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Jonny Rulon  Nov 2012
crickets
Jonny Rulon Nov 2012
hes skipping the blank parts.
fire spewed speaking out his eye and everything.

swear it lets the silence in.
to ***** midmorning naught but bile

and tar from your lung, sour taste on tongue 'and charred resinous lips and cankers in mouth.

skipping the blank parts.
this is too much to put in words it pains darling like mouth is faucet ears are ringing sight is grey and unwholesome nerves are sweaty like wrists and jaws too. heart thick heavy beating like a ******* palms and brow sweaty

a new nightmare never sleep gone delirious ever after think only of the thee and the thine and what can i do to make it stop naught but drink for ever after.

early sunday is the worst day. days are ever after cursed is sunday and the bad day, was always was it leads to monday and the no sleep and you go to school or work and they all know you are so tired

so id rather skip the blank parts and spend in blankets cold and clutching to this bottle ever afer like a baby cuz its nicer when its blank here.

------------

so now its the dawn gray, the child breathes in all the nerves of the surrounding block and breathes in.

what thoughts there darling stir that tattered man of child man of scattered breaths and
and of least action least least resistance

night smokes away in his lungs.

his sight unsteady and grey, **** the stars.

his head holds the stars as he passes away.

he thinks, "I dont wanna be astounding, I dont wanna be anything, the dreams, i smoke the night away...why wont they listen?"

the yammering outside his windows

he clutch the sill, needs for balance and hes sweating thinks the week back in his memory. did something dumb but he skips the blank parts like a movie but its not his cellophane life its becoming more like that he thinks

-------------

the cats outside his window yammering outside his window

"headache man and the sunup surprise" he thinks, garlictongued and glittering of sweat.
something strange here something dumb something wicked.
like melodica, im disturbed in step

hitched his pants hitched breathing summer sweet midsummer nightmare is the thirst and drink.

"and somehow it helps" he thinks, head droning like the bees they are buzzing out his window, but screech in speak like the crickets

the air might ripe and seethe.

he can barely breathe.

the scarlet cheeked is he and fairly farther from himself than usual, laid away in pace and time and people, all else arrested. the vines now they crawl along his sill on which he clutches ever after pick the roses from his cheek.



and so he often thinks of it, and his peers think its selfish, but he pronounces himself in such ways as to make it pronounced that he is thinking of this.
and they give him no consideration, no pause or gaze to entitle him to a moment's breath of doubt,
that he is most gnawingly alone.

they gather no cinema, no accord, no intervention. they simply do not comment upon his lost thoughts. and this no comment, for him it seems, gives him validation for his, heretofore mentioned, but heretofore implied, unmitigated and (some may say) uncalled for unarrival.

there are no senates in the state of human. only the mindnumbing pain that is his sour being, upon which he has coerced the subject upon the senate to be impressed:
that he is waiting for the right moment, to be impressed.

to be enough to take himself.

it is not pity, but such a bitter impulse.
that brings him to himself, to take.

------------

and as father of all pronouncements, the species of newspaper blaired...
"the king is dead, long live the king."
so of which he was reading, was par for the course.
he sat down with his wife, and his son, and he spoke to them gracefully in his normal fathers and mothersfamily whisper, he said:

"this is the time when we must eat our cereal, and be well-versed in our gods, and our gaols. and we must believe in the powers that be. for they have told us no lies and will tell us no lies. and if it not so, then this paper begs the difference.
this paper...pulp...and felt, and gold, and ink. will never speak of us naught.
and for what they proclaim to us, the masses, is written in ink,

and thus, so stone.

so believe."

so god ate his wheaties that day.

------

and so i rant and so i speak in illogicals and i so im biased i know.
this is what it takes to be a journal and to filter all the bad ***** things that are black out of the poets mind.

so blame it on cadence, blame it on speak, blame it on linguistics, blame it on my upraising, blame it on an apathetic attitude,

i dont care, just blame it.

just it is my mood and it will not be forgotten, it is me that is scribing this sentence, so it is not forgotten, on the fence and bethrothed to many ideals hence so i be,

i am not an idiot.
i am no coward.
i am not a leech, nor am i a parasite, nor i am a murderer, nor am i criminal.

i sit still still with moles burrowing their burrs into the underground, waiting for the tunnel, and so, the light.
Bhill  Sep 2019
Lonely Cricket
Bhill Sep 2019
The cricket was only doing what crickets do
Walking slowly up the walk looking for more crickets
Looking north and south, east and west
He or she appeared to alone
Where were more crickets
Where was the orchestra of fellow crickets
What happened

The wonderment stopped when this cricket let out “crick-it, crick-it”
The orchestra followed suit and sounded out in cricket harmony
Cricket harmony so welcomed by this once lonely cricket

Off it hopped to join in the symphonic noises created by the once hidden fellow crickets

Crick-it, Chirp, Crick-it, Chirp, Crick-it......

Brian Hill - 2019 # 239
Felt a bit silly this morning..
Let your cricket orchestra sing out!
CK Baker Mar 2017
fischers rap
on a hot tin roof
bristol creek pools
over rock and seed
english wolfhound (and the barkbuster)
stroll pine lane
vibrant colors
of a cool spring
in cob yellow and
forest green

field mice squander
in cotton wind
goats and ferret
hold seven hour trim
raven and ****
meddle and forage (on a splendid fiaker goulash!)
crickets and frogs
hidden
in swollen grey logs

creepers fill the
cut stone walls
coy wolf high
on a frayed white rope
eagles perched
at trudy’s bend
catamounts laze
on a snow base cedar
(pared arbutus bent  
through a failed ground rock)

brush spider spins
a timely web
brown bears fumble
at the spirit jamboree
quizzical squirrels
crack their nuts
as pillow clouds float
over telegraph trail

12 point dances
on talus and scree
hen hawks float
in a big hard sun
clydesdale and coach
trot copper smith road
(glancing down
on finch and the warbler
whistling through
colander row)

lavender fills
the peat soil box
mountain cats
guard the heavenly gates
black eyed ridge
is wide and open
the country squire hails
this fruitful land
Patricia Walsh  Jul 2014
Crickets
Patricia Walsh Jul 2014
The crickets chirping outside my window
Remind me that certain feelings
Stain even the smallest details

I told myself
That things would feel different by this time
(And they do)
But in the same way a song is a time capsule
And a mode of temporary time travel
These crickets sound a lot like the ones that chirped away
While I thought what I felt back then
Would feel familiar forever

Then again
I guess they all do
Lorem Ipsum Nov 2017
It doesn’t matter why I was there, where the air is sterile and the sheets sting.
it doesn’t matter that I was hooked up to this thing that buzzed and beeped every time my heart leaped, like a man whose faith tells him:
God's hands are big enough to catch an airplane

or a world,

doesn’t matter that I was curled up like a fist protesting death,
or that every breath was either hard labor or hard time,
or that I’m either always too hot or too cold
it doesn’t matter because my hospital roommate wears star wars pajamas,
and he’s nine years old

His name is Louis

and I don’t have to ask what he’s got, the bald head with the skin and bones frame speaks volumes. The Gameboy and feather pillow booms like, they’re trying to make him feel at home ‘cuase he’s gonna be here a while

I manage a smile the first time I see him and it feels like the biggest lie I’ve ever told.
so I hold my breath
cause I’m thinking any minute now he’s gonna call me on it
I hold my breath
cuase I’m scared of a fifty seven pound boy hooked to a machine, becuase he’s been watching me, and maybe I’ve got him pegged all wrong, like

maybe he’s bionic or some ****.
so I look away.

like I just made eye contact with a gang member who’s got a rap sheet the length of a lecture on dumb mistakes politicians have made. I look away like he’s gonna give me my life back he minute I’ve got something to trade, I **** near pull out my pack and say


Cigarette?

but my fear subsides in the moment I realize Louis is all about show and tell. he’s got everything from a shot gun shell to a crows foot and he can put them all in context like:

See, this is from a shooting range and

see, this is from a weird girl

I watch his hands curl around a cuff link and a tie tack and realize that every nick knack is a treasure and every treasure’s got a story and every time I think I can’t handle more he hits me with another story. says:

See, this is from my father. see, this is from my brother. see, this is from that weird girl. see this is from my mother. it took me two days to figure out that

that weird girl, is his sister.

took him about two hours today after she left for him to figure out he missed her.

they visit every day and stay well passed visiting hours. because for them that term doesn’t apply. but when they do leave Louis and I are left alone and he says the worst part about being sick is you get all the free ice cream you ask for. and he says the worst part about that is realizing that there’s

nothing more they can do for you. he says:

Ice Cream can’t make every thing ok.

and there’s no easy way of asking and I already know what he’s gonna say, but maybe he just needs to say it so I ask him any way. Are you scared? Louis doesn’t even lower his voice when he says

**** yeah.


I listen to a nine year old boy say the word ****, like he was a thirty year old man with a nose bleed being lowered into a shark tank, he’s got a right to it and if it takes this kid a curse word to help him get through it, I want to teach him to swear like the devil was sitting there taking notes with a pen and a pad but before I can forget that Louis is nine years old he says:

please don’t tell my dad.

he asks me if I believe in angels,

and before I realize I don’t have the heart to tell him, I tell him Not lately, and I just lay there waiting for him to hate me. but he doesn’t know how to, so he never does.

Louis loves like a man who lived in a time before god gave religion to men and left it to them to figure out what hate was.

He never greets me with silence. only smiles. and a patience I’ve never seen in someone who knows they’re dying. and I’m trying so hard not to remind him, I’ll be out of here in a couple of days, smoking cigarettes and taking my life for granted. and he’ll still be planted in this bed like a flower that refuses to grow, I’ve been with him for five days and all I really know is Louis loves to pull feathers out of his pillow, and watch them float to the ground, almost as if he was the philosopher inside of the scientist ready to say that its gravity that’s been getting us down. but the truth is

there’s not enough miracles to go around kid,

and there’s too many people petitioning god for the winning lotto ticket. and for every answered prayer there’s a cricket with arthritis, and the only reason we can’t find answers is the search party didn’t invite us, and Louis right now the crickets have arthritis

so there is no music.

no symphony of nature swelling to crescendos, as if we bent halo’s into melodies that could keep rhythm with the way our hearts beat.
so we must meet silence with the same level of noise that the parents of dying nine year old boys make when they take liberties in talking with heaven. we must shout until we shatter in our own vibrations then let our lives

echo, and grow
echo, and grow
echo, and grow

Grow distant.


grow distant enough to know that as far as our efforts go we don’t always get a reply. but I swear to whatever god I can find in the time I have left I’m gonna remember you kid. gonna tell your story as often as every story you told me, and every time I tell it I’ll say see,

there’s bravery in this world

there’s 6.5 billion people curled up like fists protesting death, but every breath we take has to be given back, a nine year old boy taught me that.

so hold your breath. the same way you’d hold a pen when writing thank you letters on your skin to every tree that gave you that breath to hold.
then let it go. as if you understand something about getting old and having to give back
let it go like a laugh attack in the middle of really good ***

the black eye will be worth it.

because what is your night worth without a story to tell, and why wield a word like worth if you’ve got nothing to sell. people drop pennies down a wishing well as if the cost of a desire is equal to that of a thought. but if you’ve got expectations expect others have bought your exact same dream for the price of the hard work, hang in, hold on mentality, like I accept any challenge so challenge me
like

I’ve brought a knife to this gun fight, but other night I mugged a mountain so bring that **** I’ve had practice.

Louis and I cracked this world wide open and found the prize inside because we never lied to ourselves, never told ourselves it would be easy or undemanding.
so we sing in our own vibration and dare angels to eavesdrop and stop midflight to pluck feathers from their wings and write demands on gods hands

take the time to catch you

so that even if god doesn’t, it wasn’t because we didn’t try.

I don’t often believe in angels, but on the day I left Louis pulled a feather from his pillow and said this is for you,

I half expected him to say

See, this is the first one I grew.

-Shane Koyczan
Shane L. Koyczan is a Canadian spoken word poet, writer, and member of the group Tons of Fun University. He is known for writing about issues like bullying, cancer, death, and eating disorders.(Wikipedia)
JB Claywell  Aug 2020
Crickets
JB Claywell Aug 2020
I sweep dead crickets
out of my office.

They come inside,
making their way
under the fire door.

The door leads
to
A-Yard, a quick exit for me
if the alarm ever goes off for a
more legitimate reason than some
****-bird having a contraband
smoke in the john.

The crickets come in;
they find
slick concrete floors,
painted cinder block walls
and certain death.

They’ve got no *******
traction;
really, it could be called a false-start.

Perhaps, they laugh,
spitting their tobacco juice,
thinking how clever they are
to have escaped the late-summer
heat.

Once here,
they find that the hop
is hard to dance,
so they play their cricket-fiddle
and listen, thirstily
to the echoes of
their own songs
ringing out and dying slow,
here,
on the inside.

They do the same,
barely moving by the time
I arrive on the wing.

Circles, mostly.
One leg broken from trying too hard
in this environment,
hoping to hop away,
to escape into someplace better
than my uninviting
office space.

I have spoken of similar circles,
redundancies,
in this very room
that the crickets die in.

These men,
jump, hop, and bash
themselves into a submissive state
often before they even realize it’s
done.

Shattered,
squashed,
ultimately swept out of the office,
their broken lives written on the side
of a manila folder.

We try,
they and I,
to
sing in ways
using words
that echo louder
than the songs of those
crickets who choose
to die
in prison.

*

-JBClaywell
©P&ZPublications 2020
Once I spoke the language of the flowers,
Once I understood each word the caterpillar said,
Once I smiled in secret at the gossip of the starlings,
And shared a conversation with the housefly
in my bed.
Once I heard and answered all the questions
of the crickets,
And joined the crying of each falling dying
flake of snow,
Once I spoke the language of the flowers. . . .
How did it go?
How did it go?
1104

The Crickets sang
And set the Sun
And Workmen finished one by one
Their Seam the Day upon.

The low Grass loaded with the Dew
The Twilight stood, as Strangers do
With Hat in Hand, polite and new
To stay as if, or go.

A Vastness, as a Neighbor, came,
A Wisdom, without Face, or Name,
A Peace, as Hemispheres at Home
And so the Night became.
Harold r Hunt Sr Jan 2015
The song of crickets.
Near the pond lays a field.
Where crickets play their music.
You hear one then two as the song goes on
Many more begin to sing.
A frog and an owl joins in from time to time.
As they sing into the night.
You can hear them at your feet or along the pond and far away.
Crickets play a song that can be here for you to enjoy.
Jim Morrison  Nov 2010
Power
I can make the earth stop in
its tracks. I made the
blue cars go away.

I can make myself invisible or small.
I can become gigantic & reach the
farthest things. I can change
the course of nature.
I can place myself anywhere in
space or time.
I can summon the dead.
I can perceive events on other worlds,
in my deepest inner mind,
& in the minds of others.

I can

I am
~~~

People need Connectors
Writers, heroes, stars,
leaders
To give life form.
A child’s sand boat facing
the sun.
Plastic soldiers in the miniature
dirt war.  Forts.
Garage Rocket Ships

Ceremonies, theatre, dances
To reassert Tribal needs & memories
a call to worship, uniting
above all, a reversion,
a longing for family & the
safety magic of childhood.
~~~

The grand highway
is crowded
w/
lovers
&
searchers
&
leavers
so
eager
to
please
&
forget

Wilderness
~~~

Now is blessed
The rest
remembered
~~~

A man rakes leaves into
a heap in his yard, a pile,
& leans on his rake &
burns them utterly.
The fragrance fills the forest
children pause & heed the
smell, which will become
nostalgia in several years
~~~

Sirens
Water
Rain & Thunder
Jet from the base
Hot searing insect cry
The frogs & crickets
Doors open & close
The smash of glass
The Soft Parade
An accident
Rustle of silk, nylon
Watering the dry grass
Fire
Bells
Rattlesnake, whistles, castanets
Lawn mower
Good Humor man
Skates & wagons
Bikes
~~~

Where’d you learn about
Satan- out of a book
Love?- out of a box
~~~

night of sin (The Fall)
-1st ***, a feeling of having
done this same act in time before
O No, not again
~~~

Between childhood, boyhood,
adolescence
& manhood (maturity) there
should be sharp lines drawn w/
Tests, deaths, feats, rites
stories, songs, & judgements
~~~

Men who go out on ships
To escape sin & the mire of cities
watch the placenta of evening stars
from the deck, on their backs
& cross the equator
& perform rituals to exhume the dead
dangerous initiations
To mark passage to new levels

To feel on the verge of an exorcism
a rite of passage
To wait, or seek manhood
enlightenment in a gun

To **** childhood, innocence
in an instant
Jasmine Paisley Jul 2011
The sun now disappears over the horizon,
the dew quivers fresh on the leaves.
The air stifling in this deprived heat,
The crickets chatter about the toils of the day.

I sit here, as I did in the early morning
with the sun.
As I have done everyday, inside my glass cellar.
Now the gecko glares, daring me to
break the mirror.
He doesn't stay long, knowing too well how
soft and timid society is -- in
the weathered face of Mother Nature.
The crickets taunt me, their cat calls
pointing out how desolate modern society
has become.
Or inevitably, always has been.

My yearning for the heat of the summer air is peculiar.
Why trade the comforts of this life
for the untamed?

Envious am I.
Allen Smuckler Aug 2010
1
   listen to the silence of night
and the sounds of the crickets;
away from the city
the strikes and the pickets-

     2
night has fallen
on the big meadow
children running to and fro;
crickets churning
gas lights burning,
tranquil nighttime
here at last.
Papst Blue Ribbon
near the end;
sandman time
around the bend.

        3
The Rolling Stones
Exile on Main Street
Sweet Virginia
side one-cut one
           right on.....
August 28, 1972

— The End —