion piece to Edgar Allen Poe's "The Raven". This piece has been composed to act as a prequel to The Raven which expands upon both names and events touched upon in both The Raven, and also "Lenore" by Poe. My sincere hope is that this piece can faithfully and humbly add to the story line of love and loss, and the supernatural elements written by Poe in The Raven. As a lifelong Poe aficionado and fan boy, I hope that my efforts are accepted as the homage that I have intended and provide the reader with a newfound sense of intrigue, wonder and heartbreak.
Copyright ©2025 by D B Sullivan. All rights reserved. This work may not be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the author.
DB Sullivan Sep 8
The Ruins of Whitby Abbey - by D. B. Sullivan


Hear now the tale of this grand and great structure of Whitby by the sea.
Down through the ages this abbey has stood on the cliff on this headland,
Silently watching and looming, its spires and belfries high above,
Over a town of such import that Stoker himself paid a visit.
Gothic, majestic, this beacon of glory entices the darkness.

Haunted by time, and the lashing of wind and the storms of the North Sea,
Whitby and Abbey have weathered the decades and centuries of yore.
Here, at the mouth of the river -  the Esk, where it joins to the ocean,
Seafarers sail from the wharf to lands distant and fishing for haddock,
Whaling, and building of ships and the berthing for Earl of Pembroke.

Harkening back to the time of when Oswig was throned in the kingdom,
Land for a convent was sanctioned and deeded in Six Fifty Seven.
Hild was the Abbess who founded the cloister. Monastics there were both
Women and men, an unusual system, but charity and peace,
Virtues she championed, characterized the community at large.  

Stories were told of the monks and the nuns and their saintly compassion,
Such that the size of the village kept growing as supplicants arrived,
Seeking a life of devotion and service to God. But tensions were
Mounting and growing between institutions - of Rome and of the Celts,
Each with assertions of how they should promulgate pastoral issues.

Representations of each of the factions convened there at Whitby
Abbey to stake their positions and argue the merit of their views.
This was the Synod of Whitby, and Roman conventions were chosen,
Further cementing the power of Rome in the churches of the land.
Codified rules under Rome was the fate - year Six Hundred Sixty Four.

Tragedy struck then two hundred years later when Vikings invaded.
Pillaged and plundered, the abbey was gutted, abandoned, crumbling,
Desolate, wasting away on the cliff in the harsh elements there.
Not until Normans had conquered the land and regained governance there,
Would our fair abbey become resurrected to prominence again.

Ten Seventy saw a soldier of Norman named Reinfrid visiting
Whitby and Abbey and remnants of structures that long ago were lost.
He was the one who brought forth resurrection and started to rebuild
Chapels and dwellings for monks to be sheltered in, here upon the cliff.
William de Percy ensured that the land would be properly endowed.

Humble beginnings with simple monastical organization
Started the earnest improvement. Development fostered the growth of
Village, society and Benedictine monastics’ hermitage.
Early, the site was adorned with a beautiful Romanesque abbey,
Serving the needs of the monks as they rendered their holy duties there.

Then, in the year of our Lord Twelve and Twenty Five, Gothic rebuilding  
Vitalized Whitby with purpose and passion, a captivating sight.
Masons and craftsmen who labored and struggled brought forth upon the hill,
Brilliant workmanship, intricate, stone carving artistry in the
Choir and transepts, the nave and the narthex, the altar and rib vaults.

Stone after stone that was brought to the Abbey was placed higher, higher.
Reaching for Heaven and towering over the waters down below.
Columns and arches of gothic construction were built into the bones.
Vaunted by townsfolk and all in the kingdom, magnificent in its
Grandeur. A Masterpiece rising like God was himself lifting it up.  

Up to the sky went the walls of the abbey with spires rising up,
Buttresses flying and tracery gracing the windows and panels.  
William the Conqueror pictured together with Jesus and Mary,  
Scenes of the scourging and Stations of Cross there in the stained glass windows.
Objects and relics lent rev’rence and sanctification to its soul.

Thriving for centuries, here on this headland, the abbey attracted
Scholars and pilgrims, both laymen and clergy to celebrate their Lord.
Such, was the thriving community, rooted in mutual respect,
Working and striving, affording their neighbors a tranquil way to live,
Here, where the blood of the ancestors seeps into the mudstone shale.

Henry the Eighth was the king who suppressed it in Fifteen Thirty Nine.
Papal authority blocked and dismantled, absorbing all assets
Unto the Crown and the new Church of England for total control of
Faith and of fortune. Now hobbled by edict and Parliamentary
Actions the abbey was emptied and shuttered, the occupants exiled.

Soon the monastic endowments were forfeited, leaving no legal
Authorization for maintenance, groundskeeping and renovation.
Absent the caretaking given by stewards, the elements took hold.  
Nature’s relentless advances of time and corrosion battered,
Weakening columns and arches that shouldered the weight of the structure.

Thundering storms carried bolts of bright lightning, while gales blew the roofing
Off of the parapets, towers and belfries. And decade by decade,
Ravaged by wind and relentless erosion, the graves of the churchyard
Started to topple and fall down the cliffside. And incrementally,
Buttresses broken, collapsing and crumbling, nature reclaims her.

One hundred ninety nine steps link the town with the ruins up the hill.  
There on the cliff in the fog is the shell of what stood for God’s glory.
Under grey clouds you can still hear the echoes of choirs and chanting.
Slowly the structure is falling away and in solemn decaying,
Watching the centuries passing as generations lived and died there.

Nowadays visitors come to the East Cliff to marvel and wonder.
Strolling the ruins, the fields and the churchyard, nostalgic hearts; women
Clad in black dresses and lace and pale faces, clutching their parasols,
Sauntering dandies in tophats and waistcoats accompany lovers;
Wistful of romance and darkness, they call to the ruins of Whitby Abbey:

Etiam in morte vivas.
Copyright ©2025 by D B Sullivan. All rights reserved. This work may not be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the author.
DB Sullivan Sep 8
The Beloved Souls of Salem - by D. B. Sullivan


Woe for the souls who in Salem did suffer as charges were levied
Onto their innocent lives. Accusations of witchcraft had come from
Neighbors and townsfolk who claimed to be Christian but lacking in virtue.
Shame to the church and the christians within it for harming innocents.

“Witches!” they cried with the pointing of fingers that surely would threaten
Liberty, life and the standing of members devoted to their kin.
Scant was the evidence offered as proof of offenses before God.
Nevertheless were the parties subjected to needless suffering.

Fantasies spreading like rats of the plague wherein feeble minded folk
Bought into lies and horrific dishonesty. Feeding on their own
Citizens, family, kindred and brethren, accusers provided
Names to be targeted, lives to be shattered and souls to be condemned.  

Where was compassion or doubt of the charges? The magistrates seemed to
Judge the defendants as guilty without hesitation before a
Series of hollow, facetious, nay “trials” determined the “truth” of
What had transpired or who was a victim or who was free of guilt.  

Month after month in the year of our Lord Sixteen Ninety Two and Three,
Women and men were subjected to torturous treatment and terror.
Humans betrayed by the church and the state and the village they so loved.  
Sent to the gallows to die for the sins of the Puritan christians.

Even the ones who were spared execution were brutalized, broken.
Many imprisoned were tortured and beaten and died awaiting trial.
Infants of mothers accused were then born in the prison, dark, cold and
Died in conditions where no one would help them, out cast just as refuse.

Such was the state of the village that dozens of innocent people
Suffered and died on the words of accusers, and no one attempted
Merciful pleading for grace or for clemency. Innocent were these
“Witches”, these humans courageously standing as beacons of true strength.

Truly, the only affliction was having no courage, no honor.  
Baseless were claims of consorting with Satan or supernatural
Dealings with devils and demons. The “Witches” were peaceful, upstanding
Citizens, living their truth and in balance with nature and God’s Earth.

None of the liars were punished or banished for needlessly causing
Suffering, pain and unwarranted carnage, here upon the village.
Puritans acting as nothing had happened here, sweeping the affair
Under the rug and ignoring their actions that shattered all those lives.

Long ago, names of the townsfolk forgotten like mud in the river.
Ah! But the “Witches” are vaunted and hailed as beloved souls of yore.  
They did not flinch upon seeing the noose, did not cower before men.  
History shows that not death or destruction can vanish the Witches.

Centuries later the pattern continues and “Men of God” inflict
Pain and oppression on innocent victims while pounding the bible.
Lest they forget it is they who will suffer the wrath that they have earned.
Fires of Hell for the “righteous” and “holy” that prey upon the meek.

See now! Not fire, not gallows, not torture will silence the spirit.
None can extinguish the light of the Witches who tend to Earth’s children.
Caretakers, healers and makers of magic, protectors of wounded
Creatures and people, the coven is sacred, eternal and cherished.

Self-righteous factions have always been keen on the prospect of power.
Try as they might to suppress and subdue in the name of God’s command,
We will still be here.
"The Beloved Souls of Salem" is written in the form of Epic Poetry, in the meter of dactylic hexameter, and describes some of the feelings, themes, and repercussions of the Salem Witch Trials
Copyright ©2025 by D B Sullivan. All rights reserved. This work may not be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the author.
DB Sullivan Sep 8
The Black Veil - by D. B. Sullivan

I knew this day would come. I must confess,
It’s quite surreal to have this taking place.
I hold emotions tight within my dress,
Behind the veil of black that hides my face.

Arriving at the church, I’m overcome
By all the feelings that I have inside.
Until the end, I’m staying silent, mum,
But absolutely present, misty-eyed.

I’m ushered to the front and find my place
With slightly trembling hands, I breathe and wait.
Chantilly lace and crepe obscure my face,
my heart begins to race and palpitate.

The priest begins with welcoming regards.
He then proceeds to bow and raise his hands
Aloft, appealing unto Heav’nly guards
This group of hearts in silence fore him stands.  

We bow our heads in rev’rent piety,
And pray that God attend these supplicants
Of mortal flesh. Dispel anxiety -
New life awaits infused with sustenance.  

The rites are read to sanctify and bless
Transitioning from this life to the next.
Our faithfulness in God again profess,
That we, in times of strife need not be vexed.

The ***** and its pipes uplift the hymn,
Resounding with an echoing reply.
The colored glass of windows dark and dim
From thunder clouds and rainfall rolling by.

A single rose of red I hold in hand,
With silken gloves that all my arms conceal.
My knees are weak and faint, but here I stand.
Chiffon of black hides ev’rything I feel.

Devotions made, felicitations said,
Means soon will be the last and final bell.
When after tributes voiced and scriptures read,
I find I’m falling farther under spell.

I feel the eyes of all that gathered here,
Anticipating words from me. I start
A deep and steeling breath so all may hear
My words before they'll see me come apart.

And now, with sacramental candles lit,  
All other persons did their prayers purvey,
The time has come for me - the last commit.
From ev’ry corner of my soul I say:

“I do”.
Copyright ©2025 by D B Sullivan. All rights reserved. This work may not be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the author.
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