Submit your work, meet writers and drop the ads. Become a member
kate b  Mar 2013
Uprising
kate b Mar 2013
Oppression

Witholds definition



Keep us

Down under the radar



Making a fuss

To keep us where we are



No advance

In our ideas and thoughts



Not a chance

Of a war being fought



But what the hell?

Why not take them on?



Can't they tell?

The idea has dawned?



UPRISING.



UPRISING.



UPRISING.



It's coming soon.
Please do not ask me if this is based off the Hunger Games. Please.
1

When lilacs last in the door-yard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d—and yet shall mourn with ever-returning spring.

O ever-returning spring! trinity sure to me you bring;
Lilac blooming perennial, and drooping star in the west,
And thought of him I love.

2

O powerful, western, fallen star!
O shades of night! O moody, tearful night!
O great star disappear’d! O the black murk that hides the star!
O cruel hands that hold me powerless! O helpless soul of me!
O harsh surrounding cloud, that will not free my soul!

3

In the door-yard fronting an old farm-house, near the white-wash’d palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,
With many a pointed blossom, rising, delicate, with the perfume strong I love,
With every leaf a miracle……and from this bush in the door-yard,
With delicate-color’d blossoms, and heart-shaped leaves of rich green,
A sprig, with its flower, I break.

4

In the swamp, in secluded recesses,
A shy and hidden bird is warbling a song.

Solitary, the thrush,
The hermit, withdrawn to himself, avoiding the settlements,
Sings by himself a song.

Song of the bleeding throat!
Death’s outlet song of life—(for well, dear brother, I know
If thou wast not gifted to sing, thou would’st surely die.)

5

Over the breast of the spring, the land, amid cities,
Amid lanes, and through old woods, (where lately the violets peep’d from the ground, spotting the gray debris;)
Amid the grass in the fields each side of the lanes—passing the endless grass;
Passing the yellow-spear’d wheat, every grain from its shroud in the dark-brown fields uprising;
Passing the apple-tree blows of white and pink in the orchards;
Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.

6

Coffin that passes through lanes and streets,
Through day and night, with the great cloud darkening the land,
With the pomp of the inloop’d flags, with the cities draped in black,
With the show of the States themselves, as of crape-veil’d women, standing,
With processions long and winding, and the flambeaus of the night,
With the countless torches lit—with the silent sea of faces, and the unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong and solemn;
With all the mournful voices of the dirges, pour’d around the coffin,
The dim-lit churches and the shuddering organs—Where amid these you journey,
With the tolling, tolling bells’ perpetual clang;
Here! coffin that slowly passes,
I give you my sprig of lilac.

7

(Nor for you, for one, alone;
Blossoms and branches green to coffins all I bring:
For fresh as the morning—thus would I carol a song for you, O sane and sacred death.

All over bouquets of roses,
O death! I cover you over with roses and early lilies;
But mostly and now the lilac that blooms the first,
Copious, I break, I break the sprigs from the bushes;
With loaded arms I come, pouring for you,
For you, and the coffins all of you, O death.)

8

O western orb, sailing the heaven!
Now I know what you must have meant, as a month since we walk’d,
As we walk’d up and down in the dark blue so mystic,
As we walk’d in silence the transparent shadowy night,
As I saw you had something to tell, as you bent to me night after night,
As you droop’d from the sky low down, as if to my side, (while the other stars all look’d on;)
As we wander’d together the solemn night, (for something, I know not what, kept me from sleep;)
As the night advanced, and I saw on the rim of the west, ere you went, how full you were of woe;
As I stood on the rising ground in the breeze, in the cold transparent night,
As I watch’d where you pass’d and was lost in the netherward black of the night,
As my soul, in its trouble, dissatisfied, sank, as where you, sad orb,
Concluded, dropt in the night, and was gone.

9

Sing on, there in the swamp!
O singer bashful and tender! I hear your notes—I hear your call;
I hear—I come presently—I understand you;
But a moment I linger—for the lustrous star has detain’d me;
The star, my departing comrade, holds and detains me.

10

O how shall I warble myself for the dead one there I loved?
And how shall I deck my song for the large sweet soul that has gone?
And what shall my perfume be, for the grave of him I love?

Sea-winds, blown from east and west,
Blown from the eastern sea, and blown from the western sea, till there on the prairies meeting:
These, and with these, and the breath of my chant,
I perfume the grave of him I love.

11

O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls,
To adorn the burial-house of him I love?

Pictures of growing spring, and farms, and homes,
With the Fourth-month eve at sundown, and the gray smoke lucid and bright,
With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air;
With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific;
In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there;
With ranging hills on the banks, with many a line against the sky, and shadows;
And the city at hand, with dwellings so dense, and stacks of chimneys,
And all the scenes of life, and the workshops, and the workmen homeward returning.

12

Lo! body and soul! this land!
Mighty Manhattan, with spires, and the sparkling and hurrying tides, and the ships;
The varied and ample land—the South and the North in the light—Ohio’s shores, and flashing Missouri,
And ever the far-spreading prairies, cover’d with grass and corn.

Lo! the most excellent sun, so calm and haughty;
The violet and purple morn, with just-felt breezes;
The gentle, soft-born, measureless light;
The miracle, spreading, bathing all—the fulfill’d noon;
The coming eve, delicious—the welcome night, and the stars,
Over my cities shining all, enveloping man and land.

13

Sing on! sing on, you gray-brown bird!
Sing from the swamps, the recesses—pour your chant from the bushes;
Limitless out of the dusk, out of the cedars and pines.

Sing on, dearest brother—warble your reedy song;
Loud human song, with voice of uttermost woe.

O liquid, and free, and tender!
O wild and loose to my soul! O wondrous singer!
You only I hear……yet the star holds me, (but will soon depart;)
Yet the lilac, with mastering odor, holds me.

14

Now while I sat in the day, and look’d forth,
In the close of the day, with its light, and the fields of spring, and the farmer preparing his crops,
In the large unconscious scenery of my land, with its lakes and forests,
In the heavenly aerial beauty, (after the perturb’d winds, and the storms;)
Under the arching heavens of the afternoon swift passing, and the voices of children and women,
The many-moving sea-tides,—and I saw the ships how they sail’d,
And the summer approaching with richness, and the fields all busy with labor,
And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages;
And the streets, how their throbbings throbb’d, and the cities pent—lo! then and there,
Falling upon them all, and among them all, enveloping me with the rest,
Appear’d the cloud, appear’d the long black trail;
And I knew Death, its thought, and the sacred knowledge of death.

15

Then with the knowledge of death as walking one side of me,
And the thought of death close-walking the other side of me,
And I in the middle, as with companions, and as holding the hands of companions,
I fled forth to the hiding receiving night, that talks not,
Down to the shores of the water, the path by the swamp in the dimness,
To the solemn shadowy cedars, and ghostly pines so still.

And the singer so shy to the rest receiv’d me;
The gray-brown bird I know, receiv’d us comrades three;
And he sang what seem’d the carol of death, and a verse for him I love.

From deep secluded recesses,
From the fragrant cedars, and the ghostly pines so still,
Came the carol of the bird.

And the charm of the carol rapt me,
As I held, as if by their hands, my comrades in the night;
And the voice of my spirit tallied the song of the bird.

DEATH CAROL.

16

Come, lovely and soothing Death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later, delicate Death.

Prais’d be the fathomless universe,
For life and joy, and for objects and knowledge curious;
And for love, sweet love—But praise! praise! praise!
For the sure-enwinding arms of cool-enfolding Death.

Dark Mother, always gliding near, with soft feet,
Have none chanted for thee a chant of fullest welcome?

Then I chant it for thee—I glorify thee above all;
I bring thee a song that when thou must indeed come, come unfalteringly.

Approach, strong Deliveress!
When it is so—when thou hast taken them, I joyously sing the dead,
Lost in the loving, floating ocean of thee,
Laved in the flood of thy bliss, O Death.

From me to thee glad serenades,
Dances for thee I propose, saluting thee—adornments and feastings for thee;
And the sights of the open landscape, and the high-spread sky, are fitting,
And life and the fields, and the huge and thoughtful night.

The night, in silence, under many a star;
The ocean shore, and the husky whispering wave, whose voice I know;
And the soul turning to thee, O vast and well-veil’d Death,
And the body gratefully nestling close to thee.

Over the tree-tops I float thee a song!
Over the rising and sinking waves—over the myriad fields, and the prairies wide;
Over the dense-pack’d cities all, and the teeming wharves and ways,
I float this carol with joy, with joy to thee, O Death!

17

To the tally of my soul,
Loud and strong kept up the gray-brown bird,
With pure, deliberate notes, spreading, filling the night.

Loud in the pines and cedars dim,
Clear in the freshness moist, and the swamp-perfume;
And I with my comrades there in the night.

While my sight that was bound in my eyes unclosed,
As to long panoramas of visions.

18

I saw askant the armies;
And I saw, as in noiseless dreams, hundreds of battle-flags;
Borne through the smoke of the battles, and pierc’d with missiles, I saw them,
And carried hither and yon through the smoke, and torn and ******;
And at last but a few shreds left on the staffs, (and all in silence,)
And the staffs all splinter’d and broken.

I saw battle-corpses, myriads of them,
And the white skeletons of young men—I saw them;
I saw the debris and debris of all the dead soldiers of the war;
But I saw they were not as was thought;
They themselves were fully at rest—they suffer’d not;
The living remain’d and suffer’d—the mother suffer’d,
And the wife and the child, and the musing comrade suffer’d,
And the armies that remain’d suffer’d.

19

Passing the visions, passing the night;
Passing, unloosing the hold of my comrades’ hands;
Passing the song of the hermit bird, and the tallying song of my soul,
(Victorious song, death’s outlet song, yet varying, ever-altering song,
As low and wailing, yet clear the notes, rising and falling, flooding the night,
Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,
Covering the earth, and filling the spread of the heaven,
As that powerful psalm in the night I heard from recesses,)
Passing, I leave thee, lilac with heart-shaped leaves;
I leave thee there in the door-yard, blooming, returning with spring,
I cease from my song for thee;
From my gaze on thee in the west, fronting the west, communing with thee,
O comrade lustrous, with silver face in the night.

20

Yet each I keep, and all, retrievements out of the night;
The song, the wondrous chant of the gray-brown bird,
And the tallying chant, the echo arous’d in my soul,
With the lustrous and drooping star, with the countenance full of woe,
With the lilac tall, and its blossoms of mastering odor;
With the holders holding my hand, nearing the call of the bird,
Comrades mine, and I in the midst, and their memory ever I keep—for the dead I loved so well;
For the sweetest, wisest soul of all my days and lands…and this for his dear sake;
Lilac and star and bird, twined with the chant of my soul,
There in the fragrant pines, and the cedars dusk and dim.
Amy Perry Dec 2013
The roses in the garden are beautiful but somewhat mean
They think of themselves as the kings and queens
With a superior air about them they put others down
As they flaunt about the garden in their thorny crowns

So all the flowers got together
To form a picket line
Feeling they were being unfairly treated
Or so felt the dandelions

The hydrangeas overflowing
In decadent display
Are not timid, they prefer
To make heads turn their way

The single, reserved tulips
Are certainly a bit more shy
While still drawing attention
By the way they kiss the sky

Every flower in the garden
Think their own beauty could run the show
That's what each of them wrote on their sign
To let the roses know

This trouble with mothers nature
Will be written about in books
The uprising in the garden
The day the earth was shook

Back before those thorny reds
It seemed everything was bliss
So the weeds were hired for a hit
By the sneaky, scheming iris

The weeds though were sprayed the day before
So they never stood a chance
They were knocked out of the running
When they themselves danced with death

The white picket fence was knocked down
Which set the snapdragons free
Creating quite the havoc
In this wild garden mêlée

This day will always be remembered
Made sure by the forget-me-nots
When all the flowers got together
To show the roses what they've got
Collaboration with Mike Hauser.
when you pull away
I hope you breathe
in fertile space
birthing trueyou

however I know
your patterns now:

when it gets hard, you
often coat confusion
rage and anguish
in diversion skin

grabbing angels
(or lost souls)
obscuring view

I may be obtuse
but you upperhand
with blinders

though I like to think
you're going full lotus
you may just be
escapist frolicking
in the park

do what you got to
open all the doors
that beckon you

I did
and will

(when the U co-signs)

their insides brim
invitations to
lessons or
blissings

walk with honor
next to them

just don't forget
the who you knew
beyond skin

the one you love and resist
for the same reason

prismatic eyeing
searing through
Grade A hiding

new school gypsy
alpha span omega
altared fēniks uprising
IN SEARCH OF THE PRESENT

I begin with two words that all men have uttered since the dawn of humanity: thank you. The word gratitude has equivalents in every language and in each tongue the range of meanings is abundant. In the Romance languages this breadth spans the spiritual and the physical, from the divine grace conceded to men to save them from error and death, to the ****** grace of the dancing girl or the feline leaping through the undergrowth. Grace means pardon, forgiveness, favour, benefice, inspiration; it is a form of address, a pleasing style of speaking or painting, a gesture expressing politeness, and, in short, an act that reveals spiritual goodness. Grace is gratuitous; it is a gift. The person who receives it, the favoured one, is grateful for it; if he is not base, he expresses gratitude. That is what I am doing at this very moment with these weightless words. I hope my emotion compensates their weightlessness. If each of my words were a drop of water, you would see through them and glimpse what I feel: gratitude, acknowledgement. And also an indefinable mixture of fear, respect and surprise at finding myself here before you, in this place which is the home of both Swedish learning and world literature.

Languages are vast realities that transcend those political and historical entities we call nations. The European languages we speak in the Americas illustrate this. The special position of our literatures when compared to those of England, Spain, Portugal and France depends precisely on this fundamental fact: they are literatures written in transplanted tongues. Languages are born and grow from the native soil, nourished by a common history. The European languages were rooted out from their native soil and their own tradition, and then planted in an unknown and unnamed world: they took root in the new lands and, as they grew within the societies of America, they were transformed. They are the same plant yet also a different plant. Our literatures did not passively accept the changing fortunes of the transplanted languages: they participated in the process and even accelerated it. They very soon ceased to be mere transatlantic reflections: at times they have been the negation of the literatures of Europe; more often, they have been a reply.

In spite of these oscillations the link has never been broken. My classics are those of my language and I consider myself to be a descendant of Lope and Quevedo, as any Spanish writer would ... yet I am not a Spaniard. I think that most writers of Spanish America, as well as those from the United States, Brazil and Canada, would say the same as regards the English, Portuguese and French traditions. To understand more clearly the special position of writers in the Americas, we should think of the dialogue maintained by Japanese, Chinese or Arabic writers with the different literatures of Europe. It is a dialogue that cuts across multiple languages and civilizations. Our dialogue, on the other hand, takes place within the same language. We are Europeans yet we are not Europeans. What are we then? It is difficult to define what we are, but our works speak for us.

In the field of literature, the great novelty of the present century has been the appearance of the American literatures. The first to appear was that of the English-speaking part and then, in the second half of the 20th Century, that of Latin America in its two great branches: Spanish America and Brazil. Although they are very different, these three literatures have one common feature: the conflict, which is more ideological than literary, between the cosmopolitan and nativist tendencies, between Europeanism and Americanism. What is the legacy of this dispute? The polemics have disappeared; what remain are the works. Apart from this general resemblance, the differences between the three literatures are multiple and profound. One of them belongs more to history than to literature: the development of Anglo-American literature coincides with the rise of the United States as a world power whereas the rise of our literature coincides with the political and social misfortunes and upheavals of our nations. This proves once more the limitations of social and historical determinism: the decline of empires and social disturbances sometimes coincide with moments of artistic and literary splendour. Li-Po and Tu Fu witnessed the fall of the Tang dynasty; Velázquez painted for Felipe IV; Seneca and Lucan were contemporaries and also victims of Nero. Other differences are of a literary nature and apply more to particular works than to the character of each literature. But can we say that literatures have a character? Do they possess a set of shared features that distinguish them from other literatures? I doubt it. A literature is not defined by some fanciful, intangible character; it is a society of unique works united by relations of opposition and affinity.

The first basic difference between Latin-American and Anglo-American literature lies in the diversity of their origins. Both begin as projections of Europe. The projection of an island in the case of North America; that of a peninsula in our case. Two regions that are geographically, historically and culturally eccentric. The origins of North America are in England and the Reformation; ours are in Spain, Portugal and the Counter-Reformation. For the case of Spanish America I should briefly mention what distinguishes Spain from other European countries, giving it a particularly original historical identity. Spain is no less eccentric than England but its eccentricity is of a different kind. The eccentricity of the English is insular and is characterized by isolation: an eccentricity that excludes. Hispanic eccentricity is peninsular and consists of the coexistence of different civilizations and different pasts: an inclusive eccentricity. In what would later be Catholic Spain, the Visigoths professed the heresy of Arianism, and we could also speak about the centuries of ******* by Arabic civilization, the influence of Jewish thought, the Reconquest, and other characteristic features.

Hispanic eccentricity is reproduced and multiplied in America, especially in those countries such as Mexico and Peru, where ancient and splendid civilizations had existed. In Mexico, the Spaniards encountered history as well as geography. That history is still alive: it is a present rather than a past. The temples and gods of pre-Columbian Mexico are a pile of ruins, but the spirit that breathed life into that world has not disappeared; it speaks to us in the hermetic language of myth, legend, forms of social coexistence, popular art, customs. Being a Mexican writer means listening to the voice of that present, that presence. Listening to it, speaking with it, deciphering it: expressing it ... After this brief digression we may be able to perceive the peculiar relation that simultaneously binds us to and separates us from the European tradition.

This consciousness of being separate is a constant feature of our spiritual history. Separation is sometimes experienced as a wound that marks an internal division, an anguished awareness that invites self-examination; at other times it appears as a challenge, a spur that incites us to action, to go forth and encounter others and the outside world. It is true that the feeling of separation is universal and not peculiar to Spanish Americans. It is born at the very moment of our birth: as we are wrenched from the Whole we fall into an alien land. This experience becomes a wound that never heals. It is the unfathomable depth of every man; all our ventures and exploits, all our acts and dreams, are bridges designed to overcome the separation and reunite us with the world and our fellow-beings. Each man's life and the collective history of mankind can thus be seen as attempts to reconstruct the original situation. An unfinished and endless cure for our divided condition. But it is not my intention to provide yet another description of this feeling. I am simply stressing the fact that for us this existential condition expresses itself in historical terms. It thus becomes an awareness of our history. How and when does this feeling appear and how is it transformed into consciousness? The reply to this double-edged question can be given in the form of a theory or a personal testimony. I prefer the latter: there are many theories and none is entirely convincing.

The feeling of separation is bound up with the oldest and vaguest of my memories: the first cry, the first scare. Like every child I built emotional bridges in the imagination to link me to the world and to other people. I lived in a town on the outskirts of Mexico City, in an old dilapidated house that had a jungle-like garden and a great room full of books. First games and first lessons. The garden soon became the centre of my world; the library, an enchanted cave. I used to read and play with my cousins and schoolmates. There was a fig tree, temple of vegetation, four pine trees, three ash trees, a nightshade, a pomegranate tree, wild grass and prickly plants that produced purple grazes. Adobe walls. Time was elastic; space was a spinning wheel. All time, past or future, real or imaginary, was pure presence. Space transformed itself ceaselessly. The beyond was here, all was here: a valley, a mountain, a distant country, the neighbours' patio. Books with pictures, especially history books, eagerly leafed through, supplied images of deserts and jungles, palaces and hovels, warriors and princesses, beggars and kings. We were shipwrecked with Sinbad and with Robinson, we fought with d'Artagnan, we took Valencia with the Cid. How I would have liked to stay forever on the Isle of Calypso! In summer the green branches of the fig tree would sway like the sails of a caravel or a pirate ship. High up on the mast, swept by the wind, I could make out islands and continents, lands that vanished as soon as they became tangible. The world was limitless yet it was always within reach; time was a pliable substance that weaved an unbroken present.

When was the spell broken? Gradually rather than suddenly. It is hard to accept being betrayed by a friend, deceived by the woman we love, or that the idea of freedom is the mask of a tyrant. What we call "finding out" is a slow and tricky process because we ourselves are the accomplices of our errors and deceptions. Nevertheless, I can remember fairly clearly an incident that was the first sign, although it was quickly forgotten. I must have been about six when one of my cousins who was a little older showed me a North American magazine with a photograph of soldiers marching along a huge avenue, probably in New York. "They've returned from the war" she said. This handful of words disturbed me, as if they foreshadowed the end of the world or the Second Coming of Christ. I vaguely knew that somewhere far away a war had ended a few years earlier and that the soldiers were marching to celebrate their victory. For me, that war had taken place in another time, not here and now. The photo refuted me. I felt literally dislodged from the present.

From that moment time began to fracture more and more. And there was a plurality of spaces. The experience repeated itself more and more frequently. Any piece of news, a harmless phrase, the headline in a newspaper: everything proved the outside world's existence and my own unreality. I felt that the world was splitting and that I did not inhabit the present. My present was disintegrating: real time was somewhere else. My time, the time of the garden, the fig tree, the games with friends, the drowsiness among the plants at three in the afternoon under the sun, a fig torn open (black and red like a live coal but one that is sweet and fresh): this was a fictitious time. In spite of what my senses told me, the time from over there, belonging to the others, was the real one, the time of the real present. I accepted the inevitable: I became an adult. That was how my expulsion from the present began.

It may seem paradoxical to say that we have been expelled from the present, but it is a feeling we have all had at some moment. Some of us experienced it first as a condemnation, later transformed into consciousness and action. The search for the present is neither the pursuit of an earthly paradise nor that of a timeless eternity: it is the search for a real reality. For us, as Spanish Americans, the real present was not in our own countries: it was the time lived by others, by the English, the French and the Germans. It was the time of New York, Paris, London. We had to go and look for it and bring it back home. These years were also the years of my discovery of literature. I began writing poems. I did not know what made me write them: I was moved by an inner need that is difficult to define. Only now have I understood that there was a secret relationship between what I have called my expulsion from the present and the writing of poetry. Poetry is in love with the instant and seeks to relive it in the poem, thus separating it from sequential time and turning it into a fixed present. But at that time I wrote without wondering why I was doing it. I was searching for the gateway to the present: I wanted to belong to my time and to my century. A little later this obsession became a fixed idea: I wanted to be a modern poet. My search for modernity had begun.

What is modernity? First of all it is an ambiguous term: there are as many types of modernity as there are societies. Each has its own. The word's meaning is uncertain and arbitrary, like the name of the period that precedes it, the Middle Ages. If we are modern when compared to medieval times, are we perhaps the Middle Ages of a future modernity? Is a name that changes with time a real name? Modernity is a word in search of its meaning. Is it an idea, a mirage or a moment of history? Are we the children of modernity or its creators? Nobody knows for sure. It doesn't matter much: we follow it, we pursue it. For me at that time modernity was fused with the present or rather produced it: the present was its last supreme flower. My case is neither unique nor exceptional: from the Symbolist period, all modern poets have chased after that magnetic and elusive figure that fascinates them. Baudelaire was the first. He was also the first to touch her and discover that she is nothing but time that crumbles in one's hands. I am not going to relate my adventures in pursuit of modernity: they are not very different from those of other 20th-Century poets. Modernity has been a universal passion. Since 1850 she has been our goddess and our demoness. In recent years, there has been an attempt to exorcise her and there has been much talk of "postmodernism". But what is postmodernism if not an even more modern modernity?

For us, as Latin Americans, the search for poetic modernity runs historically parallel to the repeated attempts to modernize our countries. This tendency begins at the end of the 18th Century and includes Spain herself. The United States was born into modernity and by 1830 was already, as de Tocqueville observed, the womb of the future; we were born at a moment when Spain and Portugal were moving away from modernity. This is why there was frequent talk of "Europeanizing" our countries: the modern was outside and had to be imported. In Mexican history this process begins just before the War of Independence. Later it became a great ideological and political debate that passionately divided Mexican society during the 19th Century. One event was to call into question not the legitimacy of the reform movement but the way in which it had been implemented: the Mexican Revolution. Unlike its 20th-Century counterparts, the Mexican Revolution was not really the expression of a vaguely utopian ideology but rather the explosion of a reality that had been historically and psychologically repressed. It was not the work of a group of ideologists intent on introducing principles derived from a political theory; it was a popular uprising that unmasked what was hidden. For this very reason it was more of a revelation than a revolution. Mexico was searching for the present outside only to find it within, buried but alive. The search for modernity led
Mateuš Conrad Aug 2018
daj, do wynagrodzenia: reszty.
daj: to niby: siebie;
a... dam... dam...
ale pierw: powiem:             to!
(ich) nicht werden
                  geben (ihr) das nacht!
first... i'll punch myself
hard enough to give myself
a plum-eye: ******* pacifists...
and then?
    then i'll strap a trouser belt
to protect my knuckles...
and then... then...
                    then: we'll "talk":
who might find a translator
ready...
   god...
i'm gagging for a
knuckle exchange...
        almost... itching!
like i might await
a shaving... from a Turkish
barber... in Essex...
of all Danish palaces;
and why would i want to allow
consort with these women?
considering the fact that
the russian ones believe in trans-national
grievance taxation:
of someone... who hasn't...
actually died...
              you know what?
*******...
suffer...
       watch me wipe my ***
with a satanic smile
ennobled
by a coulrophobia...
excesses of vogue
                      atypical models...
how is it... that...
coulrophobia doesn't translate
in reverse?
  and what's up
with the black privilege of
jass music, akin to white mozart...
as...  
  sure as ****, the drum would be
the first, and only thing,
prior to the people learning
the ******* clarinet!

oh drop me your ****** ***
holocaust dead bomb
on a polish ***...
     i triple, quadruple dare you!
you *******... ivory coast
   centipede!
               i'm *******...
as watts: wild-eyed...
       unstrap me from this
"unreality" of conversation...
then undo the internet banking...
and the rest of it...

             not adam watts!
    glitter & doom....
who?      tom waits...
oh **** me... blue valentine?
if that's not a **** with me
album... what is?
                 live circus?
        
do i look like a ******* ****-
(see the hyphen?
it's a prefix... the english are
lazy sometimes: couldn't,
i.e. could not,
remnants of shakespearean
english...

       i'll always cite macbeth...

  time, thou anticipat'st my dread
exploits: the flighty purpose never
is o'eertook, unless the deed go with it.
from this moment, the very firstlings
of my heart shall be
  the very firstlings of my heart.
   and even now, to crown my thoughts
with acts, be it thought and done.


it's hardly a racial slur, ergo...
why so ******* sensitive akin to a french
footballer or a ballerina?
   ****- (hyphen! hyphen!) ergo a prefix...
as already mention:
no, no...
   it's not: no iraqi ever called me a pa-ki
      (pákí)... yeah...
and you never called an afghanistani an
afghan, ever, no?
   pure camaraderie in that part of
the world... all the way... yeah yeah... yeah...
-stani (suffix) is sometimes missing
because... the english like to shorten words...
e.g. why is daniel: dan,
why is matthew: matt?
  why is muhammad: mo (farrah)?
                                    ******* pansies...
police your circumcised penises fiddling
english teenager girl, first,
come after my vocab. justifications: after;
savvy?

or a gypsy?
   by now...
     i'm looking like any
traveler...
and the world...
       forever resembled
a world,
  in the confines of
      a claustrophobia...

but... if there's a bigger concern for
a world...
  and a freedom...
i want a bare knuckle fight...
a black eye...
namely...
you bring  BOXING GLOVE...
and i'll bring...
     a LEATHER BELT...
wrapped around my knuckles,
and the wrist...
    like i might care to give
a second attempt to smile...

ah... the men... who care
about minding, if not in the least,
keeping women...
      bye bye, bye bye...
       and i've allowed myself
to know my grandfather...
as i did the slap in the face...
and...
the key question:
in the unfathomability of counting
the 32 / 4 ratio...
alas... one fist... one smile...

and countless... dentistry encounters...
because?
   because the rest?
the cultural artifacts of a today?
  lost to h'americana...
            as i might have wished...
for my prior genes
to make an autobiography
in **** germany...
  
   what?
  
      well... obviously: the oops.

no, for the crescendo...
you know...
           i'm getting this funny vibe...
gott ist tot... it's not really spectacular...
nietzsche really believed in eternity,
to the point where he pointed:
what does science offer, only old age...
what does religion provide? eternity...
oh nietzsche was big on eternity...
   gott ist tot is as unspectular as:
is it: how to do you pronounce x,
or is it: how do you pronunciate y?
debate:
              everyone says around here
the former... since no one wants to be a *****...
pro-nun-ci-ate (pro-nun-cíate)...
   might as well replenish the vocab. bank
and replace the word with:
how do you elocute z? / recite)....

gott ist tot / gott ist tod...
    "same ****, different cover"...
you know why i believe in god?
    not the christian reference points...
salvation blah blah, saviour and hide & seek blah blah...
n'ah... where would i derive all my vocab.
hunger if not from him?
   some men derive their vocab. from
women or gambling...
            i am not in the position of their
luxury... so god it is...

            primarily though?
               god is metaphysics...
             ergo? his judgement is not clouded
by metaphysical questioning...
it's impossible to receive a metaphysical
answer from a metaphysical question
when engaging with a metaphysical
ontological paraphrase of one's own search
for meaning in this mortal frame...

oh sure sure, my belief in god is as juvenille
as anyone else's belief in humanity's
clarity when it comes to jurisprudence
and its application...
    i've experience "jurisprudence" once...
drive-by phone theft...
me and three fwends...
   i catch the number plate...
i tell one of my fwends to note it down,
police station, report, culprit found,
a sit in at a barkingside police station
looking at mug images,
spot the ****** (it was dark when the mugging
took place, photographic memory, **** happens)...
a court session, australia is playing england
at the ashes (****, i missed it)...
in court the defence lawyer shows me
another picture of the culprit...
back then photogrpahs had dates
attached to them...
the photograph? over 4 years old...
i tell him: but this photograph is 4 years old!
how can i identify if this is the same
person: i, myself, will probably
don a beard in four years time!
      a simple slip-up...
        now that i have a beard:
it's so much more fun than growing your
hair long... i hated the nickname
chewbacca back in high school when i was
growing mine for a french braid...
i walk out of the court,
come to terms with the detective...
and i see the same hunger in him as i see in me...
will justice be served?
highly unlikely... since the victim
didn't recognize the *** in the mug-shots...
justice was probably not served...

   and this is how god plays into all of this,
hell or heaven, blah blah...
man created the figure of domina Iustitia
as blind... god created death to be blind...
justice was never supposed to be blind,
death was: the unfortunate deaths
of teenagers in car accidents,
among all the other freak accidents...

clouded with so many metaphysical questions
i don't appreciate man's ability to adhere
to jurisprudence without being
subjectively contaminated...
i have more belief in an "imaginary"
god than belief that strains me to belief
in man's sense of justice...
          the nuremberg trials are a rare exception...
but only when the culprits are
unabashed and fathomable by a collective
sense of pride... a blidness...
i believe in god, because i'd love to experience
the judgement of a post scriptum of
metaphysics...
  personally? i have been wronged...
heavily...
            i will not name names....
i know when and how i was wronged,
and by whom...
                2007... Canterbury...
      i won't name names: i'm not a rat...
man is too clouded with metaphysical questions
to begin with, god isn't,
he's a metaphysical ontology "bias"...
which is why, he is primarily a jurisprudent
answer...
   i'd love to experience divine jurisprudence,
hell or heaven are not of my concern...
and i don't imply divine jurisprudence
associated with the polytheistic take of
jurisprudence via a solipsistic mechanism
of a minor god and the person in question
without the hurt party...
in monotheism the god is solipsism personified...
these days: also the personna non grata...
so no... gott ist nicht tot...
            he's a personna non grata...
i just don't appreciate the human *******
of law, law governance...
   come on, in england you can receive
an a.s.b.o.s. for your cockerel being too loud
in the morning, your dog barking...
           would you trust man with
jurisprudence?
  a woman was cleared of the ******
of her husband
       when she hammered his head into a pancake:
over an abusive relationship...
police, weren't, "there"?!
sure sure... the hammer will do...
i believe in god without a sense of reward...
i just don't think man is capable of
passing justifiable laws...
no man could ever pass the eternal laws,
gravity... 100°C for the boiling of water...
i need a being  who has groundwork
in eternal laws, in unshakeable laws...
the ten commandments aren't:
you shall not...
   more... maybe, you shouldn't...
they are the most pristine jurisprudent
laws available... the: maybe you shouldn't,
eh, chappy?

       i just don't like playing the thesaurus game
on the more tight-knit game
of "passing" the wink-wink of Solomon's
judgement...
please, **** me please,
i'll eat 20 raw herrings in a cream sauce,
slurp 30 oysters,
eat 40 strawberries on a hangpverl
eat out about 50 harem virgins
like a castrato if you ask me, nicely,
**** camel cockey:
lucly i landed on a black gold slurp
with plenty of bangladeshi slaves:
******* of riyadh...
     what did muhammed tell you?
you camel jockeys / sand *******
have clearly forgotten...
******* arabs: short attention span...
you need to remind
the retards...
the dajjal would come from the east...
a palace of gardens...
well obviously the prophet wasn't
thinking about genghis khan...
            
  hmm barbarians...
vikings, arabs: yet so inclined to like poetics...
funny, that...
the civilized peoples banished
the poets...
            the ruling class and their cushioned
people: sacrosanct sycophants...
wankers, basically.

    the hajr? muhammad spoke of the dajjal
coming from the east,
and the east being a city of gardens...
where isn't riyadh and where is mecca?
isn't riyadh east of mecca?
was the dajjal to come from the outside
of islam, or from wtihin?
      last time i checked...
sh'ite islam isn't friendly to sunni islam...
if islam was the one true religion...
would have a shcism have occurred?
i don't think so...
   a persian would never bow before
an arab... that much os true...

oh i believe in god...
given how man practices jurisprudence...
is it some sort of, a, thesaurus game
i wasn't told about?
to me the human quest for jusctice is
a thesaurus game...
man is incapable to pass but one,
eternal, law...
he's great at nuanced laws...
laws allocated to sports...
i mean, **** me, cricket?
the best vocab. you'll ever pick up...

even god isn't as pertinent
in making the sort of music associated
with the limited alpha-to-beta
of A, B, C, D, E, F, and G...
wow! seven... seven?!
how many heads does the beast
of revelation have? oh... 7!

i'll stop tolerating islam, and start respecting it,
when it, acknowledges its presence
as a character study in the book of revelations...
then i'll just move on,
having made my point...

until that time comes...
    it's 600 years shy of becoming what
degenerate christianity has become,
oh and it's ripe...
it's gagging to implode!
600 years and wait for it to become
the next secular vasal conglomorate...

the warning muhammad gave
about "the best from the east"
was in point of question:
   a reference ti gneghis khan...
more like ibn saud:
  thst fat diabetic one eyed ogre...
and the legacy of decadence he left
behind...

saudi men with slavuc girlfriends,
buying up pink cushions and *******
chihuahuas...
**** after ****...
  you know the three slavic proverbs?
1. better a sparrow in your
hand, than a dove on your rooftop?
explanation?
better the small joys at-hand,
than impossible possibilities out of reach....
2. a drunk can spot east,
past mecca, whenever honing
the safety of his own bed... even at night...
not much of a proverb...
3. i don't care to rememeber...

once toleration comes into play,
i will, respect... just a waiting game...
i'm pretty sure no iranian will
bow down to a sunni camel jockey...
i like proud *******,
it implies: there are absolutes,
un-moveable goal posts...

                      if you are ever to bind yourself
in supporting a "side" outside a sports' dynamic,
always the outsider...
always the outsider... in this case?
the ****'ite islam brigade...
       the persians...
the sunnis can shove it...
   *****, bones, whatever....

                   ****'ite islam i can
fathom, even respect,
sunni islam i just tolerate...
  as much as iran takes claims for the
big satan in ref. to h'america...
well... if h'america supports the infantile
saudi arabia, who's to blame them?

you know that polonaise joke about
about the pacifism of jews in
2nd world world war poland?
the joke ran along the words:
weren't the jews shooting the nazis
using crooked elbows (rifles)?
they always seemed to miss them,
taunted into walking into gas chambers,
the ******* hobbits...

          what? some bolshevik Brooklynian
jewish rada is to spare me
                 the pay-up diffrential
telling me, i was wrong?

  as i said before: the nazis lamented
when the warsaw uprising happened...
no, st. paul's doesn't stand proud
because, because...
   even with the blitz...
                 the luftwaffe were told:
you drop a bomb on st. paul's: firing squad...
and when notre-dame de paris -
last time i checked...
   the nazis didn't luftwaffe the **** out
of paris... did they?!

                  the nazis weren't mongols;
no people so well versed in chanel in terms
of their military being so well
   suited & booted could ever make such a
                              architectural sacrilege...

what?! people under the silicon curtain
are gagging, begging even: for nazis!
can i be the first?!
i just want to please the hungry!
if not punk then moving swiftly into ska...
am i the first?
   siliziumvorhang...
well, **** me... from under the eisenvorhang...
what's with these neo-communist pseudos?

and the hebrew god?
a jealous god... so a god with the knowledge
of the existence of other gods...
why wouldn't a jealous god have
no knowledge of other ("imagianry") gods?
to be jealous of only one's own existence?!

3 / 1: that's the ratio....
that's the only ratio... 3 times i experienced
love at first sight:

when i fell in love at first sight...
malina, samantha, janina,
priya....

equal measure: isabella of grenoble...

in reverse:
magda, promis, ilona, kot (i forget her name,
7 years old, first kiss, you can be forgiven
to forget, she had two twin sisters
and she was the senior,
her fasther drove a distribution truck,
milk, i think)...

****, i actually mismanaged
that ratio...

i believe in "a" god...
since i find too much of human jurisprudence
to be riddle with the thesaurus...
i don't think man can pass
law, he can "suppose so"...
but he will never pass the sort of law,
made forbidden,
or absolutely allowed....
i don't believe in a god akin
to the sort of a pontous pilate god
where i'll always find myself
outside of punk evolving into ska...

         mind you...
i'd hate to be trapped within
the confines of an atheistic exclusion zone
of intellect,
      to be trapped in nothing is one
thing, but to be trapped inside
the confines of an atheist's "nothing"
is quiet another....
i don't like being a hamster inside
a cognitive wheel of another...
   god is the jurisprudence spirit,
man the metaphysical spirit...
and i would very much like to stand
in the light of divine law being passed
to finally feel my shadow...

kult: brooklyńska rada żydów...
  not familiar?
  i forgot punk a long time ago...
esp. when californians came up with their
version, ergo? ska...

i'm currently taping a film
about the silesian vampire...
how strange, that the prussians came
back into the ***** of the polonaise...

growing a beard is so much fun!
fiddle after fiddle: and no violin!
atheists bore me
as much as the theistic hags
who's only ambition are
the thrill associated with Sunday
h'america and cinema...
               i can imagine only one
heaven...
where i am blind and given
               a large library of music.
Big Virge Apr 2017
This ... Disrespect thing ...
is ... OUT OF CONTROL ... !!!

from work to ... Street Corners ...
to ... most peoples' ... " Homes " ... !!!

My Poetry .... Roams .............................
just like ... " Mobile Phones " ...

to send out ... " This Vibe " ...

Disrespect ... NEEDS TO ... die ... !!!!!

We NEED TO ... " Respect " ...
This Thing ... we call ... " Life " ...

LOVE ... One Another ... !!!

RESPECT ....
is what's ... Right ... !!!

Take things ... in your stride ...
DISMISS ...................................... foolish pride

cos' ... Pride like they say ...
comes before ... A Fall ... !!!

and next thing ...
You've guessed it ...
You're facing ... A WALL ...

A wall ... FILLED WITH ... Bullies ... !!!
just ready to .... BRAWL ... !!!!!

But bullies ... are Dummies ...
whose thought waves are ... "small" ...

Like those who believe ...
in avoiding ... School Halls ... ?!?

That line's ... for those kids ...
with ... SLEEPLESS ... Eyelids ... !!!

ALWAYS ... think of ... THIS

A Bully is .... weak ... !!!

So Don't ... lose your sleep ... !!!

cos' bullies ... DON'T THINK ...
of the ... " Sows " ... that they reap ... ?!?

OKAY ...
Yes I mean ...
They'll reap ... what they sow ... !!!

Well ... ?
Maybe I don't ... ???

But ...
One Thing ... I KNOW ... !!!

IS ... most bullies ... Don't See ...
that the ... Sickness ... they keep ...

is REALLY ... A Sickness ...
that slowly ...... just Creeps ...

A Sickness ...
That'll give em' ...

YES ...  
One ... " FINAL " ... Sleep.

and this may be ... " Why "... ?
Our Youth ......
Die on streets ..... !!!

The Cycle's ... Complete ...
from Rappers who talk ...
about ... Killing Emcees ... ?!?

to crimes some ... " Commit " ...
Against ... " Humanity " ...

I'm looking for ... " Peace " ...
in places ... I be ...

But let's get things ... STRAIGHT ...
Don't come ... Pushing Me ... !!!!!

Be ... Nice ...
and ... Believe Me ...
I'll be ... Nice to you ... !!!

I may ... turn my cheek ....
if you give me ... Abuse ... ?

But .... !!!!!

That's cos' I choose ...
NOT TO ... act the ... " Fool " ...

but .... Anything's Possible ...
I've got ... Two Hands Too ... !!!!!

I put that verse in ....

to PROVE ... Peace ...
Can Be ... COOL ... !!!

But everyone's temper ...
has Boundaries Too ... !!!!!

So ... what do you do ... ?
when THUGS ... approach you ... ?!?

Well this ...
I CAN'T ... tell you ...
cos' ... I am NOT ... You ... !!!

I'm simply ... Advising ...

Fighting NEEDS ...  " Downsizing " .... !!!!

But .....
This thing ... RESPECT ...

Really NEEDS ...
An ... UPRISING ... !!!!!

cos' Violence ... INFECTS ...
and ... CANNOT ... Protect ...

The world and ...
It's ... People ...

So take time and ... " Check " ...
The thoughts I ... " Collect " ...

and take time ... Before ...

Dishing out ....

" Disrespect " ....
This piece speaks for itself .... It's easy to Disrespect, however, sometimes what's harder to achieve, is better for Humanity
Sam Bowden Dec 2014
Every time people start to rise up, a whole buncha problematic mess gets thrown around regarding VIOLENCE.
So, what is "violence" really?... It's the use of force. Plain and simple.
What makes folks uncomfortable (who are otherwise comfortable in this system) is that UPRISING IS A SOMETIMES VIOLENT (read: forceful) REACTION TO SYSTEMATIC VIOLENCE: Yes, just like the Hunger Games...
Thus, there are many types of violence...
The fact that we are paying taxes that are funding the genocide and ****** of people of color (here and abroad) is violence.
People with guns (former slave patrols and overseers, now cops) who come from outside our community and treat our folks as criminals on the daily is violence.
Capitalism, i.e. wage/property/ecology-based exploitation in the name of profit is violence.
The fact that LA County spends more $$ than anywhere in the world on prisons and police is violence.
The fact that the US locks up more of its own people than any other country on record is violence.
US aiding/funding the genocide of Palestinians at the hands of Israel is genocidal violence.
From Congress, to the boardrooms, to the classrooms, from the gaze, to the unwanted touching, to the ****, to the pay, Patriarchy everyday, is violence.
A few people jacking some **** at Walmart or breaking a window is really minimal violence in comparison.
A couple people throwing **** at armed cops is not serious violence.
The idea of owning property that other must rent to live is violent.
Systemic, chronic, global insecurity in the form of material poverty is violence.
Wage slavery is violence.
Gentrification is violence.
The War On Youth, i.e. the School-to-Prison pipeline, and, thus the War-on-Drugs with its attending 76% recidivism rate in the prison-industrial complex, whose populations are disproportionately black males, is violence.
The fact that people can't go to the doctor and dentist, or eat food every day is violence.
Deportations are violence.
Homophobia is violence.
The world's largest global military that vaporizes people without due process in dozens of countries violating their biophysical and national sovereignty is violence.
The United States government sanctioning the ****** of non-white, but especially Muslim bodies across the world... is violence.

So, when you condemn violence, do you mean resistance?
Because there is a whole lot of violence you should be condemning instead.

Adapted from Emilio Lacques-Zapien
―Go Forth
Flourish in The Light
Of The
Estival Sol,
Elysium of the Soul,
Once you have vanquished
The Stygian,
Your Soul
Awaits You―


~I bid you
Immortal Heartsease
And
Armistice of Ataraxia:
The Reverberation of our Souls
In the Key of Elysium~.





I. Archean Prelude

The echoes
of your
Memories of
The Light & Airwaves
Pine to
Bloom in Reminiscence
Over the
Days of Yore.


II. The Echoes of Existentiality

We are all atomic particles;
Molecular Particles,
Of an aromatic
Omniscient,
Omnipotent,
Omnipresent Mist:
The Cosmo-Plexus of Empyreal Love

―Echo forth comrades―

~Evanesce,
Into the Empyrean,
Etherealized Lightscape
Until the
Visage of Creation
Enskies us
To the exalted
El Dorado~



II. Tempus Fugit

The Promise
Of the
Morrow
Is nigh:

The Yesteryears
Wax
Distant Ages,
Wax
Archean Aeons;

(Eventuality of Existence)

Our Bygone Days
Of Lovelit, Loveless Life,
Antiquate and
Our Soulwaves
Wax
The Spirit of
The Ancient of Days.


III. Nova Cosmogony

Betwixt the Realms
Of the
Beneficent Matriarch Mirror,
Beyond
Terraqueous Gaia
Unfurls the Vista,
Your Fulgurant Dreamscape:

Only the Sapient of Sages
Doth denude:

The Incorporeal Incarnation
Of
Virtue, it’s vesture,
Na’phesh

The Decrepitude of Withering
Dovens the Divine
In the
Vestibule of Vanity,
Sanctimony & Superciliousness
Thence deliquesce;
Bearing womb of Light.

IV. Celestial Morphology

Unveiling the Substance
Of Space and Time;
Spirit and Soul;
Euphony, Harmony;
Atrophy, Intrepidity
All are Entity

Once
Pristine yet vacuous,
Flourishing into
Mystical and shimmering
Nothingness, gropes
For Meta-Astral ―form;

Ventus Divinitas,
The Cosmogonist’s Agenda
Resonates
Through the
Inchoative Universe.

V. The Temporal Hither:

Her Genesis
Waxeth
Vestal Vicissitudes:

She is
The Twilit Quiver
Uprising in
Darts of the Dawn,

Until
Arrows of Antemeridian
Light Cascade
Our epidermis
With the incendiary
Sovereignty of Sol.

Dusk:
Chars the Canvas
Of Ethereal Skies,
Garnetiferous,
Moonlit, Martyred Mind’s Sky;
The Eve’s Imperator
And
Inquisitive Spirit Eyes.

By Luminaries
We’re ensorcelled
Corpulent with thought.

~Wondering upon,
Vacuous a fathomed
Cosmogenesis. ~



VI. Tempus et Spatium:


~There are
Edicts unseen
The Esoteric of the Macrocosm

Only the
Transcendent of Tellurians
May tell of
The Life-Rending,
Sunder forth:

Semantics in Constellations;
Gaian Whispers of Sylvan Tale
The Arboreal Wisdom,
Musicality in Zephyrs ruffling Trees of Vale
Hearken unto further
The Winged-Symphonic Bees
(The Bombinating Orchestra)
Soul Untethered = [ Meta-Consciousness ^ Spiritus de Liberty]

Einstein’s General Relativity= [Spatium ^ Matter ↔ Energy ^ Motion]

~

(Time & Space
The height,
The width,
The depth,
And
The breadth)
The Empyrean One
Enshrined in Pantheon
Our Virginal, Vestal Souls
Efflorescent Eternity
In our hearts?
(Ecclesiastes 3:11)

Time is fickle
A
Hydrean Leviathan:

Whilst ye
Voyage her
Seven Seas,
Moor naught
In her
Elapsed chronology;
Her caprice
And ire
Shalt not
Be quelled.

Be roused
From
Somnus,
Unto her
Perpetuity of
Aqueous Abyssal, Dream Deep Sea;
Tenuous,
Diaphanous,
Rare,
Tender,
Instinctive,

∞ Her Moments ∞
∞ Extinguished ∞
∞ At Birth. ∞

∞ Eternally, ∞
∞ Reincarnated; ∞
∞Anew.∞

∞The Cosmic Spectrum∞
∞Is Infinite∞

∞Excelsior, Godspeed∞

∞ Elo’him ∞





VII. Ultima Thule:

We
Empyrean souls,
Doth abide
In
Pearlescent raiment.

The Cosmogenesis is our Dreamscape:
.
We are all a cosmos,
Expanding, contracting;
Ebbing, flowing;
Hitherto and thitherto;
Red-Shift and Blue-Shift.

Until the Mellifluous Morn,
Whence the
Zephyr of Life
Reverberates the Musicality
Of The
Arboreal Sages.

Terraqueous Gaia
Whispers
The Hope of the Ages.
Spirits betwixt
Greater Eden and She’ol.

Count the stars,
Enumerate every
Constellation in The Cosmos
Of your Soulscape scintillating
Upon thine Mind’s Sky.

Whence Luna and Sol
By the Wisdom
Of your starlight.
Are benighted, beseech
The Ancient of Days

For within The Supernal Wavelength
Of the Hallowed Dove.
We glean refuge
Our Aegis,
Providence.

Awaiting the
Golden, incendiary pinions
Of the
Revenant Phoenix to resurrect us.
Allow the Holy Spirit
to be your Polaris,
― to Elysium.

~By Agape’s Armistice:
Ascend,
The Peaks of Heartsease.
Commune with the Cosmos,
Wax
Salvera y Jiustizia
Brethren,
I plead.~”


~This Sacred Lotus seed
Was sown
Into the
Into the Soil of your Souls
, ―By the Astral.

You are a melody,
Sung by
A coloratura,
Burst into a
Tapestry of Fioritura:

Of Hope,
Faith,
And
Love



(May you
Reap
The Virtues of the Lord)

Betwixt

Na’phesh,
(The [Your] Living Soul)

&

Kos’Mos’
(The World)

The Apotheosis of the Astral Flame
Awaits
You
Starry-Eyed
Phantasmagoreans~
Celestial Morphology © is the multi-epistled poem which I sired during the Estival vicissitude. Twas an ineffable cadenza that exhales of the incorporeal essence of mine entity. I had been toiling in sweat, blood, and tears over a written project at the time; consequently, this is the thematic poem begotten.
     It transmutes the zeitgeist of my summer into the Golden Raiment of Polymathy. The oppressed coals of my woe erupted from the igneous core of my heart as these adamantine words. This starry soundscape is the astral crux of my work during 2018.
      I think that there was a vast expanse of my understanding of the world that had been repressed. It had almost been veiled from the heightened sight of my Over-Soul. This was in my sheltered, infantile longing to elude heartache. To keep the flesh- sundering maladies of the world outside my apartment walls: love, passion, iniquity, penitence, forgiveness, piety, cultural fission, intolerance, injustice, indignation, divinity, melody, mysticism, schism, mania, trepidation, faith, wisdom, darkness, and temporally transcendent pain.
          This was my transcribed anarchy against a Fascist Regime. A country exalting body that calls its denizens creationists whilst they slaughter every creation under the sun. The sociological edicts that dictate how art should be produced, the pace, that tell us not to speak of discrimination and mold us to turn a blind eye to the harsh realities of 21st-century postmodern society heavied the air. I just needed to vent and let every bit of internalized asperity or self-directed hatred out in a beautifying paradigm.
      I'm realizing more and more that life is tough and quite frankly, short. I'd rather write for an infinitude on one poem, for the sake of saving myself, rather than compromising my own integrity (and creative latitude). The writing was becoming a drag: less about quality, and more about quantity. Thus, after months of phantasmagorical drought, I bestow a glistening glade of sterling words.
I hope this poem reverberates upon thine soul waves. Please comment as I am open to any feedback; moreover, I beseech it of thee. My deepest gratitude comrades.

Excelsior Forevermore,

Sanders Maurice Foulke III
Ramonez Ramirez Mar 2011
The fifth day took a turn for the worst:
a sand shark swallowed three scouts,
protective glasses and all;
one second they were there,
the next
regurgitated bones pushed up from under the dune.

Uncle Mohammed picked up two kids,
one under each arm, like sacks,
and rolled down the rocky side
where the predator doesn’t hunt;
the beast
devoured two more women, and blasted out of the dune.

Its body shadow-blocked the Sun,
and irony engraved itself
on the travelers’ foreheads
in the form of twisted frowns—
a mix
of silence for the dead and for shade on the dune.

An utterance of names echoed
within a heat-waved skyline.
Accounting for the dead
proved tougher than expected:
no-one
answered, except for the vultures circling the dune.
Ronnie  Mar 2019
the uprising
Ronnie Mar 2019
Over Silesian mountains
Somewhere beyond black seas
There is a forgotten dream
Conjuring visions of peace

Go your own way, go now, go
You are meant to lead, not follow
Walk on, fly by, sail ashore
To the land that you adore
Go your own way, go now, go
You are meant to lead, not follow
Walk on, fly by, sail ashore
Go your own way, go now, go

Many lives faced the dream
More of them fade to black
But in the eyes of the eagle
There is no turning back

Go your own way, go now, go
You are meant to lead, not follow
Walk on, fly by, sail ashore
To the land that you adore
Go your own way, go now, go
You are meant to lead, not follow
Walk on, fly by, sail ashore
Go your own way, go now, go

Their hearts are worn on sleeves
Determination so earnest
Merely calm before the storm
Quiet before the Tempest

Go your own way, go now, go
You are meant to lead, not follow
Walk on, fly by, sail ashore
To the land that you adore
Go your own way, go now, go
You are meant to lead, not follow
Walk on, fly by, sail ashore
Go your own way, go now, go
Inside the city walls
The static is meant to frighten
Those who await the call
In the echoes of the siren

Go your own way, go now, go
You are meant to lead, not follow
Walk on, fly by, sail ashore
To the land that you adore
Go your own way, go now, go
You are meant to lead, not follow
Walk on, fly by, sail ashore
Go your own way, go now, go

There are many roads to follow
Some of them are painted red
Yet as long as we march on
No one can declare us dead.
Attempt at a Polish-style folk ballad for poetry class.

— The End —