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760

Most she touched me by her muteness—
Most she won me by the way
She presented her small figure—
Plea itself—for Charity—

Were a Crumb my whole possession—
Were there famine in the land—
Were it my resource from starving—
Could I such a plea withstand—

Not upon her knee to thank me
Sank this Beggar from the Sky—
But the Crumb partook—departed—
And returned On High—

I supposed—when sudden
Such a Praise began
’Twas as Space sat singing
To herself—and men—

’Twas the Winged Beggar—
Afterward I learned
To her Benefactor
Making Gratitude
In Nero’s private stage,
Disaster was
His audience. Rome mimics fallen Troy in play.
What was reflected in Nero’s eyes
when he sang of the swirling patterns
of fire? When Rome was caught burning;
When conspiring led to its fall.

Fire engulfed Rome with fiery teeth.
The clouds hide or faint into black smoke.
The skies bleed heavily with rust
Its brassy color mixing with the
*** of burning seas, like oceans melting

Could you not feel the sun’s weight?
Now it is incomparable to
Molten seas and softened lead!

Blood spilt from sea-point, waves wallow the cries
Of the fallen. Like a bellowing sound marching
Against caverns of ears, Copper soldiers
Melt into clouds oozing with emotion,
Shattering their now empty metal hearts,
Hollow hearts that outlive the muteness.

It is awakened when
Spark and light is absent.

(Paolo Jerome D. Cristobal / June 26, 2009 - Alabang)
2nd Prize Winner - POETRY CATEGORY - Cesar S. Tiangco Literary Awards 2010
2010 one last remark about Mom she’s never had faith or trust in me she always doubts redirects me when i was little she continuously blamed me accusing me of being sick needing a psychiatrist at age 20 my parents committed me for disciplinary reasons to the Institute of Living a psychiatric hospital in Hartford Connecticut in a locked ward for 4 months Mom and Dad discouraged my aspirations to succeed as a painter/writer arguing the impracticality of my decision they thumbs downed Bayli even today she undermines my efforts to love protect her she scolds me for asking permission from my cousin Chris to allow his son Maynard to fly down here and help me pack then drive up to Chicago so i might get to know Maynard on a road trip she instructs hire professional packers for a $100. they’ll be glad to help you pack Mom has always stood in the way of my choices decisions



1975 Chicago in his parent’s kitchen Mom offers the cannolis are fresh from Kanella’s Bakery or try the chocolate fudge cake it’s absolutely delicious Odysseus replies are you trying to fatten me up or **** me with sweets Mom flirtatiously teases i’ve always been about your ruination Odys



2001 Tucson Mom comes for visit at Thanksgiving in her early 80s walking proud yet painfully on displaced hips she is an inspiration to Odysseus her eyes are clouded with cataracts yet she sees life as an eternal optimist since 1920 the world has changed so drastically yet Mom has learned to accept many things she previously did not tolerate she lives prudently on modest fixed income her fingers are arthritically deformed but she was once a great beauty many men desired her Odysseus asks if it was difficult for Mom to lose the power of her physical desirability he noticed her good looks waning in her 50s she answers she sensed her  attraction going in her 70s she still possesses regal qualities and is quite socially charming she chatters a flurry of familiar names events that keep her busy she travels around by herself Mom’s spirit endures but in reality she drifts further away with each passing season she is delicate and has difficulty remembering she echoes a distant past in the early evening of Thanksgiving Day they sit at table of elegant yet rather staid dining room of Mom’s choosing at Arizona Inn she says it reminds her of the way things used to be she wears tasteful black linen slacks black pumps thin silk knitted black turtleneck with string of pearls gold earrings her blonde hair coiffured in same fluffy sprayed style it has been for 50 years in his heart he knows a part of her wishes her son was more like Tom Steinberg who was a senior when Odysseus was a freshman at River Woods Academy The Steinbergs and Mom are still friendly Tom is a successful investment banker with a wife and child living in Winnetka Mom nervously touches the pearl strand around her neck she says you know Mort Rock’s wife Phyllis died i was such a good friend to her at her funeral they read how she said i was her best friend she left me 10 lousy thousand dollars in her will she’s worth millions it’s eating me up inside i needed that money desperately i can’t stop thinking about it 10 lousy thousand dollars went immediately to pay off loans i’m going to sell my jewelry i don’t know what i can get in the spring i’ll put the apartment up for sale or try to get a reverse mortgage from the bank i never told you kids before i’m not in good shape Odysseus comments i feel terrible i wish so much i could help maybe Phyllis Rock suspected you and her husband maybe all those years you were her best friend she read it as guilt and obligation Mom you need to be more truthful Mom cuts in i never had *** with Mort Rock that man drove me crazy he was nuts for me Mom orders the traditional turkey dinner Odysseus orders the Macadamia nut encrusted Hawaiian fish the waiter brings price fixed appetizers little circles of toasted bread with lightly browned melted cheese tiny triangular cucumber and cream cheese sandwiches roasted watercress nuts wrapped in bacon and little hot dogs pierced with fluffy ended toothpicks Mom begins to gobble as she remarks to Odysseus  why do you want to wear your hair like that? you look like you escaped from the camps Odysseus asks what camps are you referring to Mom? she replies the Concentration Camps! you’re a good-looking man and you still have a full head of hair why do you want to shave it off i don’t understand i think you should move back to Chicago Tucson has done nothing to offer look at you you’re all alone you don’t have any friends come home and be your old self again he answers my old self you don’t get it do you Mom do you remember my commodity trading debacle or my 40th birthday or you and aunt Rita’s ceaseless corrections Mom smugly retorts what do you mean your 40th birthday don’t you get smart with me you should be ashamed of yourself why must you keep bringing up the past you need to let go of the past you go into such details details i don’t remember what does it matter now it’s history we only wanted what we thought was best for you you never listened you were only interested in yourself plenty of other kids get beaten and come through just fine you don’t know what it’s like to be a parent it tears me up inside you talk like you had nothing to do with it i can’t take this abuse from you anymore her misshapen fingers hands begin trembling as her voice emotes you think i don’t realize we made mistakes with you you think we were such monsters i wasn’t a good mother i was a lousy ***** is that what you think answer me what are you a bump on a log Odysseus sits stiff in chair his voice shrinks he just sits there his legs shake under table Mom says your father was quick-tempered we were under so much financial pressure maybe we did send you away too soon if i had to do it again i’d do it differently what does it matter now it’s 50 years ago forget the past what do you want from me what can i do he listens silently wondering if Mom seeks some kind of redemption can her conceit permit it he knows he is ******* her he does not mean to be uncomfortable with his muteness Mom continues you were a difficult child remember all the trouble you caused look at you you’re still a difficult man he questions Mom can you hear yourself you think i’m difficult she answers you think we were such terrible parents you grew up in a house of violence his thumb and forefinger nervously touch his chin as he replies no you were good parents i was a problem child different from you you afforded me a beautiful home and brilliant education i wanted to investigate life and learn and grow you didn’t know what to do with a child like that as much as she tries Mom never has been a comfort for Odysseus or he for her he inadvertently stirs her to worry or snap and she in turn unthinkingly disturbs him nevertheless they love each other the waiter brings out salads Mom ordered iceberg lettuce with thousand island dressing Odysseus chose the spinach salad he takes several bites Mom remarks use your salad fork not your dinner fork you know better than that suddenly it occurs to him Mom is more fragile than he he thinks to himself silently Mom i realize your life is closing in on you your mind drifts and you need to fake and cover-up more than ever do you want me to come home and take care of you i will take care of you then he remembers how miserable they were together during his throat cancer recovery in her 3 bedroom Lake Shore Drive condominium immersed in contemplation he pushes the fork through spinach leafs Mom says sit up in the chair and put a smile on your face she self-consciously peeks around the room having lost his appetite Odysseus looks down at napkin on his lap glances at half-eaten salad bowl he gazes up at Mom the waiter arrives making a pained smile he clears the salads then serves the entrees after the waiter departs Mom speaks Odys look at me when i’m talking to you i think about a lot of things i should have done after the fact sometimes even years later Max and i made a lot of incorrect choices when it came to you he cuts in Mom you don’t have to say anymore i love you always have loved you and know you love me too Mom says you know how much i appreciate your paintings you’ve made my life richer i‘ve always been supportive of you in fact i’m your biggest fan right Odys right? thank you Mom i’m grateful Mom says i’ve spoken with psychiatrists and they all tell me the same answer tell your son to forget it why must you dwell in the past what did we do so dreadfully wrong i don’t understand you’re a hard case i wish i could get through to you i hope you can find it in your heart to forgive us you’ll sleep better he questions you know about my insomnia restless sleep nightmares Mom says i can imagine Odysseus’s eyes begin to water Mom i love you i wouldn’t be who i am without you Mom says don’t get so emotional you sound weak take it from me you must be strong in life learn discipline and willpower i love you too son Odysseus wonders if maybe he agitates Mom because he is a constant liability lacking fiscal self-reliance deep down Mom is a giggling gossiping playful girl spoiled by her father she never wanted to grow up and be burdened with the tasks of parenthood what woman of rare beauty and charm would want to give up her privilege and freedom for some kid especially a *******-up kid maybe deep down Mom resents Odysseus he stares down at the Macadamia nut encrusted Hawaiian fish and silently prays he will be released from his life all his stupid sins regrets self-pity self-hatred his vain inconsequential existence



i move organize empty shelves cabinets drawers closets edit wrap tape pack wonder if moving back to Chicago is one more mistake heaped on top of a 1000 mistakes a 1,000,000 mistakes is going home to help Mom my biggest mistake ever i simply know i must try to protect my Mom
Av  Dec 2019
solitude
Av Dec 2019
There is freedom in isolation,
in being idle and invisible,
where one could sit in muteness,
swim widely in dusk and ask,
"Am I really here,
if no one is around to see?"
A different kind of suicide

There is pleasure in being a shadow,
in pretending you don't exist,
to avoid acting like you do

Solitude isn't a time for me
to let myself free
but rather a time to free myself
from who I am

Outside the confinement of company,
I am anyone and anything,
I am someone else, somewhere else
I am alive,
but I am no one
I am alone

a.r.
Poetic T Jul 2015
Winds muteness, touching
All senses always heard
Without a voice.
Deepsha  Jul 2012
Accident
Deepsha Jul 2012
Screeeeeeeechhh!
Thud!
Silence!
Hearts stopped
Faces turned
Jaws dropped
Prayers began

He left his assembled bricks and wood and furniture
and ran
ran towards the sunset
with nothing
but his silhouette following him
even years later
it felt like yesterday
possessed
he ran as fast as he could

Prayers began
blurry shapes hoarded around the car
his eyes refused to close
against the horror
of what lay beside
his high crushed
into water
his delusion failed him
his brain froze

He ran as fast as he could
to the beach
wanting to walk into the water
wanting to stop breathing
seeking unfathomable peace
that final peace

His brain froze
get out of the car
people shouted
was a life lost
he didn’t dare to find out
he just wanted
a few seconds back
just a few
seconds
back
please

That final peace
eluded him
waves silenced
by his cornucopia of emotions
his eyes now refused to open
the saltiness of the beach
was overcome
by tears
that flowed in secrecy
inflaming everything within reach
embracing his cheeks
toying with his lips

Please
callanambulance
sheisbleeding
somebody
tieyourshirta­roundherbleedinghead
isittoolate
is it too late

Toying with his lips
tears turning into questions
could I ever forgive myself
his sobbing heart
didn't acknowledge the question
it just faded
he lived
with himself
he died within

Is it too late
his wife asked
holding his hands
breathing heavily
her eyes averred
every moment that they shared
their feuds
their make ups
their teasing
their loving
her eyes were done speaking
and now they rested

He died within
wailing like a baby
he slept there
with parched eyes
reminiscing her parting words
etched in his heart
etched so deep
that it bled internally
bled and ached
to release a shriek through muteness
muteness, deafening
deafening his emotions
making them oblivious to his existence
his fists clenching
the vacuum of solitude
the moon and waves began their tango
and the water rose
higher and higher
embracing him within
maimed to be saved
releasing a gushing hymn
for she was now deemed
forever with him.
It was either whole or just the last, I'm still confused. But didn't feel like throwing away what I started with however bad or elaborate the start felt. (silly attachments)
Matt Mar 2015
Philosophically, Camus is known for his conception of the absurd. Perhaps we should clarify from the very beginning what the absurd is not. The absurd is not nihilism. For Camus the acceptance of the absurd does not lead to nihilism (according to Nietzsche nihilism denotes the state in which the highest values devalue themselves) or to inertia, but rather to their opposite: to action and participation. The notion of the absurd signifies the space which opens up between, on the one hand, man’s need for intelligibility and, on the other hand, 'the unreasonable silence of the world' as he beautifully puts it. In a world devoid of God, eternal truths or any other guiding principle, how could man bear the responsibility of a meaning-giving activity? The absurd man, like an astronaut looking at the earth from above, wonders whether a philosophical system, a religion or a political ideology is able to make the world respond to the questioning of man, or rather whether all human constructions are nothing but the excessive face-paint of a clown which is there to cover his sadness. This terrible suspicion haunts the absurd man. In one of the most memorable openings of a non-fictional book he states: “There is but one truly serious philosophical problem and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. All the rest – whether or not the world has three dimensions, whether the mind has nine or twelve categories – comes afterwards. These are games; one must first answer” (Camus 2000:11). The problem of suicide (a deeply personal problem) manifests the exigency of a meaning-giving response. Indeed for Camus a suicidal response to the problem of meaning would be the confirmation that the absurd has taken over man’s inner life. It would mean that man is not any more an animal going after answers, in accordance with some inner drive that leads him to act in order to endow the world with meaning. The suicide has become but a passive recipient of the muteness of the world. “...The absurd ... is simultaneously awareness and rejection of death” (Camus 2000:54). One has to be aware of death – because it is precisely the realization of man’s mortality that pushes someone to strive for answers – and one has ultimately to reject death – that is, reject suicide as well as the living death of inertia and inaction. At the end one has to keep the absurd alive, as Camus says. But what does it that mean?

In The Myth of Sisyphus Camus tells the story of the mythical Sisyphus who was condemned by the Gods to ceaselessly roll a rock to the top of a mountain and then have to let it fall back again of its own weight. “Sisyphus, proletarian of the gods, powerless and rebellious, knows the whole extent of his wretched condition: it is what he thinks of during his descent. The lucidity that was to constitute his torture at the same time crowns his victory. There is no fate that cannot be surmounted by scorn” (Camus 2000:109). One must imagine then Sisyphus victorious: fate and absurdity have been overcome by a joyful contempt. Scorn is the appropriate response in the face of the absurd; another name for this 'scorn' though would be artistic creation. When Camus says: “One does not discover the absurd without being tempted to write a manual of happiness” (Camus 2000:110) he writes about a moment of exhilarated madness, which is the moment of the genesis of the artistic work. Madness, but nevertheless profound – think of the function of the Fool in Shakespeare’s King Lear as the one who reveals to the king the most profound truths through play, mimicry and songs. Such madness can overcome the absurd without cancelling it altogether.
www.iep.utm.edu/existent/#SH2c
bones  Feb 2016
Early learning..
bones Feb 2016
Blowing silence
like a bugle
to announce his dismay

he got set
to make a statement
without speaking for a day

but his mother
just assuming
he had nothing much to say

sent her silent
revolutionary
son outside to play;

outmaneuvered
in the kitchen
by his mother's disregard

for campaigns
of wild muteness,
the rebellion fell apart

to the sound
of scuffing shoes
and the grumble in his heart

'cause silent protest
tends to lose
when no-one's listening very hard..
Lexy Garcia  Aug 2013
Muteness
Lexy Garcia Aug 2013
dark bags reside,
under my forest green eyes.
the thunder is silent,
almost like a mute lion attempting to roar.
the shame is nonexistent,
and the beauty is awing.

-l.c.g.
TaciturnPhantom Apr 2014
I can feel myself slipping
From this world
And slowly sinking
Into the depths of darkness –
Watching those familiar faces
Fade from my grasp
Instead becoming consumed
By confusion,
Fear
And muteness.
The iron bars of my cage.

Plunging into my thoughts,
A never ending sea of blackness.
Slowly suffocating
As the barriers fortify
Around my mind.
A cry, a scream for help
As I pound at the strengthening barriers:
Someone help me!
Let me out of here!
Before taciturnity robs me
Of my speech.
Routines and repetitions,
And my own world engulfs me.

Muteness and trembling.
Please, Taci, speak!
Your voice, the panic, the worry
As you grasp my shoulders
And shake me
With an unknown fear
As if to break me from this state.
Why can’t you speak?
My own eyes wide
As I stare at you,
Dumbfounded and fearful.

Sinking deeper into the depths
Of my mind:
Slipping further and further
Into routines and obsessions.
Voices are faded, from another world,
Alien and vague
Spoken in another language.
Incomprehensible and of no meaning,
No use to me!

You watch me on the other side
Of the invisible barrier;
Your hand blocked from my reach.
No matter how hard,
How much you want to help
And try,
Nothing can be done
To stop me from
Slipping through your fingers.

I gaze from afar
Through the tiny window of my mind.
Watching you all laugh, smile and cry.
What do your emotions mean?
What are they for?
What do your face expressions mean?
I am not built for this world:
Too fragile and brittle.
One hit and I'll smash
Into a million billion shards.
My obsessions
Perceived as ecccentric.
My way of speaking -
The shakiness in my voice
And the muteness
Deemed abnormal.
I am an alien becoming more alien.
My language and my mind
Both unsolved paradoxes.
Stephanie Cynthia  Jul 2013
J.
J.
J.
Ah, J.
A love I hath excitedly longed to find,
A love t'at previously had no name.
J.
A love too thrilling for my sights to feel,
and perhaps th' only love t'at couldst make me thrilled;
A love so genuine and benevolent,
A love so talented and intelligent.
Ah, J.
A love t'at just recently landed on my mind;
And made all my lyrical days far more splendid;
A love t'at briefed, and altered me more and more;
A love so chilly and important, with subt'leness like never before.
Ah, J.
My very, very own J.
Perhaps my future king, my precious, but at times villainous-darling.
Oh, J.
And perhaps I am just not as virtuous as I might be,
But t'is poem shall still be about thee;
For thou art-within my minds, still awkwardly th' best one,
With a pair of oceanic eyes too dear; and a civil charm so fine.
J.
J, o my love.
If only thou knew-how oceans sparkles within thy eyes,
And 'tis only in thy eyes, t'at any of t'ese complications might not become eerie,
And then t'is destiny is true, as well as how truth is our destiny;
So t'at any precarious delicacy is still faint-perhaps, but not a lie.
Oh, J.
A bubble of excitement t'at my heart feelest;
But if consented not, shall be the wound no blood couldst heal;
Ah, J, if the heavens' rainbow wert fallen, t'an thou'd be purer;
Born as a sin as us all humans, thou art cleaner to my heart still, and canst but love me much better.
Ah, J.
If only thou knew-how madness floweth and barketh and drinketh from our spheres,
But even th' devil cannot spill its curse on our strangled love;
At least until everything is deaf-and we duly cannot hear,
As skies descend onto th' sore earth; and our dumb sins are t' be sent above.

J.
How pivotal thou art to me-if only yon foliage couldst understand;
If only t'ose winds were not rivals, but one-or at least wanted to be friends.
Ah, J, even only thy words filled my comical ******* to th' brim;
And as far as heavens' angels canst hear, I am no more in love with him.
Ah, J.
'Tis cause my verses are seeking thy name, and his not;
I may create th' words, but thou deviseth my plots;
Ah, and him, the bulk of egotism, and whose frank misery;
Are but too disastrous to me, and in possession of too much agony.
Oh, J.
Thus thou art th' only one who remaineth solemn;
Th' one to remain ecstatic, and as less aggressive as calmness;
But of the broad thoughts I used to think of him, I feel shame;
He is just some unborn trepidation at night-though on fine mornings, he is tame.
Ah, J.
Let me disclose th' egress of thy journey, and tellest me now-is which towards mine?
Ah, thee, thou who art so bounty, and deliciously fine;
And t'ese thoughts of thee-are often tasty, and oft'times generous;
'Ven when thou'rt mad, and thy chanting is vigorously serious.
Ah, J.
Thee, a soul of painless blood;
Whose disgrace hath been buried;
Whose vanities hath been laid off;
Whose miracles hath been lavished on.
Ah, J.
Thou art one bright portrayal of my merit;
I fell'n love with thee in a single bit.
Thou bore my tears, and scorned away my guilt;
And in th' swaying summertime, thou wert my protective shield.
Thus my, my very own J.
My gale-like, and unutterably luscious poem;
About whom my thoughts are jolly, but mindful and insensible;
Ah, J, I wish I were more frail, paler, and gullible;
Ah, but if only being so couldst make me more compatible.
Oh, J.
And compatible, compatible with thee alone;
Fleshly be thine whenst all is borne on thy own;
Be thy only trusted companion, and thy eloquently verified wife;
Be thine, and thine in wifery only, throughout and for th' rest of thy life.
J.
All Let me then guess but the tranquility of thy thoughts-hath thou gone mad?
Behind us are rainbows, and thus thy songs should not be sad;
But even though they were sad, I wouldst lend thee my heart;
So t'at no summer sunshine couldst further tear us apart.
J.
Ah, J, why are th' blue skies far too impatient in thy eyes?
Just as how thy deep scent is febrile in my air;
Thy gushes of breath are thick in my young weather;
As buoyant as yon summer itself; as voluptuous as lingering daisies.
J.
And t'is ****** scream, within my heart, needs indeed-t' be fulfilled;
And its vulnerability t'ere always, to be killed;
Ah, J, t'ere is 'finitely no poem as beautiful as thee;
T'ere is no writing yet as such, as trivial and distant-as my eyes canst see.
J.
Ah, J, darling, and my very fine darling; is chastity to thee virtuous?
About which my soul is hungered-and t'ereby curious;
But if 'tis so, I shall be merry-and ever meekly laborious;
I shall make it tender, and maketh it a reliant gift, to thee.
J.
Ah, J, and thou came to me one aft'rnoon, with a sweet muteness;
For to thee, poems are far more pivotal to a young poetess;
Yes, and far prettier t'an a beastly bunch of words;
Whose curse is whose sweetness itself-and whose whole sweetness is curse.
J.
Ah, J, so shall I be thy pure lady t'en?
For purity is a curse-and related not within t'ese walls;
Walls of discomfort-irresolute and at certain times foreign still;
Walls t'at shun us-and be ours not, due to t'eir own reserved castigations.
J.
Oh, querida, my random rainbow-but still my dearest querida;
My poetry in th' morning, and th' baffling flute, for my evening sonata;
And as it is sounded, I shall be thy private lonely prelude;
But th' one who maketh thee singular, and nevertheless, handsomely proud.
Ah, J.
And thy perfect red lips are th' stillettos of the sun;
Critical but radiant-all too agonising in t'eir inevitable shape;
So t'at kissing might be just too much fun;
And from which, o my love, t'ere is no such a famous escape.

J.
Ah, J, thou knoweth not-I am asleep only within thy remembrance;
As how I am awake only in thy life, and partake of my justice, in thy glory.
Ah, J, but if satire were the only choice we had, shalt thou be with me?
Ah, my J, for be it so-I shall never regret anything, I shall never say sorry.

J.
Ah, wherefore art thou now, my love? I am now cursed. My dreams are mad.
I am now crawling out of whose realms; I wanteth but'a stay no more in my bed.
Ah, J, but in my dream thou wert too miles and miles away, and indolently anonymous;
I hatest sleep t'ereof, for t'ey piercest me so tiringly, with a harm they deemest as humorous.

J.
Ah, sweet darling, and in our dreams, t'ere is no strain, nor piety;
Even thou-in th' last one, despised my pyramids-and my chaste poetry;
Ah, querida, I am but afraid our loneliness shall be gone 'fore long;
For its temporariness is not sick, and canst work its way along, with a belief so strong.

J.
Ah, love, but t'is loveliness itself-is indeed tyrannous,
And its frigid poetry is randomly perilous,
As how th' daydreams it bringeth forth-which are luminous,
But as love is innocent, by one second canst all turn perilous!
J.
Ah, J, thus our story is brilliant, and in any volume real' magnificent,
With curves palatable, but with some greyness too fair-and too pleasant!
Ah, J, if passion dost exist, and thus maketh it all real;
And at once I shall understand thee; and listen only, to how we both feelest.

Ah, J.
My very, very own little J.
My dearest J.
The harbour of my ultimate love.
My most cordial, and serene spring of affection.
My most veritable nirvana, my vivid curiosity-and shades of frankness.
My dream at heart, and my sustainable ferocious haste.
Th' love in which my ever fear shall subside,
And be overwhelmed by its unfearing light.
J.
Oh, J, my glossy, exuberant darling.
And as more winds sway, and amongst the green grass outside,
I canst but feel thy eyes here watching;
Thy eyes t'at widely grinneth, and flirtest with my poetry itself;
Thy eyes t'at forever invitest, yet are all more daring than myself;
Ah, J, even though t'is love may be a secret scene,
But I hath felt, even vulnerably, not any provoking passion so keen-
For though they couldst my flowed veins hear,
They were still delicately unseen-with a serenity t'at was ne'er here.
Silence.
Silence, quietness, numbness.
A rage that feels like nothingness.
A scream when all is mute, a muteness.
A looseness of all senses.
An emotion that has no motion.
And cry, cry, my heart--but even the moon shall not listen;
Today there is poetry, but no love and no great lesson.

All was numb when you stepped away from me;
Soon as you drove and faded away like thunder;
Like a beauty that no kind hearts could see.
There was, to the earth, more than rain and water;
There were feelings that were not felt;
There were hands that were too cold.
And no-one, but He, could take hold of our fate;
A darling story that was left told and untold.
All was numb like it is today, unspoken and bare;
This dribbling water feels burly to my hair;
But with drops as tasty as charcoal salt;
A tearful slide that sets alight my heart.
I shall leave your shadow now, in and between,
My greasy hearts that are now to you unseen.
Why do you hate, and why do you hate me?
We hate each other like lilies and daffodils;
With fright and pain and weariness none can see;
With frost and ice and hatred one cannot heal.
And a winter, more silent than ours, is coming;
While we are still shrouded by our feud, madness and betrayal;
With no sing along, no phrase, nor verbs as mortal beings;
We are ****** by our cohorts, in our own worldly upheaval.
And I condemn, condemn your opaque shadow;
Toss them away from me, to the vanishing window.
I felt the world was tumbling and falling yesterday;
Vanished cries and sorrows are real to me today.

And who said you would be buried in my hair;
With your visage stumbled across my face;
For who are you, so that I ought to care;
Who are you, who hath so praised another lass.
You who cannot taste mirth and what love is;
You who bask in tears and curse a daydream's bliss.
You better forget today's and tomorrow's breath;
You should dream there, that now life too is death.
You who killed my sanity, and took my mortal love;
You who burnt me before, and left with a cheeky laugh;
And I, my soul once so steadfast as thine was;
I, in whose words thou once swam and slept fast;
Thou, who rode away by the timid morning;
Thou, who did not even hear my voice crying.
The moving waters, my tears, at their priestlike task;
Drying and dying not until the coming of dusk;
Soaking my lungs and veins and spines all wet;
A scrap of wound I knew I'd never forget.

Lies come in at the mouth and love in at the eye;
Let's now confess the truth before we all shall die;
You, then in her splendour made triple affairs;
And in her triumph kissed her hair;
And within my sight cupped her cheeks;
Saying her skin was white, sweet, and sleek.
She was a majestic sight, like the moon, to thee;
She was pretty and there was only her then, not me.

Summer was coming, summer was coming;
All birds were singing, all trees were growing;
I watered every day my fat cucumbers;
I watched them at night, beneath rolling thunders;
I ate strawberries at dawn and on afternoons;
I counted the days, that flew about too soon.
I played the piano and enjoyed my flawless old music;
It relaxed my mind every day of the week.
But you were with her then, all day and night;
What she said to you indeed, was always right.

You kissed her again and put her to rest;
You wanted her to have the very best;
You destroyed me in life and in poetry;
You tore me like a ghost no-one want'd to see.

And all was left was as sound as silence;
A silence that want'd me, and want'd to listen.
Silence, silence, silence, such silence was my past friend;
A silence that hunts and prowls over me all over again;
Ah, but my gratitude is adequate, to this darling silence;
A silence so friendly that none who hears shall mourn;
A silence so sublime, more than the silence itself--nor its sound;
A silence that makes a gone and swirls me round and round.
Ah, a lunatic poesy, a silence is--that only a poet could see;
A poet too mystical that ordinary beauties neglect.
But poetry, poetry, is there always for me,
With all its charm and sheer beauty and respect;
That all I want by poetry is eyes that can see;
Lungs that can breathe, and ears that can hear;
For poetry sees what nobody can bear to see;
Amends every broken heart, calms those who fear.

Ah, and though t'is silence is the only friend I have;
Clouds are awake and God is not deaf;
And smile, smile again, dear reader, like my darling rain;
Who is tired not of falling, jumping and ******* and making friends.

And all was left was as sound as silence;
A silence that prays, a silence that heals.
A silence that makes us all so real;
A silence that can feel, or make us feel.
Ah, silence, in such a world where the bravest canst not see;
Thou art there still, waitin' for th' chance again, t' be with me.

— The End —