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ethics survived definition reasoning internet feedback vibrancy serotonin cyclone hacker sardonic surreality virtuality here's he's sunyata temporality ******'s empathos apotheotelos flash shining green forever anger carry son moon selfish written supposed feed ya quite loop hooked pure feet hole paper flag sick voice burning attention fly utter wicked tremble endless form infinity talking piece shores verse chest rules food placed plan hallelujah called gun fading drinking emotional measure inspiration suffering belong west read sly instead bear erase furious shame conclusion drunk roll ******* depressed calls taught died defined tire everyday answers sacred acknowledge speaks perfection games ground spoke stood motion sway keeping pretend hell movement magic park key spin kick sake jump hanging animal begins orange streetlights fade crazy honest warp puppet chained survive apathy chains claim prey science diamonds begging grip tale hang powerful wonderland heal dealing plant twice painful daylight mastery desires recall school conviction miracle yearn empyreal weekend actual court value chalk hurts humankind rabbit eggs potential offers temporary pupil atlas nostalgia serenity happens yearning ponder hypothesis worthy witnessed ideas azure tools alpha curiosity consume singularity typhoon revelation stimulant liberate application projection criminals communication throes fraternity enables actuality starshine ethos apotheosis sardonicism aren't mind's teleology empatheon entheos hear mydriatic transcendention fight tear ash minutes wanna taking nights forgot tales lest desire lust darkest single shine slow allow destruction money comes anxiety contemplate nostalgic offer continue happen ink brings brave created holding create thunder produce talk sail philosopher creating distant illuminating drive dancing ease wishing higher pass excuse figure essence angel hopes child ahead sigh using door vast loves awaits strong tornado ok sorrow immortal ghosts certain remains stained insane reached lot discovered plain poison streets killing ending tried session vs poor woke stare watching grass slick emptiness falling box painter series children virtues awareness clean rolling reach advice heavens rend half cherish bay started relax focus laughed ashamed fiend melody drop exhale void occurs beneath win chose robes thrall shield ended sons normal sunrise road forged onward burden actions unlike colors curious street observe chosen silence shades returns technology race vengeance swept bag civilization strive reconcile trouble cloud described replaced substances whilst finding euphoria dear chemistry events deal message eternal masses beliefs vision apparent honestly dr seeing idea domain soar books frames rule law pleasures eat dread bare blaze raise compassion kindness wandered objects expressed sin declare mistake smoking drum heavenly honor lands fountain renew happening aspect gotten issues divinity teach matters pills goal follows significant job romantic gazed envelope elements identity group sell foolish lucid dimensions brothers owe education november difficult recognition express properties glitter considering illusion appreciate discover resonance derived transcendental buzz notion risk scares riot rainy teaching drizzle direct experiences elation normality quote evolution versus lamplight method reflective endeavour cloth eats teenagers eventually haul club result relative breed threat subjective concerning solstice interpretations allows rational ultimately basis aligned numbness hypocrite charade morality dope chaser continuum undead exploits aeons research freeman appropriate ion ****** teachings dilation binge beatific intuitive transcendent escapism psychedelia metaphysical beta untitled mescaline otherworldly dreampt contextual experiential symbiosis codex dissociation cybernetic weren't life's let's mirror's well-being any-more entheogenic junkiedom signifiers mescalito zero-summing won't 'pataphysics window 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confidence error alter paying unreality cost chronology thoroughly resembles vivid steal poetic illegal understands maelstrom temples amidst perpetual lesson pathos behold reborn produces scale heaviness ascend talked **** forsake valuable andor relinquish dismiss usually kid nervous sort fierce disguise demands abandon encourage avoid minor relentless identify loneliness web alchemy cosmic rhyme coil suffered basking dropped standard spark mates hearth swore steam myth native wonderfully occasionally solace ventures determination galaxy opportunity justify political prophecy steadfast healthy forsaken chapter facebook worried ex struggle shatter gentleman including convinced profit comfortable twine deity responsible adrift sage fortune immortality theft damage examine deliverance ultimate immersion response access test physics magnitude occur member relation acts theme signal shivers mire coin planet anybody vicious nirvana pendent applause glimmering benediction consuming glint 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winning alcohol pay foolishly banish song cross encounters plays belonging famous shift burst alice tunes hood flickers glimpse gleam fleeting grant ride deja vu anticipation spot switch boyfriend order faded wrapped definitely short fish beach clock older dusted block station anchor longest deserve passing mark awhile lovers muse ache island totally existing comfort pride phone greek apollo bleeding unknown psychic powder remembrance tree train helps painted gambling tide tired acting blow build apologies silver fabric especially suspense band cascade flawless heat hunger nearly numb bread bright minus wide looks differently dive beating veins settle turning couch holds saying impression suspension meaningless plastic rich pointless occupied brief tiger sticks stones mask cake bitter concentrate drown forbidden shell dry walks unless regardless moved type shirt lone burns songs negative momentary staying police swing unseen ability analysis worries determined dreamt sink hopelessly chances abuse palm week existed ignorant blind dice sheep agree joke spy spill odds immeasurable *** pushing wanderlust softly midst presents blade guided ripped round ball lovely rhythms beats cars glaze wash fates evening vein gloss juvenile sides faces graces month circular rung wheel rises permeates father supreme portal liked rip fades october sitting grin showing surrounded explored opened confused wall quietly deftly scene sighs lingering radio altered evaporated suns dreamed vibration important appetite exactly devil inhabiting brains ordinary beckons constant local organic soothing linger meditation moonlight lads height ethereal simplicity kinda cigarette suggest violence blew bombs arise trips predict surface guy movements grey car stepped large bank forward landed lied ancient purely crash direction inspired release warned melodic rhythmic telling mysticism blues riddle blur floating drama neck lover nerve poisonous glare factory wage character suburbia escaped gates suspended followed pierced hall marks ruled influence functioning contained losing stopping effect electronica relate fed temper facts dependent malleable convey bent delve horror wolves won lacking certainly fooled temple oblivious watches extension molecular random subtlety rem price sear covers truths judging stage frost conditions victory millennium realised confront trickster eve daughter defines awoke terror remembere
Composed on 00:53, 21/09/2016 using Hello Poetry's 'Words' algorithm. We don't assume this means something.
Kendall Mallon Jul 2013
Book One


Prelude:

As Romans before them, they built the city upward—
layer ‘pon layer as the polar caps receded
layer by layer—preserving what they could, if someday
the waters may recede back into the former polar
ice caps; restoring the long inundated coastlines.


Home:

A man sat upon a tall pub stool stroking
his ginger beard while grasping a pint loosely
in his other hand. An elderly gent stood
next to him. The older gentleman noticed
that the ginger bearded man’s pint sat almost
quite near the bottom of its tulip glass.

A woman with eyes of amber and hair
as chestnut strolled through a vineyard amongst
the ripening grapes full of juice to soon
become wine. She clutched a notebook—behind (10)
thick black covers lay ideas and sketches
to bring the world to a more natural
state—balancing the wonders and the merits
of technology apace with the allure ‘n’
sanctity borne to the natural world.

When the ginger bearded man finished the
final drops of his stout, another appeared
heretofore him—courtesy owed to the elder
gentleman. “Notice dat ye got d’ mark
o’ a man accustom amid the seas,” (20)
he inferred; gesturing the black and blue
compass rose inscribed inside a ship’s wheel,
imbedded into the back of the ginger
bearded man’s weathered right hand.
                 “I have crewed
and skippered a many fine vessel, but I
am renouncing my life at sea—one final
voyage I have left inside of me:
one single terminal Irish-Atlantic
voyage t’ward home.” (30)
“Aye d’ sea can beh cold
‘nd harsh, but she enchants me heart. Ta where
are ye headed fer d’ place ye call home,
d’ere sonny boy?”
     “’tis not simply a where,
‘tis a who. Certain events have led me
to be separate from my wife. For five
eternal years I have been traveling—
waiting to be in her embrace. The force
of the Sea, she, is a cruel one. For (40)
it seams: at every tack or gybe the farther
off I am thrown from my homeward direction
to stranger and stranger lands… I have gone
to the graveyard of hell and the pearly gates
of (the so called) heaven; I have engaged
in foolhardy deals—made bets only a
gambling addict would place. All to just be
with Zara. I am homesick—Zara is my
home—it doesn’t matter where (physically)
we are located, my home is with Zara. I (50)
was advised to draw nigh the clove of Cork
and wait; wait for a man, but I was barely
given a clue as to who this man is,
only I must return him this:” the ginger
bearded man held out a dull silver pocket watch
with a frigate cut into the front cover
and two roses sharing a single stem
swirling upon themselves cut into
the back.
   “Can it be? ‘Tis meh watch dat meh (60)
fat’er gave t’ meh right before he died…
I lost it at sea many a year ago.
It left meh heartbroken—fer it was meh only
lasting mem’ry of him… Come to t’ink I
was told by a beggar in the street—I
do not remember how long ago—dat
I would happen across a man wit’ somet’ing
dear t’ meh, and I’d accomp’ny dis man
on a journey, and dis man would have upon
‘im d’ mark of a true sailor…” (70)
    “Dear elder man,
my name is Abraham; the mark you see
represents the control that I have on my
direction—thought it appears the Sea retains
some ascendancy… Yet now, it appears,
the Sea is upholding her bargain—though
a bit late... Do you, by chance, own a vessel
that can fair to Colorado?—all across
this mist’d island no skipper ‘ll uptake
my plea; they fear the sharp wrath of the Sea (80)
or (if they have no fear) simply claim my home
‘is not on their routes…’ i’tis a line I’ve
heard too often. I would’ve purchased a vessel,
but the Sea, she, has deprived me completely
of my identity and equity.”

Zara, with her rich chestnut hair sat upon
a fountain in a piazza—her half empty
heart longing to savor the hallow presence
of Abraham, and stroke his ginger beard…
Everyday she would look out at the sea (90)
whence he left…
     All encouraged her to: “forgo
further pursuit”; “he is likely deceased
by now”—his vessel (what left) scuttled amidst
the rocks of Cape Horn, yet Zara could feel
deep-seated inside her soul he is alive;
Alive (somewhere) fighting to return home.
Never would Zara leave; never would she
abandon post; she made that promise five
years ago as Abraham, ‘n’ his crew,
set out on their final voyage; and she (100)
would be ****** ere she broke her promise—a promise
of the heart—a promise of love. Abraham
said: “You are my lighthouse; your love, it, will guide
me home—keep me from danger—as long as you
remain my lighthouse, I’ll forever be
set to return home—return home to you.”

Out from Crosshaven did the old man take
steadfast Abraham en route to his home.
Grey Irish skies turned blue as they made their
way out on the Irish Sea, southwest, toward (110)
the southern end of the Appalachian Island.
The gentle biting spray of the waves breaking
over the bow and beam moistened the ginger
bearded face of Abraham; his tattooed
hands grasped the helm—his resolute stare kept him
and the old man acutely on course.
A shame,
it struck the old man, this would be the final
voyage of Abraham… he: the best crew
that the old man had ever came across; (120)
uncertain if simply the character
of Abraham or his pers’nal desire
to return home in the wake of five long
salty-cold years—a vassal to the Sea
and her changing whim. Never had the old
man seen his ship sail as fast as he did when
Abraham accorded its deck—each sail
set without flaw: easing and trimming sheets
fractions of an inch—purely to obtain
the slightest gain in speed; the display warmed (130)
the heart of the old man.
        And thus the elder
gent mused as he lightly puffed on his pipe
while sitting on the stern pulpit regarding
at Abraham’s passion to return home
(as he calls her):—maybe dis is d’ reason
d’ Sea has fought so hard, and lied, t’ keep
Abraham from returning home… Could not
bear t’ lose such fine a sailor from her
expanses—she is known t’ be quite a jealous (140)
mistress…
      But for all Abraham’s will and passion,
the old man insisted for the fellow
to rest; otherwise lack of sleep would cause
the REM fiddler to reap his debt—replace
clarity of mind with opacity.
Reluctantly stalwart Abraham gave
in and retire below deck—yet the old
man doubted the amount of rest that he
acquired in those moments out of his sight. (150)

For the days, then weeks, in the wake of their
departure from the port-island Crosshaven,
the seas were calm as open water can:
gentle azure rolling swells oscillated
and helped impel the vessel forward. The southern
craggy cape of the Appalachian
Island pierced the horizon. Like a threshold
it stood for Abraham—a major landmark;
the closest to home he had been in five
salty long years—his limbo was beginning                               (160)
to fade, his heart slowly—for the first time since
he left port in eastern Colorado—
started to feel replete again. The Great
Plains Sea—his final sea—he would not miss
the gleam of his lighthouse stalwart on shore.




Book Two

Oracle:**

Upon a beach, Abraham found himself alone—gasping
in gulps of moist air like that of a new born baby first (10)
experiencing the breathe of life; he felt as if he
would never become dry again… the salt burning his skin
as it crusted over when the water evap’rated
into the air; Abraham took the first night to rest, the
next day he set to make shelter and wait for a rescue
crew; out he stared at the crashing waves hoping for a plane
or faint form of a ship upon the horizon…days and
nights spun into an alternating display of day then
night: light then dark—light, dark, light, dark, grey, grey, grey…

Abraham (20)
gave up marking the days—realized the searches are done—
given up after looking in the wrong places (even
he did not know where he was…) the cold waves and currents took
him to a safe shore away from his ship and crew, in a
limp unconscious float…
From the trees, and what he could find on
the small  island, Abraham occupied himself with the
task of building a catamaran to rid himself of
the grey-waiting.
Out he cast his meager vessel into (30)
the battering surf; waves broke over his bows and centre
platform—each foot forward, the waves threatened to push him back
twofold… Abraham struck-beat the water with the oars he
fashioned; rising and falling with the energy of the
waves; Abraham stole brief looks back with hopes of a van’shing
shoreline—coast refused to vanish… his drenched arms grew tired;
yet he pushed on knowing he would soon be out passed the
breaking waves; then could relax and hoist sail; yet the waves grew
taller—broke with greater power… Abraham struck-beat the
water with his oars—anger welled—leading to splashes of (40)
ivory sea-froth instead of the desired progress
forward; eventually, his arms fell limp beyond the
force of will… waves tumbled him back to shore as he did the
first night upon the island…
Dejected Abraham lay
in the surf that night—the gentle ebb of the sea added
to insult, but hid the tears formed in the corner of his eyes—
salt water to salt water… the next day Abraham took
inventory of damage: the mast snapped in multiple
places, the rudders askew—the hulls and centre structure (50)
remained intact; the oars lost (or at least Abraham cared
not to search); over the next weeks he set to improve
the design and efficiency of his vessel—the first
had been hurried and that of a man desperate to leave;
the bare minimum that would suffice—he set to create
a vessel to ensure his departure from the des’late
accrue of sand and vegetation; Abraham laboured
to strengthen his body—pushing his arms further passed the
point his mind believed they could go—consuming the hearty,
protein-rich, mollusks, and small shellfish he could find inside (60)
tide pools or shallows—if lucky, larger fish that dared the
nearby reefs.
Patiently, Abraham observed the tides and
breaking water; he wanted to determine the correct
time to set off to ensure success—when the waves would not
toss him back to the beach; the day: a calm clear day—only
within few metres of soft beach did there exist any
breaking waves, and those that broke were barely a metre high;
loading provisions upon the vessel, Abraham bid
farewell to the island (out of wont for the sustenance (70)
it gave not for nostalgia) grasping his oars, he set forth
to find open sea—where the waves do not break and set you
gingerly on foreign shore(s); Abraham paddled passed the
first few breaking waves, his heart pounding with hope—he stifled
the thoughts (celebrate when the island is but a subtle
blue curve upon the horizon); as the island began
to shrink in his vision, the sky to his back grew darker…
the waves started to swell—moguls grew to hills—Abraham
stroked up and rode down; the cursèd Island refused to shrink…
if not begin to grow wider… stroke by stroke Abraham (80)
grew frustrated—stroke by stroke frustration advanced into
anger—stroke by stroke anger augmented into fiery
beating of the water!—Abraham struck and struck at the
Sea—eyes closed—white knuckles—trashing!—unsure which direction
he paddled…sky pitch-black, wind blowing on-shore Abraham
bellowed out to the Sea in inarticulate roars of:
hatefrustrationpitydesperationheartache!
Towards
Abraham’s in-linguistic roar, the sky let out a crack
of authority! a wave swept the flailing Abraham (90)
into the ocean—cool water only heated the rage
in Abraham’s mind—his half empty heart only wanted:
to sail home, become whole  again—sit under and olive
tree and stroke the chestnut hair of Zara as she drifted
off to sleep on his chest while he would whisper sweet verses
into her ear… Abraham’s rage, beyond reason, forgot
the boat and all clarity, he tried to swim away from
the cursèd island—scrambling up waves only to tumble
back with their breaking peaks—salt, the only taste in his mouth;
churning his stomach to *****; his kidney’s praying he (100)
would  not swallow anymore… his gasps stifled any curse
Abraham’s head wished to expel onto the Sea—yet she
swore she heard one final curse escape his lips! at that the
Sea tossed Abraham (head first) into his ghost-helmed vessel—
all went dark for hostile Abraham…

Contemplating back
at his rage—knowing the barbarian it makes of him,
Abraham peered into the band inscribed into his
ring-finger and saw the knot tying him to Zara—shame
at his arrogant-uncontrolled-fury sent Abraham (110)
into a meditative exile inside of his mind
(within the exile of the island…) in his mental
exile Abraham spun into deeper despair at his
two failures—even more at the prospect of failing the
vow he professed onto Zara: return home—home from this
final voyage, grow old with her on solid ground, never
to die apart and cause the pain of losing a loved one
without the closure of truly knowing the death is real,
to die by her side white, white with the purity of age…
Abraham’s destitution turned inward—his fury, the (120)
lack of control, the demon he becomes when rage surges
through his muscles; equiping him with untamed strength without
direction or self-possession—so much potential, yet
no productive way to use it… Abraham’s half-full-heart
burned, ached with passion and anguish—all desire
focused on home, his return, but the mind’s despondency
and insistent ‘what-ifs’ kept poor Abraham prostrate in
his mental cave—all his wishing for anger and vi’lence
to force his will, it did more to retain him upon the
cursèd island than bring his heart closer to fulfillment: (130)
his long awaited home…
Out of his mental exile did
Abraham’s irises dilate and contract with blinding
illumination—self-pity is not what make things happen—
it would only serve to anger Zara—nothing other
than I can be to blame for my continued absence; I
am stronger than that!—looking at the tattoo in his hand,
he remembered the reasons for the perennial brand—
the eight-spoke ship’s helm: the eight-fold-path—I must cut off my
desire for anger to be the solution and focus (140)
on the one path to Zara—the mind can push the body
further than the body believes is possible—the star:
the compass to guide me via celestial bodies
to where my heart can see the guiding beam of my lighthouse!
This is the Final Voyage epic thus far. I am converting Home into blank verse and it is taking longer than I thought to do; which is why that part is incomplete here. I also added line numbers. I changed The names as well.
I thought it right to assess some antidepressants, which philosophers are more inclined to call mood enhancers.
This was during my foray into human enhancement, substances intended to enhance physicality, cognition or mood. Nootropic compounds concern the latter two categories.

The most commonly prescribed mood enhancers are serotonin reuptake inhibitors (SRIs), but it takes over a week for these compounds reach their peak effect.
Thus I approached them with the notion that a limited dosage might point to their character, though not revealing it. These considerations in mind, I set about acquiring a few miscellaneous anti-D's.

Fluoxetine was the first successful selective serotonin re-uptake inhibitor (SSRI), better known by its original brand-name Prozac. Fluoxetine has an acute biological half-life of between 1-3 days. Presence of a trifluoromethyl group on the compound deserves note, I wonder what the presence of electronegative fluorine atoms add to the psychoactive flavor of a compound (subjective effects).
I administered a single dose by mouth, there was some indication of subjective character. Light serotonergic sensations and seemingly benign mood-dampening, there is a ****** towards the positive. Waking headspace relatively uninteresting. Observed hints of oneirogenesis, did not manifest in enough character to be detailed - a sort of vivid, 'pulsive wandering, more pronounced in contrast to its waking character.
Good experiment, interesting results.
Ligand     Ki (nM)   Ki (nM)
Target      Flx            Nflx
SERT        1               19
NET         660           2700
DAT         4180         420
5-HT2A   200           300
5-HT2B    5000         5100
5-HT2C    72.6          91.2
α1             3000         3900
M1            870           1200
M2            2700         4600
M3            1000         760
M4            2900         2600
M5            2700         2200
H1            3250         10000

Sertraline is another popular SSRI, also known by it's original brand-name Zoloft. Sertraline has a variable half-life, on average 26 hours.
It's metabolite, desmethylsertraline, has a half life between 62-104 hours but is a far less potent Serotonin Releasing Agent (SRA).
The presence of two chlorine atoms is interesting. The usual, phenomenal serotonergicity is present and pushing towards the positive.
Some nausea, particularly when hungry (this disappeared after some minestrone soup). Some faintness after physical exertion. This dose did not promote onirogenesis. There was a moment of cognitive distortion when the proportions of a focal object seemed to be growing in-and-out, shifting in size.
Site                 Ki (nM)
SERT              0.15–3.3
NET               420–925
DAT               22–315
5-HT1A       >35,000
5-HT2A          2,207
5-HT2C          2,298
α1A        ­        1900
α1B                 3,500
α1D                 2,500
α2                  477–4,100
D2                  10,700
H1                  24,000
mACh           427–2,100
σ1                   32–57
σ2                   5,297

Escitalopram is an SSRI commonly prescribed for major depression and generalised anxiety. It is the (S)-stereoisomer of citalopram. The biological half-life is of escitalopram is between 27-32 hours.
I administered a dose and thought the phenomenal serotonergicity less apparent than fluoxetine but then gastro-intestinal disturbance was noted, I surmised it has a high affinity for 5-HT2C.
Any oneiric qualities were not readily apparent after a single dose, relatively little visual imagery which is understandable given its lack of affinity for 5-HT2A. I found this to be philosophically interesting. Mood elevation observed in bursts of conversation and as odd sensations, possible mental discomfort.
Ligand,
Recptr     Ki (nM)
SERT       2.5
NET        6,514
5-HT2C   2,531
α1            3,870
M1           1,242
H1           1,973

Venlafaxine is a selective serotonin-norepinephrine reuptake inhibitor (SNRI). Venlafaxine and its metabolites are active for about 11 hours.
Initial subjective effects similar to a very light empathogenic stimulant. Perception of altered attention-span/increased reflexive response; energizing yet paradoxically much yawning.
Ligand,  Vnfx      Dvnfx
Recptr    Ki(nM)  Ki(nM)
SERT  ­    82           40.2
NET       2480        558.4

Tianeptine is a tricyclic antidepressant (TCA) with an unusual mechanism of action. It is an atypical agonist of the μ-opioid receptor and has been described as a (selective) serotonin reuptake enhancer (SRE). It has a short duration as sodium salts [prescribed form] of between 2-4 hours but as sulfate this can be notably extended, some of its metabolites are active for longer than tianeptine itself.
Definitely anxiolytic, quite artificial; possible aphrodisiac. I find its opioid activity dissuading, requires caution.
Site          Ki (nM)
MOR       383–768 (Ki)
                 194 (EC50)
DOR      >10,000 (Ki)
                 37,400 (EC50)
KOR      >10,000 (Ki)
                 100,000 (EC50)
All other transporter/receptor/sub-receptor values are >10,000 (Ki).

Bupropion is a norepinephrine-dopamine reuptake inhibitor (NDRI) with affinity for some nicotinic receptors. Bupropion and its metabolites are active for between 12-36 hours. Interestingly it is a substituted cathinone.
Initial subjective effects similar to a fairly light stimulant. Perception of increased attention-span and improved cognition. It is an onirogen that is neutral in quality, enhancing vivid dreaming (a boon of its nicotinic affinity which is counteracted if the stimulant component impinges on sleep). Completely absent of serotonergicity, curious.
The N-tert-butyl group's effect is most interesting, how it affects metabolism. I took 150mg ******, as extended and as instant release (the latter was more pronounced). Interesting to compare with other cathinones, and curious to think of other bupropiologues (for example, 3-Methyl-N-tert-butyl-methcathinone). A decent compound, probably useful for a range of things beyond its indication.
                        Bupropion    R,R-Hydroxybuprp­n   Threo-hydrobuprpn
AUC               1                     23.8                                  11.2
Half-life         11 h                 19 h                                 31 h
IC50 (μM)
DAT               0.66                  inactive                          47 (rat)
NET               1.85                   9.9                                  16 (rat)
SERT              inactive          inactive               ­            67 (rat)
α3β4 nic         1.8                   6.5                                   14 (rat)
α4β2 nic         12                     31                                   no data
α1β1γδ nic     7.9                    7.6                                  no data

Moclobemide is a reversible inhibitor of monoamine oxidase A (RIMA), its monoamine oxidase inhibition lasts about 8–10 hours and wears off completely by 24 hours. Inhibiting the decomposition of monoamines (e.g. serotonin, norepinephrine and dopamine) increases their accumulation at an extracellular level. It tends to suppress REM sleep and so it lacks oneirogenic properties.
Feeling of well-being, less constrained by the usual anxieties; openness. Relatively unnoticeable side-effects when diet is carefully managed. Made the mistake of eating a cheese and turkey sandwich (i.e. foodstuff rich in tryptophan/tyramine), slight indications of serotonergicity later became apparent when in bed: feelings of overheating and flushing, slight sweating, racing thoughts and anxious discomfort. A reminder of Shulgin's old adage: "there is no casual experiment".
Combination with a select few tryptamines (not 5-MeO-xxT) should be safe and synergistic (perfect for pharmahuasca), but is very dangerous to combine with serotonergic drugs.
dear Rem,

           i had a lot of fun today

          i finally found it

          the place you told me about

          it’s right where you said it would be

          oh, Rem

          i wish you were here

          maybe you are

          are you here

         are you in the cave

         you must be

         otherwise you never would have

         told me about it

         oh, Rem

         why didn’t you

         tell me sooner

         you see

         now that I’ve found where you’ve been hiding

         we can be together again

          oh, Rem

         why did you ever leave

          it was because of me

         wasn’t it

         all I wanted to do was play

               hide & go seek

         oh, Rem

         i think

         i think I won this game

         you should’ve hid better

         oh, Rem.

love from your sister.
I may make more Dear Rem poems. I will try to make many poems with Rem.
Brian McDonagh May 2018
Netted on the outside
Dreams pass through the inside.
The good dreams seep the center,
The bad dreams are caught: DO NOT ENTER!
The sleeper with eyes shut,
Protected by the dreamcatcher
And selected by the buy-snatcher,
Slumbers in peace
When all is at ease
Around the dreamcatcher police.
Reality is still
But the mind is awake
And sleep is at stake.
Eyes cannot detect
What the dreamcatcher does,
It only sways in the midst of a glance.
But the dreams that pass the glass dividing atmospheric gas
Cannot be seen, touched, heard.
Dreamcatchers have a radar
That no being does.
The dreams charge at once!
WOOOOSH.
Not a dream is heard
Caught in the dreamcatcher grid,
But the good ones
Keep clean the REM zones.
Native-American tradition
I will surely petition.
I have two dreamcatchers in my room; I love the culture, tradition, and protection they offer!
So Dreamy  May 2017
Ulang tahun
So Dreamy May 2017
Hari itu hari Sabtu. Dan, aku sedang ulangtahun.

Sepi. Hanya terdengar suara tetesan air dari keran yang lupa ditutup rapat di wastafel dapur. Desiran angin yang menggesek dedaunan di halaman belakang. Bambu angin yang bersiul di teras rumah tetangga sebelah. Jalanan beraspal yang kosong. Terpaan sinar matahari. Mangkuk beling yang diketuk penjual makanan keliling. Suara jarum detik jam dinding.
Dalam diam aku menunggu. Mahesa belum juga datang. Duduk di atas sofa, perlahan kulahap sekantung keripik kentang, suara iklan di televisi kini menjadi musik latar yang mengisi siang terikku yang sepi ini. Lupakan fakta bahwa kakakku, Mas Kekar, adalah satu-satunya orang yang mengingat hari ulangtahunku. Ucapan ulangtahunnya tiba tadi pagi pukul tujuh lewat pesan suara. Kalau ada Nenek, ia pasti akan membuat kue tar dan nanti malam kami akan duduk melingkar di atas meja makan, menyantapnya bersama-sama sambil minum teh lemon. Sayangnya, sekarang rumahnya jauh; di surga.
Tiba-tiba, telepon genggamku berbunyi. Satu notifikasi baru, ada satu pesan masuk. Dari Mahesa, katanya ia akan sampai lima menit lagi. Baiklah, akan kutunggu dengan sabar. Walaupun ia bilang akan menjemput pukul setengah dua belas ― aku sudah menunggunya sejak pukul sebelas lewat, sekarang pukul satu, dan lima menit lagi ia akan datang. Menghabiskan waktu seharian bersama Mahesa selalu menjadi momen istimewa bagiku, membuat jantung jumpalitan tak karuan, dan berakhir tersenyum-senyum sendiri setiap kali sebelum memejamkan mata di atas tempat tidur pada malam hari. Singkatnya adalah orang ini selalu membuatku bahagia, sadar atau tidak sadar dirinya, ialah sumber kebahagiaanku. Bulan dan bintang bagi malamku.
OK. Kubalas pesannya, lalu kubuka pesan-pesan lain yang mungkin belum kubuka. Tidak ada pesan lain atau telepon. Belum ada telepon dari Ayah ataupun pesan singkat. Entah kapan ia akan pulang. Entah kapan ia akan menyempatkan diri membuka kalender, teringat akan sesuatu, dan mengucapkan, “Selamat ulangtahun.”.
Aku berjanji tidak pernah ingin jadi orang yang hidup tanpa memiliki waktu.
Bel berbunyi dan pintu diketuk. Spontan, aku merapikan rambut, memakai tas selempang, dan bangkit. Kusiapkan senyum terbaik untuk menyambut Mahesa. Setelah pintu kubuka, senyumku langsung sirna. Mang Ijang, tukang pos daerah kami yang malah muncul.
“Siang Mbak Maura, ada tiga surat buat Bapak,” dia menyerahkan tiga surat berbentuk persegi panjang yang sangat familiar bagiku. Sudah berpuluh, bahkan mungkin ratusan kali aku menerima surat macam ini sejak lima tahun terakhir. Kubaca nama perusahaan yang tertera di kop surat itu. Masih sama seperti biasanya; bank, perusahaan listrik, perusahaan telepon.
“Tandatangan di sini dulu, Mbak,” Mang Ijang menyerahkan pulpen dan sebuah kertas tanda terima surat. Setelah kutandatangani, ia pergi.
Kubuka surat itu satu per satu sambil duduk di kursi teras. Surat-surat tagihan, seperti biasa. Hampir dua bulan rupanya Ayah tidak membayar tagihan telepon. Aku bahkan tidak berselera lagi membaca nominalnya. Aku menghela napas dan memandangi jalanan kosong di depan rumah. Kuputuskan untuk memakai earphone, memilih playlist di aplikasi musik, menunggu Mahesa di kursi teras sambil ditemani angin semilir.
5 menit.
Everything is Embarrassing – Sky Ferreira.
10 menit.
Please, Please, Please, Let Me Get What I Want – The Smiths.
15 menit.
Love Song – The Cure.
Dua puluh menit kemudian, Mahesa datang. Senyumku seketika merekah, walaupun ia terlihat begitu lelah. Kaos polo abu-abunya basah oleh keringat, dahinya dibanjiri keringat, napasnya terengah-engah dengan ritme yang tak beraturan. Aku duduk di sampingnya yang memegang kemudi dan masih bisa mencium wangi parfumnya samar-samar, meskipun tujuh puluh persennya sudah bercampur dengan semerbak peluh. Tapi, siapa peduli? Menurutku, ia tetap mengagumkan.
“Maaf lama, Ra. Tadi ada urusan penting yang mendadak,” katanya sambil memilih-milih saluran radio. 19.2, saluran radio yang khusus memutarkan musik-musik indie dan jadul. Mungkin ini salah satunya mengapa sejak awal aku tertarik dengan manusia yang satu ini dan berujung benar-benar mengaguminya, kami menyukai jenis musik yang sama. “Jadi, ke mana kita hari ini? Dan, akan mengobservasi apa?”
Kubuka catatan jadwal terakhir kami, “Hmm. Hari ini jadwal kita ke galeri seni kontemporer yang ada di sebelah balai kota dan pameran seni di hotel Metropolite. Kita bakal mengobservasi lukisan kontemporer supaya bisa membandingkan dengan jenis lukisan yang lain.”
Kamu benar, sesungguhnya ini hanyalah sekadar tugas kelompok bahasa Indonesia. Mungkin bagi Mahesa begitu, tapi bagiku bukan sama sekali. Kuanggap ini sebuah kebetulan yang ajaib. Kebetulan kami sekelompok. Kebetulan kami berdua sama-sama tidak masuk di hari ketika guru Bahasa Indonesia kami membagikan kelompok dan kami masuk ke dalam kelompok terakhir, kelompok sisa. Kebetulan kami memilih tema seni lukis dan belum ada kelompok lain yang mengambil topik itu. Kebetulan dua anggota kelompok kami yang lainnya tidak bisa diandalkan, yang satunya sakit berat dan yang satunya lagi sudah dikeluarkan dari sekolah sejak bulan lalu. Kebetulan hanya aku dan Mahesa yang tidak bermasalah. Maka, hanya kami berdua yang selalu jalan ke tempat-tempat untuk mengobservasi. Sejak saat itu, aku percaya akan keajaiban.
---
Semuanya berawal dari pertemuan singkat kami di minggu keempat kelas sebelas. Oke, ralat, bukan sebuah pertemuan lebih tepatnya, melainkan hanya aku yang memandanginya dari jauh. Namun, itu satu-satunya kejadian yang mungkin dapat memberi jawaban atas pertanyaan mengapa dan bagaimana perasaan ini bisa muncul. Bukan secara tidak sengaja dan spontan seperti yang biasa kau dapatkan di adegan jatuh cinta pada film-film romansa norak, tetapi adeganku sederhana, penuh kehati-hatian, dan perlahan.
Kelas sebelas adalah tahun yang cukup sulit bagiku. My dad was busy more than ever—well, until now dan itu tahun pertama Mas Kekar menginjakkan kaki di dunia perkuliahan. Dia diterima di salah satu universitas negeri ternama di Bandung, jadi hanya pulang ke rumah setiap akhir bulan. Aku punya waktu sendirian di rumah dengan jumlah yang berlebih.
In that year, my friends left me. Ghia pindah ke luar kota dan Kalista bergabung dengan anak-anak populer sejak mendaftar sebagai anggota baru di tim pemandu sorak. Kami hanya makan siang bersama pada beberapa hari di minggu pertama sekolah, setelah itu dia selalu dikelilingi dan menjadi bagian dari kelompok cewek-cewek pemakai lip tint merah dan seragam yang dikecilkan. Aku mengerti, barangkali dia memang menginginkan posisi itu sejak lama dan citra dirinya memang melejit pesat, membuat semua leher anak cowok melirik barang beberapa detik setiap ia berjalan di tengah koridor. Lagipula, jika ia sudah mendapatkan status sosial yang sangat hebat itu, mana mungkin dia masih mau berteman dengan orang sepertiku? Maura, the average one, yang selalu mendengarkan musik lewat earphone, yang lebih banyak menyantap bekal di dalam kelas pada jam istirahat. Aku hanya masih tidak paham bagaimana seseorang yang semula kau kenal bisa berubah menjadi orang lain secepat itu.
Tapi, hal lainnya yang cukup melegakan di tahun itu adalah aku bertemu dengan Indira. Kami berkenalan pada hari Senin di minggu kedua kelas sebelas, hari pertama dia masuk sekolah setelah seminggu penuh dirawat di rumah sakit karena DBD. Begitu melihatku duduk sendirian di baris paling belakang, dia buru-buru menghampiri sambil bertanya, “Sebelahmu kosong?”. Sejak itulah kami berteman.
Indira dan teman-temannya biasa menghabiskan makan siang di bangku koridor lantai satu yang menghadap ke lapangan, bukan di kantin. Walaupun secara harfiah aku bukan salah satu bagian dari kelompok pertemanan mereka, Indira selalu mengajakku bergabung dan orang-orang baik itu rupanya menerimaku.
Di bangku koridor itu kali pertama aku memerhatikan anak laki-laki yang bermain bola setiap jam istirahat kedua. Hanya ada dua-tiga orang kukenal, itu juga karena mereka teman sekelasku sekarang atau di kelas sepuluh, sementara selebihnya orang asing bagiku. Di antaranya ada yang berperawakan tinggi, rambut tebal, rahang yang tegas. Aku hanya belum tahu siapa namanya waktu itu.
Selanjutnya, aku bertemu dengan laki-laki itu di kantin, sedang duduk bersama beberapa cowok yang tidak kukenal, tertawa lepas. Mungkin karena aku jarang ke kantin, aku baru melihatnya di sana waktu itu. Pada acara demo ekskul, aku melihat dia lagi. Bermain bass di atas panggung. Anggota klub musik rupanya. Pemain bass. Pada hari-hari berikutnya, aku lebih sering melihatnya berjalan di koridor depan kelasku, kadang sendirian dengan earphone, kadang ada beberapa temannya. Anak kelas sebelas juga rupanya, jurusan IPS juga. Hari-hari berikutnya, selalu kutengokkan kepala ke jendela setiap kali ia lewat di depan kelasku. Aku penasaran, kenapa mataku tidak pernah melihat orang semenarik dia sebelumnya? Dan, kenapa dia hanya muncul di tempat dan saat-saat tertentu, seperti saat istirahat, masuk sekolah, dan jam pulang? Hari-hari berikutnya, berpapasan dengannya membuatku senang sekaligus semakin penasaran. Dia anggota klub fotografi juga, aktif, sering memimpin rapat anggota di kantin sepulang sekolah, dan ternyata karyanya banyak dipublikasikan di majalah sekolah. Dari situ aku tahu namanya, Mahesa.
---
“Geser ke kanan sedikit. Bukan, bukan, sedikiiit lagi. Sedikiiit, oke, pas!”
Sebagai dokumentasi, Mahesa memotret beberapa lukisan dari berbagai angle dan beberapa kali memintaku untuk berpose ala-ala tak sadar kamera. Tentu saja aku pasti bersedia, selalu bersedia. Dia juga merekam keadaan sekitar dalam bentuk video, yang katanya, bakal dia edit menjadi super artsy.
“Percaya sama gue, kita bakal jadi tim paling keren yang menghasilkan dokumentasi paling berseni, Ra,” kata Mahesa sambil tersenyum sendiri melihat hasil jepretannya.
Destinasi terakhir kami—pameran lukisan yang sedang digelar selama seminggu di hotel Metropolite—akan tutup sepuluh menit lagi, tepat pukul tujuh malam. Setelah terakhir kalinya Mahesa merekam keadaan pameran dan beberapa pengunjung yang masih melihat-lihat, baterai kameranya habis. Sebelum pulang, Mahesa bilang dia tahu tempat makan enak di sekitaran sini. Jadi, kami mampir untuk mengisi perut dengan soto ayam dan berbincang-bincang sebentar, setelah itu baru benar-benar pulang.
Di perjalanan pulang, derai hujan turun perlahan. Karena rumah kami terletak di pinggiran kota, jadi kami harus melalui jalan tol atau kalau tidak, akan lebih jauh. Mahesa memencet-mencet tombol radio, mencari saluran nomor 19.2, tapi setelah mendengar acara yang dibawakan penyiar radio, dia langsung mengganti asal saluran radio yang lain. Saluran radio yang menyiarkan lagu-lagu pop kekinian yang sedang hits.
“Sekali-kali dengerin genre lain, ya, Ra,” katanya sambil menginjak rem. Jalanan seketika padat merayap di depan kami. Mungkin karena hujan mulai deras, jalanan mulai tergenang, orang-orang mengemudi dengan lebih hati-hati.

(bersambung.)
to be continued.
Edward Laine Dec 2011
Chapter one:

  The strange entanglement of the sun, twisted in kooky bedlam with The Great King Moon in winter.

Have you ever looked down at yr feet on the long walk home & wondered if you’re really moving forward any more or if all your really doing is just moving the ground? Don’t answer that, its a rhetorical question. Of course you have. We all have. You think you’re moving in the right direction, following the north star or the compass in your brain or maybe just your nose or your thumb and fore finger. You  believe that you’re gonna make it somewhere, you have to believe. What else is there. The truth is, you’re going nowhere, we are all going nowhere, we just spin on the slanted axis & never really go anywhere. We have been conditioned to believe that this is the way the world works but I’m here to tell you that it doesn’t, you gotta buck up, **** up or ******* ‘*** let me tell you, yr ‘dreams’ mean nothing to anybody ‘*** living, real living is not connected to REM. That’s all just more ******* you’re gonna have to put up with people trying to sell you. Lick the boot, get over the barrel & bite down on your watch strap. That’s all there is to it. The mind is a magnet. If you find yourself staring in to the abyss: Jump right in. Swan dive. Hold your breath & wait. Everything will be OK. I promise you.

I’m writing, ah writing! Writing this worthless piece of *****// manuscript of means for you. For me, for the future, for love, for lust, for hatred of all things hating, for your mother & farther, for my friends, my beautiful angelic, clinically insane friends, for time, for the soles of my shoes with hundreds of miles under their laces, for your fat greedy pockets, for the moon, for the sun to spit on, for the wind to taunt, as he does like the great cowardly, perverted invisible fiend that he is, for nothing, for not quite everything, for your aching lovers, for your broken hearts, for the worlds water, may you always be clean & run free, for the great biblical liars, for the sorrowful wonder of the great homeless & may all their wants come to be wanted, for *******, for fumbling, for the vast oaken heavy doors on bars that keep us safe from the  horrors outside, for guilt, for sugar-blue smoke, for all the kids sitting in **** stained squat houses with half a horse embedded in their face, for my schools that gave up on a bored child, for warmth & fire & woollen clothing, for Paris where I can fulfil my great dream of becoming a sullen cliché, for the gravel-mounted marching marvel, may you never lose your way, for the Parthenon, for Aubergine, for The Firefly, the swan, bleeding,for growing up, for all the music makers,all people should play all instruments to any degree(rather than just, age & shrivel), for Howl for Carl Solomon, for every down & out that ever clawed his way up the street & through the yellow door, for all the animals that gave their lives to keep me fat & red faced, for Christ sake, for the invisible man in the sky, causing all war & so much death-thank you, for the wild west, for Bert & John, for the great literary mastodon to look down his reset nose at & ask me why. Why?

The way that old dial telephones look & feel. The questions that need no answers. Feeling down, down & out, upside down & inside out,upside in & downside out on the pavement at five am. Waking up in unknown beds & crawling down drain pipes. Getting lost in a place you have lived your whole life. Being in the woods simply to be in the woods. Drinking coffee even though you hate the taste. Never telling a stranger the truth. Living under a false name. Drinking yourself to death in the dark lonely-crowded corners of ***** stained wood floor warehouse floors. Feeling solid-sterling-gold for feeling so terribly horrifically half-corpse-like the only way you can really feel is completely statuesquely angelically magnificent and the only way is down(you really have no idea how far I fell that morning) , Only going out when it rains. Only going out in the dark. Staying up all night dreaming and sleeping all day. Remembering to forget, forgetting to remember to remember to be forgetful. Understanding that you and no one else understands nothing but eat-drink-sleep-****-death. Smoking until yr tongue bleeds and yr eyes burn like that fire in the sky in the fearful month of June. Wishing you knew how to tie a noose & writing ”suicide” on yr calender on a day you have no planned engagements. Shooting to the moon & back in the bee-bop-bo-bo-batter-batter-chitter-chatter like jazz on the neon streets of the earths mother. Crawling in to a stone cold bed after walking for six days & feeling bored & lonely again in ten minutes.

That’s why, I’m glad you asked. If I’m going out, then I’m out going with some steeze in a cloud of smoke, yr wife & I’m not taking you with me.

For all these things & more is the reason I write. To write for the sake of writing. For, some people write, just to write & they are truly the the lost meaning of it all.

Automatic travel rambles to plug up the holes in yr lonesome pockets. Blues.

Chapter two:  

Creeping moss-stick under-flowering the useless but grateful Tuesday poet, Jim Gravestone Sr.

The ghost of the monorail, living only in upturned memory sits slow & smooth/low against the Sunday evening rapture. You gotta know which way is down. Down. The dew on the grass & the creamy-green residue of the night before is just too close to a real drama. Absolute dahma. Down in the cold rising damp & the stain on your shirt.

He sits , sits like you, like me & like old Tom Mooney the prison king. If you ever saw such a sad sight as he, I do believe you would roll out your tongue on the pavement right there & then & wait for the road sweeper & all his secret, early morning charms & the great wolf man, pork chop sideburns (lupine dreams)to clean you up & clean you out. I do declare!

For he knows-for he has seen. Seen the sun rise from his pearly throne up on the dark side of the moon, the very face of Bowie, right there in the eye socket. He sees all. You can live your life, & you do, & you should, but he, O’ he, he has really been there & where & back again. You carry on with your sleepy routine of mule-back coffee office doom death jobs(you sleepy Bohemian, you)  & in you spare time trying to keep your nose from filling up with water & your private parts entwined with somebody else’s most private of parts, & on the side lines of you spare time you can deal with your family & all the friends that you’re sick of but hold on to, only for the fear of being left alone in the dark with nothing but all of the above. Then again you always have your studies(STDS)all of the ologies, of course.

Sleepology, cocaineology,rainolgy, sunology, lonleyology, depressionology, suicideology, talkology,empypocketsology, meaninglessology, masterbationology, coutntingyourmoneyinpintsology,walkology, onenightstandology, jumpthetaxiology, begology, borrowology, stealology,feelology, upallnightology, sleepalldayology, Xology, ologyology, etcology etc…ology etc.

Just find something you can care for ‘*** [insert atheist god/idol] knows that nobody is going to do your caring for you, even I they do in fact care for you.

I have been beginning to notice,that I(and I may not be alone)

always look at the past through a marigold monocle.

This, meaning nothing now ever seems to be joyous or gay or splendiferous until it is a past memory.

A cobweb. A rafter. A leaf on the ground. …I guess.

         Chapter three:

I know you know it but people that you don’t know, really are a funny, funny thing…

I stand outside the rain & watch the people passing by; really the most depressing experience of my ever increasing years. Un-jolly fat men with whiskey-nose & scuffle-feet stanzas of gibberish, talking gibberish & gibberish being their inner most self. Pre-war women with Arctic-blue hair, faces melting, everything pointing down, shuffle. Kids pushing prams full of ugly babies towards a house of who-gives-a-**** & ******* & I’m-gonna-die-here and what of it. Is there really no more to life. Listen to the top 40 on the radio, clueless, oblivious. Cogs. All cogs. Military troglodytes following them back in a dead eyed daze, dreaming of killing in the real and virtual. No you may not have a cigarette. Leave me alone, please. Let me listen to my watch ticking in peace & at least pretend that you don’t exist.

The human body is comprised of several ‘substances’

including..

Mercury,

hydrogen hydroxide,

fountain pens,

the lost dates of calenders,

various small woodland animals,

including…

Voles,

rabbits & field mice.

Other such things as…

Misplaced birthmarks(of the brain)

feelings of remorse and regret,

the stolen trinkets of past lovers,

and of course,

white blood cells,

pesticides,

and the second hand

from a 1956 ’Hamilton Rail road’ pocket watch.

E.L August 7th

           Chapter four:

Last night, last night was the last night it was the night last

Picasso raincoat. Imagelessness. Bottomlessness. I lost my umbrella & my Holden Caulfield head-wear, again. I was skipping on a rain cloud, corduroy boy and scarecrow girl, reunited in a soft entanglement sticky in the senses. Hoof! The only way is up when you walk down these stairs, snakes and blisters, but you’ll sweat it all out in babble cream conversation and love in your eyes. Tell me a story, tell me a story, tell me something to prop my chin up in this brown tunnel. Your name it is something I cant care to remember but of course I never really had a name of my own either, so we shall be the great wonder of the nameless masses, the ones born to no name and never wanted one anyway. A name is nothing but a label, a calling card, call me anything, call me king Charles II just as long as you do call me, the sound of a voice, your voice, any voice reeling off a comprised anagram of the alphabet is enough to get my short attentive ears to perk up and twist my noggin backwards towards the direction of my inbuilt gypsy sonar. So anyway, I was going to talk about something, something great… but now its gone and all I have is bloodshot eyes and sweaty liars palms to prove to the world that I had an idea once, I swear I did.

Here’s an idea for you to dig you heels into:

The world keeps making mistakes, everybody makes mistakes, its natural, nothing to fear, it happens all day every day. BUT, with every mistake we make, we then proceed to learn from that mistake, so.. stay with me here… Once the world, the whole world meaning everyone in it, has made every mistake they can make and of course and one would hope of course, that they have also learned from all of these mistakes; once this has happened, there will be no more mistakes to make, right? Therefore leaving the world perfect as a whole, no mistakes to make, learnt their lessons on every lesson and we can all go on with living a perfect existence, yes?…

No.

I’ve really thought long and hard about it -could never happen, people are not perfect, they never will be, if they were I wouldn’t want to know any of them, and the world, well the world is an imperfect place, and the same rule applies.

But let me hit you with another bit of knowledge to round things off and maybe put a positive spin on things. Hoist ye marrow-thumbs around this;

One of the many few early times that my legs forgot how to use them selves, I was sitting on the pavement, trying for one to reattach these two now useless appendages stuck like butter to my lower torso, but foremost trying to light a cigarette with my useless cold hands and equally useless matches, fearful of the sneaky clear coward, invisible old Mr wind, when a kindly stranger, half my size, red my hair, opposite my *** and now opposite my broken legs appeared like a person will appear when you mind is in other minds, a smile, a sympathetic look and two working hands to fire up the stick in my mouth. I said my thanks, babbled about babble and the generation of gibberish and im sure many other things inconceivable to the sober ear of a dame such as she, the bringer of flame and enlightenment, not of the smoke but of the simple mind, an idea is what she left with me and it never left. She stopped my rambling typewriter of a tongue and said ‘shush’ she held my head in her hands, looked at me straight,so I thought she might be death or god or that I was passing out,she all green eyed and like the woods, looked at my eyes like they were tethered together and dropped the bomb on me, she said ”if you are looking at the moon, then everything is alright” kissed my warm on frozen forehead and was gone into the night, never to be seen again.

That’s all the advice you will ever need, & so ll I will leave you with.

You never left a name, but I never wanted one anyway.

Midnight moment

beautiful rags

midnight joy.


Nevermind your little light,

set apart your golden dreams

that offen break,

& come to play.


Chapter five: There are things I want to write but I am not going to write them.

The End.

‘Stay gold, Pony Boy’
(Prelude: This piece is a parable with the imagination of a female named Allison with a ghostly presence residing in a suit of Knight's armor).

“They are of a better order” said the armor,
“A better order of beings in heaven.”

“Have you been to heaven?”
Allison asked the armor and
Quickly upon his ancient, blank steel gaze
She instantly felt a civil triumph
Hidden within her inquiry.


“Strange,” he responded,
"Strange it is that it is so far away
And yet it is right here
Inside of us all along.”

She gave him the hint of a
Curious gaze before placing
Her hand on her chest while saying,
“Are you saying heaven is in here?”

He replies,
“You think about it for a while and
When you have sufficiently parodied
The thought we shall think
Upon it again for I give
Up the argument for now -
I must retire” - and so he went
Wherever a ghost goes to rest.
There he wandered around
In the infinity of his mind until
A knock on the steel helmet came.
He answers through the opening,
“Who is it?”
Knowing all the while whom it was.

He opened the visor,
Showing the emptiness within.
She looked in his visor and
Giggled a girlish giggle
Saying, “I would carry this picture
With me to my grave -
My self professed conscience standing
Here in the doorway of my life
Looking into a metal head as
Empty as a hollow balloon,”
She giggled some more.
She pushed the visor open wider and
Stuck a finger in without
Any further solicitation
Saying as she looked about the emptiness,
“Shall I set foot in your dominion?”
Then she turned to him placing her hand
On her chest again as before,
“Or shall you set foot in mine?”


McDermott peaked thru to answer
Allison to find her now sitting on the edge
Of the bed – skillfully untying and
Removing her shoes as
She looked about the room.

Before he could answer and
Just as skillfully
She changed the subject, “You have a
Fine room here, quite roomy,
I think it must be twice the size of mine.”

The sun was setting outside the doubled
Windows and through the curtains
The light that filled the room tinted the
Contents of the room a crimson red.

There they were, quite all alone,
Her sitting on the bed,
Him encased in his Knight’s suit of armor.
Each waiting for the other
To make some sort of move.
Turning away from her,
Not to avoid the inevitable but
To experience the possible –
McDermott says,
“But this is your room.”
Pointing to the room receipt
On the top of the dresser,
“See, it has your name on it.
I am merely a figment of your imagination,
Something you have conjured up.”

“I know, I know,
You have said all this before,”
Pounding her fists into the
Bed as she cries,
“Cannot you for once come
From inside that
Silly suit of armor so that I may see you?”

“Look at the receipt, what does it say?” McDermott answers.

“I told you, I know,
It has my name as the registered
Guest of the Knights Inn, so what?
Have I not been coming here
Every year for three years,
Every year for the week of All Saint’s Day,
Just so that I can be with you?
And every year it’s the same old thing –
You speak like you are
Somewhere in a barrel,
And I never see you, I just feel you.”

“It is not with your ears that you hear me,
It is with your heart,”
McDermott explains,
“You come here year after year
Looking for truth –
Can you accept that I am
Only here if you are here?”

Sprawling out backwards across the bed,
She replies with disgust,
“Truth – what truth is this –
That I have lost my mind?”

“One can only loose what one has
Not unlike one cannot
Have what one wants,
For having and wanting
Are diametrically opposed,” he explains.

“Stop with the philosophical
Mumbo jumbo,” she says as she
Turns to scream into the pillow.
“I’m so sick of it that I could die.”
At the moment of that last syllable spoken, Allison can feel another
Weight joining her on the bed.
Daring not to whisk the feeling away
She holds her breath, listening –
Feeling for more confirmation.

“You cannot love another until you learn
To love yourself,” McDermott whispers.

Jumping off the bed and to her feet,
“You’ve told me all this before,
But why am
I here if it is not to love you?
And if you are as you say you are,
Just another
Of my creations, then pray tell me,
Why can you not accept that fact and just
Simply be here with me?
Why else am I here?”

“You are here to find out who you are.
That’s why anyone comes here.
That truth is something that No ONE can
TEACH you.
It is something that you
Have to remember.”

Looking about the empty room
Allison once again turns and
Sits on the bed.
“OK, I give in –
YOU tell ME, WHO AM I?”

“Just lie down and get comfortable.
You need your rest.
We’ll talk in your sleep.
We have much territory to cover tonight.
Tomorrow is All Saint’s Day, your day.
But tonight we must explore
All the wonders of you,
For in the morning you
Shall awaken knowing
The real you – the one that you
Have been searching for.”

Slithering out of her dress and
Removing her bra
Allison turns her head to the empty
Pillow beside her,
“You promise?” she asks.

“I promise,” McDermott replies.

Drifting off into a shallow sleep,
Allison is listening as
McDermott recites poetry.
It’s an odd recital but somehow it seems
As if she has heard this verse before.

“Sand sifting through my fingers
Measuring the time ‘til our bodies linger.
To know the smell of the center
Of your hand,
To see into those deepest of eyes -
Oh, to feel those sighs.

Sometimes I don’t think I can wait
Not another day but then it’s too late.
How can I know that all this is real
When I’ve not even a finger to feel.
Thoughts, visions of heart –
Feelings of soul –
Up to now that is all that I know.
So if you find me lost in this moment,
Please release me from this sweet torment.
For inside the fire is burning
Hotter than hell and so full of yearning.

Maybe this is not the right place -
Maybe this is not the right time.

But I ask you, is it a crime
To watch the sand as it rhymes?
Measuring the time ‘til our bodies linger
And I have the you – lost in my fingers.”

“What is the title?” Allison asks in her sleep.

“Oh you know the title very well,” McDermott answers.
“Think about it and you will remember.”

Allison’s eyes move beneath the
REM sleep with closed eyelids,
Back and forth, back and forth,
Looking for the title to the poem.
Then she answers with a smile,
“Hourglass, the title of the poem is,
Hourglass.”

“Very good,” McDermott confirms.
“See you do remember.”

“But how do I remember –
Something tells me that
I am not supposed to remember.”

“Your mind tells you that you
Have no memory of the poem
But your heart tells you that you do.”

“Yes.” she answers.

“Could it be that just when
You find your dearest love
That you also meet your greatest fear?
Then too avoid the fear –
You try not to remember."

“Why do you say that?” she asks.

“Because those are the two sponsoring
Thoughts behind all human endeavors.
All of the human emotions stem from
Either love or from fear.”

In her sleep Allison turns
More toward the empty pillow,
“Who are you?”

“Have you not determined
To call me McDermott?
Why do you struggle to believe that
I cannot be unless I have a name?”

“I suppose it’s because everything
Has a name.” Allison responds.

“No, everything of this world
Has something that it is called,
That does not exactly mean that
It has a name or needs one.”

“Then who are you?”
She asks breathing in deeply.

“It matters not what you call me –
That has been one of the great
Mistakes of human nature,
What is more important is that you know
That I am, just like that
I know that you are.”

“Are you God?”
She asks shaking her head.

“See, there you go again,
Be careful of those labels,
Once you put a label
On me, then by that labeling
Do you place upon me your expectations.
And once something is expected
To do something in a certain way,
Then have you created boundaries,
In essence,
You have created walls around me,
Walls around your own thoughts -
To the degree that we can
No longer communicate.”

“How would you prefer that I think
Of you?” Allison asks.

“Do not “think” of me in terms of
Mere words,
For words fall far too short
Of explaining any of truth
Of who or what I am.
You should think of me as
You would think of yourself for
Are we not one in the same?
If I said that I am the great 'I am'
And if you were to believe that to be true,
Would not that make you the
Great 'I am' too?”

“I’m sorry, I do not understand,
Are you saying that you are me?
Am I talking to myself?” she questioned.

“You are asleep, when you awake,
Would you say that we are talking?”

“No, I would say that I was dreaming
And that you are like you said that you
Were before I went to sleep,
I would say that you are a
Figment of my imagination.”

“Does that explain how it is that you
Know the name of the poem?”
McDermott asks.

“I don’t know, I’m dreaming I suppose,
Dreams don’t have to make any sense.”

“Is that how you feel?”

“Not really,” Allison answers.
Even though she is asleep
She can feel herself
Turning over and pushing away
Some of the bedding.
“Give me an incontrovertible way
Of knowing that you are real.”

“Oh Allison, the only way that
I could ever give you such proof
Is if I were
To physically touch you and to do that
I would need a physical form.
Yet I say to you,
I have no need of anything physical
For all of your physical reality
Is but a part of the grand illusion.”

“Grand illusion,
Are you saying that my life
Is just one big illusion?” Allison questions.

“In a sense, yes.
For it is you who does create
Your own reality.
And if what you create is
Not what you want,
Is that creation not what
The definition of “illusion” means?”

“But why would I create anything that
I do not want?” she asks.

“Good question, why don’t you tell me?”

“Who’s to say that I truly have not created you?”
Allison asks.

“Another good question, what do you think?”

“Why would you talk to me?” she asks.

“I talk to everyone all the time.
The question is not to with
Whom do I talk,
But who listens?”

“I’m listening.” Allison exclaims.

“Another good answer.
Maybe it would be easier if
We exchanged the word
“Talk” for the word communicate,
I think that’s a much
Better descriptive word.
If we try to simply just talk then we
Are restricted by the limitations of words.
I do not communicate by words alone,
In fact, I rarely do.
I usually communicate through
Feelings for feelings are
The language of the soul.
For this reason,
If you want to know
The truth about anything,
Look to how you are feeling about it.
Hidden in your deepest feelings
You’ll always find your higher truth.
I can communicate with thought
But don’t confuse thought with feelings.
When I communicate with thought
I often use images, sounds or pictures.
Are they not much more descriptive?
I also use experience to communicate with.
The fact that you remembered
The name of the poem
Is a communication by experience.
It is only when feelings,
Thought or experience
Fails that I use words.
However, words are the least effective
Communicator because words
Are too easily misinterpreted or confused.
Words are not a good way to get
To the truth for they are part
Of the illusion of trying
To convey the feelings,
The thoughts and the experiences.
The irony in this is that
So many place their feelings,
Thoughts and experience in the words
That they try to say and very little
On the experience of who they are.
The same is true of how
You define who you are.
You define yourself within
A set of words and
Lose all reality of who you really are.
Therefore you create
The illusion of yourself
Just as you have created
The illusion of me.”

Allison turns on her side into
The fetal position,
“You said that tonight
That I would discover who I am –
Does that mean that in order to discover
Who I am that I must learn
To know who you are?”

“You are not learning anything.
You are remembering who you are
For you always were and
You always will be.
You cannot learn what you already know.
You can only remember.”

“And what is that?” she asks intently.

“You are your creation,
I come from you so that you
Might know yourself.
That is why I exist,
So that you may experience yourself.”

As Allison drifts between the alpha of
REM sleep and the delta of REM
Into stage three of tonight’s slumber,
She carries with her into her deepest
Sleep the thoughts of herself
As one with all of God’s creation.
“God the father, God the son,
God the holy ghost,”
She whispers aloud.
“Are we all your sons and daughters?”
She asks.

“Yes you are,
The trinity would not be complete
Without you,
Not without every one of you.”

“So that is who I am?” she whispers.

“Welcome to who you are,
Who you have always been,
Who you ever shall be,
Today, it is All Saint’s Day,
What reality will you create today?

Always remember,
There are only two base emotions,
Love and fear.
You can choose to act out of love
Or you can choose to act out of fear.
The choice is as always –
The choice is yours.”

“Will you be with me today –
To help me to choose?”

“I am always with you.”

“Will I find love today?” Allison asks.

“You question is improper.
“You should be asking yourself,
Will I create love today?”


*“But wouldn’t that be another illusion?
Another figment of
My imagination?” she questions.

“Is there a difference?
And even if there was, does it matter?
All that matters is that
Through your own experience,
You remember who you are
And experience
What you really want to be.
That is the truth of creation.”

Drifting off into the deepest sleep
Of her life,
Allison listens to McDermott
Reciting his poetry again and again.
I bled a lot writing this piece. I hope that somehow, somewhere, someone can read it and create that which they were destined to experience.
Miss Clofullia  Jun 2017
#REM
Miss Clofullia Jun 2017
I see great ***** every day
in the subway
and, suddenly, my favorite Hitchcock movie changes from
Rear Window to Vertigo.
The movement of the train calms me down and I fall asleep quickly,
dreaming that I'm in Kerouac's car, quietly hitting the road
like ******* hit his canvas.

I see great ******* every day
on the bus that takes me home,
but not one single *****
for me to lay my ear on.
The dream comes to a crossroad where me and Jack have to part ways.
He'll go down in history like a great writer
and I'll quietly go down on memory lane in oblivion.

Memory disappointed me
and left a bad taste
in my mouth - literary ******* ain't what it used to be.
Sofia Von  Oct 2013
Keep spinning
Sofia Von Oct 2013
Strangers are my best friends
Even feelings are for even people... Know anyone who matches that description?
I'd like to cuddle away the problems
**** someone while crying
No
I don't think so
I want to be felt and loved. And craved like fluent chocolate gushing
Down the corners of my mouth
Lapped up by your tongue
I wish

Scratched letters over a blank canvas
Make for messages of clarity.
Nails on a chalk board every time you etch, but its the promise of the next word that makes it tolerable.
These pick-up-stick letters are angry and depressed but fit together like bread on butter. creamy song lyrics you scribble but there’s no tune.
An obstacle foreseen and ignored.
The rhythm of voice catches, flame to syncopation, and feebly you grow with your words to become the song

Sung now, in churches
Do they realize from whence their hymns originated? Deep down, long ago, in the valley of hidden emotional pangs
Your envy was too rich for your body
Yet big enough for this... congregational ritual.
Heart tears are beautiful for creation
To existence
They're treacherous

I smile and admire my work
Blow a smoke ring over the wet words not quite solidified on the page
Smudge
Better with a flaw
I don't smoke
Im a social stress smoker
Self diagnosed
Self medicated
So you see I'm an aspiring artist
Although most of my works are ****, I don't really give up.
Its just this part of me I can’t always explain
That happens
They’re my impulse of choice
A painting, a drawing, a poem, a song, dance, all music (save country).
Even little quick thoughts or plans I have are peaceful to record.
It's times like this night where I should really be fast in my REM cycle, dreaming of crazy scenarios to **** up and uncover a truth upon my waking.
But I'm on my notes
Typing away the babble of nonsense thats streaming on demand
Tonight
I'll exit with a line
Or so, I'm not sure
Breathe in the plant, puff out love hits and over expose the motion picture. Each passing present memory is precious to the cycle I don't really want to define.
But I'm in love with its inhabitants I can't get over them
And each day is another episode
But... Is this a sitcom, or a documentary?
These words, are time filled

Cold feet shouldn't be a thing.
Traveler  Sep 2018
SLUMBER AWAY
Traveler Sep 2018
My dear friends
Go on and enjoy yourselves
Slumber the morn away!
It seems early on Saturdays
I've always far to much to attempt to convey

While my few kind heart-ed followers
Tend to sleep their mornings hours
Peacefully in and out of REM
While I'm at the computer rhyming again...

It's late
You passed your chance for early waking
Hell you miss out on a great early baking!
And now it's far past time for eggs and bacon
The munches, as you can guess
Have all been forsaken

And what did you achieve
With extra sleep
Morning dreams of distorted thoughts
Poetic themes now subconsciously lost?

I know, I know
You made wonderful love the night before
And you need your beauty rest
I read your writing, I get it
you are so blessed!!!!

I went to bed alone and played
With the thoughts of someone wanting me
I wish my poems could reflect
But all they do is bleed

How I envy all my followers
If I offend
Give me a holler
You've been hanging out late
With a habits to itch
We all have a role to play
Unfortunately  
By the time you get around to reading this
I'll either be asleep
Or on my way!
.....
Traveler Tim

houmor
IAUSHYJ Jan 2014
Original English version: http://hellopoetry.com/poem/skyrim-3/


Zu'u lost ont jul zulot fein naan vorey jul,
Midrak zoklot zurun Zu'u stood, veyn pogaan ran.
Nii lost Zu'u wo fund krii sahrot dovah, ahrk zind uben vokul jun,
Ko svaan snol ahrk geikaal mund, nust fund heind dii for ahrk mirodah!
Zu'u lost ahst wah do lein, ahrk nid vust knock zey tum!
Fah dii sos nust came, nuz ko niist siifur nust drowned,
Zu'u lost hailed *** ko dii nor ahrk zoor ko suleyksejun!
Sahrot Lahvirn neben lot lokoltei, voth zey ahst niist zurgah,
Morokei lost golt mu tread voknau, lok bex ahrk stin!
Zu'u nuft wah kos undoriik med you…
But ruz Zu'u rem ronaaz wah krahsek.

— The End —