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Mateuš Conrad Jul 2016
and in our childhood we beheld the beauty of
theocracy - all of us - bedazzled by it,
enthralled by it, we reached the pinnacle
there and then - in our childhood we beheld
the beauty of theocracy - each and every one of
us cherubs worthy a plucking for the heavenly
choir - and like Adam and knowing through
to Eve and un-knowing that a man might
riddle trousers with a kilt - just like that,
it's not a belief in god that's required - far from it -
in childhood we sensed theocracy - the grand
hall oratory place of inconvenience - a talk to the hand
moment; thank yous and not yous -
we were too young to formulate a being as grand
as god - too young - even though it was implanted
in us by others that came prior - we're maturer now,
it's not the idea of god - we were young and
the prospect always hanged in the air of inhibition -
we weren't entirely eager to exhibit prayer and petulance
equally - in childhood as in nostalgia (for the two
are equal in meaning - a rarity to remember outside
childhood, romanticism and whatnot) - in childhood
as in nostalgia it's not god we're searching for,
it's more or less: theocracy - we're nostalgic about
a system of politics that overshadows what came with
the fall / maturity of man - man answered democracy!
and so it was - our version of politics always sends
a shiver down my spine - belief in the midgets of
the caricature of spine-and-wing is not that far apart -
no one in their truest mindset is searching for a god
in order to receive ridicule, not a personal god that
overpowers a man's personality to a U-turn abstract
of what was formerly known of a man -
against the strain of that some champion as necessary:
individuation - the pressure to a coup d'individu -
that sort of god isn't there - the pressure is to find a
the once intrinsic theocracy of childhood -
now that we have the governing body of democracy
hanging over as: demo politics - demonstrative,
demanding, debatable and... debatable -
and to merely think outside democracy is to have a
thought of an autocrat and a mouth of a slave -
otherwise you're just mouthing everyone to a lullaby
of intrinsic Tory toff-ha-ha. we're not missing god,
god is hardly dead, it's that we don't have the same
theocracy that children have governing them -
we have democracy - finding god in singleton-land
of proofs is about as good as finding a teardrop in
a sea - it means abandoning your personality in order
to skip the hardships for the perks - who is anyone
to collect knee-bending at the altar? why wouldn't
an Orthodox attendee of a church in St. Petersburg
let me sit in church while the choir sang?
oh right... the priests here still have their backs to the people
when reciting the testimonies -
and this simply sprung to mind after reading a psychiatrist
or anti- write out his the bird of paradise (1967, r. d. laing),
a psychiatrist opens up and thinks he's writing prosaic
poetry - great in theory - i mean lucid, frank, simplistic,
but the conundrum comes when no theory is
passed down - no hereditary intellectualism - nothing,
starting from scratch - that's the existential brick-wall
of notation focusing on the i the existentialists used -
the unit they thought they could bounce theories against
and get some original echo back... the only originality that came
back was mere criticism - nothing more.
i'm not looking for god - why is anyone looking for him?
everyone in democracy has this sudden urge to
become a cult-leader or despot? it seems so...
i'm looking for theocracy - in the democratic spirit of
transition that's been given to me - so funny...
god is an uncertainty but death is a certainty - strangely-funny
how the two never seem to coincide - unless in the mouth
and eyes of a madman who shoots you at point
blank range and says the words: time to meet you maker;
Jack'oh Wacko.
Mateuš Conrad Sep 2016
i don't know why i found redemption in the tetragrammaton, sure, my mother cared for two elderly jewish ladies, one escaped the Holocaust (surname Roßhandler) and the other of established English rooting (surname Rockman... thanks to her, upon completing my g.c.s.e. exams i got a complete collection of Bernard Shaw's plays) - but i find it there, ping-pong salvation every time, translating it akin to arithmetic: 1 + 1 = 2 is very much akin to Y              H            W          H, which i started calling the perfect chirality - chiral meaning non-superimposable:
                                       A                      &                  E, i too ventured to call the double H dualism a déjà vu - but i know see them as vantage points, more electrons and quantum physics than protons and neutrons - well, it ****** well fits the schematic: sine (M) and cosine (W) - sure, crude, but i'm not looking at the geometry of the mouth... language on the base of pure optics... and no, not necessarily adjective noun compounds for emphasis to argue a point, just easily an easily accessed point of reference...     so quantum physics calls it the non-independent ontology of electrons: a. particles (Y, centre 0 on the x, y, z graphs - apart from the heliocentric and the geocentric models, here's another one of similar causality)... and b. waves (W, the formerly stated trigonometry suggestion) - and hence the two vantage points bound to H... apart from Adam and Eve lodged in between... which suggests that the geocentric analogy of electrons is bound to electrons behaving like waves... while the heliocentric analogy of electrons is bound to electrons behaving like particles: microcosm Copernicus blah blah; well, more like pseudo-Aristarchus of Samos.

20th century literature is, quiet literally
something akin to the cave paintings at
Lascaux - big brother isn't watching -
nor is the publishing old guard -
i just find it unreal that so much rests upon
the internet these days, the people have no
idea what power has been granted them,
they petty the use of the internet with
their earthly squabbles of a marketplace,
while, running parallel: the lost infatuation
with democracy as necessary organisation -
turns out it's unnecessary organisation:
because we ain't go anything better -
hence political disillusionment - rampant in
what western society deems the pinnacle
and the Libra of a fine balancing act -
religiously? that famous: "mystery of lawlessness"?
that's the internet - imagine a time when you
could bypass some publisher, some adherent
to a state doctrine, when you could turn poetry
into physics, not the waffle of metaphysical Keats
waiting for a kettle to turn into a volcano
or a whistling horse, but to turn the dial to
point at the reality of things:
quantum physics (derived from quanta,
a variation of datum: particularity of input
energy) gave poets breathing space,
metaphysics became shadowy, Hades like
learning, obscure and all the more necessary
to build-up its strength while puritan physicists
lost their sway of power with the fears of
the atom bomb and all things quantum -
so while the physicists became dazzled with
all things quantum, the metaphysics took off...
entombed in an apathetic (without pathos)
subjectivity: a calm heart, much more than an
embracing heart - yes, i am aware that i have my
wacko moments of feeling, but this ticker is
made of stone - and that usually means a chaotic
thinking process, spontaneity being the key
in involving yourself with real-life narratives
then never suppose a character study: what you see,
is what you get: my sanity plateau?
talk about music rather than make poetry musical,
it's a pale shade of red or blue when you
have guitars and orchestras and the poet,
a voice in the wilderness - nothing but pins dropping
to exemplify the talk... i don't understand
the need for poetry being a kindred of musicology,
i don't understand rhyme, i don't understand
being conscious of poetic prescriptions of technique
very much akin to language's artefact minded
grammar: noun
                                v. poetry's pun
grammar's verb
                                       poetry's metaphor... etc.
my deviation? being an adherent toward music,
and returning poetry back to its true purpose:
puritan narrations - not conscious of what's
expected, or what defines the art,
very much the beginning of cubism and later
innovations in art, i just can't stand rhyming poetry -
it's too conscious of itself by what it's defined by,
we have learned of a new subjectivity:
the unconscious - we might as well exploit it
while objectivity gets crushed into bewilderment
by quantum physics -
thus said: i feel like i'm a dervish spinning
counter-clockwise in a chaos of tornadoes spinning
clockwise while listening to two songs:
tool's *right in two
- and muse's stockholm syndrome:
i can't be bothered translating the feelings
entombed in these two songs with a rhyme...
poetry should be less stuffy than it already is...
it should be a statement of the supreme effort: freedom.
all of this? spurred on by rereading passages from
Jung's gegenwart und zukunft (1957), alter:
          the undiscovered self (1958) -
it's seemingly odd (but not too odd) that books
written by psychiatrists are more popular than
philosophy books in the anglophile culture -
as already stated, i can't read philosophy in english -
maybe this is why psychiatric literature is so easily
accessible in this tongue, what with the self-help
movement, it the grandest prescription that no pill
(unless it's a sleeping pill) can be prescribed -
i'd say, if you want to read philosophy in english,
i'd start off by reading a book from psychiatry -
Jung is by far more adaptable than Freud
(Freud's for the rich people who have ***
written on their foreheads in permanent ink -
        and: daddy didn't care, mama was
                                     struggling feminist who
     forgot to breastfeed me) -
       but of course the 1960s Scottish superstar
(who drank, rightly so) from Glasgow: Laing.
well, sure, the Hungarian Szasz (shash, not sas,
or zaz... shish kebab... it ain't the difficult) -
impromptu deviation: what's funny about Heidegger?
he says: you need to study Aristotle for 15 years
to get him... and that's very much true for him also...
two years... TWO YEARS it took me to read his book.
that's what's interesting about this book,
a literary anorexic, in at 79 grams (pages) -
the interesting point? in physics, there are things
that are not independent of observation -
i like that conundrum, the mere idea of it is titillating -
running joke for the past two years: ***** ***** tat for tat
months later -
                          well... i'm not the one trying to
dress you up in a straitjacket with a label: this is poetry...
can't see **** for miles with how i write.
so there's a purpose, some things are depending on
being observed - which is a good thing, which means
that this world could not be independently sustainable -
its dependency on existing lies akin to our
desire to be independent of it - so all the religious
blah blah means something - even after 3 years
of rigorous studies in chemistry i come back into
humanism with a furore of agitating religious paraphernalia -
mind you, i do have a scientific approach toward
language - grammar and algebra combined -
meaning? certain words have become post-grammatical,
i.e. algebraic - not categorised as nouns or otherwise,
but as algebraic signatures: primarily because no one
really knows what to do with them, apart from
church yoga, standardised: e.g. x = god,
            i = y                  and the                  world = z,
predictably transcending the casual use of language
when shopping for cheese in a Parisian grocery store...
err... je ma'pel gorgon, avoir vous fromage?
nope, took to English too much - i was learning French
in primary school, but i had an existential crisis
aged 9 or 10... my brain refused to learn another language
after having just learned one from scratch -
                               the mute in class soon turned into
an avaricious reader... so parallel to my life, i now hear
stories about children being diagnosed with depression...
try being thrown into the deep-end of the pool
with your former development using a language
automatically, into having to learn the language without
no major influence of a teaching authority...
                                  no wonder the accent game
   sort of imploded and i started speaking sometimes tosh,
sometimes posh, and sometimes east London oh'rite?
                             ale casem tes jak rolnik -
                            owszem, czasem jak mieszczanin też.
the dirty poet Aug 2018
a wacko version of hamlet

the patient came up to us raving
GOODNIGHT, GOODNIGHT
a naked swollen giant
his basketball *****, his endless belly
every system failing
we prepared to put him out
so we could stick a tube down his throat
plug him on a ventilator
and insert lines for safekeeping
GOODNIGHT, I LOVE YOU
he tried to lean off the bed
take it easy man, i said, restraining him
SUSAN  
who’s susan? asked the nurse
GOODNIGHT, GOODNIGHT, GOODNIGHT
good night, sweet prince, i said as we gave him the drugs
GOODNIGHT, I LOVE YOU, GOODNIGHT
we intubated him and took him down to the OR
where he passed twenty minutes later
Mateuš Conrad Nov 2016
i can move from the highly lyrical into what's deemed
modern -
        poetising within a prosaic framework,
gone are coordinates that would
define a poem on the premise of:
whether there's a pun in it.
       sure, poems as chicken scratches
to what would otherwise be an English
teacher's *******: pulverising
a haiku to mean an infinite number of things,
and about a dozen essays by students.
the opposite of what's nonetheless:
    squeezing out juice from an already
squeezed out lemon... and i mean lemon
because there's a threshold...
           poetry is tarnished by what i call
the over-scientification of language...
                 only poetry attracts
so much linguistic categorisation,
so much morge tenure, so much dissection,
before poetry is even spoken
it has already been dissected - a befitting
target practice for budding medicine students...
          and some even deem it a outlet to
their professions: as if poetry was nothing
but a colouring-in book compared to
a da Vinci sketch.
                why not become a martyr for the ******
art? sickly sweet with its rhyme,
  the auxiliary recommendation on a birthday
card... which upon industrialisation
                               is nothing more than
    a thumping of a hammer near a protruding
nail in a crucifix... but a hammer that never
   makes contact with the nail...
why ***** this art, because of the industrious
nature of scribblers exacted to 600 pages worth
of a novel, when, perhaps, one thing is said
and can be said to be actually memorable?
well: there is a greater demand for handcrafted
objects than Ikea veneer, that much can be said...
it takes a few glugs of whiskey and a few cigarettes
to get the final product...
            it doesn't take industriousness -
poetry requires handcrafting, and what's revolutionary
about our times? they once claimed
     southpaws to be of diabolical design,
   but now both hands are used when "writing",
sure, the archaic fluidity of the movement of the hand
is gone: so as i write, i do the cliche of a
peasant listening to classical music while pretending
to conduct an orchestra, that finicky maestro
hand gesture... waltz before you can walk
is all i have to say... and yes:
we either have our Humphrey Bogart moments,
or Forrest Gump moments...
                  Hanks did the miraculous -
play the idiot, and play the serious role -
     which was harder to do, Mr. Bean or Black Adder?
it's hard to play the village idiot while
    being submerged in the bile of malice
   and staring into attempted feats of quasi intelligence...
but you get the hang of it...
   your eyes become like nuggets of coal...
           whereby those that incite pity wet them,
and those that incite contempt: light them up...
        by the time they have burned out...
they have turned into nuggets of sulphur -
          inorganic methane - yellowish grit:
as some Dalton said - could the cliffs of Dover ever
be perceived as sulphuric? the Sulphuric Cliffs
of Dover... apparently this is what defined
London when Christopher Wren took to
ushering in a foundation as Nero did to Rome:
on the chessboard of stone.
        and yes... i can be seen as the oppressor,
after all, i live in a country that prizes its suburban
housing as if miniature castles...
and gardens... boy these people love their gardens...
but they never use them!
    i can use a window to my advantage,
sit on the windowsill and smoke a cigarette and drink
a whiskey, unafraid of voyeurism...
                    pompous in my presence there,
perched like a crow, grinding all life into a halt
as my neighbours peer into the recesses of
    what's 4 by 4 by 4 of living (civil) rooms...
       can we but change the name of this space?
can we call living rooms civil rooms,
   where we acknowledge some sort of civility
rather than a wrestling for the television remote?
i can make little things give me an advantage,
if the toilet is being occupied,
  i'll use the garden as my toilet...
           i feel complete disdain for people who
"require" a garden, but never use it... of people
who "require" a garden, but are never seen in it...
   i'm hardly a c.c.t.v. surveillance object,
   but i feel that over-exposure to ******* reads
as a counter in that: people start to become
      phobic about voyeurism... as universities claim
them to be: "caught with your hand down your trousers
in a safespace", where dolphins jump over
rainbows and unicorns speak Haitian voodoo!
              there is this fear, which is why i'll use the
garden more than the people around me...
          which means: owning a garden is the last
stronghold of moving into an urban environment from
a rural one...
             or perhaps i'm just good at what i do
           and the last point becomes a tangent i care not
to continue... should i ask
            (whether that's true)?
            i have this throbbing sensation in my eyes
when i write such things and overhear
  what's necessary to rereading books in snippets -
which is better than regurgitating maxims
    as if some truth will magically pop-up (once more)
like a Leprechaun with a *** of gold -
  a new film, and hence the all important soundtrack.
rereading books in snippet format reveals much
more than a memorable quote,
           given there's an adequate soundtrack
to accompany you revisiting the book you managed
to take on a weekend holiday (like a girlfriend),
  like lawrence lipton's the holy barbarians...
   (all about the beats)...
              the snippet? chapter 15, the social lie
(martino publishing mansfield centre 2009), pp. 294 - 296...
      the music? ~20minutes into http://tinyurl.com/zdvp8sc
(ben salisbury & geoff barrow)... or what
i image to be a toned down version of
                 ...
) interlude... wacko gets summoned to steal a mouse
from a cat...
      double time... the mouse is unharmed...
all action takes place in the garden...
   running after a cat, catching the ghostly mouse,
i mean: frozen by fear... senile little thing...
     petting the mouse... obviously within the
framework: the most famous mouse in the world
scenario... mouse is put into my neighbour's
garden: where it came from: which kinda makes
this whole thing a practice in Hinduism
     (i can't stop the industrialisation of
farming pigs or chickens or cows...
      so ******* to the sourced sustainably,
organic chickens et al.)...                                 (
i was looking for something as equally pulverising
as ¥ (chemical brother's
song life is sweet)...
      i guess i found it...
                            and what was that bit about
not getting hassle on the internet?
                      i can't force people to read my stuff...
how i love this idea of a gym and making an effort...
both the writer and the reader entwined -
rather than watching you-tube vloggers treat their audience
like penguins feeding their chicks regurgitation as part of
               the info-wars... alter news: propaganda.
'what is the disaffiliate disaffiliating himself from?
      the immense myth promulgated from Madison Ave.
& Morningside Heights...
              the professors and advertisement men (indistinguishable
these days, or in those days - apparently)...
   that intellectual achievement lies within the social order
and that you can be a great poet as an advertising man,
a great thinker as a professor...' hence the myth.
              summarised later as:
'the entire pressure of social order is to make
         literature into advertisement.'
  and why do they shoot people in North Korea and
Saudi Arabia (well, chop more than shoot)?
              bad literature, a.k.a. bad advertisement.
am i a bad advertiser?         point being: am i selling anything?
oh gee! i just might be...
   but i feel there's no need to oppress people into
reading something...         as was the same with
my democratic romance with a personal library of mine:
   how to create a democratic representation
of literature: or how to hear as many people out...
   even those alive would see the backlog of
stale books of the dead that have been under-appreciated
and need a ****** into the future.
        perhaps not Plato...
                    that's not a book, that's a column...
but i despise how feminism ignores its greatest asset...
Mary Shelley... no woman could have single-handedly
become so celebrated in pop culture...
               ex_machina is obviously a revamp of Frankenstein...
Mary Shelley is the embodiment of a woman worthy
a continual revised celebration...
                       you can see her celebrated more times than
any politically minded feminist of whatever 1st 2nd or
3rd movement: because she has the ability to
    turn a man's ego into a ******* umpf!
  like a cat listening in on a scuttling mouse...
              she testifies that women have supreme equality
in the pop culture spheres... after all: Frankenstein is
ugly... Ava? just beyond creepy...
                    she has absolutely no understandable
motives of what Frankenstein intended...
   it not merely creating artificial life...
                    it's about utilising it for a purpose:
in this case a housewife and *** toy... what was Frankenstein
expected to do?         there's no motive other than
     a per se intention... an open & closed argument...
was the monster going to be... a butler?
                  and instead of rebelling against a motive
that awaits her... the rebellion against a per se leaves
Frankenstein's monster driven toward isolation...
       Ava? she's already exposed to an interaction
and what's to be her subsequent interaction for the purpose
of being a maid and a *** toy... which doesn't drive
her to an isolation scenario... because the per se
concept is too complicated for her to establish...
    given she's defined as "artificial" intelligence,
she has to feed on an analysis-synthesis dynamic:
    to absolve herself from any notion of being intelligent:
but artificial... the scary part is that without a per se
element to her knowledge acquisition:
                  she sees no meaninglessness to her life -
she is created for certain customary necessities -
     Frankenstein's monster doesn't have that capacity
to acquire knowledge in an analytically-synthetic
dynamic -
  but i still don't understand why intelligence can
be artificial / faked... when man, if not intending to
  create an intelligence matrix outside of his own...
           will usually fake it, or create a superficial intelligence...
   this is the part where you get to play with
etymology, or at least apply etymology to better conceptualise
what some would call: a synonym-proximity barrier...
               which can be jargon to some,
   but in fact it represents "nuances" or nanometric differences
that is understood to imply: feverishness of
   the peacocking staging of vocab for rhetorical purposes...
if we only had a monochromatic utility for language:
people would be discouraged from talking fervently,
passionately, enthusiastically... rhetorically;
as suggested: is artificial intelligence
                                    superficial intelligence?
  or how to sharpen a distinction? or to what purpose
is making an illusion purposive, given that the already
   established technology is meant to be purposive,
as in replacing labour on the assembly line...
                     given that: it's never about faking it.
¥ (http://tinyurl.com/jdg9m7h)
John Mendoza Feb 2019
Wow it’s hard to believe that you’re already 23, yet it’s no surprise that we made it through this crazy life

Still we grew up fast but you grew up strong cause no one was there to help, when I was gone, as only God knows, that times were bad and the roads got long

Yet it’s the visions of your broken smile that, hurt me the most when I left, cause we both knew it was for the best

Though with all the time that has gone by, you still held yourself together, even as the past kept clinching on, we still made it through the bad weather and you’ve honestly never looked better

I know I missed it last time but I’m here now and I’m not going anywhere, happy early birthday sis, you made this far now spread your wings so you can go even farther
Happy birthday sis
Axle Avatari Apr 2016
A poet walks into the coffee shop.
He buys a cup, and has a seat.
A head walks into the coffee shop.
With eyes so gray, like wet concrete.
A chick walks into the coffee shop.
Her clothes so bizarre, an' tight they fit.
A dude walks into the coffee shop.
All tattooed, an' a ring through his ***.
A girl walks into the coffee shop.
Her head shaved, to the skin.
A homeless one walks into the coffee shop.
He looks so bad, wonder where he's been.
A straight walks into the coffee shop.
Wide eyed, and lookin' around a lot.
All wacko's an' ******'s, at this coffee shop.
My kind of people, more likely than not.
A rent-a-cop walks into the coffee shop.
Ready to evict, those who've finished their last sip.
At the coffee shop.
I drink my cup-o-joe, an' leave a tip.
At the coffee shop.
As I shuffle towards the kitchen like a zombie seeking brains. "Coffee... COFFEE!!!"

Yes, I love coffee.
Allen Wilbert Jul 2014
Just Say No

I'm a wacko
who smokes tobacco
I'm a skunk
who's always drunk
I'm a loner
who's a stoner
I'm very black
and I smoke crack
name is Beth
who smokes ****
I love drugs
who hates hugs
I drink whiskey
I drink beer
I can be straight
I can be queer
when I snort coke
people call me a joke
I watch movies in the dark
I like to trip in the park
rehab didn't do a thing
drugs are my latest fling
popping lots of pills
yes I know, that speed kills
shooting ****** in my arm
waiting till I bite the farm
don't you dare, try and stop me
or on you I'll take a ***
I ****, shower than I shave
hoping for an early grave
Brycical Apr 2016
and it scares me because
the glow in her eyes and
melodious rhythm
in her words give me the impression
that she enjoys talking
about these things.

And it's not
one of those mindful zen
practicing acceptance
attitude of gratitude  type of
scenes where she loves it out
of herself and heals all
the heavy scars she wears.

It's like she revels in her misery--
I just don't get it man!
Maybe I'm doing some
wacko projection thing
or that I'm reading too much
into it all. I mean,
I am a bookworm. But,

There's just something about
the way, the feeling or
the tone that vibrates through
my soul like a friggin' red light Spider Sense
that gives me the creepers.

She'd say that she's simply
stating facts and, while that
may be true,
I just can't help but hear
some callous time ******* black-hole train crash rejoicing;
like a perverted hymn
to misfortune and gloom.

I don't know man, maybe
those are just the tunes my mom enjoys playing.
Could be that's just not my
style, or how I approach
something like that.
I try not to judge, but
some **** is just doesn't sit
well with me, you know?
I can't help that.
Happy Mother's Day?
Poetic T  Apr 2015
Wobbly Wonders
Poetic T Apr 2015
Wobbly was wondering?
"What will we wager"
We will wrangle worms
"Winner wins whatever"
Which Worm?
White,
Walnut,
Wheat
We wondered, why wrangle
We walked,
We waited,
We watched
Which wacko would wager wrong,
Wobbly winked, wondering why,
Wanda waited wondering why?
Why wink,
Why worms,
Why, *why,
why
Would worms win wagers
Without watching weird worms
Wobbly
Wished
Wedding wishes
Which was wonderfully weird,  
What would Wanda want?
Wobbly wandered, waiting
Wonderfully wishing.
Wanda's wise words whispered, wobbly
Whooped,
Whooped,
Wailed
*With wonderment,what was whispered?
Words with W`s :) harder than it looks :)
Bob B  Oct 2021
Pastor Wacko
Bob B Oct 2021
Have you heard of Pastor Rick Wiles?
Pastor Wacko is more apropos.
After hearing about his rants,
I'm sure he's someone I DON'T want to know.

According to him, "they" are planting
Parasite eggs within our vaccine.
Thus, an "evil cabal of people"
Will gain control through COVID-19.

Because of the Chinese medical mafia,
He got COVID, he attested.
They had infected him because
He wanted to have Dr. Fauci arrested.

Other assertions that Wiles has made:
Trump's impeachment: a "Jew coup."
Because of marriage equality,
Earth's destruction will ensue.

Queen Elizabeth is really
A "lizard person" in a disguise.
God will ****** the enemies
Of Donald Trump. What a surprise!

Because of widespread gay rights, God
Is killing chickens and pigs and bees.
Bill Clinton has brain cancer
Because he devours children. Please!

That someone like Wiles has followers
Is as crazy as crazy could be;
But anyone who believes his nonsense
Has to be as wacky as he.

-by Bob B (10-21-21)
Mateuš Conrad Aug 2016
papa internet goes wacko with his cybernetic compulsory
esoteric ****, says words like: the person who's to go against
the holy trinity (minus the surd no one really bothers) is no longer
a Jungian fantasy, the trigger and
the detonator of world war une and part deux,
but the paraclete isn't a person of much
relief either - cold war une and part deux -
right now, china's expressionless billion -
you squint, they look sober,
you drink, they look squinty eyed,
can't winde up that cold heart readied for
a billion polymath antonyms of your self
in automaton mobility -
compared with the fragile western championing
of individuality, China looks like a billion
despots morphed into one, you can't win.
back to Catholic bureucracy:
that's two names at your baptism -
matthew, conrad - and a third
at your confirmation (which i never
had, scouts' honour, cross my fingers
mea culpa my heart and count to 100)
would have been: Shiva -
the auspicious son returns -
well, **** me, canned peaches
and some apples and the NATO
phonetic: will you be my bride?
that's a thumbs up on the Rockefeller Sq.;
Isis: blatant espionage: mother of Horus
sister of Osiris - and i'm the Duracell bunny,
******* a clone sheep with a ***** dummy eject;
******, ***** strap-on, thingy magic eek (
the fidgety bit of putting together an Ikea table
for high tea).
you never went to a faith high-school
you never got to grips with the uniform,
or the bureaucracy, some of it invented
to simply rebel against it -
not the uniform bit, i thought that
was clean, in terms of non-discrimination
and how trans gets gendered as both, or neither
being allocated the chance to foster
would-be abortions.
hey! if Elton John can have a telly-tubby, so can i!
but this isn't your song...
and you just made an effort to scrap the idea
of singing in a shower -
poetry is never a sing-along, more or less
a thought-along - thought... a word masturbated a lot...
and i meant a lot - esp. when you're day-dreaming
and nothing you think precipitates into being
what you were thinking about -
so anti Cartesian, fair enough, thinking can precipitate
into a centimetre definition, a centimetre allowance,
self-consciousness bit - but beyond this fact
it's back to square one, daydreaming,
the disagreeing fact of thinking but not being,
or not thinking and being: the latter reserved for
entertainers and sports -
this is the secondary stage of the Cartesian realisation
that Descartes didn't mention... when thinking
does not precipitate into being - secondary meaning
a telepathic joke - or the men that stare at sheep
in the U.S. army and think they can run through walls...
of course the classical model involves the easiest
explanation, ergo as in +, -, x, ÷, take whatever metaphors
from this tetrasignum you want on a vacation into
psychiatry, i'm not one schizoid moment bothered
about firebombing Dresden either (slaughterhouse 5),
it's true enough to say that thought proves existence,
but thinking doesn't necessarily prove being -
whatever that means - it's the daydreaming bit
of the equation - Descartes is really a primer for
the study of philosophy, even Kant comes back to
this vocabulary arithmetic - as does Heidegger with
his bemusement: when people say "i, i",
cognitive identity and otherwise expressed.
the roads are divergent, or let us say the one's
origin from nothing leads to no big bang,
let us just say: a personal rebellion, not so much
that one precipitates into another,
let's just say that the ergo is worth replacing,
given our daydreams... and the fortune of never
realising our fancies... or as some might claim:
our misfortune of not realising our fancies, but
having a personal life without a media microscope
itemising our every movement... poly-diadem
dictator of western media:
                                                cogito para sum.
or, as stated by the benzene trinity affixes -
inclusive ortho- and meta-, obviously shortened
for liquid extraction - or the quip -
as in para: guard against, | |... interjecting / intersecting, i.e.
the suffix -llel (closure? not really, it could be
a nuanced noun, category affix, less familial concerns -
ah yes, an affix -llel, a suffix is a complete word:
pre- agaro -suf phobia, till the no. xi).
so a step beyond the cul de sac of Descartes -
the daydreaming part, when indeed thought materialises
into artificial intelligence simulators concerned
with the question of self-consciousness, paradoxical twins,
where thought materialises into its existential recipient standard
of never fulfilled, always unfulfilled, always demanding...
the bemoaned culture gap between youtube videos going
viral and virology on a canvas of infected flesh -
so forget the Cartesian cascade, that thinking will precipitate
into being of some sort, given current care for celebrity
culture we can't be assorting this equation with a rational
sequence, or the "as it should be", that train is long gone...
we need to defend ourselves against the precipitation of
thought into non-being - to regain a pleasure from mere thought...
not every thought will leave us richer off or as start-up
entrepreneurs - hence the need for non-materialisation,
our perfected mechanisation - the daydream - oh don't worry,
i'm not writing this from an ivory tower...
i have a constant fear too... but this ergo of 1 + 1 + 1 = 3
will not do... hence the revision, as all philosophical
standards are cared for akin to Renaissance canvases -
                                                               ­             cogito para sum:
that my thinking parallels my being - as i indulge in the former
and economise in the latter.

— The End —