1

You said 'The world is going back to Paganism'.
Oh bright Vision! I saw our dynasty in the bar of the House
Spill from their tumblers a libation to the Erinyes,
And Leavis with Lord Russell wreathed in flowers, heralded with flutes,
Leading white bulls to the cathedral of the solemn Muses
To pay where due the glory of their latest theorem.
Hestia's fire in every flat, rekindled, burned before
The Lardergods. Unmarried daughters with obedient hands
Tended it By the hearth the white-armd venerable mother
Domum servabat, lanam faciebat. at the hour
Of sacrifice their brothers came, silent, corrected, grave
Before their elders; on their downy cheeks easily the blush
Arose (it is the mark of freemen's children) as they trooped,
Gleaming with oil, demurely home from the palaestra or the dance.
Walk carefully, do not wake the envy of the happy gods,
Shun Hubris. The middle of the road, the middle sort of men,
Are best. Aidos surpasses gold. Reverence for the aged
Is wholesome as seasonable rain, and for a man to die
Defending the city in battle is a harmonious thing.
Thus with magistral hand the Puritan Sophrosune
Cooled and schooled and tempered our uneasy motions;
Heathendom came again, the circumspection and the holy fears ...
You said it. Did you mean it? Oh inordinate liar, stop.

2

Or did you mean another kind of heathenry?
Think, then, that under heaven-roof the little disc of the earth,
Fortified Midgard, lies encircled by the ravening Worm.
Over its icy bastions faces of giant and troll
Look in, ready to invade it. The Wolf, admittedly, is bound;
But the bond wil1 break, the Beast run free. The weary gods,
Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand,
Will limp to their stations for the Last defence. Make it your hope
To be counted worthy on that day to stand beside them;
For the end of man is to partake of their defeat and die
His second, final death in good company. The stupid, strong
Unteachable monsters are certain to be victorious at last,
And every man of decent blood is on the losing side.
Take as your model the tall women with yellow hair in plaits
Who walked back into burning houses to die with men,
Or him who as the death spear entered into his vitals
Made critical comments on its workmanship and aim.
Are these the Pagans you spoke of? Know your betters and crouch, dogs;
You that have Vichy water in your veins and worship the event
Your goddess History (whom your fathers called the strumpet Fortune).

1970 Odysseus visits cousin Patsy in New York City she introduces him to her best friend Lauren’s older less attractive more reclusive sister Tanya Mulhaney extremely wealthy family father founded corporation manufactures pinball machines which years later develop to video games then casino empire he favors and spoils Tanya but dies suddenly her envious sisters and mother gang up on Tanya is pale skinny flat-chested copious brown bush Odysseus sits in bathtub with Tanya and he probes in a way they hits it off maybe no boy has ever touched her in that way her complexion is so fragile slightest fluster prompts pink blotches on her cheeks neck chest back he admires her book smarts he’s attracted to her refined strangeness he thinks her bush and flat-chest are **** she laughs shyly offers to take him around the world he accepts Odysseus tells his parents Mom goes crazy yells into telephone what are you a ******? you father and i work like fools to send you to the best schools so you can make something of yourself you’re going to throw everything away to be a ***? i tell you we’ll disown you you won’t have a home to come back to do you hear me? we’ll disown you! she sobs how can you just walk out after all we have done for you? you ******* kid! Odysseus takes leave of absence from art school he and Tanya take Iberia jet 12 hour flight with stopover in Iceland to Belgium Tanya sinks into one of her moods swallows several pills to help her rest sitting on other side of Odysseus is curly haired skinny talkative musician claims he has jammed with Miles Davis and other jazz greats Odysseus says yeah right and i’ve shown with Johns and Twombly where exactly are you heading in Europe? musician answers he is a scientologist on his way to visit L. Ron Hubbard in England Odysseus does not know what Dianetics are and wants explanation he asks many questions and musician talks for hours they enjoy each other’s rapport as jet descends in Brussels they exchange home addresses in the States 9 months later when Odysseus returns to America a friend notices scribbled address while skimming through his travel journals Odys! how did you get Chick Corea’s address? do you know him? do you realize how brilliant he is? he’s a keyboard virtuoso! Odysseus questions Chick Corea? who’s Chick Corea? he looks at journal page then says oh that guy i sat next to him on the jet to Europe so he really is a famous musician huh? wow!

in October 1970 Brussels is damp chilly Tanya wears hip-hugger jeans black turtle-neck top North Face shell she huddles her arms around her chest smokes cigarettes looks through hotel room window out into gray overcast sky speaks in defeatist voice i didn’t bring clothes for this weather she picks at her plate in hotel restaurant glumly vacillates later in bed after refusing *** decides they leave tomorrow fly to Canary Islands for several weeks to get tan before traveling through Morocco during winter months Canary Islands are laden with Swedish tourists including bikini clad young girls many not wearing tops Odysseus is thinking about how to swing some of that Swedish free love once Tanya gets drunk succumbs to Odysseus’s ****** overtures it is good  one day while returning to hotel from beach 2 Spanish police stop and question Tanya and Odysseus police order to see their passports then command them into squad car police bark in Spanish rifle through their daypacks point a finger Odysseus can smell alcohol on their breaths Tanya and Odysseus are terrified police drive off main road to remote location abandoned ruins no one is around police order them to step out police drive off laughing Tanya’s complexion is crimson she sobs they could have murdered us no one would know who we are or where to find us we’re lost where are we? Odysseus looks around replies don’t worry we’ll be all right i watched where the driver was going we’ll retrace their trail

they fly to Tangier travel south by train Tanya is irritable insisting Odysseus carry her backpack Casablanca is ***** 3 men peer from sunglasses act suspicious wear tattered trench coats Tanya and Odysseus snack at cafe which provides hookahs for smoking hashish Odysseus scores several grams Tanya laughs suggests they rent car drive south travel to sandy beaches of Diabet for 6 weeks in the morning she paces around French hotel room with cigarette in one hand ashtray in other like she is sultry 1940’s Hollywood actress she stays in room and devours Penguin Classics Tolstoy Stendhal Proust Huysmans Zola turns out Tanya is sexually frigid she buys Odysseus anything he wants but does not put out they take train Marrakech it is sun drenched with blue skies mountains in distance Odysseus wants to go out explore get ***** with the natives he visits Medina daily witnessing many bizarre scenes he does not understand a woman squatting over an egg a man with no legs dragging himself through marketplace holding up cigarette butts in his hand he meets a professor who is out of work because king of Morocco has closed the universities due to teachers’ strike professor explains woman squatting over egg is fortuneteller and man dragging himself has been offered crutches many times yet makes more money playing off pity of tourists cigarette butts are for sale the professor invites Odysseus to visit Berbers in mountains Odysseus persuades Tanya she reluctantly agrees the 3 travel by bus in first-class front row seats vehicle filled with lively families chickens pig bus driver has assistant who lugs people onto bus or shoves them out door at a midpoint bus stops in little town everyone exits bus then men women children urinate in street local venders sell trinkets snacks Odysseus buys nibbles shish-kabob that later professor informs is roasted cat and dog they reenter bus wait suddenly butchered lamb flank is flung onto Odysseus’s lap a man climbs aboard bus stairs then grabs large carcass and heedlessly walks to back seat Odysseus wipes blood and slime off his jeans Tanya demurely giggles bus climbs mountains arrives at small Berber village professor leads them along narrow winding street of shanty huts sheltering merchants open kitchens professor tastes from various steaming iron kettles finally decides on one they are directed to rickety roof where they sit wait a boy comes up with plastic bowl filled with water and small box of Tide following professor they wash their hands then minutes later proprietor brings up simmering *** of couscous serves it with scratched raw plastic bowls no eating utensils they eat with their fingers Tanya seems bothered declines to partake she withdraws into silence after meal she becomes irritable complains of headache says she needs to return to Marrakech she remains standoffish on bus all the way to French hotel

after Marrakech they take boat trip to Italy while onboard Odysseus meets Italian Count who has an eye for him Odysseus wears Jim Morrison beat-up leather jeans Bruce Lee t-shirt scraggly whiskers Count wears thin manicured beard tiny red Speedo swim trunks Tanya grins amused Count offers Odysseus and Tanya to be guests at his villa in Milan city flourishes with stylish clothes loud lively restaurants classical sculptures covered in car pollution following several weeks of aristocratic wining and dining amazing 11 course elegant soiree Odysseus botches compliance with Count’s desires they are asked to leave Tanya laughs hysterically they board train to Germany based on Tanya’s tour book they find historic hotel with wind rattling windows coin operated hot water bath in Munich Tanya stays in room Odysseus goes to dance club meets brown-hared pale skinned German girl neither speak the other’s language he pays for hourly rated room they play German girl in animated gesturing warns him as he is going down on her but he does not understand until several days later scratching beard finds ***** seeks A-200 lice treatment German version leather pants disposed Tanya knows but says nothing she buys Volkswagen they drive through Black Forest Tanya wants to visit King Ludwig’s castles Odysseus does the driving mostly they listen to the Who’s “Who’s Next” and Joni Mitchell’s “Blue” he follows Tanya’s instructions not knowing who King Ludwig was eventually he learns Ludwig was colorful character built extravagant Disney like castles and friends Richard Wagner Bavaria is cold gray brown deep forest green scenic Swiss Alps visible in southern view they drive from Neuschwanstein to Linderhof to Herrenchiemsee then Freiburg lodge in bed and breakfasts Tanya grows restless by all the driving decides to ditch car along road in northern France as Odysseus unscrews car license by road side several cars stop French people concerned they need help Tanya is anxious hoping for clean get away from abandoning vehicle they board train to Paris Tanya speaks a little French in spring of 1971 they are backpacking in search of hotel on Left Bank it rains all morning sky is overcast Tanya reads “Pride and Prejudice” Odysseus draws in sketchbook at sidewalk café sitting next to them are older Parisian couple man detects they are Americans he turns to them expresses in English his contempt why can’t you Americans learn from France’s lessons in Vietnam? Tanya and Odysseus don’t look up they feel like dumb ugly Americans within days they leave Paris

cross English Channel by boat they find temporary apartment in Earl’s Court in London it is overcast almost every day within a month they move to larger place in Chelsea with backyard with run down English garden Odysseus weeds garden plants tomatoes lettuce carrots radishes flowers Tanya stays in her room smokes reads at night they go out to ethnic restaurants one night they visit Indian restaurant a very proper English woman sitting at next table orders exotic fruit for dessert Odysseus asks waiter what kind of fruit waiter answers mango Odysseus has never seen or tasted mango English woman delicately eats the fruit with fork and knife Odysseus orders mango for dessert he attempts to imitate how English lady proceeded fruit slips around on plate finally out of frustration he picks it up in his hands bites into it he is aroused by how luscious mango is sniffing with nose scraping fruit’s skin with front teeth then ******* the seed Tanya makes a face suddenly the seed slides from his grasp shoots across table Tanya’s cheeks neck turn scarlet voice raises stop it Odys! you’re disgusting! are you intentionally trying to embarrass me? why are you doing this? he replies i’m not doing anything to you i’m enjoying the most delicious fruit i’ve ever tasted who cares what it looks like? later she laughs about incident offers to buy more mangos promises to take him shopping at Harrods tomorrow he goes along with their arrangement until it all seems like pretty background scenery to an empty intimacy missing all his friends back at art school he writes about his loneliness he feels trapped in Tanya’s web several times he sneaks English girls into his room when Tanya jealously confronts him he admits he has had enough and wants to go back to Hartford she suggests at the least they fly to Bermuda for several weeks to get tan before returning he declines on June 30 1971 Odysseus returns to Hartford and Tanya moves to San Francisco on July 3 Jim Morrison overdoses in Paris

...a diary of the falling dominoes chapter

invisibly dying from the inside out
no one is looking into unseen eyes
no one can hear a muted voice fading
no one is close enough to be near

the deafening thrums echo
anxieties’ racing heartbeat
within morphing flesh shell ,
gasping for new breath
in a hovering stale silence

from a distance
the broken mirror ricochets a subdued light ;
much closer the reflection reveals
someone I once knew by heart

now an unrecognizable mask
enshrouds a terminal emptiness
inconspicuous at a fleeting glance ,
impossible to discern what storms rage
from the inside out ,... unnoticed  

an uncontained wildfire
smoldering within,  lies in wait
for the imminent winds of change
to fan the flames into the final
eternal silent ashes

a poet reaches out demurely
offering a candid look
into the window
of the imperfect human soul

there is no poetry
met by indifference
just gathered unread words scribbled,

squandered time
dripped slowly on an empty page ;
moments turn into days
days turned into years

invisibly dying from the inside out
an unfinished life trickles out
like seeping blood evanescing
from a bottomless puncture
wounding ... penetrating the heart,
leaching out the slow death of a poet

for poetry is only words unless they touch someone ...

befallen to indifference is poetic death
by salted paper cuts ...

a muting suffocation
that hiddenly erodes away,
silencing the passion
of a musing soul
one unread word at a time ...


© harlon rivers ... all rights reserved

and what were roses.  Perfume?for i do
forget…or mere Music mounting unsurely

twilight
            but here were something more maturely
childish,more beautiful almost than you.

Yet if not flower,tell me softly who

be these haunters of dreams always demurely
halfsmiling from cool faces,moving purely
with muted steps,yet somewhat proudly too—

are they not ladies,ladies of my dreams
justly touching roses their fingers whitely
live by?
            or better,
                            queens,queens laughing lightly
crowned with far colors,

                                  thinking very much
of nothing and whom dawn loves most to touch

wishing by willows,bending upon streams?

As a child he remembered Cardiff as a city with red asphalt roads and yellow trolley busses. On a Saturday morning his grandfather used to take him in his black Sunbeam Talbot to the grand building of the Council of Music for Wales. There Charles Dixon presided over a large office on the third floor in which there were not one but two grand pianos. At seven a little boy finds one grand piano intimidating, two scary. He was made of fuss of by his grandfather’s colleagues and – as a Queen’s chorister – expected to sing. A very tall lady who smelt strongly of mothballs took him into what must have been a music library, and together they chose the 23rd Psalm to Brother James’ Air and Walford’s Solemn Melody. After his ‘performance’ he was given a book about Cardiff Castle, but spent an hour looking out of the windows onto the monkey-puzzle trees and watching people walking below.
 
50 years later as the taxi from the station took him to the rehearsal studios he thought of his mother shopping in this city as a young woman, probably a very slim, purposeful young woman with long auburn gold hair and a tennis player’s stride. He had just one photo of his mother as a young woman - in her nurse’s uniform, salvaged from his grandparents’ house in the Cardiff suburb of Rhiwbina. Curious how he remembered asking his grandmother about this photograph - who was this person with long hair?– he had never known his mother with anything but the shortest hair.
 
He’d visited the city regularly some ten years previously and he was glad he wasn’t driving. So much had changed, not least the area once known as Tiger Bay, a once notorious part of the city he was sure his mother had never visited. Now it was described as ‘a cultural hub’ where the grand Millennium Opera House stood, where the BBC made Doctor Who, where in the Weston Studio Theatre he’d hear for the first time his Unknown Colour.
 
Travelling down on the train he’d imagined arriving unannounced once the rehearsal had begun, the music covering his search for a strategic seat where he would sit in wonder.  It was not to be. As he opened the door to the theatre there was no music going on but a full-scale argument between the director, the conductor and three of the cast. The repetiteur was busy miming difficult passages. The two children sat demurely with respective mothers reading Harry Potters.
 
The next half hour was difficult as he realised that his carefully imagined stage directions were dead meat. They were going to do things differently and he had that sinking feeling that he was going to have to rewrite or at the very least reorganise a lot of music. He was then ‘noticed’ and introduced to the company – warm handshakes – and then plunged into a lengthy discussion about how the ensemble sequence towards the end of Act 1 could be managed. The mezzo playing Winifred was, he was forced to admit, as physically far from the photos of this artist in the 1930s as he could imagine. The tenor playing Ben was a little better, but taller than W – again a mismatch with reality. And the hair . . . well make up could do something with that he supposed. The baritone he thought was exactly right, non-descript enough to assume any one of the ten roles he had to play. He liked the actress playing Cissy the nurse from Cumbria. The soprano playing Kathleen and Barbara H was missing.
 
He was asked to set the scene, not ‘set the scene’ in a theatrical sense, but say a little about the background. Who were these people he and they were bringing to the stage? He told them he’d immersed himself in the period, visited the locations, spoken to people who had known them (all except Cissy and the many Parisienne artists who would ‘appear’). He saw the opera as a way of revealing how the intimacy and friendship of two artists had sustained each of them through a lifetime chasing the modernist ideal of abstraction. He was careful here not to say too much. He needed time with these singers on their own. He needed time with the director, who he knew was distracted by another production and had not, he reckoned, done his homework. He stressed this was a workshop session – he would rewrite as necessary. It was their production, but from the outset he felt they had to be in character and feel the location – the large ‘painters’ atelier at 48 Quai d’Auteuil.  He described the apartment by walking around the stage space. Here was Winifred’s studio area (and bedroom) divided by a white screen. Here was the living area, the common table, Winifred’s indoor garden of plants, and where Cissy and the children slept. As arranged (with some difficulty earlier in the week) he asked for the lights to be dimmed and showed slides of three paintings – Cissy and Kate, Flowers from Malmaison, and the wonderful Jake’s Bird and White Relief. He said nothing. He then asked for three more, this time abstracts –* Quarante-Huit Quai d’Auteuil, Blue Purpose, and ending with *Moons Turning.
 
He said nothing for at least a minute, but let Moons Turning hang in space in the dark. He wanted these experimental works in which colour begets form to have something of the impact he knew them to be capable of. They were interior, contemplative paintings. He was showing them four times their actual size, and they looked incredible and gloriously vibrant. These were the images Winifred had come to Paris to learn how to paint: to learn how to paint from the new masters of abstraction. She had then hidden them from public view for nearly 30 years. These were just some of the images that would surround the singers, would be in counterpoint with the music.
 
With the image of Moons Turning still on the screen he motioned to the repetiteur to play the opening music. It is night, and the studio is bathed in moonlight. It could be a scene from La Bohème, but the music is cool, meditative, moving slowly and deliberately through a maze of divergent harmonies towards a music of blueness.
 
He tells the cast that the music is anchored to Winifred’s colour chart, that during her long life she constantly and persistently researched colour. She sought the Unknown Colour. He suggests they might ‘get to know the musical colours’. He has written a book of short keyboard pieces that sound out her colour palette. There is a CD, but he’d prefer them to touch the music a little, these enigmatic chords that are, like paint, mixed in the course of the music to form new and different colours. He asks the mezzo to sing the opening soliloquy:
 
My inspiration comes in the form of colour,
of colour alone, no reference to the object or the object’s sense,
Colour needn’t be tagged to form to give it being.
Colour must have area and space,
be directed by the needs of the colour itself
not by some consideration of form.
A large blue square is bluer than a small blue square.
A blue pentagon is a different blue from a triangle of the same blue.
Let the blueness itself evolve the form which gives its fullest expression.
This is the starting-point of my secret artistic creation.
 
And so, with his presentation at a close, he thanks singer and pianist and retreats to his strategically safe seat. This is what he came for, pour l’encouragement des autres by puttin.g himself on the line, that tightrope the composer walks when presenting a new work. They will have to trust him, and he has to trust them, and that, he knows, is some way away. This is not a dramatic work. Its drama is an interior one. It is a love story. It is about the friendship of artists and about their world. It is a tableau that represents a time in European culture that we are possibly only now beginning to understand as we crowd out Tate Modern to view Picasso, Mondrian, Braque and Brancusi.

Cockcrow harbour:
the gulls whining like tethered dogs
about rooftops
paliophobic cars and
grounded vessels..
Look:
on the hoary horizon
a glaucous strip
beguils
with backwater.
Not putting on a show
the frigid sea benumbed..
Easily,
with a tail of emerald jelly
skim a vanishing lane off that
lustrous sheet
and watch
the trailblazing mainland
scuttle.

Now,
Only scattered dreaming is possible.

In it's bachelor pad,
cradling over crinkles,
away from the meretriciosness
of validating the real by sharing it,
THE WIND
blusters off any veneer.
Here,
stale but spry,
fare your way around the inoffensive isle
to it's most shyest of harbours:
a mouth full of silver
saving it's breath.
The windows facing the sea
seem
black & white,
their wooden frames hooked to the wind,
the splattered gulls meow
your name
in a way
that's
personal.
Of course comes to mind.
The pines
are demanding a visit,
They're whispering
so you can hear them,
each as different as every snore,
these pines know
how to grow in the sand
and still reach for
the Nimbostratus with heads in unison.
The spaces
between their trunks illuminating
the blazing needles
raining down
painting the ground
familiar
to your lover's
skin texture:
Feel her closeness
from jilted borderwatchtowers
as she speads her mire
like no one's watching:
weedy and sugared
with bellflowers,
the waves in her shallow armpit
billeting a pair of white swans:
demurely they float
sometimes as pillows and sometimes
as question marks..
Go ask the seasoned locals,
they say the bones she parked
when she let her ice sheet melt
are portals
to her noble underbelly.

Hidden in the woods
reminiscent of your heart,
the red
tank-sized stone
is sealed,
but what the lighting reach cannot
the rain shall sluice apart
dumbly.
And though her hair has
come to be
the moss
black and hoarse
as sailor's beard,
there is still time.
The void says
her noisy neighbour is nothing
to die for.
The theadbear car with absent doors
incites
to drive her
in reverse gear
to the first few
days of holidays:
her golden locks a-blaze,
her arm around your
hind-sighted doppelganger.

I swirled my fingertips on the surface of the water and sent a message across with shiny, glossy ripples that grew slowly, and gracefully. He kneeled on the other side of the moonlit pond and watched as the ripples from my fingertips reached him. He cupped the ripples of the water into his palm and drank the cold water, sighing happily.
“What does it taste like?” I whispered hoarsely, as loud as I dared to be while knowing we would be reprimanded fiercely for sneaking out of the huts at this time of night.
“Love” he called back.
I burst out laughing in panting breaths and tried to stifle the noise with my fists. I heard him bellow out, and the echoes rang freely through the woods before he quickly shoved his face into the water and laughed in there, the bubbles of his laughter surfacing violently.
“You idiot” I whispered joyfully when he brought his head up from the water, his dark hair curled against his forehead, “I didn’t even write anything to do with love. I wrote how foolish of a boy you are.”
“And you still stick with me so that’s love isn’t it?” he teased me. His finger tips swirled in the water for a minute. “Your turn to taste, Masra”
I waited till the ripples hit the side of the pond and quickly dipped my tongue in and lapped the water. I pursed my lips, pretending to debate what his message was. The surface of the black water was littered with reflection of the stars. It was so beautiful that I momentarily forgot the little game we were playing and gasped, “Oh stars!”
He took a quick intake of breath and stared up at me with wide eyes. “Really?” he asked in an unbelieving tone.
“What do you mean?”
“Stars?” he asked again, sounding like a sweet little confused child.
“Yes!” I laughed. “Stars!” and I splashed the surface of the water to show him.
He shook his head. “I can’t believe you could read, I mean, taste that... That’s incredible…”
It took me a second to realize what he was talking about. I decided to play along anyways and whispered dramatically, “Yeah, but I didn’t know what you were trying to say”
“A million stones on fire with wishes
Yet the brightest star is not up there” he recited his favorite lines from an old love poem.
“You are disgustingly soppy” I got up from kneeling by the pond and treaded softly on the dry leaves so that they wouldn’t crackle so loud. Reaching him, I kneeled down beside him and ran my fingers through his curly wet locks. His dark eyelashes were still wet with water and the chestnut eyes gleamed brightly.
I curled into his lap comfortably like a cat and he rolled over with me lying on top, while his strong arms held me. I buried my face into the skin of his beautiful brown neck and inhaled the sweet, musky smell. Reab smoothed my hair before murmuring huskily, “Why do you always do that?”
“It smells like you, the old Reab smell. It makes me feel safe and warm and happy.”
“I love you.”
“Do you think we’ll always be happy like this?” I asked, speaking of my deepest fear.
“I will never stop loving you, if that’s what you mean. And if we are caught sneaking out, I’m pretty sure no one would be too surprised. They all know from the way I look at you I intend to marry you when Chief thinks you’re old enough and finally say okay.”
I laughed at the thought of Chief being able to give me away.
With my parents both gone since I was a baby, Chief had adopted me as his daughter and he loved me tremendously for all his lecturing ways. Reab laughed a little too but without any fear of Chief rejecting him. Chief loved Reab too and approved of us most of the time.
“Do you remember when he caught us making ‘sheep-eyes’ at each other as he put it and he was furious?” We chuckled at the memory of Chief turning storm on us, declaring we were too young.
“What would he say now?” he turned my face to face his and kissed me for a while, with the wind blowing the tendrils of my hair on his face. He smiled mid-way through our kiss, for the soft strands of my hair on his face always tickled him.
I didn’t want to continue with my question after that happy moment. But I had to; he was the only man who would tell me the truth. “Our tribe has enemies. We have many men, many strong men… but I know we are in a constant threat. I have seen the midnight meetings you men hold when you think we are asleep and more weapons that normal are being made nowadays.”
He looked at me with sad eyes; with so much love and desire burning in them that my own eyes began to swell up with tears. I fluttered my lids to get rid of the wetness but he reached over and caught a tear on his pinky and licked it. Then he licked all the tears off my face and I giggled as his tongue flicked over the tearstains on my cheeks.
“The tribe is in some danger. You and I are not. I will love you forever.” I shook my head and was about to interrupt with another fearful question when he continued, “You know what Chief always says. We don’t live just one life. I loved you since we were babies. You know what I think?”
“What?” I asked, his voice slightly soothing my fears.
“I think I’ve known you before. There’s no way you can know someone the way I know you in the short life time we’ve lived. This is not the first time we’ve met.”
“You’re not worried if a battle comes we won’t be together?”
“No.” he answered and kissed my forehead.
“Why?” I couldn’t get rid off the idea of such a terrible fate.
“I think…” he struggled to get the words out, “I think we’ll always be together somehow. Masra, I’m… I’m just not afraid”
We lay there for a while until I fell asleep in his arms. I was awoken a little later with him shaking me softly for us to sneak back into our own huts.
There was a little advantage in having both my parents gone. Lela, my cousin who shared the hut with me, stirred only a little as I crept back in.



“I’ve been hearing from your sister that lately you have been waking very late. I don’t approve of this laziness.” Chief said to me as I sat on the floor of his hut, admiring the new spear he had just made. I sharpened the stone a little for him and smiled up brightly. His face softened. Chief was not usually an easy person to get around, but he always said he loved me more than was good for me. “I saw Reab today. He didn’t look so alert and awake.”
My mind clicked into place as I realized Chief had his suspicions. “Reab?” I inquired with an innocent expression. “Is he ill?”
“He just looked tired.” Chief replied with raised eyebrows, his eyes were a little puzzled. I had fooled him for now.
I balanced the spear in my hand. “You hold a spear too well for a woman” he grunted. “Spending too much time with me, I suppose. You should spend more time with your sister Lela. It would have been different if your mother was still alive. She would’ve taught you some womanly manners.”
“I think I’m feminine enough.”
“Look at you, blundering around after the men of the village, killing creatures and planning your attack even better than my men.”
“I don’t plan Chief; it just comes to me”
“Making it even worst!” he cried with a hidden pride.
I burst out laughing and bade him good night. He ruffled my hair fondly. “You go to sleep now Masra. Get some good sleep. Tell Reab that too” his eyes sparkled wickedly. Perhaps I hadn’t fooled him after all.
“You tell Reab, won’t you? I won’t see him till tomorrow morning.” I replied demurely.



And here passed, long uneventful days with the occasional nights that Reab and I would sneak out of the huts to spend the cool nights together and forcing ourselves out of bed at the crack of dawn along with the villagers, exhausted but happy. I suspected Chief still had his own wary thoughts, but with a denial somewhere in his mind, he did not seek to expose the truth or confine stricter rules on me through Lela. The few months that went by, I watched as Reab grew from a boy to a man.
A man I loved more than life itself.
One night, as I was lying in his arms I poked a thumb against his forehead and breathed out happily before nestling into his chest.
“What?” he asked me, amused at my random, loving behavior.
“I like to check that you’re real.”
He had no words in reply to that but tightened his hold on me, and swiftly kissed my dark hair with a sudden passion. His fingers caressed my head, and he inhaled the flowery perfume from the brown strands clutched in his hand.
“I wish you a long and happy life.” I whispered softly, afraid of the feelings that were surging through me.
“With you.” he replied back.
“No. Not just with me… anywhere… as long as you’re happy.”
“So with you then…”
Some days after that night, when it was pouring so furiously everyone had retreated back into their huts to cozy up, gossip, and flirt while warming their hands on hot wooden mugs we snuck off and climbed a special tree.
It was special because it was a giant, and very old with gnarled branches and knobs that made it easy to grip on with our toes, but the trunk itself was as smooth as a baby’s skin. It overlooked most of the village and the canopy was so thick it protected us from the rain except for the small wet drops that would escape through.
The tree stood apart from the woods and was very difficult to get to. One had to climb several other trees to reach it, ducking in and out of the tangle of branches up in the canopy like a maze. Only Reab and I had spent enough time up there to discover the path in reaching it. We were yet to discover how to reach it without getting scratches and bleeding scabs all over our skin.
Every time the thunder roared deafeningly Reab would yell, “I love you!” and no one could hear but Reab, the heavens, our special little tree and I.
He was so beautiful; like a lithe dangerous animal and his muscles were graceful and strong as he climbed around on the branches. I wished for the rest of our days to be like this and I remembered the lines he had recited to me only a little while ago,
““A million stones on fire with wishes
Yet the brightest star is not up there”

*

A distant roar erupted. The stars had not granted my wish, they had granted my deepest fear. The sound of drums rumbled steadily over the noise of screaming villagers, over the noise of animal fear in those I loved and lived with.
It was the sign that our enemies were finally in sight. We had been waiting for there attack all year long.
Lela grabbed me by the arm. “The chief says all women must flee!” she gasped and choked. Her eyes were leaking with tears. I stubbornly shook away her hand and I could see the desperateness growing in her eyes.
“There is no time to cry Lela”, I tried saying confidently but my voice shook. “Where is Reab?”
Even in her hysterical state she did not want to answer the question I already knew the answer to. “Where is Reab?” I repeated. When she did not reply I narrowed my eyes.
In the face of danger I had never been woman-like and cowered.
Chief had raised me stare any wild beast straight into its cold, predatory eyes before slaying it. I was not unfamiliar to thrusting a jagged dagger into the heart of danger.
I would not leave a man I loved behind like the running footsteps of women carrying their babies, pushing old people along, and dragging wailing children were doing.
I would not leave and I would fight when I could.
Lela stared at me as if she’d just read my mind.  “You may not fight Masra!” she cried. I pushed her aside.
“Help the women evacuate! Grab a baby, help a village elderly; just do it Lela!” I yelled violently and ran through the women who were running towards the woods.
I shoved women aside to get to the battle. My long legs tangled with the other woman, and I fell on my knees. They were both bleeding badly when I got up. Running with my knees stinging, a huge man suddenly grabbed me and swung me to face him. For one moment, I thought he was Reab and I clutched onto him; then I saw it was Chief, and I clutched to him even tighter.
“Chief, please don’t make me go away! Please let me fight with you!” I was screeching and begging with no sanity left in me.
He smiled weakly, “I wanted you to come without little Lela, I knew you would be headed this way. I have not much time Masra, my men need me. I have something I want to give you to make sure you will be safe enough to last through this war if I die,” he spoke softly.
I shook my head and hugged him. “But- but you- you wont!”
Chief gave me a sad smile. “I don’t know that.”
His brown hands reached to his neck and tugged a simple black leather string free. He shoved it into my hands. “Remember this, Masra. Just say to it, ‘Jack, Jack, shine the light’ when you feel there is nobody left in the world for you. Be ready for what happens. Goodbye Masra…”
He touched my cheek and warmth spread though me, momentarily making me feel safe.
“Why Jack?” I asked wretchedly, in a detached curiosity and trying to prolong the moment that Chief would be safe.
Jack was a commoner’s name; no one in our tribe was called Jack. We all had strong, powerful names that spoke of destiny, truth and purity.
“Chief Traben!” a man cried from the noises of surging mob of warriors.
“Go, Masra, go!” Chief said hurriedly, and pushed me away before whipping out of sight.
Chief had been like my best friend, my big brother and … my father. I wanted to fight with him, for him. But I knew in doing that, I would go against his wishes, and that was the last thing I would ever want to do.
A sudden thought made me realize I did not have to fight. I just had to be there or I would **** somebody in my own village for leaving behind loved ones. I knotted the black leather string determinedly on my neck.
I ran to the bottom of a slippery tree and climbed up to the canopy and began to duck in and out, swinging between and onto branches in the maze-like chaos of sticks and concentrated leaves to get to the special tree Reab and I shared.
I hid among the thick tangle; so thick no arrows would be able to pierce me and no enemy would see me. Growling and cursing myself, I remembered I carried no weapons with me and hastily patted my clothing to check again.
Then I remembered it would be useless to have any weapons unless I intended to go down there, for the abundant tangle worked both ways. A spear thrown from where I was would only get stuck in the dense branches below.
I could see the battle though, and that was enough: for now. I searched vainly for Reab, scampering along the top, trying to find where Reab was. I was wild with fury for him for coming.
He was just a boy, newly turned a man. He could still run and hide without shame. When I had him back in my arms again, I was sure to hit him and berate him for choosing to fight for me instead of being safe for me.
It never occurred to me once that Reab might be dead.
It still didn’t occur to me when I saw his body lying on the dirt below, with a man from a village - someone I couldn’t recognize from this height- dragging him. I shouted out, careless of the arrows of enemies.
For the first time in my life, I was terrified of blood: the blood that was seeping out of the wound on his stomach. I didn’t think he was dead; I believed he was injured and I thought of all the herbal concoctions I knew that I could paste over the wound to clean and heal it.
It still didn’t occur to me Reab was dead when the man left him by the bottom of a tree to return and fight. The men in our village did not leave those who could be healed. They stayed and helped them heal to the best of their ability before hiding their healing bodies’ safe in a bush. They only left behind those they could do no more for.
I trembled at anger in the neglect one of our men villagers had shown Reab; the disrespect in it. I would **** him if he were not killing our enemy. Somehow, in the wild pulsing of my body, I found myself climbing down and creeping stealthily to where Reab was and pulling him to safety in a bush.
When he was safe in the bushes, I held him and whispered to him that I was here. I said hold on Reab and I would go and make sure he was safe. I was sobbing. I could not comprehend what was happening for my mind had gone numb and blank.
How could a man who I loved so much bleed so much? All I knew was Reab was not moving in my arms and he must be terribly hurt.
I pressed my fingers to the blood on his stomach. I knew no man could have survived such a wound and so much lo