what can't become anything like a theatre,
yet faces and masks fly off the shelves
in market stall, none are given the gravitas
of thought, instead: turkey-feeding
reverse bulimia, the sith and jedis?
      i can create a string of oaths to suggest
that it's happening,
   a grand masquerade of "concerns"...
      they call them the inverted commas...
what, like the spanish inverted question mark ¿?
jinnie out of the bottle sort of ****?
                   when did " become an inversion
of '?
                  that time i did the only thing possible
and dragged it down to the plateau of sentence
and paragraph like a prometheus?
         what could possibly be inverted about
the ditto?
              i guess you have to say that, given
shortenings, and all that glutton english,
don't ****'stani me this ******* back!
         the idea of an inverted comma is already
in use, and it's up, not down, as is:
    i wouldn't care as much if i didn't have an
education in chemistry: and didn't become pedantic
about certain things.
   the ditto enclosure: " " = ~ / ≈...
                             and that translates into:
well... if you want ambiguity of certain words:
read a book on existentialism rather than a harry potter
instalment; movies? great great,
      books? i'd sooner be dead than read
on of them.
                 i was just watching this
julian assange interview and couldn't help but see
a constantly implosive dualism,
    we got rid of the church-state,
   we inherited the military-industrial complex,
    and only americans have a justifiable concept
of nationalism, or so it would seem,
given they don't feel threatened by russia's ideologue
or that of china's; which really helps if you have
a puppet-state...
        back in napoleonic times they had satellite states,
now they have puppets...
    napoleon liberated poland and created the duchy
of warsaw, america has israel and the soviets
once had cuba...
                         but are any of the "axis" puppet-states
even recognisable? israel is blatant with connections
to america, they're practically nudist about it,
if i ever need to look at a glass window, i'd look
at that relationship...
   oh pick my sweet cherry blossom while you're at it,
i'll find the next plastic surgeon to remove my
protruding male larynx and talk funny...
water adam's tonic...
   i really want to see, though, how many spelling
mistakes i can make... julian... assange? assangé?
mannuel's ¿que?  fawlty ******* towers:
flip me a pancake!
                                  but you know what the saddest
thing about university is? babies...
  you end up teaching them how to make
pancakes, about how you add sunflower oil to
the runny-dough for the purpose of
what would otherwise become a tefal fryingpan:
garko-tłuks!
  can i ask what the necessary proximity of two
letters with diacritical marks? i know that english
loves that **** with either consonants and vowels:
tool.. pool... poll... pal... paul...
                                     stutter, staged,
     staging, poppy, pop, pops,
                         populist, pondering, package,
edge, age, -ydge... ****'s freaky...
             it really is... so you can have the orthographical
aesthetic of two vowels or two consonants side by side,
but what of an actual orthographic example?
the horrid case in poland of ó vs. u...
  there's no visible stress in the disctinction,
it's just something that ends up being either:
pleasing to the eye, or displeasing.
                               i never heard the ó accent to
be honest, people just ended up saying:
we need to remember the beauty of a word that uses
that distinction... notably on walls via
graffiti... grafitti? cappuccino?
          huj vs. hój...    or what later becomes: ahoy!
cockrels for supper! no, wait: cockerels for supper!
tomato       ta-may-toh, american drooling out
spaghetti from their gobs... tah-may-toe(h)...
and between H and H              a lot going on...
     hard to find a laugh though... you find it people
start complaining... i never understood the
cognitive concept of laughter, about how you might
laugh internally...
          if only germany learned to play rugby...
i'd love to see germans play rugby, just for fun,
and expand the tournament into: the 7 nations cup...
what sort of history can combine scotland to
italy? i get the british isles to be related,
but i just loath seeing italy get thrashed all the time...
i'd love to see germany pick up a tenet for rugby
(yes, a tenet, not a tenant... and it is a type
of spiritual currency);
or maybe the germans are just really good football
ballerinas?
            oh they'd fit it alright, what with so much
shared history; they had a football match in
Flanders one time, so why wouldn't they bond over
rugby?
             yeah... so this old form of problems,
what with the church-state complex, that lost both
church, and state, and became a federal institution...
or whatever it was that it became...
it's something new emerging on the horizon?
   i couldn't say church-like, but nonetheless very
much church-like?
                       i don't even know how to conceptualise
current affairs in a hyphen (-) complexity...
   it's ****** obvious though: corporations?
      yet the state disappears... the only permitted
nationalism is american, so what the hell do we get
to juggle with? evidently throwing only one
ball from hand to hand and "pretending"
to be juggling will not end up with a successful circus
act...
                    so we got rid of the church,
and that morphed into the ultimate poly-schism in america,
we got rid of the state, and that morphed into
denials of sorts...
                so from the military-industrial complex
we have created a military-consumer complex...
    isn't that so? isn't america faking it a little bit?
   ever time i had *** with women i always assumed
they were never pleased...
    then one night in st. petersburg i asked her:
- i'm keeping count, how many did you have?
- 7.
- thank-*******-fabulous.
                     brag? isn't that the whole point?
****** brags about a yacht he owns in the caribbean (
carribean?)... i'll brag about that night
                                                  and the 7 ohs;
but the current situation isn't about a military-industrial
complex, that's why there came promises of
job revival: blue work, not white collar work...
   but once you feed china-smaug the coins
for every piece of work someone else could have
done to a better quality... wait... what was that? desolation
of smaug?            
                 the military-industrial complex isn't exactly
dead... but it's like a seesaw with a fat kid:
   to many losses on one side... say 100,000 iraqis
and about 400 english troops...
                when it becomes too easy... to ****** advanced
that it: literally becomes boring...
                  no kind of memorial will do it for me,
i'm still involved in the military-consumerism complex...
          like: it's so so "complex"...
                          throw **** here, throw a **** there,
and then not ask for spoilt snowflakes to come along.
             if i only said something original
i would have been more than happy...
        but since i didn't, and it's all there for everyone
to see, i guess i had to turn toward
         orthographic "inconsistencies" -
or those dreaded words: inverted commas...
     "    "     i'm seeing four, no one writes the un-inverted
comma, since no one writes,, and doesn't point out:
oh look! a typo!

Finally this day has come.
To get another go with the sun,
A year has it been since the daylight shun.
The shadows of Mordor were almost to get me done.

What a fine day to have an adventure.
Having to save a princess as a departure.
The signs are being obvious
Birds are flying back to the Mountain,
There is no time to be in bore,
I need to hurry and reclaim back my Erebor.
I’m in wonder of what she is doing.
Probably she made plans already by now.
Or maybe she didn’t decide on going.
Thought that she might be Lonely under the Mountain.
I have to get going to save her plain,
Must get her out quickly of that fiery chain.

But wait, What’s this?
My legs are unable to move.
Why is my heart trembling with fear?
I’ve been waiting for this my entire time,
I don’t get it.
I don’t get it at all.
I’m shaking pathetically,
This is getting ridiculously annoying.
Move it! Why is my body not responding?
I can’t control my body no more
It’s totally stuck!
Is the sun causing this?
But I’m no troll to be affected by this.
I’m the Bilbo on this journey,
I’m the appointed burglar
To steal the precious Arkenstone
So what’s happening now really?
Am I scared that much
That my own body is doing what I should be doing?
If this fear is about the journey I’ll take,
The dangers I’ll encounter,
The perils I’ll meet.
That wouldn’t be a serious problem for me not to go.
But it’s different.
This doesn’t make sense.
I need to get rid of this fence.
But It’s no use,
I’m stuck in this hole in fuse.
Stuck in this Shire,
While that desolator Smaug is causing fire.

I’ve forgotten the time.
The shadows are back.
Here I am underneath the moon’s refine,
Standing still in charcoal leather black
Not resisting anymore.
I completely stood in my own accord.
Tears are spilling down my face.
I can feel in my veins the sorrow,
And thinking about it made me wonder
If I can make it til tomorrow.

Then,
So sudden it came to me in a flash
The reason why I did not move
Why I did not meet her.
It’s because a year ago I was there.
In front of her.
My precious Arkenstone Under the Mountains
The kings jewel.
The jewel that rejected my tiny hands,
That reached beyond the Middle of Earth
Just for her.
The same jewel that replaced me with a greed of a dragon.
That burned the glow of what’s inside me.

And now I remember it all.
Clear as the sky above me.
I am no Bilbo Baggins.
There is no treasure waiting for me.
No adventure as destination.
Because this,
This is just the Anniversary of my Rejection.

A new dawn has surfaced,
I woke up and realised I was wrapped tightly in your warm embrace,
I gently pushed your arms away,
Headed to our brightly lit kitchen,
Fixed you marshmallows, pancakes, muffins,
Marmalade,
Everything that could revitalise your day,
And then I remembered what you said,
'Babe, never leave me more than 5 inches away'.
I giggled and decided to return to your warm embrace,
But there you were standing,
Shambling like a Haiti Zombie,
Hair messy,
Breath as foul as Smaug and Shrek,
But there I was wanting to close our 2 metres gap,
Till' no spaces between us were left,
But I halted from my tracks, and said,
‘Baby, would you like some coffee to ease your groggy state?’
‘Who knows what tomorrow’s dawn may bring’
‘But my love for you will never dwindle from change’

I wept as the last pages of your diary was soaked in red,
From the sliced vein of my wrist when I was in a fit of rage,
With the broken glasses of our photo frame,
Taken whilst we were at the Carpathian cliffs,
Alas I could not capture your fall,
And I could not stop recalling how your hands gently slip away from my palm,
You ended up in a coma, failing to respond despite my desperate calls,
Nor from kisses that could awake you magically like Snow White with her company of dwarves,
Know that I am forever yours,
The same bespectacled spectre, Always haunting the campus halls,
Waiting to steal your attention and leave me petrified,
From your Basilisk and Medusa like gaze,
You were a personified patriot of beauty,
With hazel scarf, scarlet hair, pink lips,
Seraphim in disguise,
And what an angel you must be, to fall from the atmosphere,
And defy society’s tainted rules of attraction to fall for an underdog,
Though I find it ironic that your name was Dawn,
It seems like my sorrow was fated all along,
But I do not wish to survive another dawn without me in your arms,
How silly am I to forget about the running water in the tub,
The portal to bridge our gaps,
Not another step was taken,
When I felt a familiar warmth behind my back,
Followed by a disembodied voice which sounded like a ‘Hello’
Or was it,

‘*******’.

Deep in the mountains
Where I laid and sleep
In the lonely mountain
With a glittering heap

Don't dare to disturb me
In my state of slumber
For if I wake...
I'll reduce you to ashes through fire

For men feared me for the fire I breathe
And the Dwarves despised me for in their city I live
Wreaked them havoc and drove away their kin
No one could stop me, I've got might from within

I am Smaug the great worm of Erebor
Where I brought forth a great form of hysteria
For my eyes flashes embers of fire
Come to me if Death is what you desire.

a cat sleeps in my bed,
and cautiously i inspect
snake eyers in fur
as if that *******
tailoring skin with leather
for care of cavern canvases:
as i am minded to care for
twin skeletons of ape and man
and eyes of mammal and lizard!
i am the familial tie as egg as thought
engraving the study of wombs
like the study of space and time,
for this is where the equations manage
balance! engraving upon engraving
to a shadowy replica
that you might keep both fish
and spiders in aquariums.

Smaug the Dragon? A mere shrimp!
Fasticollaton, was really a wimp.
The Nasty one from Tolkien,
that ravaged Nargothrond?
Less scary than David Niven as James Bond.
The one that makes me turn to jelly,
was the little blonde one, name of Kelly!
Bruised my arm, broke my finger,
told me that my smelly feet linger.
Ate my chicken, said she didn't,
I thought the ****** thing was hidden!
Twelve years since I moved away,
from the scary friend who turned me grey.
Miss the little dragon so,
wherever she is, I hope she knows..

aged six, got hit by a swing,
                                 rushed to hospital,
                      now have a kippah-scar
     when the monk resides...

it just gets boring after a while, when too many people try
to **** you, and there's no Golgotha  theatre to make
all the necessary requests for kneeling worshippers...
   well...
you soon realise that you sometimes
get to worship a god by drinking
a glass of water...
   and with that argument: ex nihil...
i thought that black holes were nothing,
but apparently they're not
nothing after all...
i have no concept of nothing,
i see too many things...
  nothing is harder to conceptualise than
a deity,
      but this is the boring bit,
i mean: religiousness has to involve
a group of people,
a communal meaning...
being given this multi-diadem lottery
ticket and then asking the right question
is not really the only approach,
    i guess walking past a few evergreen shrubs
   and sticking your nose into them
(i wish i stashed my entire head in them)
     to get the scent...
  atmosphere, and how there's a need for
scent,
    lavendar, evergreen shrubs...
     and it has been valentine's day, right?
all the urban people must have been busy
under the guise of the cupid called cliché...
in local news:
   passing an indian restaurant with five beers
i spotted only 2 couples... only *2 couples
celebrating the whole point of having
anniversaries and days that could be considered
   worth having...
i'd feel happier if Hemingway didn't commit
suicide...
          but i'm happy that he invented
the cocktail: death in the afternoon...
a shot of absinthe in a champagne flute...
    tried it once, knocked me out straight...
   but there is something, really bugging me,
i'd love to have had an honest relationship
with women, i.e. the honesty concerning money...
just talking about it...
           it's no wonder we were given
toys as children and sometimes having to share
them...
             i never had an honest conversation
with a woman about money,
count prostitutes out of it...
no money at the beginning of a conversation:
no honey...
       maybe that's why it is so complicated
about talking about money,
how it: suddenly "kills" the romance...
  i can think of better ways of killing
a romance... e.g. reading heidegger's
"aphorism" no. 159...
   that's really killing it...
                money and romance...
no money and a familial affair of tribalism...
     i'd like to meet a few Aztec
and ask them why they kept so much
useless mineral resource until
the European Smaug came...
  and settled...
   and why the schizophrenia of the american
content is english up north, spanish down south...
ok... "exactness": a bit of french land and english
up north, a large chunk of portugese and spanish
down south...
    i left the house today hearing
the most amazing conversation between a man
and a woman... they were talking about money...
and how they'd juggle the accounts
  and pay for the roof...
               it was so nice hearing a man and a woman
talking about money without either
pretending to be a thief, and the other a king
or queen...
             when two people meet god is hardly
the difficulty to be managed,
    people can enter relationships from a variety
of backgrounds, one kneels periodically every
sunday, the other jokes about it...
  but money is the hardest obstacle to synchronise
between two people...
   it would have been nice to have written that
sort of symphony with someone...
     but when you're in a relationship with a woman
and there's a money "issue"?
    that's harder than keeping a dialectical argument
solo about god...
     from an early age i was told that money
was the root of all evil, that it displaced people,
that it transvaluated all values...
   well... it sorta did,
let's try toi engage atheists in talking about
the concept of money, past all economic theories
like past all theological theories...
  it would be easier to talk to them
about that thing that never seems to disappear
then about a deity...
question is: at what point will the argument
become considered too "infantile"?
   when we consider money to be a concept
that could be translated as an element akin to earth
and the earthquake of the great depression in the 1930s
that no one could prevent?
  or the Amazonian offshoots of the last remaining
tribes without the concept walking
into a house?
     and i thought: when was the last time people
used hard cash, and didn't buy on credit
and didn't turn gold in plastic?
            fervently, i believe that money had a real
place in the world, i honestly do,
even though i abhorred wearing rings
or necklaces, and that i didn't have the capacity
in me to not say: red is red, blue is blue...
     a chicken is worth more to me than a slab of gold...
   and this ties in with the ancient pagan practice
of paying the ferryman across the Styx,
  χαρoν / καρoν - (depending how you like to say it,
****! a choice! quick! make it!)
       how they placed two coins on the burial body,
nowhere else than on the eyes,
    not in their hands... on their eyes...
i just think there's more to it than the myth of the Styx,
even though i like the myth, i like the storytelling
aspect of it... something we could have engaged with,
in those days, when people reached old age,
they discovered philosophy, and mythology,
that's what they gave us,
   now... oh! it hurts!
           just talk of ailments...
  most people living to old age would have made more
sense having lived in ancient times,
when the really strong lived to old age
and could invent philosophy and a timescale
anti, completely anti-scientific, i.e. mythological...
   and that's the sad truth...
it's almost as if the young these days have to take
to the reins, and utter some very unfathomable stances...
so if they didn't place the coins for χαρoν in their hands
(as money is usually passed that way) - why
place them on the eyes, if not merely to state:
    let us see beyond the concept of money
in the afterlife...
                i can't see a reason for it...
                            that's what the ancients said,
when the concept of money was precious,
akin to diamonds, gold...
                        i think the concept is exhausting itself...
why do so many people fall into dept,
         they're hardly dealing with hard-money,
in urban areas i mean, at the high-end of society...
gone is the joke: how was copper wire invented?
two scots pulling a penny apart...
       at what point does this all become: delusional?
infantile?
              even as Ezra pointed out: usury...
or the fake exponential quality of being lent this
abstract thing that later translates into
concrete things like: a baker provides bread
in a supermarket... a butcher some meat...
  the apple farmer apples... and civilisation is built...
nothing familial being established...
and how the concept of family is now abhorred...
and how we only created money to give no
better idea of procreation... but the objective-unconscious
focus on mere numbers... being as they are...
     without money there would be no
sad story... but there wouldn't be this number
of us...
      i don't know at what precise point
i'm going to feed the seven pages of civiliation
(they were once called the cardinal sins) -
   how can i feel pride for this fact? how can i drop
into a cest pit of gluttony?
     oddly enough: drinking excessive is by comparison
a virtue... but it can rarely involve a lot
of people... oh look... here comes the pompous cannabis
crowd... the the m.d.m.a. freaks...
    poncy buggers...
        i have for that matter,
an experience of driving in a fiat 126 P,
and a ford mondeo, and a fiat cinquecento,
one of them would fit into a cadillac, no problem,
there! yonder! america and its size-complex!
just hearing a man and woman talking about
money so frankly, ah...
  romeo and juliet and *******...
            if you can be honest about money,
you sorta never have this desire to be dishonest
in the emotional life...
            and cheat, e.g.,
money isn't exactly a nice topic on the ground,
in the trenches of life... it's hardly an economic theory
for the highbrow talks at university...
   but at least both parties are agreed that
money is real, and like a philosopher's stone,
   it turns all subjects into a tapeworm of needs...
  take a penny and with your index and thumb press
it against every single thing in the whole wide world...
   like a magic wand, it changes every single thing
into, that common motto: beauty is in the eye of the beholder,
or a flea market: one man's clutter, another's treasure trove.
nietzsche didn't write the transvaluation of all values
because it would have been
   a book, with only one word in it:
                                                         money.
i know he's dead and there are many biographies,
but all of them are wrong,
  it wasn't the end of his relantionship with
   lou salomé, how she ran off after the mengage troi
ended with Rée... she ran off with Rilke after that,
and god knows who else...
    it just so happens that i'll state his motto:
poets act shamelessly toward their experiences...
they exploit them...
    he did see a *******, and so did i...
eventually prostitutes are like dentists or doctors...
dealing with the heart bit...
          what broke Nietzsche was the book title...
and the one word answer -
all the rest of it is *******...
                    yes: because it's such an infantile
   consideration to understand the basics of our lives.

so considering the beginning that's completely
unrelated to the end...
    people started, really, really boring me...
               in that they made so many attempts to get
rid off me... and that i'm still here...
  and within the groundwork of the only
pragmatism left in me... laughing at them.

Take a step into the Firestorm.
Lyrics/Vocals Skitz AKA Mr.Sandman
Track,recording,production-Jay/Eclectic.Collective.
Lyrics.(Copyright Skitz AKA Mr Sandman)

Spittin' fire-desolation of the Sandman,
blink you'll miss the decimation of your clan man,
musical massacre with an Irish style,
time to stop driveling,your old cold style-

cause I'm riled up,fed up sick of your ****,
sit down or be knocked down,listen to the skitz spit,
flammable fumes,verbs turn to flame,
grammar fallin like a grand piano from a crane,
straight to your brain a flash of white light,
wear a fireproof suit you might catch light,
pay stage crews danger cash cause I'm scorchin',
E.C.-Schizophrenic-Sandman torchin,
a four alarm fire,I cause high premiums,
show respect or you'll be rappin through a medium,
mic's a flamethrower leave you screamin,
think you'll burn the Sandman?,wake up,you're dreamin.

Venue's on my menu,get it insured,
I walk through the flames,immune and immured,
immersed in hip hop, a sun gone nova,
drop the mic kid, just run,it's over.
my tank's full,petrol for adrenaline,
flame and blood like my name's Targaryen
you don't want to see my dragon's fly loose,
spit heat like a turnspit-cook your goose,

Stage is flaming,boy you best ghost,
hit the fire bell,you get burnt to toast,
white phosphorus combined in my mind,
get your goggles if you're goggling,you'll wind up blind,
Armageddon approaches,best make your way,
last stage I blazed you may have heard of-Pompeii,
you're gettin calcinated muy calor!,
a Supervolcano eruptin' on a dancefloor.

(chorus)
Magma,Plasma,they're not even warm,
Air Ripped from Lungs becomes fuel for the Storm,
Melt Icecaps,Globe start to warm,
****** Aircon-I spark a Firestorm.

Time to raise the heat,time to raise the stakes,
you're a lost smokejumper,praying for a firebreak,
trees turn to shrapnel,you're out of breath,
"I am fire,I am Death"

Reverse Mic Fiend rhymes steal the oxygen,
lungs collapse as I spin the storm again,
a terrible beauty,and an awesome blessing,
3rd degree burns,apply cool dressings
thats if you're lucky when I spit the gift,
last MC challenged me burnt to a crisp,
by words,deeds,heat bleeds stage smokin-I'm just gettin warm
thoughts spark the flames in a forest I'm a firestorm
fuel air bomb combined with Tsar Bomba,
Mount Doom blowing about to get Sundered,
hate is stokin' me,fuel to the forge,
16kept the heat banked long enough it's time to gorge,
Smaug heats up-flames spew forth,
you're guy fawkes on a pyre of fireworks.

Wondering,and blundering it's time to burn,
time to get roasted,you fool's won't learn,
that I'm hotter than a sunflare,beyond compare,
you're richard pryor tryin to smoke michael jacksons hair
don't dare me to flare into action,
don't care Keisha fusion core reaction,
fukushima and cherbobyl are my barbeques,
couldn't help yourself, you had to light my fuse,
I refuse to cool down-I'm scorchin',
Firestormtrooper lit,time for torchin'
Firewalk-comparison? Huh,a cool breeze,
flatten the building like Tunguska's tree's,
eyes hotter than Cyclops,you're weak at the knees.
supernova 200 billion degree's

(chorus)
Magma,Plasma,they're not even warm,
Air Ripped from Lungs becomes fuel for the Storm,
Melt Icecaps,Globe start to warm,
****** Aircon-I spark a Firestorm.

poetry can resemble a jackson ******* method - but it can also resemble sitting on the stairs in the garden, just when winter starts to dig into it's cold at night (but still not cold enough) for a man drinking beer and smoking cigarettes to feel the skin etch out in itches from the mild freeze, and imagining himself holding the beer bottle with skeletal fingers... then the thoughts come... nothing is really planned by a narrator working out a fictional linear process, it's more like that soviet invention of a game of tetris, thoughts come, the ego disappears, thoughts arrange for a brief narrative, then disappear, new thoughts come, then a randomisation process takes over, until ex nihil complete dispersion, the faculty of thinking is exiled, and the faculty of memory takes over.*

after watching two grand movies in one day,
it felt really sour to return to the grand stasis of things,
the only constellations that are visible
without any ******* notion of light pollution
are scorpio and the big dipper...
the litter dipper is more dim this year,
so dim i mistook the earth's celestial geographic
route as spring summer the big dipper is
when in autumn winter the big dipper is
the small dipper... but seeing the two in the night
once i became aspirational in my error -
if only the prefix aspi- existed, derived from
aspen to the added continuance of the word
left: rational: rationality based upon unforced error?
but these two films: kingsman: the secret service
& the hobbit: the desolation of smaug
you get penetrated by so many active ingredients
for the narration via images, that when you
un-glue your eyes from plato's cave (actors
are the best conclusive interpretation of shadows,
no rabbits in the hand to be mistaken for the real things)
you get this drawback sensation of having to focus
on inanimate things in stasis -
and it can & does become pretty glum,
esp. if you want to return to the realm of using
phonetic symbols, to not speak in reserve for
an up-and-coming stage performance
but to see the glaring starry composition of hidden
things in the things already seen...
so there with the beer, scorpio elsewhere
the big dipper only thing providing me with
a workable dynamic: in schematic
          
       .         .
                    
                       .
                .

       .
            .

               .

i had to active this arrangement of stars
to negated feeding my exposure to
so many images...
i began by coupling the stars: three couplets
one star the odd one out...
then i started to create a dynamic
on the basis of geometry, a geometric
non-linear representation of infinity,
but the constellation into a circle,
and therefore thought of infinity as not
beginning                         sequence                    end,
after all, infinity as a constant interchange
of 10 distinctions 0 - 9 can be ridiculous,
whereby infinity just becomes a randomisation:
either 14123480345792340834 etc.
or 12300984393657499393030, etc.
so using geometry i need to acquire
a infinite parallelism, infinite parallelism
implied as non-convergence.... two points
small enough (atoms, sub-atomic particles,
stars) to interact in parallel, but never converge,
for if convergence was possible...
i wonder: me being conscious of being
the olympic gold swimmer to the ****?
i hardly think so.
i can perceive atoms via the greek imagination
or with the galileo of small-print via the microscope,
but i can't individuate an atom of some sort
to a specified functional guarantee: well yeah,
sulphur stinks... but i could technically
atomise the one unit in my capacity to a state
of an atom... my self... given the number of people
and all the chance interactions in an environment
big enough to all a minuteness of the atomised self...
which is perhaps the counter to that old chestnut
known as solipsism: how to get the right phonetically
chemical concoction to get an etymologically word
out of this? atomipsism? no philology in me just
yet to open the bible of philology (the dictionary)
or bother thesaurus rex for comparative literature.
but anyway, as things go i was musing this other thing,
the fame of achilles with the modern fame machinery...
back then you really had to push the right buttons,
and your actual fame was post-mortem, in order
that you might be glorified in some way...
modern fame seems like a bad orwellian joke...
it's translated into our modern themes of catchphrases
slogans and trademarks as c.c.t.v., a ****** camera
on your shoulder... it actually is a bad orwellian joke...
no double think i rephrased into:
there are more c.c.t.v. cameras in england than in
all of europe put together... so the double think
is as this:
a. should i be bothered, or
b. should i not be bothered?
i'll answer with my usual enigmatic methodology by
just changing the subject -
we left the realm of philosophic doubt and thinking,
we entered the realm of modern denial and thinking,
i dare say i prefer doubt to denial,
it makes all our apprehensions, petty fears and
all petty concerns a bit smaller - via the maxim:
the only fear to fear is fear itself... denial doesn't
provide what doubt provides, doubt is like
cushioned fear... if there's a fear to fear as simply itself
doubt puts a lid on it, a spontaneity,
a kantian noumenon by definition, fear-in-itself.