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So we met in middle school
Feeling oh so awkward
Both of us alone and not "cool"
Not knowing the future we walked toward

Each time we meet
It's like I'm playing a guessing game
The sound of your voice is so sweet
Each time I'm hoping nothing's the same

So we burn in the sun
And talk together at night
Reading the clouds never seemed so fun
Falling asleep until twighlight

Shared whispers
Cracking jokes
Walking along the beach shores
I feel like my love is a hoax

Each time we meet
It's like I'm playing a guessing game
The sound of your voice is so sweet
Each time I'm hoping nothing will change

Then one night, after you get home
I tell you my feelings
For me it's a guessing game,
But you say, "I'm with another guy."

I'm always playing a guessing game
A guessing game, guessing game,
A guessing game!
Guessing the feelings of the world...

Each new day brings a new guessing game.
Anna Wood  Dec 2011
Guessing Game
Anna Wood Dec 2011
For months I've tried to let you in
You turn away, no smile or grin
All those secrets you never tell
It's a guessing game; oh well

I try, try, and try again
To make you happy; I never win
What can I do? You'll never tell
It's a guessing game; oh well

A year ago I learned your name
Nothing special; a face the same
I only knew what you would tell
It's a guessing game; oh well

Why? You're so confusing
You think it's amusing
I just can't foretell
It's a guessing game; oh well

I try, try, and try again
To make you happy; I never win
What can I do? You'll never tell
It's a guessing game; oh well
It's a guessing game; oh well
judy smith Jul 2016
Valentino has its red, Versace its Medusa logo, Chanel the tweed that lines dresses and jackets and handbags each season. In the fashion world, these nuances of texture and color, in conjunction with shape, are what help define a brand's identity, what ultimately makes them feel familiar to consumers; they are fashion's version of DNA. Designers carving out their place within the industry will often land on their own set of signatures that are built upon with each new collection—but Patric DiCaprio, the 26-year-old designer of Vaquera, isn't interested in "buy-ability" or recognizable traits. "We are obsessed with keeping people guessing" he says. "We want that to be our thing."

In the three seasons since launching the New York-based brand, DiCaprio has infused Fashion Week with the sort of Dionysian energy once felt at early John Galliano shows. For his Summer/Spring 2016 show, staged at the Church of the Ascension in Greenwich Village, models walked the aisle to the Smashing Pumpkins in baptismal baby-doll dresses and ruffled bloomers, with DiCaprio's boyfriend closing the show in a wedding gown. In February, with new partners David Moses and Bryn Taubensee on board, a debaucherous cast of models dressed in Victorian-meets-club looks danced, lifted their skirts and put their cigarettes out in audience member's drinks at the China Chalet venue in the Financial District.

"Vaquera is about constant reinvention," DiCaprio says of his no-guts-no-glory ethos. "It's about the future; the future of style and clothes, but not in the cliche of futuristic spandex and metallics."

Much like his collections, the designer's path in fashion has been far from linear. Born and raised in Alabama, DiCaprio attended a private Christian school before studying photography at a public university in the South. An internship with DIS Magazine offered him a crash course in art direction and styling, and the opportunity to draw creative fuel from New York—a city that has very much proven to be his creative elixir.

"I felt like I had been underwhelmed for my whole life," says DiCaprio, who moved to the city five years ago and taught himself to sew through YouTube tutorials. "When I first came to New York it felt like I had finally gotten my head above the water and had oxygen for the first time. This place was overwhelming in the best way." DiCaprio spoke with PAPER about his creative approach, his unconventional path to fashion and his idolization of David Bowie.

What sparked your interest in fashion?

I think it's always been about clothes for me. When I was in middle school and high school I was always in bands. I was obsessed with Screamo and David Bowie—the groups that had such strong visual aspects to their work. But I think part of me always felt like I was doing that so I could assume the look. Screamo bands would let me wear the size zero, ultra-stretch white jean. With David Bowie, I wanted to wear the gold eyeshadow; it was always about the look.

How did studying photography lead you to fashion design?

My school was very focused on the craft—the dark room and perfect exposure—but I think I was on the opposite end, I was interested in what was happening in the photo. I left college to do an internship with DIS Magazine and because they're involved in so many creative avenues like photography and styling and art and video, I was able to get a realistic vision of things. The experience [with DIS] made me realize I was less interested in photography and more interested in creating these characters.

When school ended, I moved to New York and and worked with DIS again and then with VFiles in [the archives department]. I'd go through old issues of ID and Paper and Dazed and it taught me a lot about fashion history. I had been removed from all of that when I was growing up, there was no Chanel store in Alabama, there was no Dazed And Confused at the Barnes and Noble in Alabama. Coming to New York I was able to get my hands on the clothes and study these old magazines.

How did you get that initial internship though?

I'm obsessed with Tumblr. I got on it more than eight years ago, and it was a huge part of helping me reach out to people. People that I'm still friends with now—Hari Nef and Juliana Huxtable—I met through Tumblr; they moved to New York before me and motivated me to do the same. So I emailed the team at DIS, and asked if I could show them my photography portfolio—which sounds so funny to say now—and they offered to show me the ropes. They hooked me up with Avena Gallagher, who is an inspiration and has taught me everything I know about styling.

About two years ago I started working for her and became obsessed with styling. I styled Charli XCX for a year—and it was exciting, definitely closer to what I wanted to do but it wasn't exactly it. I wanted to pull specific things—1980's Issey Miyake, but there was no way a no-name stylist like me would be able to get my hands on it. So I bought a sewing machine and started sewing the things I wanted for photo shoots. Vaquera started as an art project that wasn't about wearing the clothes or making something for Opening Ceremony—it was about making clothes that I could then shoot. The final product was the look book.

What made you decide on the name Vaquera?

A few different reasons. I was reading a book by Tom Robbins called Even Cowgirls Get The Blues and it was really informative for me at the time. I was also working in a kitchen as an expediter with a bunch of Mexican line cooks and they had a lot of pet names for me, like "el pato" which is gay slang for f—got, and "little baby doll." They knew I was from the South so they'd call me "La Vaquera" because that's Spanish for cowgirl—even though cowgirls aren't Alabama, it's more of a Texas thing. So I just called the project Vaquera. It seems so arbitrary now, I'm stuck with it for better or worse.

What's been one of the challenges of keeping things future-focused?

I've had criticism from people that it's such a bad business model to reinvent yourself each season, that no one's going to know what to expect from you. Buyers are going to be confused, you're never going to make any money. And I've just been like, "Well, I think we don't have any interest in that." We are obsessed with keeping people guessing—we want that to be our thing. I try my best to keep it a secret until the day of the show and then just let loose.

So we're going to assume you won't be giving any clues about next season's show.

Oh my god, i don't want to give it away! I think people want to see billowy-sleeves but that's out the door. We're doing something completely different. Romantic but a whole different definition of romance.

How has working with David and Bryne changed things for you and the brand?

Last season it was like a whole new brand. We came together through Avena and it feels like we're progressing, which is exciting. I got sick of doing everything alone. For the Spring show I sewed everything, produced it myself, got the location, cast it myself.

And did you collapse after the show ended?

It was a serious problem, it became impossible. I realized I was either going to have to plateau so I could get my life together or I was going to have to find a way to expand the vision. I trust Bryne and David with my life and they understand my vision but have their own ideas. It was a necessary change.

So many designers have expressed concern about the relentless pace of the industry recently.

All these different seasons—pre-fall, couture, designers showing things that are going to be available for purchase the day after the show. That's so scary for people like us who are on our hands and knees in the living room cutting the clothes and can barely get them made in time for the show.

Do you want to stay independent? What are the benefits and detriments, in your opinion?

I think we want to stay independent. I want to make money but I don't want to feel pressure to do certain things. I'm already so sick of that show we just did—already on to the next one. It's like with Demna Gvasalia getting the Balenciaga job: I was so disappointed to see him doing the same thing he did at Vetements at Balenciaga, but then I realized, with all the money that's involved and when you're working with these huge offers, there's contracts. Money complicates things in a way that I think can hurt people's creativity. Maybe you'll make a lot of money for a few years, but you might forget how to make exciting things because you're stuck with the designs that worked well one time. I want to make money, but we want to find different ways of doing it.Read more at:http://www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-adelaide
gee  Jan 2015
crush
gee Jan 2015
termites crawl in my stomach; you
are my disarray, o soft and golden -

take the curves of my feet, the
freckle on my lip, and

hang me on your wall, you
compel my speechlessness.

i'll keep guessing, guessing
and unguessing.

i am up all night over this.
Ozioma Ogbaji  Apr 2015
UTOPIA
Ozioma Ogbaji Apr 2015
As beautiful as the famed city of Atlantis
Gloriously flourishing in her perfection
There is a place where my soul and heart is
A perfect place without grief or deception

Where my heart is always merry
And peace blossoms like the cherry
The sun smiles at me gently caressing
My body as the birds sing melodies-
So beautiful they keep me guessing-
The beauty of future melodic memories

Like the Cedars of Lebanon
Beautifying the palaces of Ethiopia
Purity, love and perfection adorn her every season.
This place is within me; this place is Utopia
Scott M Reamer Apr 2013
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You are what your reading lady. Now would you hold this gun?
Aliya Josephine Feb 2013
i guess i should have asked
what's important to you.

you probably would have lied and said,
what's important to me, i guess.

i guess, because you leave me no choice

did you take that thing and make it yours?
you know you can't pretend you have that!

it's not something you slip on
it has to be given

i'm guessing you didn't know that
i'm guessing you thought you could pretend you were everything i wanted
Classy J May 2020
Gotta love these perfect imperfections,
Looking both ways,
Always got me second guessing.
Wondering if this is all just a lesson.

Is this all just a lesson?
Got so many goals but I’m just not that invested.
Writing down all these words,
Hoping they are effective,
Love me or hate me but I’m still my biggest critique,
And anxiety got me spinning more out of control than a fidget,
With existential crisis’s filling up my brain with so many questions.
Who am I really? How good is my intentions.
I have a very passionate soul,
Yet I can still be crippled by depression.
But I try to stay positive and count all of my blessings.
I can fall face first over a hundred times,
But still get back up each time more determined and strengthened.
I’ve come to the conclusion that nothing gets done by just stressing,
For I need to discern the lessons from these seasons.
And knowing when to reach out to others when it feels like I’m sinking.
Trust me when I say you just gotta hold on and keep breathing.
Hold on and keep breathing.

Gotta love these perfect imperfections,
Looking both ways,
Always got me second guessing,
Wondering if this all just a lesson?

Is this all just a lesson?
I may not know where this road is headed,
Trusting these lyrics bring hope to those that feel neglected.
For I know how it feels to be disjointed from a society that just doesn’t get it.
Which may make you feel like you just want to end it,
For the pain is just so far embedded,
And if you’re skin is coloured your left unprotected.
Prescribed drugs that are either force fed or injected.
However, I refuse to be controlled or to be tormented,
Nor do I care if people are offended,
For I will decide where I’m headed,
And I will never sacrifice my objectives!
No longer will I be subjected as a suspect to be tested.
You can try to strip me naked,
But you can’t strip my individuality or my perspectives!
I’ve come to love my perfect imperfections,
And to count all of my blessings.
Even when I feel like I’m drowning,
I’ll will hold on and keep breathing.

Gotta love these perfect imperfections,
Looking both ways,
Always got me second guessing,
Wondering if this all just a lesson?
Is this all just a lesson?

Gotta love these perfect imperfections,
Looking both ways,
Always got me second guessing,
Wondering if this all just a lesson?
Either way I’m thankful for these lessons.
Dougie Simps Oct 2016
Dear insecure, emotional, overthinking young man

you've come a long way from way back then

you've lost a lot - but had to realize "who hasn't?"

your strong will seemed to be mistaken a lot from your passion

you've missed out on a lot of love by second guessing & never unmasking

why weren't you truly ever satisfied... nah, that's the question that I'm asking...

your abandonment issues pushed away the potential of something ever lasting

constantly fighting the man in the mirror

hopefully with your new life - you see things clearer

no one ever knew, with you...who they were gonna get

you've missed out on a lot of good times wanting to talk

instead of just letting it go and enjoying the time you had left.

Your favorite pills were self pity, self indulgence, ignorance and regret

you never stopped to listen - stopped talking - hopefully now you allow others words to be said

no woman stood a chance... you purposely acted a certain way to avoid the possibility of true love

discretely pushing them away until they saw nothing and had enough.

don't get me started on your lack of living

missed out on a lot of trips, chances and opportunities

I hope now you've filled that void that is missing

you swore happiness was wealth... power...a line of respect

little did you know it was the little things; the calm, the moments
the people and things in life worth it and willing to invest.

you gave up on a few dreams... figured why fight?

countless times your mind would just run... keep you up all night

you were so afraid of success... honestly, I never knew why

you never freed that little boy trapped - stuck in his father's grasp

he was begging for freedom, you left him struck inside

everyday was another day you thought was your time.

I hope you live now

I hope you see the beauty life truly is

I hope you found love

I hope you found this


I needed to write this letter to you - so you can see how far you have come

you can see that change is real

you can see all that you have become

Bland Douglas Simpkins,

that's the man you should be proud to be

no matter what challenges you were faced with

those obstacles were needed, needed to make it to this me

thank those who've came into your life - not all were meant to last

some forced you left - others showed you right

no matter what, some were needed in your past.

So...

Dear future self,

please understand - I'm sorry. For all that I put you through

the truth remains - that without me - just know...

there would be no you.
to the future
jeffrey conyers Mar 2014
Don't tell me, what could have been?
When you are taken.
I'm not into guessing games.

Don't want the words connected to my name.

When the opportunity prevail itself.
You decided to chose somebody else.
Now, that the picture isn't so clear.
Now you wishing to do things over.

Don't tell me about things of the past.
That's, where I left it long time ago?
Now that's you off the market.
You telling me of your wish.
Well, I'm not into guessing games.

There's no need to place that weight upon my brains.

I will give you some advice.
If you work harder within your relationship.
Then you might not have any regrets.
You might just find the love you request.

Cause any guessing game between us.
Is just that.
A dream that will fade into the past.
Big Virge Oct 2016
Why Does My Appearance ...  
Offend Most Folk ... !?!
  
I DON'T Sell Coc'... !!!
  
I'm NOT An Ignorant Bloke ... !!!
  
I DON'T LIKE ... " Crack "... !!!
But Sometimes ... Like A Smoke ...
  
There's Nothing Quite Like A Cuban Cigar ...
After Food ... or With A Drink At A Bar ...
  
NOT Beer But Brandy ...  
Suitably Warm ...
In A ... Brandy Glass ... !!!
  
THAT'S ... Who I Am ... !!!
  
I'm NOT An ****... !!!
  
Unlike Those ...

Who Judge From .................................................................­.... Far ...............
  
"He's AGGRESSIVE !
His incentive, is to Rob,
and start, MOLESTING !"
  
"Who on earth ?
Do you think you're addressing ?
Your judgements are distressing !
Your thought waves need progressing !
Stop your second guessing !
cos when I start *******,
your state of mental being,
you'll wish you had Gods' Blessing !"
  
Girls ... Or Men ...
Just ... Can't Defend ... !!!
  
Their NONSENSE ...
As I ... Count To TEN ... !!!!!
  
See .....
That's My Way of Teaching Them ...
  
I'm NOT ... THAT Man ...
On .... " News at Ten "... !!!!!
  
NO ... NOT Trev'....
But Those ... "Locked"...  
... Inside Prison ... !!!  
  
I'm RARE ...
Just Like ... " True Gentlemen "... !!!
  
Girls Have Said ...
Such ... SILLY THINGS ... !!?!!
  
"Upon introduction,
my heartbeat raced !
I thought you were gonna,
punch me in my face !"
  
"That's what you saw ?
when you, looked in my face !"
  
Such Attitudes ...
Are REALLY ... Lame ... !!!!
  
It's ... Funny To Some ...
But Let's Get This CLEAR ... !!!!!
  
These ... " Stereotypes "...
Are ... REALLY Dumb ... ?!?
  
I Deal With This Ignorance ...
Day to Day ...
  
" Some guy ... "

Tried To Bar Me ...
From His Place ...
  
WITHOUT Even Looking Me In My Face ... ?!?  
  
WHY ... ?

Because of ... " e-mails sent "... ?!?
  
But When He Traced ...
The Mails I'd Sent ...
  
His Thought Waves Got ...
...... DERAILED ...... !!!
  
And Then Some ...  
Common Sense Prevailed ... !!!
  
I've Met Him Now ...
His Stench Seems ... " FOUL "... !!!!!!!!!
  
A Money Man ...
just Like The DOW ...
Index ... Direct ... !!!  
  
Until My Words ...
Got In His Chest ... !!!
And Proved To Him ...
... My INTELLECT ...
  
Whilst Giving Him ...
A ... "small complex"...

About What Could ...
Just Happen ... NEXT ... !!!?!!!
  
Sometimes ... YES ...  
Just Like ... " The Wu "...
  
I Do Suggest ...
You PROTECT Your NECK ... !!!!!
  
It's Better NOT TO ...
... Get Me Vex ... !!!!!
  
Cos' Plans I Make ...
Are So COMPLEX ...
  
You May Just Need ...
A ... Bullet-Proof Vest ... !?!?!
  
For Me You See ...
Life's Posing TESTS ... !!!
  
From Living ... To ...
Just Getting *** ... !?!
  
These Problems ...
Leave My Mind ... " Perplexed "... ???
  
Well .....
Perplexed or NOT ...
  
I'm Still DIRECT ... !!!
  
From Things I Say ...
To ... Written Text ...
  
To EARN What's Due ...
  
Some **** RESPECT.

From Those Who Watch Their TV Set ...
Then Pre-Judge Me ... That's INCORRECT ... !!!!!
  
Well Here's The Deal ... !!!
  
Instead of Surfing ...  
...... " Internet "......
  
Try PULLING The Plug ...
Yes .... DISCONNECT .... !!!
  
Deal With Those ...  
In Front of You ...  
  
Some of Us ...
Are People TOO ... !!!!!
  
Whether On ... PC ...
Or On ... " TV "...
  
You're Receiving INTERFERENCE ... !!!!!!
Your Thought Waves NEED ...


Some .... " Clearance "....
  

And Maybe Then ... ?
You'll FINALLY See ...
DON'T Judge Folks By ...
  
... " Appearance "...
I'm STILL, not the only one suffering such ridiculous judgments clearly ! According to the story today, about the Doctor, who probably won't be flying with Delta airlines any time soon !
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping—rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
        Only this and nothing more.”

Ah, distinctly I remember, it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
        Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
“’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
    This it is and nothing more.”

Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping—tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door:—
      Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering,
  fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, “Lenore!”
This I whispered, and an echo murmured back the word, “Lenore!”
      Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon I heard again a tapping, somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment, and this mystery explore;—
    ’Tis the wind and nothing more.”

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he: not an instant stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
    Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no
  craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
      Quoth the Raven, “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
      With such name as “Nevermore.”

But the Raven, sitting lonely on that placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered, “Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before.”
      Then the bird said, “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope the melancholy burden bore
    Of ‘Never—nevermore.’”

But the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and
  door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
    Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my *****’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet violet lining with the lamp-light gloating o’er,
      She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath
  sent thee
Respite—respite aad nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!”
      Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
    Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
      Quoth the Raven, “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked,
  upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
    Quoth the Raven, “Nevermore.”

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
    Shall be lifted—nevermore!

— The End —