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Edna Sweetlove Mar 2015
To **** or not to ****, that’s the ******* question:
Whether 'tis nobler in the bowels to suffer
The twists and turns of outrageous rumblings
Or to take action against a bellyful of gas,
And by farting pump one out? To strain, to bloat
No more; and by a mighty outburst we’ll end
The gut’s ache, and the thousand natural stenches
That the **** is heir to, 'tis a resolution
Right devoutly to be wish'd. To ****, to ****!
But perchance to ****, there's the ******* problem;
For in that mighty **** of doom what turds may come,
When we have let the little beauty out from mortal tail,
Must give us pause; there's the danger
That makes calamity of the farter’s life;
For who would bear the sneers and mocks of men,
The neighbour’s shock, the lover’s curling lip,
The pangs of horrid stench, the *******’ o’erflowing,
The leaking **** orifice, and the drips,
Impatient strainings that the tragic farter makes,
When he himself might sweet easance make
With a careful prodding finger? Who would a ****-plug wear,
Grunting and sweating with noisome convulsions,
But that the dread of solids after air-release,
The undiscover'd oozings, from whose delivery
No toilet visitor recovers, puzzles the will,
And makes us bear the bellyache we have
Than fly to others we know not of?
Thus indigestion does make cowards of us all;
And then the native heave of constipation
Is sicklied o'er with the pale fear of defecation;
And enterprises of both ******* and crapping
With this regard, their currents turn awry,
And lose the name of exciting toilet action.
Song one
This is a song about tarzanic love
That subsisted some years ago,
As a love duel between an English girl and an African ogre,
There was an English girl hailing along the banks of river Thames
She had stubbornly refused all offers for marriage,
From all the local English boys, both rich and poor
tall and short, weak or strong, ugly and comely in the eye,
the girl had refused and sternly refused the treats for love,
She was disciplined to her callous pursuit of her dream
to marry a mysterious,fantastic,lively,original and extra-ordinary man,
That no other woman in history of human marriage ever married,
She came from London, near the banks of river Thames,
Her name was Victoria Goodhamlet Lovehill, daughter of a peasant,
She came from a humble English family, which hustled often
For food, clothing, and other calls that make one an ordinary British,
She grew up without a local boy friend, anywhere in the English world,
She is the first English girl to knock the age of forty five while a ******,
She never got deflowered in her teens as other English girls usually do
She preserved her purse with maximal carefulness in her wait for a black man,
Her father, of course a peasant, his trade was human barber and horse shearer,
Often asked her what she wants in life before her marriage, which man she really wanted,
Her specification was an open eyesore to her father; no blinkers could stave the father’s pale
For she wanted a black tall man, strong and ruggedly dark in the skin, must own a kingdom,
Fables taken to her from Africa were that such an African man was only one but none else,
His glorious name was Akhatembete kho bwibo khakhalikha no bwoya,
When the English girl heard the chimerical name of her potential husband,
She felt a super bliss in her spine; she yearned for the day of her rendezvous,
She crashed into desperate burning for true English love
With a man with a wonderful name like Akhatembete kho bwibo khakhalikha no bwoya.


Song two

Rumours of this English despair and dilemma for love reached Africa, in the wrong ears,
Not the human ears, but unfortunately the ears of the ogres, seasoned in the evil art,
It was received and treated as classified information among the African ogress,
They prevented this news to leak to African humans at all at all
Lest humans enjoy their human status and enjoy most
The love in the offing from the English girl,
They thus swiftly plotted and ployed
To lure and win the ******
From royal land;
England.




Song three

Firstly, the African ogres recruited one of their own
The most handsome middle aged male ogre, more handsome than all in humanity,
And of course African ogres are beautiful and handsome than African humans, no match,
The ogres are more gifted in stature, physique, eugenics and general overtures
They always outplay African humans on matters of intelligence, they are shrewder,
Ogres are aggressive and swashbuckling in manners; fear is none of their domain
Craft and slyness is their breakfast, super is the result; success, whether pyrrhic or Byronic,
Is their sweetest dish, they then schemed to get the English girl at whatever cost,
They made a move to name one of their fellow ogres the name of dream man;
Akhatembete khobwibo khakhalikha no bwoya,
Which an English girl wanted,
By viciously naming one of their handsome middle-aged man this name.

Song four

Then they set off 0n foot, from Congo moving to the north towards Europe abode England,
Where the beautiful girl of the times, Victoria Goodhamlet Lovehill hail,
They were three of them, walking funnily in cyclopic steps of African ogres,
Keeping themselves humorously high by feigning how they will dupe the girl,
How they will slyly decoy the English village pumpkin of the girl in to their trap,
And effortlessly make her walk on foot from England to Africa, in pursuit of love
On this muse and sweet wistfulness they broke out into loud gewgaws of laughter,
In such emotional bliss they now jump up wildly forgetting about their tails
Which they initially stuffed inside white long trousers, tails now wag and flag crazily,
Feats of such wild emotions gave the ogres superhuman synergy to walk cyclopically,
A couple of their strides made them to cross Uganda, Kenya, Somali, Ethiopia and Egypt
Just but in few days, as sometimes they ran in violent stampedes
Singing in a cryptic language the funny ogres songs;

Dada wu ndolelee!
Dada wu ndolelee!
Kuyuni kwa mnja
Sa kwingile khundilila !

Ehe kuyuni Mulie!
Ehe kuyuni mulie!
Omukhana oyo
Kaloba khuja lilia !
They then laughed loudly, farted cacophonously and jumped wildly, as if possessed,
They used happiness and raucous joy as a strategy to walk miles and miles
Which you cover when moving on foot from Congo to England,
They finally crossed Morocco and walked into Europe,
They by-passed Italy and Spain walking piecemeal
into England, native land of the beautiful girl.

Song  five

When the three ogres reached England, they were all surprised
Every woman and man was white; people of England walked slowly and gently
They made minimum noise, no shouting publicly on the street,
a stark contrast to human behaviour and ogre culture in Africa, very rambunctious,
Before they acclimatized to disorderly life in England, an over-sighted upset befell them
Piling and piling menace of pressure to ****,
Gripped all the three ogre brothers the same time,
None of them had knowledge of municipal utilities,
They all wanted to micturated openly
Had it not been beautiful English girls
Ceaselessly thronging the streets.



Song six

They persevered and moved on in expectation of coming to the end,
Out-skirt of the strange English town so that they can get a woodlot,
From where they could hide behind to do open defecation
All was in vain; they never came to any end of the English town,
Neither did they come by a tumbled-down house
No cul de sac was in sight, only endless highway,
Sandwiched between tall skyscraping buildings,
One of the ogres came up with an idea, to drip the ****
Drop by drop in their *******, as they walk to their destiny,
They all laughed but not loudly, in controlled giggles
And executed the idea minus haste.

Song seven

They finally came down to the banks of river Thames,
Identified the home of Victoria Goodhamlet Lovehill
The home had neither main gate nor metallic doors,
They entered the home walking in humble majesty,
Typical of racketeering ogre, in a swindling act,
The home was silent, no one in sight to talk to
The ogres nudged one another, repressing the mirth,
Hunchbacked English lass surfaced, suddenly materialized
Looking with a sparkle in the eye, talking pristine English,
Like that one written by Geoffrey Chaucer, her words were as piffling
As speech of a mad woman at the fish market, ogres looked at her in askance.

Song eight

An ogre with name Akhatembete khobwibo khakhalikha nobwoya opened to talk,
Asked the girl where could be the latrine pits, for micturation only,
The hunchbacked lass gave them a direction to the toilets inside the house,
She did it in a full dint of English elegance and gentility,
But all the ogres were discombobulated to their peak
about the English latrine pit inside the house,
they all went into the toilet at the same time,
to the chagrin of the hunchbacked lass
she had never seen such in England
she struggled a lot
to repress her mirth
as the English
never get amused
at folly.




Song nine

It is a tradition among the ogres to ****,
Whenever they are ******* in the African bush,
But now the ogres are in a fix, a beautiful fix of their life
If at all they ****, the flatulent cacophony will be heard outside
By the curious eavesdroppers under the eaves of the house,
They murmured among themselves to tighten their **** muscles
So that they can micturated without usual African accomplice; the tweeee!
All succeeded to manage , other than Akhatembete khobwibo khakhalikha nobwoya,
Who urinated but with a low tziiiiiiii sound from his ***, they didn’t laugh
Ogres walked out of privities relaxed like a catholic faithful swallowing a sacrament,
The hunchback girl ushered them to where they were to sit, in the common room
They all sat with air of calm on their face, Akhatembete Khobwibo khakhalikha nobwoya,
led the conversation, by announcing to the girl that he is Victoria’s visitor from Africa,
To which the girl responded with caution that Victoria is at the barbershop,
Giving hand to her father in shearing the horses, and thus she is busy,
No one is allowed to meet her, at that particular hour of the day
But he pleaded to the hunchback girl only to pass tidings to Victoria,
That Akhatembete Khobwibo khakhalikha nobwoya from Africa
Has arrived and he is yearning to meet her today and now,
The girl went bananas on hearing the name
The hunch on her back visibly shook,
Is like she had heard the name often,
She then became prudent in her senses,
And asked the visitor not to make anything—
Near a cat’s paw out of her person,
She implored the visitor to confirm
if at all he was what he was saying
to which he confirmed in affirmation,
then she went out swiftly
like a tail of the snake,
to pass tidings
to her sister
Victoria.


Song ten
She went out shouting her sister’s name,
A rare case to happen in England,
One to make noise in the broad day light,
With no permission from the local leadership,
She called and ululated Victoria’ name for Victoria to hear
From wherever she was, of which she heard and responded;
What is the matter my dear little sister? What ails you?
Akhatembete Khobwibo khakhalikha nobwoya is around!
She responded back in voice disturbed by emotional uproar,
What! My sister why do you cheat me in such a day time?
Am not cheating you my sister, he is around sited in our father’s house,
Is he? Have you given him a drink, a sweet European brandy?
My sister I have not, I feared that I may mess up your visitors
With my hunched shoulders, I feared sister forbid,
Ok, I am coming, running there, tell him to be patient,
Let me tell him sister just right now,
And make sure you come before his patience is stretched.





Song eleven

Victoria Goodhamlet Lovehill almost went berserk
On getting this good tidings about the watershed presence,
Of the long awaited suitor, her face exploded into vivacity,
Her heart palpitating on imagination of finally getting the husband,
She went out of the barber shop running and ululating,
Leaving her father behind, confounded and agape,
She came running towards her father’s main house
Where the suitor is sited, with the chaperons,
She came kicking her father’s animals to death,
Harvesting each and every fruit, for the suitor,
She did marvel before she reached where the suitor was;
Harvested ten bananas, mangoes and avocadoes,
Plums, pepper, watermelons, lemons and oranges,
She kicked dead five chicken, five goats, rams,
Swine, rabbits, rats, pigeons and hornbills,
When she reached the house, she inquired to know,
Who among them could be the one; Akhatembete Khobwibo
Khakhalikha no bwoya, But her English vocals were not guttural enough,
She instead asked, who among you is a key tempter go weevil car no lawyer?
The decoy ogre promptly responded; here I am the queen of my heart. He stood up,
Victoria took the ogre into her arms, whining; babie! Babie, babie, come!
Victoria carried the ogre swiftly in her arms, to her tidy bed room,
She placed the ogre on her bed, kissed one another at a rate of hundred,
Or more kisses per a minute, the kissing sent both of them crazy, but spiritual craft,
That gave the ogre a boon to maintain some sobriety, but libido of virginity held Victoria
In boonless state of ****** feat, defenseless and impaired in judgment
It extremely beclouded her judgment; she removed and pulled of their clothes,
Libidinous feat blurring her sight from seeing the scarlet tail projecting
From between the buttocks of the ogre, vestige of *******,
She forcefully took the ogre into her arms, putting the ogre between her legs,
The ogre’s uncircumcised ***** effectively penetrated Victoria’s ****** purse,
The ogre broke virginity of Victoria, making her to feel maximum warmth of pleasure
As it released its germinal seed into her body, ecstasy gripped her until she fainted,
The ogre erected more on its first *******; its ***** became more stiff and sharp,
It never pulled out its ***** from the purse of Victoria, instead it introduced further
Deeper and deeper into Victoria’s ******, reaching the ****** depth inside her with gusto,
Victoria screamed, wailed, farted, scratched, threw her neck, kissed crazily and ******,
On the rhythms of the ogre’s waist gyrations, it was maximum pleasure to Victoria,
She reached her second ****** before the ogre; it took further one hour before releasing,
Victoria was beaten; she thought she was not in England in her father’s house
She thought she was in Timbuktu riding on a mosquito to Eldorado,
Where she could not be found by her father whatsoever,
The ogre pulled Victoria up, helped her to dress up,
She begged that they go back to the common room,
Lest her father finds them here, he would quarrel,
They went back to the common room,
Found her father talking to other two ogres,
She shouted to her father before anyone else,
That ‘father I have been showing him around our house,’
‘He has fallen in love with our house; he is passionate about it,’
Akhatembete khobwibo khakhalikha nobwoya was shy,
He greeted the father and resumed his chair, with wryly dignity.


Song twelve
An impromptu festival took place,
Fully funded by the father of Victoria,
There was meat of all type from pork to chicken,
Greens were also there in plenty, pepper and watermelons,
Victoria’s mother remembered to prepare tripe of a goat
For the key visitant who was the suitor; Akhatembete,
Food was laid before the ogres to enjoy themselves,
As all others went to the other house for a brainstorming session,
But the hunched backed girl hid herself behind the door,
To admire the food which visitors were devouring,
As she also spied on the table manners of the visitors, for stories to be shared,
Perhaps between herself and her mother, when visitors are gone,
Some sub-human manners unfolded to her as she spied,
One of the ogres swallowed a spoon and a table fork,
And Akhatembete khobwibo khakhalikha nobwoya,
Uncontrollably unstuffed his scarlet tail from the trouser,
The chill crawled up the spine of hunchbacked girl,
She almost shouted from her hideout, but she restrained herself,
She swore to herself to tell her father that the visitors are not humans
They are superhuman, Tarzans or mermaids or the werewolves,
The ogre who swallowed the spoon remorsefully tried to puke it back,
Lest the hosts discover the missing spoon and cause brouhaha,
It was difficult to puke out the spoon; it had already flowed into the stomach,
Victoria, her father, her mother and her friend Anastasia,
Anastasia; another English girl from the neighborhood,
Whom Victoria had fished, to work for her as a best maid, as a chaperon,
Went back to the house where the ogres had already finished eating,
They found ogres sitting idle squirming and flitting in their chairs
As if no food had ever been presented to them in a short while ago,
One ogre even shamelessly yawned, blinking his eyes like a snake,
They all forgot to say thanks for the food, no thanks for lunch,
But instead Akhatembete announced on behalf of other ogres,
That they should be allowed to go as they are late for something,
A behaviour so sub-human, given they were suitors to an English family,
Victoria’s father was uneasy, was irritated but he had no otherwise,
For he was desperate to have her daughter Victoria get married,
He had nothing to say but only to ask his daughter, Victoria,
If she was going right-away with her suitor or not,
To which she violently answered yes I am going with him,
Victoria’s mother kept mum, she only shot miserable glances
From one corner of the house to another, to the ogres also,
She totally said nothing, as Victoria was predictably violent
To any gainsayer in relation to her occasion of the moment,
Victoria’s father wished them all well in their life,
And permitted Victoria to go and have good life,
With Akhatembete, her suitor she had yearned for with equanimity,
Victoria was so confused with joy; her day of marriage is beholden,
She hurriedly packed up as if being chased by a monster,
Edna Sweetlove Jan 2015
Another "randyhornbag" poem for all avid fans of *******.*

rip off my dripping *******
and part my waiting ****-cheeks
sniff my fresh-scrubbed ****
then rim me ******* senseless

taste the sweet-sour tang
of my recent defecation
force your ***** mouth-*****
past my eager sphincter

seeking to engulf me
in my ****** ***-lust
and now for our delectation
shove your huge **** up me

and fill me with your hot *****
or fist me till I scream
my ******* brains out and
then **** myself in terror
Z May 2014
The parasympathetic nervous system
is responsible for regulations
unconsciously transpiring
within the organs and
the glands of
the body.
Such as:
urination, salivation, digestion, defecation, and
lacrimation
(noun. ‘the flow of tears’. Latin.
from lacrimare (‘weep’) and lacrima (‘tear’).
It’s why I cry
even when I don’t want to.
You are the parasympathetic nervous system.

The (ortho-)sympathetic nervous system
is responsible for the mobilization
of the fight-or-flight response
and constantly maintaining
homeostasis within
the body.
It acts
rapidly, enacting an attempt at stability and
the necessary and critical ability
to suddenly escape
on pulsing legs or
cling to survival through
brandishing adrenaline-doused knuckles
and dilated pupils.
It’s why you live
even when you don’t want to.
I am the sympathetic nervous system.

The parasympathetic and sympathetic nervous systems
are two of three essential nervous systems which
compose the autonomic nervous system
(a part of the peripheral
nervous system)
that manages
involuntary
functions of the body. Such as:
swallowing, perspiration, arousal, breathing, and
heart rate
(noun. ‘the speed of the heartbeat’.
usually expressed in beats per minute. mine speeds up when I see you).
Individually these two systems oppose
but compliment
each other like our hands do—
pressed together and omitting equal force;
veins meeting
at the fingertips and throbbing at the wrists
but running amuck on our respective digits otherwise.
You are the invariable and unspoken reminder to
breath,
love,
sweat,
and live.
I am the sudden snap of reality always aiming to save you
but grudgingly willing to fight you and
ready
to
leave.

From the deepest lower half of my brainstem
and from every nerve
in my cycling body,
I’m sorry.
From all of my chromaffin cells
and from the truest parts of submandibular ganglian,

I am sorry.
Haylin  Apr 2018
Anal poem
Haylin Apr 2018
Another "randyhornbag" poem for all avid fans of *******.*

rip off my dripping *******
and part my waiting ****-cheeks
sniff my fresh-scrubbed ****
then rim me ******* senseless

taste the sweet-sour tang
of my recent defecation
force your ***** mouth-*****
past my eager sphincter

seeking to engulf me
in my ****** ***-lust
and now for our delectation
shove your huge **** up me

and fill me with your hot *****
or fist me till I scream
my ******* brains out and
then **** myself in terror
Adam B Feb 2010
idiosyncratic motions define circular thoughts and notions
grasped ideals let go in the oceans of confusion
scrambled morse code messages spelled out in brail
depict battlefields and hospital wards
sanctuaries for chaos, chapels for the wicked.
devils hidden beneath PR departments and counsels.
Put into place to distort and misplace,
the bane of clarity, cancer to the soul.

More should and could be made of this
Alas aesthetics argue and compel us to believe
lost in external endeavors, spiraling into catatonic outbursts.
Has this become the norm? We've been conditioned to accept.

The body of a man, running on the fumes of better days.
Left with nothing but ideals looking forth to better ways.
We've succumb to society and its rule.
The leader points his fingers, declares them wrong
and we play the fool, drinking from the puddles of congressional drool.
Wrapped around their fingers, yarn to their spool, we've let them mold
and take rule. Sold our souls, made way to power tools and flashy jewels.
It's the gift of "freedom", buy and consume. Don't worry about this,
they'll handle the rest.
Joshua Martin Oct 2013
The representative from Ohio
wipes his *** with Jose’s brown
palms after a bout of verbal defecation.
Luckily, Jose’s food truck houses

a small sink in the corner where
he can wash his hands in between
baskets of chorizo prepared
for rich politicians.

Sometimes Jose scrubs so hard dream flakes
rub off of his skin and he throws them
into the wastebasket to be picked
up by the sanitation workers who

eagerly jump like frogs in orange vests
into the waste of Americana. When
the Representative stops by for
a plate of carne asada, Jose’s

dream specks pepper the beef
and his salty sweat flavors
the inside of the burrito. He grills
the onions and green peppers with

a dash of minimum wage and
boils the rice in a mixture of blood
and pieces of his heritage.
He serves the meal in a white Styrofoam

tray and drizzles it with cheese flowing
from an open wound. The receipt is an unpaid
medical bill, the drink an icy reminder
of his future sipped through a straw.

The nightly news tells Jose
the Representative is bedridden
with a stomach infection. He
complains his insides feel like

a million ***** feet kicking the lining,
like unheard mouths with rows of
sharp teeth gnawing at the liver.
Jose to the tv: tonight we’re not starving.
Alexander  K  Opicho
Eldoret,Kenya;aopicho@yaho.com


he was borne by a woman
the one Mary from the Jewish royal blood line
he was conceived and carried in the womb for nine months
shamefully conceived in the immoral razzmatazz before marriage
conceived out side the wedlock in a fornicatory  stretch
which the Jewish casuistry has circumlocuted around
only to call immaculate conception; what a puzzle ?
Joseph the cuckold from a poor wood working Jewry
was pinned down by spiritual powers that be
through ****** angelicality of the airy Gabriel
to accept pregnant Mary with her pregnancy
for she was royal only doing him a favour
to extend her olive leave of marriage
for the Jewish royal don't marry paupers
lest they commit the sin of miscegenation
catholically annoted the sinful misselliance,

he was born and grew up in full testimony of calls of nature;
pissiful micturation,open defecation, breathing,
and yawning in response  to pangs of hunger
physically deformed in the left leg
as his slender and tall body walked with  a  pronounced limb
crossing the deserts and sand tunes of Palestine
as he went to India in the University of Taxixashila
to read the epical poems of Ramayana and Mahabharata
as well as the sayings of Buddha Gautama
that had been extant for six centuries before Christ was born,
it is by reading Gautama that he got the blessed poems
of humility and mental powerfulness whose famous line
is blessed are  they who are poor for them shall inherit the earth.

He walked back on his deformed leg in a pronounced limb
to Nazareth a colony of Rome and buried himself in the deep read
reading the Mosaic thespic work of Job in the fictitious land of Uz
and the psalteric poems of the Machiavellian King
often known as David of Jesse who owned all the Jewish womenfolk of his time,
he read the poems of David with heart and head in his Jewish vernacular
this is where he got the poem of agony on the Roman cross
Which he sang; o lord o lord why have you forsaken me ?

he read the Greeks and their diverse stuff in his youth hood anxiety
untill  he clocked twenty-six then his father Joseph the carpenter
succumbed to death caused by typhus others say due to stress of poverty
this is when Mary the widowed was declared a woman of the devil
in the full  observation of the Jewish Bombazine
for her was no option but to stay in the bush for three years
Then the family buck stopped at Christ's s table
in his full capacity as the elder son
in the family of Joseph the late and Mary the widow,
the buck which he goofed to manage
then  his two brothers James and John
chose to scavenge for the means of family survival
through which they became chariot drivers
for the local bourgeoisie Joseph of Aramathea
they left the most young of them Yude son of Joseph
to keep and pamper their bereaved home
which he did but in the  full flare of  his temper
as why Jesus the elder brother roamed around in gadabout bliss
when the home was to be managed by him whatsoever
As the evening came James and John came back home
they found Yude lonely and sombre in the pangs of hunger
they hurriedly set on the table some food for him
the food they had carried from their employer
Joseph of Aramathea; what a fortune so scanty ?
From the blues Jesus surfaced with nothing in his hands
his eyes sunken the salient features of a hungry lazy man
he tried to get a share from the portion of Yude
But whoopsy ! Yude removed the plate and Jesus goofed the psaw !
Yude slapped Jesus with the cyclopic Mighty
as he warned him not to roam around lazily
only to roost  a hungry stomach at  home in the evening
Jesus staggered in a dint of ire and he cursed
to go to Jerusalem for ever not to come back
to which Yude retorted in a riposte;
'You carry way your laziness to Jerusalem
and you will never come back
for the lazy people will never survive in Jerusalem'

Jesus went away after the food based squabble with his brother
he met the twelve friends that he called disciples and one girl friend
Mary his mother's namesake otherwise known as Magdalene
with whom Jesus fell in love with all compassion of a man
in confirmation of the African pearl that ;even the wise and the king
also bend under the pressure of love,
Jesus had no silver nor coins to lavish Magdalene with
in the usual stampede of love among the young ones
But his magics were his  sole resource , he exorcised her free
the seven deadly demons and confirmed to her his protege
of resurrection of which he did free of charge to rise Lazarus
from the grave, Lazarus the brother of Mary Magdalene
as a magnanimous persuasion for  love
brandon nagley Jun 2015
The GLOBE hath gone infected
Media mobs
MOGUL infected
Bilderberg GODS!!!
Mother's shalt turneth against daughter's
And father against son
RISE of thine technology oh man
For thou shalt looseth by thine own guns
Thou shalt SCREAM PEACE...
Ourn savior hath come
ANTICHRIST beast
To the one's who chooseth dumb
CHIPS in thy hand's
Shackled at the feet
BURIED in sand
Defecation SECRETE
Babies shalt HOWL
No **** to be given
I bet I'll be gone
This time
By THANKSGIVING
Liveth out thy life,
PAY presidential bills
Down thy DRINK
Swallow thine pills
Mocketh me if thou WILT
Awaketh human slave
The CHAPTER is coming
To the end of thine DAY'S!!!!
They have become defiled
They have defiled the land

"It's so unfair," she said. "Is this a loving God
Who sanctions genocide?
Who commands His people to slay man, woman and child?
A nation condemned, not the first
An entire planet submerged
Heaven snatched away for disobedience
No, I will not tolerate such a Deity."

In dark caves the Canaanite altars drip with the blood of children
The stench of feces and foul ***** taints the air
Yellow pools glisten in torch light
**** drips from the walls, piles up in mounds scattered on the floor
Animals mill about, sniffing the carcasses of other beasts
Each one kept for a purpose, dead and alive
No golden calves here, only warm flesh unyielding
Worthless for breeding, unneeded
For the Canaanites feed on the carrion of their own battlefields
The meat of their own brothers
Sisters, Fathers, Mothers
The feast devoured, bellies full, sated
The leftovers packed in salt for another day

Night falls, soon the stone that seals the altar tomb
Will be rolled away
The strongest of the peoples will enter the huge cavern
To claim their rightful reward
Until then...

The sounds of grunting women and children
None resisting, none even caring
Most feel nothing
The women should be crying, the children screaming
Only the infants' wails stand out against the cacophony
The noise of mindless rutting, the tears drawn by innocence crushed
Man and woman so desensitized
They barely feel anything anymore
But they remember the sensation
They strive to get it back
The Canaanites have become too ignorant to realize
They never will
So they've turned it into a God
Given it life, passed it on, infecting their enemies
Every bit as lethal as the diseases they've unwittingly cultivated
Passed on to open hearts and open minds
And to their infants and children
A malaise that blossoms into deformity, leprosy or worse

On a dais in the center of the cave
Are seven corpses
The Strong Men know them well

A Canaanite woman squats in a field on the edge of the village
She heaves and groans, face red from effort
With a final push she feels relief
The tiny thud of a newborn hitting the ground distracts her
To her it is nothing more than another form of defecation
She wraps the umbilical cord around her right hand
With her left she grasps the slimy casing
With a quick, purposeful **** she tears it in two
Rips, wanting nothing more to do with the burden she's carried for nine months
A final glance at the condemned child
The sand around it's body blotted with blood and issue
It's airless plea unheeded
She turns and walks away, apathetic
She's done this before
Many, many times before

The cave echoes with an ungodly sound
The Strong Men harness the beasts
The noise is maddening
The Strong Men dominate
Their laughter is insane
The creatures, they believe, are their prize
After all, they are the Strong Men
They are the leaders of the land

Friendship is dead
Compassion is dead
Fear is dead
Hope is dead
Desire is dead
Reason is dead
Logic is dead
Understanding is dead
Joy is dead
Peace is dead
Patience is dead
Kindness is dead
Self-control is dead
Faithfulness is dead
Gentleness is dead
Goodness is dead
Love is dead
Dead as the corpses on the altar
Dumb as the animals in the cages
If those creatures were sentient beings
They would beg for the slaughter
If the Canaanites had not so long been numb
They would pray for the same

The Strong Men
Are ready
Now
For the
Corpses

****

A loving God puts a crippled horse out of it's misery
A loving God buries it deep underground

A loving God does not condemn without reason
Without good reason

A loving God does not sanction genocide
But He will clear a field full of rabid skunks
© 2010 by James Arthur Casey

— The End —