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Scott M Reamer Apr 2013
Man life know just set eyes way like young world soul day hunger space mouth earth thoughts ignorance blind things mind knew final moment human creation kind creatures souls high forgotten dream love spoke self existence face holy deep bound think home void say surrender ear forever called held ephemeral red state end shall heed hope edge living waking fall sea wake garden need February thought past wanderer got men page colored tepid terrible **** proudly untitled features point painted faceless box forgot render wild spring splendor  handfuls looking half brain lost torn ancestral  unseen vision inner summer honor mister owned banner save today fear groans wasn't smoke  street fable strange year contrast black years  able pain body spoken word known motion  palpitate reeling nature culture disclaimers  cancer beg attentive frames ****** base profound double remember wholly finger death token  cries continue folk oh fishing form broken true  divides spread ah twas away breathe wait warning hallowed wish closer lens turn eye live  constant current author hung theory dangle  bramble chemical new force changes adderall  anymore giving beneath possess pardon commentaries eternity internal walk reason  long change does idea glimpse consciousness  wandering simply wonder physical dreams war  sleep told rest benign prior begging truth little  2012 born tale crow bowels allegory animal rule  exasperate making horse curse hands ones read  rearrange capture doing command fail awake  aperture seedlings shift steely sir nap spead ****** demons slits clever telling loud spits la-la-di-dah killing slip game reflected nameless ask  lovers rabid bear salivate plunder shameless  famously savior mint rides menthol bully fate traded melodies play misunderstand mammals gentle witless fine utterly savage silt tongue-less  dirt dilutes pure non-sensory taste briefly ravage dismember it''ll shedding ruined curtain  knots offers plot fulfills munificent two-act  relegates boxz bug altruistic wintergreen tossing  callously guise grovels one's singers treachery ashes mid-life mutter fashion parading  ambiguity separatist liars staple steeping neath  guidelines scoffing stitch moans civil wrote  Fictitious undoing fables table effigies serve  sonnets staged remark psalm swoll praise harken  beggar verse bread lines heavily electricity detection snow sack-happy preaching credit  spotted wicked best gravity gun campaign owe  barge choir revelry celebratory satiated sinking  headline pack hound persistently propaganda  gentlemen excluding diminished ******* run idles  occupied levies wolfishly honestly misinformation cuba vehemently dumb grace spectator erasing  toned sage crowded secrets inter-connectivity  loaned prayer hymns grave mistaken magnified  vandals selective jump leak escapes says minister  buckle mass honesty shut tar children's hats  monument doping long-lived electrical ladle  exaggerated cartoons address seconds cool cradle bleak yang's mind-framed hypnotic  walker caps folly treble claim streaks mixtures  swelled interstate elapse teasing spoon mobile  succulent witchcraft borderline fatal 99 temple stacks sups plastics creeps neurotic ills tossed  meek sipping old crack interlock wax alleyway  coughing blown freak clock birthdays societies  slow flashing viscous candy argument toothless  pills cerebral rapt wall bisect lives wheezing  photo kid starter foiled pair saturated self-castrating pre-packed naked uncertainly pill  used came chaos coated reprisal fells wrack  irreverent mirth sickly disinherited proudest  collate wheeze appearance palette disharmony  discontented bastardized emotive bio inhale diction beat spoiled reclamation loudest tempo  totally disembodied matte imperfect shells flat  struck sounding imparts flak origin severance remarked bone walls snared leaflets mocking  hot scripting adjective noun agape seemingly  resistant gawk calamity passage paintings wind  trashcans signings sits cheap makers poetry persist scrap slipping individual talk wonders  leaving questions fold actor fancy parchment  fates engenders flown jaws stripped longer music  sacrifice fakers book boldly frown sigh atop patient hang trade occupation blows spectacular  whispers worthy backward waving certainty danced suppose needn't ‘drawkcab’ second-guessing  boys forget marched motto heads tightly lies two-tone earthbound harp twice turns goodnight  lying ***** internally indiscriminate nickname  drunk convictions myth steep  in-consumption  fitting artist **** universal sick expressions bad  du spell melody big siphon proud learn sprawls song spastic something temperaments utter check  fissures stomp totality blend definitely thrall sing rug voice shade pestilence ties commiserate round devil steady brains emotional certain gate  suckling gates dearth decay weight bounce pound  carrier pangs glass startle contest earthen web  tug pressed air patience flush amassed guest gone apprehension staring empathize captain believe fading in-perceivable deathbed guarder makes surrounds scatter drooling ebb blink cob tome  venom near door lair derision draws host stairs scent parts curiosities spider webbing surprise wares tips stepping ascetics starkness realize picture surroundings dictations grand pillars  deaf limited comparisons greet visual residents  personal settings dismiss alien law stability common earthly shiftless places prelude  understanding mosaic keen trifling embodiments  geared inception whisper visible jowls kiss murky  puddle rank dawn dichotomy single faithful fraying pays tailor veil climb mores pence whim  breath wellspring samara god stony pear  shadows fruiting forebodes moonlit looming  shown passed bog gold wracked faint tongues  noble preachers mirror shifting layered depth  threads jungle narcissus bemused seamstress self-worshiping architect's wore slumber anomalous  opened barren seam lip caustic scene coupled brick gardener's clenches -with forms idle breed  embodied lore starving empathy design illusion  tree coat fabricate lucid mason scatter-all  narrative seeking imbued 16th shivering chemicals 17th 15thrisk improperly dare  deliberate plan purge try brought chapter speed  aide utmost spirit leading intervention felt  recall recent advent sincerity times diary  lackluster piously lasting happy holding hear  stem tasteless whimpers wet spine monstrosity  dripping causes position quite softly claws pallet  answer digging tearing beast satiating circle breaks skips redwoods beckoning rotted hushed  gray lapsing monoliths deities creborus  imbuement hand stroll paradigm rendered chorus shy whispering forest residual tension  surrenders tolerance lull anew sentenced  bearing tide birds dirge divergent rim joined  cogs wood hesitant mist emergent towering offer  awareness confinement inverted faultier stowed  plane sanctified blanketing trusting memory fossil flash twists laden self-indulgent fleeting invitation agony grip shore impetus lingering  crows promise gift union swallowing endless floor supposed ecstasy sensory intent  psychotropic cradling placement interned  jagged connectivity exchange congenial begun  summons singular spiral assumes ambient reciprocates re-entry fruition reached aggregate lifetime limbs birthed instinct  frightening tarry proper entire light  boundaries innocence pursuit ago discover left  youth's unknowing sacred time place meager  simple fact cast ceaseless wide-eyed literal  apparent coincidence create boldness morphed  crooked kempt mere stumble buried shutter fairy  pivotal definitive months worth shear ambition sound required journeyed self-reflections title  facets vague restless intimation gut wanderer's  leap motivate path account boy soon bears faith  question tripped reasons uproot awaited confronted days step heal provocations wisps crushing transcend chronicles instance  directness raw drove occurrence objective-less  real enters slightest confident nondescript  typify  foreshortened interment paradox bitter heart  devoid jeopardy angry sensation confidential guilty arrogance mercy compliance reprieve  vincent deadening factual sign emotion awe  inhibition shackled butterflies absence actual sciences acknowledgement violent stagnant  spiritual American doors roots lack matted fore  gestures society cause streams intensity hair impossible discord lonely hearts resounding  jest  what's flavored pains closed toxic contented  happenstance scientific knowledge yeah  wizardry shaking stifled withdrawn bloom  jitter dreads settle asocial hulton make  predisposed figurative reflections demeanors  wondered affect hulton's projected sense  morning industry arrays ghosts feeling  certainly endomorphic where's partially wrath  passer mornings jovial unease advertized asking  trash onward wished tempers media mentality connect pasts sharp-toothed scramble great colours trial test salvation continually lent  degree secretly subjection social waned  disconnected colors grimly intellectual civilization cash trading baffling particular  digest myths monumental ending seasons winter  repetition introducing agent everlasting  shoulders delivered honestly-- possession funny  continence history unsightly function suffering propulsion profession divulge familiar tugs era  importance capability perpetuation spite inventory words entirety leveling fray insight  date record continues writer getting evermore fellow tongue possessions identical proof accuracy education similar sack admittance  favor unravel conveyance guilt gives beginnings  predicting audacity definition bobby heady eaters frameless learned release stone grandeur sang  speak molds sleeps split built seats people folded  sheer pour evoked playhouse liquid boring  tellers frayed stark walked reality pleas doth  preformed shows beak pride squawks opinions  greatest bold stunning sightings he'd loudly slain  sunk watch legend precipice theater deeper compound commentator civility justly silly sin  reverent seen prophetic moral confounds notion  lacking explain attempt prolific viral estrange proclivity scorn hide blur pious strung eden's  horror cut skin arch cruel twig mother vile  pass lend woods peach shrunken trail man's canopy worn 434 eat warm limb familiar father delete.

You are what your reading lady. Now would you hold this gun?
Amitav Radiance Dec 2014
When you try to uproot
And displace precious lives
Remember,
Roots grow much deeper
For the soil nurtures for ages
Not to let go
Roots spread their arms
Holding tightly to the loving *****
Growing resilience
And the trunk of will
Leaves of glory, and
Fruits of love
You may well uproot
Feeling triumphant
But you cannot displace the roots
From then shall spring new foliage
For roots are holding hands
To create a cradle
Where love is tended
And thus, born are the bravest
You may keep trying
But you won’t go deeper than the roots
PERSONIFICATIONS.

Boys.            Girls.
  January.                February.
  March.                  April.
  July.                   May.
  August.                 June.
  October.                September.
  December.               November.

  Robin Redbreasts; Lambs and Sheep; Nightingale and
  Nestlings.

  Various Flowers, Fruits, etc.

  Scene: A Cottage with its Grounds.


[A room in a large comfortable cottage; a fire burning on
the hearth; a table on which the breakfast things have
been left standing. January discovered seated by the
fire.]


          January.

Cold the day and cold the drifted snow,
Dim the day until the cold dark night.

                    [Stirs the fire.

Crackle, sparkle, *****; embers glow:
Some one may be plodding through the snow
Longing for a light,
For the light that you and I can show.
If no one else should come,
Here Robin Redbreast's welcome to a crumb,
And never troublesome:
Robin, why don't you come and fetch your crumb?


  Here's butter for my hunch of bread,
    And sugar for your crumb;
  Here's room upon the hearthrug,
    If you'll only come.

  In your scarlet waistcoat,
    With your keen bright eye,
  Where are you loitering?
    Wings were made to fly!

  Make haste to breakfast,
    Come and fetch your crumb,
  For I'm as glad to see you
    As you are glad to come.


[Two Robin Redbreasts are seen tapping with their beaks at
the lattice, which January opens. The birds flutter in,
hop about the floor, and peck up the crumbs and sugar
thrown to them. They have scarcely finished their meal,
when a knock is heard at the door. January hangs a
guard in front of the fire, and opens to February, who
appears with a bunch of snowdrops in her hand.]

          January.

Good-morrow, sister.

          February.

            Brother, joy to you!
I've brought some snowdrops; only just a few,
But quite enough to prove the world awake,
Cheerful and hopeful in the frosty dew
And for the pale sun's sake.

[She hands a few of her snowdrops to January, who retires
into the background. While February stands arranging
the remaining snowdrops in a glass of water on the
window-sill, a soft butting and bleating are heard outside.
She opens the door, and sees one foremost lamb, with
other sheep and lambs bleating and crowding towards
her.]

          February.

O you, you little wonder, come--come in,
You wonderful, you woolly soft white lamb:
You panting mother ewe, come too,
And lead that tottering twin
Safe in:
Bring all your bleating kith and kin,
Except the ***** ram.

[February opens a second door in the background, and the
little flock files through into a warm and sheltered compartment
out of sight.]

  The lambkin tottering in its walk
    With just a fleece to wear;
  The snowdrop drooping on its stalk
      So slender,--
  Snowdrop and lamb, a pretty pair,
  Braving the cold for our delight,
      Both white,
      Both tender.

[A rattling of doors and windows; branches seen without,
tossing violently to and fro.]

How the doors rattle, and the branches sway!
Here's brother March comes whirling on his way
With winds that eddy and sing.

[She turns the handle of the door, which bursts open, and
discloses March hastening up, both hands full of violets
and anemones.]

          February.

Come, show me what you bring;
For I have said my say, fulfilled my day,
And must away.

          March.

[Stopping short on the threshold.]

    I blow an arouse
    Through the world's wide house
  To quicken the torpid earth:
    Grappling I fling
    Each feeble thing,
  But bring strong life to the birth.
    I wrestle and frown,
    And topple down;
  I wrench, I rend, I uproot;
    Yet the violet
    Is born where I set
  The sole of my flying foot,

[Hands violets and anemones to February, who retires into
the background.]

    And in my wake
    Frail wind-flowers quake,
  And the catkins promise fruit.
    I drive ocean ashore
    With rush and roar,
  And he cannot say me nay:
    My harpstrings all
    Are the forests tall,
  Making music when I play.
    And as others perforce,
    So I on my course
  Run and needs must run,
    With sap on the mount
    And buds past count
  And rivers and clouds and sun,
    With seasons and breath
    And time and death
  And all that has yet begun.

[Before March has done speaking, a voice is heard approaching
accompanied by a twittering of birds. April comes
along singing, and stands outside and out of sight to finish
her song.]

          April.

[Outside.]

  Pretty little three
  Sparrows in a tree,
    Light upon the wing;
    Though you cannot sing
    You can chirp of Spring:
  Chirp of Spring to me,
  Sparrows, from your tree.

  Never mind the showers,
  Chirp about the flowers
    While you build a nest:
    Straws from east and west,
    Feathers from your breast,
  Make the snuggest bowers
  In a world of flowers.

  You must dart away
  From the chosen spray,
    You intrusive third
    Extra little bird;
    Join the unwedded herd!
  These have done with play,
  And must work to-day.

          April.

[Appearing at the open door.]

Good-morrow and good-bye: if others fly,
Of all the flying months you're the most flying.

          March.

You're hope and sweetness, April.

          April.

            Birth means dying,
As wings and wind mean flying;
So you and I and all things fly or die;
And sometimes I sit sighing to think of dying.
But meanwhile I've a rainbow in my showers,
And a lapful of flowers,
And these dear nestlings aged three hours;
And here's their mother sitting,
Their father's merely flitting
To find their breakfast somewhere in my bowers.

[As she speaks April shows March her apron full of flowers
and nest full of birds. March wanders away into the
grounds. April, without entering the cottage, hangs over
the hungry nestlings watching them.]

          April.

  What beaks you have, you funny things,
    What voices shrill and weak;
  Who'd think that anything that sings
    Could sing through such a beak?
  Yet you'll be nightingales one day,
    And charm the country-side,
  When I'm away and far away
    And May is queen and bride.

[May arrives unperceived by April, and gives her a kiss.
April starts and looks round.]

          April.

Ah May, good-morrow May, and so good-bye.

          May.

That's just your way, sweet April, smile and sigh:
Your sorrow's half in fun,
Begun and done
And turned to joy while twenty seconds run.
I've gathered flowers all as I came along,
At every step a flower
Fed by your last bright shower,--

[She divides an armful of all sorts of flowers with April, who
strolls away through the garden.]

          May.

And gathering flowers I listened to the song
Of every bird in bower.
    The world and I are far too full of bliss
    To think or plan or toil or care;
      The sun is waxing strong,
      The days are waxing long,
        And all that is,
          Is fair.

    Here are my buds of lily and of rose,
    And here's my namesake-blossom, may;
      And from a watery spot
      See here forget-me-not,
        With all that blows
          To-day.

    Hark to my linnets from the hedges green,
    Blackbird and lark and thrush and dove,
      And every nightingale
      And cuckoo tells its tale,
        And all they mean
          Is love.

[June appears at the further end of the garden, coming slowly
towards May, who, seeing her, exclaims]

          May.

Surely you're come too early, sister June.

          June.

Indeed I feel as if I came too soon
To round your young May moon
And set the world a-gasping at my noon.
Yet come I must. So here are strawberries
Sun-flushed and sweet, as many as you please;
And here are full-blown roses by the score,
More roses, and yet more.

[May, eating strawberries, withdraws among the flower beds.]

          June.

The sun does all my long day's work for me,
  Raises and ripens everything;
I need but sit beneath a leafy tree
    And watch and sing.

[Seats herself in the shadow of a laburnum.

Or if I'm lulled by note of bird and bee,
  Or lulled by noontide's silence deep,
I need but nestle down beneath my tree
    And drop asleep.

[June falls asleep; and is not awakened by the voice of July,
who behind the scenes is heard half singing, half calling.]

          July.

     [Behind the scenes.]

Blue flags, yellow flags, flags all freckled,
Which will you take? yellow, blue, speckled!
Take which you will, speckled, blue, yellow,
Each in its way has not a fellow.

[Enter July, a basket of many-colored irises slung upon his
shoulders, a bunch of ripe grass in one hand, and a plate
piled full of peaches balanced upon the other. He steals
up to June, and tickles her with the grass. She wakes.]

          June.

What, here already?

          July.

                  Nay, my tryst is kept;
The longest day slipped by you while you slept.
I've brought you one curved pyramid of bloom,

                        [Hands her the plate.

Not flowers, but peaches, gathered where the bees,
As downy, bask and boom
In sunshine and in gloom of trees.
But get you in, a storm is at my heels;
The whirlwind whistles and wheels,
Lightning flashes and thunder peals,
Flying and following hard upon my heels.

[June takes shelter in a thickly-woven arbor.]

          July.

  The roar of a storm sweeps up
    From the east to the lurid west,
  The darkening sky, like a cup,
    Is filled with rain to the brink;

  The sky is purple and fire,
    Blackness and noise and unrest;
  The earth, parched with desire,
      Opens her mouth to drink.

  Send forth thy thunder and fire,
    Turn over thy brimming cup,
  O sky, appease the desire
    Of earth in her parched unrest;
  Pour out drink to her thirst,
    Her famishing life lift up;
  Make thyself fair as at first,
      With a rainbow for thy crest.

  Have done with thunder and fire,
    O sky with the rainbow crest;
  O earth, have done with desire,
    Drink, and drink deep, and rest.

[Enter August, carrying a sheaf made up of different kinds of
grain.]

          July.

Hail, brother August, flushed and warm
And scatheless from my storm.
Your hands are full of corn, I see,
As full as hands can be:

And earth and air both smell as sweet as balm
In their recovered calm,
And that they owe to me.

[July retires into a shrubbery.]

          August.

  Wheat sways heavy, oats are airy,
    Barley bows a graceful head,
  Short and small shoots up canary,
    Each of these is some one's bread;
  Bread for man or bread for beast,
      Or at very least
      A bird's savory feast.

  Men are brethren of each other,
    One in flesh and one in food;
  And a sort of foster brother
    Is the litter, or the brood,
  Of that folk in fur or feather,
      Who, with men together,
      Breast the wind and weather.

[August descries September toiling across the lawn.]

          August.

My harvest home is ended; and I spy
September drawing nigh
With the first thought of Autumn in her eye,
And the first sigh
Of Autumn wind among her locks that fly.

[September arrives, carrying upon her head a basket heaped
high with fruit]


          September.

Unload me, brother. I have brought a few
Plums and these pears for you,
A dozen kinds of apples, one or two
Melons, some figs all bursting through
Their skins, and pearled with dew
These damsons violet-blue.

[While September is speaking, August lifts the basket to the
ground, selects various fruits, and withdraws slowly along
the gravel walk, eating a pear as he goes.]

      
Kiernan Norman Jul 2014
We didn’t bloom together the way we should have. We never eyed each other across neat soil; both self-conscious and self-righteous as we sipped the sun and, in quiet bursts, raced to touch the sky.  

We weren't planted by gentle hands in soft plots with room to stretch our limbs and shield our eyes, nor to bud in peace and thrive and find identity in both our own bold blossoms and as a pulsing piece of the whole lavish garden.

We didn't bloom because we erupted.
We running-start-swan-dived into stale dirt and were too close from the very beginning.
We didn’t sprout up straight; we snaked and lurked and left no bit of earth untouched by our vibrant, stencil **** fingers declaring ourselves alive.

By harvest we were tangled beyond repair.
By harvest I didn't know me from you and I liked it.

To be so entwined is lovely but depends on a balance
we could only begin to grasp.
To expand but not uproot requires perfect synchronicity maybe not beyond our years but certainly beyond our maturity. We spread out our emotions like tarot cards on a towel in the grass and reflected in your sunglasses I met the silent pieces of me.
In colorful, grim drawings those quiet, ugly bits floated up veins and settled under ribs.
They stayed silent. Until they began to scream.

And you and I- we didn't have the words;
not our own words that we earned and burned while stumbling across months and plains,
tripping over potholes and finding our feet quicker each time.
We had place-holders words we sang back and forth and splashed around and bathed in.
The words we spoke were profound and cardboard.
We were just reading lines, sharing identical scripts and an ache to be seen
so deep and desperate it was sinful.

We maybe shared the humid cling of regret; which hung heavy in stuck-air auditoriums,
it beaded sweat echoed, rolling down spines and turning blood to sticky wax as we whispered in the corner about the things we could say aloud while our minds never left the things we wouldn't dare.

We were mostly ill-equipped.
We joked about hurricanes
We didn't survive the first storm.

I want you to know you really hurt my feelings.
I want you to know you're the first guy I've given my feelings to hurt.
I want you to know I was terrible towards the end.
And I know that. But you gave up on me

You gave up on me at the exact moment I was giving up on myself.
Even as my tongue stung metallic and veins pulsed so hot and loud
through my eardrum that I felt I would explode- it was clean.
It was all remarkably clean.
and sterile.
There were no explosions.
No shattered plates, ****** knuckles or blown out voices
that scratched and rose in time with the sun.

Just a quick slash of rope-
an anchor cut loose and left to sink;
our secrets were set free to
rust over and collect algae.
We were suddenly off the hook
for any vulnerability we might have spilled
on each other in our fits of laughter
and hours of sleep.
A deep sigh of relief.
A deeper sigh of desolation.

The moment exists in sad yellow lighting that must have been added in restrospect.
I tweaked the floor of my memory too:
at that moment I was not wearing flipflops on linoleum- but sinking, slowly and barefoot, into chilly riverbed mud as it turned to ice.

I opened the door and there you stood.
You knew I had been crying and I didn’t try to hide it
it was too exhausting- running on fumes.

And I did expect something from you,
anything from you, that might dull the singed-dagger plunging
stab to my chest with each breath I gulped and spat .
I wanted anything that might reel me in from the cliffs edge
where my thoughts had carried me on horseback.

But you had nothing.
I watched your eyes swallow my swollen lips and pinched, glassy eyes
like a quick, sharp shot of warm whiskey.
Careful to avoid eye contact you slipped ‘**** this,’
under your breath and started to reach for my hand.

You started to, but then after a second suspended
you let your arm fall back to your body.
Head lowered, jaw clenched and you turned and fled with a new heaviness pushing down on your posture.
It looked painful and adult.
It looked like you finally felt the weight of our season.
And watching you go I shrank in lighter and thicker because I felt it too.

We are not going to get a happy ending-
not with each other and not right now.
Maybe not ever.
And that will have to do.
(Though I will miss your hand in mine.
I hope one day you'll remember being tangled with me and it will make you laugh before you cringe because I didn't like to be alone.)

If I wanted to be alone I would just go home.
pitch black god8 Apr 2018
5 Sensory Deprivation Relevations  (Happy Birthday Will Shakespeare)


I     the smell of sad

odor colorless like *****, similar familiar sidewinder effects,
musty invasive, it has no specificity, no locale centrale, well closeted,
saddling saddlng, in place, plain sighted better to toy our lives,
pervades persists, worse lingers, impervious to sprays
and even everyone’s good literature (even Will’s)
good wishes good intentions and mood prayers
to the nearest lay god
on duty at the spiritual emergency room on weekends,
stink

don’t think that this poem is for you; solely for the writer,
your doppelgänger ******, your mirror’s inside hiding out place,
I, who has your sadness smell into my skin cells crept
waft woof and warp wet weft-woven
into the sad receptacles hidden in my
head’s cubbies and the palms of my tree hands-covering face


there are cures so wonderful and inexpensive but unavailable
at the local Rite Aid, though they are the right aid recoverable,
so closer than close, so close that the internist
cannot prescribe them because he must inject himself first
because the live bacteria in the antidote can **** all

this odor lays down bamboo-strong roots;
to eradicate you must dig down deep,
six feet perhaps more, with heavy earth moving equipment,
uproot at the source, follow sad always all-the-way down and the root
great god gone,
but the saddest truth
stench odor yet present

II    the taste of joy

the joy of cooking is not a gene in my litany possess,
but the buttery taste of joy I know, I know,
it’s a real princess rarity,
the hard costs of finding and keeping it,
I’ve paid endlessly and willingly pay on

the taste of joy is like presents under the tree,
shock surprises delights lives/life, customized, infectious
(except for socks, no matter how joyously exceptional),
joy to those whose buds never blossomed for its taste
readable on some one else’s, anyone’s ****** expression

I think of it as the taste of fast traveling cumulus whites
upon my eyelashes blinking as they are speeding you by, but happy
for ten more behind before the evening stars takes over

the taste of joy is physical, there can be no denying,
concentrations can be found in the lips and the fingertips,
which you think of as a tandem, someone else’s on mine

but it ain’t necessarily so; the taste of joy, shared I, having submitted to others kisses carried on the wind that
found their mark and were well received,
poems from the heart
that arrive well,
as their intended is sleeping, and
as intended, as waking gifts

the taste of joy in droplet tears
when you are notified that words
you joined in holy matrimony made you cry,
because the reader did, wept for two,
the weeping of contentment released,
free at last from container confinement;
this particular taste of joy is in the  
recovery and recognition that these
are not for you,
just joy peculiar these tasted tears for whomsoever sheds them

III   the hearing of truthful

truth am told is oft served cold and hard up for the hearing,
best avoided tween noon and midnight and any time a
bathroom mirror is in the vicinity; though religious men lie
too easily; bathroom mirrors cannot; a character flaw for sure,
but the truth to be trusted is this: no one is truly contented, always there are the richer, the more famous, the employed and
someone above who has more, more burdens of a different sort,
better quality losses and pains unseen not dreamed of

truth tastes terrible and is awful sometimes noisy painful;
it hides well in the stink of sad exposed to the atmosphere when exposed it turns red humans blue

truth may set you free, free to be what are you are or truthfully
an admission of what greatness you have to release the trick is
use the correct scale, do not let the wrong sized ruler rule you,
the truth, if you hear, hear it unfiltered w/o the bias implanted
by not your people; hear your poet voice growl like a blues singer and be truthfully satisfied like no thing no person only you could hear it as you intended it be spoken

IV   touches of fantasy fantastic
secret confess: touch my fav cause when its juiced with
mental visions of what might be, it Saturday satisfies and let me weep happy smile silly and is mine all mind; yes another’s tip
has sorcerer powers of revelation
but alone by myself I yet
relevate
and flow; my hands are right sized, my arms reach around myself for so designed, and the pleasure is mine to give;
mine to take,
neither better or worse if self-administered,
touch myself anywhere anytime and fantasy over dreams wins,
rise up, touch is a language and I speak six or a hundred;
listen to the sounds of touching and be touched human

V  insights for the sightless

at last we close the deprived
with an elegant elevation
sight overrated when imagination exists,
cannot be restrained
this the revelation
you have proffered and preferred all this time

have pity on me
I crystallize the unseen with the replacements
of my conjuring
the other senses lend a hand
telling me look up look up, be life save life
let your madness blossom in the spring airs,
the coolness of a first fingered ungloved snow
sight,
a mathematical function from the other four derived,
sightless an impossibility for with one alone defeat the
sensory deprivation and give tongues to words

epilogue

read my face
incapable of,
deprivation
but how now silent bow my head to Will
for teaching the way of words
traced upon
a fool or a king's tongue,
two too human,
so that poet may ken
his senses keener,
all for the better,
for the betterment of all
and now you understand how came this poem to be writ
in the pitch black
Amitav Radiance Jun 2015
Strong winds may uproot you
Unsettle your stoic resignation
You will be shaken and stirred
Lot of ponderings and doubts
In the middle of nowhere
When gravity does not give hope
Become a fearless traveler
Encounter the strong winds
No matter where you settle
Continue to spread your roots, deeper
Your soul is still with you
Nothing can stop you from reliving
Every unsettling episode
Will teach you to be more resilient
Ayad Gharbawi Dec 2009
THE STORY OF SARA


AYAD GHARBAWI


CHAPTER 3: BEING AN ACTIVIST

  
Gradually, we become ever more radical in our burning quest to uproot every conceivable element of the corrupting culture of the oppressors.
  We soon started to call these oppressors 'Pigs', because that is exactly what they were: overweight, bloated, filthy animals who live simply eat and consume all day, and who love to live in their own excrement.
  The Pigs had to be removed, because you cannot negotiate with a pig.
  It was so obvious to me!
  Some people did, indeed, argue that diplomacy and negotiations were the way to achieve our blessed equality-based society, but that was pure idiocy to me; because, for Heaven's sake, a pig will remain a pig and cannot become an 'enlightened' pig! These criminals, who are creating poverty, and who are killing people, because they do not allow them decent health services, must be completely eradicated, or else, ordinary people will continue to suffer.
  One day I heard Tony give a speech in front of a huge audience: "There's no point in cutting the tail of the snake. No, you must go straight for the head, and that's how you **** it!" And there ensued roars and cheers, from the mainly young crowd. "And, if someone is trying to **** you, what do you do? Negotiate? Talk to them? No, you **** them first, that's what you do! That's who the Pigs are, my friends. They are out there killing you, and so many of you tonight are simply not even remotely aware that you are dying slowly – so, you must, first of all wake up, and realize that someone, somewhere, is draining out the blood of your life, and next you must identify the cancer that is killing you. So, who's the cancer?" Tony screamed, and the by now delirious crowds immediately responded with a thunderous and hate-filled, "Pigs! Pigs! Pigs!"
  "The Pigs talk and teach us about 'morality' and 'respect' and 'decency', and other subjects like that. That's laughable now, isn't it?! I mean, the blood stained mass murderer is teaching us etiquette here?!"
  "No! No!" roared back the audience. "**** the pigs! **** the pigs!" they suddenly and somehow instantaneously started to chant. So, I must correct what many people think about Tony, and that is, he 'invented' and popularized that phrase, '**** the pigs". No, he didn't; it was the audience that night who spontaneously came up with that really exciting and vibrant phrase!
  From then on, violence became more common along with the never ending chants – if not screams – of '**** the pigs!' Every day, and all over the country, the movement had flourished, and there were the most refreshing and gloriously destructive riots in almost every major city.

  It was at this time that I first heard a speech from Omar.
We waited for the man to appear, but he seemed nowhere to be found.
  My God, I heard from so many people that he was the most radical in the deepest sense of the word!
  Apparently, he made Tony sound like a child!
  He also had a well disciplined party – unlike Tony.
  Here was a place that I can find the ‘cause of my life’!
  I could work for Omar and that would be the point of my life!
  The thought thrilled me – because I was already a convert to their ideas, but with Omar, there was a real party that was actively fighting the government, whereas Tony and other leaders like him were independent activists, but with no party behind them.
    Then, Omar suddenly appeared.
  He was of medium height, average looks - but it wasn’t long before you noticed his inexpressibly burning, fanatical eyes!
  I was about a few metres from him, and I could feel the sheer intensity of passion and rage within those eyeballs!
  This man must have absolutely the words of truth, for no Man could look like that and be a liar!
And then he gently spoke:
  "**** the pigs, I hear you say. Well, that's not good enough for me. People like that make me yawn. And, I'm bored of yawning every day. We need more. We need to move on faster. I need speed. It's not just '**** the pigs', it's '**** the cops!', because the cops defend the Pigs and attack us every day; '**** the teachers!' because every teacher does nothing except to teach us with pointless information'. And, '**** every human being' who sides or serves the establishment!”.
  Omar’s eyes were literally able to stab right through your heart and soul simply by staring at you!
  I can well imagine that my reader will not believe me and will say it was because I was a convert to Omar’s ideas that I found his eyes to be so abnormally powerful – but, what do you say to all those people who did not like him, and who met him, and yet, they, too, all said that his eyes were profoundly piercing?!
  So, you see, reader, do believe me – it’s not because I was emotionally enthralled by Omar, that I am describing him to you the way I do!
  He had beautifully framed fingers – I don’t know why I noticed that!
  He had a rather longish nose – maybe, that was one defect in his face, but you hardly noticed that, given the other attractions in this man.
  And then he possessed the deepest, most guttural, and yet so sweetly melodic voice, that I had ever heard, and when he spoke, he simply entranced me – not to mention the thousands of others.
  Omar continued, beginning to raise his ragged voice:
“And, so I order you, tonight, and tomorrow, and every day, to fanatically and ruthlessly exterminate every visible sign, agent, artist, writer, philosopher, painter, sculptor, journalist, teacher, professor, lawyer, doctor, surgeon, banker, engineer, everyone who works in the mass media like the television, every film maker, every scientist, and every single employer and employee of the Pigs."
  The audience now simply shrieked the verb, '****! ****! ****!’ while Omar went silent, amidst this wild orchestra of hate being played out.


  I noticed, that unlike Tony, Omar wouldn't gesticulate or move his hands at all.
  Actually, he just stood there, rock solid, like a statue while only eyes and mouth spoke!
  The man, I swear, looked like a 'human rock'!
  He was the absolute epitome of boundless hatred; of unrestrained defiance against the rulers ruling us!
  Yes, I do admit, and I hesitate to say so, but, yes, he almost did like completely maniacal – were it not for his self control and the beauty of his words!
  The audience relaxed.
  Omar waited until there was silence, and he continued:
  "Do you see the difference between what I am saying and what brothers like Tony say? People like Tony demand from us to uproot the pigs. But what Pigs does he, in fact, mean? Who does he mean, when he says 'Pigs'? He means the rich. That's it.”


  Now, Omar abruptly went silent.
  Tension.
  He was staring at us.
  I could feel that the audience felt nervous precisely because Omar was staring at them.
  Finally, he continued:
  “Can you imagine the limits of his intellect?! To Tony and his misguided followers, the solution facing the problem before us is simple enough: you simply wipe out the rich, and suddenly we have the beautiful society!"
  Omar was sneering, being utterly sarcastic in his voice and tone.
  "So is that it, Brother Tony? Is that all we need to do?”
  There, he stopped again, with a sarcastic, wicked smile on his face.
  The man’s body simply had no motion in it!
  I was waiting to see, if Omar would, at some point, move his body or his arms, but so far nothing!
  He continued:
“My goodness, I never knew that the gigantic problem facing us was to be solved in such a simple manner! But, no, you're being fools. Or, maybe you're fooling your selves. Either way, I don't know, and more importantly, I don't care, because, as I told you all out there listening to me,” suddenly, he began to scream with his rasping voice:
  “I'm a serious man, with a serious mission, and above all, I'm a man in a hurry!"
  Again, Omar went suddenly silent.
  I could sense, that he was deliberately teasing the audience, because they were obviously desperate for him to continue speaking, while he, would every so often stop speaking, thus adding to the tension in the atmosphere!
  The audience laughed, loving the biting sarcasm; obviously there were lots of rivalry and jealousies between the two camps, and so Omar's followers just loved to hear the buckets of insults being poured upon the followers of Tony.
  The mocking tone continued:
  "These fools are retarding our own path to victory! These followers of Brother Tony, are doing the dumbest acts that I have ever seen. I mean, what do you mean and what are you trying to achieve, when you have his followers going to restaurants and disrupting the place? I mean, is this what the definition of 'stupidity' is, or what?!"
  The crowd cheered: "Yes! Yes! Idiots!"
  "Listen here Brother Tony; I would like to say, 'it's all right, you're still young and you'll soon grow up'. But I can't say that. You know why?"
  The audience waited as Omar paused.
  He was staring at his audience.
  Suddenly, he erupted with his deafening scream:
  "I can't wait. Didn't I already tell you that? Didn't I tell you I'm a man IN A HURRY AND I'VE GOT TO DO MY WORK! DON'T YOU PEOPLE OUT THERE GET IT?"
  He roared, and the masses applauded furiously.
  "I don't have time, for children like Tony, and for his own little children, to stand in my way, and wait for them to grow up! I don't have the time, because I have an enemy out there, that needs to be completely, ruthless and fanatically exterminated, root and branch, do you now follow me?"
  "Yes! Yes! We follow!" screamed the masses.
  Silence.
  And then, Omar continued:
  "So, we know who Tony defines as the Pigs. What about myself? We must talk the talk of the brave. If you're scared, then get out of here. Why do I say this? Because this struggle requires the most ruthless behaviour on our part, and to be ruthless, you need to be brave, and to be rave means you have no fear."
  It sounded almost as if he were singing.
  Or maybe it was my imagination.


"So, who are the Pigs, you ask me? Simple. The Pig is a man, woman and child who has any Pig Attributes. What do I mean by 'Pig Attributes'? Very simple. Any human, who has in his brain, any idea, concept, believe and acceptance of any value from the rulers who rule us all. And, what are these 'values' that come from our dear rulers? They are ideas and values such as: there are the simple ones, like the belief in the right to profit, belief in the right of property, inheritance and so on. Then, there are the other beliefs, such as, belief in compassion for the rich, or cooperating with the rich or socialising with the rich. You follow?"
  The audience was silent.
  "That means, any human in our sick society, poor or not, who in any way, not only physically interacts with the rulers is a Pig himself, but also any human, poor or not, who has in his heart and mind, any empathy for the rich is a Pig himself, and so therefore, it follows – and I hope you people out there are listening to me – it means, therefore, that a poor human being who has any Pig Attributes, is a Pig himself, just like the rulers themselves. Do you understand?"
  Silence.
  And then he walked out.


  It was so sudden, because I expect a really screaming end from Omar, but to the surprise of everyone, he ended and simply walked out!
  But, I, understood what he meant.
  Basically, he was enlarging the definition of what it meant to be the 'enemy'.
  This struggle was now going to be infinitely more difficult. With Tony, the war was simple enough.
  We were 'right' while anyone belonging to the ruling class was 'evil' and that was it.
  Obviously, no member in the ruling class can deny that he's in the ruling class! They can even change their accents and their clothes, pretending to be poor, but there are computers and archives, such as birth certificates, school records, and it doesn't take long, to find out a person's origins.
  But now what Omar was proposing, that a Pig is any human being who interacts with the ruling class is evil.
  Also, anyone who has any thoughts that have any Pig Attributes (for example, being pro-ruling class), are also evil, and therefore, had to be eliminated.
  In other words, the poor can be Pigs as well.
  I loved that, because, I was never comfortable with most other left leaders, including Tony, who only focused their ire against the rich.
  To them all the poor were ‘blessed’ and ‘sinless’, and I knew, from my own background, that they simply romanticised the poor, probably because they themselves were all rich people who had never lived one day of their lives in poverty.
  With Omar, being impure, or sinful could be anyone in society – and, your background or class didn’t matter.
  That was far more logical to me!

But with joining Omar’s party, came other problems for me.
How were we supposed to ‘find’ a Pig, or an impure person?
  How can we be sure if a person has the Pig Attributes in his mind?
  It seemed ludicrous to me!
  I had doubts because as attractive an orator that Omar was, once you went home and thought about what he actually said, a lot did not make sense.
  I had so many ideas that contradicted what Omar had to say.
  For example, can’t we achieve our goals by peaceful means – rather than choosing the path of violence?
  And if we must use violence, then why don’t we attack military targets and not civilians?
  Wasn’t it wrong to target civilians and civilian places – like factories, farms, and shops?

  
  There he stood; eyes blazing as ever.
  What makes eyes 'blaze' I wondered.
  They don't actually emit any light, do they?
  So how can one man have such penetrating, piercing eyes that go right to your innermost heart?
  Omar seemed to be made of steel.
  Or, maybe it was all in my imagination, as Sanji would always be telling me.
  It was his personality and also his body language: that stern, stiff way of standing, that seemed to be the epitome of defiance against the evil in the world!
  His whole body seemed to be chiselled from the purest marble; there he stood, this heroic rock, against the tyranny of the storms and the oceans that were crashing on him; and still, there he stood, not only in supreme piety, but also, there he stood, waging a struggle against these very dark forces of evil.
  He will rid our society and our nation from evil, and one day, we shall live in a truly happy country.
  This nation and its sad people, this nation that has so many miserable, poor and unhappy people, will soon be able to live free, happy lives, without the burdens and the shackles imposed on them by the ruling elites.
  He spoke:
"They need to be utterly, and without a shred of human mercy, be exterminated, or else, it is us, who will be exterminated! It is either them or us! We need to cleanse our entire body from these cancerous cockroaches. Don't you people understand? Call it '******', call it 'exterminate', call it 'butchering them' – I do not care; what I do care and what I need in order to breathe uncontaminated, fresh air,  is to surgically and methodically and blindly eliminate the very existence of every Pigs on our land! That is why we have no choice but to fight. The criminals leave us with no choice. If they surrender their corrupting ways agai
Ryan Jones Apr 2012
Ode to a Sunflower


            I dare not speak against her beauty; beauty which encompasses the spirit of truth, the spirit of faithfulness, the spirit of light.

            I was walking alone in desolation when I encountered the blinding sight of my sunflower. There it was staring at me with its inviting eyes, eyes which seemed a little lost, a little troubled, a little like mine. My hand trembled as it wiped the disbelief from my vision. The seeds which I had planted in an attempt to dispel my restless woes had sprout up in a seemingly un-fertile place, a place where I could not fathom I would find my Sunflower. But there it was in all its beauty: eloquent, mysterious and enchanting. A vivid portrait of heavenly grace. all could witness , yet,  one could  possess.

  I dare not speak against her beauty; beauty which encompasses the spirit of truth, the spirit of faithfulness, the spirit of light.

From the moment I found my sunflower I did my best to nurture it, watering its spirit from sunrise to sunset. The beauty for which it possessed was captivating; stirring my very being like no other flower has prior. I spent days, months and years analyzing this gem. I wondered why this sunflower was so singular in its splendor, why after so long in my possession was it still shining brighter than a summer star painted against a black night. My admiration and love for this sunflower matured uncontrollably, cultivating in a whirlwind of blissful sunshine.

  I dare not speak against her beauty; beauty which encompasses the spirit of truth, the spirit of faithfulness, the spirit of light.
            
Though my sunflower possesses the strength of a thousand armies and the magnificence of a thousand smiles, I sense a feeling of weakness when the wicked birds of prey attempt to uproot it from its rightful plot. I caress its pedals and speak to it softly assuring that there is a purpose for the gloom, and that upon all of us the rain of opposition will fall. I clutch its head into mine as splendid pedals of fluorescent beauty tickle my face, making me blush with joy. I whisper to my sunflower as I drop my seed next to her stalk, and I tell it that no matter what storms may sing, there will be no challenge to our garden as long as we continue to grow together.
Dark n Beautiful Aug 2018
Narrative Reportage for 8/2/2018

Home is the word we love to hear:
The dreams are never over,
They are always a break through: after the tears:
An x is lodge in our heads was it the,
rock, a tree, or the hidden board,
Time welt serve: time to cash in
Time uproot the rocks
that tree and those loose boards
would this be a happy ending?

You had choose the life of crime
The crime didn’t nail itself
Every day a black man
Under the age of twenty
Pulls the trigger, they turned off the light
He longs to return to his mother womb:
I see the love of their mothers
While she holds their hands at age three
at age twenty three I see the replacement :
the chrome bracelets: the resentment
Neflex the new society wants us to believe that orange is the new black:
“Our ancestors have invented, we can at least innovate.”
― Amit Kalantri


**“Oh Child
Look within
Find your ForeMothers
Find them
Find them”
― Malebo Sephodi
Nat Lipstadt Oct 2013
I am a man, grandfather to four.
Adherent to the same religion,
Poetry.

Breathing through mine eyes,
Exhaling carbon words,
That with time and pressure become
Poems, verbal musical notes upon life.

Each motion, from tiny to grand,
A capsule of expression,
That if examined under microscope,
Familial DNA, interconnected tissue,
Discovered, tho logic says,  
Time and distance render impossible.

But this is a diamond
This is a writ to be slipped
Upon the finger, the heart, the essence,
Of the only Banyan tree I have hugged.

This poem but a fig,
In the cracks of kindness,
The crevices of caring,
It has slow germinated.

You dear, Sally,
My host,
A building upon I can lean,
When wearied spirits uproot
My surficial composure.

Your seeds carried from east to west,
By a fig wasp, a bird unknown,
An ocean voyager, of indisputable vision, strength.

This seeded messenger, word carrier,
Supplanted in me, and your pupils,
Jose-Bolima-Remillan
Xavier-Paolo-Joshh-Mandrez
Whose very names breathe poems,
in others too, like me and Atu,
Seeds to become new roots, but you,
Our Host official and forever
Planter of trees of loving kindness.

You already know with love and affection,
I call you Grandma Sally,
And when you ask, beseech,
I cannot refuse.

Together we will will banish the sad,
Acknowledge we, that life's ocean,
A mixture of many, even sad, a necessity.

But I promise that will turn it into
Something simple, something good.
For you have asked and I answer you
Right here right now - your wish,
My objective, deep rooted like you,
Like an old banyan tree,
Your roots spread far, spread wide.

So some eve, when to the beach, to the sky
You glance, smile, no matter what, troubles dispersed,
For the reflection of you, seeds, full fledged trees now,
Bending skywards, in search of your rays of expression,
Your maternal wisdom rooted, spread so wide, globally,
All over this Earth, is visible from your
Beloved Philippines.


---------------------------------------
In her own words..

I am a widow,
with five remarkable granddaughters....
all beautiful, intelligent girls.
It is such a waste not to write....
each morning that unfolds is filled
with things to write about....
the people, the birds,
the trees, the wind,
the seas,
everything we set our eyes on,
they are all
poetry in motion.
Life itself is poetry,
I always have pen and paper within reach.
My past experiences are a
never-ending source
of ideas and words for my poems....
I shall write until time permits me,
"til there's breath within me."

-------------------------------------------------
A banyan (also banian) is a fig that starts its life as an epiphyte (a plant growing on another plant) when its seeds germinate in the cracks and crevices on a host tree (or on structures like buildings and bridges). "Banyan" often refers specifically to the Indian banyan or Ficus benghalensis, the national tree of India,[1] though the term has been generalized to include all figs that share a characteristic life cycle...
Like other fig species (which includes the common edible fig Ficus carica), banyans have unique fruit structures and are dependent on fig wasps for reproduction. The seeds of banyans are dispersed by fruit-eating birds. The seeds germinate and send down roots towards the ground.

The leaves of the banyan tree are large, leathery, glossy green and elliptical in shape. Like most fig-trees, the leaf bud is covered by two large scales. As the leaf develops the scales fall. Young leaves have an attractive reddish tinge.[6]

Older banyan trees are characterized by their aerial prop roots that grow into thick woody trunks which, with age, can become indistinguishable from the main trunk. The original support tree can sometimes die, so that the banyan becomes a "columnar tree" with a hollow central core. Old trees can spread out laterally using these prop roots to cover a wide area.
Over 1900+ reads as Nov. 10th.
Sally, That is a lot of friends and admirers you have!
Madisen Kuhn Apr 2014
So often I feel as though I am seen as summer rain,
someone who does nothing but
nourishes thirsty flowers in dry soil,
precious and beautiful and unable to do any wrong

when in reality, there are unseen, hidden parts of me
and secrets I’ve only been brave enough
to whisper to a few, bits of my past
that are journal pages ripped up
and swept underneath my bed

And you are my deepest secret

I took advantage of how you felt for me
and I made you feel like you
were dirt, contaminating me because
I was innocent and perfect and could do no wrong,
but that was a lie I tried to make you believe,
because I had convinced myself
it was true, for so long

I hate that I hurt you

And I hate that I will never
be able to take that back

I cannot stand the thought of you
walking around today, or years from now
thinking of me as a mistake, a waste of time,
a thunderstorm who did nothing but uproot
such special feelings only to
destroy you in your vulnerability

But I pray you don’t think of me at all,
and that you’ve forgotten me

because I cannot stand to think
you’re out there, somewhere
remembering me as someone
who broke you.
written on 2/10/14
Amitav Radiance May 2014
Nature has engulfed the Earth with Love
The roots firmly entrenched on terra firma
Sometimes nature’s fury uproots it all
Bringing with it, devastation galore
Yet, nature heals over time, lush green with life
Kissed with Life, by the eternal rays of the Sun
Water nurtures with the juice of Love
Breathing Life onto this planet
For Nature is Life, and we keep on strangling it
As Nature’s comeuppance may uproot us all
Our fate firmly bound to Nature; do we have a choice at all?*




© Amitav (Radiance)
Like a gypsy I move
Dancing around in the light
Feeling the fallen night
I uproot all that I believe
Pound my fists just to prove my point
I anger so quickly since you went away
Parts of me feel so free
Yet if I had you it would only be you and me  
What is this I made what did I create?
I feel so feverish I’m so weak
I use to read you like my favorite book
I would  trace your face with my finger tips
Now it all seems so dim
I cant leave you alone
I need to inhale your scent
Maybe I’m wrong
But what is it that people need to know
You know me best
You make me tick
I don’t want to pretend anymore that you don’t exist
I know the truth and that’s all that matters

— The End —