Me pulls to you ..... so strongly attracted to you
color of your skin so ****, ******, and very attractive and beautiful
In my opinion you are the most beautiful in the all universe space, measurement, worlds
My compliments, the truth, and no there is no flattery. In my opinion, this is how looks the most beautiful girl in the world. You are a very beautiful girl. You're a very **** girl. You are perfect. You are a masterpiece. You phenomenon of beauty that can not be repeated. So juicy, so exotic. It seems to me that you have an amazing beauty. You are the most beautiful in the universe all the dimensions of all worlds, you are a supreme being supreme creation, the crown of evolution. You're beautiful melody of love. You are so beautiful, just magic.
You to the point attractive ****. What you want to do countless times having ***.
I only dream if only one your kisses that blossom my soul. And from the touch of your hands on my body, and your lustful-touch for my private parts. I only dream to merge with you forever, body and soul, I only dream of an eternal, continuous *** only with you alone. I only know one thing, that I will forever love only you
Only at your most beautiful, stripped the body, you want to watch and view forever.

Every cell and molecule of my body and my soul is overwhelmed with love only for you. I long to be your beloved husband for all eternity and all lives, and even after death

Do you desire, you are perfect. Soup-navel **** genius. Do you like the sound of "the sound of a roaring engine ****** smart cars": VUM) VUM) vuuuuuuuuoooooooooooooooooooooooooommmmmm) You paradise, you're mens happinesse. Easy, clean, gentle, heavenly delight. You dream of a lifetime. You're pretty unrealistic. On even to the extent to which she can be beautiful, it's just unbelievable. You are the best gift of fate. Before your powerful ****** charm simply irresistible. You're the most beautiful girl in the whole universe. It's a great, great. You luxurious gem. This delicate pearl skin, you sample the true human beauty and femininity. All the other girls compared to you quite simply uy) uy) uy) uy) uy), believe me you are very vip **** girl. Most also come up on the throne of honor honored the goddess, the great pedestal. Majestic music sounds, so subtly and sensitively praising your beauty for you. In your arms a man feels in the higher realms of pleasure. **** regal lioness. Graceful affectionately snarling tigress. Puff) bang) bang) bang) bang) mega glue your beauty kills all competitors by felling. Amazingly beautiful. Sultry, cool and ****-Mego. You are elite, you're a lux, you extra class Your beauty captivates the hearts of men. The queen of all men, divinely beautiful, majestic lady. **** kitten. Mens ******* myself in the pants, with excitement at the sight of you. My heart you certainly won. Imagine that you are on the sandy planet, and every speck of gold pure gold, these grains of sand, the golden thoughts about you and only about you. You stunned, and I from you noodle. You just incredible girl, unbelievable. You're a *** symbol. You is Brand, (dreaming about you) cool, greattbl, superebl. You're like a beautiful peacock, revealing to the people the infinite perfection of their external and internal beauty. Words gently kiss and hug. The outline playful. Queen of ardent passion, so a bit awe velvet body. You idol of femininity and nature ... anywhere in the world to find such a beautiful sight as yours, which is just crazy, captivating with their enchantments of love, and you can not escape from the past and it is impossible to pass, look pierces the tenderness of their feelings.
you thermonuclear *** bomb you lux extra class.
Your passionate gaze iceberg melt. A look of love, perfect beauty. You are an incredibly beautiful girl, you're a mega-explosion of a nuclear bomb.  Boooooooooooooooooooommmmmmmmm), a brain explosion, demolition of all its rivals mega wave. Sweet, sweet as honey. You're sweeter than any candy. You have the talent to charm the guys for their beauty. Your beautiful image of a gentle heart overflows with love for you. Goddess of all men. You are the most gentle in the world. You are wonderful. You as a model in these photos. Original and stylish. Pretty number one in the world. You like to radiate special energy of love and pulling for you. With you all the time you want to be, always and forever. With no one way can not be as good as you. You are infinitely deep and beautiful as the universe itself. Because it is simply not possible. After all, you're stylish, cool, cool. As you have all that is in the ideal image of a woman. Fantastically beautiful. Moon Flower, gently shimmering in the sunlight. How beautiful are your eyes, like a mermaid I want to plunge back to see you sitting on his throne, beautiful creature mermaid her voice beckons you, only your arms, I shall find eternal rest. Awesome adhesive modest. I can not believe my own eyes, how beautiful you are.  you like cream with chocolate .... same tender .... sweet ...... "Your charm charms as analgesia. Do you use it perfectly. Beautiful eyes look like hypnosis. Such a nice warm look. Concealing in itself a treasure of delicate beauty. Infinite height. from that soars from the love of you soul. I like your figure beautiful nymph ... I conquered your soft intriguing, mysterious look ... marvelous sweet charm tempts and drags a.
You are my sweet dream.
I give myself to you forever.
Your loyalty and sincere love.
That's all I want.
You only one I ever want.
You are my love, my fondest wish.
Your photo makes me so *****
I wait from you of reciprocity and understanding.
My word is my tongue that gently caresses your skin and soul.
Gentle and sweet flesh of thy nothing in this universe is not.
Hot passion of your reality in this I do not find.
My words and my eyes tell you only one thing.
The best you never find.
In) during) during) during) during) during) during) during) during) during) Check it out, acclaimed, reviewed, look. Composed for you, about you, tenderly loving s) a) a). **** Barbie, Babe attractive, graceful lady, tender crumb, kitty) kitty) charming cat, sweet baby. One only your smile, this is a great victory and the men feat. Rather Go up to the throne of the goddess honored the great pedestal. Lyrical music sounds just as sensitively and subtly praising your infinite beauty for you. You're a real beauty icon. Designed for real mens, and gentlemen. Vuuuuuuuufffffffffff) tuff) tutuf) tutuf) speak very gently and quietly) tshshshshshshshsh) sounds quiet hypnotic music of love) I'm fascinated by your sensual, delicate charms, leads to you inexplicable wonderful attraction, about how beautiful your magic your charms so vague and so beautiful like brave a charming dope) of your charismatic charm my calls so subtly, subtly and clearly, so sensuously and easily, fervently and passionately, and so ****, ****, cute and appetizing, attractive, beauty, beckoning your temptation, seduction, you're tempting, seductive life you my call, just you alone all the time waiting and call about how much obsession, just the warmth of your feelings gently warms and the confluence of feelings showers my thy soul seizes you soft velvet and silk, you're hot sweet gentle sweetness) only happiness) happiness) and serenity) verily, thou great priceless personality, being at the mercy of your hot emotions and sweet emotion, want to be in them always and forever), I gain peace and paradise on earth, the gentle heat of your mouth, and the warmth of your tender eyes , takes in the wonderful world of your bliss, perfect minute clock, and second only to you, and I want to be just with you, because you have life, you're my only reality, you are my world and the whole universe, keep true allegiance to you, and I just

quietly and timidly say that the only one you love. Without you, life is impossible. You're perfect, you're Suite) glossy, glamorous cute Moore) Moore) Cutie) Ya) ya) dastish fantastish) perfecto) shiiiiiiiiiiiiiiiiiiiiiiiiik) You just mmmmmmmmmmm). This sweeeet) beautifuuuuuuuuul) well just aaaaaaaaaaaaahhhhh) pass out of love for you. Being with you is the continuous buzz, yummy relish) you so photo-film ****-genic photogenic, for movie movie-genic, urrrrrr). We humbly bow to your greatness, great, beautiful goddess, you are perfection. You cool muse, you're cool motif gives your beautiful image of a mega positive, you're a real Kulnev neo) neo) creative, "you're a real jackpot, juicy freshshshshshshsh)" you're the main leitmotif of this world, you're center of the world, a great Bagheera, the pearl of the world. Yes it's true because I think you only one I admire. The idol of all idols, the goddess of all goddesses. Take my word, because it's all true, and I sincerely hope that you give me at least not much pleased. Chorus: "You're **** Bugatti, Maserati best, fastest Ferrari, Pagani elegant. You stylish Bentley, luxury lambordizhni, royal Rolls Royce, wonderful noise voice, only for a cool boys ", voo tyzh) bad, whip. Your extraterrestrial beauty in a nutshell is this: "beautiful and saucily". And I long to see your gentle green light. abruptly, clearly, accurately, rarely smooth, sweet, stylish, strong, powerful, precise, transcripts, honorable. When you're near everything it is not important, so slow and so pointless. Great, great, grand girl yooo) Great, great, grand girl yooo) Great, great, grand girl yooo) ...... Yop) Thank you exist, let sit next to you, take my word for all this is not flattery, be your this is such a great honor, but this is a boon to any man, veeeest) Because you are the most cherished love and the dream of every man. Oooo) Olya-la-la **** figure in this world only you. All attention is focused only on you, everything pales in comparison around with you, and I want to be next only to you, but you pridnalezhat one. You are luxuriously best bust, sweet with sweet lips and mega **** predatory gaze from his amorous feelings rage, my wash only about you say, look what they do to me from the love of you are doing, your beautiful image on forever in itself charms shining, inspires, subordinates, intoxicating. **** goddess. Number one in the world. My low bow only to you) worship only you) Uffffffff) When you're around, getting hot, bright, nice, snip) snip) Vuoks) as a flamethrower let go the flame of his fine feelings, heart pounding more often you zhzhosh not for children, I want to see often, so sultry, beautiful, navel-soup finally, uhhhhhhhhhhh) love is so strong that even begins to hurt the heart. Luxury queen of all parties and catwalks, you unattainable pinnacle, all societies, beeeem) cupid shot of powerful magnum, oooo) complete demolition of all reason, can not hear anything except for you, and now can be seen, only you feel now just you and I I think that I was created just for you. Thank you, thank you, that drew on this as I am. For you, this is only for you, but it's all for you, all for you. I suffer, expect all the time I love you. You're the most desirable woman in the world. Epic, lyric, simpotichnaya) You're beautiful in everything in this world, only you're beautiful. You are endowed with charismatic energy inexplicably beautiful charm ... .ihi) ...... Mochi-mochi-mochi, manenko, manenko, manenko such mainka, mainka, krasotulechka, slyadkaya-slyadkaya girl Lapushka, adorable, cutie, baby, cute flower, candy, umnichka, bird, swallow, Rybonka, kitten, sun-golden-favorite-of-the-most-expensive, good-natured as fluffy hare .................. PSA) PSA) Oooh yeaaah) PSA-PSA) honor) worship, revere, and boundless respect, PSA-PSA) is the only real girl in this PSA, PSA world) you're the most epic, lyrical, lovely) PSA-PSA) you are best of the best, but you have no equal, PSA-PSA) you're the most endowed the title of the most beautiful in the history of mankind, PSA-PSA) you are the most important, the most glorious hero, the only one worthy of a goddess. PSA-PSA) is any place adorn, and instantly all the guys for their beauty by felling you fought, PSA, PSA) and all competitors envy into a deep depression makin PSA-PSA). Because you from herself beauty and eroticism idea tirelessly all its beauty and all are striking. Poetic, exotic, ****** lyrically. Living next to you harmony, grace, take my word, words can not convey, and I want to give you his heart. The sweetest voice only you, the skin so tender and pure, like a beautiful flower, on the face of my delight. So serene, so peaceful and quiet, static, nice and smooth, their places of origin is not in the universe, the soul like a light cloud in the sky hovering, always remembers you, you my love gives. The rays of your love life shines gently nurtures and warms, under your angel wings minds gradually falls asleep. A truly happy life does not happen without you. Next to you, my soul is in heaven remains, and only you, only one truly trusts. Your personality is loud, cool, beautiful, unique. Loud) loud) loud) You're a valuable copy of human beauty tadts-tadts-tadts) tadts-tat) tadts-tat) tadts-tat) uooo) uooo) uooo) tadts-tadts-tadts) tadts-tat) tadts-tat) tadts -tat) uooo) uooo) uooo) oooooo) you higher hooooootest bella mamasita, so moschnobl) with you all the time you want to be srochnobl) tochnobl) you're so cute, I love devotedly, furiously and fanatically. All zabyvaetsya around when you're around, captivated by your unique gentle gaze. Diamond beautiful, deep sapphire, stratsno rubirno, amazing emerald, pearl cute, I was very hooked, very surprised, so beautiful that a tear struck, and tenaciously for his soul took in your deep beautiful distance afield, was happily and easily, and suddenly the shower glittered and blossomed. One only makes your **** look and feel embarrassed blush. See how I want to enjoy it. It makes harder and harder to fall in love with you, I want to again and again appear near you, and never to say goodbye to you, and do not give up when you're around wants to smile with happiness, and you always stay on. Soft) soft) soft) How marvelous your gentle eyes, a beautiful shine, so deep beautiful color, hi) and the lips gifted hot, passionate force, like a sweet juicy berry, shine sweet tender crumb precious shine temptation, fantasy) romantic) ****** ) to you so goes the lipstick) gentle, spectacular pretty perfect) yes) so accurately) not lying, exactly) so refined, so perfect it all, only you, you can safely say all envious yeeeah) baa) baa) beeeee) each part of your body, is true, unattainable, infinitely ****, perfectly gospodstvennoe, divine perfection, which is the business card of your wonderful personality, a genuine sample of the sweet candy, delight, joy. You are an ideal model for the most famous, the channels, magazines, you have the sweetest voice in the world, so it is ideal in television and radio broadcast, a perfect icon of the media, the beautiful goddess of the VIP, I think so. And only love and honor. You are the most precious value in this universe. Heart and love is boundless open and so clean and perfect for you, all I say is not in vain, my love for you is a whole universe dedicated to you. You are beautiful in every way, so different, so special, your presence, gives a special feeling of harmony and peace, you are like a hot flaming fire of love and creation. Bright spark your feelings enliven, inspire. You are like a breath of life, fresh, cold water, your nature is so beautiful, so deep. Your acts as the earth itself give rise to life. You merry wind of freedom, infinitely great, free, you are giving hope and life, really need you like the air. Ooty) Ooty) Ooty) multi-billion-dollar celebrity babe, baby on triliard. I give you a well-deserved medals: for the record for the beauty of the world, a record for the entire beauty of the universe, the medal: in the beauty of a well-deserved
Author: Musin Almat Zhumabekovich

My ***** is a dream come true
my ***** is for me and for you
my ***** is a simple get away
for cats and hearts that are astray
my ***** is an action star
and you are the leading lady
you can play with my ***** like a guitar
but please don't leave it off shaking
my ***** is a spectacle
all of the world's wonder in a nutshell
but if there's one thing my ***** needs
it would be time and seeds
it needs to grow because it is small
this poem was just used to stall

Given the apparent magical surrealism that the months of April is the month of fate for and death of writers, artists, dramatis, philosophers and poets, a phenomenon which readily gets support from the cases of untimely and early April deaths of; Max Weber, Miguel de Cervantes, William Shakespeare, Francis Imbuga, and Chinua Achebe  then  Wisdom of the moment behooves me to adjure away the fateful month by  allowing  me to mourn Gabriel José de la Concordia García Márquez by expressing my feelings of grieve through the following dirge of elegy;
You lived alone in the solitude
Of pure hundred years in Colombia
Roaming in Amacondo with a Spanish tongue
Carrying the bones of your grandmother in a sisal sag
On your poverty written Colombian back,
Gadabouting to make love in times of cholera,
On none other than your bitter-sweet memories
Of your melancholic ***** the daughter of Castro,
Your cowardice made you to fear your momentous life
In this glorious and poetic time of April 2014,
Only to succumb to untimely black death
That similarly dimunitized your cultural ancestor;
Miguel de Cervantes, a quixotic Spaniard,
You were to write to the colonel for your life,
Before eating the cockerel you had ear-marked
For Olympic cockfight, the hope of the oppressed,
Come back from death, you dear Marquez
To tell me more stories fanaticism to surrealism,
From Tarzanic Africa the fabulous land
An avatar of evil gods that are impish propre
Only Vitian Naipaul and Salman Rushdie are not enough,
For both of them are so naïve to tell the African stories,
I will miss you a lot the rest of my life, my dear Garbo,
But I will ever carry your living soul, my dear Garcia,
Soul of your literature and poetry in a Maasai kioondo
On my broad African shoulders during my journey of art,
When coming to America to look for your culture
That gave you versatile tongue and quill of a pen,
Both I will take as your memento and crystallize them
Into my future thespic umbrella of orature and literature.

Gabriel Garcia Marquez, an eminent Latin American and most widely acclaimed authors, died untimely at his home in Mexico City on Thursday, 17th April 2014. The 1982 literature Nobel laureate, whose reputation drew comparisons to Mark Twain of adventures of Huckleberry Finny and Charles Dickens of hard Times, was 87 of age. Already a luminous legend in his well used lifetime, Latin American writer, Gabriel Garcia Marquez was perceived as not only one of the most consequential writers of the 20th and 21ist centuries, but also the sterling performing Spanish-language author since the world’s experience of Miguel de Cervantes, the Spanish Jail bird and Author of Don Quixote who lived in the 17th century.
Like very many other writers from the politically and economically poor parts of the world, in the likes of J M Coatze, Wole Soyinka, Nadine Gordimer, Doris May Lessing, Octavio Paz, Pablo Neruda, V S Naipaul, and Rabidranathe Tagore, Marguez won the literature Nobel prize in addition to the previous countless awards for his magically fabulous novels, gripping short stories, farcical screenplays, incisive journalistic contributions and spellbinding essays. But due to postmodern global thespic civilization the Nobel Prize is recognized as most important of his prizes in the sense that, he received in 1982, as the first Colombian author to achieve such literary eminence. The eminence of his work in literature communicated in Spanish are towered by none other than the Bible, especially  in its Homeric style which Moses used when writing the book of Genesis and the fictitious drama of Job.
Just like Ngugi, Achebe, Soyinka, and Ousmane Marquez is not the first born. He is the youngest of siblings. He was born on March 6, 1927 in the Colombian village of Aracataca, on the Caribbean coast. His literary bravado was displayed in his book, Love in the Times of Cholera.  In which he narrated how his parents met and got married. Marguez did not grow up with his father and mother, but instead he grew up with his grandparents. He often felt lonely as a child. Environment of aunts and grandmother did not fill the psychological void of father and mother. This social phenomenon of inadequate parenthood is also seen catapulting Richard Wright, Charlese Dickens, and Barrack Obama to literary excellency.Obama recounted the same experience in his Dreams from my father.

Poverty determines convenience or hardship of marriage. This is mirrored by Garcia Marquez in his marriage to Mercedes Barcha.  An early childhood play-mate and neighbour in 1958. In appreciation of his marriage, Marquez later wrote in his memoirs that it is women who maintain the world, whereas we men tend to plunge it into disarray with all our historic brutality. This was a connotation of his grandmother in particular who played an important role during the times of childhood. The grand mother introduced him to the beauty of orature by telling him fabulous stories about ghosts and dead relatives haunting the cellar and attic, a social experience which exactly produced Chinua Achebe, Okot P’Bitek, Mazizi Kunene, Margaret Ogola and very many other writers of the third world.
Little Gabo as his affectionate pseudonym for literature goes, was a voracious bookworm, who like his ideological master Karl Marx read King Lear of Shakespeare at the age of sixteen. He fondly devoured the works of Spanish authors, obviously Miguel de Cervantes, as well as other European heavyweights like; Edward Hemingway, Faulkner and Frantz Kafka.
Good writers usually drop out of school and at most writers who win the Nobel Prize. This formative virtue of writers is evinced in Alice Munro, Doris Lessing, Nadine Gordimer, John Steinbeck, William Shakespeare, Sembene Ousmane, Octavio Paz as well as Gabriel Garcia Marquez. After dropping out of law school, Garcia Marquez decided instead to embark on a call of his passion as a journalist. The career he perfectly did by regularly criticizing Colombian as well as ideological failures of the then foreign politics. In a nutshell he was a literary crusader against poverty. This is of course the obvious hall marker of leftist political orientation.
Garcia Marquez’s sensational breakthrough occurred in 1967 with the break-away publication of his oeuvre; One Hundred Years of Solitude which the New York Times Book Review meritoriously elevated as ‘the first piece of literature since the Book of Genesis that should be required reading for the entire human race. The position similarly taken by Salman Rushdie. Marquez often shared out that this novel carried him above emotional tantrums on its publication. He was keen on this as his manner of speech was always devoid of la di da.so humble and suave that his genius can only be appreciated not from the booming media outlets about his death, but by reading all of his works and especially his Literature Noble price acceptance speech delivered in 1982.

With great recollection, there were a few things in life that Ivy Jankauskas would always remember—always.

She would never forget where she was when 9/11 happened; she was in her algebra class, doodling a picture on a piece of notebook paper of her dog, Zoey—bored out of her mind by Mr. Zabbo’s lecture—when she first heard the shocking news. Certainly, she could remember when she first properly fell in love; she was fresh into college when she knew that she loved Trevor Littlefield—the day after they agreed to get back together, right after the day they decided to split up—after she finally realized that she really loved him, much more than she ever, really, consciously thought. She would forever remember when her parents first took her to Disneyland; she was seven and got her picture taken with Snow White and Mickey Mouse, and she instantly decided that she wanted to become a professional Tinkerbelle when she grew up.

And, like it or not, she could remember her very first kiss. She had just turned five, and it was at her birthday party. How could she ever forget those silly paper hats, and all her little playmates wearing them? They were a good sized group of children, mostly from the neighborhood and her kindergarten class, which watched her open present after present. Ivy remembered her cherry cake, with white frosting, and the stain she had when she dropped a piece on her pretty, new dress that her mother had bought her just for the occasion.  

It was later that day, behind her garage, that Gordon Zachary Durand, the Third, a boy her same age, planted one on her. It was a strange sensation, she recalled—icky, wet and sloppy, and Gordon nearly missed her mouth. Not expecting it, Ivy made a face, puckering up her lips—but not for another kiss—as if she had just ****** on a spoiled lemon. Ever since then, it was the beginning of the dislike she had for Gordon Zachary Durand, the Third. She didn’t exactly know why—there was just something about him that bugged her from then on.

There grew to be several reasons why Ivy knew that Gordon was a ****, something she first sensed at her birthday party behind the garage. Since about third grade, children picked on Ivy’s name, teasing her by calling her “Poison Ivy”.  And the one who seemed to be the loudest and most obnoxious of the name callers, chiming in with the other bullies, was Gordon Zachary Durand, the Third.  Ivy was proud of her name up until then, but the taunts made her self conscious. Her mother told her to be proud of her name, for it was unique and different, as she was unique and an individual. Still, Ivy felt uncomfortable with her name for quite a while. Only in adulthood, did she feel somewhat better about it.

A bit of a tomboy back then in school, she would have loved to punch Gordon right in the nose. If only she could get away with it! What a joke! Who would name their child Gordon anyway? She had thought it was far worse than hers.

So to counter his verbal assaults to her name, Ivy called Gordon, “Flash Gordon”, after the science fiction hero from TV and the comics. But Gordon was no hero to her. He was more of a villain, creepy, vile, and just plain mean!

Soon, new name of him caught on, and other kids were joining her. She had a smug sense of satisfaction that Gordon grew furious of the title, for it stuck to him like glue.

Gordon’s family lived right around the block, just minutes away from where Ivy lived. Ivy’s mom, Gail, and Gordon’s mom, Lucy, both went to the same Lithuanian club, and both encouraged their children to take up Lithuanian folk dancing. Ivy remembered she was eight-years-old when she began dancing. It was three years of Hell, she had thought, wearing those costumes, with long, flowery skirts, frilly blouses, aprons, caps and laced vests, and performing for all the parents and families in attendance. Worst of all, she often had to dance with Gordon, and he was one of only three boys that was dragged into taking up folk dancing by their mothers. Probably all of those boys went into it kicking and screaming, so Ivy had thought.

Many years have came and gone since those days. Ivy was now a lovely, young woman, tall and dark blonde, and with a Master’s degree in sociology, working as a social worker in the prison system. Ivy’s parents would never have imagined that she would work in a field, in such places, but she found it quite rewarding, helping those who often wished for or were in need of redemption.    

When Ivy came over to visit her mom one day, her mother had told her some news. “Gordon Durand’s mother passed away”, Gail announced. It was quite disturbing.

“What? When?” Ivy replied, her face full of shock.

“Well, it must have been a few days ago. I saw the obituary in the paper, and a couple of people from the Lithuanian club called me to tell me. The funeral will be Friday. Why, I didn’t even know she was sick! She must have hid from just about everyone. If only I knew, I would have gone to see her and make sure she know I cared”.

It had been a long time since Ivy saw Gordon, ever since high school. Now, they were both twenty-six-years-old. It never occurred to her to ever think of Gordon, to have him fixed in her mind like a fond memory from the past.

“Could of, would of, should of—don’t beat yourself up, Mom” Ivy told her "I guess I should go pay my respects”. But Ivy was not sure if she really should do it, or really if she wanted to do it. “Mrs. Durand was a nice lady. Sometimes, it is the nice ones that die young. What did she die of anyway?”

Ivy’s mom was pouring herself and her daughter a cup of coffee. “I believe it was leukemia. In the obituary, it asks for donations to be made to the Leukemia Society of America”.

Ivy shook her head in disbelief.  As she was sitting down with her mother at the kitchen table, drinking her coffee, her mom shocked her even more. Gail said, “Only twenty-six, same as you, and now Gordon has no mother or father! How tragic to lose your parents at such a young age! It breaks my heart to think of him without his parents, even though he is a grown up man now!”

“What?!” Ivy shouted in disbelief. “When did Gordon’s dad die?!”

Gail sipped on her coffee mug. “Oh, a few years ago, I believe. Time sure flies, so maybe it was longer than I think”. Gail had a far away look on her face like she was earnestly calculating the time in her mind.

“He died? You never told me that! How come you never told me?”

Under normal circumstances, the thought of Gordon Zachary Durand, the Third, would almost want to make Ivy cringe. But now Ivy was feeling very sad for him.  

“I did!” Gail defended herself. “You just don’t remember, or you weren’t listening. I am sure I told you!”

Gail was a round faced woman, with light, crystal blue eyes that always seemed warm in spite of their icy color. Ivy was quite close to her mother, her parents’ only child. She was grateful that her dad, Max, was still around, too, unlike the thought of Gordon’s dad dying. She felt that she could not have asked for better parents. They loved her and built her up to be who she was, and she felt that they could be proud of how she turned out, not the stereotypically spoiled, only child, not entitled to have everything, but one who was willing to do her share in life.  

“I would have remembered, Mom!” Ivy insisted. “I would remember a thing like that! What happened to him? Did you go to the funeral home?”

“I think he had a heart attack”, Gail replied, tapping her finger on her temple to indicate that she remembered. “I did go…oh, wait a minute. You were in Europe with your friends. It was the year after you graduated from high school, I believe. You couldn’t possibly have gone to the funeral home at that time”.

Since Gail did not want to go to Daytona Beach, in Florida, for her senior trip, her parents saved up the money for her to go to Germany and Italy. Ivy wasn’t into being a bikini clad sun goddess, nor was she thrilled by the rowdy behavior of crowds of *** craved teens—a choice that her parents were quite grateful that she chose, level headed as she was.

Since she was a little girl, Ivy dreamed of going to Europe. Her parents, both grandchildren of Lithuanian immigrants, would have loved for her to go to Lithuania, but Ivy and two of her friends had found a safe, escorted trip to go elsewhere,  on to where Ivy always dreamed of going—to see the Sistine Chapel and to visit her pen pal of eleven years, Ursula Friedrich, in Munich.  

Now, Ivy was available to visit the funeral home for Gordon’s mother, and she had decided to go with her mother. Not seeing Gordon in years, Ivy had her misgivings, not knowing what to expect when encountering him. Perhaps, he would be different now, but maybe he would prove to be quite the ****.

As she came, she noticed Gordon’s sister, Deirdre, and she gave her a hug. “I’m so sorry to hear about your mom. She was so nice”, Ivy told Deirdre. She felt uncomfortable talking to Deirdre, for she did not know what to say other than the usual, I am sorry for your loss. It was “sympathy card” talk, and Ivy felt like she was quoting something contrived from a Hallmark store.    

Deirdre was two years older than Gordon. She slightly smiled at Ivy and sighed. She must have said just about the same thing all day long, “It is good of you to come. Thank you for your kind support. Mom would appreciate it”.

Ivy looked around the room. There were many flowers, in vases and baskets, and people surrounding the casket. Ivy could not see Mrs. Durand in the coffin, for people were in the way, her mother included. She was glad she couldn’t see the body from her view.

Funeral homes gave her the creeps, ever since she was thirteen years old and her grandmother died, her father’s mother, and she had to stay at the funeral home all day long. Even a whiff of some, certain flowers was not pleasant to smell. They reminded her of being at a place like this, certainly not evoking thoughts of joy.          

Ivy looked around the room. “Where is Gordon?” she asked Deirdre.

Deirdre sighed again. “Gordon cannot handle death very well”, she admitted. “Go outside and look. He has been hanging around the building outside, getting some fresh air and insisting he needs a big break from all this.”

Ivy shook her head and smirked. “That sounds like Gordon, I must say”  

“Yeah”, Deirdre agreed, as she looked like Gordon’s help to her was a lost cause. “And he’s leaving me to do all the important work—talking to people who come in while he goes away and escapes from reality”.

Ivy went outside to search for Gordon. Sure enough, she found him by the side of the building, under a broad, shady tree. He was having a cigarette, standing all by himself, when he saw her approach.

Gordon looked the same—wavy brown hair and freckles, but much more grown up and sophisticated, his suit jacked off and his tie loosened up. Ivy knew that he always hated wearing ties. She knew that when both her mom and his mom convinced them to go out with each other—a huge twist of their arms—to the Fall Fest Dance in ninth grade and in junior high school. Gordon’s mom bribed him to go with her by promising to double his allowance for the month, and Ivy actually had a silly crush on Gordon’s cousin, Ben, hoping that she might get to talk to him if she went with Gordon to the dance.

Ivy glanced at Gordon’s cigarette, and he noticed. “Been trying to quit”, Gordon told her as she approached. He dropped it on the sidewalk and stepped on it to put it out. His face was somber as he added without any emotion, as if parroting his own voice, “Ivy Jankauskas—how the hell have you been?” It sounded like he had just seen her in a matter of months instead of years.

Well, at least he had no problem identifying her or remembering her name. She must not have changed that drastically—and hopefully for the better.

Ivy stood there before him, as he looked her down from head to toe. Same old Gordon! She thought he was probably giving her “the inspection”. She thought he almost looked handsome in his brown suit vest and pants—almost—with a sharp look of sophistication that Gordon probably wasn’t accustomed to. Surely, Ivy had no real respect for him.

“I’m well”, she responded. “But the question is more like…how are you doing?” Ivy studied Gordon’s blank expression. “No—really. I’d like to know how you are coping”.

Gordon stood there looking at the ground, his hands in his pants pockets, like he never heard her. “Come on. Let’s go for a walk”

“Here? Now?”

“Just a short work, around the block”, he told her. He already started walking, and Ivy contemplated what to do before she decided to follow up with him to join him.

They walked together in silence for a while. From anyone passing by, they surely would have looked like a couple, a well-paired couple that truly enjoyed each other’s company. Ivy could not believe she was actually walking with him. Gordon Zachary Durand, the Third? Of all people!

“You haven’t answered my question”, Ivy said. “How are you coping? You know I really liked your mom a lot. She always was pleasant to me”.

She wanted to add, “Unlike you”, but it certainly was not the right time or the right place. She felt a twinge of guilt for thinking such a thing. Under more pleasant circumstances, she would have jabbed him a little. That was just how they always communicated, not necessarily in a mean-spirited way, but in a brotherly and sisterly way that involved plenty of teasing.

Gordon thought a moment before he answered. “Yeah, it’s hard. But what can I do? I lost my dad. I lost my mom. Period. End of discussion. I’m too old to be an orphan…but I kind of feel like one anyhow. That’s my answer, in a nutshell”.

“And I wish I knew about your dad”, Ivy said, with a great tone of remorse. “I was in Europe at the time, and I couldn’t have possibly gone to the funeral”.

“Europe? Wow! Aren’t you the jet setter? Who else gets to do that kind of stuff but you, Ivy?”

Now that was the Gordon she always knew! It did not take long for the true Gordon to come forth and show himself.

“No! I don’t have all kinds of money!” she quickly defended herself. “I actually helped pay for some of that trip by working all summer after we graduated from high school. Plus, it was the trip of a lifetime. I may never get the chance to go again on a trip like that again”.  

Ivy was a bit perturbed that Gordon seemed to imply that she was pampered by her parents. He accused her of that before, just because she was an only child.

Autumn was approaching, but summer was still in the air. It was Ivy’s favorite time of year, with the late summer and early autumn, all at the same time.  The trees were just starting to turn colors, but the sun felt nice and warm upon her as Ivy walked along. It was surely an Indian summer day, one that wouldn’t last forever. She wore a light sweater over her sleeveless, cotton dress, and took it off to experience more of the sun.

“It has been ages since I’ve seen you”, Gordon admitted. “Since high school. So what became of you? Did you ever go to college?”

“I did and I work as a social worker…I work in various prisons”

Gordon laughed out loud, and Ivy gave him a stern look. “What’s so funny?” she demanded.

“I just can’t picture you going in the slammer, even if you aren’t wearing an orange suit”, he said in between laughing. He looked at Ivy, and she had quite a frown on her face. He changed his tune. “I was only joking, Ivy. I think you’d probably do good work at your job”.  

“And where do you work?” she asked, a devilish expression on her face. “At the circus?”

Ivy caught herself becoming snarky to Gordon. It did not take long. She opened her mouth to apologize, but Gordon, sensing her need to be sorry, stopped her.

Laughing even more, he said, “Good one! You are sharp and fast on your feet! You always have been! I work for an insurance agency. I work for Triple A”.

“Oh, really? Do you like your job?” Ivy asked. Her interest was genuine.

“It pays the bills. But, hey! I am going back to college in January. I just have an Associate’s degree right now. I am not sure what I want to take up, but I want to go back and at least get a Bachelor’s”.

“That’s great!” Ivy exclaimed. “I think you should keep on learning and keep on moving forward. That is a great goa

Your fingers are on my throat
   the world is rocking like a boat
an ocean
is unbearable
because it never seems to end
   and all I can do is float

   Your lips are rosebuds that never stop moving
   and somehow I find my own disgust soothing
my fingertips
are numb
whenever I lose myself to the waves
   but you're deaf so I'm unsure what I'm proving

   Your move was the deadly spawn of knight
   I sacrificed my pawn, paralyzed by fright
we will protect
the king
from sicknesses like you, *******
   Checkmate. I never lose a single fight.

A view just before sunrise
Resembles like a sunset
But the difference is vast
As it is fills with a hope of rays

A view just before sunrise
Is well felt deep inside
When it starts to gleam
With its sun rays

A view just before sunrise
Is a blooming sun of rays
Which fill with bright lights
And make beautiful sights

A view just before sunrise
Is a view of hopes
Excited in full of vibes
With its vibrant colours

A view just before sunrise
Is a one more chance
Given to know the worth of lives
To live with full of senses

A view just before sunrise
Is to be grateful to God’s grace
To be a part of living miracles
Especially in this competitive eras

A view just before sunrise
Is enjoyed well when it rises
And when it rise to its bests
It seems as smiling at us

A view just before sunrise
Is a smiley face of sun
As of a blooming sunflower’s
With its joyful pleasures

A view just before sunrise
Is the waiting periods
To see the rising queen
Reflecting as golden eyes

A view just before sunrise
Is hope of new days
In its blessed paces
For every faces

A view just before sunrise
Helps to plan in advance
To utilise the opportunities
With its best ways

A view just before sunrise
May bless us to rise
With its immense cheers
So all can have its leisures

A view just before sunrise
Is the stipulated time frames
To harvest the best nuts
From the life’s tests

A view just before sunrise  
Is to raise yourselves
To shine as jewel stones
As a sun in yourselves

A view just before sunrise
Is to enjoy the glory of living vibes To make best diamond from coals
So that it lustre in darks

A view just before sunrise
In nutshell, is a glorious shine
As a diamond kept in caves
To brighten the path of ways

In response to a sardonic essay written in the recent Saturday Nation by Proffessor Ekara Kabaji, wryly  disregarding the position of Kwani in the global literary movement within and without Kenya , I beg to be permitted a leeway  to observe that any literature, orature, music,drama,cyborature,prisnorature,wallorature,streetorature , sculptor  or painting can effortlessly thrive and off course it has been thriving without professors of  literature, but the reverse is not possible as a proffessor of literature cannot be when literature is not there. Facts in support of this position are bare and readily available in the history of world literature, why they may not be seen is perhaps the blurring effects from tor like protuberant irrelevance of professors of literature in a given literary civilization.
A starting point is that literature exists as a people’s subculture, it can be written or not written like the case of orature which survive as an educative and aesthetic value stored in the collective memory of the given people. The people to be pillars of this collectivity of the memory are not differentiated by academic ranking for superlativity of any reason, but they are simply a people of that place, that community, that time, that heritage, that era and that collective experience. Writing it down is an option, but novels and other written matter is not a sine qua non for existence of literature in such situations. This is not a bolekaja of literature as Proffessor Ekara Kabaji would readily put, but it is a stretch towards realism that it is only people’s condition that creates literature. Poverty, slavery, colonialism, ***, marriage, circumcision, migration, or any other conditions experienced as collective experience of the people is stored or even stowed away in the collective memory of the people as their literature. Literature does not come from idealistic imagination of an educated person.
Historical experience of written literature informs us that the good novels, prose, drama and poetry were written before human society had people known as professors of literature. I want you my dear reader and You-Tube audience to reflect on the Cantos of Dante Alighieri in Italy, novels of Geoffrey Chaucer in England, Herman Melville and his Moby **** in Americas, poetry of Omar khwarisim in Persia, Homeric epics of Odyssey in Greece and the Makonde sculptures of Africa and finally link your reflections to Romesh Tulsi who grafted the Indian epic poetry of Ramayana and Mahabharata. At least you must realize that in those days literature was good, full of charm, very aesthetic and superbly entertaining. This leads to a re-justification that, weapon of theory is not useful in literature. University taught theories of literature have helped not in the growth of literature as compared to the role played by folk culture.
Keen observation will lead you dear reader, down to revelations that; professors of literature squarely depend on the thespic work of the people who are not substantially educated to make a living. Let me share with you the story about Dr. Tom Odhiambo who went to University of Witwasterand in South Africa for post graduate studies in literature only to do his Doctoral research on books of David G Maillu. Maillu is a Kenyan writer, he did not finish his second year of secondary school education but he has been successfully writing poetry and prose for the past three decades. His successful romantic work is After 4.30, probably sarcasm against Kenyan office capitalism, while his eclectic, philosophical and scholarly work is the Broken Drum. Maillu has many other works on his name. But the point is that Dr. Odhiambo now teaches at University of Nairobi in the capacity of senior lecturer in Literature. What makes him to put food on the table is the effort of un-educated person in the name of David Maillu. Dr.Odhiambo himself has not written any book we can mention him for, apart from regular literary journalism he is often involved in on the platforms of the Literary discourse in the Kenyan Saturday Nation which are in turn regular Harangues and ripostes among literature teachers at the University of Nairobi, the likes of Dr Siundu, Proffessor wanjala Chris and Evans Mwangi just but to mention by not being oblivious to professors; Indangasi and Shitanda.
No study has yet been done to establish the role of university professors on growth of African literature. One is overdue. Results may be positive role on negative role, myself I contemplate negative role. Especially when I reflect on how the African literati reacted on the publication of Amos Tutuola’s book The Palm Wine Drinkard. The reactions were more disparaging than appreciative. Taban Lo Liyong reacted to this book by calling Amos Tutuola the son of Zinjathropus as well as taking a self styled intellectual responsibility in form of writing a more  schooled version of this book; Taking Wisdom up the Palm Tree. Nigerians of Igbo (Tutuola being a Yoruba) nation cowed from being associated with the book as it had shamefully broken English, broken grammar etc. Wole Soyinka had a blemished stand, but it is only Achebe who came out forthrightly to appreciate the book in its efforts to Africanize English for the purpose of African literature. Courtesy of Igbo wisdom. But in a nutshell, what had happened is that Amos Tutuola had taken a plunge to contribute towards written literature in Africa.
One more contemplated result from the research about professors and African literature can be that apart from their role of criticism, professors write very boring books. A ready point of reference is deliberate and reasonless obscurantism taken Wole Soyinka in all of his books, Soyinka’s books are difficult to understand, sombre, without humour and not capable to entertain an average reader. In fact Wole Soyinka has been writing for himself but not for the people. No common man can quote Soyinka the way Achebe’s Things Fall Apart is quoted. Achebe wrote Things Fall Apart when he had not began his graduate studies. However, he did not escape the obvious mistake of professors to become obscure in the Anthills of the Savanna, the book he wrote when he had become a proffessor. This is on a sharp contrast to entertaining effectiveness, simplicity and thematic diversity of Captain Elechi Amadi, Amadi who studied chemistry but not literature. He does not have a second degree, but his books from the Concubine, The great Ponds, and Sunset in the Biafra and Isibiru are as spellbinding as their counterparts in Russia.
Kenyan scenario has Ngugi wa Thiongio, he displayed eminence in his first two books; Weep not Child and The River Between. These ones he wrote when he was not yet educated, as he was still an undergraduate student at Makerere University. But later on Ngugi became a victim of prosaic socialism, an ideology that warped his literary imagination only to put him in a paradoxical situation as an African communist who works in America as an English teacher at Irvine University. His other outcrops are misuse of Mau Mau as a literary springboard and campaigning for use of Kikuyu dialect of the Gema languages to become literary Lingua Franca in Kenya. Such efforts of Ngugi are only a disservice to Kenyan literature in particular and African literature collectively. Ngugi having been a student of Caribbean literature has failed to borrow from global literary behaviour of Vitian S. Naipaul.  Ngugi’s position also contrasts sharply with Meja Mwangi whose urban folksy literature swollen with diversity in themes has remained spellbinding entertainers.
The world’s literary thirsty has never failed to get palatable quenching from the works of Harriet Bechetor Stowe, Robert Louis Stevenson, Shakespeare, Alice Munro, Octavio Paz, Pablo Neruda, John Steinbeck, Garcia Guarbriel Marguez,Salman Rushdie, Lenrie Peters, Cyprian Ekwenzi, Nikolai Gogol,I mean the list is as long as the road from Kaduna to Cape town. Contribution of these writers to global literature has been and is still critical. Literature could not be without them. Surprisingly, most of them are not trained in literature; they don’t have a diploma or a degree in literature, but some have won literature Nobel Prize and other prizes. Alfred Nobel himself the author of a classical novella, The Nemesis, does not have University education in literature. What else can we say apart from acceding to the truth that literature can blossom without professors, the Vis-à-vis an obvious and stark impossibility.

Pennsylvania, 1948-1949

The garden of Nature opens.
The grass at the threshold is green.
And an almond tree begins to bloom.

Sunt mihi Dei Acherontis propitii!
Valeat numen triplex Jehovae!
Ignis, aeris, aquae, terrae spiritus,
Salvete!—says the entering guest.

Ariel lives in the palace of an apple tree,
But will not appear, vibrating like a wasp’s wing,
And Mephistopheles, disguised as an abbot
Of the Dominicans or the Franciscans,
Will not descend from a mulberry bush
Onto a pentagram drawn in the black loam of the path.


But a rhododendron walks among the rocks
Shod in leathery leaves and ringing a pink bell.
A hummingbird, a child’s top in the air,
Hovers in one spot, the beating heart of motion.
Impaled on the nail of a black thorn, a grasshopper
Leaks brown fluid from its twitching snout.
And what can he do, the phantom-in-chief,
As he’s been called, more than a magician,
The Socrates of snails, as he’s been called,
Musician of pears, arbiter of orioles, man?
In sculptures and canvases our individuality
Manages to survive. In Nature it perishes.
Let him accompany the coffin of the woodsman
Pushed from a cliff by a mountain demon,
The he-goat with its jutting curl of horn.
Let him visit the graveyard of the whalers
Who drove spears into the flesh of leviathan
And looked for the secret in guts and blubber.
The thrashing subsided, quieted to waves.
Let him unroll the textbooks of alchemists
Who almost found the cipher, thus the scepter.
Then passed away without hands, eyes, or elixir.


Here there is sun. And whoever, as a child,
Believed he could break the repeatable pattern
Of things, if only he understood the pattern,
Is cast down, rots in the skin of others,
Looks with wonder at the colors of the butterfly,
Inexpressible wonder, formless, hostile to art.


To keep the oars from squeaking in their locks,
He binds them with a handkerchief. The dark
Had rushed east from the Rocky Mountains
And settled in the forests of the continent:
Sky full of embers reflected in a cloud,
Flight of herons, trees above a marsh,
The dry stalks in water, livid, black. My boat
Divides the aerial utopias of the mosquitoes
Which rebuild their glowing castles instantly.
A water lily sinks, fizzing, under the boat’s bow.


Now it is night only. The water is ash-gray.
Play, music, but inaudibly! I wait an hour
In the silence, senses tuned to a ******’s lodge.
Then suddenly, a crease in the water, a beast’s
black moon, rounded, ploughing up quickly
from the pond-dark, from the bubbling methanes.
I am not immaterial and never will be.
My scent in the air, my animal smell,
Spreads, rainbow-like, scares the ******:
A sudden splat.
I remained where I was
In the high, soft coffer of the night’s velvet,
Mastering what had come to my senses:
How the four-toed paws worked, how the hair
Shook off water in the muddy tunnel.
It does not know time, hasn’t heard of death,
Is submitted to me because I know I’ll die.


I remember everything. That wedding in Basel,
A touch to the strings of a viola and fruit
In silver bowls. As was the custom in Savoy,
An overturned cup for three pairs of lips,
And the wine spilled. The flames of the candles
Wavery and frail in a breeze from the Rhine.
Her fingers, bones shining through the skin,
Felt out the hooks and clasps of the silk
And the dress opened like a nutshell,
Fell from the turned graininess of the belly.
A chain for the neck rustled without epoch,
In pits where the arms of various creeds
Mingle with bird cries and the red hair of caesars.


Perhaps this is only my own love speaking
Beyond the seventh river. Grit of subjectivity,
Obsession, bar the way to it.
Until a window shutter, dogs in the cold garden,
The whistle of a train, an owl in the firs
Are spared the distortions of memory.
And the grass says: how it was I don’t know.


Splash of a ****** in the American night.
The memory grows larger than my life.
A tin plate, dropped on the irregular red bricks
Of a floor, rattles tinnily forever.
Belinda of the big foot, Julia, Thaïs,
The tufts of their *** shadowed by ribbon.


Peace to the princesses under the tamarisks.
Desert winds beat against their painted eyelids.
Before the body was wrapped in bandelettes,
Before wheat fell asleep in the tomb,
Before stone fell silent, and there was only pity.


Yesterday a snake crossed the road at dusk.
Crushed by a tire, it writhed on the asphalt.
We are both the snake and the wheel.
There are two dimensions. Here is the unattainable
Truth of being, here, at the edge of lasting
and not lasting. Where the parallel lines intersect,
Time lifted above time by time.


Before the butterfly and its color, he, numb,
Formless, feels his fear, he, unattainable.
For what is a butterfly without Julia and Thaïs?
And what is Julia without a butterfly’s down
In her eyes, her hair, the smooth grain of her belly?
The kingdom, you say. We do not belong to it,
And still, in the same instant, we belong.
For how long will a nonsensical Poland
Where poets write of their emotions as if
They had a contract of limited liability
Suffice? I want not poetry, but a new diction,
Because only it might allow us to express
A new tenderness and save us from a law
That is not our law, from necessity
Which is not ours, even if we take its name.


From broken armor, from eyes stricken
By the command of time and taken back
Into the jurisdiction of mold and fermentation,
We draw our hope. Yes, to gather in an image
The furriness of the ******, the smell of rushes,
And the wrinkles of a hand holding a pitcher
From which wine trickles. Why cry out
That a sense of history destroys our substance
If it, precisely, is offered to our powers,
A muse of our gray-haired father, Herodotus,
As our arm and our instrument, though
It is not easy to use it, to strengthen it
So that, like a plumb with a pure gold center,
It will serve again to rescue human beings.


With such reflections I pushed a rowboat,
In the middle of the continent, through tangled stalks,
In my mind an image of the waves of two oceans
And the slow rocking of a guard-ship’s lantern.
Aware that at this moment I—and not only I—
Keep, as in a seed, the unnamed future.
And then a rhythmic appeal composed itself,
Alien to the moth with its whirring of silk:


O City, O Society, O Capital,
We have seen your steaming entrails.
You will no longer be what you have been.
Your songs no longer gratify our hearts.


Steel, cement, lime, law, ordinance,
We have worshipped you too long,
You were for us a goal and a defense,
Ours was your glory and your shame.


And where was the covenant broken?
Was it in the fires of war, the incandescent sky?
Or at twilight, as the towers fly past, when one looked
From the train across a desert of tracks

To a window out past the maneuvering locomotives
Where a girl examines her narrow, moody face
In a mirror and ties a ribbon to her hair
Pierced by the sparks of curling papers?


Those walls of yours are shadows of walls,
And your light disappeared forever.
Not the world's monument anymore, an oeuvre of your own
Stands beneath the sun in an altered space.


From stucco and mirrors, glass and paintings,
Tearing aside curtains of silver and cotton,
Comes man, naked and mortal,
Ready for truth, for speech, for wings.


Lament, Republic! Fall to your knees!
The loudspeaker’s spell is discontinued.
Listen! You can hear the clocks ticking.
Your death approaches by his hand.


An oar over my shoulder, I walked from the woods.
A porcupine scolded from the fork of a tree,
A horned owl, not changed by the century,
Not changed by place or time, looked down.
Bubo maximus, from the work of Linnaeus.


America for me has the pelt of a raccoon,
Its eyes are a raccoon’s black binoculars.
A chipmunk flickers in a litter of dry bark
Where ivy and vines tangle in the red soil
At the roots of an arcade of tulip trees.
America’s wings are the color of a cardinal,
Its beak is half-open and a mockingbird trills
From a leafy bush in the sweat-bath of the air.
Its line is the wavy body of a water moccasin
Crossing a river with a grass-like motion,
A rattlesnake, a rubble of dots and speckles,
Coiling under the bloom of a yucca plant.


America is for me the illustrated version
Of childhood tales about the heart of tanglewood,
Told in the evening to the spinning wheel’s hum.
And a violin, shivvying up a square dance,
Plays the fiddles of Lithuania or Flanders.
My dancing partner’s name is Birute Swenson.
She married a Swede, but was born in Kaunas.
Then from the night window a moth flies in
As big as the joined palms of the hands,
With a hue like the transparency of emeralds.


Why not establish a home in the neon heat
Of Nature? Is it not enough, the labor of autumn,
Of winter and spring and withering summer?
You will hear not one word spoken of the court
of Sigismund Augustus on the banks of the Delaware River.
The Dismissal of the Greek Envoys is not needed.
Herodotus will repose on his shelf, uncut.
And the rose only, a ****** symbol,
Symbol of love and superterrestrial beauty,
Will open a chasm deeper than your knowledge.
About it we find a song in a dream:


Inside the rose
Are houses of gold,
black isobars, streams of cold.
Dawn touches her finger to the edge of the Alps
And evening streams down to the bays of the sea.


If anyone dies inside the rose,
They carry him down the purple-red road
In a procession of clocks all wrapped in folds.
They light up the petals of grottoes with torches.
They bury him there where color begins,
At the source of the sighing,
Inside the rose.


Let names of months mean only what they mean.
Let the Aurora’s cannons be heard in none
Of them, or the tread of young rebels marching.
We might, at best, keep some kind of souvenir,
Preserved like a fan in a garret. Why not
Sit down at a rough country table and compose
An ode in the old manner, as in the old times
Chasing a beetle with the nib of our pen?

With a personal trainer and a former Olympic champion for parents, it's no wonder that Summer Needs is a little water baby. The six-week-old daughter of Rebecca Adlington and Harry Needs has only just arrived into the world, but she's already enjoyed a dip in the pool three times.

Becky, who has previously said that giving birth was harder than winning her gold medals, has opened up about her baby's first swimming lesson – and how much motherhood has changed her life.

"It was absolutely brilliant," Becky told HELLO! Online of Summer's first dip. "You never know how babies are going to react but Summer was absolutely brilliant in the water. When we first bathed her, she just screamed the whole time so I was a bit worried but now she loves bath time."

Baby Summer was just three and a half weeks old when she first had a splash in the pool, and since then, new parents Becky and Harry have taken their daughter back twice.

"We both love being in the water so for us, it's amazing that we can take her in and share this family time together," said Becky. "Harry and I go in the water and pass her to one another and take turns going under the water. She comes back up, blinks a lot and there's been no tears at all. It's going really well so far."

Calling it her best memory yet, Becky, 26, added: "That's the one thing I was so excited about, taking her swimming and buying the costumes. She can't do much at this stage – we can't take her to the zoo and she doesn't really play with toys yet – but swimming is the one thing she can do and we can all do it together as a family."

Speaking about her little one, Becky, who says Summer has her eyes and Harry's nose, said: "She's really content. She's really laid back and chilled but when she wants something, like her ***** changed or she wants food, she definitely lets you know about it. She's a bit feisty in that way and she doesn't give you much warning.

"It's like, 'I want it now'. And you have to let her scream for a little bit while you get it ready and you're like, 'Okay Summer just chill out, you've literally gone from fast asleep to bawling your head off!' She's a bit impatient like us as well."

While Becky has been on maternity leave, personal trainer Harry went straight back to work after one week, but the nature of his job – working in the early mornings and late at night – has meant that he hasn't missed out on taking care of Summer during the day.

"Harry's definitely hands-on," said the former Olympian. "He's been changing her and feeding her. We share the responsibility and he's around for everything – he's seen Summer smile for the first time. It's hard for him because he's juggling work with family time but he's been absolutely amazing."

The Mansfield-born star has fully embraced her new role as a mother – something she has always wanted to be.

"Life is completely different but not in a bad way," she admitted. "You have to plan a bit more, you can't just walk out the house, but at the same time I've always wanted to be a mum.

"It's amazing how you love your baby straight away. You can't really explain it, you can't describe it. People spoke to me before about unconditional love and that you'll do anything for your baby, but you don't really realise it until it happens to you. It's bizarre because you don't know them and they don't know you but you just love them so much. It's absolutely amazing.

"It's definitely been life-changing but I guess it'll change when I go back to work, when Summer starts nursery. You have to accept that life will never be the same again but that's what's so exciting."

Describing motherhood in a nutshell, Becky added: "I'm such a family girl, it's amazing having that family time. It makes you realise that that's all you really need in life, as long as your family are happy and healthy then that's all that matters."

It's early days but the couple have already spoken about having more children.

Becky said: "About two days after I gave birth, Harry asked, 'So babe, when are we gonna try for another?' I said 'Not yet, I need my body to recover!' Nine months being pregnant is a long time! We do want a big family and we'd like a close age gap between our children, but we also want to give our time to Summer."

Becky, who has partnered with HUGGIES® Little Swimmers®, is encouraging all parents to don their swimsuits and have fun with their little ones in the water – even if babies and children are a little hesitant at first.

"For a kid who's absolutely tiny, that big pool is very, very big," said Becky. "Parents should recognise that each step is a huge achievement. Even if their child is just sitting on the side with their feet in the pool, that's better than last week when they just stood around.

"It's about persistence and taking them swimming regularly, and then that fear will disappear. Also taking them out of their lessons and going together as a family is good. If your children see you in the water as a parent, they'll know it's not a scary place."

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A is the Alphabet, A at its head;
  A is an Antelope, agile to run.
B is the Baker Boy bringing the bread,
  Or black Bear and brown Bear, both begging for bun.

C is a Cornflower come with the corn;
  C is a Cat with a comical look.
D is a Dinner which Dahlias adorn;
  D is a Duchess who dines with a Duke.

E is an elegant eloquent Earl;
  E is an Egg whence an Eaglet emerges.
F is a Falcon, with feathers to furl;
  F is a Fountain of full foaming surges.

G is the Gander, the Gosling, the Goose;
  G is a Garnet in girdle of gold.
H is a Heartsease, harmonious of hues;
  H is a huge Hammer, heavy to hold.

I is an Idler who idles on ice;
  I am I--who will say I am not I?
J is a Jacinth, a jewel of price;
  J is a Jay, full of joy in July.

K is a King, or a Kaiser still higher;
  K is a Kitten, or quaint Kangaroo.
L is a Lute or a lovely-toned Lyre;
  L is a Lily all laden with dew.

M is a Meadow where Meadowsweet blows;
  M is a Mountain made dim by a mist.
N is a Nut--in a nutshell it grows--
  Or a Nest full of Nightingales singing--oh list!

O is an Opal, with only one spark;
  O is an Olive, with oil on its skin.
P is a Pony, a pet in a park;
  P is the Point of a Pen or a Pin.

Q is a Quail, quick-chirping at morn;
  Q is a Quince quite ripe and near dropping.
R is a Rose, rosy red on a thorn;
  R is a red-breasted Robin come hopping.

S is a Snow-storm that sweeps o'er the Sea;
  S is the Song that the swift Swallows sing.
T is the Tea-table set out for tea;
  T is a Tiger with terrible spring.

U, the Umbrella, went up in a shower;
  Or Unit is useful with ten to unite.
V is a Violet veined in the flower;
  V is a Viper of venomous bite.

W stands for the water-bred Whale;
  Stands for the wonderful Wax-work so gay.
X, or **, or *** is ale,
  Or Policeman X, exercised day after day.

Y is a yellow Yacht, yellow its boat;
  Y is the Yucca, the Yam, or the Yew.
Z is a Zebra, zigzagged his coat,
  Or Zebu, or Zoophyte, seen at the Zoo.