In deepening dream a dark moon song
Careening oration  to the reeling inside
of flickering film, burning fast celluloid
An internal tribute to a time now past

Adrift at dawn  the dervish swoops its
whirling and whining an awesome spectre
enraged she raps her raw knuckles
Pushing apart deepest self

Seeing in sleep the shadow of my daylight
That blinds me habitually; subliminally she
Speaks the script to a censored play
I’ve never seen.

Every Angel Second Class jumps into the river of
George Bailey’s despair, and after being rescued
shows everything that never should have existed, everything that was, everything that could be
contained in the Odbody of his inner existence,
the baptism, the worth and joy of all his toil.

No man gets into heaven by slaying demons,
and when Gabriel falls he follows Lucifer’s path,
never knowing that God tempered his Constantine’s
with hell on earth and the fires of suffering
that forge just a half repentant soul.

Angels are born to hover above,
have no weight but eternity,
bound to heaven yet yearning
to feel the delight of a lithe dancer,
see color, eat, drink, feel, suffer
in their own crown of thorns.

When the Angel of Death becomes Joe Black
and falls in love with George Bailey’s daughter,
asks him to be his guide to this wonderful life,
even Death will heed Jesus, make the sacrifice
and not take her to heaven’s embrace,
content forever to watch her
from first step to last.

Here’s to all the people that photobomb my holiday pictures,
unsuspecting exhibitionists in my summer memories.
After a while, I become fonder of them than of the places I’ve visited.
They now seem to know me better than most of my friends and relatives,
we start sharing secrets and unspeakable thoughts,
we become connected by an invisible red line,
that passes through all the virtual mess
and intimate celluloid of our afterlife.

I’m sure that somewhere,
in Russia,
or maybe in the Czech Republic,
there’s some poor *** schmuck that’s working up the nerve
to ask me out for a drink
or for some pasta,
not caring that I’m rushing through his photo,
on my way to a public restroom,
or a bar that serves all you can eat, drink and love.

The photos holding the proof of my existence in a certain moment
are facing the ground,
while their owners rehearse their speech
in front of the mirror,
leaving me and all the other tourists through life
behind the black hole library shelf,
in perfect equilibrium,
not knowing if I’m coming or leaving -
an impersonal group of pixels and dots, on a white piece of character.

Here’s to all the strangers in my heart!
Here’s to all the hearts to whom I’m a stranger!

Old Cowboys, forts and shootouts
Black for bad and White for good
With a spinning canvas background
And cactus cutouts made of wood
The desert sits behind them
Fifty yards away at most
The heroes don't ride horses
They sip drinks and sit and boast
About their celluloid adventures
singing songs all dressed in white
While behind them in the background
The stunt men do it right
A canvas background rotates
Through valleys, hills and streams
While the hero rides his deck chair
And the director yells and screams
Central casting fills the tribes out
With Italians, and made up stock
While our hero stops an avalanche
Of fake paper covered rocks
Cardboard Cut out Cactus
And heroes smiling in the sun
Most have never seen a cowpoke
Let alone shot off a gun
But, it's magic when it's finished
the dusters up there on the screen
All the fakery and snake oil
Are all hidden, never seen
The white hats beat the black hats
The hero sings and gets the girl
And the background on the spindle
Is still spinning, watch it whirl
A celluloid adventure
Cowboys no where close to what they were
But..watch the next show for a nickel
And don't forget your spurs!!!

Fragile flickering celluloid reels
Behind the light of the projector
A single beam of changing colors
Displayed on the silver screen ahead.
Fixtures dim and black the room
Filled an audience anxious and waiting,
Waiting to see what’s to be seen.
I love the look of film!
In its variety of size and color
35mm and 70
Digital and Film
Black and white to Technicolor
Three dimensions or two.
The history of an art form
Forming before your eyes
Seen here are the scenes of time
From anywhere that’s been seen
A dynamic show of lives lived and lost
Brought in pieces pieced together
By those much like us
Unfolding a world survived
By war and a way of life lost
Fallen years ago
Survived by the look of cellulloid
A world encompassed in film;
Where time is never lost
And life is always found.

:)